| Disc: 1 |
| 1. Monkey Business [1994][Excerpt] - Bernie Krause |
| 2. Rhythms of the Cook Islands [1991] - Tumuenua Dance Group |
| 3. Giovanni's Solo/Obatala [1994] - Batacumbele |
| 4. Village [1990] - Mino Cinelu, George Jinda |
| 5. Daitenryu [1990] - Suwa-Daiko Hozonkai |
| 6. Oshika [1991] - Mustapha Tettey Addy |
| Disc: 2 |
| 1. Amazon Days/Amazon Nights [1994][Excerpt] - Bernie Krause |
| 2. Water Drums 1 [1993] - Baka Forest People |
| 3. Limbadji Toko [1988] - Fatala |
| 4. Aruandê [1993] - Dudu Tucci |
| 5. Tempest [1978] - Michael Shrieve |
| 6. N' Nang [Stranger] [1984][Mix] - Voodoo Gang |
| Disc: 3 |
| 1. Amazon Days/Amazon Nights [1994][Excerpt] - Bernie Krause |
| 2. Ajaja [1988] - Babatunde Olatunji |
| 3. Hojita de Limón [1985] |
| 4. Yamuna [1994] - Karnataka Percussion, |
| 5. Patron Mousso [1989] - Farafina |
| 6. Dance [SACM, Mexico] - Jorge Reyes |
Editorial Reviews
This excellent three-CD collection from Ellipsis Arts is a splendid introduction to world percussion. Several name world music artists appear here; Zakir Hussein, Airto Moreira, Babatunde Olatunji, and Mickey Hart all perform, and drummers Terry Bozzio and Jack DeJohnette appear as well. There's music from all over the world, including Japan, several regions of Africa, India, South America, China, and several others. The accompanying booklet is almost as interesting as the collection itself, detailing the origins of various pieces and the artists who perform them. -- Genevieve Williams
The Big Bang,Various Artists,Ellipsis Arts,90's,African Folk,Afro-Brazilian,Afro-Cuban Jazz,Box Sets (Audio Only),Brazilian Jazz,Brazilian Pop,Contemporary Instrumental,Contemporary Jazz,Crossover Jazz,Cuban Jazz,Ethnic Fusion,Fusion,Indian Classical,Int'l & World Music,Latin Jazz,Pop,Post-Bop,Prog-Rock/Art Rock,Progressive Electronic,Techno-Tribal,Traditional,World Fusion,World Music,Worldbeat
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Smokin
Jonny Lang & Big Bang Manufacturer: Red Int / Red Ink ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JOC8 Release Date: 2002-10-08 |
Tracks:
- Louise
- Changes
- Lovin My Baby
- I Love You The Best
- Nice & Warm
- It's Ohdacious
- Sugarman
- 'E' Train
- Too Tired
- Smokin
- Malted Milk
Customer Reviews:
Not a CD to add to your Johnny Lang Collection.......2006-07-01
Jonny Lang .......2006-03-15
this is good sounds, not hostil or booming. you can hear the words and understand what he sings. he as always has a good band backing him up.
i would buy this again should something happen to the cd that i have now.
A solid, rocking blues cd.......2005-08-10
JUST GREAT.......2004-08-12
Great early release.......2003-12-07
Average customer rating:
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The Big Bang
Busta Rhymes Manufacturer: Aftermath ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F8DSTM Release Date: 2006-06-13 |
Tracks:
- Get You Some
- Touch It
- How We Do It Over Here
- New York S***
- Been Through The Storm
- In The Ghetto
- Cocaina
- You Can't Hold The Torch
- Goldmine
- I Love My B****
- Don't Get Carried Away
- They're Out To Get Me
- Get Down
- I'll Do It All
- Legend Of The Fall Offs
Amazon.com
This is Busta's first new album in four years plus Dr. Dre cosigns by signing him to Aftermath. Will the success enjoyed by 50 Cent, Eminem and The Game work for Busta? Surprisingly, Busta has never sounded so mature -- joining a brigade of over 30 rappers who are thinking beyond the corner. Songs like "In the Ghetto," "Been Through the Storm" and "You Can't Hold a Torch" reflect a more grown-man outlook, which is a refreshing departure. There are the requisite fast-chatter club tracks, some predictably formulaic ("Touch It"), some better than expected ("I Love My Bitch"), some that will leave you scratching your head ("I'll Do It All," featuring Latoya Jackson). Unfortunately, the album is also overloaded with more guests than needed --Stevie Wonder and Q-Tip were good, while Rick James middling and Swizz Beatz should stick to producing. It's hard to tell what expectations to put on this album. It's not going to trump 50 Cent sales but it's also a better effort than Busta has put forth on his last few, and that's worth letting it bang. --Oliver WangCustomer Reviews:
Classic Busta Rhymes.......2007-07-09
This will be a classic!.......2007-01-22
Well, his style from the beginning has been based on a gimmick. Kind of loud, wild, weirdness vibe. MC's like this generally don't live long. People get tired of being yelled at. Yelling on a song doesn't make you hard either. Take a look a Rakim. One of Hip-Hop's hardest rhyming MC's without ever raising his voice.
Anyway, Busta's new album, "The Big Bang", is back to solid MC'ing. Beats and rhymes. He only yells at you on one song and not the entire song at that. I'm talking about that song "Touch it". On the rest of the album, his style is the same as when he "gets low" on that touch it track. I appreciate it.
Solid guest MC's like Raekwon and Nas appear. Watch out for Rick James track also. Classic Rick James is back. There is also Kelis, Will.I.Am and Swizz Beats. Oh, how can I forget that most productions are by the legendary Doc Dre. I love to bump this album during my workouts. Its far from annoying and contains elements of becoming a hip_hop classic.
The Dungeon Dragon's fangs are still razor-sharp.........2007-01-06
They're also a bit inconsistent. Much like Kingdom Come after it, when the tracks on The Big Bang did hit, they hit HARD; but when they flopped, they became virtual abortions. "I Love My *****" is just as mind-numbingly bad as "Anything," and "New York ****" is just as blatantly average, and forced as "Hollywood." Their lead singles("Touch It" for Bus, "Show Me What You Got" for Hov) were chastised heavily by the media, but were actually pretty tight tracks hidden beneath the commercialism. Touch It may not be as hot as previous Busta club-bangers like "Break Your Neck" or "WOO-HAA!," but it's still a very hot track, which features a very innovative flow from Bus. Swizz Beats also provides a beat that doesn't annoy me; quite rare these days.
Unlike Kingdom Come, though Busta has a ton of appearances from guest emcees on this album; in fact, this entire album almost consists of posse tracks, with a few rare exceptions. There's good news, though; Busta picked some of the illest cats to ever spit as guests for The Big Bang. Q-Tip, one of hip-hop's smoothest cats, whether in Tribe or on his own, is also one of hip-hop's most underappreciate legends, and provides two guest appearances, which both overflow with dopeness. Raekwon, the premier Chef in the legendary Wu-Tang Clan, and also another unspoken legend, makes one guest appearance on the brilliant "Goldmine," which shows that Cuban Linx II will be everything we could hope for. Finally, the man who dropped the arguably best album of 2006, Nas, makes a guest appearance on the infinitely ill "Don't Get Carried Away."
This is one of the strongest produced hip-hop albums in quite awhile; especially out of the Aftermath camp. Dre provides the majority of the production, and it shows by the dopeness that this album excrete musically. Dre's production is flawless throughout the album, epic, and rich in cinematic qualities. The late J Dilla provides a great backdrop on "Can't Hold the Torch," while Sha Money XL provides some equally beautiful music behind the boards on "Been Through The Storm." Mr. Porter and the aforementioned Swizz Beats also do well on their contributions; the other non-Dre produced tracks is where this album, unfortunately, flails around, and Busta doesn't possess the same energy he once did to lighten up any track.
Busta is not an outrageous, party rapper anymore; he is a wise veteran, who provides knowledge to the younger cats in the game, as well as his peers. While this album may not have the same blazing joints that albums like Genesis did, it more than makes up for it with the introspective, and insightful tracks Busta drops. "Been Through The Storm" and "In The Ghetto" are two of the most personal tracks Busta's ever dropped, while "Legend of the Fall Offs" is one of the darkest hip-hop tracks heard in quite awhile; and it's also an amazing concept cut. The Dungeon Dragon may've pulled up his sagging pants, and cut off his dreads, but in exchange, we got Busta in his purest form.
The Big Bang isn't perfect; the track with Missy, "New York ****," and "I Love My *****" could've been done without, for sure, but the rest of the tracks are some of the tightest all year. It all depends on your personal preference; Busta still puts everyone "In Check," but he's doing it in a completely different way than he was a decade ago; he's doing it with his widsom now. If you want your favorite artists to progress, and grow, then you'll be more than satisfied with the Big Bang; it's my favorite Busta album to date. However, if you want the Bussa Bus of old, you're better off spinning his old tapes a little more; the dude's grown up.
Hit-or-miss affair.......2007-01-05
Well, I can't get over the misogyny of certain tracks, most particularly in "I Love My B----," or in other tracks. In some songs, the samples are saving graces, like the chorus of "Touch It" which puts Daft Punk in or "In the Ghetto," an interesting reflective song of youth. I actually like most of the guests on here, and some of it is enjoyable. As the main review said, Swizz Beatz should just stick to producing, he didn't add much with "New York S---" which otherwise was fine and the album could have been cut about half its time length, in spite taking four years to come out.
I actually think "The Big Bang" is an okay album, but I think it has its flaws. I was actually a bit hesitant to buy it for other said reasons, but I found it for $4 used and figured I could just sell it if I decided I didn't want it. It's nothing special and I prefer the other three Busta albums I own -- "The Coming," "When Disaster Strikes..." and "Genesis."
The Leader is BACK.......2006-10-01
rating A+
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Big Bang Theory
Styx Manufacturer: New Door Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007XBN1U Release Date: 2005-05-10 |
Tracks:
- I Am The Walrus
- I Can See For Miles
- Can't Find My Way Home
- It Don't Make Sense (You Can't Make Peace)
- I Don't Need No Doctor
- One Way Out
- Salty Dog
- Summer In The City
- Manic Depression
- Talkin' About The Good Times
- Locomotive Breath
- Find The Cost Of Freedom
- Wishing Well
- Blue Collar Man @2120
Customer Reviews:
See My Comment On Todd's Post, Plus A Few From Me!.......2006-12-31
ROCK ON TOMMY, JY and the BOYS! You'll always have my attention!
Great remake of some classics........2006-12-19
Not worthy of Styx name.......2006-11-13
Merely Pleasant.......2006-10-06
The same can be said for virtually every other song on this CD except:
A Salty Dog - misses Gary Brooker's vocal.
Manic Depression - besides Hendrix his own bad self, the best cover of this was done by King's X on the Dogman CD.
Locomotive Breath - is remarkably punchless compared to the Jethro Tull original.
Wishing Well - I wish they hadn't done it. Suffers from a horrible vocal.
Talkin' About the Good Times - very nice.
Blue Collar Man @ 2120 - I don't get the reference to 2120. And I don't see why the re-do was necessary. And I don't care for the arrangement.
My criteria for a review of a cover: If I'd heard these songs for the first time by the cover artist, would I buy the record - yes, I'm that old - anyway?
In this case, no.
Save your money. Better yet, buy the originals.
I'm just glad I bought it used.
album title should be "Styx covers the Classics".......2006-09-06
I have been out of the loop on Styx's releases over the last few years, but I did know that Dennis DeYoung was out of the band. Worst move Styx ever made. Apparently DeYoung was the only one with any song-writing talent. Realizing this, the rest of the band has decided to become a "cover" band. What a waste.
Styx used to be great band with a music style that ranged all over the board, but they had a sound and character that was uniquely, Styx.
A lot of the songs on this CD are great songs, but they were better by the original artists. I don't buy a Styx album to hear them cover other artist's stuff. I buy it because I want to hear new Styx stuff. There are a couple songs on this CD I didn't recognize, but the songwriting credits don't list any current band member names, so I assume they are covers as well.
Sad end to a formerly great band.
Average customer rating:
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The Big Bang: The Best of the MC5
MC5 Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000046PVF Release Date: 2000-02-15 |
Tracks:
- I Can Only Give You Everything
- Looking At You (Original 'A-Square' Single Version)
- I Just Don't Know
- Ramblin' Rose
- Kick Out The Jams (Uncensored Version)
- Come Together
- Rocket Reducer No.62 (Rama Lama Fa Fa Fa)
- Tonight
- Teenage Lust
- High School
- Call Me Animal
- The American Ruse
- Shakin' Street
- The Human Being Lawnmower
- Back In The USA
- Sister Anne
- Baby Won't Ya
- Miss X
- Over And Over
- Skunk (Sonicly Speaking)
- Thunder Express
Amazon.com
Arriving a decade before the Clash but every bit as politicized, musically revved, and rife with contradiction, the MC5 scorched the earth in ways that few late-'60s bands ever even imagined. The Big Bang! covers their career from 1967 to '72, collecting early singles (in better sound than on ROIR's Babes in Arms compilation), cuts from the Detroiters' three Elektra and Atlantic albums, and one live in-studio performance. We hear the punk precursors offer a testimonial to sex and rock & roll while damning American prosecution of wars ("The Human Being Lawnmower") and the Vietnam-era draft ("The American Ruse"). Were their twin incursions on U.S. politics and the record industry ultimately failed crusades? Perhaps, but the energy, intelligent attitude, and sheer riff sense encased in this CD's 21 cuts make a mighty case for MC5's sound and stance. --Rickey WrightCustomer Reviews:
Ka-boom!.......2007-06-27
Their short-but-influential career was besotted by almost too much choice. It's no coincidence that like unruly children, all three MC5 albums go off in different directions (not the best way to build an audience, even in the anything-goes climate of the early-seventies).
But Rhino's MC5 compilation 'The Big Bang!: Best of the MC5' pulls it all together, and builds a powerful case for the Motor City Five's legacy.
Opening with a locally-recorded single, "I Can Only Give You Everything" points the way to 1969's 'Kick out the Jams', with its hard-as-nails riff and pounding beat. Two more singles follow before 'Bang!' sinks its archival teeth into 'Jams'. This is the MC5 at their most feral and brilliant. The transcendant metallic chaos of "Kick out the Jams", "Ramblin' Rose", "Come Together" and "Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)" ensues.
'Bang!' then turns its attention to 'Back in the U.S.A.', a 1970 attempt to focus the MC5's free-ranging muse on a song-oriented album. The collection does a good job of presenting 'U.S.A.'s strengths, and even adds weight to 'U.S.A.'s anemic production. "Tonight", "Teenage Lust", "The American Ruse" and "The Human Being Lawnmower" sound far-better than I remember. ("Ruse" is one example of why the MC5 were the target of so much law enforcement attention.)
But following in the wake of 'Jam's wild-eyed radicalism, the comparatively tame 'U.S.A.' failed to chart. That left the band in dire financial straits, and desperately needing to reconnect with their audience. 1971's 'High Time' was the result. And judging from the material presented on 'Bang!', possibly their best.
Abandoning the concise song structures of 'U.S.A.' (and producer Jon Landau), the MC5 stretched-out and followed their free-jazz desires. "Sister Annie", "Over And Over" and "Skunk (Sonicly Speaking" all shine with inventive arrangements and instrumentation, and the blistering guitar tandem of Fred "Sonic" Smith and Wayne Kramer. But ultimately, 'High Time' failed to chart as well, providing the end, if not the means, for the MC5.
The MC5 never enjoyed a high-profile front man ala the Stooges' Iggy Pop, making it unlikely their albums will ever see the remastered and expanded treatment accorded '1969' and 'Funhouse'. Which makes the newly out-of-print 'Bang!' even-more critical. It integrates material from five different sources into one cohesive document that secures the MC5's place as one of the most-influential bands to ever plug in to an amp.
Pay whatever you need to get it, but get it. Yeah, it's that good.
Heard OF them but haven't HEARD the MC5?.......2007-01-11
The Big Bang: Best of MC5.......2006-10-06
I've heard that the MC5 couldn't play their instruments. They were practically virtuosos! The songs are melodic and well-written. The lead guitarist is terrific, and yes, he even solos. And the solos are terrific, too. You think The Who are "maximum R&B"? I don't blame you. Until recently, so did I. Now I realize that The Who are tame. If you like The Who, especially Live At Leeds, you will LOVE this disc (The MC5 even directly swipe the opening chords of "I Can See For Miles" for use in their own "Come Together"). If you like Zeppelin, you will like this disc. If you like British punk, you will like this disc. If you like Rock and Roll, you will like this disc.
And as far as the lyrics go, there is nothing really offensive. I love the lyrics of Joe Strummer (amazing) , and I don't mind the lyrics of Zack de la Rocha (they're a little dumb sometimes, but not offensive), but I had worried that the MC5's lyrics would be flat-out crass. Not so. Half the songs are about standard R'n'R subjects (girls, mild rebellion, etc.), and they even cover a Chuck Berry song. In the live stuff there are some little preachy diatribes about revolution, but they are never overbearing. The MC5 weren't just rebels, they really were rebels with a cause; but most importantly, the lyrics and the image never overshadow the music.
Why didn't this band get *huge*? I can't explain it. Surely, the world was ready for them and their radical stance - this is the late 60's we're talking about. Was it some sort of a conspiracy among music execs (who are, remember, upper class businessmen with a serious stake in the societal status quo)? I'm not big on conspiracy theories generally, but in this case a conspiracy seems to be the most compelling answer. I don't know if I've convinced you, but as for me, I predict I'll be buying up all of their individual albums in the coming weeks. Long live The MC5.
A great compilation of a great band.......2006-05-12
punk/hard rock scene from the 70s onward I found this best of compilation to be well worth the wait.
From the sheer live energy of Kick Out the Jams to the more
measured progressive riff driven rock of the later `Sister Ann` I think the listener who is willing to give this disc a few
spins is in for a real listening treat.
A unique revolutionary band which were a true sign of the times and also possibly a sign of the things to come,its rather sad in the way that they could not have gone on to develop and further refine their music,but I guess that has been the fate of many a promising and talented rock band.
The 5 were indeed a formidable act and even if you did not get the privilege to see them live this well thought out and digitally remastered compilation should be more than enough ample compensation
There is no studio version of "Kick Out The Jams".......2005-04-12
Average customer rating:
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Big Bang
Portland Taiko Manufacturer: Portland Taiko ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000D9POS Release Date: 2003-09-16 |
Tracks:
- Oyakodon-don!
- To Fly
- All Is Well
- Akatombo
- Ha!
- From The Village
- Salmon Ghost Song
- Soliloquy
- A Place Called Home
- Resonance
Customer Reviews:
Big Bang Fan.......2007-03-21
Pleasing to the ear.......2007-01-22
Best Taiko recording I've heard!.......2004-10-01
This is my favorite CD for testing out home theater systems!
Average customer rating:
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Big Bang
Los Enanitos Verdes Manufacturer: EMI Latin ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000VCT Release Date: 1995-08-15 |
Tracks:
- Mejor No Hablamos De Amor
- Lamento Boliviano
- Celdas
- Yo Pagaria
- Piel De Nopal
- H.I.V.
- Mi Primer Dia Sin Ti
- Creo
- Resplandor De Afecto
- Cuando Habla El Corazon
- Bailarina
- Pasare Por Ti
- Estoy Dispuesto
Customer Reviews:
Excellent CD.......2006-11-10
This is one of the best bands in latinamerica.
even for a native english speaker, veryyy easy to understand.......2006-01-26
I think it's a shame that because of the language barrier that most people cannot appreciate their musical talent. I recommend this CD to all ages, for I am only 16. :) great work!
good effort.......2004-06-11
speechless...........2004-01-05
Classic.......2003-11-07
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The Big Bang: In the Beginning Was the Drum
Various Artists Manufacturer: Ellipsis Arts ProductGroup: Music Binding: Audio CD ASIN: B0000059TB Release Date: 1994-10-28 |
Tracks:
- Monkey Business (Excerpt) - Bernie Krause
- Rhythms Of The Cook Islands - Tumuenua
- Giovanni's Solo/Obatala - Batacumbele
- Village - Mino Cinelu/George Jinda
- Daitenryu - Suwa-Daiko Hozonkai
- Oshika - Mustapha Tettey Addy
- Rain - Glen Velez
- Over And Under A Theme Of Mark Isham's - Terry Bozzio
- Udu Chant - Mickey Hart
- A Quality Of Seven - Masters Of Percussion
- Ogun - Nurudafina Pili Abena
- Jimdance - Tommy Hayes
- Awo - Gasper Lawal
- Hein-Sa - Reinhard Flatischler/Samul Nori
- Topsy Part III - Funhouse
- Amazon Days/Amazon Nights (Excerpt) - Bernie Krause
Tracks:
- Amazon Days/Amazon Nights (Excerpt) - Bernie Krause
- Water Drums 1 - Baka Forest People
- Limbadji Toko - Fatala
- Aruande - Dudu Tucci
- Tempest - Michael Shrieve
- N'Nang (Stranger) - The Voodoo Gang
- Sekatian Gilakan - Sekehe Gong Windu Karya Putpa
- Karn Evil 9 (Drum Solo) - Emerson, Lake & Palmer
- Old Man's Song - Airto Moreira
- Feliz Navidad - Patato
- Egurraren Kanta - Joxan Goikoetxea/Juan Mari Beltran
- Kassahwa - Stella Rambisai Chiweshe
- Fortress - Avo Chakhlasyan
- Puppet Show - Ming-Chun Puppet Troupe
- Chang On Jew's Harp - Misri Khan
- Amazon Days/Amazon Nights (Excerpt) - Bernie Krause
Tracks:
- Amazon Days/Amazon Nights (Excerpt) - Bernie Krause
- Ajaja - Babatunde Olatunji
- Hojita De Limon - Street Music
- Yamuna - Karnataka College Of Percussion/Dr. Raghavendra
- Patron Mousso - Farafina
- Dance - Jorge Reyes
- Wandenza - Amapondo
- Fuenyang Drum - Orchestra Of Chinese Central Music College
- Saa - Ladji Camara
- Intertribal Dance Song - LCO Soldier's Drum
- Last Chance To Stomp (Excerpt) - Jack Dejohnette
- Do Zarbi, Se Zarbi - Hossain Tehrani
- Drum Solo On The Zerbaghali - Malang And Mohammad Akram Rohnawaz
- Amazon Days/Amazon Nights (Excerpt) - Bernie Krause
Amazon.com
This excellent three-CD collection from Ellipsis Arts is a splendid introduction to world percussion. Several name world music artists appear here; Zakir Hussein, Airto Moreira, Babatunde Olatunji, and Mickey Hart all perform, and drummers Terry Bozzio and Jack DeJohnette appear as well. There's music from all over the world, including Japan, several regions of Africa, India, South America, China, and several others. The accompanying booklet is almost as interesting as the collection itself, detailing the origins of various pieces and the artists who perform them. -- Genevieve WilliamsCustomer Reviews:
Travel the world for a few dollars..........1999-03-10
The Djembé-darbouka guy !
Average customer rating:
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Big Bang Theory
Billy Bang Manufacturer: Justin Time Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004NRYI Release Date: 2000-05-26 |
Tracks:
- Contrary Motion
- At Play In The Fields Of The Lord
- Big Bang Theory
- Theme For Taraby
- Silent Observation
- One For Jazz (For Dennis Charles)
- Sweet Irene
- Swing Low, Sweet Chariot
- Saved By The Bell
- Little Sunflower
Amazon.com
There's a renaissance going on in jazz violin, with more exceptional players--Regina Carter, India Cooke, and Mark Feldman--than at any time since the 1930s. Billy Bang can take considerable responsibility for that. He's been an inventive, hard-swinging improviser since the 1970s, blending country fiddle and urban street-corner directness with techniques that reach to the avant-garde. While he's touched on many bases in his career, from his Tribute to Stuff Smith with Sun Ra and the chamber jazz of the String Trio of New York to improvised solo violin and hip-hop settings, this quartet's idiom is primarily the modal, modern mainstream of Miles Davis and John Coltrane. It's a style the group plays with rugged and blues-rich vigor and one that Bang uses to create solos of emotional depth and raw beauty on moving originals like the ballad "At Play in the Fields of the Lord," the gospel tune "Swing Low, Sweet Chariot," and Freddie Hubbard's "Little Sunflower." On "One for Jazz," Bang uses words and pizzicato violin to make an effective tribute to the late drummer Dennis Charles. Londoner Alexis T. Pope on piano is a real find, ranging from stark simplicity to densely chromatic invention, and the music is solidly anchored by bassist Curtis Lundy, another adroit soloist, and drummer Codaryl Moffett. Bang is an original, and this is a fine sequel to Bang On, his 1997 CD in a similar vein. --Stuart BroomerCustomer Reviews:
Complex, but listenable jazz violinist.......2001-03-16
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Big Bang
Magdallan Manufacturer: Intense Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001NBGMW |
Product Description
Song list: 1. End Of The Ages; 2. Radio Bikini; 3. Shake; 4. Wounded Hearts; 5. Love To The Rescue; 6. Old Hard Line; 7. Dome Of The Rock; 8. Big Bang; 9. House Of Dreams; 10. Cry Just A Little; 11. Heartbreak Woman; 12. This 1's 4U; 13. End Of The Ages(reprise).Customer Reviews:
Amazing .......2005-08-03
Absolutely mind-blowing.......2004-05-03
World Music:
- Thunder Before Dawn
- Traditional Songs from Turkey
- Troubadors
- Tutto Disney [Import]
- Una Notte Romantica [Import]
- Vaiven [Import]
- Veloz Hacia Su Sino [Import]
- Venezuelan Zingason V.1 [Import]
- Wess & Dori Ghezzi [Import]
- Aceito O Seu Coracao [Import]
World Music
Official Receivers [Original recording remastered]
Haydn: "Oxford" & "London" Symphonies 92 & 104, etc (English Sinfonia)
Sunny Side Up [Limited Edition] [Original recording remastered] [Import]
Indian Classical Music on the Sitar & Tabla [Import]
Haydn, Hertel, Hummel, Stamitz: Trumpet Concertos