| 1. Panini Pua Kea |
| 2. Moani Keala |
| 3. Marketplace |
| 4. Ipo Lei Manu |
| 5. Young Street Blues |
| 6. Noenoe |
| 7. Ka Makani Ka'ili Aloha |
| 8. Moloka'i-Nui-A-Hina |
| 9. Hilo E |
| 10. Hanauma Bay |
| 11. Lei 'Ohu |
| 12. No Ke Ano Ahiani |
| 13. Lullaby for Pops |
Editorial Reviews
Amazon.com
As the 9th of Gabby Pahinui's 10 children, Cyril hails from the first family of slack key. He's known for his percussive sound, which he creates by dampening the strings with his right hand, but the jaunty, delicate melodies and improvisations he places between the beats are just as impressive. He can stretch out effortlessly from the traditional to the progressive, sometimes even in the same song, and he's also one of the genre's most emotive vocalists, particularly in the Hawaiian falsetto style. This solo album offers a strong mix of traditional and improvised-in-the-studio songs. --John Morthland
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
Baby Einstein: Lullaby Classics
just the music for her processional. Thank you again.
Yvonne Barrett
A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.
The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.
As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
The CD technology eliminates the old game of "drop the needle!" Wonderful!
I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!
I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
As the 9th of Gabby Pahinui's 10 children, Cyril hails from the first family of slack key. He's known for his percussive sound, which he creates by dampening the strings with his right hand, but the jaunty, delicate melodies and improvisations he places between the beats are just as impressive. He can stretch out effortlessly from the traditional to the progressive, sometimes even in the same song, and he's also one of the genre's most emotive vocalists, particularly in the Hawaiian falsetto style. This solo album offers a strong mix of traditional and improvised-in-the-studio songs. --John Morthland
6 & 12 String Slack Key,Cyril Pahinui,Windham Hill Records,Hawaii,Hawaiian Music,Int'l & World Music,Pop,Slack-Key Guitar,World Music
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Baby Einstein: Lullaby Classics
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD  All Works by J.S. Bach
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ASIN: B0001IXTU4 Release Date: 2004-03-16 |
Tracks:
- Variations (Twinkle, Twinkle), K265/300e
- Minuet In G From Anna Magdalena
- Piano Sonata In C, K 545, 2nd Movement
- Spring Song
- Piano Sonata In D, K 576, 3rd Movement
- Jesu, Joy Of Man's Desiring, BWV 147
- Canon
- The Moldau
- Preludes Book II, Clair De Lune
- Sonata No.14 (Moonlight), 2nd Movement, Op.27
- Symphony No.9, New World
- Fur Elise, WoO 59
- The Four Seasons, Winter, RV267, 2nd Movement
- Orchestral Suite No.3 In D, Air, BWV 1068
- Sonata No.8 (Pathetique), 2nd Movement, Op.13
- Kinderscene, Op.15
- Waltz No.15, Lullaby
Product Description
The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)Customer Reviews:
stinky for Einstein.......2007-08-03
Lame.......2007-07-22
Sounds like a cheap plastic toy.......2007-06-20
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
would make you sleepy.........2007-06-15
Kid's Music.......2007-06-08
Baby Einstein: Lullaby Classics
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25 Classical Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Ballets
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ASIN: B0000058HT Release Date: 1996-01-23 |
Tracks:
- Eine Klein Nachtmusik: (I. Allegro)
- Nutcracker Suite: (Russian Dance)
- The Four Seasons, Op. 8: (Spring: I. Allegro)
- Hungarian Dance No. 5 In G Minor
- Symphony in D, K. 161 - 163: (III. Presto)
- Waltz In D-Flat Major, Op. 64, No. 1
- Tritsch-Tratsch Polka, Op. 214
- Brandenburg Concerto No. 3 In G, S. 1048: (III. Allegro)
- Swan Lake: (Dance Of The Swans)
- Carmen Suite No. 2: (Habanera)
- Messiah: (Overture)
- Wind Serenade 'The Marriage Of Figaro': Overture
- Violin Concerto No. 1 In G Minor, Op. 12: (III. Allegro)
- Water Music: (Overture)
- Sleeping Beauty Ballet Suite, Op. 66: (Panorama)
- Symphony No. 26 In E-flat Major, K. 184: (III. Allegro)
- Waltz No. 10 In B Minor, Op. 69 No. 2
- Violin Concerto No. 1 In A Minor, S. 1041: (III. Allegro)
- Water Music: (Lentement)
- Brandenburg Concerto No. 4 In G Major, S. 1049: (II. Andante)
- Habanera
- Horn Concerto No. 3 In E-Flat Major, K. 447: (II. Romanza)
- Rhapsody On A Theme By Paganini, Op. 43: (Variation No. 18)
- Thunder And Lightning Polka, Op. 324
- Stars And Stripes Forever
Customer Reviews:
classic music CD.......2007-06-27
Good for beginners.......2007-02-15
Great mix.......2007-02-14
Good for first-timer.......2007-01-22
25 Classical Favorites cd.......2007-01-06
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Classical Wedding
Various Artists Manufacturer: Spring Hill ProductGroup: Music Binding: Audio CD Wedding Music
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ASIN: B000000V1V Release Date: 1996-04-30 |
Tracks:
- Hornpipe from The Water Music
- Ode to Joy
- Psalm XIX
- Jesu, Joy of Man's Desiring
- Trumpet Tune
- Arioso in A
- La Rejoissance from The Royal Fireworks
- Ave Maria
- Trumpet Voluntary
- Canon in D
- Air from The Water Music
- Rondeau from Sinfonies de Fanfares
- The Lord's Prayer
- Bridal Chorus
- Fanfare and Bridal Chorus
- Wedding March
Customer Reviews:
Great Wedding Music.......2007-07-26
just the music for her processional. Thank you again.
Yvonne Barrett
wedding music.......2007-07-18
Great Product.......2007-05-31
Excellent Classical Wedding Music.......2007-05-14
Traditional and wonderful.......2007-04-10
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Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Quartets
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ASIN: B0000041EV Release Date: 1996-04-09 |
Tracks:
- Divertimento In B-Flat (Adagio)
- Cassation (Final-Musik) In G - Adgio
- Divertimento In G Minor (Andante)
- String Quartet No. 12 In B-Flat - Adagio
- Divertimento In D, KV 131 - Adagio
- 'Eine Kleine Nachtmusik' - Romance (Andante)
- Divertimento In D, KV 136 - Andante
- Serenade In B-Flat 'Gran Partita' - Adagio
- Prelude No. 3 In F
- String Quartet No. 1 In B-Flat - Adagio
- Violin Concerto In D - Andante cantabile
- Divertimento In B-Flat - Adagio
Customer Reviews:
Wonderful.......2007-06-26
Great for putting kids to sleep!.......2007-06-08
Very Relaxing.......2007-04-10
A Must Have for all Parents of Little Children !!!.......2006-11-25
A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.
Inspire the baby-within.......2005-12-13
The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.
As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.
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Bach: The 6 Unaccompanied Cello Suites
Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach
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ASIN: B000F6YW3K Release Date: 2006-06-06 |
Tracks:
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Prde
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Allemande
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Courante
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Sarabande
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Menuett
- Unaccompanied Cello Suite No. 1 in G Major, BWV 1007; Gigue
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Prde
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Allemande
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Courante
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Sarabande
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Bourr
- Unaccompanied Cello Suite No. 4 in E-flat Major, BWV 1010; Gigue
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Prde
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Allemande
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Courante
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Sarabande
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Gavotte
- Unaccompanied Cello Suite No. 5 in C minor, BWV 1011; Gigue
Tracks:
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Prde
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Allemande
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Courante
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Sarabande
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Menuett
- Unaccompanied Cello Suite No. 2 in D minor, BWV 1008; Gigue
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Prde
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Allemande
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Courante
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Sarabande
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Bourr
- Unaccompanied Cello Suite No. 3 in C Major, BWV 1009; Gigue
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Prde
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Allemande
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Courante
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Sarabande
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Gavotte
- Unaccompanied Cello Suite No. 6 in D Major, BWV 1012; Gigue
Customer Reviews:
Play some Bach.......2007-04-05
Just Beautiful.......2007-03-29
Fantastic quality cello suites.......2007-03-13
Re-release? .......2007-02-20
What more can one say?.......2007-01-19
Average customer rating:
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Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Albinoni
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ASIN: B00005RD78 Release Date: 2001-11-20 |
Tracks:
- Ave Maria (new recording)
- La Wally (from Time To Say Goodbye)
- Winter Light (new recording)
- Anytime, Anywhere (from Eden)
- Alhambra (new recording)
- Lascia Ch'io Pianga (from Eden)
- Dans La Nuit (new recording)
- Serenade/How Fair This Place (from La Luna)
- O Mio Babbino Caro (new recording)
- La Luna (from La Luna)
- Pie Jesu (new recording)
- Figlio Perduto (from La Luna)
- Nessun Dorma (new recording)
- Bailero (from Eden)
- Time To Say Goodbye (New solo version--previously unavailable)
Amazon.com
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah ChinAmazon.com
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
Sarah's Best Easy Listening CD.......2007-03-15
Best Brightman CD.......2007-02-07
Sarah Brightman is a Classic.......2007-01-02
Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
Nice Cover.......2006-12-27
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
Average customer rating:
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Sogno
B. / Cogliati, D. Zambrini , Tullio / Servillo, Giuseppe Ferro , Patrick / Servillo, Giuseppe Abrial , Ennio / Bardotti, S. Morricone , Ennio / Quarantotto, Lucio Morricone , Mauro / Bocelli, Andrea Malavasi , Guido Corti , Eros Ramazzotti , and Cecilia Chailly Manufacturer: Philips ProductGroup: Music Binding: Audio CD Bocelli, Andrea
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ASIN: B00000IGX2 Release Date: 1999-03-30 |
Tracks:
- Canto Della Terra
- The Prayer (duet with Celine Dion)
- Sogno
- O Mare E Tu (duet with Dulce Pontes)
- A Volte Il Cuore
- Cantico
- Mai Piu' Cosi' Lontano
- Immenso
- Nel Cuore Lei (duet with Eros Ramazzotti)
- Tremo E T'Amo
- I Love Rossini
- Un Canto
- Come Un Fiume Tu
- A Mio Padre
Amazon.com essential recording
Andrea Bocelli's Sogno ("Dream") is a pop album of entirely original compositions that evoke traditional and modern influences. Bocelli himself describes the CD as secular Italian traditional melodic music with a contemporary twist. The album's 14 tracks include "The Prayer," a Bocelli and Celine Dion duet produced by David Foster; "Come un Fiume Tu," an intriguing collaboration with soundtrack maestro Ennio Morricone; "O Mare e Tu," a duet with Dulce Pontes; and "Sogno" (the first single excerpted from the album), a light-as-a-feather, emotional composition sung by Bocelli with his typical vocal emphasis, which has made him famous around the world since the release of his self-titled debut. --Ernesto De PascaleCustomer Reviews:
Romance.......2007-06-12
Andrea's masterpiece.......2007-04-20
A Great Collection Of Songs!.......2007-03-28
Sogno by Bocelli.......2007-03-09
Wow, Great Artist, & Great CD.......2007-01-04
Average customer rating:
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Vivaldi: The Four Seasons; Violin Concertos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Vivaldi
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ASIN: B00005NPK1 Release Date: 2002-08-13 |
Tracks:
- The Four Seasons: Con No.1 in E, RV 269 'Spring': I. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.1 in E, RV 269 'Spring': II. Largo - London Philharmonic Orchestra
- The Four Seasons: Con No.1 in E, RV 269 'Spring': III. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': I. Allegro Non Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': II. Adagio - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': III. Presto - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': I. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': II. Adagio Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': III. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': I. Allegro Non Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': II. Largo - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': III. Allegro - London Philharmonic Orchestra
- Vn Con in c, RV 199 'Il Sospetto': I. Allegro - Itzhak Perlman
- Vn Con in c, RV 199 'Il Sospetto': II. Andante - Itzhak Perlman
- Vn Con in c, RV 199 'Il Sospetto': III. Allegro - Itzhak Perlman
- Vn Con in a, RV 356: I. Allegro - Itzhak Perlman
- Vn Con in a, RV 356: II. Largo - Itzhak Perlman
- Vn Con in a, RV 356: III. Presto - Itzhak Perlman
- Vn Con in A, RV 347: I. Allegro - Itzhak Perlman
- Vn Con in A, RV 347: II. Largo - Itzhak Perlman
- Vn Con in A, RV 347: III. Allegro - Itzhak Perlman
Customer Reviews:
Sublime!.......2007-07-19
plays every day!.......2007-06-14
Fun.......2007-05-26
Wonderful recording!.......2007-05-20
The CD technology eliminates the old game of "drop the needle!" Wonderful!
I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!
I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!
If all music were so beautiful.......2007-01-12
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Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven
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ASIN: B0000CNTLU Release Date: 2003-12-09 |
Customer Reviews:
Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
i can't take it anymore.......2007-06-02
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
Beethoven's symphonies.......2007-05-12
Great Historical Collection.......2007-05-07
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