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1. Angelina
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2. Tamba Koumba
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3. Bonjour Soleil
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4. Blouse - Die Bluse
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5. Comme un Été
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6. Couscous
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7. Zitronengelbes Klied
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8. Lydie und Der Wolf
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9. Schlomo
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10. Jeux d'Amis
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11. Chanson d'Automne
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12. Momo
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13. Soléne
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14. Fragile
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Bonjour Soleil,Lydie Auvray,Ariola,World Music
Average customer rating:
- Revealing
- Villa Pace Recordings
|
Rosa Ponselle: 1939 Victor & 1954 "Villa Pace" Recordings
Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
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| Falla, Manuel de
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| ( G )
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| Mozart, Wolfgang Amadeus
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| Strauss, Richard
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| Tchaikovsky, Peter Ilyich
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| Wagner, Richard
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ASIN: B000001S3P
Release Date: 1996-11-08 |
Tracks:
- Si tu voulais
- A l'aime
- The Nightingale and the Rose
- When I Have Sung My Songs
- When I Have Sung My Songs
- Ave Maria
- On Wings Of Dreams
- Ave Maria
- Plaisir d'amour
- Jeune fillette
- Beau soir
- Bonjour, Suzon
- La chevelure
- Carmen-Carmela
- El Mirar de la Maja
- La partida
- La Molinara: Nel cor piu non mi sento
- Star vicino
- 'A Vucchella
- Ideale
- Marechiare
- Fa la nana, bambin
- Dicitencello vuje
- Could I
Tracks:
- Amadis: Bois espais
- Rosemonde
- Guitares et mandolines
- From: 'Poem de l'amour et de la mer': Le temps des Lilas
- Von ewiger Liebe, Op 43 No. 1
- Mir traumte von einem Konigskind, Op. 4 No. 5
- Erlkonig, Op. I
- In questa tomba oscura
- Rispetto
- O del mio amato ben
- Aprile
- Amuri, amuri
- I battitori di grano
- Drink To Me Only With Thine Eyes
- The Night Wind
- Homing
- Interview With Ruby Mercer: Introduction And Announcement Of Lully's - 'Bois epais'
- Interview With Ruby Mercer: Comments On Persico's - 'Rosemonde'
- Interview With Ruby Mercer: Comments On Saint-Saens's - 'Guitares et mandolines'
- Interview With Ruby Mercer: Comments On Brahms's - 'Von ewiger Liebe'
- Interview With Ruby Mercer: Comments On Trunk's Mir - 'traumte von einem Konigskind'
- Interview With Ruby Mercer: Comments On Schubert's - 'Erlkonig'
- Interview With Ruby Mercer: Comments On Beethoven's - 'In questa tomba oscura'
- Interview With Ruby Mercer: Comments On Wolf-Ferrari's - 'Rispetto'
- Interview With Ruby Mercer: Comments ON Donaudy's - 'O del amato ben'
- Interview With Ruby Mercer: Comments On Tosti's - 'Aprile'
- Interview With Ruby Mercer: Comments On Sadero's - 'Amuri, amuri'
- Interview With Ruby Mercer: Comments On Sadero's - 'I battitori di grano'
- Interview With Ruby Mercer: Comments On - 'Drink To Me Only With Thine Eyes'
- Interview With Ruby Mercer: Comments On Farley's - 'The Night Wind'
- Interview With Ruby Mercer: Comments On de Riego's - 'Homing And Concluding Remarks'
Tracks:
- Le nozze di Figaro: Voi che sapete
- Tre giorni son che Nina
- An die Musik, Op. 88 No. 4
- Der Tod und das Madchen, Op. 7 No. 3
- Traume, No. 5 From ' Wesendonck Lieder'
- Morgen!, Op. 27 No. 4
- Nur wer die Sehnsucht kennt, Op. 6 No. 6
- L'invitation au voyage
- Psyche
- Tristesse eternelle
- From 'Seven Popular Spanish Songs': Asturiana, No. 3
- From 'Seven Popular Spanish Songs': Nana, No. 5
- My Lovely Celia
- In The Luxembourg Gardens
- Angus Dei
- Ave Maria
- Ave Maria
- Ave Maria
- Ave Maria
- Se
- Colombetta
Amazon.com
Legendary soprano Rosa Ponselle recalled these sessions taped by RCA in her Baltimore home as the only time she enjoyed making records. Fourteen years after her abrupt retirement from opera, her voluptuous instrument (ruby red in the '39 Victors and now tinged with purple) soars to better advantage in the amplitude of her spacious music room than within the cramped confines of the recording studio. Whether in Beethoven, Schubert, Debussy, Mozart, or Tosti songs, or chestnuts like "Drink To Me Only With Thine Eyes," the vocalism is always informed by Ponselle's musical intelligence and sense of style. Romophone brings together all the material from these home sessions, including 75 minutes of music not issued by RCA, plus a promotional interview that reveals a warm, down-to-earth persona quite different from your typical diva stereotype. Ponselle fans need no encouragement to acquire this set. --Dan Davis
Customer Reviews:
Revealing.......2004-12-28
It must be remembered when approaching these recordings that we are not hearing the Ponselle of the Met singing her great roles, we are hearing the Ponselle of retirement, and a long retirement. She seems to have left her career right at its height, and for whatever reasons. She was not idle, but was active in the world of opera in other ways (including working with many now famous singers when they were students: Sherryl Milnes, Beverly Sills just to name two). She approached her music with the vibrancy of her time, which is often at odds with how we would sing such things today (the Mozart aria for Cherubino for example). However, even though we hear a voice that has now started to show wear, not from oversinging, but rather from not being used all that often and from age, we are not listening to someone who has "lost it all." Everything that made her great is still there for us to enjoy and wish we could experience. Her range is no longer seamless as it was during her active singing career (a thing she was noted for), but her legato is a wonder to behold, as it was during her most active singing years. It is no wonder that singing teacher tell students to listen to her recordings to learn what legato is all about (and as a result, Ponselle is one of the most immitated singers in history, but at no time has anyone ever captured her sound, her quality, her depth of tone, her ring, her anything; people may try to immitate the essence of her singing by copying what they hear -- even the great Maria Callas' interpretations in La Vesta sound like haunting echos of Ponselle -- but what was the depth of her interpretations or of her voice no one has ever come close to matching). Her chest notes are raw at times, but they do not ruin the music in any way. Her top notes (which always put terror into her heart, but for the life of me, after listening to all her recordings available, I cannot figure out why -- even after reading her story of why the High C in Aida scared her so much --- her high notes were extremely secure, even a high D flat in the trovatore arias, no strain is evident at any time, not ever!), well, her top notes are at time frayed and not centered as they were. Still, once again, that is not a bother. It is evident that at times she has to "work rather noticeably" to produce her top notes, but there again, we are not offended by what we hear.
What we do experience, and mostly because we have no arias from her great roles to listen to, is the Ponselle way with a song. She just seemed to embrace a song and make it her own. Her interpretation may be enjoyable to you, you may find other singers you like better, but her interpretation is NEVER common and without validity. Each piece is truly her own stamped completely with her emotional and vocal understanding of the text and the music.
That brings me to the diction part of the recording. Her RRRRRR (rolled R, or tongue trill by some) is very pronounced and now days may be seen as tasteless. However, it was the way things were sung then, and not just in Italian (even English actors rolled their R's beyond belief at that time). Personally, the well pronouced rolled R has never bothered me whatever, and in a way, I expect to hear it when singers are singing opera. It is so played down now days, one is sometimes completely unaware an R was even said. Ponselle's diction is incredible, and I don't just say that. Each and every word is completely understandable, even in English (which is crystle clear). It seems that was a common trait back in her day, for in many recordings of that time and earlier that I have the singers are exceptionally clear with their diction (even the Met manager, former singer, Edward Johnson is so clear while singing English -- a collection of Canadian songs -- one is stunned that the poor recordings quality didn't just eat up the words). Perhaps such singers as Renee Flemming and all the other greats of today should play some Ponselle recordings and learn what diction is all about.
These recordings, though made long after her retirement, are still a great testiment as to what she was like as a singer, for they give us all the greatness that was hers. It makes people like me, who were born after she retired (though quite a while before she died, as I remember her well on live from the met broadcasts on the radio Saturday afternoons) wish we could go back in time and hear some real singing.
In addition to the music, we have some interviews with Ruby Mercer, which are a real delight to listen to. No wonder people like Sills have nothing but great memories working with Ponselle. She is truly well grounded. She knows her contribution to the world of music for exactly what it is. There is no false modesty, nor is there any "high mindedness about self." We have a very down to earth person talking about things, even why she chose some of the music she did, in a very down to earth way.
I recommend the set to anyone who loves to hear great singing, even if it would have more appeal to collectors than average people. It is well recorded, and the sound is excellent. It is a treasure to have on any record shelf.
Villa Pace Recordings.......2003-05-15
This recording is a must for anyone who loves to hear art songs sung incredibly. Aside from Rosa Ponselle's voice being arguably one of the most beatiful, distictive, incredible sounding voices (so big that it was troublesome to record), the fact that she is also one of the greatest vocal artists in the world is also evident. Although most of the songs were recoreded when her voice wasn't as capable of stunning high high C's (there wasn't any Aida aria's on this one), her musicality, ability to act with her voice, and her use of language is breath-taking. Especially nice, is her french, it's so clear and clean, yet doesn't sound constricted or bothersome. The best track is the second lower version of "When I have sung my Songs". It is truly phenomenal, and her singing of this piece is a true testament to what this woman was capable of. Also her "o del mio amato ben" some of the most dramatically genuine singing I 've heard. Buy this CD if you want to hear some real singing and one of the greatest voices of the 20th century.
Average customer rating:
|
Symposium Opera Collection Vol. 3
Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD
General
| Delibes, Léo
| ( D )
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| Classical
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All Works by Gounod
| Gounod, Charles
| ( G )
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All Works by Massenet
| Massenet, Jules
| ( M )
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| Meyerbeer, Giacomo
| ( M )
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| Offenbach, Jacques
| ( O )
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| Saint-Saëns, Camille
| ( S )
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All Works by Thomas
| Thomas, Ambroise
| ( T )
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| Classical
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
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| Wagner, Richard
| ( W )
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German
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Italian
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ASIN: B00004SD1G
Release Date: 2000-06-27 |
Average customer rating:
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Olivier Messiaen: Harawi
Manufacturer: Unicorn
ProductGroup: Music
Binding: Audio CD
All Works by Messiaen
| Messiaen, Olivier
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B000001PCC
Release Date: 1997-01-10 |
Tracks:
- La Ville Qui Dormait, Toi
- Bonjour Toi, Colombe Verte
- Montagnes
- Doundou Tchil
- L'amour De Piroutcha
- Repetition Planetaire
- Adieu
- Syllabes
- L'escalier Redit, Gestes Du Soleil
- Amour Oiseau D'Etoile
- Katchikatchi Les Etoiles
- Dans Le Noir
Average customer rating:
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Joseph Kosma: Chansons: Les Feuilles Mortes ("Autumn Leaves") and other works
Joseph Kosma , Francois Le Roux , Jeff Cohen , Membre de l'Ensemble Matrix , Levine Andrade , Gustav Clarkson , Julia Desbruslais , Karen Street , and Matthew Hunt
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
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General
| International
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General
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The Decca Records Store
| Specialty Stores
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ASIN: B00004TL0K
Release Date: 2000-08-08 |
Tracks:
- Les Feuilles mortes
- Si tu t'imagines
- Rue des Blancs-Manteaux
- Sans coup ferir: I Bolero
- Sans coup ferir: II Vacances
- Sans coup ferir: III La Plage
- Sans coup ferir: IV Rumba
- Sans coup ferir: V L'Avion
- Sans coup ferir: VI Recitatif
- Sans coup ferir: VII Coucher de soleil
- Sans coup ferir: VIII Orgue de Barbarie
- Sans coup ferir: IX Cinema
- Sans coup ferir: X Conclusion
- Danse de automates: I Moderato
- Danse de automates: II Moderato (Tango)
- Danse de automates: III Presto
- Faut pas m'en vouloir
- Je ne veu que tes yeux
- Le Merveilleux Poeme
- Le Jour et la Nuit
- Jesus la Caille (Medley)
- Rue de Seine
- Chants du ghetto: I Prelude
- Chants du ghetto: II Berceuse
- Chants du ghetto: III La Question eternelle
- Chants du ghetto: IV L'Anecdote
- Chants du ghetto: V Chanson de la misere
- Chants du ghetto: VI Petite Ballade
- Les Soutiers
- Friedhofstor
- Barbara
- L'Hymne a la Resistance
- Lieder vom Meer: I Das Lied vom Meer am Morgen
- Lieder vom Meer: II Das Lied vom Meer am Mittag
- Lieder vom Meer: III Schiffe in der Nacht
- Lueur dans la nuit
- Les enfants qui s'aiment
Amazon.com
Joseph Kosma was a Hungarian Jew who studied in Germany and, on the run from the Nazis, ended up in France, fighting with the Resistance and composing scores for classic French films like La Grande Illusion and Les Enfants du Paradis. Even more famous than his film scores, however, were his cabaret songs, which intelligently synthesize the French chanson with German cabaret, gypsy violin music, the feverish passion of klezmer, and a pizzazz that is all Hungarian. A list of his lyricists and collaborators is a roll call of mid-century France --Prévert, Sartre, Raymond Queneau, and Juliet Greco. The fame of his greatest collaboration with Prévert ("Les Feuilles Mortes" is perhaps even better known in its English version, "Autumn Leaves") should not blind us to the importance of all of his work in this field. The throaty smoothness of Francois Le Roux admirably complements these dramatic performances of an eclectic selection of songs. --Roz Kaveney
Average customer rating:
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Bonjour Soleil
Lydie Auvray
Manufacturer: Bmg/Ariola
ProductGroup: Music
Binding: Audio CD
General
| International
| Styles
| Music
International
| Imports
| Stores
| Music
ASIN: B00000B6FL
Release Date: 1997-09-29 |
Tracks:
- Angelina
- Tamba Koumba
- Bonjour Soleil
- Blouse - Die Bluse
- Comme un
- Couscous
- Zitronengelbes Klied
- Lydie und Der Wolf
- Schlomo
- Jeux d'Amis
- Chanson d'Automne
- Momo
- Sol
- Fragile
Average customer rating:
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Lebendige Vergangenheit: Charles Dalmorès
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
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French
| Languages
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| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
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ASIN: B00004S3CY
Release Date: 2000-11-28 |
Tracks:
- Il Trovatore: Ah! Si, Ben Mio Coll'essere
- Faust: O Merveille! - Charles Dalmores/Marcel Journet
- Carmen: La-bas Dans La Montagne - Charles Dalmores/Emma Calve
- Carmen: Je Suis Escamillo - Charles Dalmores/Marcel Journet
- Le Prophete: Roi Du Ciel Et Des Anges
- Les Contes D'Hoffmann: Ah! Vivre Deux
- Les Contes D'Hoffmann: O Dieu De Quelle Ivresse
- Ninon
- Lohengrin: Atmest Du Nicht Mit Mir
- Les Contes D'Hoffmann: C'est Elle
- Samson Et Dalila: Arretez, O Mes Freres
- Carmen: La Fleur Que Tu M'avais Jetee
- Romeo Et Juliette: Ah! Leve-toi, Soleil!
- Griselidis: Ouvrez-vous Sur Mon Front Portes Du Paradis!
- Je T'aime
- Bonjour, Suzon!
- Tosca: E Lucevan Le Stelle - Riccardo Martin
- Madama Butterfly: Amore O Grillo - Riccardo Martin
- Madama Butterfly: Lo So Che Alle Sue Pene - Riccardo Martin/Rita Fornia/Antonio Scotti
- Die Walkure: Wintersturme Wichen Dem Wonnemond - Riccardo Martin
- Le Cid: O Souverain! O Juge! O Pere! - Riccardo Martin
- Cavalleria Rusticana: Ma Prima Voglio - Riccardo Martin
- Als Die Alte Mutter Mich Noch Lehrte Singen - Riccardo Martin
Average customer rating:
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Olivier Messiaen: Harawi - Song of Love and Death
Manufacturer: Rene Gailly
ProductGroup: Music
Binding: Audio CD
All Works by Messiaen
| Messiaen, Olivier
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
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| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
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ASIN: B0000044ZR
Release Date: 1997-01-21 |
Average customer rating:
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Olivier Messiaen: Harawi; Poemes pour Mi
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
All Works by Messiaen
| Messiaen, Olivier
| ( M )
| Featured Composers, A-Z
| Classical
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General
| Classical
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General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B00000167B
Release Date: 1992-08-17 |
Tracks:
- La Ville Qui Dormait, Toi
- Bonjour Toi, Colombe Verte
- Montagnes
- Doundou Tchil
- L'amour De Piroutcha
- Repetition Planetaire
- Adieu
- Syllabes
- L'escalier Redit, Gestes Du Soleil
- Amour Oiseau D'etoile
- Katchikatchi Les Etoiles
- Dans Le Noir
- Action De Graces - Lucia Negro
- Paysage - Lucia Negro
- La Maison - Lucia Negro
- Epouvante - Lucia Negro
Average customer rating:
- 'A Claudia Muzio, l'unica'
|
Claudia Muzio: The Complete Columbia Recordings (1934-1935)
Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
| Ballets & Dances
| Classical
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| Music
| Allemandes
| Courantes
| Gigue
| Sarabande
Bellini, Vincenzo
| ( B )
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General
| Boito, Arrigo
| ( B )
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General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
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All Works by Debussy
| Debussy, Claude
| ( D )
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| Classical
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All Works by Mascagni
| Mascagni, Pietro
| ( M )
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| Classical
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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| Classical
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Reger, Max
| ( R )
| Featured Composers, A-Z
| Classical
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
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General
| Reger, Max
| Composers
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General Modern
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| Modern, 20th, & 21st Century
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Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
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Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
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General
| Classical
| Styles
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General
| Opera & Vocal
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Modern & 20th Century
| Historical Periods
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Romantic (c.1820-1910)
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Italian
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General
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ASIN: B000001S3I
Release Date: 1996-02-09 |
Tracks:
- Cecilia: Per Amor Di Gesu Il Core 'L'Annunzio'
- Cavalleria Rusticana: Voi Lo Sapete, O Mama
- Colombetta
- La Forza Del Destino: Pace, Pace, Mio Dio
- Tosca: Vissi D'arte
- La Boheme: Mi Chiamano Mimi
- La Boheme: Donde Lieta Usci Al Tuo Grido D'Amore
- Andrea Chenier: La Mamma Morta
- Il Trovatore: Lacea La Notte
- La Sonnambula: Ah! Non Credea Mirati
- Norma: Casta Diva
- Mefistofele: L'Atra Notte In Fondo Al Mare
- La Traviata; Teneste La Promessa...Addio De Passato
- Adriana Leourvreur: Poveri Fiori
- Bonjour, Suzon
- Beau Soir
- Ombra Di Nube
- Ave Maria
- Cecilia: Grazie, Sorelle 'Death Of Cecila'
Tracks:
- Otello: Gia Nella Notte Densa
- Otello: Dio Ti Giocondi, O Sposo
- Les Lilles Des Cadiz
- C'est Mom Ami
- L'Arlesiana: Esser Madre E Un Inferno
- Spirate Pur
- O Del Mio Amato Ben
- Se Tu M'ami
- Maria Wiegenlied
- Tosca: Gente La Dentro! - Dino Borgioli/Marden Argall
- Tosca: Mario! Mario! Mario! - Claudia Muzio/Dino Borgioli
- Tosca: Qual'occhio Al Mondo Puo Star Di Paro - Claudia Muzio/Dino Borgioli
- Tosca: El Buona La Mia Tosca - Claudia Muzio/Dino Borgioli/Marsden Argall/Louis D'Angelo/Chor
- Tosca: Un Tal Baccano In Chiesa - Alfredo Gandolfi/Louis d'Angelo/Marek Windheim
- Or Tutto E Chiaro - Alfredo Gandolfi/Louis D'Angelo/Claudia Muzio/
- Ed io Venivo A Lui Tutta Dogliosa Per Dirgli - Claudia Muzio/Alfredo Gandolfi
- Tre Sbirri, Una Carrozza - Alfredo Gandolfi/Marek Windheim/Chor
Customer Reviews:
'A Claudia Muzio, l'unica'.......2000-04-23
Claudia Muzio's columbia recordings have always been the most accessible and renowned of her recorded output. These recordings establish her greatness and immortality in posterity. In the pantheon of great singers, she stands with Caruso, Callas and Chaliapin at the apex. Listening to each item, one is forever astonished and enthralled by such smouldering passion, intense pathos, instinctive sincerity and psychological insight. It is true that by 1934-35, Muzio's voice has lost the pristine freshness and fluency of her younger days (if you want to experience the younger Muzio, you would be eager to turn to her Pathe and Edison recordings, lovingly reproduced and cleaned by Ward Marston), yet her art was at its very peak. As for the reproduction, Ward Marston has worked wonders -- the voice emerges with such an arresting immmediacy as if the great singer is directly communicating with us, pouring out her heart and soul. All said, this is a MUST for all lovers of opera .....buy it and experience what great singing-acting is really about.
Average customer rating:
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Olivier Messiaen (Collected Works & an Interview with Claude Samuel)
Olivier Messiaen , Pierre Boulez , Marius Constant , Yvonne Loriod , Georges Barboteu , Alain Jacquet , Katia Labeque , Marielle Labeque , Michel Garcin , Guy Deplus , Huguette Fernandez , Jacques Neilz , Marie-Madeleine Petit , Solistes des Choeurs & Orchestre Philharmonique de L'O.R.T.F. , Rachel Yakar , Maria Oran , Marie-Claire Alain , and Groupe Instrumental a Percussion de Strasbourg/Ensemble ARS NOVA
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
All Works by Messiaen
| Messiaen, Olivier
| ( M )
| Featured Composers, A-Z
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General
| Concertos
| Forms & Genres
| Classical
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Etudes
| Forms & Genres
| Classical
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| Forms & Genres
| Classical
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Symphonies
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General Modern
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General
| Keyboard
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Piano
| Keyboard
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General
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General
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General
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ASIN: B000005E7E
Release Date: 1992-09-08 |
World Music:
- Casablanca
- Circus Bretagne [Import]
- Collection [Import]
- Comme a La Maison [Original recording remastered] [Import]
- Das Beste-Ihre Grossen Erfolge [Import]
- Die Klassiker [Import]
- Die Letzte Vorstellung [Import]
- Die Schoensten Liebeslied [Import]
- Divino Samba Meu [Import]
- Dominique Paris [Import]
World Music
world music
World Music
Spring
Sergej Larin - Rachmaninov Songs
Suit Yourself
Big Band Collection
South Beach Flamenco Lounge, Vol. 1
Pre-History: The Lost Steeltown Recordings
Porteno y Bailarin [Import]
Sky V.2 [Import]
Nocturnal Opera [Import]
Pavel Haas/Hans Krása: String Quartets
Punk Rock
Over the Years
Puro Joan Sebastian
Do Right Man
In Concert