Comme a La Maison [Original recording remastered] [Import]

Track Listings

 
1. Salut!
2. Boom Boom
3. Le Role...On L'a D'ja!
4. General Lee
5. Fantomes
6. Nuits Blanches...Etoilees
7. Vagabondage
8. Quelqu'un Appelle
9. Lavomatics
10. P'tit Blues
11. En Cabane Sur Les Branche
12. Serenity Street
13. Picnic Existentiel Au Bor
14. Cow-Boy
15. Le Bourdon
16. Repaire
17. Melancolie

Editorial Reviews

Product Description
L'original Series. Reissue of the Original Album. Digitally Remastered. Digipack.

Comme à la Maison,Paul Personne,Universal/Polygram,Modern Electric Blues,World Music
Massenet - Werther / Alagna · Gheorghiu · Hampson · Petibon · Courtis · Fouchécourt · Frémeau · LSO · Pappano
Average customer rating: 4.5 out of 5 stars
  • A star among modern Werthers, but there are others
  • Another Smash Hit From The French Opera Specialists
  • ¿El mejor Werther despues de Kraus?
  • Best Werther recording since the 1930s
  • thoughts on "Werther"
Massenet - Werther / Alagna · Gheorghiu · Hampson · Petibon · Courtis · Fouchécourt · Frémeau · LSO · Pappano
Jules Massenet , Antonio Pappano , Roberto Alagna , Angela Gheorghiu , London Symphony Orchestra , Tiffin Children's Choir , Thomas Hampson , Patricia Petibon , Jean-Philippe Courtis , Jean-Paul Fouchécourt , Jean-Marie Frémeau , James Savage-Hanford , Pierre Dupont , and Sophie Boulanger
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Massenet - Manon / Gheorghiu, Alagna, Patriarco, van Dam, Ragon, Rivenq, Panzarella, Koch, Schimmack, Pappano
  2. Puccini - La Rondine / Gheorghiu · Alagna · Matteuzzi · Mula · Rinaldi · Ciofi · Bacelli · LSO · Pappano
  3. Massenet: Le Jongleur de Notre Dame
  4. Puccini - Il Trittico / Alagna, Gheorghiu, Guelfi, Guleghina, Gallardo-Domás, Manca di Nissa, Palmer, Shicoff, van Dam, Pappano
  5. Rossini - Guillaume Tell / Bacquier, Caballé, Gedda, Mesplé, Kovacs, Howell, RPO, Gardelli

ASIN: B00001ZSVU
Release Date: 1999-10-19

Tracks:

  1. Werther: Prelude (Orchestra)
  2. Werther: Act One: Assez! Assez! M'ecouterat-on cette fois? (Le Bailli, Les Enfants)
  3. Werther: Act One: Bravo pour les enfants! (Johann, Schmidt, Les Enfants, Le Bailli, Sophie)
  4. Werther: Act One: Alors, c'est bien ici la maison du Bailli?
  5. Werther: Act One: Je ne sais si je veille (Werther)
  6. Werther: Act One: Jesus vient de naitre!...Chers enfants! (Les Enfants, Werther)
  7. Werther: Act One: Ah! comme ils sont meilleurs que moi! (Werther, Les enfants, Le Bailli)
  8. Werther: Act One: Arrivez donc, Bruhlmann! (Le Bailli, Charlotte, Werther, Sophie)
  9. Werther: Act One: O spectacle ideal d'amour et d'innocence (Werther)
  10. Werther: Act One: Monsieur Werther!...Vivat Bacchus, semper vivat! (Le Bailli, Charlotte, Sophie)
  11. Werther: Act One: Sophie!...Albert! Toi de retour! (Albert, Sophie)
  12. Werther: Act One: Elle m'aime!...Quelle priere de reconnaissance et d'amour (Albert)
  13. Werther: Act One: Interlude (Orchestre)
  14. Werther: Act One: Interlude (continued) ...Il Faut nous separer
  15. Werther: Act One: Mais vous ne savez rien de moi
  16. Werther: Act One: Reve! Extase! Bonheur! (Charlotte, Werther)
  17. Werther: Act One: Charlotte! Charlotte! Albert est de retour! (Le Bailli, Charlotte, Werther)
  18. Werther: Act Two: Prelude (Orchestre) ....Vivat Bacchus! Semper vivat!
  19. Werther: Act Two: Allez, chantez l'office (Johann, Schmidt)
  20. Werther: Act Two: Trois mois! Voici trois mois que nous sommes unis! (Albert, Charlotte)
  21. Werther: Act Two: Un autre est son epoux!
  22. Werther: Act Two: J'aurais sur ma poitrine (Werther)
  23. Werther: Act Two: Si! Katchen reviendra, je vous dis! (Schmidt, Johann)
  24. Werther: Act Two: Au bonheur dont mon ame est pleine...Vous l'avez dit: mon ame est loyale et sincere (Albert, Werther)
  25. Werther: Act Two: Frere, voyez! Voyez le beau bouquet!...Heureux! Pourais-je l'etre encore? (Sophie, Werther, Albert)
  26. Werther: Act Two: Ai-je dit vrai? L'amour que j'ai pour elle Ah! qu'il est loin, ce jour plein d'intime douceur
  27. Werther: Act Two: N'est-il donc pas d'autre femme
  28. Werther: Act Two: Oui, ce qu'elle m'ordonne
  29. Werther: Act Two: Lorsque l'enfant revient d'un voyage avant l'heure
  30. Werther: Act Two: Mais venez donc! le cortege s'approche (Sophie, Werther, Charlotte, Albert)

Tracks:

  1. Werther: Act Three: Prelude (Orchestra)
  2. Werther: Act Three: Werther! Werther!...Qui m'aurait dit la place
  3. Werther: Act Three: Des cris joyeux d'enfants montent sous ma fenetre (Charlotte)
  4. Werther: Act Three: Bonjour, grand soeur! (Sophie, Charlotte)
  5. Werther: Act Three: Va! Laisse couler mes larmes (Charlotte)
  6. Werther: Act Three: Tiens, Charlotte, crois-moi, ne reste pas ici (Sophie, Charlotte)
  7. Werther: Act Three: Ah! mon courage m'abandonne! (Charlotte)
  8. Werther: Act Three: Qui, c'est moi! Je reviens! (Werner, Charlotte)
  9. Werther: Act Three: Ha! bien souvent...Toute mon ame est la!...Pourquoi me reveiller, o souffle du printemps? (Werner)
  10. Werther: Act Three: N'achevez pas! Helas!
  11. Werther: Act Three: Ah! Moi! Moi, dans ses bras! (Charlotte, Werther)
  12. Werther: Act Three: Werther, est de retour...on la vu revenir (Albert, Charlotte)
  13. Werther: Act Four: Entr'acte: La Nuit de Noel (Orchestra)
  14. Werther: Act Four: Werther! Werther! Rien! (Charlotte)
  15. Werther: Act Four: Qui parle? Charlotte, ah! c'est toi!
  16. Werther: Act Four: A cette heure supreme, je suis heureux (Charlotte, Werther)
  17. Werther: Act Four: Noel! Noel! Noel!...Dieu! Ces cris joyeux (Les Enfants, Charlotte, Werther, Sophie)
  18. Werther: Act Four: Ah! ses yeux se ferment!...Non...Charlotte!...je meurs (Charlotte, Werther)

Amazon.com

The modern discography of Massenet's Werther has long been dominated by the (currently out of print) Philips recording starring José Carreras and Frederica von Stade as well as the earlier EMI version with Alfredo Kraus and Tatiana Troyanos. But this EMI newcomer is within shouting distance of greatness, mainly due to conductor Antonio Pappano. Although any Werther succeeds or fails on the strength of its singers, the conductor is a crucial catalyst (on the Philips set, it's Colin Davis, while on EMI it's Michel Plasson) for maintaining the poetic intensity in a drama that can too easily seem like a naive case study in stalking. The Byronic title character essentially practices emotional blackmail on the married woman he loves by never hiding his suicidal tendencies, though one never thinks such mundane thoughts with tenor Roberto Alagna. Although his voice lacks the tenor bloom one might want, he's so at home with the role and the French language that he delivers a characterization full of imagination and immediacy, sometimes bordering on vocal genius. Soprano Angela Gheoghiu's vocal center is too high for this mezzo role, but she makes a vivid impression through the sheer force of her personality. Thomas Hampson gives vocal glamour but surprising dramatic restraint to the role of her husband, Albert. Although the sound quality is somewhat studio bound, Pappano and the London Symphony Orchestra play as if it's a live performance. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars A star among modern Werthers, but there are others.......2006-05-28

The reviewers below have praised this EMI Werther so thoroughly that there's little to add. Gheorghiu is the only soprano besides Victoria de los Angeles (1868, also on EMI) to record this classic mezzo role, and at times one hears the strain as she reaches for the bottom notes. She lacks de los angeles's many emotional shadings, giving us instead a fairly consistent, verismo-tinged passion, but her vocalism as such is thrilling.

Roberto alagna, a native French speaker despite his name, is the only prominent Werther who can claim that distinciton. I've always felt he was much better suited to French opera than the heavier Verdi-Puccini roles that he now sings, and which (shadoes of Carreras) have led to a coarsening of his voice, along with a pronounced wobble and intonation problems. but he is a star, no doubt, and here he brings charisma and style to Wether. He takes care to find many musical shadings throughout, and since the date for this recording is 1998-99, he is nearly in best voice.

Everyone has praised Pappano (are they following the lead of The Gramophone reviewer, who thought he was the best thing here?), but Colin Davis, Georges Pretre, and Kent Nagano had done as well. Pappano;s distinciton is that he is a bit slower, more dleiberate, and self-consciously refined. I'm not sure that's always a great advantage in Massanet, whose music is given to sighs and longueurs--it can use help form an energetic conductor. EMI's recording form London is a bit distant but otherwise quite good.

IN all, this is a gripping peformance that deserves all the praise it has gotten, but it doesn't erase memories of other fine Werthers, an opera that has been amazingly successful on records. The Davis features a remarkable Charlotte in Frederica von stade and a passionate, verismo Carreras in top form (Philips), the Nagano has gorgeous if not quite idiomatic singing from von Otter and Hadley in a more low-key, melliflous style (Erato), and of course there's the classic Pretre version with de los Angeles and Gedda. This only skims the surface, for there is an oustanding live 1977 performance with Domingo and Fassbaender under Lopez-Corbos from Munich (Orfeo). Indeed, when the Amazon reviewer claims that the Plasson set with Troyanos and Kraus on EMI "dominated" the stereo era, he is far from accurate.

5 out of 5 stars Another Smash Hit From The French Opera Specialists .......2006-02-25

Husband and wife singing sensatio Roberto Alagna and Angela Gheorghiu, in another stunning EMI recording, dramatically commit themselves to the passionate characters in this now forgotten opera Werther, which quite possibly is Massenet's best work. Although Alagna and Gheorghiu can sing the Italian opera repertoire with aplomb (Tosca, Trovatore, Boheme, Pagliacci, La Rondine) they have proven time and again that their strongest reperotoire is French opera. As soon as their Romeo Et Juliette hit record stores and stage houses, they were immediately hailed as today's finest French opera singers, a rarity. Not only do they possess beautiful voices but they are intensely dramatic and character-driven. Never more so than in Massenet's Werther, a Gothic romantic drama about the tormented love of the titular hero who kills himself. It's drawn from a popular Romantic-Era 19th century novel - The Sorrows of Young Werther. Both Alagna and Gheorghiu are in great vocal shape. They understand the significance of the text and they are blessed with the talents of their champion conductor, Antonio Pappano, who draws out the power in the musical score with the London Symphony Orchestra. All true fans of Alagna and Gheorghiu will want to own this one, as it is indeed their best work yet.

Roberto Alagna has been criticized for his flawed technique- he sings with self-conscious grandeur and often imitates the lyric tones of predecessors Giuseppe Di Stefano and Franco Corelli. He has a nearly "pop" style voice - all razzzle-dazzle, great volume, beautiful tone, but often fails in the more difficult music. He is however, very gifted and intelligent and attempts to sing with as much passion and drama as possible. I for one love what I hear from him, especially in this recording, where he has never sang better. Angela Gheorghiou sings with her usual dramatic diva flair - thrilling high notes, tessitura, chest voice, musicality and all the good things she has used for other great hits like Juliette and Manon. But in this performance, while it is still good, she is not really in her element. This is a mezzo-soprano role. Charlotte, Werther's unattainable love, must sing with mezzo soprano voice in order to seduce Werther a la Bizet's Carmen. While it is definately a role for a high mezzo, it is not for the purely soprano voice of Angela Gheorghiu. You have to be a fan of these two in order to appreciate Gheorghiu's treatment of a mezzzo soprano role. It is basically the same thing as her Carmen, another mezzo soprano role. If you want to hear outstanding mezzo sopranos in Werther check out the dramatic mezzo style of Brigitte Fassbaender who is by far the best intepretor or check out Federica Von Stade who sings a cooler and less intense Charlotte opposite the supercharged Jose Carreras. Pappano does a great job with the music - bloom, brilliance, darkness and this is by far the best modern recording of the opera.

4 out of 5 stars ¿El mejor Werther despues de Kraus?.......2004-10-23

Sorprendente acierto de la EMI (la casa para la que grababa Alfredo Kraus, uno de los interpretes de referencia del papel de 'Werther') al confiar a una de las parejas mas activas discograficamente del momento, Roberto Alagna y Angela Gheorghiu, la grabacion de 'Werther' en 1999 (justo el año de la muerte del mitico Kraus)
Y digo sorprendente porque quizas ROBERTO ALAGNA sea el mejor interprete de Werther desde el mitico Kraus. Sus interpretaciones son muy diferentes entre si, ya que Alagna muestra un timbre mas baritonal que el liviano de Kraus y un canto mas afrancesado: Un canto elegante y entregado capaz de llegar a los agudos sin grandes problemas, que hacen de Alagna seguramente el mejor Werther de su generacion (y por tanto el mejor despues de Kraus).
Como Charlotte encontramos a la soprano ANGELA GHEORGHIU, en un papel que aunque habitualmente es cantado por mezzos, le queda francamente bien: la voz doliente y expresiva de Gheorghiu se presta perfectamente a la psicologia de Charlotte, y la quimica con Alagna en los duos de amor (sobra decir que es su esposo en la vida real) es total.
Completando el reparto nos encontramos con los lujos de PATRICIA PETIBON (una Sophie cuyo timbre recuerda mucho al de Natalie Dessay) y el Albert de un THOMAS HAMPSON que es todo sutilidad. El resto del reparto rinde tambien a buen nivel.
ANTONIO PAPPANO dirige a la LONDON SIMPHONY (que suena igual de bien que siempre) y el coro infantil canta con mucha correccion. Si a esto le sumamos un sonido magnifico (podemos oir en algunos momentos incluso los susurros de Pappano a la orquesta), esto nos lleva a pensar que este 'Werther' sea la mas adecuada segunda opcion, despues de tener la obviamente obligada de Alfredo Kraus. Muy buen trabajo.

4 out of 5 stars Best Werther recording since the 1930s.......2000-03-17

I will admit that I am "imprinted" on the Georges Thill/Ninon Vallin recording from the 1930s and no recording since then has even come close. But this recording does. Alagna (who is a native French speaker, in spite of the Italian name) has the diction and, more important, the style to sing poor Werther perfectly. Gheorghiu sings beautifully as well, and there is no problem with the tessitura, in spite of Charlotte generally being more comfortable for mezzos. Pappano is an up-and-coming conductor who does himself proud with this recording. I wouldn't hesitate to recommend this one.

3 out of 5 stars thoughts on "Werther".......2000-01-07

Perfect casting for the title role... Alagna feels *good* and sorry for himself...no problems there! Just listen to him belt and bleat through "Pourquoi"...it's no wonder Charlotte changes her mind. "Stop whining!"

This CD is worth your money, provided you already like the opera. Personally, Werther's selfishness drives me up a wall.

There's only one major problem: why is Gheorghiu singing a mezzo role? The middle register of her voice is *not* her best of show.
Comme à la Maison
Average customer rating: 5 out of 5 stars
  • Yes in France we can make the blues !!!
Comme à la Maison
Paul Personne
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
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Modern BluesModern Blues | Blues | Styles | Music
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ASIN: B0000084IE
Release Date: 1998-02-04

Tracks:

  1. Salut!
  2. Boom Boom
  3. Le Role...On L'a D'ja!
  4. General Lee
  5. Fantomes
  6. Nuits Blanches...Etoilees
  7. Vagabondage
  8. Quelqu'un Appelle
  9. Lavomatics
  10. P'tit Blues
  11. En Cabane Sur Les Branche
  12. Serenity Street
  13. Picnic Existentiel Au Bor
  14. Cow-Boy
  15. Le Bourdon
  16. Repaire
  17. Melancolie

Album Details

L'original Series. Reissue of the Original Album. Digitally Remastered. Digipack.

Customer Reviews:

5 out of 5 stars Yes in France we can make the blues !!!.......2000-08-09

Surely the best blue artist in France. A very good guitar player. He playing for another french artists (Eddy Mitchell, Johnny Halliday ...)
Le Chant français, 1948-1965
Average customer rating: Not rated
    Le Chant français, 1948-1965

    Manufacturer: EMI
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000093U3N
    Release Date: 2003-01-01
    Stracciari, Riccardo
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      ASIN: B00004OCS5
      Release Date: 2000-03-21

      Tracks:

      1. Un Ballo In Maschera: Alla Vita
      2. Un Ballo In Maschera: Eri Tu
      3. Ernani: O De' Verd' Anni Miei
      4. Rigoletto: Pari Siamo
      5. Il Trovatore: Il Balen del Suo Sorriso
      6. La Traviata: Di Provenza Il Mar, Il Suol
      7. Faust: Avant De Quitter Ces Lieux
      8. Le Damnation De Faust: Devant La Maison (Serenata)
      9. Hamlet: O Vin, Dissipe La Tristesse (Brindisi)
      10. Hamlet: Comme Une Pale Fleur
      11. Dinorah: Ah! Mon Remords Te Venge
      12. L'Africana: All'erta Marinar...Adamastor, Re Dell' Onde Profonde
      13. Lucia Di Lammermoor: Cruda Funesta Smania
      14. La Favorita: A Tanto Amor
      15. Nabucco: Chi Mi Toglie
      16. Nabucco: Dio Di Guida
      17. Otello: Brindisi
      18. Otello: Era La Notte
      19. Tannhauser: Als Du Im Kuhnen Sange Uns Bestrittest
      20. Tannhauser: O Du, Mein Holder Abendstern
      21. Tosca: Te Deum
      22. Tosca: Gia, Mi Dicon Venal
      23. Zaza: Buona Zaza
      24. Zaza: Zaza, Piccola Zingara
      Ninon Vallin: Opera & Mélodie
      Average customer rating: 5 out of 5 stars
      • The art of Ninon Vallin.
      Ninon Vallin: Opera & Mélodie

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

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      FrenchFrench | Languages | Opera & Vocal | Styles | Music
      CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
      GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
      ASIN: B000000WXU
      Release Date: 1993-01-21

      Tracks:

      1. Le Roi D'Ys: Margared, O Ma Soeur...En Silence
      2. Les Pecheurs De Perles: Me Voila Seule...Comme Autrefois
      3. Carmen: Habanera
      4. Carmen: Seguidilla
      5. Carmen: Les Tringles Des Sistres
      6. Carmen: Air Des Cartes
      7. Carmen: C'est Toi (Final Duet)
      8. Herodiade: Il Est Doux
      9. Louise: Depuis Le Jour
      10. L'enfant Prodigue: Air De Lia
      11. Fortunio: La Maison Grise
      12. Chanson Georgienne
      13. L'ile Heureuse
      14. Les Berceaux, Op.23/1
      15. Phidyle
      16. Chant Hindou
      17. Green (Ariettes Oubliees-5)

      Customer Reviews:

      5 out of 5 stars The art of Ninon Vallin........2004-01-24

      This Pearl issue is one of the few CDs devoted entirely to the great French soprano Ninon Vallin. Listen to the Lalo duet on Track 1 (one of the earliest and best recordings here) and you'll hear a singer who knows perfectly how to maximize her own vocal resources, how to project every subtlety of the French language, and how to cast a spell. Most aspects of her art are well represented here and the transfers are exemplary. I live in hopes of finding a reissue of her recording of Reynaldo Hahn's "La Dernière Valse", a song I heard her sing in a recital many years ago.
      The Complete Gramophone Recordings 1901-1908
      Average customer rating: Not rated
        The Complete Gramophone Recordings 1901-1908

        Manufacturer: Marston
        ProductGroup: Music
        Binding: Audio CD

        All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MeyerbeerAll Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by ThomasAll Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        FrenchFrench | Languages | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        ItalianItalian | Languages | Opera & Vocal | Styles | Music
        ASIN: B000004BOH
        Release Date: 1997-12-09

        Tracks:

        1. La Favorite: Leonor, Viens
        2. La Damnation De Faust: Voici Des Roses
        3. Tannhauser: Jadis Quand Tu Luttas
        4. Guillaume Tell: Sois Immobile
        5. Le Rondel De L'adieu
        6. Roi De Lahore: Promesse De Mon Avenir
        7. Le Soir
        8. Favorite: Pour Tant D'Amour
        9. Hamlet: Je N'Ai Rien Oublie ... Comme Une Pale Fleur
        10. Carmen: Votre Toast Je Peux Vous Le Rendre
        11. Damnation De Faust: Devant La Maison
        12. Tannhauser: O Douce Etoile
        13. Le Chemin Du Ciel
        14. Noel Paien
        15. Fliegende Hollander: Du Temps Passe
        16. Le Rondel De L'adieu
        17. Le Chemin Du Ciel
        18. L'Africaine: Fille Des Rois
        19. La Damnation De Faust: Vrau Dueym Nessueyrs ... Une Puce Gentille
        20. La Damnation De Faust: Voici Des Roses
        21. La Favorite: Pour Tant D'Amour
        22. Hamlet: Comme Une Pale Fleur
        23. Guillaume Tell: Sois Immobile
        24. Tannhauser: O Douce Etoile
        25. Favorite: Leonor, Viens

        Tracks:

        1. Carmen: Votre Toast Je Peux Vous Le Rendre
        2. Le Roi De Lahore: Promesse De Mon Avenir
        3. Le Soir
        4. Noel Paien
        5. Plaisir D'Amour
        6. Herodiade: Vision Fugitive
        7. Don Giovanni: Parais A Ta Fenetre & Tu Ch'Hai La Bocca Dolce
        8. Damnation De Faust: Maintenant, Chantons A Cette Belle ... Devant La Maison
        9. Herodiade: Vision Fugitve
        10. La Favorite: Pour Tant D'Amour
        11. Tannhauser: O Douce Etoile
        12. La Damnation De Faust: Voici Des Roses
        13. LA Favorite: Leonor, Viens
        14. Hamlet: Comme Une Pale Fleur
        15. Guillaume Tell: Sois Immobile
        16. Le Roi De Lahore: Promesse De Mon Avenir
        17. La Favorite: Pour Tant D'Amour
        18. La Damnation De Faust: Devant La Maison
        19. Don Giovanni: Parais A Ta Fenetre & Tu Ch'Hai La Bocca Dolce
        20. Herodiade: Vision Fugitive
        21. Sigurd: Et Toi Freia

        Amazon.com

        Born in 1869, Renaud inherited the mantle of French baritone actor/singers Jean Lassalle and Victor Maurel. He deploys his ample resources with supple restraint and tonal eloquence. Note values are often stretched beyond anything we hear today. One will scarcely recognize Mozart's Don Giovanni Serenade (in French and Italian), for instance, but the traditional ornaments are in place. Perhaps "Pour tant d'amour" and "Leonor, viens" from Donizetti's La Favorite are a tad garish, yet Renaud's ardent approach suits Massenet's Vision Fugitive to a tee, in three different versions. Conversely, the singer's attention to details of rhythm and phrasing in Berlioz's Serenade never detract from the purity of tone. Thorough annotations and splendid transfers add up to a desirable, though specialized, reissue. --Jed Distler

        World Music:

        1. Das Beste-Ihre Grossen Erfolge [Import]
        2. Die Klassiker [Import]
        3. Die Letzte Vorstellung [Import]
        4. Die Schoensten Liebeslied [Import]
        5. Divino Samba Meu [Import]
        6. Dominique Paris [Import]
        7. Einfach Danke [Import]
        8. Eisbrecher [Original recording remastered] [Import]
        9. El Arte Flamenco De Elva [Import]
        10. En Solitaire [Original recording remastered] [Import]

        World Music

        world music

        World Music

        Stairway to Escher [Live]

        Sonic Stock

        The Essential Willie Nelson [Limited Edition] [Original recording remastered]

        City of Neighbourhoods

        Swingin' With Santa [Import]

        Set the Tone [CD-single] [Import]

        Ritual

        That's Life

        Over the Counter Culture [Enhanced] [Import]

        Remede de Fortune

        Sacred System, Chapter 2

        Pastore Di Nuvole [Import]

        Sabor de Olvido

        Fire On The Mountain: Reggae Celebrates The Grateful Dead

        Judy Sings Dylan...Just Like a Woman