Out There

1. Let Me In

2. In the Black

3. Anywhere Somewhere

4. Listen My Son

5. Mangla Express

6. Sandalista

7. Out There

8. Circle in the Dirt

9. One Down

10. Never Enough

Out There,The Unseen Guest,Tuition

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE A Landmark Classic Now Made Even Better. A Milestone of Early Rock! I Love it ! The Who's classic rock opera gets a 35th birthday celebration fit for a king!

Tommy Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: Who's Next (Deluxe Edition) Live At Leeds [Deluxe Edition] Avalon My Generation (Dlx) (Dig) Brothers in Arms ASIN: B0000DJZAH Release Date: 2003-10-28

Tracks:

1. Overture
2. It's A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. Eyesight To The Blind (The Hawker)
7. Christmas
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It
25. See Me Feel Me/Listening To You

Tracks:

1. I Was
2. Christmas (Out-Take 3)
3. Cousin Kevin Model Child
4. Young Man Blues (Version 1)
5. Tommy Can You Hear Me? (Alternate Version)
6. Trying To Get Through
7. Sally Simpson (Out-Takes)
8. Miss Simpson
9. Welcome (Take 2)
10. Tommy's Holiday Camp (Band's Version)
11. We're Not Gonna Take It (Alternate Version)
12. Dogs (Part 2)
13. It's A Boy
14. Amazing Journey
15. Christmas
16. Do You Think It's Alright?
17. Pinball Wizard

Customer Reviews:

The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.

Average customer rating: A good value The Sound Track Since Bernard Hermann Good mix of film music A mixed collection of movie music Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Paramount 90th Anniversary Collection: Scores In Session: Film Music Celebration The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music The Incredible Film Music Box ASIN: B00008WI90 Release Date: 2003-04-22

Tracks:

1. The Man from Snowy River (Bruce Rowland)
2. The Winds of War (Bob Cobert)
3. Blue Velvet (Angelo Badalamenti)
4. Witness (Maurice Jarre)
5. Raising Arizona (Carter Burwell)
6. Pee Wees Big Adventure (Danny Elfman)
7. Halloween (John Carpenter)
8. A Nightmare On Elm Street (Charles Bernstein)
9. The Fly (Howard Shore)
10. RoboCop (Basil Poledouris)
11. The Empire Strikes Back (John Williams)
12. The Right Stuff (Bill Conti)
13. The Final Conflict (Jerry Goldsmith)
14. The Abyss (Alan Silvestri)
15. Brainstorm (James Horner)
16. Peggy Sue Got Married (John Barry)
17. My Left Foot (Elmer Bernstein)
18. The Dead (Alex North)
19. Stanley & Iris (John Williams)
20. The Milagro Beanfield War (Dave Grusin)
21. Driving Miss Daisy (Hans Zimmer)

Tracks:

1. Steel Magnolias (Georges Delerue)
2. Unforgiven (Lennie Niehaus and Clint Eastwood)
3. Raggedy Man (Jerry Goldsmith)
4. The Grifters (Elmer Bernstein)
5. Green Card (Hans Zimmer)
6. City Slickers (Marc Shaiman)
7. Father Of The Bride (Alan Silvestri)
8. While You Were Sleeping (Randy Edelman)
9. Babe (Nigel Westlake)
10. The Adventures Of The Great Mouse Detective (Henry Mancini)
11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
13. The Secret Garden (Zbigniew Preisner)
14. A Little Princess (Patrick Doyle)
15. Rudy (Jerry Goldsmith)
16. Iron Will (Joel McNeely)
17. Memphis Belle (George Fenton)
18. Eye Of The Needle (Mikl)
19. Total Recall (Jerry Goldsmith)
20. Back To The Future Part III (Alan Silvestri)

Tracks:

1. To Die For (Danny Elfman)
2. The Player (Thomas Newman)
3. Black Robe (Georges Delerue)
4. Medicine Man (Jerry Goldsmith)
5. 2001 (Alex North)
6. Star Wars: Shadows Of The Empire (Joel McNeely)
7. The Crow (Graeme Revell)
8. Blade (Mark Isham)
9. The Omen (Jerry Goldsmith)
10. Vertigo (Bernard Herrmann)
11. Scream (Marco Beltrami)
12. The Sixth Sense (James Newton Howard)
13. Xena: Warrior Princess (Joseph LoDuca)
14. Air Force One (Jerry Goldsmith)
15. Starship Troopers (Basil Poledouris)
16. The Matrix (Don Davis)
17. The Iron Giant (Michael Kamen)
18. Youve Got Mail (George Fenton)
19. A Little Romance (Georges Delerue)
20. Pleasantville (Randy Newman)

Tracks:

1. Sunset Boulevard (Franz Waxman)
2. L.A. Confidential (Jerry Goldsmith)
3. Rounders (Christopher Young)
4. The Score (Howard Shore)
5. The Replacements (John Debney)
6. Gone In 60 Seconds (Trevor Rabin)
7. The Bourne Identity (John Powell)
8. Rush Hour 2 (Lalo Schifrin)
9. XXX (Randy Edelman)
10. Die Hard (Michael Kamen)
11. The Last of the Mohicans (Trevor Jones)
12. Moby Dick (Christopher Gordon)
13. The Mists Of Avalon (Lee Holdridge)
14. Cleopatra (Alex North)
15. Life As A House (Mark Isham)
16. Emma (Rachel Portman)
17. In The Bedroom (Thomas Newman)
18. Cast Away (Alan Silvestri)
19. One True Thing (Cliff Eidelman)
20. Unfaithful (Jan A.P. Kaczmarek)
21. Far From Heaven (Elmer Bernstein)
22. Ice Age (David Newman)
23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating: Better than the studio version Buy it now! Where's the legimite DVD? Careful what you get! A piece of history

Is There Anybody Out There? / The Wall Live Pink Floyd 1980-81 (Deluxe Limited Edition) Pink Floyd Manufacturer: Sony ProductGroup: Music Binding: Audio CD Disco | Dance & DJ | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Supergroups | Classic Rock | Styles | Music General | Live Albums | Classic Rock | Styles | Music General | Classic Rock | Styles | Music General | Rock | Box Sets | Stores | Music Hard Rock & Heavy Metal | Rock | Box Sets | Stores | Music Classic Rock | Box Sets | Stores | Music Box Sets at 30% Off | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Hard Rock & Metal | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pink Floyd - Pulse Delicate Sound of Thunder The Final Cut Pulse Meddle ASIN: B00004SVIK Release Date: 2000-04-18

Tracks:

1. MC:Atomos
2. In The Flesh?
3. The Thin Ice
4. Another Brick In The Wall - Part 1
5. The Happiest Days Of Our Lives
6. Another Brick In The Wall - Part 2
7. Mother
8. Goodbye Blue Sky
9. Empty Spaces
10. What Shall We Do Now?
11. Young Lust
12. One Of My Turns
13. Don't Leave Me Now
14. Another Brick In The Wall - Part 3
15. The Last Few Bricks
16. Goodbye Cruel World

Tracks:

1. Hey You
2. Is There Anybody Out There?
3. Nobody Home
4. Vera
5. Bring The Boys Back Home
6. Comfortably Numb
7. The Show Must Go On
8. MC:Atomos
9. In The Flesh
10. Run Like Hell
11. Waiting For The Worms
12. Stop
13. The Trial
14. Outside The Wall

Amazon.com

Exactly what was Pink Floyd's The Wall? Rock opera? Concept album? Performance art? Mere entertainment? While the truth may lie in a combination of all of the above, during the band's tour of 1980-81, The Wall was a bona fide spectacle. More than anything, Is There Anybody Out There? captures the volume, the bombast, and the grandeur of these famed performances with remarkable accuracy. Meticulously recorded, these concerts are astonishingly faithful to the band's studio versions and flow out of the speakers with practiced authority and absolutely fantastic sound. That said, there are few new revelations to be gained from hearing The Wall live that can't be gleaned from the studio version. Some moments do have an additional spark, however. "Run Like Hell" is launched with blistering intensity, and the first notes of "Another Brick in the Wall, Part 1" will surely raise a shiver. The release also includes two tracks ("What Shall We Do Now," "The Last Few Bricks") left off the original release due to space constraints. Essential for Floyd fanatics as well as those wishing to hear just how terrific a live concert can sound. --S. Duda

Customer Reviews:

Better than the studio version.......2007-05-25

I got this as a gift from a friend and was first impressed with the very nice package of great photos and artwork. Honestly, it sat around for a while before I listened to it because I was never really that excited about The Wall as an album. Finally I listened from beginning to end and was pleasently surprised. I think this version is much better than the original studio release as it has a more cohesive feel to it and is not nearly as disjointed. The audio quality is fantastic too. The studio version was recorded in four different studios if I remember correctly, and you can tell. Here, the band is performing to visual presentations onstage so everything must stay together, and of course, there is always something magical about a live performance that you can't reproduce in the studio. All of the earlier PF live stuff is great though, like Cruel But Fair for example.

This is a must have for the hard core Floyd fan! Don't buy the cheesy two disc set, get the box set, it is a far better presentation.

Buy it now!.......2007-05-07

My boss at work recently lent this to me- at first I thought I would burn myself a copy- but the minute I put it in my player I knew I just had to buy it! Like every other Floyd experience, this is magical too.

Thank you Steve :)

Where's the legimite DVD?.......2007-04-26

5 stars for the audio CD...

But, more than a review I would like to ask if the "Is there Anybody Out there?/The Wall Pink Floyd" has been released on DVD as well?.

I have seen some DVDs on sale under the name of "The Wall at the Earls Court" but according to some reviews there...that DVD is a pirate DVD, nothing to do with this Audio CD.

Is There Anybody Out There...to help me?

Careful what you get!.......2007-01-25

The music is great, the bad rating is for Amazon. Although I've ordered the limited edtion, I received the "simple" editon. Of course, I got my money my money back (thanks for that) but I still wanted the limited edition. When I contacted Amazon, they've told me there is no way to ensure that I'll get the right edition and that it seems there is a problem with this product.

A piece of history.......2006-12-28

I never liked the studio version of 'The Wall'. All in all, I believe Roger Waters lost his mind and slipped into complete megalomania while they recorded their epic double album of despair. Of course, the wall has a group of outstanding songs that should have made up a single album. As a double album/cd somewhere along the way the music starts taking the listener down a one-way path to places that aren't very interesting at all.

That said I still have to give this live edition 5 stars. Why? It's a bloody good show. If you can get beyond the whining of Waters and concentrate on what he and the band accomplished theatrically then I believe you will find this a considerably enjoyable experience.

Plus, it's really cool to go back in time and hear Comfortably Numb played live for one of the first times ever. That's amazing in itself.

Average customer rating: I have just been introduced. Great Music + Terrific Lyrics +Decent Singing = Very Nice CD A new meaning of throat singing. Superb matchmaking in Terfel's R&H recital Broadway or Opera... This CD is indeed ýSomething Wonderfulý

Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein) Bryn Terfel , English Northern Philharmonia , Paul Daniel , Opera North Chorus , Richard Rodgers , and Oscar Hammerstein II Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Terfel, Bryn | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Rodgers, Richard | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Terfel, Bryn | ( T ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon) Bryn Terfel - Simple Gifts Bryn Terfel Sings Favorites Renee and Bryn: Under the Stars Bryn Terfel - We'll Keep a Welcome ASIN: B000001GRP Release Date: 1996-09-10

Tracks:

1. OKLAHOMA: Oh, What A Beautiful Mornin'
2. State Fair: It Might As Well Be Spring
3. South Pacific: Some Enchanted Evening
4. OKLAHOMA: The Surrey With The Fringe On Top
5. South Pacific: Bali Ha'i
6. Carousel: June Is Bustin' Out All Over
7. The King And I: Something Wonderful
8. Allegro: So Far
9. Allegro: A Fellow Needs A Girl
10. The King And I: I Have Dreamed
11. Allegro: What A Lovely Day For A Wedding
12. Me And Juliet: No Other Love
13. The Sound Of Music: Edelweiss
14. Carousel: If I Loved You
15. South Pacific: There Is Nothin' Like A Dame
16. South Pacific: Younger Than Springtime
17. Allegro: Come Home
18. South Pacific: This Nearly Was Mine
19. Carousel: Soliloquy
20. Carousel: You'll Never Walk Alone

Amazon.com

In the opening song of "Something Wonderful," Welsh bass-baritone Bryn Terfel sings, "All the sounds of the Earth are like music." They most definitely are when Terfel surrounds them with his resonant baritone. Every phrase of Rodgers and Hammerstein's music is imbued with uncommon sensitivity, impeccable phrasing, and dazzling beauty. Terfel's rich and meaty voice shares a plate with delicate pianissimos, unabashed sentimentality, and swaggering forthrightness. He successfully tackles songs originally written for women. In "It Might as Well Be Spring," he transforms dippy into dapper. And he turns "Bali Hai" into a foreboding, demanding, and seductive call; the listener must helplessly succumb to the world of his sensitive manliness. His interpretations of the old standards--"If I Loved You," "Soliloquy," "This Nearly Was Mine," "Some Enchanted Evening"--are stellar. Despite the temporary lulls caused by the second-class songs from "Allegro," Terfel does a first-class job of bringing them to life. Undoubtedly one of the best crossover records of all time. --Barbara Eisner Bayer

Amazon.com

In the opening song of "Something Wonderful," Welsh bass-baritone Bryn Terfel sings, "All the sounds of the Earth are like music." They most definitely are when Terfel surrounds them with his resonant baritone. Every phrase of Rodgers and Hammerstein's music is imbued with uncommon sensitivity, impeccable phrasing, and dazzling beauty. Terfel's rich and meaty voice shares a plate with delicate pianissimos, unabashed sentimentality, and swaggering forthrightness. He successfully tackles songs originally written for women. In "It Might as Well Be Spring," he transforms dippy into dapper. And he turns "Bali Hai" into a foreboding, demanding, and seductive call; the listener must helplessly succumb to the world of his sensitive manliness. His interpretations of the old standards--"If I Loved You," "Soliloquy," "This Nearly Was Mine," "Some Enchanted Evening"--are stellar. Despite the temporary lulls caused by the second-class songs from "Allegro," Terfel does a first-class job of bringing them to life. Undoubtedly one of the best crossover records of all time. --Barbara Eisner Bayer

Customer Reviews:

I have just been introduced........2007-01-22

I came across the CD by sheer accident and am I glad I did. Wonderful music. Thanks for the music Bryn.

Great Music + Terrific Lyrics +Decent Singing = Very Nice CD.......2005-01-27

While not an expert on technical singing I really, really like this CD. I think Terfel's voice is pretty decent & he sings both male/female lead R & H songs for a total of twenty cuts. One cut I really enjoyed , but had never heard before was the song "So Far"
from R & H's "Allegro" with those Richard Roger's hooks & terrific Oscar Hammerstein lyrics. Felt that the orchestra on this session made a good move using the original orchestrations for a classic R & H feel. I concur with the reviewer regarding the miking of Terfel's voice in this session which seems too low forcing the listener to turn up the volumne.

A new meaning of throat singing........2004-06-11

I cannot believe that the critics of today can rave about such an inferior singer as Byrn Terfel. He sings so badly, I can't believe he has had the career he's had. I don't care how many roles he's sung, he hasn't any vocal technique at all. If anyone would care to hear great singing, buy the; "Thomas L. Thomas" Voice of Firestone video and listen to a great Welsh singer. This is a great artist and vocal technician. Try; "John Charles Thomas," "Lawrence Tibbett," or "Nelson Eddy." Bryn Terfel couldn't carry their music cases!

Superb matchmaking in Terfel's R&H recital.......2004-03-09

You might think that it is a very superflous mismatch for an opera singer to try his vocal cords on the Broadway songs of Rodgers & Hammerstein. However, in this R&H offering by Bryn Terfel, he proves that it is a perfect match between singer and repertoire for a classical crossover record of this pedigree. Terfel communicates the essence of each of the 20 songs to the listener, and allows them to sound fresh and new. And it helps that he has been a R&H fan for many years with the music already close to his heart. He is given superb backing from the well-conducted Opera North forces an warm, natural recording.

From the first phrase of Terfel's uplifting opening version of "Oh, what a beautiful morning" from Oklahoma!, we listeners intuitively know that this is not going to be your superflous run-of-the-mill classical crossover offering of R&H songs. Terfel uses his big voice to great effect in Billy Bigelow's two songs from Carousel, "If I loved you" and the pivotal "Soliloquy" that builds up to a devastating climax. When he does this for Emile's two big solos in South Pacific, "Some Enchanted Evening" and "This Nearly Was Mine," he also makes them sound fresh and intuitively conveys their essence. He also thrills us even when his voice is soft and tender, such as on Lietunant Cable's "Younger than Springtime" and especially on Captain von Trapp's "Edelweiss" from The Sound of Music.

Besides the obvious highlights in this R&H offering, Terfel unearths some new delights. He does this by trying his vocal cords on songs that were originally intended for women, most notably in Nettie's two big numbers in Carousel, "June is busting out all over" and "You'll never walk alone", which he pulls off convincingly in a straight-laced and serious manner without sounding cliched. (In the booklet, "You'll never walk alone" was stated as being sung by the Chorus, but then in the show, it is sung by Nettie.) He is also wistful on "It might as well be Spring" from State Fair, and philosophical on Lady Thiang's "Something Wondreful" from The King and I. He also evokes a dreamlike quality on Bloody Mary's "Bali Ha'i" in South Pacific. The other unusual thing that Terfel does is include some unknown songs and treat them ravishingly. Four of them are from Allegro, highlighted by a charming "So Far," a reflective "A Fellow needs a girl" and a powerful "Come Home", and he also sings "No Other Love" from Me and Juliet as ravishingly as "I Have Dreamed."

If I have any quibbles, there are only two minor ones. Terfel's R&H offering runs for 74 minutes, and still has six minutes of empty space on a CD. I'm sure that Terfel could have given thought to the Mother Abbess's "Climb Every Mountain" from The Sound of Music, which I consider a more universal and less-cliched song than "You'll never walk alone" from Carousel. It would have suited his full-throated, big-voiced characteristic very well. Also, this offering of R&H seems to be lopsided to emphasise more of the first part of R&H. Sixteen tracks cover R&H from Oklahoma to South Pacific, with four tracks that cover their second half from The King and I to The Sound of Music. As such I would have liked to hear him sing a more balanced repertoire of R&H songs with equal emphasis to both halves of their collaboration. Perhaps he might record a Volume 2 with songs from the latter part of their collaboration in the near future. But with 74 delightful minutes of Terfel's R&H offering, how could anybody complain about the quality of this recital, especially with a lavish booklet complete with copious notes by R&H expert Ethan Mordden and full lyrics.

Overall, though, I'm very sure that this R&H offering is both a highlight of Terfel's discography, and can ably recommended with his recording of Schubert songs to anybody who wants to get to know his work well. It can also be recommended to Rodgers & Hammerstein fans old and new.

By the way, I also recommend the Rodgers & Hammerstein Songbook for Orchestra, with another superlative Telarc offering by the Cincinnati Pops Orchestra and Erich Kunzel. This recital is just as outstanding as Terfel's R&H offering. And, there is a wealth of cast recordings that new R&H fans will want to snap up, so this Terfel disc will be an ideal stepping-stone for them.

Broadway or Opera... This CD is indeed ýSomething Wonderfulý.......2003-07-25

It becomes clearer with every disk Bryn releases... he turns whatever he touches into gold! This CD is indeed `Something Wonderful'. From the first listen I was in love with this disk and can't get enough.

To begin, Rodgers and Hammerstein couldn't be more appropriately sung. From a time before electric amplification the sweeping melodies of Richard Rodgers were intended to be sung as Bryn illustrates. As I say every time, his diction is impeccable, his musicianship is unsurpassed, and his enthusiasm is wonderful. As for Oscar Hammerstein, I'm sure he doesn't mind a little foreign accent... because every word is clear and understandable.

To compare the accent of Terfel to Pavarotti and Carreras is simply misguided. Although Pavarotti and Carreras are top-notch for what they do, neither pursues `Broadway' music seriously. Their ventures into the medium are limited to Gala concerts and the occasional snippet on a CD... not on stage depicting a role, but simply to sing a beautiful song. Mr. Terfel, on the other hand, researches the roles, coaches them, and is constantly pursued to perform them. His accent is one of slight vowel or consonant differences, which do not detract from the beautiful music. The music is well done and the story clear. Lets not nitpick diction or the French will have our hides for Les Miserables!

For the music, the recording quality is great. One reviewer mentioned poor sound quality and I do believe that person may have a bad disk or player... on my end the sound is full and robust; Bryn's voice dominates the sound. The orchestrations are full and lush. When dealing with modern houses and theatres the orchestra pits are usually quite small, and consequently the ensembles themselves. CDs like this one allow for fully orchestrated music to be heard, with a large symphony of musicians. The numbers that utilize chorus, which sings very well, are well balanced.

This disk is a great buy in my book. Bryn Terfel is a phenomenal performer and he sings this genre excellently. Check out his `If Ever I Would Leave You', `Under The Stars', `We'll Keep a Welcome', `Songs of My Welsh Home', and numerous classical recordings like `Opera Arias', `Meet Bryn Terfel', `The Vagabond', `Wagner', `Schumann Lieder', and an large collection of full opera recordings. Enjoy.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: this has the depth you need... Oddly Boring a bit disappointing Cocktail Party Radiohead Good effort

Hold Me to This: Christopher O'Riley Plays Radiohead Manufacturer: World Village ProductGroup: Music Binding: Audio CD O'Riley, Christopher | ( O ) | Featured Performers, A-Z | Classical | Styles | Music General | New Age | Styles | Music Solo Instrumental | New Age | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music O'Riley, Christopher | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: True Love Waits: O'Riley Plays Radiohead Home to Oblivion: Elliott Smith Tribute Second Grace: Music of Nick Drake Christopher O'Riley At The Break Strung Out On OK Computer: The String Quartet Tribute To Radiohead ASIN: B0007TFI4W Release Date: 2005-04-12

Tracks:

1. There There
2. (Nice Dream)
3. No Surprises
4. Polyethylene Part II
5. How I Made My Millions
6. Like Spinning Plates
7. Sail To The Moon
8. The Tourist
9. Cuttooth
10. 2+2=5
11. Talk Show Host
12. Gagging Order
13. Paranoid Android
14. Street Spirit (Fade Out)

Amazon.com

Tribute albums are always suspect; classical interpretations of rock even more so--and follow-ups to the same are fraught with mediocrity. Just witness the inexplicable glut of String Quartet Tribute discs to Tool, Bruce Springsteen, and many other top-selling and cult artists. On Hold Me to This, his second run at the music of art-rock group Radiohead, classical pianist Christopher O'Riley avoids all these pitfalls. These aren't easy-listening piano renditions of Radiohead tunes, but deeply inspired, often challenging and dissonant re-imaginings. O'Riley succeeds by taking the music on its own terms. He doesn't try to make it "classical" but lets the classical nature of the music ring out. From the storming chordal overtone clusters of "There There" to the Chopinesque refrain of "The Spinning Plates," O'Riley makes you forget these songs were originally played by a raging rock band. Instead, they seem born on the keys of his piano. His "Paranoid Android" is like Conlon Nancarrow going boogie-woogie one moment and painfully, sweetly rhapsodic the next. I'm not sure how Radiohead fans will respond to this, but piano and classical listeners should rejoice. --John Diliberto

Customer Reviews:

this has the depth you need..........2007-02-17

I don't believe you need to be ga-ga over Radiohead to enjoy this CD. This CD, it's all piano (w/o vocals) if you didn't already know that going in, will provide an even deeper appreciation of the textures & depth of the Radiohead catalog. Mr. O'Riley does takes some artistic liberties with the songs, albeit minor, but in so doing he unleashes the potential they all have. And this potential is truly staggering---some selections are nothing short of gorgeous.
Hold me to this: you WILL be floored by this CD. it's well worth the purchase.

Oddly Boring.......2006-07-16

I adore Radiohead, and really enjoy solo piano. I should love this disc, but I don't. Even though the wonderful creepiness of Radiohead is completely absent, I would be willing to chalk that up to artistic interpretation. But that's not what bugs me about this disc. What really bugs me is his style of playing. He relies on resonance and the transcript is completely devoid of silence. The result is a droning wall of notes, and all the pieces sound the same. It reminds me of Windham Hill recordings, but without the expression. Get Yorke's new album, Eraser, if you need a Radiohead fix, or get George Winston if you want solo Piano. I really wish I could recommend this, but I just can't.

a bit disappointing.......2006-07-11

O'Riley takes some liberties here, and that's fine. I'm a bit disappointed by his dynamic range, which is a bit predictable from song to song, and also with his tendency to overload the songs with schizophrenic ramblings. The craziness works well at times -- see "There There" for a time when it works well -- and other times it is overwhelming (see: "Nice Dream").

Despite a sometimes overloaded sound, the song list is so attractive and O'riley hits so many high notes (if you will..) that the CD is well worth owning. I prefer the "True Love Waits" album.

Cocktail Party Radiohead.......2006-03-21

I own the first Christopher O'Reily Radiohead Tribute - True Love Waits. If you love his stunning piano in that, or if you love stunning piano altogether, you will love Hold Me To This. I am an avid lover of all things Radiohead turned into wordless music lullabyes and this one does not dissapoint.

Good effort.......2006-03-02

Sound all the same...listen to the samples before you buy it. If your a fan of radiohead you wont like it...if your a fan of the piano you wont like it. But I give my respect to the musician for making the effort to replicate already beutiful music.

Average customer rating: A Sad Ending to a Very Promising Story I only listen to one song mostly. Breaks my heart that it'll be the only one... What could have been... One of the best albums of the decade

Anybody Out There? Burlap to Cashmere Manufacturer: A&M ProductGroup: Music Binding: Audio CD Christian Rock | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music Christian Alternative | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Christian & Gospel | Indie Music | Stores | Music Similar Items: Me Died Blue Live At The Bitter End Caedmon's Call 40 Acres Much Afraid ASIN: B00000DMNO Release Date: 1998-10-13

Tracks:

1. Digee Dime
2. Eileen's Song
3. Basic Instructions
4. Chop Chop
5. Anybody Out There?
6. Treasures In Heaven
7. Skin Is Burning
8. Divorce
9. Good Man
10. Scenes
11. Ancient Man
12. Mansions

Amazon.com

Mediterranean flourishes mixed with big rock rhythms and flawless pop hooks propel the debut CD by righteous rockers Burlap to Cashmere out from the crowd of new artists into a territory relatively unoccupied in either the Christian or mainstream marketplace. Familial harmonies resonate against nylon-stringed guitars and catchy worldbeat rhythms, while Steven Delopoulos's sweetly gritty voice gives an instrument to his universally spiritual yet uniquely Christian lyrics. Songs like "Digee Dime," "Basic Instructions," and "Anybody Out There?" percolate with Mediterranean heat. While more-conventional pop tunes like "Eileen's Song," "Treasures in Heaven," and "Mansions" are less distinctive, they display the band's deft skill at pop songcraft as well as its impeccable melodies and playing. A remarkable debut. --Bradley S. Caviness

Customer Reviews:

A Sad Ending to a Very Promising Story.......2007-05-15

Two friends & I literally stumbled across Burlap to Cashmere as we were meandering through Greenwich Village in NYC back in '97. There was a crowd lined up to pay to see them at the Bitter End, although there were loads of artists to see for free at many other local joints. We figured they knew something we didn't, so we took a risk and boy what a payoff. They blew the house away. I have never seen/heard anything so instantly musically captivating in my life. I talked to Stephen afterwards and was amazed at what a nice, humble person he was. They were signed shortly after that, and then I heard they were going to be at the Magic Bag, which is a tiny club in Detroit. I took some other friends down and found Stephen and the lads hanging out before the show. Again, these guys were just wonderful to talk to. There were probably only 20 of us in the club, but it seemed like 200 since my friends were soon just as mesmerized as I had been and were on their feet whooping it up the entire time. Sadly the story has a somewhat tragic ending and we all are left to wonder what could have been. I suspect burnout and disagreements came from overtouring thanks to being pushed too hard by the record label. I can only pray for a reunion for what could have been one of the greatest bands that could have spread their incredible music and wonderful message throughout the world.

I only listen to one song mostly........2007-01-12

The CD has a strong spanish influence. I do not care for the fast paced music. But I love Treasures in Heaven.

Breaks my heart that it'll be the only one..........2007-01-10

THIS IS THE ABSOLUTE BEST ALBUM EVER MADE!! Hearing about them breaking up just breaks my heart- their music is truly unique and their sound is incredible. I'd pay twice as much for half the number of songs just to get another album. The guitar player is incredibly talented. I highly recommend this albumt to anyone with ears.

What could have been..........2006-01-27

Here is the true and tragic story of Burlap to Cashmere.

Burlap to Cashmere started gaining popularity in 1997 into 1998 and did a tour with Jars of Clay. I had the opportunity to see them open for Jars of Clay at the University of Iowa in 1998. There were probably under a thousand of us there in a small room so it was a real intimate feel. Even those standing in the back were not more than 50 feet away from the stage. What we saw that night absolutely amazed every single person in the audience. I'll never forget watching members of the band playing different instruments seemingly each and every song. One guy in particular that played percussion on one song was literally running back and forth from one side of the stage to the other to play different instruments. Each song was a clinic on how to play many different instruments on the same song. Each song the crowd got into more and more and by mid-way through their set every last person was in awe. Absolutely everyone was 100% into the music. When they finished their set we screamed for an encore and then another one but sadly they had to stop playing. Jars of Clay came on next and put on a good show. At the end of their show Jars of Clay said they'd like to meet all of us and offered to sign autographs after they had a few minutes to rest and get some water. As we were streaming out of the auditorium everyone was saying the same thing in different ways "Jars of Clay was good but we want to meet Burlap to Cashmere!!!" The funny thing about it was the chatter going into the room was "Who in the world is Burlap to Cashmere? Have you ever heard of them??" Everyone was so taken by Burlap to Cashmere that their table was 10 people deep waiting to buy their album while only a few were at the merchandise table of Jars of Clay.

Their CD "Anybody Out There?" went on to sell very well and the band rose to stardom and their fans eagerly awaited their next release. Sadly, no studio album was ever released again as the band members started fighting about where to take the music and eventually broke up. Their only other release was a very short live album called "Live at the Bitter End" Stephen Delopolous (one of the lead singers) put out a solo album that, in my humble opinion, is terrible.

I can't pick out any highlights off of this album as each and every song is a highlight that I rate as 10/10. Buy this album and treasure it for the amazing musiciansip, amazing lyrics and for what could have been.

One of the best albums of the decade.......2005-11-12

In the post grunge wake of the early 90's, music took a nosedive towards the incoherent. Burlap to Cashmere is one of the best exceptions of the decade of angst ridden pop. The songs are deeply moving and stirring. The classical-nylon guitars are virtuosic in their performance and dynamic sensitivity. I haven't heard anything like it in recent years. The sheer passion of the music comes through the CD with great clarity. The world beats and complicated rhythmic meters are stunning in their execution. The desperation and simultaneous hope of the lyrics come through. I have no idea why we haven't heard more from these guys. They easily are one of the best bands to have come in the modern era.

Average customer rating: Wonderful, sensitive playing.... John Bayless is awesome The One CD in My Collection I Never Tire of Listening To Gorgeous arrangements. Very dramatic and melodic.

The Movie Album Classical Pictures; John Bayless John Bayless , Luis Enrique Bacalov , Giacomo Puccini , Michel Legrand , Joaquin Rodrigo , Nino Rota , John Williams , James Horner , Sergey Rachmaninov , and Harold Arlen Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Similar Items: Romantica The Puccini Album: Arias for Piano Christmas Rhapsody Bach Meets the Beatles: Revisited Bayless Meets Bernstein: West Side Story Variations ASIN: B000002SLY Release Date: 1996-11-19

Tracks:

1. Il Postino, From The Postman - Visi d'Arte, From Tosca
2. El Canto de Ensarria - The Summer Knows, From Summer Of '42 - Concierto de Aranjuez, 2nd Movement
3. A Time For Us, Love Theme From Romeo And Juliet- Adagio In G Minor
4. Theme From Schindler's List - Prelude In C-Sharp Minor - Hatikva (Interlude)
5. Somewhere Out There, From An American Tail - Rhapsody On A Theme Of Paganini Variations No.18
6. When I fall In Love, From Sleepless In Seattle - Liebestraume
7. Moon River, From Breakfast At Tiffany's - Piano Concerto No.2, 1st Movement
8. Beauty And The Beast, From Beauty And The Beast - Prayer From Hansel And Gretel
9. Over The Rainbow, From The Wizard Of Oz - Legends

Customer Reviews:

Wonderful, sensitive playing...........2003-11-02

Ah, reader, consider this album. I have been listening to Bayless music for years, from Bach Meets the Beatles to his crazy happy birthday album in a dozen styles (Stravinsky's Rite of Birthday, a favorite), but this one has something special going on. The playing is so beautifully, and sensitively played that one is really swept away by the original movie tune, interwound with a classical piece, so seamless and amazing. One of my all-time favorite albums.

John Bayless is awesome.......2003-10-13

He's such a great talent, I was lucky enough to meet him almost 2 years ago. I got this CD autographed! :) He was such a nice person and performed so well on the stage. Buy this album, it's really awesome!

The One CD in My Collection I Never Tire of Listening To.......2001-03-24

John Bayless had a vision for this album---to combine the most beautiful classical pieces along with the most romantic and engaging movie themes of all time. The arrangements and the way in which he weaves the varous pieces together, sometimes playing both themes simultaneously, are incredible. They lift you up and carry you away. The various instrumental additions (such as the guitar in track 2, drums in track 6, strings in track 5, the sound of the wind in track 4) add just the right touch---lightly sprinkled in when needed. As a professional pianist myself, I also appreciate his considerable technique and the emotion with which he infuses his music. Anyone who likes classical music and movies should own this CD. Anyone who has friends who like classical music and movies should purchase this CD for them. They will love you for it. It is my favorite CD. I never tire of listening to it.

Gorgeous arrangements. Very dramatic and melodic........1999-11-16

Don't be scared off by the "clown-like" picture on the cover. This album, by a true piano virtuoso/arranger, blends familiar movie and light classical melodies together into unique arrangements. Every time it's been on while I have guests, someone always asks "What's that beautiful music?"

Average customer rating: