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1. Wo Bist Du
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2. China China
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3. Tranen Einer Nacht
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4. Vielleicht Nachsten Jahr
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5. Liebe Bleibt, Liebe Geht
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6. Bevor Der Tag Zu Ende Geht
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7. Alte Kinder
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8. Zwei Felsen
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9. Ich Denk an Dich
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10. Alleluia
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Du Und Ich,Nana Mouskouri,Polygram Int'l,Pop,Pop Vocals,Vocal Pop
Average customer rating:
- simply baroque
- Simply the Best
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Simply Baroque
Manufacturer: Sony
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Similar Items:
- Yo-Yo Ma - Simply Baroque II ~ Bach & Boccherini / ABO, Koopman
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ASIN: B0000CD5G9
Release Date: 2003-09-30 |
Tracks:
- Sei Lob Und Preis Mit Ehren
- Erbarme Dich
- Jesu, Joy Of Man's Desiring
- Ertot' Uns Durch Dein' Gute
- Ich Ruf' Zu Dir, Herr Jesu Christ
- Kommst Du Nun, Jesu, Vom Himmel Herunter
- Lab Mein Herz Die Munze Sein
- Dein Blut, Der Edle Saft
- 'Air On A G String'
- Cello Concerto In G Major
- Cello Concerto In G Major
- Cello Concerto In G Major
- Cello Concerto In D Major
- Cello Concerto In D Major
- Cello Concerto In D Major
- Cello Concerto In D Major
- Was Gott Tut, Das Ist Wohlgetan
- Aria From Goldberg Variations
- Wachet Auf, Ruft Uns Die Stimme
Customer Reviews:
simply baroque.......2007-07-30
Great album of YO YO Ma's ......as usual he is a master of the instrument.....I have to say , however, that Simply Baroque II was a greater listening pleasure for me simply because the music was more uplifting and in the style of baroque I prefer....but this is also a fine album for Baroque lovers.
Simply the Best.......2005-05-31
I can only say, that as far as I am concerned, this is just some of the best music I have ever heard.... Im guessing this is the way Bach intended his music to sound in the first place, and who better for that than the AMO and Koopman...and of course YO YO... if u love classic music, you are absolutly going to LOVE this cd..I highly recommend it
Average customer rating:
- Latter-day also-rans
- A well-sung compilation
- This cant be the best
- TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!
- Even if you Hate Complilations, Get This One
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The Best Opera Album in the World...Ever!
Manufacturer: Angel Records
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- The Most Famous Opera Arias
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ASIN: B0000084JD
Release Date: 1999-07-27 |
Tracks:
- La Traviata: Libiamo Ne'lieti Calici (Brindisi) (Atto I) - Alfredo Kraus
- Il Barbiere Di Siviglia: Largo Al Factotum (Atto I) - Thomas Hampton
- La Boheme: Che Gelida Manina (Atto I) - Roberto Alagna
- La Boheme: Si. Mi Chiamano Mimi (Atto I) - Mirella Freni
- L'amico Fritz: Suzel, Bon Di (Cherry Duet) (First Part) (Atto II) - Bernard Haitink
- Nabucco: Va, Pensiero (Chorus Of Hebrew Slaves) (Atto III) - Bernard Haitink
- Rigoletto: La Donna E Mobile (Atto III) - Roberto Alagna
- Lakme: Viens, Mallika (Flower Duet) (Acte I) - Mady Mesple
- Gianni Schicchi: O Mio Babbino Caro - Victoria De Los Angeles
- Tosca: Recondita Armonia (Atto I) - Placido Domingo
- Tosca: Vissi D'arte (Atto II) - Maria Callas
- Tosca: E Lucevan Le Stelle (Atto III) - Placido Domingo
- Adriana Lecouvreur: Ecco: Respiro Appena ... Lo Son L'umile Ancella (Atto I) - Dame Kiri Te Kanawa
- Les Pecheurs De Perles: Au Fond Du Temple Saint (Acte I) - Nicolai Gedda
- Le Nozze Di Figaro: Non Piu Andrai (Atto I) - Thomas Allen
- Le Nozze Di Figaro: Voi Che Sapete (Atto II) - Ann Murray
- Le Nozze Di Figaro: E Susanna Non Vien!...Dove Sono (Atto III) - Elisabeth Schwarzkopf
- Martha: M'appari (Ach So Fromm) (Akt III) - Roberto Alagna
- Tristan Und Isolde: Mild Und Leise (Liebestod) (Akt III) - Helga Dernesch
Tracks:
- Aida: Se Quel Guerrier Io Fossi!...Celeste Aida (Atto I) - Placido Domingo
- Il Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) (Atto II) - Bernard Haitink
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix (Acte II) - Maria Callas
- Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Victoria De Los Angeles
- Carmen: Votre Toast (Toreador's Song) (Acte II) - Maria Callas
- Carmen: La Fleur Que Tu M'avais Jetee (Acte III) - Roberto Alagna
- Les Contes D'Hoffman: Belle Nuit, O Nuit D'amour (Barcarolle) (Acte II) - Elisabeth Schwarzkopf
- Andrea Chenier: La Mamma Morta (Atto III) - Maria Callas
- Pagliacci: Recitar!...Vesti La Giubba (Atto I) - Jose Carreras
- Madama Butterfly: Un Bel Di Vedremo (Atto II) - Renata Scotto
- Cosi Fan Tutte: Soave Sia Il Vento (Atto I) - Margaret Marshall
- La Rondine: Chi Il Bel Sogno Di Doretta (Atto I) - Montserrat Caballe
- Die Zauberflote: Der Vogelfanger Bin Ich Ja (Akt I) - Walter Berry
- Die Zauberflote: Der Holle Rache (Akt II) - Edita Gruberova
- Rusalka: Song To The Moon (Act I) - Lucia Popp
- La Wally: Ebben? Ne Andro Iontana (Atto I) - Maria Callas
- Werther: Toute Mon Ame Est La!...Pourquoi Me Reveiller? (Acte III) - Roberto Alagna
- Turandot: Signore, Ascolta! (Atto I) - Montserrat Caballe
- Turandot: Nessun Dorma (Atto III) - Jose Carreras
Customer Reviews:
Latter-day also-rans.......2007-05-28
There will always be arguments for this or that singer, but this title is absurd. I didn't see a single Jussi Bjoerling, George London, Leonard Warren, or Zinka Milanov, and only one mention of Del Monaco. These were singers. Bjoerling and London were in a class by themselves. I saw all of these folks live on stage. London and Del Monaco had stage presence you don't get now. Di Stefano, Kirsten, de los Angeles should be on any best list. Play any tenor aria by any tenor; then play Bjoerling's. Play any bass/baritone aria by any singer; then play London's. Jussi and George will knock your socks off. They sang everything in every language. Tebaldi and Pavarotti sang only Italian, much easier.
A well-sung compilation.......2003-09-15
Compilations usually receive negative feedback from experienced opera listeners. However, this compilation by no means should be only welcomed by opera listeners, it should be welcomed by all music listeners. This CD is a great one to own for a first time opera listener. Also, for the person who wants to listen to opera once in a while and who does not want to buy a myriad of CD's in order to have the same amount of arias as this CD has. Eighty-percent of the singers are high-quality singers in this CD and the orchestras along with their respective conductors, do justice to the songs. All of the arias in this CD are what we in the field call, standard repertoire, and therefore are a good source for a beginning musician to help him or her listen to phrasing, colour, dynamics, language etc. I certainly recommend it, without a doubt.
This cant be the best.......2003-04-20
Elisa from Italy is absolutely right--well, the present generation may not be able to listen the golden oldies and the grand masters in person but it is still true that the past masters far surpassed the new. De Stefano had a magnetic voice, but listen to Gigli singing Puccini's La boheme and you will melt away, though it is v v v difficult to get hold of his mono recordings, even in CD. I disagree with Elisa only on one point: Tebaldi is good, but Victoria de Los angeles' Mimi is better. And the indulgent Thomas Beecham is my favourite conductor of this opera, way ahead of Toscannini, but De Stefano's Boheme is worth keeping and listening to again and again....
TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!.......2002-11-27
True opera lovers (I won't say "experts" 'cos I dislike the word) cannot possibly like this ... ! Apart from Callas, here there is none of the greatest artists! Callas may be great in Carmen but nobody can beat RENATA TEBALDI and her angel-like voice in all of Puccini's operas or in GIORDANO's Andrea Chénier. No Carreras can beat MARIO DEL MONACO in Leoncavallo's Pagliacci, or Verdi's Otello. And finally, NO ALAGNA, or PAVAROTTI, or LICITRA, or whatever CHEAP TENOR or CROOK can ever beat the greatest tenor of all times: GIUSEPPE DI STEFANO!
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.
Even if you Hate Complilations, Get This One.......2002-06-21
This is a marvelous collection of better known arias and duets in Opera. The singers are those famous for setting, and raising, the bar in their field and for their times: Renata Scotto, Maria Callas, Dame Kiri Te Kanawa, Elisabeth Schwarzkopf, Jose Carreras, Placido Domingo, Luciano Pavarotti. If you are only somewhat familiar with opera, these recordings give you the highest feeling of what an aria or duet can sound like when sung and interpreted at its best. If you are already familiar with these songs, then you will appreciate this collection all the more for having gathered them in one place. I play both discs all the time. I've especially appreciated being able to compare vocal qualities side by side, so to speak, as Maria Callas can be heard next to Mirella Freni and Victoria de los Angeles. Even if you are not familiar with these singers, this is the way to meet them. Maria Callas has a much darker, back of the throat tone. Mirella Freni is pure, clear and light floating up in the higher notes. You can almost visualize the singers as they place the notes in their throats and set them out in the air to vibrate.
Average customer rating:
- I hate to be rude, but . . .
- Outstanding
- Sacred Songs
- My favorite of Fleming's CDs so far
- Inspiring and beautiful
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Sacred Songs
Manufacturer: Decca
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ASIN: B000AM6OXK
Release Date: 2005-09-27 |
Tracks:
- Ave Maria
- Jesu bleibet meine Freude
- Dank sei dir, Herr
- Ave Maria, D839
- Laudamus te
- Panis Angelicus
- Air: "He shall feed his Flock"
- Simple Song
- Pie Jesu
- Domine Deus
- Laudate Dominum omnes gentes
- Air: Rejoice greatly, o daughter of Zion
- Abends will ich schlafen gehn
- L'Adieu des bergers
- Mariiegenlied, Op.76/52
- Amazing Grace
Amazon.com
This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of "Ave Maria," each offered with long breaths and soft tone; "Rejoice Greatly" from Messiah, delivered with virtuosity and gleaming sound, and "He Shall Feed His Flock," also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous "L'Adieu des Bergers" from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of "Amazing Grace" features Mark O'Connor on violin. Two excerpts from Mozart's Mass in C Minor, pieces by Reger and Franck, and a few surprises round out this devotional CD. --Robert Levine
Customer Reviews:
I hate to be rude, but . . ........2007-05-06
As stated earlier, I hate to be rude. However, Renee Fleming is not one of the greatest singers that I have heard. At many times, it sounds as if she is drunk, sliding into her notes at times. She also has a habit of hitting a note, and then quickly moving up or down for "dramatic effect". I'm sorry, but I just cannot listen to this. I know that everyone has their own opinions, and this is mine.
She is still a beautiful woman, and always will be. I have seen her concerts online, and she ISN'T bad, it's just that she doesn't have what I'm looking for in an opera singer!
Outstanding.......2007-03-07
I had seen this program on PBS and wanted the CD. Wonderful selection
of music and Renee Fleming's outstanding voice.
Sacred Songs.......2007-01-21
I always look for new presentations of Christmas songs. Rene Flemming did an excellent job in this recording. She has a super voice but sometimes the words of the song get lost in her singing style
My favorite of Fleming's CDs so far.......2006-12-07
There are only two cuts on this CD I tend to flip past (Amazing Grace and the Leonard Bernstein cut), but other than them, I totally love the rest! The cuts in German are divine! I could listen to this CD over and over again.
Inspiring and beautiful.......2006-07-20
I've always loved Renee Fleming's singing and this most recent album is just beautiful in every way. A rich voice, beautiful singing and a devout and magnificent artist. She makes even the most notorious evergreens come to life anew. I enjoyed it very much.
Average customer rating:
- One of my favorite recordings ever
- wonderful
- Truthful & Sincere Singing
- Beautiful
- More than just a pretty voice ...
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Elly Ameling ~ Schubert · Schumann - Songs
Franz Schubert , Robert Schumann , Elly Ameling , Jörg Demus , and Hans Deinzer
Manufacturer: RCA
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Binding: Audio CD
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- Songs by Robert & Clara Schumann
ASIN: B000001TWU
Release Date: 1991-11-05 |
Tracks:
- Der Hirt Auf Dem Felsen
- Seligkeit
- Gretchen Am Spinnrad
- Du Liebst Mich Nicht
- Heimliches Lieben
- Im Fruehling
- Die Vogel
- De Jungling An Der Quelle
- Der Musensohn
- Widmung
- Auftrage
- Sehnsucht
- Frage
- Mein Schonster Stern
- Schneeglockchen
- Erstes Grun
- Er Ist's
- Die Sennin
- Sehnsucht Nach Der Waldgegend
- Jasminenstrauch
- Schmetterling
- Der Nussbaum
- Marienwurmchen
- Kauzlein
- Waldesesprach
- Loreley
- Die Meerfee
- Der Sandmann
Customer Reviews:
One of my favorite recordings ever.......2007-06-08
Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.
wonderful.......2007-03-21
I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!
Truthful & Sincere Singing.......2006-11-25
Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.
The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.
Beautiful.......2006-11-11
What a gorgeous voice! It's a true delight to listen to this set.
More than just a pretty voice ..........2006-09-17
It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.
Average customer rating:
- Beautiful
- a voice teacher and early music fan
- The True Drama of the St. Matthew Passion
- My favorite too!
- Excellent work - but problems with sound level
|
Bach: Matthaus-Passion (St Matthew Passion) BWV 244 /Bostridge * Selig * Rubens * Scholl * Gura * Henschel * Collegium Vocale * Herreweghe (+CD-Rom)
Collegium Vocale Gent
Manufacturer: Harmonia Mundi Fr.
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ASIN: B00002R0ZL
Release Date: 1999-11-16 |
Tracks:
- Kommt, ihr Toechter, helft mir klagen
- Da Jesus diese Rede vollendet hatte
- Herzliebster Jesu, was hast du verbrochen
- Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu Bethanien / Wozu dienet dieser Unrat / Da das Jesus merkete
- Du lieber Heiland du
- Buss und Reu
- Da ging hin der Zwoelfen einer
- Blute nur, du liebes Herz
- Aber am ersten Tage der suessen Brot / Wo willst du, dass wir dir bereiten / Er sprach: Gebet ihn in die Stadt / Un sie wurden sehr betrubt / Herr, bin ich's
- Ich bin's, ich sollte buessen
- Er antwortete und sprach:
- Wiewohl mein Herz in Traenen schwimmt
- Ich willdir mein Herze schenken
- Und da sie den Lobgesang gesprochen hatten
- Erkenne mich, mein Hueter
- Petrus aber antwortete
- Ich will hier bei dir stehen
- Da kam Jesus mit ihnen zu einem Hofe
- O Schmerz! hier zittert das gequaelte Herz
- Ich will bei meinem Jesu wachen
- Und ging hin ein wenig
- Der Heiland faellt vor seinem Vater nieder
- Gerne will ich mich bequemen
- Und er kam zu seinen Juengern
- Was mein Gott will, das g'scheh' allzeit
- Und er kam und fand sie aber schlafend
- So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden
- Und siehe, einer aus denen
- O Mensch, bewein' dein Suende gross
Tracks:
- Ach! nun ist mein Jesus hin
- Die aber Jesum gegriffen hatten
- Mir hat die Welt trueglich gericht't
- Und wiewold viel falsche Zeugen herzutraten
- Mein Jesus schweigt zu falschen Luegen stille
- Geduld, Geduld!
- Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus in sein Angesicht / Weissage uns, Christe
- Wer hat dich so geschlagen
- Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen
- Erbarme dich
- Bin ich gleich von dir gewichen
- Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf die Silberlinge in den Tempel
- Gebt mir meinen Jesum wieder
- Sie heilten aber einen Rat
- Befiehl du deine Wege
- Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen!
- Wie wunderbarlich ist doch diese Strafe
- Der Landpfleger sagte
- Er hat uns allen wohlgetan
- Aus Liebe will mein Heiland sterben
- Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut komme uber uns / Da gab er ihnen Barrabam los
- Erbarm es Gott
- Koennen Traenen meiner Wangen
Tracks:
- Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an
- O Haupt voll Blut und Wunden
- Und da sie ihn verspottet hatten
- Ja! freilich will in uns das Fleisch und Blut
- Komm, suesses Kreuz
- Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen auch die Hohenpreister / Andern hat er geholfen / Desgleichen schmaeheten ihn
- Ach, Golgatha, unsel'ges Golgatha
- Sehet Jesus hat die hand
- Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen / Halt, lass sehen / Aber Jesus schriee abermals laut
- Wenn ich einmal soll scheiden
- Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewesen / Und es waren viel Weiber da
- Am Abend da es kuehle war
- Mache dich, mein Herze, rein
- Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen
- Nun ist der Herr zu Ruh gebracht
- Wir setzen uns mit Traenen nieder
Amazon.com essential recording
The St. Matthew Passion, Bach's monumental retelling of the story of the Last Supper and the arrest and execution of Jesus, typically runs from two-and-a-half to three hours. Yet this performance makes the time... well, not exactly fly past (consider the subject matter), but it's not tedious for even a second. Much of the credit for this goes to the marvelous Evangelist, Ian Bostridge. He's an outstanding narrator: the clear tone and diction, skillful timing, and intense involvement with words that made him a famous lieder singer are all in evidence; his part consists of nothing but recitative, yet he holds your interest unfailingly. Franz-Josef Selig gives a more dramatic reading of Jesus than you usually hear these days--he may be a bit too "operatic" for some listeners, but he really communicates his character's very human anguish and sorrow. Similarly, soprano Sibylla Rubens, tenor Werner Güra, and bass Dietrich Henschel sometimes unleash a bit too much vibrato for some tastes, but their singing is full-throated and attractive and they're very sensitive to the nuances in the text and music. Superstar countertenor Andreas Scholl is the standout--he combines unearthly purity with very earthly feeling and blends beautifully with the baroque instruments. The real stars of the record, however, are Philippe Herreweghe and his remarkable choir and orchestra. This conductor and his musicians (especially his radiant choir, Collegium Vocale) have always been superb at conveying warmth, devotion, and contemplation, but intense joy, anguish, or anger have sometimes seemed beyond them. Not here: they cover the full emotional range of this work--from reverent reflection to anguished remorse to churning fury--without ever crossing the line into melodrama or sacrificing clarity.
On top of all this, you get a CD-ROM chock full of interesting and well-organized information (in English, German, and French): texts as well as an overview with a timeline of Bach's life, a discussion of how the work is put together, marvelous graphics, sound clips, and an extensive interview with Herreweghe himself. A superb accompaniment to a superb release. --Matthew Westphal
Customer Reviews:
Beautiful.......2007-02-03
Do not hesitate for a moment to purchase this CD/CD ROM package. I researched thoroughly the many recordings of this work, and I am very pleased to have decided on this one. It is a gorgeous, moving recording.
a voice teacher and early music fan.......2007-01-08
Bach (1685-1750), a Lutheran, was specifically asked by St. Thomas' Church, Leipzig, to supply a non-theatrical Passion. In this context passion stands for the act of passive suffering, of watching and occasonally empathising in the suffering of Christ, a development which began in the Middle Ages when the church took steps to popularise the Bible. When sung, the role of the Evangelist would be taken by a tenor and that of Jesus by a bass. As various instruments were added they began to be associated with certain roles and as with opera any dramatic action in the text occurred during the recitative. The chorus has two functions: to participate in the action and then to reflect upon it, such reflections provided by the chorales which were familiar Lutheran hymns.
The St. Matthew Passion was composed for the Good Friday service at the St. Thomas Church in Leipzig in 1727. As time went on Bach revised and added other pieces and subsequently this Passion became the grandest and the largest of his works. He used a Double Chorus, included a third soprano group for the opening and close of Part One, two orchestras split so that they either accompanied the first or the second chorus, four soloists who carry specific parts and a number of other singers who have other roles. The Gospel of Matthew, Chapters 26 and 27 plus traditional Lutheran chorales and meditative poems (by Henrici also known as Picander) provide the text.The Evangelist narrates the action scene by scene.
Although the work as a whole is somewhat heavy and sombre there are some lighter moments to treasure, and none more delightful than the soprano aria in Part One "Ich will dir mein Herze schenken" (I will give my heart to Thee). Part two contains the best known and loved aria from the work "Erbarme dich,mein Gott" (Have mercy, my God) for alto and violin obligato and pizzicato bass. The death is terse but dramatic as is the earthquake following with the heartrending crying "Walrlich dieser ist Gottes Sohn gewesen" (Truly this was the Son of (God). It all ends with a Sarabande-like chorale bidding Jesus to rest in peace.
The packageing of this edition is outstanding; the booklet includes absolutely all the documentation that one may need to fully comprehend this monumental work of Bach's. In addition, the the 3 CD's, there is a CD-Rom that explains the entire procedure for the production of this recording (in 3 languages:French,English and German).
The performance itself is excellent and beyond reproach. Ian Bostridge is all that one would desire in a tenor Evangelist; a joy just to hear his voice. Andreas Scholl gives one of the most emotional performances I have ever heard from him; he tends to be somewhat 'laid-back' in some renditons, but not in this one. Just my opinion; all you Scholl fans, don't get excited!!!!!I suggest you allow yourself an entire day to explore this wonderful musical experience.
The True Drama of the St. Matthew Passion.......2006-04-11
There are gratefully many recordings of Bach's great St. Matthew Passion from which to choose, and the approaches to this long and mighty work of inspiration are varied. While this listener cut his teeth of the old Klemperer recording now re-mastered from the LP days to CD, this recording under the sensitive and commanding control of Philippe Herreweghe has become the recording most favored for return listenings, especially during the Holy Week. Herreweghe obviously knows the work from intense study, a fact that gives him all the stamina to make the overall Passion work both musically and dramatically.
Herreweghe draws sumptuous playing from his Collegium Vocale Orchestra and Chorus, keeping the period sound intact while adding the contemporary trend for finding the operatic aspects of the work in the lead of all the other recordings. Of course he has an extraordinary group of soloists who give definitive performances. The leading actor is the Evangelist who guides us through the arrest and assassination the Jesus according to the Gospel of Matthew: Ian Bostridge not only has a beautiful tenor voice, rich and warm, but he also offers perfect enunciation of the text and delivers his comments with the exact amount of propelling drama. The role of Jesus is strongly delivered by Franz-Josef Selig and matches his competition (Fischer-Dieskau, Quasthoff and Goerne included!) in conveying both the agony and the transcendence of Bach's lines.
Add to this strong matrix the exquisite singing of Andreas Scholl and the solo work by Sibylla Rubens, Werner G?ra, Dietrich Henschel, Dominik Worner, Elisabeth Hermans, Susan Hamilton and Frits Vanhulle and the beauty of the drama is perfect. This is truly the most dramatic performance of Bach's most dramatic Passion and one to cherish for years. Highly Recommended. Grady Harp, April 06
My favorite too!.......2005-09-17
I own six different St. Matthew Passion recordings, and this is my favorite. Herrweghe gets it right. I am not a stickler for HIP, but prefer it. In my opinion this is the most balanced high quality HIP treatment of the St. Matthew available. Get it!
Excellent work - but problems with sound level.......2005-05-29
I have no complaints about the performance, with the exception of two points: (1) the bass can at times sound too sharp and loud; (2) there is a bit of showing off, desire to impress the listener. Otherwise the work is awesome, but I am irritated by the recording quality. I thought that I would get used to it, but as I continue to listen to it, it irritates me more and more. The sound level is unequal. It is either too low, or annoyingly too high. I simply cannot just turn on the CD and listen through without adjusting volume levels all the time. Music becomes too quiet, then it bursts into sudden loudness, sharp, unpleasant sounds, which is extremely vexing. This is the main reason for my not listening to this recording more often. To add insult to injury, the bonus CD does not work on my computer, but freezes and muddles up. If I knew about this, I wouldn't have bought these CDs. Fortunately, I have also Herreweghe I, which I prefer to this one. But my all time favourite is - HARNONCOURT.
Average customer rating:
- This is just a review of the transfer and booklet
- A wiser Schwarzkopf in one of her best latter recordings
- HEAVENLY
- Schwarzkopf and Szell Team Up For An Incandescent Strauss Record
- A thing of beauty ...
|
Strauss: Four Last Songs/12 Orchestral Songs
Manufacturer: EMI Classics
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ASIN: B00000GCAE
Release Date: 1999-01-12 |
Tracks:
- Four Last Songs, Op. Posth.: Fruhling
- Four Last Songs, Op. Posth.: September
- Four Last Songs, Op. Posth.: Beim Schlafengehem
- Four Last Songs, Op. Posth.: Im Abendrot
- 12 Songs: Mutterandelei, Op. 43, No. 2
- 12 Songs: Waldseligkeit, Op. 49, No. 1
- 12 Songs: Zueignung, Op. 10, No. 1
- 12 Songs: Freundliche Vision, Op. 48, No. 1
- 12 Songs: Die Heiligen Drei Konige, Op. 56, No. 6
- 12 Songs: Rube, Meine Seele, Op. 27, No. 1
- 12 Songs: Meinem Kinde, Op. 37, No. 3
- 12 Songs: Wiegenlied, Op. 41, No. 1
- 12 Songs: Morgen, Op. 27, No. 4
- 12 Songs: Das Bachlein, Op. 88, No. 1
- 12 Songs: Die Rosenbande, Op. 36, No. 1
- 12 Songs: Winterweihe, Op. 48, No. 4
Amazon.com
Elisabeth Schwarzkopf was one of those singers whom one either loves or hates. She was a "stylist," who inflected every phrase, every note in her urge to communicate what she considered to be the meaning of the text. Others feel that the only thing she communicated was her own need to impress people with her ability to communicate, and I believe she often forgot the difference between art and artfulness. Be that as it may, she was an outstanding Strauss singer, and her performance of the Four Last Songs, in particular, is legendary. Of course, having George Szell on the podium doesn't hurt either. He insures that the music shows the singer in the best possible light. --David Hurwitz
Customer Reviews:
This is just a review of the transfer and booklet.......2007-03-30
I have little to add to the excellent reviews here--I owned a previous transfer, and it was worth it to me to buy another, given its low cost at Amazon.
I think the transfer is excellent, removing a surprising amount of murk from a 1991 version (I think). In fact, I'm wondering if some distortion hasn't been removed as well, at least in the voice. As for Szell & his orchestras, their playing sounds fresher and lovelier than ever. Instrumental placement in the sound image seems more firm, and details are more clear.
As for the booklet, well, EMI is not one for documentation, and it should be ashamed of itself for wasting our time in the middle of the song texts with ads for their other recordings. However, yes, the texts for these songs are all there, and that is a minor miracle.
So yes, this is a no-brainer purchase. In my view, the improved sound quality does merit purchasing it if one's transfer is prior to 1997.
A wiser Schwarzkopf in one of her best latter recordings.......2006-11-04
One of the landmark opera albums of the 1960s', Elisabeth Schwarzkopf's recording of Strauss' "Four Last Songs"; and the twelve Lieder songs of Burger, Dehmel, Bierbaum and others, is beautifully-remastered here for compact disc.
Schwarzkopf was in her fifties when she recorded these works, and there is a lot to be said for the mature, knowing performance from a soprano voice of that age. It speaks of life's joys and heartaches, and a heart still longing for youthful romance. I seriously doubt that anyone will ever fully eclipse Elisabeth's sheer dramatic intensity in this recording. She transforms herself back into a young girl, yet still retains the dramatic use of her maturity.
This recording has been remastered using Abbey Road's Prism SNS system, which gives the recording a natural soundscape, free of annoying echo or reverb, allowing Schwarzkopf's voice to come forth with astonishing clarity. Simply, it's the best this recording has ever sounded. A bargain price too.
[EMI Classics 7243 5 66908 2 0]
HEAVENLY.......2006-09-14
The "Gramophone" magazine reviewer couldn't have put it better:- "a heavenly record, so beautiful that I find it goes against the grain to attempt to analyse it". A must-have for any self-respecting classical record collection.
Schwarzkopf and Szell Team Up For An Incandescent Strauss Record.......2006-09-09
Four decades later this remains one of the greatest recordings of this final, transcendent Richard Strauss masterpiece. Some have shown preference for the earlier Schwarzkopf sung, Otto Ackermann conducted EMI record. I can't imagine why someone would want that mono recording over this gorgeous stereo version. Schwarzkopf here is just as radiant if not more so, the speeds are perfectly judged by Szell and everything has an luminous glow about it. The fact that 12 extra Strauss songs are here too puts this CD over the top, a must buy.
There have been plenty of great versions of the Four Last Songs since Schwarzkopf, the likes of Gundula Janowitz with Herbert Von Karajan and especially the spectacular Jessye Norman with Kurt Masur, yet the Schwarzkopf account can still match any other version in the catalogue for sheer beauty, the tender articulation of words and deep understanding of the music. Jessye Norman surpasses Elizabeth Schwarzkopf for operatic splendour and voluptousness of sound so you definitely need to get that version too. Having several performances of this immortal masterwork is a must!
A thing of beauty ..........2006-02-06
... is a joy forever, John Keats wrote, referring to the unending beauty of the things in Nature. The same can be said for the music making as captured for eternity on this recording, which seems to have been touched by a muse of fire, making it truly ascend the highest heaven of invention ... and art. The interpretations of all of these songs by Elisabeth Schwarzkopf is ever intelligent and astute, but always deeply human. Her singing is finely intimate, I believe, revealing her unrivaled mastery of invoking every single syllable with deepest possible meaning. The same can be said for the orchestral playing, so very intelligent, utterly complementing Elisabeth Schwarzkopf's gorgeous, deeply human, deeply moving singing. A marvel!
Average customer rating:
- Heartfelt Bach
- A Very Unique Experience
- This recording saved my life
- opened the door....
- Beautiful
|
Morimur
Manufacturer: ECM Records
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Binding: Audio CD
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ASIN: B00005ND3J
Release Date: 2001-09-25 |
Tracks:
- Auf meinen lieben Gott
- Den Tod...
- Allemanda
- Christ lag in Tobesbanden
- Corrente
- Den Tod niemand zwingen kunnt
- Sarabanda
- Wo soll ich fliehen hin
- Den Tod...
- Ciaccona
- Christ lag in Tobesbanden
- Dein Will gescheh'
- Befiehl Du Deine Wege
- Jesu meine Freude
- Auf meinen lieben Gott
- Jesu Deine Passion
- In meines Herzens Grunde
- Nun lob', mein Seel', den Herren
- Den Tod...
- Ciaccona fur Violine solo und vier Stimmen nach einer Analyse von Helga Thoene
- Den Tod...
Amazon.com's Best of 2001
In 1994, explains the booklet that accompanies Morimur, Professor Helga Thoene made the surprising discovery that the monumental "Ciaccona" from Bach's Partita in D minor for solo violin was built around various chorale themes hidden in the music. From the texts of these "secret" chorales and other symbolic musical devices, she deduced that the "Ciaccona" was an epitaph for Bach's wife, Maria Barbara. The revelation might have remained an intriguing (and touching) footnote to Bach scholarship if baroque violinist Christoph Poppen hadn't had the bright idea of taking Professor Thoene's discovery off the library shelves and placing it triumphantly in the concert hall. On this disc, his performance of all five movements of the whole Partita (BWV 1004) is interspersed with the various chorales hidden inside the "Ciaccona," sung with breathtaking precision by the Hilliard Ensemble. The double whammy comes at the end when the "Ciaccona" is performed again, this time with the singers bringing out the secret melodies. Poppen's playing is excellent, both sweet-toned and vibrant, while the Hilliards have never sounded better: the combination of the two is spine-tingling. It is as if Maria Barbara's proper epitaph has finally been realized, and a moving and wonderfully stimulating recording created in the process. --Warwick Thompson
Customer Reviews:
Heartfelt Bach.......2005-07-09
Beautiful performances, convincing thesis that Bach wrote the Chaconne in tribute to his recently deceased wife. Are there chorales with meaning connecting through text to Bach's music? Listen to this and decide for yourself--have a box of tissues handy. An underground best seller in classical music.
A Very Unique Experience.......2004-09-13
"Morimur," as you can read (ad nauseum) on the rest of the page, is the product of an astonishing amount of Bach scholarship on the part of Professor Helga Thoene, a noted Bach scholar. It is important to note two things: 1) Thoene's research applies ONLY to the Partita II D Minor, not to the Six Solos from which it comes as a whole, and 2) The CD contains ONLY the Partita and associated chorales, NOT any of the other Six Solos. Morimur is a truly intriguing experience, quite unlike anything else in all of Bach's music. Thoene has reconstructed a number of "chorale fragments" within the monumental "Ciaccona" movement of the Partita, making the claim that the presence of these fragments in the music validates the belief that the Ciaccona was originally meant as a musical epitaph for Bach's first wife, Maria Barbara, who died suddenly and was buried while Bach was away. Thoene provides a number of musical examples from the score to the Ciaccona that demonstrate her theory in action, and these examples are critical for a layperson (such as myself) to come to an understanding of her theory (which can only be proven by studying the WRITTEN music, not listening to the Ciaccona itself). The disc contains the entire D Minor Partita, played wonderfully by Baroque violinist Christoph Poppen, as well as the associated chorales whose fragments appear in the Ciaccona, sung by the Hilliard Ensemble. The disc concludes with a magical second performance of the Ciaccona by Poppen (a completely different performance, not just a simple copy of his earlier, unaccompanied performance on the disc). As he plays this most difficult and monumental of string works, the Hilliards sing the chorale fragments atop his melody, putting Helga Thoene's research into practical use. The effect is dazzling and moving, opening new horizons for this piece that listeners will never forget. The Hilliards balance perfectly with the violin, never overwhelming it, but always making themselves heard. As for Poppen, he is wilfully expressive and brings a unique voice to the Ciaccona and to the Partita D Minor as a whole, and it is a shame that he has not recorded the remainder of the Six Solos. This is certainly a unique disc, one that will challenge the way many people view the Ciaccona and the omnipresence of symbolism in Bach's music.
This recording saved my life.......2004-08-19
The poetry of Christ lag in Todesbanden speaks for itself. If Bach's transmission through pure music does not reach you through this recording, then you are either tone-deaf or have no soul. I can add nothing of great value to the wonderful comments that have prefaced mine, although I have been meaning to write a review of this for some time. It must suffice to say that as a violinist well-acquainted with the unaccompanied sonatas, this recording came as a veritable revelation- giving me the strength to put my life back together while I studied deeper into all the sonatas and partitas. I had always wondered why it was called a chaccone! Now I know....thank you.
opened the door...........2004-07-15
What is extraordinary on this CD is Christoph Poppen's exposition of Bach. Profoundly "beautiful" yes, but more than that, it opened the door for me to Bach. Now, many Bach pieces later, by so many gifted people, I return to this site to recommend this work to others and to thank Mr. Poppen (and ECM).
It would be wonderful if he were to record ALL of Bach's sonatas/partitas for violin - with ECM. The quality of what he has achieved here calls out for that.
Beautiful.......2004-04-10
I find the interplay of the voices and violin on this recording to be stunningly beautiful and strongly recommend it. It is one of my most listened to recordings and also one of my most recommened.
The theory concerning the hidden choral lines put forth in the CD jacket is interesting, though its somewhat pretensious tone is somewhat off putting in places. While I am an avid listener of the choral music of Bach and others, I am certainly not musically qualified to make any judgement regarding the reality of the hidden coral lines. However, I can say definitely that it "works" for me, whether by original design or indirectly through the brilliance of Bach and the skill of these performers.
Average customer rating:
- It stays with them...
- It all started with Beethoven
- Not What I expected
- Music, history, culture, & intriguing story -Amazing!
- Great series, great collection
|
Classical Kids: Collection
Manufacturer: Children's Book Store Distribution
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Similar Items:
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ASIN: B00000212C
Release Date: 1995-01-09 |
Tracks:
- Orchestral Suite #3, 1/Minuet in G+/Gigue in G+ (French Suite #5) - Studio Arts Orchestra, The Toronto Boys' Choir
- Jesu, Joy of Man's Desiring/Chromatic Fantasy/Prelude in B - (WTC1) - Studio Arts Orchestra, The Toronto Boys' Choir
- Introducing the Orchestra/Organ: Chorale Preludes, "Allein Gott" - Studio Arts Orchestra, The Toronto Boys' Choir
- Brandenberg Concerto #5, MVT. 3 - Studio Arts Orchestra, The Toronto Boys' Choir
- Flute Sonata C+, MVT. 2/Organ; "Es Ist das Heil"/Orchestral Suite ... - Studio Arts Orchestra, The Toronto Boys' Choir
- Prelude in C (WTC1)/Orchestral Suite #2, MVT. 2 - Studio Arts Orchestra, The Toronto Boys' Choir
- Bist du Bei Mir - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #2, Badinerie - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestrak Suite #3, Air for the G-String - Studio Arts Orchestra, The Toronto Boys' Choir
- Orchestral Suite #3, Gigue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Adventure in Music" - Studio Arts Orchestra, The Toronto Boys' Choir
- Goldberg Variations/Art of Fugue - Studio Arts Orchestra, The Toronto Boys' Choir
- "Liebster Jesu"/Flute Sonata in C, MVT. 4 - Studio Arts Orchestra, The Toronto Boys' Choir
- "We Hasten, " Cantata #78 - Studio Arts Orchestra, The Toronto Boys' Choir
Tracks:
- Symphony #7, MVT. 2
- Symphony #5, MVT. 1
- Piano Sonata, Op 90, MVT. 2/Flute Serenade, Op 23, MVT. 3/Violin ...
- Pathue Sonata, Op 13, MVT. 2/Contradanse #1 in Major
- Symphony #5, MVT. 2/Piano Sonata, Op 14 #2, MVT. 2/Flute Serenade, ...
- Polonaise/La Marmotte/Country Dance in a Major/Fse/Flutnuhr
- Sonatina in G Major/Minuet in G Major/Violin "Spring" Sonata, MVT. 1
- Moonlight Sonata, Op 27 #2, MVT. 1
- Flute Serenade, MVT. 2
- Symphony #6, Storm
- Nel Cor Piu Variations
- Piano Concerto #1, MVT. 1/Piano Concerto #5, MVT. 2
- Bass Excerpts from Symphony #9/Violin"Spring Sonata"/Rage Over a ...
- Symphony #9, MVT. 4
- Sonata Opus 49 #2, MVT. 2
- Symphony #6, Shepherd's Theme
Tracks:
- Lost in the Opera House: Oh Help Me (Zu Hilfe) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Papageno and the Birds: The Best Birdcatcher (Der Vogelfer) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Queen of the Night: You Must Free My Daughter (O Zittre Nicht) - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Mhen) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Castle of Sarastro: O Endless Night (O Ew'ge Nacht) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Magic Flute: O Listen (Wie Stark) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
- Escape: Let Us Hurry (Schnelle FWhat Tinkles So Brightly ... - Russell Braun, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Sarastro's Welcome: The Gods Above (O Isis) - Gordon McLeod, St. Simon's Choir, Studio Arts Orchestra
- Attack of the Queen: The Powers of Night (Der H Rache)/This ... - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
- Pamina's Lament: Oh, My Heart Is Broken (Ach, Ich F - St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- In the Labrynth: Seekers of the Light (Der, Welcher ...) - Nils Brown, Gordon McLeod, Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
- Papageno and Papagena: Ring, O Bells (Klinget Glhen) - Adriana Braun, Russell Braun, St. Simon's Choir, Studio Arts Orchestra
- Conclusion: Our Journey Is Over [Bei Mern] - St. Simon's Choir, Studio Arts Orchestra
Tracks:
- Four Seasons, Spring, I, RV 269
- Piccolo Concerto, II, RV 293
- Arriving at the Pietour Seasons, Autumn, I RV 293/Guitar/Flute ...
- Violin Concerto in a Minor, I, RV 356
- Four Seasons, Winter, II, RV 297
- Guitar Concerto, II, RV 93
- Venice by Day/Guitar Concerto, III, RV 93/Four Seasons, Autumn, ...
- Sonata for Two Violins, II, RV 50/"Farnace", RV 711, [Recording Premier
- Violin Concerto in a Minor, II, RV 356
- Venice by Night/La Notte, I, II, III, RV 439
- Island of the Dead/Four Seasons, Autumn, II, RV 293
- Gardellino, RV 90/Beatus Vir, RV 597/Alma del Core/Violin Sonata ...
- Concert Preparations/Piccolo Concerto, I, RV 443/Guitar Concerto, III,
- Conclusion/Double Orchestra Concerto, II, RV 585/Guitar Concerto, ...
Customer Reviews:
It stays with them..........2005-10-24
I enjoyed reading the reviews of parents whose kids have recently discovered "Classical Kids." I'm about to order the boxed set for my kids, ages 21, 19 and 16 because the nineteen-year-old, who has a college radio show and loves a wide variety of music, remembers this series (then only on cassette) with great affection and wants to hear them again. Those of you wondering whether it's worth it or not to try to introduce kids to classical music this way, be assured it works. We've turned one of Mr. Bach's lines into a family "saying:" "the more you study, the more you know; the more you know, the more you appreciate; the more you appreciate, the more you love." A great series!
It all started with Beethoven.......2004-02-03
Many years ago I purchased my first CD in this series, "Beethoven Lives Upstairs." My children and I were delighted with it. I then discovered that there were more and searched them all out, one by one. My children, now 11, 9 & 5, have listened to these stories as they fall asleep for years. They each have a favorite composer and have gone on to learn more about them. These stories are a great introduction to some of our greatest composers. Not to mention a good intro to history, too!
Imagine my delight that they are now in one boxed set! Now when asked, I suggest this set. What a great way to get it ALL! I truly believe that by surrounding our children with a variety of good music (including POP music) and information they will grow up with a greater appreciation for music and the arts.
Not What I expected.......2002-09-20
I love the idea, but I don't want to expose my children to the stories in these cd's. They contain children talking back to their parents, disrespectful language, sorcery, etc. If you don't like Harry Potter, you won't like these CD's.
Music, history, culture, & intriguing story -Amazing!.......2002-04-08
My 6 year old son loves music...and stories! Here is the prefect combo. Lovely music of the composer accomapnies a fictional story which weaves the composer's life, the culture of his homeland as well as history...in an intriguing and fun way! Now, my son can pick out pieces he hears on the classical radio station. He really enjoys the stories and can tell people @ carnival in Venice, Italy and tidbits @ Beetoven and the Magic Flute by Mozart! A must for any child with any of these interests! We also have enjoyed the CD's and have learned lots!
I only can wonder...what took whomever so long to broaden our horizons in such a way! BRAVO!
Great series, great collection.......2001-04-22
We've had the CDs in this boxed set for over a year now. The Classical Kids series has been wonderful. We have two boys (now 6 and 8) and this has been a great introduction to classical music. At first, the kids loved the stories which provide a sense of history and place and, ultimately, keep the kids interested in the entire CD. As they listened (time and time again), they started to pay more attention to the musical portions. Recently, we've been able to tell that they've picked up a sense of the music as we've listed to classical music on the car radio. Time and again, they perk up when listening to a piece of music and surprise us by saying "That's Beethoven". Sure enough - they've picked up something about the style of music that's characteristic of Beethoven. Sometimes it's the snippet of music from the CD and other times it's just the rhythms that are characteristic of that piece. As a family, we all recommend this.
Average customer rating:
- A "Regular People" Review
- Epitome of Lieder singing
- This elevates my mood!
|
Schubert: 24 Lieder
Franz Schubert , Elisabeth Schwarzkopf , Geoffrey Parsons , Gerald Moore , and Edwin Fischer
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Schubert
| Schubert, Franz
| ( S )
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Similar Items:
- Strauss: Four Last Songs/12 Orchestral Songs
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ASIN: B0001O3YCQ
Release Date: 2004-04-06 |
Tracks:
- Die Vogel
- Liebhaber In Allen Gestalten
- An Die Musik
- Im Fruhling
- Wehmut
- Ganymed
- Dans Lied Im Grunen
- Gretchen Am Spinnrade
- Nahe Des Geliebten
- Die Junge Nonne
- An Silvia
- Auf Dem Wasser Zu Singen
- Nachtviolen
- Der Musensohn
- Litanei
- Ungeduld
- Heidenroslein
- Der Jungling And Der Quelle
- Der Einsame
- Die Forelle
- Liebe Schwarmt Auf Allen Wegen
- Seligkeit
- An Mein Klavier
- Erlkonig
Customer Reviews:
A "Regular People" Review.......2007-02-17
In my opinion this is the most solid disc of Lieder I have heard. The music and the performance are great. I would definitely go for this if your new to Lieder and want to get your feet wet. And maybe next you'll want to try Brahms' Deutche Volkslieder, which I think takes a little more effort to get into, but is great none the less.
Epitome of Lieder singing.......2006-07-26
It really amazed me to learn from the booklet that Elisabeth Schwarzkopf was never totally confident in taking on the songs of Schubert, mostly due to the fact that a lot of them are simply based on poems with a man being the character. With her wonderful tone, fastidious attention to detail and the true German spirit, she would have been able to perform them much more extensively. Whatever the case, the 24 songs featured on this disc are a true delight from start to finish. The CD starts with the joyful atmosphere of the songs "Die Vogel" and "Liebhaber in allen Gestalten " which obviously were recorded very early on in Schwarzkopf's career, showcasing her in carefree, simple and amazingly fresh mood. Then comes the core of the CD-the classic recital with Edwin Fischer at the piano. Nothing really needs to be said here. Schwarzkopf shines throughout with beautiful tone, flawless diction. She may be mannered, yes, but she also does justice to the poetry like I never heard from anyone before, of course with the exception of Fischer-Dieskau. Edwin Fischer plays with taste, bringing out all the demanded atmosphere: from the serenity of Im Fruhling to the intensity of Die Junge Nonne. The sound is pretty old but the balance is perfect and both Schwarzkopf and Fischer are caught in a great day. The other items on the disc are recorded later on in Schwarzkopf's career, when her tone has darkened, thinned down a bit but always radiant and the fastidiousness and artistry even more significant; and Gerald Moore and Geoffrey Parsons are delightful pianists. The remaining songs include a high-spirited Die Forelle and Seligkeit, a wonderfully introspective Der Einsame and a moving and gorgeous An mein klavier (although she seems to miss a breath for a tiny fraction of a second at the beginning of the 2nd verse). The final "Erlkonig", one of her most favorite recordings, is a track that will knock you off your seat with its intensity. Parsons's playing is adequately intense, and Schwarzkopf's "mannerisms" which the Schwarzkopf bashers love to hate, are deadly powerful in pointing out all the 4 characters of the demanding lied. Be warned, the cry of "gewalt" by the end of the lied will cause your heart to miss one beat! Sound recording gets better throughout the CD, from acceptable mono of the first 2 songs to the crystal-clear stereo of the final items.
Highly recommended. Masterful singing from the queen of German lieder.
This elevates my mood! .......2005-09-08
Although i do not understand each word it sings, i m just happy to hear it till the last song finishes. I feel content.
Average customer rating:
- La Stupenda at her best
- this is the one to buy
- La Stupenda lives up to her name
- La Stupenda, Amore, amore, amore
- La Stupenda - well deserved title for Joan
|
La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Mozart, Wolfgang Amadeus
| ( M )
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Offenbach, Jacques
| ( O )
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Puccini, Giacomo
| ( P )
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Rodgers, Richard
| ( R )
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Rossini, Gioacchino
| ( R )
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Strauss Jr., Johann
| ( S )
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Verdi, Giuseppe
| ( V )
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Wagner, Richard
| ( W )
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Cassinelli, Ricardo
| ( C )
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London Philharmonic Orchestra
| ( L )
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National Philharmonic Orchestra London
| ( N )
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Sutherland, Dame Joan
| ( S )
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Opera & Vocal
| Classical Music Blowout
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