| 1. Love Shock |
| 2. You Upset Me Baby |
| 3. Chump Change |
| 4. Let Me Rock You Easy |
| 5. Boot Lace |
| 6. Love Mechanic |
| 7. Call My Job |
| 8. Good Time Charlie |
King Albert,Albert King,Charly UK,Modern Electric Blues,Pop,Rock,Soul,Soul-Blues,Urban Blues
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In Session
Albert King , and Stevie Ray Vaughn Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JTB2 Release Date: 1999-08-24 |
Tracks:
- Call It Stormy Monday
- Old Times
- Pride And Joy
- Ask Me No Questions
- Pep Talk
- Blues At Sunrise
- Turn It Over
- Overall Junction
- Match Box Blues
- Who Is Stevie?
- Don't Lie To Me
Amazon.com
Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well. --Genevieve WilliamsAlbum Description
Originally recorded for Canadian television. The two blues g uitar legends jam on 'Stormy Monday', 'Don't lie To Me' and 'Pride and Joy'. 1999 release. Standard jewel case.Customer Reviews:
Best of the best..........2007-07-23
Unbelievably soulful.......2007-04-03
Rockin From Head to Toe.......2007-03-18
Albert King with Stevie Ray Vaughn........2007-01-24
Outstanding!!!!.......2007-01-22
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Born Under a Bad Sign
Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006878K Release Date: 2002-06-18 |
Tracks:
- Born Under A Bad Sign
- Crosscut Saw
- Kansas City
- Oh, Pretty Woman
- Down Don't Bother Me
- The Hunter
- I Almost Lost My Mind
- Personal Manager
- Laundromat Blues
- As The Years Go Passing By
- The Very Thought Of You
Amazon.co.uk
Born Under a Bad Sign dates back to a time when albums were collections of singles, and when singles, designed for radio and jukebox play, seldom ran more than three and a half minutes. That limitation meant that artists had to make an impact quickly and firmly. In blues, the tendency of songs to go on a bit had to be curbed to produce performances with punch and point. There are few better examples of this process in action than Albert King's 1960s tracks like "Crosscut Saw," "Born Under a Bad Sign," and his story of hot whispers during the hot-wash cycle, "Laundromat Blues." With his thick voice and no-nonsense guitar, King brought absolute blues credibility to the well-made commercial single, and even tracks that were recorded purely for the album, like the aching slow blues "As the Years Go Passing By," became classics. Reissued with the original funky cover art, Born Under a Bad Sign is one of the foundation stones of a blues collection. --Tony RussellCustomer Reviews:
Not his best sounding work by far........2007-04-24
The REAL trendsetter!........2007-02-12
Best Blues Soul.......2007-01-09
Inspired the blues we know so well .......2006-11-06
When you listen to this collection of songs you get an uncanny sense of deja vu. Like you've heard a snippet of a song somewhere before.For instance, "The Hunter" when King is singing " I've got you in the site of my love gun", immediately I recognized that line; However ,I remember it as Robert Plant bellowing it from "How Many More Times" off Led Zepplin's 1969 debut release. Or the style that Albert King had of talking in the songs. For instance "Crosscut Saw" he says "Now watch this" before breaking into a hot lead like he was going to do a trick and trying to get your attention. It made me think of Jimi when he would say "Move over rover, and let Jimi take over". And his guitar playing is profound,laying down a foundation for guitar greats like Jimi Hendrix to build their stellar style upon. It was with great insight that Bill Graham, the founder of the FILLMORE EAST and FILLMORE WEST had Albert King billed with the psychedelic San Francisco bands and white blues bands rising out of England in the late 1960's. Groups like the Yardbirds ,Cream [Eric Clapton] ,Led Zepplin [Jimmy Page], The Jeff Beck group, John Mayall and the Bluesbreakers. Albert King is quilted throughout the blues we know today making his contribution legendary. If you love the blues I strongly recommend "Born Under a Bad Sign" as a worthy addition to your collection.
Not a bad song on here.......2006-10-18
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Live Wire/Blues Power
Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000ZHB Release Date: 1991-11-06 |
Tracks:
- Watermelon Man
- Blues Power
- Night Stomp
- Blues At Sunrise
- Please Love Me
- Look Out
Customer Reviews:
A must!!.......2006-03-03
can't get enough of it.......2005-02-12
BEST BLUES I've heard in MONTHS !.......2004-10-17
Awesome, but Wed & Thurs in SF even better!!!!.......2004-03-24
As great as Live Wire / Blues Power is, it is very misleading to say that these were the best songs of the live SF shows. ALL songs were great, and the "leftovers" that were placed on the Wednesday night in San Francisco and Thursday night in San Francisco were just as good. All three CD's form the greatest collection of the sweetest guitar playing ever!!!! He was the TRUE master. It's amazing how few paople know about this secret pearl of music.
king of the flying v's and more...........2003-12-09
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King of the Blues Guitar
Albert King Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002I7H Release Date: 1989-08-18 |
Tracks:
- Laundromat Blues
- Overall Junction
- Oh, Pretty Woman
- Funk-Shun
- Crosscut Saw
- Down Don't Bother Me
- Born Under A Bad Sign
- Personal Manager
- Kansas City
- The Very Thought Of You
- The Hunter
- I Almost Lost My Mind
- As The Years Go Passing By
- Cold Feet
- You Sure Druve A Hard Bargain
- I Love Lucy
- You're Gonna Need Me
Amazon.com
These 17 tunes come from King's most fertile period, his 1966-68 tenure at Memphis's Stax Records. Stax chief Jim Stewart had been reluctant to sign blues artists because he felt straight blues wouldn't mesh with Stax's patented Memphis soul. Ironically, the fusion of King's sharp guitar wails with the dynamic rhythms of Booker T. & the MGs--the Stax house band--was what set King apart from other bluesmen. The unique blend produced classic after classic: Booker T. Jones' rolling piano propels "Laundromat Blues." Al Jackson's drum shuffle supports "Crosscut Saw." The driving horns of Andrew Love, Wayne Jackson, and Joe Arnold accent "Born Under a Bad Sign." King's ripe and mellow vocals are a perfect match for the soul-drenched music while his dramatic string bends leap out. --Marc GreilsamerCustomer Reviews:
He's the king baby!!!.......2007-05-25
Some of the best Albert King stuff.......2006-05-01
King of the Blues Guitar.......2006-02-26
Albert King's "Personal Manager" is one of the best examples of why he was such a genious. The soft, syncopated piano, the delayed introduction of horns, the gradual build of energy in his voice and the blazing guitar lead send chills up my spine. I love this CD.
King of the Blues Guitar, Albert King.......2005-08-04
Great guitarist and as good sa a singer.......2005-05-09
If you don't have enough money to buy the Ultimate collection, get this. It's worth every penny.
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The Very Best of Albert King
Albert King Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IMS7 Release Date: 1999-04-20 |
Tracks:
- Let's Have A Natural Ball
- Don't Throw Your Love On Me So Strong
- C.O.D.
- Laundromat Blues
- Overall Junction
- Oh, Pretty Woman (Can't Make You Love Me)
- Crosscut Saw
- Born Under A Bad Sign
- Personal Manager
- Cold Feet
- Blues Power (Live)
- I'll Play The Blues For You (Parts 1 & 2)
- Breaking Up Somebody's Home
- Answer To The Laundromat Blues
- That's What The Blues Is All About
- Cadillac Assembly Line
Album Description
The ultimate single-disc tribute to the king of the Gibson Flying V. Blues Masters: The Very Best of Albert King collects 16 of the most influential electric blues tracks ever laid to wax, spanning 1960-1975.Customer Reviews:
The cover says it all........2007-02-05
Who the hell is Michael Schenker in comparison to this most influential 6 ' 4" giant of guitar? Has Schenker influenced more people than Albert King?
Nobody looks as good with a Flying V as Albert nor is noted worldwide for the distinctive tone connected to the guitar.
On this compilation we have possibly some of the finest tracks culled over Alberts career.(the best parts of his career).
"Personal Manager" contains one of the wildest solos ever done on a slow blues. It creeps up you and towards the end Albert runs out of frets and yells in excitement. He must've been in a good mood when he cut this song.
If any are looking for a song that sums up Albert then it's this one although every track on this CD is perfect.
Albert King's talent will live on as the years go by and in theface of every other genre of music.
Needless to say, if you purchase this CD you will have it ALL... i.e Great music & a dynamic cover photo.
REAL blues and REAL good.......2006-10-18
I'm so grateful for Rhino making compilations such as this so those of us who are too young to have been contemporaries of this wonderful music can still have access to it. I also enjoyed the liner notes and biography of Mr. King.
I'LL PLAY THE BLUES FOR YOU !.......2006-06-29
Highly Recommend!!!!.......2005-10-10
best single disc career overview.......2005-05-10
However, the track list isn't stellar: I have nothing against the three pre 1966 selections, but the some of the seven tracks from his most famous period between 1966 - 1968 are odd. Why there is Cold feet, which is pretty good, but no As the years go Passing by which is more of a classic and one of his trademark tunes. It is inexcxusable to have a Best of without it. That's why I put 1 star off. The latter tracks are well chosen, so I hink you should pick this one up if you want to have just one Albert King CD. Just add As the years go passing by and you'll have ***** stars as far a single disc collection can go
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Blues at Sunset
Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000ZLW Release Date: 1993-08-31 |
Tracks:
- Match Box Blues
- Got To Be Some Changes Made
- I'll Play The Blues For You
- Killing Floor
- Angel Of Mercy
- Match Box Blues
- Watermelon Man
- Breaking Up Somebody's Home
- Call It Stormy Monday
Customer Reviews:
Wonderful album; any blues lover will love it.......2007-07-16
Now I Get it.......2006-04-25
I would give it five stars but it is too short.
Blues at Sunset.......2006-02-26
fantastic and amazing albert! .......2005-11-13
Albert King's Only Stadium Rock Concert.......2004-07-12
This CD is a great introduction to King's live style and the differences in his tone and dynamics. I personally love his Wattstax set the best. He never sounded like this before. He has an unknown backing band which I curiously think includes Micheal Toles and Willie "Too Tall" Hall (who played in the Blue Brothers Band) from his last period at Stax Records. He has no horns but still has a fat sound.
The set is great with "Matchbox" showcasing his great Talking Blues abilities "I'm here to hold up the Blues end!". The highlight of this for me is the old King Reords tune "Got to Be Some Changes Made". This is worth the price of the whole CD. It is perhaps the best live track Albert ever did! This blows away even Hendrix on "Red House". The other great track here is "Angel Of Mercy" which features the whole tune (it was editied in the original Wattstax release!). Most people wouldn't realize that this is the only time a Blues artist played at a stadium (L.A. Col.), well, B.B. played in Zaire at the Ali-Foreman fight!! This was in the US. King also once played with the Memphis Symphony too!
The second part of this CD contains the REST of the Montreaux set released as "Blues At Sunrise". It also has the whole version of Stormy Monday which was partly perviously released. A highlight of this set is his version of "Breaking Up Somebody's Home". Great playing! This was a great band with a horn section and Don Kinsey on the second guitar "that's my grandson!!!" He said that also of Little Jimmy King when I saw him in Australia in 1990.
This is a must have live blues CD. Get it with "Live Wire, Blues Power", "Blues At Sunrise" and "Albert Live". All of these performances have different tone, dynamics, phrasing and soul. A great overview of the adaptability and range of wonderful Blues Music.
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Jammed Together
Steve Cropper , Pop Staples , and Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000ZJU Release Date: 1991-07-01 |
Tracks:
- What'd I Say
- Tupelo
- Opus De Soul
- Baby, What You Want Me To Do
- Big Bird
- Homer's Theme
- Trashy Dog
- Don't Turn Your Heater Down
- Water
- Knock On Wood
Customer Reviews:
Not for the pretentious or those looking to unleash the college-boy inside.......2005-08-20
This album is a miracle. Fantastic songs. That's all I can really say. The first song, a "cover" of Ray Charles' "what'd I say" will wake you up faster than any cup of coffee ever could. I didn't think the solos would ever end, and I didn't want them to. At times, all three of them solo simultaneously but never get in each others way...they seem to be helping each other out. Big Bird is another tune that perfectly blends rhythm and blues together for a unique experience. All these dudes are jamming on the same page AT ALL TIMES! The way Ned Flanders prepares for The Rapture, I prepare for a new Steve Cropper/Duck Dunn album. I feel I have missed the bus though.
Snap, Crackle & "Pop"!.......2004-10-22
"Jammed Together" isn't an album of self-indulgent guitar solos and noodling to satisfy egos; the title tells you all you need to know: this is all meat, no filler, folks. Because each of the three guitarists have very distinctive playing styles and tones, you can literally pick them out as you listen to it.
A great example of this can be heard on the rocking instrumental "Big Bird", where Cropper, King and Staples each occupy the left, middle and right stereo channels respectively, but the stereo separation didn't really need to be done so you'll know who is who; as I said, you'll literally be able to identify them with each solo turn.
In addition to the fabulous guitar playing, all three take turns on vocals as well; King leads off with the Ray Charles classic "What I'd Say", Cropper turns in a rare vocal on "Don't Turn Your Heater Down", and Staples on the positively spine-tingling "Tupelo", where his soulful vocals and trademark tremelo-effected guitar give the track a swampy, ominous feel and mood. It's very obvious that this song influenced John Fogerty of Creedence Clearwater Revival, as evidenced by the CCR tracks "The Midnight Special" & "Born On The Bayou" alone.
Released on the Stax label in early 1969, "Jammed Together" is a genuine blues/soul classic; get it now!
The way the blues should be.......2004-10-21
Stax's super session.......2003-03-23
Classic!.......2002-07-25
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In Session
Albert King & Stevie Ray Vaughan Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AZKLF Release Date: 2003-09-30 |
Tracks:
- Call It Stormy Monday
- Old Times
- Pride and Joy
- Ask Me No Questions
- Pep Talk
- Blues at Sunrise
- "Turn It Over"
- Overall Junction
- Match Box Blues
- "Who Is Stevie?"
- Don't Lie to Me
Customer Reviews:
Excellent sound.......2007-06-14
Albert King SRV.......2007-04-03
Blues that cut like a chainsaw.......2006-12-16
No modern guitarist was more influenced by King than Stevie Ray Vaughan, whose admiration and praise allowed him to share the stage in a Hamilton, Ontario TV studio right around the time of the release of Vaughan's "Texas Flood". This summit was long overdue, and is absolutely critical for Vaughan and King fans.
Mind you, there are many rehashes, repackagings and other posthumous releases of SRV, most of which are unforgivable, offering nothing new, only capitalizing on the myth and making a fortune off his memory.
"In Session", however, like "The Sky Is Crying", is one CD that does offer a fresh look at both masters.
King is still the star of this show, and his band provides the powerful backing music as the two titans trade off solo after solo, each careful to not overplay, but not hide behind their amps, either.
Vaughan sounds a lot like King, showing us the bedrock of his style. He was a little flashier, and could control feedback ala Hendrix, but when all is said and done, SRV was the best white blues player period. Brit players like Clapton and Page pale in comparison.
Prime cuts include "Pride And Joy" as handled by King's band, and it thumps and grinds mightily. "Overall Junction" is a King jam and indeed it does. Perhaps the best is "Matchbox Blues", with an absolutely wicked swing beat that allows both guitarists to soar, reaching blues nirvana over and over.
SRV fans will delight in this CD when he was probably at his greatest, and will come away King fans as well, after finding out who got this party started in the first place.
Wish I Could Have Been There.......2006-05-27
Albert's story about Stevie sitting in with him about 10 years earlier when he was just a skinny kid in Austin was amazing. And while SRV was coming into his own at the time of the session, he was still paying a lot of respect to Albert. There was this aspect of passing the baton from one generation of blues players to another about this session.
Finally if the combination of 'Who Is Stevie' and 'Pride & Joy' doesn't have you smilin' and hummin' along - then you just don't like the blues.
You can't go wrong with this CD. In addition to the good music the recording is also pretty realistic. I keep wondering what it would have been like to be in the studio when this session was recorded...
A Jam Session Well Worth Listening To..........2006-02-15
To say that Stevie Ray Vaughan idolized Albert King would not be inaccurate nor would saying that Stevie's style was about 80% influenced by the mammoth Mississippi bluesman. On this album, the songs are mainly from King's repertoire but in many cases Stevie had been weaned on them and practiced them in his formative years so there was not much in the way of adjustment for him here generally speaking.
It starts with "Stormy Monday" which King begins with some of his signature mournful phrasing while Vaughan utilizes a tasteful countermelody in return. Albert's comments as the song was starting off indicate that they have played the song together before and the smooth way they played off one another would seem to verify that. From there a bit of dialogue takes place where they reminisce about old times and at Albert's request, Stevie kicks off "Pride and Joy." From there they moved into "Ask Me No Questions." Unlike the previous song where it was King who had to adapt to a new song, this time it was Vaughan and he does so quite well with tasteful vibrato fills and taking the first solo at King's request. They then dialogue a bit more with Albert asking Stevie to never settle but instead to always strive to work and play better.
At that point, Albert kicks off "Blues at Sunrise" and anyone who doubts that a fifteen minute blues song with a shuffle beat can be kept interesting for fifteen minutes needs to hear these two play off of each other as they do here.
From there, it moves (after some dialogue) into the instrumental "Overall Junction" which has a strident pacing to it. Vaughan starts it off and gets his bits in certainly -based on much of what he plays his familiarity with the original tune (as recorded by King in 1966) is evident to this listener. And King shows on the song for those who would question it that he can move around the fretboard nimbly...a feature he usually saved for instrumentals but not always. They then move pretty quickly into "Matchbox Blues" a longtime King concert staple. Stevie's playing in the song is a homage to Albert and he certainly could authentically approach the latter's style better than arguably anyone else. There is then another dialogual interlude prior to the last song "Don't Lie to Me", a song Stevie would recognize as "I Get Evil." Again the dueling is entertaining when Vaughan goes into the lower registers and Albert encourages him further in the process. That concludes the album but not this review.
The essence of blues playing requires soul and you cannot manufacture it by wanking speed riffs on a fretboard. (I note that here for those who think "better blues playing" means faster playing: that is not necessarily so.) Albert King was a master of the blues and Stevie Ray Vaughan was his most loyal disciple. Indeed, I believe Stevie is the only one who could so flagrantly use King's own signature riffs in his playing without the master himself taking offense. And when you consider that Albert did not take such things lightly --because he developed a unique style and by his reckoning owned it-that is no mean achievement.
Clearly on this album King had in mind to some extent a passing of the torch to Vaughan at one point in the recording because he plainly says so after they finished playing "Blues at Sunrise." Stevie laughs and says he does not believe it but the sentiments sounds convincing enough even if King was to continue playing live after Vaughan's passing in 1990 at the tender age of 35. (The former retired and made comebacks in the same fashion as Frank Sinatra: at least in King's case, he retained his form all the way to the end with minimal if any diminishment.) As far as Vaughan's death goes, King would recount in a 1991 interview published before his own passing that Stevie's loss hurt him deeply and if you listen to the way they interact musically and otherwise on this album, it makes sense. What started out as a young boy and his idol grew into a situation where they were contemporaries and there was a genuine affection between them. Albert seemed to view Stevie as his son in the blues and no father wants to see his son go before him. May they both rest in peace and may this recording stand as a testament to them.
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I'll Play the Blues for You
Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000ZI5 Release Date: 1990-10-25 |
Tracks:
- I'll Play The Blues For You (Parts 1 And 2)
- Little Brother (Make A Way)
- Breaking Up Somebody's Home
- High Cost Of Loving
- I'll Be Doggone
- Answer To The Laundromat Blues
- Don't Burn Down The Bridge ('Cause You Might Wanna Come Back Across)
- Angel Of Mercy
Customer Reviews:
Excellent Blues Album!.......2005-10-03
Albert King's Most Experimental Album........2004-02-08
"I'll Play The Blues For You (Parts One and Two") showcases his singing, talking blues ability and guitar. It features the only use of his famous (to blues players) bass string riff in Part 2 of the tune. SRV used it several times. "Little Brother Make A Way" is a great soul vocal and is the only double tracked vocal he ever did! "Breaking Up Sombodys Home" is a classic blues funk inspired from an earlier tune by Ann Peebles. He vamps it up with a meaty solo. "I'll Be Doggone" is a Marvin Gaye tune made into real soul (like Stax did!!!) I have never fully believed that that track is really live- oh well, it is effective! The solo has true King-style bending.
"Don't Burn Down The Bridge" is a King classic. However, he subsequently was never able to produce the power in this song in later live versions of it. The bending on this tune is the best ever in any blues music, it is Albert's finest creative hour! (I'll stick my neck out!) SRV tries in The Sky is Crying and a couple more efforts, but this is IT!!!!
"Angel of Mercy", another classic minor key blues, was originally a bonus single later added to this LP. This one also features King's finest bending and phrasing. His vocals proclaim "I can't even afford them soup!! A great tune written by Al Jackson Jr the great MG's drummer who also produced Albert's first live LP. The Bar-Kays are good backing for this album, Albert always sounded better with horns although he didn't always use them on the road.
The tune that always gets bagged in this set is "Answer to the Laundromat Blues"- well it's typical filler material- the topic is very sexist and pro-domestic violence (like JB Lenoir's "Talk To Your Daughter"), but the TONE and clarity of his guitar, bends and micro-pitches is truly amazing. I always thought this one of his best solos. The use of wah-wah second guitar dates it a bit, but I love it!
Finally, the pop inspired blues tune "High Cost of Loving" also is a track which seemed was destined for single release, it's short enough for radio play. But it never made it. The solo features great bending, timing and tone. This LP is a classic it shows why Blues is the foundation of all popular music and is the most adaptable of any music genre. B.B. King tired to do the same thing with strings in "The Thrill Is Gone", but stopped after that when he became a household name. Albert continued to experiment throughtout the 1970s.
Fine, soulful 70s blues.......2004-01-13
Released on Stax in 1972, "I'll Play The Blues For You" doesn't quit match his magnificent second LP, "Born Under A Bad Sign", but it is a very enjoyable, melodious blues record, even if it lacks the raw, gritty power of men like Muddy Waters and Howlin' Wolf.
Albert King's soulful vocals are supremely smooth and confident all the way through, and this album includes some of his best recordings of the 70s, "I'll Play The Blues For You", "High Cost Of Loving", and "Little Brother (Make A Way)" among them.
The title track would be even better without the spoken soliloqy half way through part one, but King's fluid guitar playing couldn't be better. When Stevie Ray Vaughan was a boy, he wanted to be Albert King, and you can understand why when you hear King's sparse, melodious soloing, every note ringing clear as a bell.
The Memphis Horns back Albert King on this album, without overwhelming him in the slightest, a credit to the excellent mix and the relatively lean production.
This funky, soul-influenced slice of urban blues is one of King's best Stax sets, and one of his best studio albums, too.
Definitely recommended.
Serene At The Top of His Game.......2000-05-23
Best damn blues LP/CD ever! With props to the two below........2000-02-04
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Years Gone By
Albert King Manufacturer: Stax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000ZIM Release Date: 1989-11-16 |
Tracks:
- Wrapped Up In Love Again
- You Don't Love Me (instrumental)
- Cockroach
- Killing Floor
- Lonely Man
- If The Washing Don't Get You, The Rinsing Will
- Drowning On Dry Land
- Drowning On Dry Land (instrumental)
- Heart Fixing Business
- You Threw Your Love On Me Too Strong
- Sky Is Crying
Customer Reviews:
King + MGs = Must Have.......2004-07-03
Stax sent the new King of the Blues in the studio in 1969 to record this, his first official studio album. "Wrapped Up In Love Again" sets the album off. An even better, tighter version of the song was released as a single. This type of Soul/Blues with its rockin' tempo is something nobody has ever done better than Albert King. On the other side of the coin is the album's closer "The Sky Is Cryin'". Stevie Ray Vaughn's version of the Elmore James staple is pure Albert, but of course Vaughn never had Producer Al Jackson, Jr. as a drummer - Wow!
Nobody's ever come close to Jackson's snare sound, right up front on the great "Heart Fixin' Business". Jackson and his fellow MGs display their unmatched interplay throughout, particularly on Howlin' Wolf's "Killing Floor" and on the delightful "Cockroach", a song that finds King's woman forcing him to sleep on the floor while a big ole cockroach is lookin' up at him. It features one of the most superb bass lines you'll ever here courtesy of King's fellow pipe smoker Donald "Duck" Dunn and brilliant work by Jackson. The great slow Blues of "Drowning On Dry Land" is yet another Albert King masterpiece. This is followed by an instrumental version that is just awesome. It's like a really hot MGs instrumental, complete with great rhythm guitar playing from Steve Cropper, with the added greatness of King's string bending leads. Al Jackson arranged this, and it is perfect. The Memphis Horns, Booker T. Jones's piano, King, Cropper, Dunn, and jaw dropping drumming by Jackson. Incredible!
Try and get the U.K.'s Ace Records release of Years Gone By - Plus. This will give you such great finds as a never released version of Ray Charles's "I Believe to My Soul" and a beautifully done alternate version of "As the Years Go Passing By", where Jones's B-3 organ leads the way as opposed to the horns and Jones's piano on the original classic.
This album should never be lost in the shuffle amongst more seminal King works such as, naturally, Born Under a Bad Sign. It is a great production from the greatest Blues guitarist and greatest band of all time.
Albert King's First Studio Album........2003-11-09
"Heart Fixing Business" and Little Milton's "Lonely Man" are included as tunes with different tempos and I would guess were done to augment this LP's dancablitiy. He does a cover of his own "You Threw You're Love On Me Too Strong" and the track is interesting as it is the only mono track and it is mixed poorly. I have always thought that is was included to make up the LP (they were always 11-12 sides in those days!). Finally there is the classic "The Sky is Crying" unlike Elmore James, Albert does not play slide and does some great and deceptively simple bending solos. Stevie Ray Vaughan thought this was the best ever. Now on the alternate take which you can hear on "Hard Bargain" I think his playing is even better. It is interesting that the Stax people probably thought that his other version was too long for one song (in those days) and put on "Too Strong" instead. Oh well, this is a great and historic CD. I would also buy his "Hard Bargain" CD as well for the extra singles and out takes from this period at Stax. "Years Gone By" is a great record and is topped off with a great cover photo from the Fillmore West.
Albert at his best!.......2003-05-28
Awesome!!! Do not look any further than this one!.......2002-11-29
(Quite a few of the extra tracks were taken from Alberts other c.d "Funky London") I wouldn't be able to hand pick a favourite track because they are ALL GOOD, and this is very rare when you are buying music."Drowning on dry land" is great as is " Don't throw your love on me too strong". Albert had a way of really digging deep and acheiving those two octave bends on his slow blues songs.
This U.S version still features the best tracks, and if you are searching for the BEST Albert King...then here it is!
His guitar can be heard nice and loud and can strip paint off walls easily.... his voice is absolutely in immaculate shape...and just look at that 'psychedelic' cover art work (originally from 1969). ---That picture was once available as a full size poster, and is the grooviest snap of Albert...One that even Austin Powers would be proud of.
Just remember what Joe Walsh said about Albert....quote" Albert King could blow Eddie Van Halen clean off stage with his amp just on 'standby'!!"
This c.d testifies to this statement accurately.
Incredible!.......2001-10-16
World Music:
- Kulia
- L'education Anglaise [Import]
- L'idole Des Jeunes [Import]
- La Caissiere Du Grand Cafe [Import]
- La Chanson Napolitaine. Roberto Murolo
- La Gare Saint-Lazare [Import]
- La Montagne [Import]
- La Servante Du Chateau [Import]
- Le Collection [Import]
- Meine Schonsten Erfolge [Import]
World Music
Talk Talk Talk Pt.1 [CD-single] [Import]
Jazz in Paris: With Dave Pochonet All Stars
A Fire Inside [EP] [CD-single]
World Beaters V.1: Mondo Sixties Garage Mania [Import]
Wolpe: Zeus und Elida Op5a; Schöne Geschichten Op5b
World Music Box [Box set] [CD-single] [Import]