Glaube Liebe Hoffnung [Import]

1. Heimat

2. Luftschlosser

3. Fleisch Und Blut

4. Angst

5. Freiheit

6. Lass Mich Nicht Allein

7. Mama

8. Kuss

9. Job

10. Tranen

11. Schreien Wie Ein Kind

12. Dreck

13. Brief Nach Hause

14. Scheiss Drauf

Glaube Liebe Hoffnung,Brings,EMI,World Music

Average customer rating: A Major Document of an Incredible Oeuvre...

Schubert: Lieder Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Fischer-Dieskau, Dietrich | ( F ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Schubert: The Piano Sonatas The Schubert Song Companion Schubert: Schwanengesang; 4 Lieder Schubert: The String Quartets Arturo Benedetti Michelangeli plays Mozart, Chopin, Brahms, etc. (Box) [Germany] ASIN: B000AYQCIK Release Date: 2005-12-13

Customer Reviews:

A Major Document of an Incredible Oeuvre..........2007-03-12

.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.

DGG's sound is excellent.

This set is a remarkable document of art.
.

Average customer rating: Miraculous Singing from John Mark Ainsley Not Quite Superlative Schubert Schubert - the Final Year

The Hyperion Schubert Edition 37 ~ Schubert - The Final Year / Ainsley, Rolfe Johnson, Schade, G. Johnson Franz Schubert , John Mark Ainsley , Anthony Rolfe Johnson , Michael Schade , and Graham Johnson Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: The Hyperion Schubert Edition 36 ~ An 1827 Schubertiad / Banse, Finley, Schade, Dawson, G. Johnson The Hyperion Schubert Edition 32 - An 1816 Shubertiad / Dawson, Schäfer, Ainsley, Langridge, et al The Hyperion Schubert Edition 33 - The Young Schubert / McLaughlin, Murray, Wyn-Rogers, Langridge, D. Norman, A. Thompson, Koningsberger, Varcoe; Graham Johnson The Hyperion Schubert Edition 27 / Matthias Görne, Graham Johnson The Hyperion Schubert Edition 22 - An 1815 Schubertiad II / L. Anderson, Wyn-Rogers, MacDougall, Keenlyside, Johnson ASIN: B00004RITG Release Date: 2000-10-10

Tracks:

1. Auf Dem Strom, D943 - Michael Schade/David Pyatt/Graham Johnson
2. Herbst, D945 - John Mark Ainsley/Graham Johnson
3. Bei Dir Allein!, D866 No.2 - Michael Schade/Graham Johnson
4. Irdisches Gluck, D866 No.4 - Michael Schade/Graham Johnson
5. Lebensmut, D937 - Michael Schade/Graham Johnson
6. Schwanengesang, Part 1: Liebesbotschaft, D957 No.1 - John Mark Ainsley/Graham Johnson
7. Schwanengesang, Part 1: Kriegers Ahnung, D957 No.2 - John Mark Ainsley/Graham Johnson
8. Schwanengesang, Part 1: Fruhlingssehnsucht, D957 No.3 - John Mark Ainsley/Graham Johnson
9. Schwanengesang, Part 1: Standchen, D957 No.4 - John Mark Ainsley/Graham Johnson
10. Schwanengesang, Part 1: Aufenthalt, D957 No.5 - John Mark Ainsley/Graham Johnson
11. Schwanengesang, Part 1: In Der Ferne, D957 No.6 - John Mark Ainsley/Graham Johnson
12. Schwanengesang, Part 1: Abschied, D957 No.7 - John Mark Ainsley/Graham Johnson
13. Glaube, Hoffnung Und Liebe, D955 - John Mark Ainsley/Anthony Rolfe Johnson/Michael Schade/Graham Johnson
14. Schwanengesang, Part 2: Der Atlas, D957 No.8 - Anthony Rolfe Johnson/Graham Johnson
15. Schwanengesang, Part 2: Ihr Bild, D957 No.9 - Anthony Rolfe Johnson/Graham Johnson
16. Schwanengesang, Part 2: Das Fischermadchen, D957 No.10 - Anthony Rolfe Johnson/Graham Johnson
17. Schwanengesang, Part 2: Die Stadt, D957 No.11 - Anthony Rolfe Johnson/Graham Johnson
18. Schwanengesang, Part 2: Am Meer, D957 No.12 - Anthony Rolfe Johnson/Graham Johnson
19. Schwanengesang, Part 2: Der Doppelganger, D957 No.13 - Anthony Rolfe Johnson/Graham Johnson
20. Schwanengesang, Part 2: Die Taubenpost, D956A - Anthony Rolfe Johnson/Graham Johnson

Amazon.com

This is the 37th and final volume of the Hyperion Schubert Edition. In his (as always) informative and passionately personal program notes, Graham Johnson, pianist and guiding spirit of the series, bids this monumental undertaking a touching farewell. The 20 songs on this disc, including the cycle Schwanengesang, are among Schubert's last and greatest; most of them are dark, somber, haunted, and--especially in these deeply felt performances--utterly heartbreaking. In Johnson's version of the Three Tenors, the songs' original keys are retained while their character is enhanced by the singers' vocal timbre and style. Schade's bright voice matches the cheerful, optimistic songs outside the cycle, and he blends well with the horn in "Auf dem Strom." In the Heine songs, Rolfe Johnson's approach is dramatic, declamatory, almost operatic. Ainsley has the darkest voice and gives the Rellstab songs great simplicity and inwardness; his balance between poetic and musical prosody, and between a lighthearted text and its dark musical undercurrent, is perfect. One song, placed so as to separate the two parts of Schwanengesang, is shared by all three singers. Their diction is equally good, though two are English and one is German; the impression of a vocal competition is avoided through the diversity of their voices and styles. Johnson's playing continues to be pure magic. His sound is incredibly beautiful--he brings out hidden melodies, imitates a guitar and a galloping horse, and has an incomparable sensitivity to the music and his partners. --Edith Eisler

Customer Reviews:

Miraculous Singing from John Mark Ainsley.......2005-11-05

This is a marvelous album of songs from Schubert's final year. The centerpiece is the ersatz song cycle Schwanengesang, introduced by a judicious and winning selection of other songs. The program order and the performances are such that the album proceeds at a self-assured pace, bespeaking commitment, well-considered interpretations, and musical accomplishment.

The introductory set is taken by Michael Schade, who brings to them a light and communicative style. These songs have a bit of the heartiness or bluster of Beethoven's songs, and the song with piano and horn accompniment that opens the album, "Auf dem Strom," is reminiscent of Beethoven's proto-song-cycle "An die ferne Geliebte," right up to the impetuous closing. This leads into an understated postlude that transports the piece from mimicry to hommage and is rendered touchingly by singer and hornist.

The songs of Schwanengesang are divided into settings of Rellstab and settings of Heine. Although alienation is a common theme threading through the poems, the poets' styles are quite divergent and so is their musical incarnation by Schubert. The garrulous Rellstab poems elicit a varied musical response from Schubert's pen, resulting in a satisfying patchwork. The sardonic, sparser Heine poems bring Schubert to an exploration of declamatory composition, minimalistic yet expressionistic, that remains strikingly modern 175 years later.

Graham Johnson gives the two halves of the cycle to two different tenors -- the Heine to the veteran Anthony Rolfe Johnson, the Rellstab to the younger but established John Mark Ainsley. Between the two halves is an expansive interlude, "Glaube, Hoffnung und Liebe" shared by all three tenors. It serves as a pleasant pallet-cleanser before the harrowing Heine settings.

Ainsley's interpretations of the Rellstab settings are miraculous. His delivery is thoroughly connected with the text, and yet so inhabited by the music, that the age-old tension between "Ton und Wort" dissolves. His virtues are too extraordinary even to catalog without risk of trivializing. He has complete command of the music, but only by putting himself completely in its service. His admirable technique gives him powers of dynamic nuance that he deploys always to telling emotional effect, never cheaply. His voice has a unique combination of qualities -- big and somewhat dark, but supple rather than heavy, and never squally. He never places his big voice between himself and the listener -- a bridge, not an imposing edifice. Three of his songs -- "Liebesbotschaft," "Frühlingsehnsucht," and "Abschied" are wordy effusions that sound like pattersongs even in the mouths of native speakers. He handles the verbosity with elegance, with ample room to sing and to illuminate, to lead us on the song's journey rather than just get to the finish line in one tongue-tied piece. His attention to text allows us to pick up on the hint of melancholy in the final stanza of "Abshied," which peaks at us beneath the brim of the leave-taker's jaunty hat. Some of the Rellstab songs are as intense as the Heine songs -- "Aufenthalt" and "In der Ferne" with its moody harmonic shifts -- and Ainsley is utterly convincing. He's no lightweight, despite a vocal style that favors delicacy and emotional openness over grandiosity.

Rolfe Johnson is authoritative in the Heine settings and in the valedictory "Taubenpost," Schubert's last song. His mature and robust voice is an asset in the raging strophes of "Der Atlas." He brings texture to the sparse lines of the next four songs -- each of these songs is well-known and perfectly fitted to the text, but at the same time they are incomplete and unsatisfying on their own. These poems are relentless, indulging in bitter irony, in despair leading to revelations of even deeper despair. The poems all seem a premonition of "Der Doppelgänger" and the same is true of the music. One hears in these four songs a restless Schubert -- refusing to resolve his harmonies, edging along quasi-experimentally in a declamatory style that reaches its culmination in "Der Doppelgänger," one of the most terrifying songs ever written. Rolfe Johnson's performance of this masterpiece is straightforward, eschewing the sarcastic tone that some singers inflict on the last stanza.

Throughout, in fact, all singers are remarkably free of vocal posturing. I had many moments of hearing these songs afresh, rescued from decades of overblown climaxes, sentiment-milking, and vocal browbeating. This is a superb accomplishment. They are bringing you music, vividly personal music, not making a whistle-stop tour of classics that have become typecast in the collective imagination. The recording's acoustic is utterly pristine -- not an echo or reverberation or boxy effect or imbalance to muddy the music.

Despite the consistency of achievement on this album, Ainsley's performances deserve to be singled out: without disregarding the others, I wish that Graham Johnson had given Ainsley the entire album, he was more than equal to the task. Rolfe Johnson himself had an album to himself earlier in the series (volume 6, with a nocturnal theme). The acoustic that I have praised serves Ainsley and his immediate approach especially well. Ainsley shines on this album and could have brought the Hyperion Schubert Edition, successful as it was, to an even more radiant close.

Not Quite Superlative Schubert.......2004-11-19

This is Graham Johnson's usual high-quality, intelligent music-making, with a banquet of programme notes. It takes longer to read them than it does to listen to the album. I enjoyed the performances of Anthony Rolfe Johnson and Michael Schade on this recording, but alas, they are overshadowed John Mark Ainsley, as they would be by anyone who can make the hackneyed Standchen sound fresh and new. Would that he had recorded the entire album!

Schubert - the Final Year.......2000-10-30

In his fascinating notes, Graham Johnson remarks at one point, "...who can buck the market?" How true - but what a pity that he had to follow such a market trend as having "Three Tenors" for this recording, which is a disappointing one in some ways. He got it absolutely right in his choices of Ian Bostridge for "Schöne Müllerin" and Matthias Goerne for "Winterreise," but on the present disc only John Mark Ainsley really stands comparison with the best - Michael Schade has a pleasant voice of no special distinction, but of course he sure is one hunky guy - that market again - and Anthony Rolfe Johnson, though a wonderful communicator in recital and once a glorious singer on disc, sounds simply past it, and is not helped by his fluty pronunciation in which any word with an "e" in it seems to have an extra one or two added.

Johnson explains that he wanted "Schwanengesang" to be performed by two different singers yet of the same tessitura, so that there would be no outright dislocation. Fair enough, but, given that the "cycle" has to be split up, I think I would have preferred a totally different voice for the Heine settings, a singer with a richer timbre, more dramatic power and certainly better German than that of ARJ - Goerne springs to mind, although one supposes that his contract with Decca precludes such excursions.

The chief pleasures on this recording are supplied by Ainsley, yet even he sounds, at times, on the subdued side. Is "Abschied" really such a wistful, restrained song as he and Johnson perform it? It is very beautifully sung indeed, rather on the slow side but with admirable diction and attention to words - this is a tenor who really loves the sound of his own voice, as well he might, and he also seems to savour every syllable - "Ade, liebe Sonne so gehst du zur Ruh' is exquisitely done, as is the melancholy ending.

"Liebesbotschaft" also has real beauty and poise - "Wiege das Liebchen in Schlummer ein" is sung with melting tenderness, and the testing "Bächlein, erquicke mit kühlender Flut" is so idiomatically enunciated that it sounds as though it is being sung by a native German speaker for whom the poems have real meaning.

He is at his best in "Ständchen" where his lovely timbre, fluid legato and perfect German are again fully in evidence. He is conscious of all who have gone before him with this well-worn song, but as with his "An Silvia" on volume 26, both he and Johnson perform it as though they are the first to do so. Johnson remarks that at the phrase "Liebchen, komm' zu mir!" - "...we can almost feel the singer's tenderness," and Ainsley's sensitive and sensuous performance justifies such a remark. The final lines, with their passionate pleading, are perfectly judged, sung with real fervour yet without going into recitalese - a fine example of Ainsley's art, which so often consists in wringing our hearts without wringing his hands.

As for the Heine settings and "Die Taubenpost," I found them mostly disappointing, occasionally irritating. I felt that a certain sense of power in reserve was lacking, and that only in "Das Fischermädchen" did ARJ show what he really could do. "Taubenpost" is a sad disappointment; sung mostly on one level, he makes little of such moments as the heart-rending last line, and his approximately crooned German is nothing short of annoying - as well as hardly even touching on the grace notes before "Heimlich hinein." Surely this supreme example of Schubert's music needs deeply fervent, intensely beautiful singing (in convincing German) rather than just delicate, pinkie-crooking recitalling?

Modified rapture, then, for this final instalment in the series. To me, it cannot stand with the supreme achievements of volumes 20, 24, 25 (Schöne Müllerin), 26, 27, 28 and 30 (Winterreise) but then in such a huge undertaking, total uniformity of excellence is too much to ask. Individual taste will always supervene in such matters; I cannot imagine finer performances than, say, Christine Schäfer's of "Der Musensohn" (28) or Matthias Goerne's of "Frühlingstraum" (30) or "Fulle der Liebe," (27) but there are many other beloved Schubert songs where I would not go to the Hyperion edition - "Vor Meiner Wiege" and "Fühlingsglaube" spring to mind - ARJ and Marjana Lipovesek being no match for Fischer-Dieskau here.

No music lover should be without the songs on this disc, especially since it includes the rarely heard but wonderful "Auf Dem Strom," (superb horn playing by David Pyatt) and I would buy it for that and for the beautiful singing of the Rellstab songs, not to mention Johnson's indispensable notes. For the Heine settings and "Taubenpost," it's back to Fischer-Dieskau for me, at least until Matthias Goerne gets around to recording them.

Average customer rating: Schafer does Schubert...

Schubert Lieder Franz Schubert , Christine Schäfer , and Irwin Gage Manufacturer: Orfeo ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: The Songs of Robert Schumann 1 / Christine Schäfer, Graham Johnson ASIN: B0000059EH Release Date: 2000-09-16

Tracks:

1. Im Fruhling, D882
2. Die Blumensprache, D519
3. Die Gefangenen Sanger, D712
4. Der Schmetterling, D633
5. An Den Mond: 1. Fassung, D259
6. An Den Mond: 2. Fassung, D296
7. Die Gebusche, D646
8. Der Fluss, D693
9. Der Knabe, D692
10. Nacht Und Traume, D827
11. Im Abendrot, D799
12. Glaube, Hoffnung Und Liebe D955
13. Vom Mitleiden Maria, D632
14. Beim Winde, D669
15. Des Madchens Klage, D6
16. Blanka, D631
17. Das Madchen, D652
18. Die Rose, D745
19. Die Junge Nonne, D828
20. Nah Des Geliebten, D162

Customer Reviews:

Schafer does Schubert..........2007-03-12

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Christing Schafer is the finest--and certainly the most interesting--soprano now working: her vibrato-less purity of tone seems oh-so-effortless. Her 5+min line of Der Fluss (D.693) [from Schubert's "Abendrote" cycle of Schlegel songs] is worth the price of admission alone.

Unfortunately, Irwin Gage is not my first recommendation for accompanist.

Look for #27 of the Hyperion Schubert Edition...
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Average customer rating: An encyclopedic collection of Schubert songs, Volume 2 Make up your mind to this journey. LAS ROSAS DEL JARDIN

Schubert: Lieder, Vol. 2 Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Fischer-Dieskau, Dietrich | ( F ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Franz Schubert: Lieder, Volume I ASIN: B000001GHE Release Date: 1993-03-16

Tracks:

1. Lieder (1817-1828) Vol. II: An die Musik D. 547
2. Lieder (1817-1828) Vol. II: Pax vobiscum D. 551
3. Lieder (1817-1828) Vol. II: Hanflings Liebeswerbung D. 552
4. Lieder (1817-1828) Vol. II: Auf der Donau D. 553
5. Lieder (1817-1828) Vol. II: Der Schiffer D. 536: Im Winde, im Sturme befahr' ich den Fluss
6. Lieder (1817-1828) Vol. II: Nach einem Gewitter D. 561
7. Lieder (1817-1828) Vol. II: Fischerlied D. 562
8. Lieder (1817-1828) Vol. II: Das Grab D. 569
9. Lieder (1817-1828) Vol. II: Der Strom D. 565
10. Lieder (1817-1828) Vol. II: An den Tod D. 518
11. Lieder (1817-1828) Vol. II: Abschied D. 578: Lebe wohl, du lieber Freund
12. Lieder (1817-1828) Vol. II: Die Forelle D. 550
13. Lieder (1817-1828) Vol. II: Gruppe aus dem Tartarus D. 583
14. Lieder (1817-1828) Vol. II: Elysium D. 584
15. Lieder (1817-1828) Vol. II: Atys D. 585
16. Lieder (1817-1828) Vol. II: Erlafsee D. 586
17. Lieder (1817-1828) Vol. II: Der Alpenjager D. 588
18. Lieder (1817-1828) Vol. II: Der Kampf D. 594
19. Lieder (1817-1828) Vol. II: Der Knabe in der Wiege D. 579
20. Lieder (1817-1828) Vol. II: Auf der Riesenkoppe D. 611
21. Lieder (1817-1828) Vol. II: An den Mond in einer Herbstnacht D. 614

Tracks:

1. Lieder (1817-1828) Vol. II: Grablied fur die Mutter D. 616
2. Lieder (1817-1828) Vol. II: Einsamkeit D. 620
3. Lieder (1817-1828) Vol. II: Der Blumenbrief D. 622
4. Lieder (1817-1828) Vol. II: Das Marienbild D. 623
5. Lieder (1817-1828) Vol. II: Litanei auf das Fest Allerseelen D. 343
6. Lieder (1817-1828) Vol. II: Blondel zu Marien D. 626
7. Lieder (1817-1828) Vol. II: Das Abendrot D. 627: Du heilig, gluhend Abendrot!
8. Lieder (1817-1828) Vol. II: Sonett D. 628: Apollo, lebet noch dein hold Verlangen
9. Lieder (1817-1828) Vol. II: Sonett D. 629: Allein, nachdenklich, wie gelahmet vom Krampfe
10. Lieder (1817-1828) Vol. II: Sonett D. 630: Nunmehr, da Himmel, Erde schweigt
11. Lieder (1817-1828) Vol. II: Vom Mitleiden Maria D. 632
12. Lieder (1817-1828) Vol. II: Die Gebusche D. 646
13. Lieder (1817-1828) Vol. II: Der Wanderer D. 649
14. Lieder (1817-1828) Vol. II: Abendbilder D 650
15. Lieder (1817-1828) Vol. II: Himmelsfunken D 651
16. Lieder (1817-1828) Vol. II: An die Freunde D. 654
17. Lieder (1817-1828) Vol. II: Sehnsucht D 636

Tracks:

1. Lieder (1817-1828) Vol. II: Hoffnung D. 637: Es reden und traumen die Menschen viel
2. Lieder (1817-1828) Vol. II: Der Jungling am Bache D. 638
3. Lieder (1817-1828) Vol. II: Hymne I D. 659: Wenige wissen das Geheimnis der Liebe
4. Lieder (1817-1828) Vol. II: Hymne II D. 660: Wenn ich ihn nur habe
5. Lieder (1817-1828) Vol. II: Hymne III D. 661: Wenn alle untreu werden
6. Lieder (1817-1828) Vol. II: Hymne IV D. 662: Ich sag es jedem, dass er lebt
7. Lieder (1817-1828) Vol. II: Marie D. 658
8. Lieder (1817-1828) Vol. II: Beim Winde D. 669
9. Lieder (1817-1828) Vol. II: Die Sternennachte D. 670
10. Lieder (1817-1828) Vol. II: Trost D. 671: Hornerklange rufen klagend
11. Lieder (1817-1828) Vol. II: Nachtstuck D. 672
12. Lieder (1817-1828) Vol. II: Prometheus D. 674
13. Lieder (1817-1828) Vol. II: Strophe aus: Die Gotter Griechenlands D. 677
14. Lieder (1817-1828) Vol. II: Nachthymne D. 687
15. Lieder (1817-1828) Vol. II: Die Vogel D. 691
16. Lieder (1817-1828) Vol. II: Der Knabe D. 692
17. Lieder (1817-1828) Vol. II: Der Fluss D. 693
18. Lieder (1817-1828) Vol. II: Abendrote D. 690: Tiefer sinket shcon die Sonne
19. Lieder (1817-1828) Vol. II: Der Schiffer D. 694: Friedlich lieg ich hingegossen
20. Lieder (1817-1828) Vol. II: Die Sterne D. 684: Du staunest, O Mensch
21. Lieder (1817-1828) Vol. II: Morgenlied D. 685: Eh' die Sonne fruh aufersteht
22. Lieder (1817-1828) Vol. II: Fruhlingsglaube D. 686

Tracks:

1. Lieder (1817-1828) Vol. II: Des Frauleins Liebeslauschen D. 698
2. Lieder (1817-1828) Vol. II: Orest auf Tauris D. 548
3. Lieder (1817-1828) Vol. II: Der entsuhnte Orest D. 699
4. Lieder (1817-1828) Vol. II: Freiwilliges Versinken D. 700
5. Lieder (1817-1828) Vol. II: Der Jungling auf dem H. 702
6. Lieder (1817-1828) Vol. II: Sehnsucht D. 516: Der Lerche wolkennahe Lieder
7. Lieder (1817-1828) Vol. II: Der zurnenden Diana D. 707
8. Lieder (1817-1828) Vol. II: Im Walde D. 708: Windes Rauschen, Gottes Flugel
9. Lieder (1817-1828) Vol. II: Die gefangenen Sanger D. 712
10. Lieder (1817-1828) Vol. II: Der Ungluckliche D. 713
11. Lieder (1817-1828) Vol. II: Versunken D. 715
12. Lieder (1817-1828) Vol. II: Geheimes D. 719
13. Lieder (1817-1828) Vol. II: Grenzen der Menschheit D. 716
14. Lieder (1817-1828) Vol. II: Der Jungling an der Quelle D. 300
15. Lieder (1817-1828) Vol. II: Der Blumen Schmerz D. 731
16. Lieder (1817-1828) Vol. II: Sei mir gegrusst D. 741
17. Lieder (1817-1828) Vol. II: Herrn Josef Spaun, Assessor In Linz D. 749

Tracks:

1. Lieder (1817-1828) Vol. II: Der Wachtelschlag D. 742
2. Lieder (1817-1828) Vol. II: Ihr Grab D. 736
3. Lieder (1817-1828) Vol. II: Nachtviolen D. 752
4. Lieder (1817-1828) Vol. II: Heliopolis I D. 753: Im kalten, rauhen Norden
5. Lieder (1817-1828) Vol. II: Heliopolis II D. 754: Fels auf Felsen hingewalzet
6. Lieder (1817-1828) Vol. II: Selige Welt D. 743
7. Lieder (1817-1828) Vol. II: Schwanengesang D. 744: Wie klag' ich's aus
8. Lieder (1817-1828) Vol. II: Du liebst mich nicht D. 756
9. Lieder (1817-1828) Vol. II: Die liebe hat gelogen D. 751
10. Lieder (1817-1828) Vol. II: Todesmusik D. 758
11. Lieder (1817-1828) Vol. II: Schatzgrabers Begehr D. 761
12. Lieder (1817-1828) Vol. II: An die Leier D. 737
13. Lieder (1817-1828) Vol. II: In Haine D. 738
14. Lieder (1817-1828) Vol. II: Der Musensohn D. 764
15. Lieder (1817-1828) Vol. II: An die Entfernte D. 765
16. Lieder (1817-1828) Vol. II: Am Flusse D. 766
17. Lieder (1817-1828) Vol. II: Willkommen und Abschied D. 767
18. Lieder (1817-1828) Vol. II: Wandrers Nachtlied (Ein gleiches) D. 768: Uber allen Gipfeln ist Ruh
19. Lieder (1817-1828) Vol. II: Der zirnende Barde D. 785
20. Lieder (1817-1828) Vol. II: Am See D. 746: In des Sees Wogenspiele
21. Lieder (1817-1828) Vol. II: Viola D. 786
22. Lieder (1817-1828) Vol. II: Drang in die Ferne D. 770

Tracks:

1. Lieder (1817-1828) Vol. II: Der Zwerg D. 771
2. Lieder (1817-1828) Vol. II: Wehmut D. 772: Wenn ich durch Wald und Fluren geh'
3. Lieder (1817-1828) Vol. II: Lied (Die Mutter Erde) D. 788: Des Lebens Tag ist schwer und schwul
4. Lieder (1817-1828) Vol. II: Auf dem Wasser zu singen D. 774
5. Lieder (1817-1828) Vol. II: Pilgerweise D. 789
6. Lieder (1817-1828) Vol. II: Das Geheimnis D. 793
7. Lieder (1817-1828) Vol. II: Der Pilgrim D. 794
8. Lieder (1817-1828) Vol. II: Dass sie hier gewesen D. 775
9. Lieder (1817-1828) Vol. II: Du bist die Ruh D. 776
10. Lieder (1817-1828) Vol. II: Lachen und Weinen D. 777
11. Lieder (1817-1828) Vol. II: Greisengesang D. 778
12. Lieder (1817-1828) Vol. II: Dithyrambe D. 801
13. Lieder (1817-1828) Vol. II: Der Sieg D. 805
14. Lieder (1817-1828) Vol. II: Abendstern D. 806
15. Lieder (1817-1828) Vol. II: Auflosung D. 807
16. Lieder (1817-1828) Vol. II: Gondelfahrer D. 808
17. Lieder (1817-1828) Vol. II: Glaube, Hoffnung und Liebe D. 955: Glaube, hoffe, liebe!
18. Lieder (1817-1828) Vol. II: Im Abendrot D. 799: O wie schon ist deine Welt
19. Lieder (1817-1828) Vol. II: Der Einsame D. 800
20. Lieder (1817-1828) Vol. II: Des Sangers Habe D. 832

Tracks:

1. Lieder (181701828) Vol. II: Totengrabers Heimwehe D. 842
2. Lieder (181701828) Vol. II: Der blinde Knabe D. 833
3. Lieder (181701828) Vol. II: Nacht und Traume D. 827
4. Lieder (181701828) Vol. II: Normans Gesang D. 846
5. Lieder (181701828) Vol. II: Lied des gefangenen Jagers D. 843
6. Lieder (181701828) Vol. II: Im Walde D. 834: Ich wand're uber Berg und Tal
7. Lieder (181701828) Vol. II: Auf der Bruck D. 853
8. Lieder (181701828) Vol. II: Das Heimweh D. 851: Ach, der Gebirgssohn
9. Lieder (181701828) Vol. II: Die Allmacht D. 852
10. Lieder (181701828) Vol. II: Fulle der Liebe D. 854
11. Lieder (181701828) Vol. II: Wiedersehn D. 855
12. Lieder (181701828) Vol. II: Abedlied fur die Entfernte D. 856
13. Lieder (181701828) Vol. II: Szene I aus dem Schauspiel - Lacrimas D. 857
14. Lieder (181701828) Vol. II: An mein Herz D. 860
15. Lieder (181701828) Vol. II: Der liebliche Stern D. 861
16. Lieder (181701828) Vol. II: Im Janner 1817 (Tiefes Leid) D. 876

Tracks:

1. Lieder (1817-1828) Vol. II: Am Fenster D. 878
2. Lieder (1817-1828) Vol. II: Sehnsucht D 879: Die Scheibe friert, der Wind ist rauh
3. Lieder (1817-1828) Vol. II: Im Freien D. 880
4. Lieder (1817-1828) Vol. II: Fischerweise D. 881
5. Lieder (1817-1828) Vol. II: Totengraber-Weise D. 869
6. Lieder (1817-1828) Vol. II: Im Fruhling D. 882
7. Lieder (1817-1828) Vol. II: Lebensmut D. 883: O wie dringt sas junge Leben
8. Lieder (1817-1828) Vol. II: Um Mitternacht D. 862
9. Lieder (1817-1828) Vol. II: Uber Wildemann D. 884
10. Lieder (1817-1828) Vol. II: Romanze des Richard Lowenherz D. 907
11. Lieder (1817-1828) Vol. II: Trinklied D. 888: Bacchus, feister Furst des Weins
12. Lieder (1817-1828) Vol. II: Standchen D. 889: Horch, horch, die Lerch im Atherblau
13. Lieder (1817-1828) Vol. II: Hippolits Lied D. 890
14. Lieder (1817-1828) Vol. II: Gensang (An Silvia) D. 891: Was ist Silvia, saget an
15. Lieder (1817-1828) Vol. II: Der Wanderer an den Mond D. 870
16. Lieder (1817-1828) Vol. II: Das Zugenglocklein D. 871
17. Lieder (1817-1828) Vol. II: Bei dir allein D. 866 No. 2
18. Lieder (1817-1828) Vol. II: Irdisches Gluck D. 866 No. 4
19. Lieder (1817-1828) Vol. II: Wiegenlied D. 867: Wie sich der Auglein kindlicher Himmel
20. Lieder (1817-1828) Vol. II: Der Vater mit dem Kind D. 906

Tracks:

1. Lieder (1817-1828) Vol. II: Jagers Liebeslied D. 909
2. Lieder (1817-1828) Vol. II: Schiffers Scheidelied D. 910
3. Lieder (1817-1828) Vol. II: L'incanto degli occhi D. 902 No. 1
4. Lieder (1817-1828) Vol. II: Il traditor deluso D. 902 No. 2
5. Lieder (1817-1828) Vol. II: Il modo di prender moglie D. 902 No. 3
6. Lieder (1817-1828) Vol. II: Das Lied im Grunen D. 917
7. Lieder (1817-1828) Vol. II: Das Weinen D. 926
8. Lieder (1817-1828) Vol. II: Vor meiner Wiege D. 927
9. Lieder (1817-1828) Vol. II: Der Wallensteiner Lanzknecht beim Trunk D. 931
10. Lieder (1817-1828) Vol. II: Der Kreuzzug D. 932
11. Lieder (1817-1828) Vol. II: Des Fischers Liebesgluck D. 933
12. Lieder (1817-1828) Vol. II: Der Winterabend D. 938
13. Lieder (1817-1828) Vol. II: Die Sterne D. 939: Wie blitzen die Sterne
14. Lieder (1817-1828) Vol. II: Herbst D. 945: Es rauschen die Winde
15. Lieder (1817-1828) Vol. II: Widerschein D. 949
16. Lieder (1817-1828) Vol. II: Abschied D. 829: Leb wohl, du schone Erde

Customer Reviews:

An encyclopedic collection of Schubert songs, Volume 2.......2005-10-26

Dietrich Fischer-Dieskau (born 1925) is considered by many to be the foremost authority on Schubert Lieder for the male voice in our time. He likely made more recordings of this area of music than any other singer, having not only this 9 disc set, but another 9 disc set (Volume 1) for DG, the three complete song cycles: "Schwanengesang", "Die Schone Mullerin" and "Winterreise" (DG, Volume 3 of Fischer-Dieskau's Lieder edition), plus a 6 disc set of Schubert Lieder for EMI, also with Gerald Moore. Figure in the earlier recordings from the late 1940s, and live recitals on such labels as Orfeo, and there are ALOT of Fischer-Dieskau Schubert lieder recordings available.

Critics of vocal recitals and lieder may have other opinions, but I think this is as fine a collection as any. I keep this, like Volume 1, to be able to refer to a given song, not to listen to disc after disc of Schubert Lieder in one sitting, even though all are delightful works. Fischer-Dieskau manages to make Schubert's simple, strophic songs sound like great masterpieces, perhaps greater than they really are. And pianist Gerald Moore is an excellent partner: Moore and Fischer-Dieskau work as one, in perfect sync.

Keep in mind these are all songs for male voice, and not the complete Schubert songs. DG should be commended for releasing these recordings on CD and keeping them before the public. If you are really a Schubert completist, consider also the complete Hyperion Schubert Edition, with Graham Johnson, piano, and singers such as Lucia Popp, Peter Schreier, Janet Baker, Stephen Varcoe, Maragaret Price, Ian Bostridge, Martyn Hill singing all the 700+ songs Schubert composed in his short lifetime (1797-1828; Schubert's first lieder were composed about 1815). (The Hyperion Schubert edition is available in Great Britain for about $250 for 40 discs, if you cannot find it in the US).

For further comment, please see my remarks for DG, Volume 1 of Schubert Lieder by Dietrich Fischer-Dieskau.

Make up your mind to this journey........2001-02-07

Since this set of Schubert lieder (3 boxes, 21 cds in all) has become a legedary classic, I don't think I should make any comment. But just a suggestion to those who want to embark on these discs. Make up your mind on this journey. On facing such a tome record arranged and sung chronically, it's useless and wrong only to listen to some famous lieder or discs or just listen randomly. You should spare a long period of time, begin by listening from the very first disc to the last disc. And, during the period do not listen to any lied of other composers. Then gradually, lied by lied, disc by disc, you will forget this is Fischer-Diskau and Moore---This is a real life of a great soul! You are really touching and breathing with a great soul! Feel the sound of schubert, feel his struggle, his emotion, his feeling, his hate and love. Feel how those youthful spontaneous and raw lieder gradually developed into fully ripened masterpieces. Such wonderful experience belongs only to really patient listeners.

It took me about 2 full weeks to listen to the whole 21 discs. Fischer-Diskau and Moore chose the "Abschied(Farewell)" to be the last lieder read (this song happened to be the only lied of Schubert to be recite with piano accompaniment, and which was composed during his final years). Thus the whole hundreds of lieder, or the whole life of Schubert, ended on this lied, farewell to the earth. It began with "Leb wohl, du schoene Erde (Goodbye, you beautiful Earth)". I will forever remember when I finally came into this lied, on the first words of Diskau's "Leb wohl, du schoene Erde" I trembled and cried from the very first note to the last note. My god, it's untouchable granduer.

LAS ROSAS DEL JARDIN.......2000-05-03

Indudablemente, si de Lieder vamos hablar, los de Schubert son LA BIBLIA en la materia. Ningún otro compositor por más bueno que sea, llega acercarse a la belleza de los Lieder de Franz Peter Schubert, entre ellos me refiero concretamente a ilustres compositores como: Beethoven, Schumann, Wolf, Mussorsgky, Tchaikovsky, y Richard Strauss.

Si tendríamos que definir con una sola palabra a estos Lieder está con seguridad sería "MELANCOLIA". Las canciones de Schubert son tan hermosas como las rosas del jardín, pero tienen como ésa flor, espinas, pues para personas de sensibilidad artística, generalmente cuando los escuchamos terminamos con un nudo en la garganta sino con lágrimas en los ojos.

Sin lugar a dudas, Dietrich Fischer-Dieskau es el interprete ideal. El timbre de su voz, así como la calidez de sus interpretaciones, son la combinación perfecta para estas magnas obras. Amigo de la música éste álbum realmente vale la pena, a pesar que es un poco caro, hay que hacer el esfuerzo para no perderse las maravillas que tienen éstos Lieder interpretados por su mejor exponente. Es una de las grabaciones más memorables del Siglo XX. (Mi lieder más amado es Auf Dem Wasser Zu Singen).

Average customer rating:

Bach: Sacred Cantatas, Vol. 4, BWV 67 - 78 Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B000000SKR Release Date: 1994-11-01

Tracks:

1. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Ov: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
2. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Der Heiland Ist Gekommen - Kurt Equiluz
3. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Komm, Jesu, Komm Zu Deiner Kirche - Kurt Equiluz
4. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Siehe, Ich Stehe Vor Der Tur - Ruud Van Der Meer
5. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Offne Dich, Mein Ganzes Herze - Seppi Kronwitter
6. Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Chor: Amen, Amen! Komm Du Schone Freudenkrone - Tolzer Knabenchor/Gerhard Schmidt-Gaden
7. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
8. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Bewundert, O Menschen, Dies Grosse Geheimnis - Kurt Equiluz
9. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitative: So Geht Aus Gottes Herrlichkeit - Ruud Van Der Meer
10. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Streite, Siege, Starker Held - Ruud Van Der Meer
11. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitativo: Wir Ehren Diese Herrlichkeit - Peter Jelosits/Paul Esswood
12. Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Lob Sei Gott, Dem Vater, Ton - Tolzer Knabenchor/Gerhard Schmidt-Gaden
13. Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Christen, Atzet Diesen Tag - Tolzer Knabenchor/Gerhard Schmidt-Gaden
14. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: O Selger Tag! O Ungemeines Heute - Paul Esswood
15. Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Gott, Du Hast Es Wohl Gefuget - Peter Jelosits/Ruud Van Der Meer
16. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: So Kegret Sich Non Heut Das Bange Leid - Kurt Equiluz
17. Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Ruft Und Fleht Den Himmel An - Paul Esswood/Kurt Equiluz
18. Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: Verdoppelt Euch Demnach - Ruud Van Der Meer
19. Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Hochster, Schau In Gnaden An - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

1. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Sehet, Welch Eine Liebe... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
2. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Das Hat Er Alles Uns Getan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
3. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Geh, Welt! Behalte.. - Paul Esswood
4. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Was Frag Ich Nach Der... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
5. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Was Die Welt In Sich Halt - Peter Jelosits
6. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Der Himmel Bleibet.. - Ruud Van Der Meer
7. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Von Der Welt Verlang Ich.. - Paul Esswood
8. Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Gute Nacht, O Wesen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
9. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Sie Werden Aus Saba Alle Kommen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
10. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Die Kon'ge Aus Saba Damen Dar - Tolzer Knabenchor/Gerhard Schmidt-Gaden
11. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Was Dort Jesaias Vorhergesehn - Ruud Van Der Meer
12. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Gold Aus Ophir Ist Zu Schlecht - Ruud Van Der Meer
13. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Verschmahe Nicht, Du Meiner Seelen... - Kurt Equiluz
14. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Nimm Mich Dir Zu Eigen Hin - Kurt Equiluz
15. Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Ei Nun, Mein Gott, So Fall Ich Dir - Tolzer Knabenchor/Gerhard Schmidt-Gaden
16. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Erfreut Euch, Ihr Herzen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
17. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Es Bricht Das Grab Und Damit Unsre Not - Ruud Van Der Meer
18. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Aria: Lasset Dem Hochsten Ein Danklied Erschallen - Ruud Van Der Meer
19. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Bei Jesu Leben Freudig Sein - Paul Esswood/Kurt Equiluz
20. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Duetto: Ich Furchte Zwar (Nicht) Des Grabes Finsternissen - Paul Esswood/Kurt Equiluz
21. Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Alleluja! Alleluja! Alleluja! - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

1. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Halt Im Gedachtnis Jesum Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
2. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Mein Jesus Ist Erstanden - Kurt Equiluz
3. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Mein Jesu, Heissest Du Des Todes Gift - Paul Esswood
4. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Erschienen Ist Der Herrlich Tag - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
5. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Doch Scheinet Fast, Dass Mich Der... - Paul Esswood
6. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Friede Sei Mit Euch - Max Van Egmond/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
7. Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Du Friedefurst, Herr Jesu Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
8. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Also Hat Gott Die Welt Geliebt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
9. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Mein Glaubiges Herze - Peter Jelosits
10. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Recitativo: Ich Bin Mit Petro Nicht Vermessen - Ruud Van Der Meer
11. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Du Bist Geborer Mir Zugute - Ruud Van Der Meer
12. Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Wer An Ihn Glaubet - Tolzer Knabenchor/Gerhard Schmidt-Gaden
13. Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Wie Gross Ist Gottes Gute Doch - Wilhelm Wiedl
14. Lobe Den Herrn, Meine Seele, BWV 69, B10, Aria: Mein Seele, Auf, Erzahle - Paul Esswood
15. Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Der Herr Hat Grosse Ding An Uns Getan - Kurt Equiluz
16. Lobe Den Herrn, Meine Seele, BWV 69, B10, Chor: Es Danke, Gott, Und Lobe Dich - Tolzer Knabenchor/Gerhard Schmidt-Gaden
17. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Lobe Den Herrn, Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
18. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Ach, Dass Ich Tausend Zungen Hatte - Wilhelm Wiedl
19. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Meine Seele, Auf, Erzahle - Kurt Equiluz
20. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Gedenk Ich Nur Zuruck - Paul Esswood
21. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Mein Erloser Und Erhalter - Ruud Van Der Meer
22. Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Was Gott Tut, Das Ist Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

1. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Wachet! Betet! Betet! Wachet! - Tolzer Knabenchor/Gerhard Schmidt-Gaden
2. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Erschrecket, Ihr Verstockten Sunder - Ruud Van Der Meer
3. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Wenn Kommt Der Tag - Paul Esswood
4. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Auch Bei Dem Himmlischen Verlangen - Kurt Equiluz
5. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Lasst Der Spotter Zungen Schmahen - Wilhelm Wiedl
6. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Jedoch Bei Dem Unartigen Geschlechte - Kurt Equiluz
7. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Freu Dich Sehr, O Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
8. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Hebt Euer Haupt Empor - Kurt Equiluz
9. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Ach, Soll Nicht Dieser Grosse Tag - Ruud Van Der Meer
10. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Seligster Erquickungstag - Ruud Van Der Meer
11. Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Nicht Nach Welt, Nach Himmel Nicht - Tolzer Knabenchor/Gerhard Schmidt-Gaden
12. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Gott Ist Mein Konig - Tolzer Knabenchor/Gerhard Schmidt-Gaden
13. Gott Ist Mein Konig, BWV 71, BC B1, Aria: Ich Bin Nun Achtzig Jahr-Soll Ich Auf Dieser Welt - Wilhelm Wiedl
14. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Dein Alter Sei Wie Deine Jugend - Tolzer Knabenchor/Gerhard Schmidt-Gaden
15. Gott Ist Mein Konig, BWV 71, BC B1, Arioso: Tag Und Nacht Ist Dein - Lieuwe Visser
16. Gott Ist Mein Konig, BWV 71, BC B1, Aria: Durch Machtige Kraft - Paul Esswood
17. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Du Wollest Dem Feinde Nicht Geben - Tolzer Knabenchor/Gerhard Schmidt-Gaden
18. Gott Ist Mein Konig, BWV 71, BC B1, Chor: Das Neue Regiment - Wilhelm Wiedl/Paul Esswood/Kurt Equiluz/Lieuwe Visser/Tolzer Knabenchor/Gerhard Schmidt-Gaden
19. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Alles Nur Nach Gottes Willen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
20. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: O Selger Christ - Paul Esswood
21. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mit Allem, Was Ich Hab Und Bin - Paul Esswood
22. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: So Glaube Nun! - Ruud Van Der Meer
23. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mein Jesus Will Es Tun - Wilhelm Wiedl
24. Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Was Mein Gott Will, Das Gescheh Allzeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden
25. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Herr, Wie Du Willt, So Schicks Mit Mir - Jorg Erler/Max Van Egmond/Kurt Equiluz/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/...
26. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Ach, Senke Doch Den Geist Der Freuden - Kurt Equiluz
27. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Recitativo: Ach, Unser Wille Bleibt Verkehrt - Max Van Egmond
28. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Herr, So Du Willt - Max Van Egmond
29. Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Das Ist Des Vaters Wille - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

1. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Wer Mich Liebet, Der Wird Mein... - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
2. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Komm, Komm, Mein Herze Steht ... - Jorg Erler
3. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Die Wohnung Ist Bereit - Paul Esswood
4. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Ich Gehe Hin Und Komme Wieder ... - Max Van Egmond
5. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Kommt, Eilet, Stimmet Sait Und ... - Kurt Equiluz
6. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Es Ist Nichts ... - Max Van Egmond
7. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Nichts Kann Mich Erretten - Paul Esswood
8. Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Kein Menschenkind Hier Auf Der Erd - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
9. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Die Elenden Sollen Essen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
10. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Was Hilft Des Purpurs Majestat - Max Van Egmond
11. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Jesus Soll Mein Alles Sein - Adalbert Kraus
12. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Gott Sturzet Und Erhohet - Adalbert Kraus
13. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Ich Nehme Mein Leiden Mit Freuden Auf Mich - Markus Klein
14. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Indes Schenkt Gott Ein Gut Gewissen - Markus Klein
15. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohl Getan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
16. Die Elenden Sollen Essen, BWV 75, BC A94: Sinf - Leonhardt-Consort/Gustav Leonhardt
17. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Nur Eines Drankt Ein Christliches Gemute - Paul Esswood
18. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Jesus Macht Mich Geistlich Reich - Paul Esswood
19. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Wer Nur In Jesu Bleibt - Max Van Egmond
20. Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Herze Glaubt Und Liebt - Max Van Egmond
21. Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: O Armut, Der Kein Reichtum Gleicht! - Adalbert Kraus
22. Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohlgetan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe

Tracks:

1. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Die Himmel Erzahlen Die Ehre Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden
2. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: So Lasst Sich Gott Nicht ... - Kurt Equiluz
3. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Hort, Ihr Volker - Wilhelm Wiedl
4. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Wer Aber Hort - Ruud Van Der Meer
5. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Fahr Hin, Abgottische Zunft! - Ruud Van Der Meer
6. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Du Hast Uns, Herr, Von Allen ... - Paul Esswood
7. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Es Woll Uns Gott Genadig Sein - Tolzer Knabenchor/Gerhard Schmidt-Gaden
8. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
9. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Gott Segne Noch Die Treue Schar - Ruud Van Der Meer
10. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Hasse Nur, Hasse Mich Recht - Kurt Equiluz
11. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Ich Fuhle Schon Im Geist - Paul Esswood
12. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Liebt, Ihr Christen, In Der Tat! - Paul Esswood
13. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: So Sol Die Christenheit - Kurt Equiluz
14. Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Es Danke, Gott, Und Lobe Dich - Tolzer Knabenchor/Gerhard Schmidt-Gaden
15. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Chor: Du Sollt Gott, Deinen Herren, Lieben - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
16. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Recitativo: So Muss Es Sein - Max Van Egmond
17. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Aria: Mein Gott, Ich Liebe Dich Von Herzen - Detlef Bratschke
18. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Recitativo: Gib Mir Dabei, Mein Gott! Ein... - Kurt Equiluz
19. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Aria: Ach, Es Bleibt In Meiner Liebe - Paul Esswood
20. Du Sollt Gott, Deinen Herren, Lieben, BWV 77, BC A126, Chor: Du Stellst, Herr Jesu, Selber Dich - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
21. Jesu, Der Du Meine Seele, BWV 78, BC A130, Chor: Jesu, Der Du Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
22. Jesu, Der Du Meine Seele, BWV 78, BC A130, Aria: Wir Eilen Mit Schwachen, Doch Emsigen Schritten - Wilhelm Wiedl/Paul Esswood
23. Jesu, Der Du Meine Seele, BWV 78, BC A130, Recitativo: Ach! Ich Bin Ein Kind Der Sunden - Kurt Equiluz
24. Jesu, Der Du Meine Seele, BWV 78, BC A130, Aria: Das Blut, So Meine Schuld Durchstreicht - Kurt Equiluz
25. Jesu, Der Du Meine Seele, BWV 78, BC A130, Recitativo: Die Wunden, Nagel, Kron Und Grab - Ruud Van Der Meer
26. Jesu, Der Du Meine Seele, BWV 78, BC A130, Aria: Nun, Du Wirst Mein Gewiss Stillen - Ruud Van Der Meer
27. Jesu, Der Du Meine Seele, BWV 78, BC A130, Chor: Herr, Ich Blaube, Hilf Mir Schwachen - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Average customer rating:

Schubert: Austrian Contemporaries, Vol. 2 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B0002JEG5Y Release Date: 2004-09-21

Tracks:

1. Der Ungluckliche
2. Widerspruch, D865
3. Glaube, Hoffnung Und Liebe, D955
4. Frohsinn, D520
5. Die Abgebluhte Linde, D514
6. Der Flug Der Zeit, D515
7. Das Heimweh ('Ach, Der Gebirgssohn'), D851
8. Die Allmacht, D852
9. Labetrank Der Liebe, D302
10. An Die Geliebte, D303
11. Vergebliche Liebe, D177
12. Die Sterne ('Was Funkelt Ihr So Mild Mich An?'), D176
13. Die Erste Liebe, D182
14. Lob Des Tokayers, D248
15. Der Zufriedene, D320
16. Der Sanger Am Felsen, D482
17. Lied ('Ferne Von Der Grossen Stadt'), D483
18. Skolie ('Lasst Im Morgenstrahl Des Mai'n'), D306
19. Die Befreier Europas In Paris, D104
20. Abscied ('Leb Wohl, Du Schone Erde'), D829
21. Die Frohlichkeit, D262

Album Description

The Deutsche Schubert-Lied-Edition presents all Schubert's Lieder, over 700 songs, grouped according to the poets who inspired him. The second volume devoted to settings of poems by Schubert's Austrian contemporaries includes some of his most dramatic songs, some unknown gems from the early, middle and late years, and as a curiosity, the only melodrama Schubert wrote.

Average customer rating: German Rock

Glaube Liebe Hoffnung Brings Manufacturer: EMI ProductGroup: Music Binding: Audio CD General | International | Styles | Music International | Imports | Stores | Music Rock | Imports | Stores | Music ASIN: B00000AY3D Release Date: 1995-06-22

Tracks:

1. Heimat
2. Luftschlosser
3. Fleisch Und Blut
4. Angst
5. Freiheit
6. Lass Mich Nicht Allein
7. Mama
8. Kuss
9. Job
10. Tranen
11. Schreien Wie Ein Kind
12. Dreck
13. Brief Nach Hause
14. Scheiss Drauf

Customer Reviews:

German Rock.......2005-12-20

First of all: This Band is a very talented german hardrockband.
"Brings" stands vor the name of Singer and Guitarist Peter Brings and Bassist Stephan Brings. The two brothers and Lead-Guitar Player Harry Alfter founded the Band in Cologne 1991.
The LP "Glaube Liebe Hoffnung"(1995) is the Band's 4th Album. The title means "trust love hope" and stands for a great Hardrock/Grunge Album that might be inspired by the american Bands "Guns N' Roses" "Nirvana" and "Bon Jovi". German Lyrics but the Singer's voice is absolutely powerful and emotional a kind of German Chris Cornell (Audioslave/Soundgarden). The way Harry Alfter plays the Guitar reminds me of Slash (GNR/VElvet Revolver). "Glaube Liebe Hoffnung" is the first appeareance of the actual drummer Christian Bluem who's the son of a well known german politics.
The Songs:
Heimat (=Home) (5/5)
Heavy Track sounds a bit like "smells like teen spirit" but a little bit harder. The lyrics deal with been stuck with your hometown but the problem is that you love this town even if it destroys you.

Luftschloesser (sorry don't know the meaning) (4/5)
Tle Album's first Single is a melancholic ballad with powerful Guitars and good lyrics (losing your dreams...deals with the big german unemployment issue). The Songs problem: Peter's voice sounds a bit as if he doesn't take it seriuos sometimes but the refrain is catchy)

Fleisch und Blut (=Meat and Blood) (4/5)
Ballad that describes a person you really love. Soft "feel Good music".

Angst (=Fear) (5/5)
One of the harder midtempo tracks. Groovy about the nightlife and illusions under the influence of drugs.

Freiheit (=Freedom) (6/5)
Uptempo Song with heavy riffs. Good Rock music. The Song is about Tommy who was left alone by his family and starts to steals and only gets satisfied under the influence of hard drugs.
Nice/fast Guitar solos. Freiheit bis zum schluß... (Freedom until you die...)

Lass mich nicht allein (=don't leave me alone) (5/5)
Great Ballad with long guitar solos and emotional lyrics (a kind of "November Rain" with 3 doors down Lyrics).

Mama (=mum) (4/5)
Midtempo rock with sleazy guitars.

Kuß (=Kiss) (4,5/5)
Love Song opera. Starts slow ans and quiet but keeps getting more poweful with a background chorous.

Job (3/5)
Nothing special. A "Bon Jovi song" with the message: "don't care of money and live your life.."

Traenen (=tears) (3,5/5)
Ballad with piano parts. About regretting some choises you've made. Schmalzy but a emotional Vocalist Peter Brings.

Schreien wie ein Kind (=screamin like a child) (4/5)
Nirvana Grunge music riffs and guitar muting. Being ignored by the ones you love and the plan to kill yourself.

Dreck (=Mudd) (5/5)
A uptempotrack that's really goog to hear. Nice Guitarriffs, catchy lyrics. Heavy classic rock or punk.

Brief nach hause (=letter home) (5/5)
another great Ballad. Melancholic Singer and a virtous Harry Alfter (guitar). Tell my why it hurts to see your eyes...

Scheiß drauf (=F**k it)
Dirty oldschool punk. fight for your rights! Great Bass played by Stephan Brings.

Hidden Track
2 minutes of great bluesy guitar jammin.

All in all a great Album by a great german band. Of course you won't know them but if you like alternative rockmusic...get this!

Average customer rating:

Horvath - Glaube, Liebe, Hoffnung...ein Paradies Voller Ãpfel ?? Arthur Horvath ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music General | Easy Listening | Pop | Styles | Music ASIN: B000G8PHOU Release Date: 2006-04-18

Tracks:

1. Ich Nehm Euch Mit
2. Urlaub
3. Die Sonne Scheint
4. Arkadas
5. Ich Lass Dich Gehen
6. Nicht Nur zum Sterben
7. Zukunft
8. Wunschlos
9. Zu Hause
10. Du Warst Mein Leben
11. Erinnern
12. Auf Wiedersehen

Average customer rating:

Schubert: Settings of Poems by Friends, Autobiographical Lieder Manufacturer: Berlin Classics ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B00000JFSD Release Date: 1999-06-22

Tracks:

1. Sangers Morgenlied, D 165: Susses Licht! Aus Goldnen Pforten
2. Liebestandelei, D 206: Susses Liebchen! Komm Zu Mir!
3. Das War Ich, D 174: Jungst Traumte Mir
4. Sehnsucht Der Liebe, D 180: Wie Die Nacht Mit Heil'gem Beben
5. Liebesrausch, D 179: Dir, Madchen, Schlagt Mit Leisem Beben
6. Fruhlingsglaube, D 686: Die Linden Lufte Sind Erwacht
7. Glaube, Hoffnung Und Liebe, D 955: Glaube, Hoffe, Liebe!
8. Grablied Fur Die Mutter, D 616: Hauche Milder, Abendluft
9. An Die Musik, D 547b: Du Holde Kunst
10. Der Zurnende Barde, D 785: Wer Wagt's
11. Des Sangers Habe, D 832: Schlagt Mein Ganzes Gluck In Splitter
12. Schatzgrabers Begehr, D 761b: In Tiefster Erde Ruht Ein Alt Gesetz
13. Der Jungling Und Der Tod, D 545b: Die Sonne Sinkt, O Konnt' Ich Mit Ihr Scheiden
14. Abschied Von Einem Freunde, D 578: Lebe Wohl! Du Lieber Freund!
15. Selige Welt, D 743: Ich Treibe Auf Des Lebens Meer
16. Schiffers Scheidelied, D 910: Die Wogen Am Gestade Schwellen
17. Der Strom, D 565: Mein Leben Walzt Sich Murrend Fort
18. Fischerweise, D 881: Den Fischer Fechten Sorgen
19. Jagers Liebeslied, D 909: Ich Schiess' Den Hirsch Im Grunen Forst
20. Widerschein, D 949: Tom Lehnt Harrend Auf Der Brucke
21. Totengraberweise, D 869: Nicht So Duster Und So Bleich
22. Schwanengesang, D 744: Wie Klag' Ich's Aus Das Sterbegefuhl

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4. Independence
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7. Les Archives De La Musique Arabe - Mohamed Abdel Wahab vol.2 1927 [Import]
8. Les Crayons de Couleur [Import]
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