Scenes [Import]

1. Meurtre De Priam

2. Tempo

3. Le Fantome

4. Lamentations D'hecube

5. Ophelie

6. Priere

Customer Reviews:

Mellifluous and whisper-sweet - admirable beauty.......2007-07-28

There is so much to admire in this recording, which features the tender-voiced Mark Padmore. His voice is lovely indeed - I have always enjoyed the admirable sweetness of it.

The selection of arias and scenes, along with the truly delicious duet after which the disc is named (sung with soprano Lucy Crowe), is superb, giving Mark Padmore the chance to explore his interpretative range, to murmur, to whisper, to utter in mournful lament, to strike out with well articulated clarity. His diction for the English arias is beautiful; every word and its sense can be understood.

I have a few reservations which prevent me from giving this CD five stars, though. They are minor quibbles, perhaps... Firstly, Mark Padmore's coloratura is only just adequate. He gives the impression, in passages of faster work, of only just hanging on to the tiger, instead of riding it - of being ridden by the coloratura, rather than controlling it. Secondly, his Italian has a very strong English accent. And thirdly, I found the playing of the English Consort, conducted by Andrew Manze, to be a little TOO sugary and sweet, not helping to give bite when bite was needed. This was particularly apparent when Mark Padmore sang the arias of fury - he is more suited by inclination to tender arias, but he really did a noticeably good job of varying the emotional range in his chosen arias, and it just was not helped by the orchestral playing (which was otherwise beautiful). I'd have liked a little more ferocity in the orchestral forces when needed, to give a valuable contrast to the lyrical sweetness otherwise required.

In all, this is certainly a gorgeous recording in many respects. I would like to hear Mark Padmore with an orchestra that challenged him to give even more variation and intensity (and supported him in that), but the voice is truly a lovely one.

Recommended.

EDITED --------------------

As I've just realised the product description doesn't include a track listing, I decided I should add that.

1. Alceste: Enjoy the sweet Elysian grove
2. Semele: Where'er you walk
3. Il trionfo del Tempo e del Disinganno: Urne voi
4. Tamerlano: Forte e lieto
5-6. Tamerlano: Oh per me lieto, avventuroso giorno!... Figlia mia... Tu, spietato
7. Samson: Total Eclipse
8-9. Samson: Did love constrain thee?... Your charms to ruin led the way
10-11. Samson: Let but that spirit... Then shall I make... Thus when the sun from's wat'ry bed
12-13. Rodelinda: Fatto inferno... Pastorello d'un povero armento
14. Esther: Tune your harps
15-16. Jephtha: Heav'n smiles once more... His mighty arm
17. Jephtha: Waft her, angels
18. L'Allegro, il Penseroso, ed il Moderato: As steals the morn.

Can't recommend it.......2007-07-03

I can't recommend this recording unreservedly. Mr. Padmore's voice seems hard pressed and tremulous in some of the arias, and his Italian is un-idiomatic. His diction is superb, in both the English and Italian arias, and the choice of repertoire is adventurous, but I will stick to Robert White.

a voice teacher and early music fan.......2007-06-23

PADMORE HAS ARRIVED!!!!!Gramophone writes: "Mark Padmore uses his extraordinary diction and whispering chamber-like intimacy to remind us that the most exalted tenor arias from the operas and oratorios can achieve true potency even out of context..." To which I heartily agree. This is truly a wondrous portrayal of the many and varied moods of Handels' works. The tenor roles on this disc stretch between Handel's first and last oratorios, and most of them share a philosophy that implies that the dire consequences of personal pride, emotional selfishness, political ambition and sexual lust are amended by virtue and reason.

Padmore has always excelled with his velvet-toned tenderness, such as is displayed on this disc in "Where'er You Walk" from Semele and Jephtha's seraphic "Waft Her Angels". However, in this album he shows that he has acquired a stength and Italian vibrancy in his tone quality as he sings Jeptha's victory aria: "His Mighty Arm" and Bajazet's magnificent death aria :"Figlia mia-Tu spietato" from Tamerlano. I have never heard this death aria sung as well by anyone!!!!And, of course , the lovely melody, so beautifully performed by Padmore and Lucy Crowe is the 'crown' on this album: 'As Steals the Morn'.
Mark Padmore can be listed with the best of the present day tenors. And Andrew Manze with his sensively implemented accompaniment; just perfect!!!I would be remiss if I did not mention the very attractive packaging of the disc as well as the accompanying information; very superior.

Without peer....!.......2007-06-14

I fully agree with the listener above, this is some of the most beautiful and expressive Handel singing in a very long time. I sat in rapture between my two B&W's. Mark Padmore has just raised the bar and Andrew Manze and the English Concert support with playing of stunning virtousity....warm enveloping engineering and you most certainly have a disc to treasure. Please don't hesitate if you love Handel!!

Best Tenor Handel Singing Ever.......2007-06-13

We are in a Golden Age of Handel singing with Andreas Scholl, Daniel Taylor, Vivica Genaux, Ewa Podles and others making baroque music popular again. If you don't own any Lorraine Hunt Lieberson singing Handel (especially with the Philharmonia Baroque Orchestra) buy some today. But buy it alongside this disc. "As Steals the Morn" stole my heart. This is without a doubt the best tenor disc of Handel arias ever. WIth the women and the countertenors great versions of almost everything that Handel wrote abound. Padmore is in a class by himself among tenors singing this music. The singing is beautiful and heartfelt. This would join my Callas Tosca and Scotto Butterfly on a desert island.

Average customer rating:

Beautiful!
Just Wonderful...
happyherb
JUST THE GREATEST!
Great Krall Interpretations of Love Songs

Love Scenes
Diana Krall
Manufacturer: Grp Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

When I Look in Your Eyes
The Look of Love
All for You: A Dedication to the Nat King Cole Trio
Only Trust Your Heart
The Girl In The Other Room

ASIN: B000003NA4
Release Date: 1997-08-26

Tracks:

All Or Nothing At All
Peel Me A Grape
I Don't Know Enough About You
I Miss You So
They Can't Take That Away From Me
Lost Mind
I Don't Stand A Ghost Of A Chance With You
You're Getting To Be A Habit With Me
Gentle Rain
How Deep Is The Ocean (How High Is The Sky)
My Love Is
Garden In The Rain

Amazon.com essential recording

Like a mink draped over mahogany, Diana Krall's luxuriously supple alto adorns the vintage songs of romance and longing found on Love Scenes with a palpable aura of glamour and late-night cool. Her ostensibly effortless command of phrasing and intonation, whether the mood is seduction or a sweet sassiness, further fortifies the opinion that the Canadian vocalist-pianist possesses one of the great female jazz voices to surface in the late 1990s. Augmented by spare but skillful instrumentation from bassist Christian McBride and guitarist Russell Malone, Krall sustains a largely quiet (though hardly sleepy) ambience throughout the CD's 12 selections, from Irving Berlin's "How Deep Is the Ocean (How High Is the Sky)," which she also uses as a showcase for her touch at the keyboard, to Gershwin's "They Can't Take That Away from Me." Her swing is artfully subdued ("All or Nothing at All"), and her wry, expressive approach to "Peel Me a Grape" is pure charm. Yet Krall shines most luminously on languid gems such as "I Don't Stand a Ghost of a Chance with You" and "Garden in the Rain." Anyone in search of an album ideal for watching city lights at 2 a.m. should keep Love Scenes in mind. --Terry Wood

Customer Reviews:

Beautiful!.......2007-08-08

All of Diana's CD's are beautiful but this holds a special place in my heart. "You Are Beinging To Be A Habit" is my song for my husband. It is even his ringtone. Her songs are awesome and her gift is special!

Just Wonderful..........2007-07-18

Just love her voice...Great songs, great musicians.
Love everyone of her CD's, this one is my reference CD for listening to Speakers...
Track 10 is one of the best upright bass track I have ever heard.
My favorite engineer, Al Schmitt. What else can I say...

happyherb.......2007-01-10

it's good you can under stand what she is saying that in it self is great

JUST THE GREATEST!.......2006-11-02

Diana Krall is the singer's Singer. Plain and simple. More than this, however, the Lady knows her way around the 88's, and puts together the best vocal and piano work since Jeri Southern. Of course Diana Krall is her own singer, but she brings up memories of the likes of Miss Southern, Julie London, April Stevens, and many other Greats from the past. Many of them are gone; we are SO lucky we have Diana Krall. This CD is among her Finest! If YOU like the Best, buy it and treat yourself to a true Artist in every sense of the word!

Great Krall Interpretations of Love Songs.......2006-06-03

Diana Krall proves why she's such a phenomenal jazz singer on this CD.
Her interpretations of Peel Me A Grape and You're Getting To Be A Habit With Me highlight her smoky, understated, but very attractive voice. The entire CD is outstanding, and gives Krall a chance to further impress jazz music lovers, who have made her one of the most loved jazz singers of our generation.
Love Scenes is a winner Don't miss it!

Average customer rating:

Excellent Introduction to Spanish Classical Guitar Music
The guitar is an orchestra in miniature!
GUITAR MAJESTY
Sweet, sweet music, an essential addition to your collection
A True Classic

Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Essential Guitar: 33 Guitar Masterpieces
300 Years of Guitar Masterpieces
Baroque Guitar
Masters of Flamenco Guitar
Classic Williams: Romance of the Guitar

ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

Albeniz: Asturias
Albeniz: Tango
Sanz: Canarios
Rodrigo: Fandango
Torroba: Nocturno
Segreras - El Colibri
Albeniz: Sonata in D
De Falla: The Corregidor's Dance
De Falla: Fisherman's Song
De Falla: The Miller's Dance
Torroba: Madronos
La Nit de Nadal
El Noy de la Mare
Granados: Ma Maja de Goya
Abeniz: Cordoba
Tarrega: Recuerdos de la Alhambra
Granados: Spanish Dance No. 5
El Testamen de Amelia
Villa-Lobos: Prelude No. 4 in E Minor
Albeniz: Sevilla
De Falla: Homanaje
Mudarra: Fantasia
Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

Average customer rating:

masterpiece
thus album has touched my heart
Amazing !
Dream Theater's mission statement
Their best in my opinion.

Metropolis Part 2: Scenes from a Memory
Dream Theater
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Images and Words
Six Degrees of Inner Turbulence
Awake
Train of Thought
Octavarium

ASIN: B000021XS0
Release Date: 1999-10-26

Tracks:

Regression
Overture 1928
Strange Deja Vu
Through My Words
Fatal Tragedy
Beyond This Life
Through Her Eyes
Home
The Dance Of Eternity
One Last Time
The Spirit Carries On
Finally Free

Amazon.com

Progressive rock has long been the most devalued currency in popular music, perhaps due to the culture's dumbing down, too many conceptually knotted triple-albums, or merely a Greek chorus of critics parroting the emperor from Amadeus: "Too many notes!" Maybe that's what makes Dream Theater's Scenes such an audacious rush (no pun intended). Here we have a two-act murder mystery examined from a hypnotic dream state and parlayed by "The Orchestra," as the band refers to itself here. Andrew Lloyd Webber hasn't written anything as focused--or musically audacious--in decades. And if the band attacks feverish shift meters and plows through enough structural modes and, yes, notes, to make the aforementioned emperor's head spin, they manage to keep things concise, focused, and largely effective. The addition of keyboardist Jordan Rudess has freshened the band's tack, infused now with the odd, playful ragtime piano quote and sitar sample. Vocalist James Labrie, meanwhile, amply proves that Queensryche's Geoff Tate isn't the only drama queen in prog metal. --Jerry McCulley

Customer Reviews:

masterpiece.......2007-07-12

this one, and Awake, will be the ones that your kids will regard the way you and me regard Dark Side of the Moon.

thus album has touched my heart.......2007-07-08

along with top notch musical writing, this ia a concept album if there ever was one. the whole album revolves around specificlly writen melodies along with its consistant story line which involes the double murder of a young couple. anyone who appreciates concept albyms will see this as being the ultimate one of the genre because it is both melodically and lyrically perfect. praise be to the best

Amazing !.......2007-07-01

I am new to Dream Theater, I have make "the discovery" two years ago while the band was the opening act for "Yes". I have to admit that their performance was "jaw dropping" if you see what I mean. They had less than 45 minutes that night but this was enough for me. I wanted to knew all about them. This album is simply amazing, if you like great musical performance, great vocals, prog rock music at its best, this one is for you. Don't miss the chance to discover an amazing album and an amazing band.

Dream Theater's mission statement.......2007-06-28

After releasing the uneven and often criticized Falling Into Infinity in 1997, Dream Theater found themselves with a lot to prove. If Falling Into Infinity was a misguided attempt to let outside voices "streamline" the band's progressive metal sound in hopes of reaching some mythical "crossover" audience, then its successor - 1999's Metropolis Part 2: Scenes From a Memory - was a deliberate statement by the band; a statement that said in no uncertain terms that Dream Theater's music is not for the top 40 listening masses and never will be. The band kept their own counsel while recording this album, the result of which is a progressive metal tour-de-force that reestablished the band at the top of the progressive metal pantheon.

Scenes From a Memory is an ambitious concept album based loosely on the Images and Words song Metropolis, Part I. I was a bit surprised to hear about the album's concept, as I always thought that the lyrics to Metropolis Part I were mostly metaphorical in nature. Still, the band managed to put together an interesting, if convoluted, tale of love, murder, reincarnation and redemption carried out over the course of 12 songs.

Musically this is a very strong album. With the songwriting and production duties solely in the band's hands (and absolutely no need to come up with a "hit"), they were free to be as creative and progressive as they chose. This is most obvious in the instrumental interplay between guitar god John Petrucci and incoming keyboardist Jordan Rudess, whose pyrotechnics on this album are the stuff of legend. Mike Portnoy and John Myung, both masters of their craft, are more than up to the challenge, as is vocalist James LaBrie, who was coming off of a tour that nearly destroyed his voice.

Overall Metropolis Part 2: Scenes From a Memory is a very impressive album. The only real flaw, and it's one that affects most concept albums, is that it really only works as a whole album. Unlike the songs on Images and Words or Train of Thought, the tracks on SFAM don't really work as single songs. The lyrical content, storyline, and the flow from one track to the next makes it hard for the songs to stand up on their own. Still, that's a relatively minor complaint about an otherwise great album.

Metropolis Part 2: Scenes From a Memory is a must-have album for all Dream Theater fans, and anyone who is into progressive metal. It may be a bit heavy for some traditional progressive rock fans, but I've generally found that crowd to be pretty open minded, so I think they'd enjoy it as well.

Their best in my opinion........2007-05-24

In my opinion, this is Dream Theater's best album. That doesn't mean that I don't appreciate some of the genius work on Images and Words and Awake, it just means that, as an entire album, this one is slightly better. Images and Words as well as Awake have some of the best Dream Theater songs (Learning To Live, Metropolis Pt. 1, Caught In A Web, Scarred) to date, but Scenes From A Memory is more cohesive from beginning to end.

This release is Dream Theater's first attempt at a concept album. Whether or not you enjoy concept albums is irrelevant because each song can stand on it's own without the knowledge that the entire album follows one main storyline. Each song is very unique without straying too far from the Dream Theater formula that made them what they are. Highlights for me are Home, Fatal Tragedy, The Spirit Carries On, and Finally Free. As always, the musicianship is phenomenal without being too self indulgent as DT can sometimes be. The song structures are complex, but not so much as to take away from the overall atmosphere of each song.

This is also the first album with current (as I'm writing this) keyboardist Jordan Rudess. Jordan is obviously very talented and adds a new element to the band that wasn't there in previous albums. Not a better element, just a new element. I believe Kevin Moore was better at creating melodies than Jordan, but I believe Jordan is better during the interlude and fill sections. Six of one, half dozen of the other I guess.

I own every Dream Theater album to date and SFAM still gets the most play in my stereo, closely followed by Images and Words and Awake. I enjoy all of the albums since SFAM, but I don't think they have since captured the same magic and probably never will again.

As with every review, these are my opinions and I'm sure many people will disagree with me, but that's what makes these reviews so much fun. Enjoy!

Average customer rating:

Quality Product
COLDPLAY LIVE
im listen to this genre too
Quite good concert but sloppy editing
Review of the Asian HDCD Edition (CD only)

Live 2003 (CD & DVD)
Coldplay
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Parachutes
A Rush of Blood to the Head
X&Y
Yellow
Speed of Sound

ASIN: B0000DJZA0
Release Date: 2003-11-04

Tracks:

Politik
God Put A Smile Upon Your Face
A Rush Of Blood To The Head
One I Love
See You Soon
Shiver
Everything's Not Lost
Moses
Yellow
Clocks
In My Place
Amsterdam

Tracks:

Politik (DVD)
God Put A Smile Upon Your Face (DVD)
A Rush of Blood To The Head (DVD)
Daylight (DVD)
Trouble (DVD)
One I Love (DVD)
Don't Panic (DVD)
Shiver (DVD)
See You Soon (DVD)
Everything's Not Lost (DVD)
Moses (DVD)
Yellow (DVD)
The Scientist (DVD)
Clocks (DVD)
In My Place (DVD)
Amsterdam (DVD)
Life Is For Living (DVD)

Amazon.com

Riding high on the phenomenal success of A Rush of Blood to the Head, Coldplay is in peak form on Coldplay Live 2003. This CD/DVD two-pack was filmed (on Super-16mm film) and recorded in Sydney's Horden Pavilion on July 21 and 22, 2003, during an exhaustive year-long world tour, and the medium-sized arena provides a fitting stage for the London-based rock quartet, not so grand as to overwhelm the music, but large enough to indicate their large and loyal following, which includes enthusiastic fans of either gender. Especially when played in DTS 5.1 surround, this 90-minute concert is richer, thicker, and (of course) louder than Coldplay's studio recordings, lending a wall-of-sound expansiveness to the band's signature sound, which draws from such diverse influences as Genesis, Pink Floyd, The Verve, U2, and their own unique sonic landscape. "Politik" gets the gig off to a rousing start, and other impressive! highlights include "Daylight," "Yellow," the as-yet-unreleased new song "Moses," and the popular hits "In My Place," "Clocks," and "The Scientist." And while the concert visuals are slick and professional (perhaps placing a bit too much emphasis on singer/frontman Chris Martin), this DVD and CD--the latter containing a truncated 70-minute version of the same performance--are best appreciated for their pristine audio quality. Culled from 400 hours of home video, the 40-minute "concert diary" represents a wasted opportunity, enjoyable for hardcore fans but offering no insight into the band or its individual members. Much better, then, to play the concert at healthy high volume, and appreciate Coldplay in the prime of their young career. --Jeff Shannon

Description

The two-disc set includes a 90-minute, nine-camera, super 16 live shoot taken from their July 21 and 22, 2003 performances at the Horden Pavilion in Sydney, Australia, as well as band commentary, a never before broadcast behind-the-scenes documentary, a special tour diary and the edited audio CD. The DVD and CD will also include two PREVIOUSLY UNRELEASED live tracks- "The One I Love" and "Moses."

Customer Reviews:

Quality Product.......2007-03-08

I received this product on time, and was very pleased with my purchase. This is a very good concert for those that really enjoy Coldplay and have not been fortunate enough to go to a real concert.

COLDPLAY LIVE.......2006-11-06

I went to a live Coldplay show and this DVD was as spectacular as the live show!! I reccomend this to any Coldpay fan or anyone that is a fan of live music. ENJOY!!

im listen to this genre too.......2006-07-29

coldplay is a great band. this album is for real fans.
the dvd is bangin ya'll
the songs are great and have a distinct sound only coldplay can produce.

Quite good concert but sloppy editing.......2006-05-03

It's always fun watching concert DVD's. For one thing, being a musician, I can actually watch not only how they play the songs but see the musicianship of the band without the benefit of redoing takes and overdubbing certain parts. It's still a bit too early for a Coldplay DVD but still it's quite a good one regardless, it's just marred by the MTV-style editing that I'm very much despising at the moment.

The show combines some tracks from first release Parachutes to 2nd release A Rush of Blood to the Head, as well as 3 non-album tracks. There's of course crowd favorites such as Trouble(with a huge end sing along), the Scientist, Clocks, Don't Panic, Yellow with a beautifully sung intro to album tracks such as Amsterdam, Daylight and Shiver. As for the 3 non-album tracks, I love 2: The One I Love, a big rocker with a catchy ending("sing it to me, oh oh") and See You Soon, a beautiful/melancholy acoustic ballad.

The editing problems are first evident in the Politik intro. While the track itself has that pounding beat, so does the editing and it's incredibly jarring. It reminds me of an old guy trying to get in the mindset of a young person by acting and talking fast so the hyperactive camera is a result of a "this is what the kids want" mentality. Like most DVD's, the lead singer Chris Martin tends to get the most attention. A talent yes but other band members get very quick shots before going back to Chris. At one point I almost thought I saw band member to Chris to band member to Chris rather than switching between the 4 of them.

It would've been nicer if they waited till X&Y came out so we can get Square One, Speed of Sound and Fix You live but that's alright. Knowing the record company, we'll get another one soon.

Review of the Asian HDCD Edition (CD only).......2006-04-19

I have some of Coldplay's studio albums, and frankly, they don't hold a candle to the live performances. There's no zing zang zip to the studio stuff. It's kind of pedantic, unenergetic, bland, and...well...plain boring. Live 2003 is the polar opposite. I can only conclude that the studio work is necessary for them to write and flesh out their new material, but it's in live performance that the songs actually breath...where the magic happens. This band, more than any other I've come across, needs to be heard in its live incarnation. Coldplay sucks up the energy from that audience, concentrates it, changes it, then spits it back out at them gloriously. I'm going to upset some people, but I'd say avoid the studio albums and go for their live discs and some concert tickets.

Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony

Average customer rating:

An Odd Release But A Bargain Price for Excellent Performances
Great reading of these 2 works
Best or not, you'll really love this Rite of Spring
Totally convincing
The best Rite of Spring

Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
Michael Tilson Thomas , and Seiji Ozawa
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Symphonie Fantastique
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Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York PO

ASIN: B00000I9MQ
Release Date: 1999-03-09

Tracks:

Petrouchka: Scene I - The Shrovetide Fair - Vivace - Boston Symphony Orchestra
The Magic Trick - Boston Symphony Orchestra
Russian Dance - Boston Symphony Orchestra
Scene II - Petrouchka's Cell - Boston Symphony Orchestra
Scene III - The Moor's Cell - L'istesso tempo - Boston Symphony Orchestra
Dance Of The Ballerina - Boston Symphony Orchestra
Waltz - Boston Symphony Orchestra
Scene IV - The Fair - Toward Evening - Tempo Giusto - Boston Symphony Orchestra
Wet Nurses' Dance - Boston Symphony Orchestra
Peasant With Bear - Boston Symphony Orchestra
Gypsies And A Rake Vendor - Boston Symphony Orchestra
Dance Of The Coachmen - Boston Symphony Orchestra
Masqueraders - Boston Symphony Orchestra
The Scuffle -Moor And Petrouchka- - Boston Symphony Orchestra
Death Of Petrouchka - Boston Symphony Orchestra
Appearance Of Petrouchka's Ghost - Boston Symphony Orchestra
The Rite Of Spring: The Rite Of Spring -- Part I - The Adoration Of The Earth - Introduction - Seiji Ozawa
The Rite Of Spring: Harbingers of Spring - Seiji Ozawa
The Rite Of Spring: Mock Abduction - Seiji Ozawa
The Rite Of Spring: Spring Khorovod - Seiji Ozawa
The Rite Of Spring: Games Of The Rival Tribes - Seiji Ozawa
The Rite Of Spring: Procession Of The Wise Elder - Seiji Ozawa
The Rite Of Spring: Adoration Of the Earth ; Dance Of The Earth - Seiji Ozawa
The Rite Of Spring: Part II - The Sacrifice - Introduction - Seiji Ozawa
The Rite Of Spring: Mystic Circles Of The Young Girls - Seiji Ozawa
Glorification Of The Chosen Victim - Seiji Ozawa
The Rite Of Spring: Summoning Of The Ancestors - Seiji Ozawa
The Rite Of Spring: Ritual Of The Ancestors - Seiji Ozawa
The Rite Of Spring: Sacrificial Dance - Seiji Ozawa
Fireworks: Fireworks, Op. 4 -Fantasy For Orchestra - Seiji Ozawa

Amazon.com

The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the breathtakingly open sound of the original tapes for the first time on CD, and may require a volume cut to preserve peace with the neighbors. --Ted Libbey

Customer Reviews:

An Odd Release But A Bargain Price for Excellent Performances.......2006-01-14

One wonders why this pairing of Seiji Ozawa and the Chicago Symphony Orchestra with Michael Tilson Thomas and the Boston Symphony Orchestra all under the spell of Stravinsky was issued. Not that the performances individually need reinforcement because they don't. Perhaps it is the long relationship between Tilson Thomas and Ozawa or their similar approaches to this repertoire that was the driver. Whatever the reason, here are recordings that are a treat.

Tilson Thomas elects the 1947 version of Petrushka and offers a clear-headed, rhythmically sound, exciting performance. The warm Boston sound is intact and enhances his overall mood of the work. Ozawa and the Chicago forces give an all stops out performance of 'Le Sacre du printemps', a performance that is about as visceral and pagan as any on record. And the bonus of the brief but effective 'Feu D'artifice' fantasy is given a robust reading.

There are many recordings of 'Le Sacre du printemps' in the recorded repertoire: obviously every conductor wants to imprint his mark on this masterpiece. The sonics are all-important when the work is recorded and in the case of this recording the sonics are excellent. But there may soon be a startling surprise for lovers of this mighty, historically important music. This week Esa-Pekka Salonen gave a resplendent, detailed, emotionally charged performance that was recorded live by DGG in the Disney Hall. And if the technicians are able to cope with the amazingly live clarity of the acoustics of this grand architectural triumph, the recording may be the gold standard immediately upon release. Salonen has previously and successfully recorded the work with the Philharmonia Orchestra in 1990. The growth in stature in the intervening years has never been more obvious that this current state of Salonen's Stravinsky. Watch for it! Grady Harp, January 06

Great reading of these 2 works.......2005-12-07

Both the Rite of Spring and Petrouska are very well rendered in this recording... Ozawa's reading is insightful and very clear... The recording quality is great... Highly recommend this recording...

Best or not, you'll really love this Rite of Spring.......2004-06-29

Being among my top favorite pieces in the 20th century (after all, this piece turned the view of classical music upside down), I have tested myself listening to various versions by different performers. As far as much as I listened, my top two will have to be Leonard Bernstein with the New York Philharmonic (the most brashing, bashin, mind-crushin'!!!) and this equally thrilling performance with Ozawa leading the Boston Symphony Orchestra.

Officially, this is a major highlight throughout Ozawa's conducting legacy, still a very young man with seemly imperishable vigor and force very equilavent to his teacher Lenny. The Boston Symphony is an excellent orchestra to work with (the woodwinds and brass especially); otherwize the Chicago Symphony could have been the only other choice.

In my perspective, I had to admit that, just by focusing on the level of being barbaric and noxious, it slightly lacks that to Lenny, but on the other hand, it's brilliant controlled nail-biting high tempo can cover that.

Definitely worth buying!!! GO FOR IT!!!!!

Totally convincing.......2004-06-16

I have three recordings of "The Rite of Spring". I've known it in every detail since 1972 when I was 17 and I know the score inside out. This is the only performance (recorded or live) that I've ever heard that raised the hairs on the back of my neck, made me grip the seat and break out into a cold sweat, and ultimately made me understand what "The Rite" is all about. The recording does full justice to the performance. This is a "must have" for anyone who wants to understand the point of the work.

The best Rite of Spring.......2004-03-28

Ozawa's account of Stravinsky's most famous ballet is nothing short of astounding. The conductor has the Chicago Symphony playing with total attention. What is so amazing about this recording is that the orchestra is completely controlled and balanced. Although one may prefer a more spontaneous sounding Rite, one would be hard pressed to find a recording with more energy, polish, and power.

Ozawa's Petrouchka (with Michael Tilson Thomas at the piano) is equally amazing. The beauty of phrasing and emotion Ozawa instills into the players of the Boston Symphony orchestra is chilling. Indeed, when this recording was made, Ozawa had just taken the reigns or the orchestra (however, over the years, his energy and intensity has lessened) and they play for their new music director with total conviction.

Fireworks, a short symphonic sketch by the young Stravinsky, shows the influences of his teachers, especially Paul Dukas in the orchestration. Although not a seminal work, the opus 4 is delightful.

Tracks:

The Nutcracker Excerpts (Tchaikovsky)
The Nutcracker Excerpts (Tchaikovsky)
The Nutcracker Excerpts (Tchaikovsky)
Parade of The Wooden Soldiers (Jessel-MacDonald)
Carnival of The Animals Excerpts (Saint-Saens)
Carnival of The Animals Excerpts (Saint-Saens)
Carnival of The Animals Excerpts (Saint-Saens)
THe Girl With The Flaxen Hair (Debussy)
Hoedown from Rodeo (Copland)
Little Waltz from The Toy Box (Debussy)
Viennese Musical Clock from Hary Janos (Kodaly)
Mother Goose Suite Excerpts (Ravel)
Mother Goose Suite Excerpts (Ravel)
March of the Siamese Children from The King and I (Rogers)
Dreams frin Scenes From Childhood ( Schumann)
March of The Toys from Babes In Toyland (Herbert)
Childhood Games Excerpts (Bizet)
Childhood Games Excerpts (Bizet)
The Toy Trumpet Al Hirt, trumpet (Scott)
The Little Train of Caipira (Villa-Lobos)
The Sorcerer's Apprentice (Dukas)
Waltz from The Sleeping Beauty (Tchaikovsky)
Lullaby (Brahms)

Customer Reviews:

Just for kids?? No way!!.......2005-04-08

This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").

If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.

The best classical album for kids!.......2002-12-12

This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!

Great for Preschool Children.......2000-10-12

I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.

Average customer rating:

Good selection
thunderous applause
Good Music at a Great Price
You will like this!
Good for the novice

25 Thunderous Classics

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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German | Languages | Opera & Vocal | Styles | Music

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4-for-3 Classical | 4-for-3 Music | Stores | Music

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Similar Items:

25 Classical Favorites
Symphony (25) Favorites
25 Tchaikovsky Favorites
25 Mozart Favorites
25 Beethoven Favorites

ASIN: B00004Y6SQ
Release Date: 2000-09-05

Tracks:

Also Sprach Zarathustra (Sunrise) - R. Strauss
Mars (The Planets) - Holst
Overture 1812 - Tchaikovsky
Entry Of The Gladiadtors - Fucik
Sabre Dance - Khachaturian
Procession Of The Sardar - Ippolitov Ivanov
Night On Bald Mountain - Mussorgsky
Anvil Chor (II Trovatore) - Verdi
The Thunderer March - Sousa
Thunder & Lightening Polka - J. Strauss
Prelude To Act III : Lohengrin - Wagner
The Ride Of The Valkryies - Wagner
Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
Rondeau - Edward Carroll
Overture: Fireworks Music - Handel
March To The Scaffold: Symphonie Fantastique - Berlioz
LesToreadors - Bizet
William Tell Overture: Finale - Rossini
Revolutionary Study - Abbey Simon
Fanfare For The Common Man - Copland
Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
Augurs Of Spring From Rite Of Spring - Stravinsky
Russian Dance From Petrouchka - Stravinsky
The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

thunderous applause.......2005-08-31

This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.

Average customer rating:

A Legendary Singer.
Lorraine Hunt Lieberson's Bach: The mind of God revealed!!
Glorious singing to treasure for decades
Lorraine Hunt-Lieberson (1954-2006), supreme Handelian
The Stellar Hunt Lieberson

Lorraine Hunt Lieberson: Handel Arias

Manufacturer: Avie
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Similar Items:

Bach: Cantatas BWV 82 and 199
Peter Lieberson: Neruda Songs
Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto
Lorraine Hunt - Handel Arias
Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan

ASIN: B00022LZW8
Release Date: 2004-08-10

Tracks:

Ah! Whither Should We Fly...
...As With Rosy Steps The Morn
O Bright Example Of All Goodness!...
...Bane Of Virtue, Nurse Of Passions
The Clouds Begin To Veil The Hemisphere...
...Defend Her Heav'n!
Lord, To Thee Each Night And Day
She's Gone, Disdaining Liberty And Life...
...New Scenes Of Joy
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Cantata
Se Bramate D'amar, Chi Vi Sdegna
Frondi Tenere E Belle...
...Ombra Mai Fu

Amazon.com

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine

Customer Reviews:

A Legendary Singer........2007-03-07

I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.

Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06

These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California

Glorious singing to treasure for decades.......2006-07-11

By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!

Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06

I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.

The Stellar Hunt Lieberson.......2006-03-19

Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.

Stravinsky Conducts Stravinsky: Petrouchka/ Le Sacre du Printemps

Average customer rating:

the best.
Najinsky who?!
Hermann and Stravinsky
Powerful rendition
From the Master

Stravinsky Conducts Stravinsky: Petrouchka/ Le Sacre du Printemps

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

$7.99 and Under | Classical Music Blowout | Stores | Music

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Stravinsky Conducts Stravinsky: Firebird-Complete/Scherzo/Firework
Stravinsky Conducts Stravinsky: Symphony of Psalms/Symphony in 3 Movements
Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment
Mozart: Great Piano Concertos
Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74

ASIN: B0000026GJ
Release Date: 1990-10-25

Tracks:

Petrushka - Tableau I: The Shrove -Tide Fair: Beginning
Petrushka - Tableau I: The Shrove-Tide Fair: The Crowds
Petrushka - Tableau I: The Shrove-Tide Fair: The Charlatan's Booth
Petrushka - Tableau I: The Shrove-Tide Fair: Russian Dance
Petrushka: Tableau II: Petrushka's Room
Petrushka - Tableau III: The Moor's Room: Beginning
Petrushka - Tableau III: The Moor's Room: Dance Of The Ballerina
Petrushka - Tableau III: The Moor's Room: Waltz (Ballerina and Moor)
Petrushka - Tableau IV: The Shrove - Tide Fair (Near Evening): Beginning
Petrushka - Tableau IV: The Shrove - Tide Fair (Near Evening): Dance Of The Nursemaids
Petrushka - Tableau IV: The Shrove-Tide Fair (Near Evening): Dance Of The Peasant And The Bear
Petrushka - Tableau IV: The Shrove-Tide Fair (Near Evening): Petrushka - Dance Of The Gypsy Girls
Petrushka - Tableau IV: The Shrove -Tide Fair (Near Evening): Dance Of The Coachmen and Grooms
Petrushka - Tableau IV: The Shrove - Tide Fair (Near Evening): The Masqueraders
Petrushka - Tableau IV: The Shrove-Tide Fair (Near Evening): Conclusion (Petrushka's Death)
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Introduction
Le Sacre Du Printemps - The Rite Of Spring - Part I. The Adoration Of the Earth: Dances of the Young Girls
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Mock Abduction
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Spring Round Dance
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Games of the Rival Tribes
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Procession Of The Wise Elder
Le Sacre Du Printemps - The Rite Of Spring: Adoration Of The Earth (The Wise Elder)
Le Sacre Du Printemps - The Rite Of Spring - Part I: The Adoration Of The Earth: Dance Of The Earth
Le Sacre Du Printemps -The Rite Of Spring - Part II: The Sacrifice: Introduction
Le Sacre Du Printemps - The Rite Of Spring - Part II: The Sacrifice: Mystical Circles Of The Young Girls
Le Sacre Du Printemps - The Rite Of Spring _ Part II: The Sacrifice: Glorification Of The Chosen Victim
Le Sacre Du Printemps - The Rite Of Spring - Part II: The Sacrifice: Summoning Of The Ancients
Le Sacre Du Printemps - The Rite Of Spring - Part II: The Sacrifice: Ritual Of The Ancients
Le Sacre Du Printemps - The Rite Of Spring - Part II: The Sacrifice: Sacrificial Dance

Amazon.com

Whatever the limitations of Stravinsky's baton technique, no one else on disc conjures the same bustling excitement at the outset of Petrouchka. Overlapping, polyrhythmic textures in Petrouchka and in Le Sacre du Printemps come off with Mozartian lucidity, Mendelssonian lightness, and, well, Stravinsky-esque rhythmic exactitude (notwithstanding a few hesitant entrances). The clarity partly stems from the composer's use of his leaner revised scores, helped by close-up, analytical mike work by CBS. There are, of course, slicker, more sonically opulent versions of these 20th century landmarks. And then there are Stravinsky's. --Jed Distler

Customer Reviews:

the best........2007-07-23

i think when the opportunity comes to hear music in exactly the way the author meant it to be heard is a rare gift. with stravinsky himself conducting, his work here is as perfect as it can ever be performed. the Rite of Spring is one of the most important works, i dare say, EVER. Listen with focus and stravinsky's genius is obvious.

Najinsky who?!.......2007-03-09

Nobody does Mr. S like Mr. S. These albums that came out on Columbia are still the ultimate. Why would anyone else bother to try to match the master? This guy was a freaking genius, for goodness sake. You other guys get a life.

Hermann and Stravinsky.......2006-10-10

I hadn't listened to Le Sacre du Printemps in a couple of decades. This recording was like hearing it for the first time.

With nothing to add to the other reviews, I just want to note that when I got to "Harbingers of Spring (Dances of the Young Girls and Boys)," I was struck by the similarity between parts of it and Bernard Hermann's soundtrack for Psycho. One more example of how mid-century US film and and television scoring was influenced by late-19th and early 20th century composers (listen to Debussy's Images in this context).

Powerful rendition.......2004-10-08

This version of the Rite of Spring, is quite simply one of the best versions out there. Stravinsky summons the raw, primitive power, and emotional intensity of this work, and gives it a fresh, almost light touch, very different from other versions of this work. The Petruska is also very good, but Stravinsky tends to take everything at a slightly too quick pace.
(Note for Robert Lewis: very few people interested in classical music would be ignorant enough to attempt to nap to the Rite of Spring, one of the most violent works ever written.)

From the Master.......2004-03-29

I had the great good fortune to attend a concert of Stravinsky's music partially conducted by Stravinsky himself in Beverly Hills, CA. I don't remember the exact year, but it would have been in the late '60s. In other words, just a few years before his passing.
He shared conducting duties with his long-time associate, Robert Craft.

Because of his obvious age and frailty, it was expected he would sort of ceremoniously conduct one or perhaps two of his shorter works, leaving the bulk of the concert to Craft. Imagine my, and the audience's astonishment when we saw in the program that Maestro Stravinsky would be the conductor for several works, culminating in the concluding work on the program, "Le Sacre du printemps".

When the time came for "Le Sacre", the maestro, assisted and with some difficulty, made his way to the podium, at which he, not surprisingly, sat. He gazed at the score for a long moment. Slowly, his gaze rose from the score to his orchestra, which he observed for a few seconds, which seemed like hours. The audience grew silent with expectation. Slowly, deliberately, he raised his baton. And it began. What followed for the next 30 plus minutes was one of the most electrifying, galvanizing, and thrilling performances of anything I have ever seen or heard in my life, before or since.

After the concert I made it a point to chat with several friends of mine who were in the orchetra. I suggested that the orchestra must have been well prepared by Robert Craft so that Maestro Stravinsky would be better able to conserve his energy. To a man (and woman) they assured me that absolutely the opposite was the case. The portions of the concert, including "Le Sacre" that Stravinsky was to conduct were rehearsed, in total, by Stravinsky himself. In addition, Stravinsky attended the rehearsals for the balance of the program and had no problem contributing whatever he felt was necessary to the procedings. They also found him to be extremely alert and utterly charming.

How can I recommend anyone else's performance of "Le Sacre du printemps"? There is only one, and this is it.

World Music: