Some Day

Product Description
Ahmadreza Nabizadeh is a Persian singer/guitar player who has lived in the U.S. for 12 years, and is now based in Los Angeles. His debut CD, "Someday", is a finely crafted album of Persian pop music that showcases the artistry of Nabizadeh with beautiful melodies and lyrics that will capture your heart with the warmth and lively spirit in his sensuous voice. Ahmadreza has a wonderfully rich and full tenor that is beautifully supported by the arrangements and keyboard playing of Steve McCrumm. With this recording he gives us a glimpse into the golden age of Persian pop music.

Style/Genre: World Persian Pop

Instrumentation: Vocals, Acoustic & Electric Guitars, Keyboards, Percussion.

Some Day,Ahmadreza,X Dot 25,Int'l & World Music,Pop,World Beat

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: I have just been introduced. Great Music + Terrific Lyrics +Decent Singing = Very Nice CD A new meaning of throat singing. Superb matchmaking in Terfel's R&H recital Broadway or Opera... This CD is indeed ýSomething Wonderfulý

Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein) Bryn Terfel , English Northern Philharmonia , Paul Daniel , Opera North Chorus , Richard Rodgers , and Oscar Hammerstein II Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Terfel, Bryn | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Rodgers, Richard | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Terfel, Bryn | ( T ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon) Bryn Terfel - Simple Gifts Bryn Terfel Sings Favorites Renee and Bryn: Under the Stars Bryn Terfel - We'll Keep a Welcome ASIN: B000001GRP Release Date: 1996-09-10

Tracks:

1. OKLAHOMA: Oh, What A Beautiful Mornin'
2. State Fair: It Might As Well Be Spring
3. South Pacific: Some Enchanted Evening
4. OKLAHOMA: The Surrey With The Fringe On Top
5. South Pacific: Bali Ha'i
6. Carousel: June Is Bustin' Out All Over
7. The King And I: Something Wonderful
8. Allegro: So Far
9. Allegro: A Fellow Needs A Girl
10. The King And I: I Have Dreamed
11. Allegro: What A Lovely Day For A Wedding
12. Me And Juliet: No Other Love
13. The Sound Of Music: Edelweiss
14. Carousel: If I Loved You
15. South Pacific: There Is Nothin' Like A Dame
16. South Pacific: Younger Than Springtime
17. Allegro: Come Home
18. South Pacific: This Nearly Was Mine
19. Carousel: Soliloquy
20. Carousel: You'll Never Walk Alone

Amazon.com

In the opening song of "Something Wonderful," Welsh bass-baritone Bryn Terfel sings, "All the sounds of the Earth are like music." They most definitely are when Terfel surrounds them with his resonant baritone. Every phrase of Rodgers and Hammerstein's music is imbued with uncommon sensitivity, impeccable phrasing, and dazzling beauty. Terfel's rich and meaty voice shares a plate with delicate pianissimos, unabashed sentimentality, and swaggering forthrightness. He successfully tackles songs originally written for women. In "It Might as Well Be Spring," he transforms dippy into dapper. And he turns "Bali Hai" into a foreboding, demanding, and seductive call; the listener must helplessly succumb to the world of his sensitive manliness. His interpretations of the old standards--"If I Loved You," "Soliloquy," "This Nearly Was Mine," "Some Enchanted Evening"--are stellar. Despite the temporary lulls caused by the second-class songs from "Allegro," Terfel does a first-class job of bringing them to life. Undoubtedly one of the best crossover records of all time. --Barbara Eisner Bayer

Amazon.com

In the opening song of "Something Wonderful," Welsh bass-baritone Bryn Terfel sings, "All the sounds of the Earth are like music." They most definitely are when Terfel surrounds them with his resonant baritone. Every phrase of Rodgers and Hammerstein's music is imbued with uncommon sensitivity, impeccable phrasing, and dazzling beauty. Terfel's rich and meaty voice shares a plate with delicate pianissimos, unabashed sentimentality, and swaggering forthrightness. He successfully tackles songs originally written for women. In "It Might as Well Be Spring," he transforms dippy into dapper. And he turns "Bali Hai" into a foreboding, demanding, and seductive call; the listener must helplessly succumb to the world of his sensitive manliness. His interpretations of the old standards--"If I Loved You," "Soliloquy," "This Nearly Was Mine," "Some Enchanted Evening"--are stellar. Despite the temporary lulls caused by the second-class songs from "Allegro," Terfel does a first-class job of bringing them to life. Undoubtedly one of the best crossover records of all time. --Barbara Eisner Bayer

Customer Reviews:

I have just been introduced........2007-01-22

I came across the CD by sheer accident and am I glad I did. Wonderful music. Thanks for the music Bryn.

Great Music + Terrific Lyrics +Decent Singing = Very Nice CD.......2005-01-27

While not an expert on technical singing I really, really like this CD. I think Terfel's voice is pretty decent & he sings both male/female lead R & H songs for a total of twenty cuts. One cut I really enjoyed , but had never heard before was the song "So Far"
from R & H's "Allegro" with those Richard Roger's hooks & terrific Oscar Hammerstein lyrics. Felt that the orchestra on this session made a good move using the original orchestrations for a classic R & H feel. I concur with the reviewer regarding the miking of Terfel's voice in this session which seems too low forcing the listener to turn up the volumne.

A new meaning of throat singing........2004-06-11

I cannot believe that the critics of today can rave about such an inferior singer as Byrn Terfel. He sings so badly, I can't believe he has had the career he's had. I don't care how many roles he's sung, he hasn't any vocal technique at all. If anyone would care to hear great singing, buy the; "Thomas L. Thomas" Voice of Firestone video and listen to a great Welsh singer. This is a great artist and vocal technician. Try; "John Charles Thomas," "Lawrence Tibbett," or "Nelson Eddy." Bryn Terfel couldn't carry their music cases!

Superb matchmaking in Terfel's R&H recital.......2004-03-09

You might think that it is a very superflous mismatch for an opera singer to try his vocal cords on the Broadway songs of Rodgers & Hammerstein. However, in this R&H offering by Bryn Terfel, he proves that it is a perfect match between singer and repertoire for a classical crossover record of this pedigree. Terfel communicates the essence of each of the 20 songs to the listener, and allows them to sound fresh and new. And it helps that he has been a R&H fan for many years with the music already close to his heart. He is given superb backing from the well-conducted Opera North forces an warm, natural recording.

From the first phrase of Terfel's uplifting opening version of "Oh, what a beautiful morning" from Oklahoma!, we listeners intuitively know that this is not going to be your superflous run-of-the-mill classical crossover offering of R&H songs. Terfel uses his big voice to great effect in Billy Bigelow's two songs from Carousel, "If I loved you" and the pivotal "Soliloquy" that builds up to a devastating climax. When he does this for Emile's two big solos in South Pacific, "Some Enchanted Evening" and "This Nearly Was Mine," he also makes them sound fresh and intuitively conveys their essence. He also thrills us even when his voice is soft and tender, such as on Lietunant Cable's "Younger than Springtime" and especially on Captain von Trapp's "Edelweiss" from The Sound of Music.

Besides the obvious highlights in this R&H offering, Terfel unearths some new delights. He does this by trying his vocal cords on songs that were originally intended for women, most notably in Nettie's two big numbers in Carousel, "June is busting out all over" and "You'll never walk alone", which he pulls off convincingly in a straight-laced and serious manner without sounding cliched. (In the booklet, "You'll never walk alone" was stated as being sung by the Chorus, but then in the show, it is sung by Nettie.) He is also wistful on "It might as well be Spring" from State Fair, and philosophical on Lady Thiang's "Something Wondreful" from The King and I. He also evokes a dreamlike quality on Bloody Mary's "Bali Ha'i" in South Pacific. The other unusual thing that Terfel does is include some unknown songs and treat them ravishingly. Four of them are from Allegro, highlighted by a charming "So Far," a reflective "A Fellow needs a girl" and a powerful "Come Home", and he also sings "No Other Love" from Me and Juliet as ravishingly as "I Have Dreamed."

If I have any quibbles, there are only two minor ones. Terfel's R&H offering runs for 74 minutes, and still has six minutes of empty space on a CD. I'm sure that Terfel could have given thought to the Mother Abbess's "Climb Every Mountain" from The Sound of Music, which I consider a more universal and less-cliched song than "You'll never walk alone" from Carousel. It would have suited his full-throated, big-voiced characteristic very well. Also, this offering of R&H seems to be lopsided to emphasise more of the first part of R&H. Sixteen tracks cover R&H from Oklahoma to South Pacific, with four tracks that cover their second half from The King and I to The Sound of Music. As such I would have liked to hear him sing a more balanced repertoire of R&H songs with equal emphasis to both halves of their collaboration. Perhaps he might record a Volume 2 with songs from the latter part of their collaboration in the near future. But with 74 delightful minutes of Terfel's R&H offering, how could anybody complain about the quality of this recital, especially with a lavish booklet complete with copious notes by R&H expert Ethan Mordden and full lyrics.

Overall, though, I'm very sure that this R&H offering is both a highlight of Terfel's discography, and can ably recommended with his recording of Schubert songs to anybody who wants to get to know his work well. It can also be recommended to Rodgers & Hammerstein fans old and new.

By the way, I also recommend the Rodgers & Hammerstein Songbook for Orchestra, with another superlative Telarc offering by the Cincinnati Pops Orchestra and Erich Kunzel. This recital is just as outstanding as Terfel's R&H offering. And, there is a wealth of cast recordings that new R&H fans will want to snap up, so this Terfel disc will be an ideal stepping-stone for them.

Broadway or Opera... This CD is indeed ýSomething Wonderfulý.......2003-07-25

It becomes clearer with every disk Bryn releases... he turns whatever he touches into gold! This CD is indeed `Something Wonderful'. From the first listen I was in love with this disk and can't get enough.

To begin, Rodgers and Hammerstein couldn't be more appropriately sung. From a time before electric amplification the sweeping melodies of Richard Rodgers were intended to be sung as Bryn illustrates. As I say every time, his diction is impeccable, his musicianship is unsurpassed, and his enthusiasm is wonderful. As for Oscar Hammerstein, I'm sure he doesn't mind a little foreign accent... because every word is clear and understandable.

To compare the accent of Terfel to Pavarotti and Carreras is simply misguided. Although Pavarotti and Carreras are top-notch for what they do, neither pursues `Broadway' music seriously. Their ventures into the medium are limited to Gala concerts and the occasional snippet on a CD... not on stage depicting a role, but simply to sing a beautiful song. Mr. Terfel, on the other hand, researches the roles, coaches them, and is constantly pursued to perform them. His accent is one of slight vowel or consonant differences, which do not detract from the beautiful music. The music is well done and the story clear. Lets not nitpick diction or the French will have our hides for Les Miserables!

For the music, the recording quality is great. One reviewer mentioned poor sound quality and I do believe that person may have a bad disk or player... on my end the sound is full and robust; Bryn's voice dominates the sound. The orchestrations are full and lush. When dealing with modern houses and theatres the orchestra pits are usually quite small, and consequently the ensembles themselves. CDs like this one allow for fully orchestrated music to be heard, with a large symphony of musicians. The numbers that utilize chorus, which sings very well, are well balanced.

This disk is a great buy in my book. Bryn Terfel is a phenomenal performer and he sings this genre excellently. Check out his `If Ever I Would Leave You', `Under The Stars', `We'll Keep a Welcome', `Songs of My Welsh Home', and numerous classical recordings like `Opera Arias', `Meet Bryn Terfel', `The Vagabond', `Wagner', `Schumann Lieder', and an large collection of full opera recordings. Enjoy.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: The Churchill's are very talented persons. One Song good soundtrack for halloween REMasterpiece! A Magical, Delightful Soundtrack

Walt Disney's Snow White And The Seven Dwarfs: Classic Soundtrack Series Leigh Harline Manufacturer: Disney ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Children's Music | Styles | Music General | Vocal Pop | Pop | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Similar Items: Cinderella Sleeping Beauty Pinocchio: Original Motion Picture Soundtrack Pocahontas: An Original Walt Disney Records Soundtrack Walt Disney's Lady And The Tramp: Classic Soundtrack Series ASIN: B000001M4D Release Date: 2001-09-25

Tracks:

1. Overture - Larry Morey/Frank Churchill
2. Magic Mirror - Leigh Harline
3. I'm Wishing/One Song - Adriana Caselotti/Harry Stockwell
4. Queen Theme - Frank Churchill
5. Far Into The Forest - Larry Morey/Frank Churchill/Paul J. Smith/Leigh Harline
6. Animal Friends/With A Smile And A Song - Adriana Caselotti
7. Just Like A Doll's House - Frank Churchill/Paul J. Smith
8. Whistle While You Work - Adriana Caselotti
9. Heigh-Ho - The Dwarf Chorus
10. Let's See What's Upstairs - Frank Churchill/Paul J. Smith
11. There's Trouble A-Brewin' - Larry Morey/Frank Churchill/Leigh Harline
12. It's A Girl - Leigh Harline/Frank Churchill
13. Hooray! She Stays - Frank Churchill
14. Bluddle-Uddle-Um-Dum (The Dwarfs' Washing Song) - The Dwarf Chorus
15. I've Been Tricked - Leigh Harline
16. The Dwarf's Yodel Song (The Silly Song) - The Dwarf Chorus
17. Some Day My Prince Will Come - Adriana Caselotti
18. Pleasant Dreams - Paul J. Smith/Frank Churchill
19. A Special Sort Of Death - Leigh Harline
20. Why Grumpy, You Do Care - Frank Churchill/Leigh Harline/Larry Morey
21. Makin' Pies - Leigh Harline/Larry Morey/Frank Churchill
22. Have A Bite - Leigh Harline
23. Chorale For Snow White - Frank Churchill
24. Love's First Kiss (Finale) - Frank Churchill/Leigh Harline/Larry Morey
25. Music In Your Soup - The Dwarf Chorus
26. You're Never Too Old To Be Young - The Dwarf Chorus

Amazon.com essential recording

Disney's Snow White, the world's first animated musical feature (1937), is still a standard in the industry. Though 1930s recording technology was primitive by today's standards, the Disney music studios have always used the available technology to its fullest, and this recording still stands up. The mature but hauntingly childlike Adriana Caselotti as Snow White is a unique vocal presence, and the songs include "Whistle While You Work," "Heigh-Ho," and "Some Day My Prince Will Come." The score is nearly as great an accomplishment as the film itself. --John Sanchez

Customer Reviews:

The Churchill's are very talented persons........2007-02-13

When I was 6, I already had a very good sense of what is a fine music score. I'm 73 now and still loving that music.

One Song.......2006-02-19

I bought this album almost especially for the piece of music entitled "Special Sort Of Death." It does sound creepy but that's what I loved about it. From I saw the film I was like I have to have that.

Anyway another reason for me purchasing this album was the main titles for the film I love the ochestration. My favourite song on this album would have to be One Song followed by with A Smile and a Song.

And number 5 (a piece of music) I can't remember what it's called but it is creepy too the part that has snow white running through the woods.

Someday my prince will come is nice too. Adriana's voice is a little high and annoying sometimes though. But it's still nice to listen to. I listen to this album alot it's very nice and I like to listen to the version of One Song that is played at the end of the movie.

good soundtrack for halloween.......2005-07-14

first of all, i have seen the movie and the hag scares me very much. about the music,it's not good music for children because the orchestral moving creates dark suites. the other part of makin' pies is no exception. i listened to special sort of death on a site called mp3.com and the beginning is very disturbing almost, because it's when the queen appears as the old witch and she plots to destroy snow white
Queen:(laughing)it's not for you, it's for snow white
anyways, bye-bye

REMasterpiece!.......2003-01-21

This soundtrack is a perfect compliment to the film, and It's gloriously remastered to make you feel you are still watching and not just listening to the music from the movie itself.

In the liner notes I read the original soundtrack only consisted of five songs, the five songs we hear sung in the film. "One song/I'm Wishing", "Hi Ho", "The Yodeling Song", "Some day my prince will come", and "Whistle while you work". Over the years, the instrumental musical score was thrown in to create a wonderful masterpiece of a soundtrack.

I highly recommend purchasing this. If you like the music from the movie, you will love this. After hearing this for the first time(I've now heard it at least 100, thanks to my 2 yr. old), the movie is brought out to be more of a musical adventure as well as a wonderful story to be told.
This is my son's favorite c.d., and he has so much fun dancing and singing along.

A Magical, Delightful Soundtrack.......2002-10-07

This was the first of the newly remastered and expanded "Disney classic soundtracks" that I purchased for my collection, and it's still my favorite. How wonderful to have, not only the vocals from the old vinyl version ("I'm Wishing/One Song," "With a Smile and a Song," "Heigh-Ho," "Bluddle-Uddle-Um-Dum," "The Dwarfs' Yodel Song" (and if you don't want to get up and dance to it, there's something wrong with you!), and "Some Day My Prince Will Come"), but the background instrumentals from the track, never before available to the at-home audience. The "Queen Theme," the chilling "Far Into the Forest," and "I've Been Tricked" particularly bring scenes from the movie springing to mind. There are also two songtracks that were cut from the film print. If you're a Disney-lover, your collection must positively include this CD.

Average customer rating: Irresistible "Some Enchanted Evening" with Kunzel and the Cincinnati Pops Excellent! Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music General | Classical | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Lerner & Loewe Songbook for Orchestra Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals The Sound Of Music (1987 Studio Cast) Classics of the Silver Screen ASIN: B000003CXQ Release Date: 1992-01-28

Tracks:

1. Oklahoma!
2. Carousel
3. State Fair
4. South Pacific
5. The King And I
6. Cinderella Waltz
7. Flower Drum Song
8. The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating: You'll be disappointed Pretty good musical mix

Greatest Songs from the Musicals Various Artists Manufacturer: Soho ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | International | Indie Music | Stores | Music International | Imports | Stores | Music Similar Items: Very Best Of Broadway Musicals Ultimate Broadway Only Broadway CD You'll Ever Need Ultimate Broadway II: The Very Best of Broadway Now Greatest Hits: Broadway ASIN: B000077JS0 Release Date: 2002-10-21

Tracks:

1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
9. America [From West Side Story] - National Symphony Orchestra
10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
9. Quintet [From West Side Story] - National Symphony Orchestra
10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.

Average customer rating: Few Could Sing Neapolitan Songs like Lanza Canto Neapolitane GREAT!!!!! world's greatest tenor I've fallen in love again

Mario Lanza: At His Best! Manufacturer: RCA ProductGroup: Music Binding: Audio CD Lanza, Mario | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Denza, Luigi | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Capua, Eduardo di | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Curtis, Ernesto de | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Lanza: Greatest Hits Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello The MARIO LANZA Collection For the First Time/Mario Lanza Sings Caruso Favorites Christmas with Mario Lanza ASIN: B000003FVR Release Date: 1995-05-15

Tracks:

1. Funiculi Funicula
2. Dicitencello Vuie
3. Maria Mari
4. Voce 'E Notte
5. Canta Pe' Me
6. O Surdato 'Namurato
7. Comme Facette Mammeta?
8. Santa Lucia Luntana
9. Fenesta Che Lucive
10. Tu Ca Nun Chiagne
11. 'Na sera 'e maggio
12. Passione
13. Drinking Song
14. Some Day
15. Love Me Tonight
16. Only A Rose
17. Tomorrow
18. Nocturne
19. Song Of The Vagabonds
20. Finale

Customer Reviews:

Few Could Sing Neapolitan Songs like Lanza.......2007-03-13

Neapolitan music is very special and unique. It requires singing from the soul and heart and a voice that articulates the language and its many nuances

Mario Lanza was not Neapolitan but he mastered the dialect and the music and the lyrics in a way that few have been able to articulate. As always, Lanza gives a wonderful performance on this album which does not need or deserve the pieces from the Vagabond King.

The greatest voice of this century and the twentieth century comes out in this splendid work. Just having the Neapolitan songs sung by Mario is worth the cost. I recommend it highly for lovers of the best and brightest, like Lanza was.

Canto Neapolitane.......2006-02-08

This was the last album Lanza recorded in which he was able to muster all his vocal splendor and create what remains perhaps the most passionately interpreted set of Neapolitan songs ever recorded by any tenor in history ( a close second being recordings by di Stefano, Corelli and Sergio Franchi).

Lanzas diction is uncannily Neapolitan, which is no mean feat considering that the Neapolitan dialect is all but impossile to duplicate by anyone not born and raised in the region. Even such greats as Corelli and del Monaco had problems with it and the much over-rated Pavarotti never even came close.
Lanza nailed it!

The song selection is great with the exception of Funicula...that song doesn't work no matter who sings it.
My personal favs are Dichitenchello Vuie, Voce la Notte, and Passione...Canta'p'me being a close second.
Lanzas gift for pouring his every emotion into his singing really comes forth on these songs. Moreso even than on any of his operatic selections which are peerless in their own right.
However; in my mind, Lanza always did his best work on the Neapolitan songs.

The songs from the soundtrack of the film "The Vagabond King" are about as lame as can be. They are right along the usual line of Hollywood junk which Lanza recorded too much of in his short career.
Thus the 4 star rating. I turn the CD off once the Neapolitan stuff is over with.

The only other major distraction here is not due to anything Mario could have controlled or done differently. It's in that that RCA decided to release this album in this then newly discovered "stereo surround" format, which was nothing more than overblown reverb effects. This worked well for a thin voiced Elvis, but it didn't fare to well with this type of material or Marios larger than life voice.

In the end, this is, and always will be a collection of the finest sung Neapolitan songs ever recorded.

Bravo Commendatore Lanza! Bravo!

GREAT!!!!!.......2005-11-26

If your gong to get one Mario Lanza CD or CD Set get the Mario Lanza Collection, But if you want to get one more, get this one, Mario Lanza At His Best. This is one CD (not a set like the collection) which contain many beautiful Italian folk songs and then competes with the songs from Lanza's Movie, The vagabond king. Lanza sings wonderful renditions of Funiculi Funicula, Dicitencello Vuie (just beautiful), Maria Mari (my Grandmothers favorite song), Voce e' Notte, Canta pe' Me, O Surdato Namurato, Comme Facette Mammeta?, Santa Lucia Luntana, Fenesta Che Lucive, Ta Ca Nun Chiagne, 'Na Sera 'e Maggio, and Passione (Which is just beautiful. Then the CD moves to the songs form the vagabond King; Drinking Song, Some day, Love Me Tonight, only A Rose, Tomorrow, Nocturne, Song of the vagabonds and Finale all well done. Judy Rasking sings with Mario on Some day, Only A Rose, Tomorrow, and Finale.

world's greatest tenor.......2005-10-29

Mario Lanza was a singer who possessed an absolutely glorious voice. soaring and beautiful, with a deep rich tone. He sings exclusively in his native Italian language on these recordings and the record is in two parts. the first 12 songs are more operatic in structure, containing moody, solemn passages in which Lanza's voice excels in the passion and romantic solitude that this kind of music is so well at expressing. the remaining eight tracks are a series called The Vagabond King and it's song structures are a little bit more of the old Hollywood variety, beginning with the cheery "Drinking Song" (which was a high rated hit in the u.s.). Mario is joined by soprano Judith Raskin on 4 of the songs and his singing is in English for these songs. this is a great introduction to the world of this fabulous singer.

I've fallen in love again.......2003-01-12

I had this as a LP record many years ago, and was absolutely thrilled to find the CD. I had always loved Lanza's voice, but I now realize that he was without a doubt one of the best tenor voices of the century. His ability to sing so many different types of songs is astounding. His voice is strong, filled with emotion and in some of the songs you can hear that he is hugely enjoying himself. What an incredible pity that he died at such a young age and was never able to fulfill all that he could have been.

Average customer rating:

Shakespeare's Songbook, Vols. 1 & 2 Manufacturer: Azica ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music Similar Items: Shakespeare's Songbook Songs and Dances from Shakespeare Shakespeare Songs Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe William Shakespeare's Hamlet (Two-Disc Special Edition) ASIN: B0002IQL08 Release Date: 2004-07-06

Tracks:

1. Ah Robin (Round)
2. And Let Me The Cannikin Clink
3. And Will He Not Come Again
4. Be Merry, Be Merry
5. Black Spirits
6. Blow, Blow Thou Winter Wind
7. Bonny Sweet Robin
8. But Shall I Go Mourn
9. Can'st Thou Not Hit It
10. Come Away
11. Come Away, Hecate
12. Come Live With Me
13. Come O'er The Burn
14. Come Thou Monarch (Version 2)(Round)
15. Come Unto These Yellow Sands
16. A Cup Of Wine
17. Farewell, Dear Heart
18. Fathers That Wear Rags
19. Fear No More
20. Fie On Sinful Fantasy
21. Fill The Cup (Round)
22. Flout 'Em And Cout 'Em (Round)
23. Fools Had Ne'er Less Grace
24. For I'll Cut My Green Coat
25. The Friar And The Nun
26. Full Fathom Five
27. The George Alow (Version 1)
28. Get You Hence
29. The God Of Love
30. Hark, Hark The Lark
31. Have I Caught My Heavenly Jewel
32. Heart's Ease
33. Hold Thy Peace (Version 2)(Round)
34. Honor, Riches
35. I Am Gone Sir
36. I Loathe The I Did Love
37. It Was A Lover And His Lass
38. Jepha
39. Jog On
40. Jolly Shepherd (Round)
41. King Stephen Was A Worthy Peer
42. Lawn As White
43. Love, Love, Nothing But Love (Version 2)
44. The Master, The Swabber (Version 2)
45. No More Dams
46. An Old Hare Hoar (Version 1)
47. O Mistress Mine (Version 1)
48. Orpheus With His Lute
49. O Sweet Oliver
50. Pardon Goddess Of The Night
51. Roses Their Sharp Spines
52. Sigh No More, Ladies
53. Some Men For Sudden Joy (Version 1)
54. Take, O Take Those Lips
55. Tell Me, Where Is Fancy Bred
56. That Sir Which Serves
57. There Dwelt A Man In Babylon (Version 1)
58. There Was Three Fools
59. Three Merry Men (Round)
60. Tomorrow Is St. Valentine's Day
61. Under The Greenwood Tree
62. Up And Down (Round)
63. Urns And Odours Bring Away
64. Walsingham
65. Was This Fair Face
66. Wedding Is Great Juno's Crown
67. What Shall He Have (Round)
68. When Arthur First In Court
69. When Daffodils Begin To Peer
70. When Daisies Pied
71. When Griping Grief
72. When Icicles Hang By The Wall
73. When That I Was And A Little Tyne Boy
74. Where The Bee Sucks
75. While You Here Do Snoring Lie
76. Who Is Silvia
77. Why Let The Strucken Deer
78. Willow, Willow (Version 1)
79. Will You Buy Any Tape
80. The Woosel Cock
81. You Spotted Snakes

Tracks:

1. Awake, Awake
2. Battle Of Agincourt
3. Bride's Goodmorrow
4. Broom
5. Callino
6. Carmen's Whitle
7. Chi Passa
8. Come Kiss Me, Kate (Round)
9. Come Thou Monarch (Version 1)
10. Cup Of Wine (Version 1)
11. Damon
12. Daphne
13. Diana (2 Versions)
14. Dulcina
15. Eglamore
16. Eighty-Eight
17. Fortune My Foe
18. George Alow (Version 2)
19. Glass Doth Run
20. Goddesses
21. Go From My Window
22. Greensleeves (2 Versions)
23. Guy Of Warwick
24. Hem Boys (2 Versions)
25. Hey Ho for A Husband (2 Versions)
26. Hobbyhorse
27. Hold Thy Peace (Versions 1 & 3)
28. Hunt's Up
29. I Cannot Come Every Day (2 Versions)
30. In Crete
31. In Peascod Time
32. Jack Boy (Round)
33. King Cophetua
34. King Lear
35. King Solomon
36. Light O Love
37. Loath To Depart (2 Versions)
38. Love, Love (Version 1)
39. Master, Swabber (Version 1)
40. Mounsier Mingo
41. Mounsieur's Almaine
42. My Mind To Me
43. Nutmegs (Of All The Birds)
44. Nutmegs (Wooing Of The Baker's Daughter)
45. O Death (2 Versions)
46. Old Hare Hoar (Version 2)
47. O Mistress Mine (Version 2)
48. O' The Twelfth Day Of December
49. Oyster Pie
50. Peg A Ramsey (2 Versions)
51. Phillida (3 Versions)
52. Please One
53. Pyramus
54. Queen Dido (2 Versions)
55. Ratcatcher
56. Rich Jew
57. Robin Goodfellow
58. Robin Hood
59. Rogero
60. Rowland
61. Sellenger's Round
62. Shore's Wife (2 Versions)
63. Sick, Sick (3 Vesions)
64. Some Men For Sudden Joy (Round)
65. There Dwelt A Man (Version 2)
66. Titus Andronicus
67. Tom A Bedlam (2 Versions)
68. Troilus
69. Troy Town
70. Wellady
71. Whenas We Sat In Babylon
72. Where Is The Life
73. Whoop
74. Why Let The Strucken (If Care Do Cause)
75. Willow, Willow (Version 2)
76. Will Ye Buy A Fine Dog
77. With A Fading

Average customer rating: thanks again, naxos! Stephen Foster Played by a Saxhorn (not saxophone) Quintet

Foster for Brass Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Marches | Miscellaneous | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music 4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The American Brass Band Journal Footlifters: Century of American Marches Turn-of-the-Century Cornet Favorites Best of Brass John Foster Black Dyke Mills Band Celebrate 150 Years ASIN: B00007FPFS Release Date: 2004-05-18

Tracks:

1. Ellen Bayne Quick Step
2. Bronze Bob Tail Horse Quick Step
3. Why, No One To Love
4. California Quick Step
5. Beautiful Dreamer
6. Dolly Day Quick Step
7. Hard Times Waltz
8. We Are Coming Father Abraam, 300,000 More
9. Colonel Meeker's Quick Step
10. March. My Old Kentucky Home
11. My Wife Is A Most Knowing Woman
12. Maggie By My Side Grand March
13. Santa Anna's Retreat From Buena Vista
14. Willie Schottisch
15. George Hart's Quick Step
16. Some Folks
17. Open Thy Lattice Love
18. Old Dog Tray March
19. Camptown Quick Step
20. Massa's In The Cold Ground
21. When This Dreadful War Is Over
22. Come Where My Love Lies Dreaming
23. Come Where My Love Lies Dreaming Quick Step
24. Gentle Annie
25. Lulu Is Gone
26. Where Has Lula Gone
27. Farewell My Lily Dear Quick Step

Customer Reviews:

thanks again, naxos!.......2007-04-04

naxos is the greatest budget label of all-time. i've gotten so many great discs from them, and never a bummer. as for this disc, it's a great idea(arrangements of the songs of stephen foster for 19th century brass band, performed on period instruments), wonderfully executed. i have many recordings of stephen foster material, and this is one of the best. this brass band sounds fantastic and the audio quality is very very fine. i highly recommend that you make this a part of your household.

Stephen Foster Played by a Saxhorn (not saxophone) Quintet.......2004-06-20

Imagine a post-Civil War family trooping to the town square on a fine summer evening to hear the town band play a concert of arrangements of popular tunes, that gentler period's equivalent of a rock concert of today. That's essentially what we have here. The Chestnut Brass Company, a Philadelphia brass quintet which on occasion plays on everything from Baroque sackbuts to the most modern trumpets and trombones, here plays on instuments of the saxhorn family. Saxhorns, invented by Adolphe Sax, the fellow who also invented the better-known saxophone, are brass instruments perfected in the 1840s. Their conical bore projects a uniquely sweet and mellow sound. They were exceedingly popular for town bands during the latter half of the century, but their use had waned by the turn of the 20th century. This quintet consists of an E flat soprano, a B flat soprano, an E flat alto, a B flat baritone, and a E flat contrabass saxhorn. The dulcet tones and sonic blend are a marvel to behold. Partly, of course, this is due to the expert playing by Bruce Barrie, Susan Sexton (or is it SAXton?), Marian Hesse, Larry Zimmerman, and Jay Krush.

Stephen Foster wrote very little purely instrumental music, but his songs fostered (pun unavoidable) innumerable instrumental arrangements. Those heard here are taken (and sometimes re-arranged) from the playbooks of such 19th-century bands as the Manchester, New Hampshire town band, the Boston Brass Band and the brass band of the 26th Regiment of North Carolina, not to forget the U.S. Marine Band. The tunes are arranged into quicksteps, waltzes, marches, schottisches and potpourris. Most of the familiar tunes are here: 'Beautiful Dreamer,' 'I Dream of Jeannie,' 'My Old Kentucky Home,' 'Camptown Races,' 'Come Where My Love Lies Dreaming,' and 'Some Folks Do' as well as plenty of relatively unfamiliar songs. And because these arrangements come from all over some of the tunes appear several times like old friends. Some of my own favorites are 'Some Folks' arranged by W. L. Baccus, 'Come Where My Love Lies Dreaming' arranged by Bruce Barrie, 'Camptown Quick Step' arranged by Jay Krush, and 'Gentle Annie' from the U.S. Marine Corps Band archives.

As an unabashed fan of the music of Charles Ives, I can't hear these arrangements without wondering which of these tunes Charlie heard (and played) when his own father, a former Civil War bandmaster, led his town band in Danbury, Connecticut.

Recommended for brass band lovers, Stephen Foster fans, and folks who like, say, the sound track to Ken Burns's 'Civil War' PBS documentary.

TT=68:49

Scott Morrison

Average customer rating: Music of Burton Lane Great CD!

Michael Feinstein Sings the Burton Lane Songbook, Vol. 2 Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Nostalgia | Miscellaneous | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Michael Feinstein Sings the Burton Lane Songbook, Vol. 1 Remember: Michael Feinstein Sings Irving Berlin The Michael Feinstein Sings the Jerry Herman Songbook The MGM Album Michael & George (Feinstein Sings Gershwin) ASIN: B000005J1G Release Date: 1992-11-24

Tracks:

1. It's Time For A Love Song
2. The World Is In My Arms
3. I Want A New Romance
4. Medley: Everything I Have Is Yours/ Your Head On My Shoulder
5. Poor You
6. Open Your Eyes
7. I Hear Music
8. The Happiest Day Of My Life
9. The Lady's In Love With You
10. Where Have I Seen Your Face Before
11. Don't Let It Get You Down
12. It Happens EveryTime
13. Look Who's Here
14. Medley: Hurry, It's Lovely Up Here
15. Medley: On The S.S. Bernard Cohn
16. Medley: Melinda
17. Medley: Dancing Lesson
18. Medley: She Wasn't You
19. Medley: Tosy And Cosh
20. Medley: Wait Till We're Sixty-Five
21. Medley: What Did I Have
22. Medley: Come Back To Me
23. Medley: On A Clear Day

Customer Reviews:

Music of Burton Lane.......2006-02-18

This CD is a real delight as Michael Feinstein is one of my favorite performers. He does a great job with this music by Burton Lane. I have both Volumns of music by Burton Lane and I enjoy listenting to both of these CD's

Great CD!.......2000-11-26

It took awhile for me to enjoy the songs on this CD, but once I did, I couldn't stop listening. There are romantic songs, funny songs, powerful songs. A little something for everyone. If you don't enjoy it at the first listen - don't give up! This CD will definately grow on you!

World Music:

1. Steel Drum Favorites
2. Steel Drum Rhythm
3. The Child Within
4. The Real Louisiana
5. The Red & Green Suite, Vol. 4 [Import]
6. Tinde Du Tassill N'ajjer [Import]
7. Tis Ras [Import]
8. Tribal Winds: Music From Native American Flutes
9. Une Vie Comme Un Roman [Import]
10. Varieta [Import]

World Music

world music

World Music

Plus Tard Crocodile [Import]

Hummel: Piano Trio Nos. 1, 5 & 7

Handel: The Chamber Music, Vol. 2

Revival Kit

Freestyle's Elite Club

First Cuba Gooding Album [Import]

Hora de Salsa

Hotcakes & Outtakes: 30 Years of Little Feat [Box set]

Gold Dates [Import]

Elizabethan Consort Music

Jellyfish Reflector [Import]

Deutschmeister Marches: All Time Favorite German Marches

Del Jardin de Mis Amores

Touch of The Blues & The Soul of The Man

Brazilian Classics