Dispetto [Import]

1. Bellatrix

2. Meravigliosa Creatura

3. Per Dispetto

4. Non Ti Voglio

5. Fotografia

6. Piangerò

7. Ottava Vita

8. Con Te

9. Non C'È Pace

10. Ninna Nera

11. Lontano Lontano

12. 500 Anni

Dispetto,Gianna Nannini,Universal,World Music

Average customer rating: A truly amazing artist About time I said how good this recording is! a voice teacher and early music fan Stellar Performance and a Sign of the Greatness to Come David Daniels: La voz del barroco.

Handel: Opera Arias; David Daniels David Daniels , George Frideric Handel , Roger Norrington , and Orchestra of the Age of Enlightenment Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Daniels, David | ( D ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Sento Amor; David Daniels; Handel: Oratorio Arias David Daniels - Serenade Stephanie Blythe - Handel & Bach Arias / David Daniels · Ensemble Orchestral de Paris · John Nelson Rinaldo ASIN: B00000FDND Release Date: 1998-12-01

Tracks:

1. Serse: Recitativo accompagnato Frondi tenere
2. Serse: Larghetto Ombra mai fu
3. Giulio Cesare In Egitto: Aria Va tacito e nasacosto
4. Giulio Cesare In Egitto: Aria Al lampo dell' armi
5. Giulio Cesare In Egitto: Recitativo accompagnato Dall' ondoso periglio
6. Giulio Cesare In Egitto: Aria Aure, deh, per pieta
7. Tamerlano: Aria A dispetto
8. Ariodante: Recitativo E vivo anora
9. Ariodante: Aria Scherza infida
10. Giulio Cesare in Egito: Aria Cara speme
11. Giulio Cesare In Egitto: Aria L'angue offeso
12. Rodelinda: Sinfonia Pompe vane di morte
13. Rodelinda: Largo Dove sei?
14. Rodelinda: Aria Vivi, tiranno
15. Rinaldo: Largo Cara sposa, amante cara
16. Rinaldo: Aria Venti, turbini

Amazon.com

David Daniels seems to be the current leader of the opera world's March of the Falsettos--and with good reason: he's one of the first countertenors with enough beef in his voice to sound convincing in the heroic castrato roles of Handel's operas. His first solo disc is a collection of arias from just those roles--and an impressive debut it is. Daniels has the solid coloratura technique a Handel singer needs and a quick, narrow vibrato that can blend with Baroque instruments without alienating traditional opera buffs. (In fact, he sometimes sounds surprisingly like Marilyn Horne, one of his coaches.) Best of all, he has a musicality and dramatic sense that save the laments and slow serenades from dullness and the bravura showpieces from empty virtuoso display. The performances aren't flawless: Norrington's tempos are occasionally too quick for comfort (Daniels's and the listener's), and Daniels's vibrato sometimes spreads unattractively at the top of his range. He's at his best in the low alto roles that Handel wrote for the great castrato Il Senesino, such as the title roles in Giulio Cesare and Orlando. Let's hope we get to hear him in complete recordings of these operas soon. --Matthew Westphal

Customer Reviews:

A truly amazing artist.......2007-06-21

David Daniels is one of the finest singers alive. I heard him recently in the Met's Julius Caesar and was overwhelmed with his performance. He not only has a truly beautiful voice, he is a complete artist, both emotionally and technically. This recording does him justice, and the music is some of Handel's finest. We are very lucky to have Mr. Daniels.

About time I said how good this recording is!.......2006-10-02

I've had this CD for a few years now and it is one that I often play. David Daniels is a great singer and his interpretations of Handel's arias are sublime. He is one of the best countertenors currently working in the world and he has few peers - Andreas Scholl, Bian Asawa, Derek Lee Ragin, Daniel Taylor, Robin Blaze, Lawrence Zazzo, Philippe Jaroussky, Gérard Lesne, Bejun Mehta and, of course, James Bowman are his only serious rivals.

This collection is well selected and it includes popular arias as well as a few less well known ones.

The Orchestra of the Age of Enlightenment is in magnificent form and Sir Roger Norrington gets magic from the various sections of the orchestra - particularly the Baroque bassoons in "Scherza infida".

This album is both a showcase for the singer and the orchestra. It is vastly superior to most Handel opera aria collections.

I unreservedly recommend this superb disc to all music lovers.

a voice teacher and early music fan.......2006-06-24

David Daniels has devised this program so that it provided a view of Handel at the most significant stages in his London career as an opera composer. With his spectacular debut in England with 'Rinaldo'(1711), he established his ability to compose for the stage, and immediately followed it with 3 masterpieces: 'Tamerlano' and 'Guilio Cesare in Egitto', both from 1724, and 'Rodelinda' the next year. The unique 'Serse' (1738)is from the twilight of his operatic career, while 'Ariodante' shows a time when Handel and his London company was having difficulty competing with the rival Opera of the Nobility sponsored by the Prince of Wales.
Handel's greatest contribution to operatic history is his ability to rise above the sterertypical in his characters, endowing them with a total humanity by allowing them to experience the entire emotional gamut throught a variety of arias and recitatives. Moreover, David Daniels , being one of the finest interpreters of Handel is aware of the need not to be so blinded by the purity of the musical line as to forget what he is singing about. In fact, Handel often shaped the melodic line according to the degree a particular word was to be stressed. Handel was very aware of new devlopments, and styles and attitudes of his time, without ever betraying his own musical personality.
To my mind, Daniels is the consummate Handelian singer, and it is probably this music that he performs best! His delivery is highly dramatic as it should be, his diction absolutely flawless, his tone quality strong and sonorous; in short he is one good singer! It is indeed a very fine disc, not only because of the line-up but also because all arias are sung extremely well by him. I found myself focusing on his selection from "Serse": "Ombra mai fu". He sings this so much more emotionally and endows it with his own unique style. It's so well-done!!! My other favorite is from "Rinaldo": Venti,turbini". This displays his very skillful vocal technique in addition to his excellent diction. I really think he is the leading AMERICAN countertenor.

Stellar Performance and a Sign of the Greatness to Come.......2004-08-10

It is hard to imagine that there could be a finer recital disc of Handel's arias than this one reflecting the exquisite taste and powerful talent of David Daniels...unless of course, you count his splendid follow-up disc of Handel's lesser known oratorio arias released in 2002 (also strongly recommended). But the focus in this 1998 release is the rich music within six of Handel's best-known operas. Now nearly six years after its release, this recording not only holds up beautifully as an introduction to his prodigious talent, but also demonstrates his keen sense of adventure when his voice was at its most pure and unfettered.

Daniels' coloratura technique is amazingly seasoned even at this point of his career, and he approaches each aria in a singular fashion with that incredibly flexible legato that is literally breathtaking. Compare the impressive runs he employs on his rendition of "A dispitto" from "Tamerlano" to his seductive and sonorous tones on "Aure, deh, per pietà" from "Giulio Cesare in Egritto", and you get an idea of the range of emotion and technique of which Daniels is capable. Listening to the two arias from "Rodelinda" will make you recognize how over the course of twelve minutes, he has shown the two distinct sides of Bertarido - the mournful, dejected husband who goes unrecognized in "Pompe van di morte...Dove Sei?" and his enemy's savior at the end with "Vivi, tiranno".

The two arias from "Rinaldo", are also beautifully performed. Six years later, one can appreciate these versions within the context of Daniels' career, as he later recorded the title role in the famous 2000 recital recording of the opera with Cecilia Bartoli and yet again in the 2001 David Alden staging of the opera captured recently on DVD. I recommend getting your hands on all three and comparing the performances, as all are wonderful but quite different. Personally I think his voice ripened to just the right timbre in the Alden-staged version, especially during the opera's centerpiece, "Cara sposa, amante cara". Of all the stellar selections, it is really difficult to pick just one as a favorite, but his version of "E vivo ancora....Scherza infida" from "Ariodante" is especially moving in the way he sings of his plight in being humiliated by an unfaithful woman. Written for a castrato named Carestini in 1735, it is a sublime piece made all the more moving by the warm, round tones Daniels brings to it.

Sir Roger Norrington and the Orchestra of the Age of Enlightenment provide able accompaniment on period instruments, never intrusive or jarring to the ears. It is easy to tell from this recording why Daniels received so much hype for bringing the countertenor voice to the mainstream and why his career has been so meteoric since the release of this disc. Now you can see that it was more than hype...David Daniels is the real thing.

David Daniels: La voz del barroco........2003-10-26

Para los amantes del barroco en su estado puro es esencial tener este cd en el cual el gran contratenor DAVID DANIELS repasa las arias mas celebres de las operas de George Friederich Haendel. Daniels impone una voz bella, muy femenina, homogenea en todo el registro, sin problemas en los agudos, y que enamora nada mas oirla. Ademas canta las arias con un extraordinario sentimiento. ROGER NORRINGHTON dirige a la ORQUESTA DEL SIGLO DE LAS LUCES (que suena magnificamente con sus instrumentos originales) con gran conocimiento del estilo barroco, lo que termina de hacer de este disco una pieza fundamental para los amantes de la opera barroca, que afortunadamente son cada vez mas.

Average customer rating: Exceptional control from both singer and orchestra

Exsultate Jubilate and other Works by Handel and Mozart Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music McNair, Sylvia | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Sylvia McNair: Love's Sweet Surrender (Mozart Arias) Voices of our Time - Sylvia McNair / Roger Vignoles, Chatelet Opera Rêveries Come Rain Or Come Shine - The Harold Arlen Songbook / McNair, Previn Sylvia McNair - The Echoing Air ~ The Music of Henry Purcell / AAM, Hogwood ASIN: B000004159 Release Date: 1993-09-14

Tracks:

1. Silete venti, HWV 242: Symphonia - Silete venti (Recitativo Accompagnato)
2. Silete venti, HWV 242: Dulcis amor, Jesus care (Aria)
3. Silete venti, HWV 242: O fortunata anima (Recitativo Accompagnato)
4. Silete venti, HWV 242: Date serta, date flores (Aria)
5. Silete venti, HWV 242: Alleluia (Aria)
6. Laudate pueri Dominum, HWV 237: Laudate pueri (Solo e Coro)
7. Laudate pueri Dominum, HWV 237: Sit nomen Domini (Solo)
8. Laudate pueri Dominum, HWV 237: A solis ortu (Solo e Coro)
9. Laudate pueri Dominum, HWV 237: Excelsus super omnes (Solo)
10. Laudate pueri Dominum, HWV 237: Quis sicut Dominus (Coro)
11. Laudate pueri Dominum, HWV 237: Suscitans a terra (Solo)
12. Laudate pueri Dominum, HWV 237: Qui habitare facit (Solo)
13. Laudate pueri Dominum, HWV 237: Gloria Patri (Solo e Coro)
14. Exsultate Jubilate, K. 165 Exsultate, Jubilate
15. Exsultate Jubilate, K. 165 Fulget Amica Dies
16. Exsultate Jubilate, K. 165 Tu Virginum Corona
17. Exsultate Jubilate, K. 165 Alleluia

Customer Reviews:

Exceptional control from both singer and orchestra.......1999-06-10

The sumptious sound of Gardiner's English Baroque Soloists opens this disc with clarion precision. From the very beginning, they are the epitome of perfect baroque playing - never getting a microbeat behind Gardiner's fiendishly speedy baton, and are particularly delightful when tripping through Mozart's Exsultate Jubilate accompanying the sublime Ms McNair. Sylvia McNair, although comparatively rarely recorded, produces a wonderfully enthusiastic performance, using all of the vocal devices in her armoury (listen out for the whispered phrase in Silete Venti, the first cantata on the disc). While the Handel is lovely, however, the Mozart is truly spectacular, showing McNair's talent for semi-quaver articulation, particularly in the famous Alleluia which concludes the disc. Overall, an excellent contribution to the collection of any fan of authentic Mozart.

Average customer rating:

Eco del Vesuvio: La Canzone Napoletana dal 1799 al 1887 Ferdinando Carulli , Mauro Costa , Teodoro Cottrau , Mauro Giuliani , Niccolo Piccinni , Raffaele Sacco , and Stefano Albarello Manufacturer: Tactus Records ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Giuliani, Mauro | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Piccinni, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B0006HSUGI Release Date: 2005-03-08

Tracks:

1. Tu M'Aje Prommise
2. Fenesta Vascia
3. Cannetella
4. La Fattura
5. Larghetto Espressivo
6. Palummella
7. Si Tu Nenna M'Amave
8. Barcarole/Santa Lucia
9. La Nova Gelosia
10. Te Voglio Bene Assaje
11. Ne Ne, Gue Gue, Trabotta
12. Tarantella
13. Era De Maggio
14. Studio 23 Op. 50
15. La Luna Nova

Average customer rating: Handel Arias...Lovingly Played, Triumphantly Sung...MORE, PLEASE! Amazing virtuosic singing

Emma Kirkby - Handel Opera Arias / Goodman, Brandenburg Consort George Frideric Handel , Brandenburg Consort , Roy Goodman , Emma Kirkby , Alistair Ross , Katharina Arfken , Robert Farley , and Rachel Brown Manufacturer: Hyperion ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Kirkby, Emma | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Kirkby, Emma | Divas | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Emma Kirkby sings Handel, Arne, Haydn & Mozart The Emma Kirkby Collection A Purcell Songbook [Australia] Handel "The Rival Queens" Opera Arias and Duets / Bott · Kirkby · The Brandenburg Consort · Goodman Sandrine Piau - Handel Opera Seria ASIN: B000002ZXL Release Date: 1996-05-21

Tracks:

1. Second Overture to Almira in G minor
2. Vedrai s' a tuo dispetto (Almira, Act 3)
3. Perche viva il caro sposo (Rodrigo, Act 3)
4. Vo' far guerra (Rinaldo, Act 2)
5. Overture to Silla: Largo - Allegro
6. Andante
7. Ah! spietato (Amadigi di Gaula, Act 2)
8. Destero dall' empia Dite (Amadigi di Gaula, Act 1)
9. V' adoro, pupille (Giulio Cesare in Egitto, Act 2)
10. Overture to Tamerlano: (Largo) - Allegro
11. Adagio - Menuet
12. Cor di padre (Tamerlano, Act 2)
13. Ombre, piante (Rodelina, Act 1)
14. Overture to Scipione: (Largo) - Allegro
15. Allegro
16. March (Scipione, Act 1)
17. Scoglio d' immota fronte (Scipione. Act 2)

Customer Reviews:

Handel Arias...Lovingly Played, Triumphantly Sung...MORE, PLEASE!.......2007-07-11

One of my favorite singers, and certainly for baroque, is Emma Kirkby. She is certainly unparalleled in this, her element.

This album, so sadly, I see, has now gone out of print. It has long been one of my favorite albums. I frequently put it on when I do not have time to listen to a complete Handel opera, but can feed my desire for his work, with these many excerpts, interspersed with instrumental selections from his operas, as well by the Baroque Consort, Roy Goodman at the helm.

Goodman seems to be a greatly underrated, unappreciated conductor...but NOT in MY book! Like so many others, he sort of "sits" just on the outside of truly popular recognition, which I do not understand.

Anyway, if you are able, get yourself a copy of this album, and thrill to some of the greatest vocalization of Handel's music you have ever heard.

Particularly, "Vedrai sa' tuo despetto", "Ah Spietato", Ombre, piante", and "Vo' far guerra"......you're gonna love this album, and be blown away with Kirkby's pyrotechnics! I bet you'll always keep it within handy reach! ~operabruin

Amazing virtuosic singing.......2002-04-01

Emma Kirkby's first album of seldom-performed Handel arias and overtures is brilliantly put together and executed. This has to be some of Handel's most difficult and virtuosic music--and Roy Goodman certainly doesn't pull any punches with tempos, particularly in the aria from "Almira," which is taken so fast that even Kirkby, with her legendary vocal agility, has to work to keep up. But she does, and it comes off wonderfully. The only other recording of this aria that I have heard is about half as fast, and even then the soprano has difficulty wheezing through it. The slower arias are performed well, but it is in the more uptempo selections (and there are plenty) that Kirkby shines brightest.

Average customer rating: Feeling and refinement in a natural recording

Handel: Arias and dances: Excerpts From Agrippina and Alcina Manufacturer: Analekta ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Tafelmusik | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Glorious Handel Soprano Arias ASIN: B00001P4SJ Release Date: 2007-04-06

Tracks:

1. Overture
2. Musette
3. Menuet
4. Aria ''Di, Cor Mio'' (Alcina)
5. Aria ''Tornami'' (Morgana)
6. Entree
7. Menuet
8. Gavotte
9. Aria ''Barbara'' (Oberto)
10. Aria "Ombre Pallide" (Alcina)
11. Entree Des Songes Agreables - Entree Des Songes Funestes - Entree De Songes Agre
12. Aria ''Mi Restano Le Lagrime'' (Alcina)
13. Overture
14. Aria ''Non Ho Cor Che Per Amarti'' (Agrippina)
15. Aria "Ogni Vento'' (Agrippina)
16. Gigue
17. Sarabande
18. Matelot
19. Aria "Vaghe Perle'' (Poppea)
20. Menuet
21. Bourree I/Ii
22. Aria ''Se Giunge Un Dispetto'' (Poppea)

Customer Reviews:

Feeling and refinement in a natural recording.......2000-02-10

My knowledge of classical music is patchy but I love Handel and I have other recordings of these Handel arias. My favourite is this one ( along with Kathleen Ferrier's, on Decca vinyl ). Gauvin's voice is light, joyful, and marvellously expressive -- you feel she has the music down pat and can simply put her soul into singing it. Tafelmusik is equally joyful, energetic and precise. The sound of the recording is open and lovely. No shrill highs, but purity of timbre and lots of space. I can still hear the Ogni Vento, and I last listened to it nearly a month ago. A wonderful disc.

Average customer rating:

The Romantic Handel: Solo Cantatas & Love Duets Composed in Italy Manufacturer: Helicon Records ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B000005BI9 Release Date: 1997-10-23

Tracks:

1. Spande ancor al mio dispetto: Air: Spande ancor
2. Spande ancor al mio dispetto: Recitative: Ah, che da fiere
3. Spande ancor al mio dispetto: Air: Da balza in balza
4. Se pari e la tua fe: Air: Se pari e lat ua fe
5. Se pari e la tua fe: Recitative: Il penar
6. Se pari e la tua fe: Air: Non s'afferra il mar
7. Scherzano sul tuo volto: Recitative: Eccomi giunto al lido
8. Scherzano sul tuo volto: Duet: Scherzano sul tuo volto
9. Prelude - Allemande - Courante
10. Senza occhi e senza accenti: Duet: Senza occhi e senza accenti
11. Son come quel nocchiero: Recitative: Ah, che questa non basta
12. Son come quel nocchiero: Air: Son come quel nocchiero
13. Non S'emendera Jamas: Air: Non s'emendera jamas
14. Non S'emendera Jamas: Recitative: Si, del quereros
15. Non S'emendera Jamas: Air: Dicente mis ojos
16. O Fleeting Joys Of Paradise: O Fleeting Joys
17. O Fleeting Joys Of Paradise: O Fleeting Joys of Paradise: Part II
18. O Fleeting Joys Of Paradise: O Fleeting Joys of Paradise: Part III
19. Harpsichord Suite No. 5 In E Major: Air - Variations ('Harmonious Blacksmith')

Average customer rating:

Handel: Aminta e Fillide Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Handel: Il duello Amoroso Handel: The Occasional Oratorio /Gritton * Milne * Bowman * Ainsley * George * The King's Consort * King Handel - Chandos Anthems (Complete) / Dawson · Kwella · Bowman · Partridge · M. George · The Sixteen · Christophers ASIN: B00005AULK Release Date: 2001-05-08

Average customer rating:

Aventure Baroque Adventure Manufacturer: Analekta ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Marcello | Marcello, Alessandro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Tafelmusik | ( T ) | Featured Performers, A-Z | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B000BK53K6 Release Date: 2007-04-06

Tracks:

1. Overture To King Arthur (Slow)
2. 'Open Up'
3. Overture To King Arthur (Fast)
4. 'Frances, Edward, Thank Goodness...'
5. Trumpet Tune From King Arthur
6. 'Queen Anne Swept...'
7. 'Let The Soldiers Rejoice' From Dioclesian
8. Cello Secret Tune
9. Violin Secret Tuen
10. 'Triumphing Dance' From Dido And Aeneas
11. 'Edward, Where Are You?...'
12. 'Tempeste' From Alcione
13. 'Largo' From Concerto Grosso In F Major, Op.6 No.6
14. 'Allegro' From Concerto Grosso In F Major, Op.6 No.6
15. 'Frances And Edward Were Surrounded...'
16. 'Allegro' From Concerto For 2 Cellos In G Minor
17. 'Finally-We've Left'
18. 'He Began The Rehearsal'
19. 'Allegro' From Concerto For 2 Violins In A Minor, Op.3 No.8
20. 'Larghetto E Spiritoso' From Concerto For 2 Violins In A Minor, Op.3 No.8
21. 'Allegro' From Concerto For 2 Violins In A Minor Op.3 No.8
22. 'Edward Felt The Air Outside...'
23. S'En Va-T'En Guerre
24. Overture To Alcione
25. 'When Frances Arrived...'
26. Sarabande
27. Entree: Royal March
28. 'The Musicians Filed Into The Room...'
29. Tambourins, From Alcione
30. Air From Alcione
31. Bourree From Alcione
32. Loure From Alcione
33. 'Entree' From Premiere Suite D'Orchestre
34. 'Frances Was Signaling...'
35. Gigue From Alcione
36. 'The Horses Came...'
37. 'Frances, Where Are You...'
38. Trumpet Tune From King Arthur
39. 'When They Arrived In London...'
40. 'Let The Soldiers Rejoice' From Dioclesian

Tracks:

1. Ouverture Du Roi Arthur (Lent)
2. 'Au Nom De La Reine, Ouvrez!'
3. Ouverture Du Roi Arthur (Rapide)
4. 'Frances Edward, Dieu Merci...'
5. Air De Trompette Extrait De King Arthur
6. 'Majestueuse Dans Sa Robe...'
7. 'Let The Soldiers Rejoice' From Dioclesian
8. Melodie Secrette Jouee Au Violoncelle
9. Melodie Secrete Jouee Au Violon
10. Danse Triomphante, Extrait De Dido And Aeneas
11. 'Edward, ou Es-Tu?...'
12. 'Tempete' Extrait De Alcione
13. 'Lergo' Extrait Du Concerto Grosso En Fa Majeur, Op.6 No.6
14. 'Allegro' Extrait Du Concerto Grosso En Fa Majeur, Op.6 No.6
15. 'Frances Et Edward Se Retrouverent...'
16. 'Largo' Extrait Du Concerto Pour Deux Violoncelles En Sol Mineur
17. 'Enfin, Nous L'Avons...'
18. itre Commenca La Repetition'
19. 'Allegro' Extrait Du Concerto En La Mineur Pour Deux Violons, Op.3 No.8
20. 'Larghetto E Spiritoso' Extrait Du Concerto En La Mineur Pour Deux Violons, Op.3 No.8
21. 'Allegro' Extrait Du Concerto En La Mineur Pour Deux Violons, Op.3 No.8
22. 'On Les Hissa Au Sommet...'
23. S'En Va-T'En Guerre
24. Ouverture D'Alcione
25. 'Apres Avoir Voyage...'
26. Sarabande
27. Entree: Marche Royale
28. 'Les Musiciens Defilerent...'
29. Tambourins, Extrait D'Alcione
30. Gigue D'Alcione
31. Bouree From Alcione
32. Loure From Alcione
33. Entree Extrait De La Premiere Suite D'Orchestre
34. 'De Son Archet...'
35. Gigue D'Alcione
36. 'Les Chevaux...'
37. 'Edward Crut Reconnaitre...'
38. Air De Triompette Extrait De King Arthur
39. 'De Retour Au Bercail...'
40. 'Let The Soldiers Rejoice' Extrait De Dioclesian

Tracks:

1. Son Attaque Des Moulins A Vent - Jeanne Lamon
2. Aria 'Tormani A Vagheggiar' - Jeanne Lamon
3. Aria 'Se Giunge Un Dispetto' - Jeanne Lamon
4. Air - Jeanne Lamon
5. Gavotte I & II - Jeanne Lamon
6. Aria 'Heute Noch' - Jeanne Lamon
7. Trio 'Die Katze Lasst Das Mausennicht' - Jeanne Lamon
8. Aria 'Hat Man Nicht Mit Seinen Kindern' - Jeanne Lamon
9. Adagio - Jeanne Lamon
10. Presto - Jeanne Lamon
11. Ouverture - Jeanne Lamon
12. Quis Est Homo (Largo) - Jeanne Lamon
13. Salve Regina - Jeanne Lamon
14. Amen 1 - Jeanne Lamon
15. Allegro (Mouvement 1) - Jeanne Lamon
16. Allegro (Mouvement 3) - Jeanne Lamon

Average customer rating:

Dispetto ProductGroup: Music Binding: Audio CD ASIN: B000MTOLWC Release Date: 2007-01-30

Average customer rating: Perfect for Someone New to Classical Music

Baroque Delights Manufacturer: Analekta ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Marcello | Marcello, Alessandro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Tafelmusik | ( T ) | Featured Performers, A-Z | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B00014M2RE Release Date: 2007-04-03

Tracks:

1. Son Attaque Des Moulins A Vent
2. Aria 'Tornami A Vagheggiar'
3. Aria 'Se Giunge Un Dispetto'
4. Air
5. Gavotte I & II
6. Aria 'Hat Man Nicht Mit Seinen Kindern'
7. Aria 'Heute Noch'
8. Trio 'Die Katze Lasst Das Mausen Nicht
9. Adagio
10. Presto
11. Ouverture
12. Quis Est Homo (Largo)
13. Amen
14. Salve Regina
15. Allegro (1)
16. Allegro (3)

Customer Reviews:

Perfect for Someone New to Classical Music.......2004-02-28

Tafelmusik, Canada's foremost ensemble specializing in baroque music, is celebrating its 25th anniversary with this release of highlights from some of their previous CDs. Founded in 1979, its direction was taken over in 1981 by the redoubtable Jeanne Lamon who remains its director, and she conducts all these selections. This CD would certainly serve as a more than adequate introduction both to the work of Tafelmusik and to music from the Baroque Era.

The playlist consists of selections from larger works. For instance, there are two soprano arias from Handel operas sung to perfection by Karina Gauvin. The newly emerging Canadian contralto Marie-Nicole Lemieux sings Domenico Scarlatti's 'Salve Regina' and an aria from Vivaldi's 'Stabat Mater.' There are two selections (Air for the G String and Gavottes I & II) from Bach's Third Orchestral Suite. Proof of Bach's ability to write 'light' music is contained in the charming performances of two arias and the trio from his 'Coffee Cantata.' John Abberger, oboist, plays two movements from Benedetto Marcello's Oboe Concerto in D Minor. And there is much more, as listed above.

The playing here is delectable. I am a long-time admirer of Tafelmusik's work and feel that each of these selections shows them at their best.

This CD would make a wonderful gift for a friend who is coming to baroque music for the first time. It is hard to imagine anyone disliking it.

Scott Morrison

World Music:

1. Doze [Import]
2. Duologue
3. Figli Delle Stelle [Import]
4. Film Cuts
5. Gianna Nannini [Import]
6. Hagame Caso...!
7. I Can Do It (Watch Me Now) [CD-single] [Import]
8. Imaran [Import]
9. Inti
10. Irish Evening [Live]

World Music

world music

World Music

Private Investigations: The Very Best Of [Limited Edition] [Import]

Schubert: Symphony No. 5; Mendelssohn: Symphony No. 4

Sergei Rachmaninov: Etudes-Tableau

Best Of [Import]

Press Play [Import]

Self-Titled

Sanfonicamente Forrozado [Import]

Take Fountain [Enhanced]

Shanghai My Heart [Enhanced] [Import]

Schumann: String Quartet Nos. 1 & 3

Stuck in a Moment You Can't Get out Of [CD-single] [EP] [Import]

Rhythms of Morocco

Rancheras Inmortales, Vol. 2

Dust Bowl Blues

Lively Mix