| 1. Corcovado (Quiet Nights...) |
| 2. Light My Fire |
| 3. All Blues |
| 4. Chove Chuva |
| 5. Lover Man |
| 6. Come Togheter |
| 7. Angel Eyes |
| 8. All of Me |
| 9. Estrada Do Sol |
| 10. Cry Me a River |
| 11. Kashmir |
| 12. Burn One Down |
| 13. Samba da Benção |
| 14. Nature Boy |
Editorial Reviews
Third Album. Repertoire:tom Jobim, Miles Davis, Arthur Hamilton, Jorge Benjor, Baden Powell, Beatles, Led Zeppelin, Ben Harper and the Doors.
2 Por 2,Olivia,Tratore,Hi-NRG,Urban,World Music
Average customer rating:
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Ultimate Guitar Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I9M1 Release Date: 1999-03-09 |
Tracks:
- Allegro Giusto
- Largo
- Allegro
- Packington's Pound
- Greensleeves
- Fantasia 'A Fancy'
- Canarios
- Sonata In D
- Leyenda (Asturias)
- The Three Cornered Hat: The Millar's Dance
- Recuerdos De La Alhambra
- Choros No.1
- Andantino Espressivo
- Poco Animato
- En Los Trigales
- Allegro Con Spirito
- Adagio
- Allegro Con Brio
Tracks:
- Mallorca, Op. 202 - Albeniz
- Cataluna
- Granada
- Sevilla
- Cadiz
- Cordoba
- Dedicatoria
- La Maja De Goya
- Danza Espanola No. 4
- Valses Poeticos - Granados
- Danza Espanola No. 5 - Granados
- Fandango
- Passacaglia
- Zapateado
Customer Reviews:
Like a rainy day in a good bookstore.......2007-07-10
Not "Ultimate", but Wonderful!.......2007-03-29
As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.
Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.
Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.
The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.
I recommend it highly.
Everyone would love this album!.......2007-01-16
Incredible.......2005-10-24
He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.
I can't imagine anybody buying this cd then regretting it.
One well worth the price of two.......2004-09-25
Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.
However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.
The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.
As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.
Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.
The second cd alone is worth twice the compilation's asking price.
Average customer rating:
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Music Of Silvestre Revueltas
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I77A Release Date: 1999-03-02 |
Tracks:
- Sensemay
- Ocho por Radio
- La Noche de los Mayas: I
- La Noche de los Mayas: II
- La Noche de los Mayas: III
- La Noche de los Mayas: IV
- Homenaje a Federico GarcLorca for Chamber Orchestra: I
- Homenaje a Federico GarcLorca for Chamber Orchestra: II
- Homenaje a Federico GarcLorca for Chamber Orchestra: III
- Ventanas
- First Little Serious Piece
- Second Little Serious Piece
Amazon.com
Tellingly, classical albums whose liner notes are translated into Spanish--in addition to the traditional English, French, and German--tend to be those that contain music by Spanish-speaking composers and ensembles. This distinction goes to the heart of the "discovery" of the music of composer Silvestre Revueltas (1899-1940) during the mid-to-late 1990s, evidenced by a steady series of releases after decades of near silence. And silence does not suit Revueltas, who favored enthralling, brash, maximalist symphonic expression, and whose work will not sound entirely new to new audiences, even though his clout as a major cultural figure stops at the border of his native country, Mexico.This sort of déjà entendu familiarity is generally the case with any composer who absorbs "folk" material (think Béla Bartók or, especially, Aaron Copland). To hear regional military horns bellow through Revueltas's large-scale Ventanas for Large Orchestra is to have dozens of western films flash through the mind's eye. And to hear subtle mariachi motifs inform the arrangement of the same composition, or in the countless set-piece segments of the highly varied Ocho por Radio, is to hear a thorough imagination at play. Revueltas understood foremost that simple themes magnified to an orchestral scale require additional detail to fill the space, and he achieves his goal with richly embroidered counterpoint, overlays of dissociated themes, and strong writing for single instruments, as with the woodwind patter in First Little Serious Piece. That said, conductor Esa-Pekka Salonen's renderings seem a bit removed from Revueltas; he can unnecessarily reinforce the film-music-like quality of some of the material. This is lively, at times volatile, and often humorous music, and should be played as such. --Marc Weidenbaum
Customer Reviews:
TRUST ME!!!.......2006-02-10
His music is one of a kind, with distinctive rhythm, exoticism, and Latin-American feel. His orchestration is one of the most colorful and fascinating things I have ever heard - things you may never get in traditional or even 20th century European Classical music. This is especially apparent in his two masterpieces: "Sensamaya" and "Night of the Mayas".
Unless you're some stubborn ultra-conservative person who enjoys Mozart more than Beethoven, and utterly denouce 20th century music, you definitely got to buy this album - a whole new world of Classical Music awaits! TRUST ME!!!!!
Modern Mexican Music.......2006-01-28
Revueltas' most famous work, Sensamaya, based on the poem Song to kill a snake, is evocative of his style. Constant rhythms, with authentic Hispanic percussion, and modern orchestrations, gritty melodies and harmonies, create an almost industrial sound. On this recording is the 1938 fully orchestrated version of near bombasticity. Two other works on this disk are also written for full orchestra: La Noche de los Mayas and Ventanas. La Noche de los Mayas is intended to evoke ancient Mexican tribal feelings from the Mayan culture. Almost in symphonic form, the four movements follow a classical structure, moderate first movement, scherzo, lyrical third movement, and a theme and variations for the final movement. The incredibly serene and melodic opening, with occasional majestic outbursts of brass and percussion, shows Revueltas' innate ability to combine Mexican culture with classical music. The scherzo second movement, subtitled Jaranas, is almost a classical Mariachi, with witty lightness; whereas the third movement, subtitled Yucatan, has a melancholy calm featuring lush strings, woodwind melodies, and folk-like elements. Extra-musical effects, extensive percussion, and variation technique, show Reveultas' capabilities of diverse compositional techniques as a 20th century modern composer. Interesting sounds and combinations make a very engaging conclusion. Much like Sensamaya, Ventanas is very rhythmical and industrious sounding, featuring in this case, the brass section and tuba solo. Angular melodies, sometimes folk sounding, other times classically based, and clashes of dissonance, along with perpetual motion (even during the subdued middle section), is evocative of expressionism and the influence of Stravinsky.
Three chamber works are also included on this CD: Ocho for Radio, Homage to Frederico Garcia Lorca, and Revueltas' set of two Little Serious Pieces. Each has a unique assortment of instruments and are in smaller proportions to the previously mentioned portions of the disk. Ocho for Radio is a musical answer to a mathematical equation. Featuring eight players, the music has so much going on, it nearly sounds Ivesian. The main idea prevails, however, including a mariachi trumpet and string section, along with two woodwinds and one percussionist. The Homage to Lorca, in three movements (Dance, Sorrow, and Sound) begins with familiar sounding Mexican ideas, with slightly humorous dissonances and motives, includes piano, piccolo, and tuba. The ambiguous sounds of the middle, give an uneasy feeling of impatient monotony, while the concluding movement is in a revelatory and joyous mood with occasional clashings of dissonance and jazzy inflections. The two Serious Little Pieces are charming miniatures: the first, a swift pointilistic whirlwind, the second, a slow waltz. Scored for wind quintet with baritone saxophone, a rustic sound is created.
I personally like to explore new music, and this all Revueltas CD seemed appropriate. The music is diverse, featuring classicism, Mexican folk attributes, expressionism, and tribal rhythms and modes, not to mention the diverse literary sources and instrumentations. The music is modern sounding with particular influences of Stravinsky, dissonance and polytonality are often used. The Los Angeles Philharmonic Orchestra and the Los Angeles New Music Group under Esa-Pekka Salonen play admirably on some rhythmically virtuosic music. Salonen elicits very different sounds from work to work, making the CD varied. After listening, I am personally not astounded by the compositions, nor put off, but satisfactorily interesting. Make sure you like the music before purchasing. In any case, if you are looking for different and new music, this is a quality CD with a good performance, although, you may want to compare other compilations under conductor Eduardo Mata.
Silvestre Revueltas: A Too Short Life but a Rich Musical Legacy.......2005-10-19
This superb CD includes a fine overview of Revueltas' output. Esa-Pekka Salonen conducts the Los Angeles Philharmonic and the L.A. Philharmonic's New Music Ensemble in both large and small works. The 'La Noche de los Mayas, suite for orchestra' is as lush and gorgeous a work for orchestra as anything he wrote. But it is in 'Homenaje a Federico García Lorca for Chamber Orchestra' that the complexity and the drama of Revueltas' compositional powers are clearly evident. Also included are the now standard 'Sensemayá', 'Ocho por Radio', 'Ventanas' and two 'Little Serious Pieces'.
The performances are clear, transparent, full of bite and energy and very much in line with the quality of sound and interpretation we've come to expect form Salonen and his forces. In Salonen, Revueltas has found a solid supporter and we can only hope there will be many more recordings of this sensual and exciting music! Highly recommended. Grady Harp, October 05
Five stars for Revueltas and Salonen!.......1999-08-30
Cool!.......1999-05-10
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The Ultimate Guitar Collection
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007TFH52 Release Date: 2005-03-29 |
Tracks:
- Suite Espanola, Op.47: Asturias (Leyenda)
- Cavatina From The Deer Hunter
- Lute Suite No.4 In E Major, BWV 1006a: Prelude
- Triangular Situations
- Recuerdos De La Alhambra
- Romance
- Dance From La Vida Breve
- Sonata In E Major, K 380
- Como Llora Una Estrella (Valse-Cancion)
- The Mission
- El Colibri
- Gymnopedie No.3
- Courante
- La Catedral
- El Condor Pasa
- Salut D'Amour
- Malinke Guitars
- Concerto For Lute (Guitar), Two Violins (Strings) And Basso Continuo In D Major, R.93: I. Allegro Giusto
- The Entertainer
Tracks:
- Concierto De Aranjuez: II. Adagio
- El Diablo Suelto (Valse)
- Preludio En Do Menor (In C Minor)
- Suite Espanola, Op.47: Sevilla (Sevillanas)
- Gnossienne No.1
- Cueca
- Schindler's List
- Lute Suite No.4 In E Major, BWV 1006a: Gavotte
- Nkosi Sikelel'i Afrika
- Pavane
- Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, R.82: III. Allegro
- Sunburst
- The Godfather
- Scherzino Mexicano
- Aeolian Suite For Guitar And Small Orchestra: I. Aeolian Chant
- 3 Blues For Classic Guitar: Spanish Guitar Blues
- 3 Blues For Classic Guitar: Blues For Felix
- 3 Blues For Classic Guitar: Swing 59
- The Black Decameron: The Flight Of The Lovers Through The Valley Of The Echoes
- Una Limosna Por El Amor De Dios
- Saltarello
- 12 Piezas Caracteristicas, Op.92: No.12 Torre Bermeja (Serenato)
Customer Reviews:
The Best Compilation of the Man on 2 Discs! Great Sound Quality Too!.......2006-04-21
Relaxing and Enticing to the Ear.......2006-01-26
A little something for everybody.......2005-06-15
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Journey to the Amazon
Sharon Isbin , Paul Winter , Thiago de Mello , Laurindo Almeida , Antonio Lauro , Agustin Barrios-Mangore , Gentil Montana , Isaias Savio , Leo Brouwer , Benito Canonico , and Pixinguinha Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SAG Release Date: 1997-10-14 |
Tracks:
- Historia Do Luar (Choro)
- Seis por Derecho
- Waltz Op. 8, No. 4
- A Hug For Pixingha
- Chants For The Chief No. 2 : Uirapuru do Amazonas
- Julia Florida
- El Marabino
- Waltz No. 3 (Natalia)
- Porro
- Butucada
- Lago de Janauaca
- Chants For the Chief No. 1 : A Chamada dos Ventos - Cancao Nocturna
- Cancione de Cuna (Lullaby)
- Aire de Joropo
- Cochichando
- Choro Alegre (A Hug For Tiberio)
- Cavaleiro Sem Armadura (Knight Without Armor)
Customer Reviews:
A wonderful journey.......2006-02-17
my introduction to the classical guitar technique.......2005-05-22
Mesmerizing!!.......2004-02-29
Beyond beautiful, a wonderful work.......2003-09-08
As enjoyable as their live performance!.......2002-05-28
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Agustín Barrios: Guitar Music, Vol. 2
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000088DUA Release Date: 2003-09-23 |
Tracks:
- Invocacion A Mi Madre
- Preludio (Saudade)
- Andante Religioso
- Allegro Solemne
- Confesion
- Cancion De La Hilandera
- Oracion (Plegaria)
- Madrecita
- La Samaritana
- El Sueno De La Munequita
- Contemplacion
- Oracion Para Todos
- Minuet in B Major
- Minuet in E Major
- Minuet in A Major
- Minuet in C Major
- Divagacion En Imitacion Al Violin
- Variations On A Theme Of Tarrega
Customer Reviews:
Barrrio's belongs in every classical music lovers collection.......2006-09-05
According to the notes Barrio's is considered by many to be the best composr of music for guitar.
I would go even further by saying Barrio's belongs in every classical music collection not just people who like guitar music. He is a master and creates powerfully beautiful works.
Average customer rating:
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Crumb: Ancient Voices Of Children
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IY6 Release Date: 1990-10-25 |
Tracks:
- Ancient Voices Of Children: El Nino Busca Su Voz
- Ancient Voices Of Children: Dances Of The Ancient Earth
- Ancient Voices Of Children: Me He Perdido Muchas Veces Por El Mar
- Ancient Voices Of Children: De Done Vienes, Amor, Mi Nino? (Dance Of The Sacred Life Cycle)
- Ancient Voices Of Children: Ghost Dance
- Ancient Voices Of Children: Se Ha Llenado De Luces Mi Corazon De Seda
- Music For A Summer Evening: Nocturnal Sounds (The Awakening)
- Music For A Summer Evening: Wanderer-Fantasy
- Music For A Summer Evening: The Advent
- Music For A Summer Evening: Myth
- Music For A Summer Evening: Music Of The Starry Night
Amazon.com
One of the most important and magical song cycles in contemporary music, Ancient Voices of Children, is the setting of a series of haunting texts by the Spanish poet Federico García Lorca for mezzo-soprano, boy soprano, and chamber orchestra. The piece made a huge impression on audiences at its initial performances. Indeed, this recording became something of a cult phenomenon, much like the Górecki Third Symphony today; and if you weren't around for the initial discovery, now's your chance. Music for a Summer Evening uses essentially the same forces as Bartók's Sonata for Two Pianos and Percussion, and creates an evocative, glittering nightscape. Great stuff.--David HurwitzCustomer Reviews:
An Avant-Garde Must Get.......2003-05-07
About a few years after buying the vinyl record, I was looking through some CDs in a store (after I got my first CD player). I've found the Nonesuch CD that had "Ancient Voices of Children" AND "Music for a Summer Evening (Makrokosmos III)." I didn't buy it because I wanted to get it on sale. Well, time passed. One day, I saw one up for bid on eBay. I think I was the only bidder on it. The jewel case may have a few scratches (which I wouldn't worry about) but the CD itself was like new.
I'm glad that I got it on CD. I could listen to the music without any clicks or pops you would hear from a vinyl LP (especially since the music gets very quiet at times). Although you wouldn't get the "warm analog sound" you get from the vinyl. Nevertheless, it does sound very good considering that it's AAD. Whoever likes avant-garde music may want to get this.
One thing I want to let you know. Whoever did the tracking on the CD must've misjudged about the beginnings of "Myth" and "Music of the Starry Night." "Myth" begins at index 8:02 on track 9. Tracks 10 and 11 are the last movement, "Music of the Starry Night." Take note of that when listening to this CD.
Crumb in poetic and eerilie beautiful mood.......2002-06-17
Exceptional.......2002-06-15
Music for a Summer Evening is, perhaps, the lesser signifigant work of the two presented here. Even so, it is an astounding presentation of of Crumb's effective use of extended tequniques, and the ability of his atmospheric writing to stir up strong emotions. Here, Crumb has significantly built on the two pianos/percussion format that Bartok made famous in his Sonata.
Ancient Voices of Children is an important song cycle in the post-WWII repertoire. His extended singing tecniques are used to great effect, and the haunting, mystical effects that he cojours within the limited instrumentation are amazing.
Crumb is one a handfull of composers that can write atmospheric music so well, and pull off these avant-garde tecniques so usefully. If you do not know his music, start with this disc; it's breathtaking.
Just Listen.......2002-06-08
The perfomance is quintessential. Jan DeGaetani was marvelous in this style of music and is sorely missed as a performer. The ensemble is spirited and very precise. The only thing that you miss on this CD is the visual choreography of a live performance, which is hypnotizing.
Macrocosmos III was a new piece to me and is every bit as haunting as other Crumb music. The ending is luminous...en eternal spinning out of music in the Lydian scale.
Be aware, this is avant garde music, though I feel it is quite assessible to those who listen without preconceptions. It is certainly more assessible than Elliot Carter or Boulez. It is not Part or Gorecki...but then not everything has to be. For me, this is not about style but about substance. Crumb moves me every bit as much as more assessible composers. You just have to listen with different ears, that's all.
What is the Opposite of Music? Listen to this and find out!.......2001-11-02
I came at this CD - which I bought thanks to some of the aforementioned 5* which I was foolish enough to believe - with the expectation that it would be modern, avant-garde and probably rather ineffable initially. I am prepared for this, believing that often the best music is not instantly grasped and needs careful auditioning. When I listened to it, however, I found that my expectations were not nearly extreme enough. This is music trying so hard to establish its originality that it appears to have progressed well beyond my definition of what music actually is. It is music as art, as a statement and not music to listen to - think about this a little! Hence my opening line - this is the opposite of music.
Instead, this production seems to be comprised of irrelevant and inconsequential noises, none of them musical. To save you the money, and more importantly the time, I will precis this CD for you:
A womans shriek followed by about 20 seconds of silence.
A sound rather like a large rodent being let loose inside a piano.
Some blocks of wood being banged together.
More shrieking.
More silence.
A voice making a strange sound as if copying a phone ringing.
More silence.
More wood being banged together.
More silence
Etcetera, etcetera, ad nauseam
At some point in this avant-garde nonsense somebody is going to blow the whistle and irreverently point out that the "Emperors New Clothes" do not actually exist. In the service of music, as opposed to "art", I am prepared to do the pointing! This production is nothing more that a deeply unmusical joke against those pseudo-intellectuals who completely miss the concepts of humanity and accessibility in music. "Composers" who write this stuff do so as to hide their lack of musical creativity behind an intellectual argument. Don't believe the hype, leave this one on the shelf!
For those aesthetes and enthusiasts who are intent on heading down a progressive route of "classical" music which yet retains any humanity and sympathy, Part and Gorecki appear to have been able to create music of originality and humanity, proving that it can be done.
Leave this production to those pseuds more interested in wallowing in their own misconceived esoteric intellectualism than in actually enjoying music.
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Songs Of Spain / De Los Angeles, et al
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I4KQ Release Date: 1999-02-23 |
Tracks:
- El rossinyol
- El testament d'Amelia
- Adios meu homino
- Mina nay por me casare
- Tengo que subir
- Ahi tienes mi corazon
- La vi llorando
- Ya se van los pastores
- Campanas de Belen
- Jaeneras que yo canto
- A dormir ahora mesmo
- Granadinas
- Hincarse de rodillas
- Cancion de trilla
- Parado de Valldemosa
- Nik baditut
- Andregaya
- Din, dan, boleran
- Mariam matrem
- Ay, triste vida corporal!
- Que es mi vida, preguntais?
- Porque es, dama, tanto quereros?
- No me llames segalaherba
- Ay, luna que reluces
- En esta larga ausencia
- Molinillo que mueles amores
- Confiado jilguerillo
- Seguidillas religiosas
- Cancion de cuna
- El jilguerillo con pico de oro
- El canape
Tracks:
- Ah, el novio no quiere dinero
- Coma la rosa en la guerta
- Estavase la mora
- Aquel rey de Francia
- Damos gracias a ti, Dios
- Sobre Baca estaba el rey
- Ay que non hay!
- Rosa das rosas
- Maravillosos e piadosos
- Tres moricas m'enamoran
- Paseabase el rey moro
- Dime a do tienes las mientes
- Si no's huviera mirado
- Dexo la venda
- Puse mis amores
- Aqui me declaro su pensamiento
- Pues que me tienes
- Gentil dama, non se gana
- Mi querer tanto vos quiere
- Una hija tiene el rey
- Una matica de ruda
- Si la noche se hace oscura
- Pastorcico, non te aduermas
- Ay triste que vengo
- No soy you quien la descrube
- Pase el agua, Julieta
- Aquel caballero, madre
- Duelete de mi, Senora
- De Antequera salio el Moro
- De los alamos vengo, madre
- Enfermo estaba Antioco
- Dame acogida en tu hato
- Morenica, dame un beso
- Senora, si te olvidare
- De donde venis, amore?
Tracks:
- La rosa enflorece
- Ven querida
- Adio, querida
- Durme, durme, hermozo hijico
- Paxaro d'hermosura
- Avrix, mi galanica
- Irme quiero, la mi madre
- Ya viene el cativo
- Yo m'enamori d'un aire
- Una matica de ruda
- Anda, jaleo
- Los cuatro muleros
- Las tres hojas
- Los mozos de Monleon
- Las morillas de Jaen
- Sevillanas del siglo 18
- El cafe de Chinitas
- Nana de Sevilla
- Los pelegrinitos
- Zorongo
- Romance de Don Boiso
- Los reyes de la baraja
- La tarara
- El combat del somni: Damunt de tu, nomes les flors
- A l'ombra del Lledoner: Canco de grumet
- Canciones negras: Cancion de cuna para dormir a un negrito
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El tra la la y el punteado
- Seis canciones castellanas: No quiero tus avellanas
- Seis canciones castellanas: Jota
- Panxolina
- Tu pupila es azul
- Cantos populares espanolas: Malaguena
- Cantos populares espanolas: Granadina
- Cantos populares espanolas: El Vito
- Cantos populares espanolas: Pano murciano
- Clavelitos
- Adios, Granada
- Madrigal
Tracks:
- Coleccion de tonadillas: Amor y odio
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El majo discreto
- Coleccion de tonadillas: El majo olvidado
- Coleccion de tonadillas: El majo timido
- Coleccion de tonadillas: El mirar de la maja
- Coleccion de tonadillas: El tra la la y el punteado
- Coleccion de tonadillas: La maja de Goya
- Coleccion de tonadillas: Las currutacas modestas
- Tres majas dolorosas: Oh muerte cruel!
- Tres majas dolorosas: Ay majo de mi vida
- Tres majas dolorosas: De aquel majo amante
- Goyescas: La maja y el ruisenor (Rosario)
- 'La vida breve': Vivan los que rien! (Salud - Act 1)
- 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
- 'Acis y Galatea': Confiado jilguerillo
- El tripili
- Llorad, corazon
- Iban al pinar
- No lloreis, ojuelos
- Mananica era
- Mira que soy nina
- Gracia mia
- El pano moruno
- Seguidilla murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)
Customer Reviews:
The most noble voice.......2004-05-28
PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08
luminous artistry from a genius.......2000-12-26
A special Dignity and an Unfailing Beauty of Voice........2000-09-17
Average customer rating:
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Introducing World of American Jewish Music [Milken Archive of American Jewish Music]
Manufacturer: Milken Archive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C508H Release Date: 2003-09-23 |
Tracks:
- Open The Gates (Excerpt) - Cantor Alberto Mizrahi
- Hashkiveinu - Hans Peter Blochwitz
- Hudi Mitn Shtrudl - David Krakauer
- III. Modere - Juilliard String Quartet
- Old Jerusalem - Ana Maria Martinez
- III. King David Dancing Before The Ark - Robert Vernon
- Sheyibbaneh Beit Hamikdash - Cantor Benzion Miller
- IV. Dance Of The Phantom Spirits - Gerard Schwarz
- VII. Hinei Ma Tov - Vienna Boys Choir
- VII. Psalm 126 - Prague Philharmonic Chorus
- El Melekh Yoshev - New London Children's Choir
- I. Demon's Welcome - Richard Stoltzman
- Service Sacre L'Kha Dodi - Prague Philharmonic Chorus
- The Flood, Part I - Fritz Weaver
- Adon Olam - Academy Of St. Martin-In-The-Fields
- IV. Camini Por Altas Torres - Lucy Shelton
- Sheva B'Rakhot (Excerpt) - Cantor Simon Spiro
- Mayn Goldele - Nell Snaidas
- The Heavenly Host Delivers The Commandments To Moses/The People Dance Around The Golden Calf - Ian Denolfo
Album Description
The Milken Archive of American Jewish Music is a vast recorded panorama of the rich body of Jewish music, both sacred and secular, that has developed over the course of American history. This recording features nineteen tracks representing the broad scope of the Archive recordings.Customer Reviews:
Wonderful introduction to a distinguished new series.......2003-09-29
Average customer rating:
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Montserrat Figueras: The Voice of Emotion/La Voix de L'Emotion
Manufacturer: Fontalis ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000024JR8 Release Date: 1997-01-10 |
Tracks:
- Chanson Sefardite: Por Que Llorax - Montserrat Figueras/Andrew lawrence-King/Pedro Memelsdorff/Pedro Estevan/Jordi Savall
- El Can'to De La Sibila II: Sibila Galaica (Extrait) - Montserrat Figueras/Andrew Lawrence-King
- Anonyme/Luys De Narvaez: Con Que La Lavare - Montserrat Figueras/Rolf Lislevand
- El Cancionero De La Colombina: Anonyme/Nina Y Vina - Montserrat Figueras
- Luys Milan: Triste Estava Muy Quexosa (Romance) - Montserrat Figueras/Hopkinson Smith
- Alonso Mudarra: Iisabel, Perdiste La Tu Faxa (Anonimo) - Montserrat Figueras/Hopkinson Smith
- Francisco Guerrero: O Domine Jesu Christe II (a 4) - Montserrat Figueras
- Claudio Monteverdi: Con: Pulchra Es A Due Voci - Montserrat Figueras/Maria Cristina Kiehr/Andrew Lawrence-King/rolf Lislevand/Jordi Savall
- Tomas Luis De Victoria: Salve, Regina (Extrait) (a 8) - Montserrat Figueras
- Claudio Monteverdi: Lamento Della Ninfa 'Amor Dov'e La Fe' - Montserrat Figueras/Lambert Climent/Francese Garrigosa/Daniele Carnovich
- Tarquinio Merula: Sentirete Una Canzonetta - Montserrat Figueras/Jean-Pierre Canihac/Andrew Lawrence-King/Rolf Lislevand/Lorenz Duftschmid...
- Tarquinio Merula: Hor Ch'e Tempo Di Dormire (Canzonetta Spirituale Sopra Alla Nanna) - Montserrat Figueras/Andrew Lawrence-King/Rolf Lislevand/Jordi Savall
- Mr. Du Bailly: Yo Soy La Locura - Montserrat Figueras/Andrew Lawrence-King/Pedro Estevan
- Lope De Vega/Anonyme: Cancionero 1628/Como Retumban Los Remos! - Montserrat Figueras/Jose Miguel Moreno/Rolf Lislevand
- Fernando Sor: Ti Ricordi Che Giurasti - Montserrat Figueras/Jose Miguel Moreno
- Fernando Sor: Las Mujeres Y Cuerdas - Montserrat Figueras/Jose Miguel Moreno
- Cancons De La Catalunya: El Fill Del Rei - Montserrat FiguerasRolf Lislevand/Andrew Lawrence-King/Jordi Savall
Customer Reviews:
Beautiful voice.......2003-06-19
Average customer rating:
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Masters of the Guitar
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007CEXO0 Release Date: 2005-02-08 |
Tracks:
- Allemande - Andreas Segovia
- Bouree - Andres Segovia
- Canarios - Alexandre Lagoya
- Sonata In E Major - Alexandre Lagoya & Ida Presti
- Variations On A Theme By Mozart - John Williams
- Romanza: Piu Tosto Largo. - Edardo Fernandeaz
- Sevilla - Angel Romero
- Asturias (Leyenda) - Narciso Yepes
- Spanish Dance No. 5, Op. 37 'Andaluza' - Pepe Romero
- Recuerdos De La Alhambra - Narciso Yepes
- Garrotin - Julian Bream
- Soleares - Julian Bream
- Preludio. Lento - Goran Sollscher
- Andante Solemne - Goran Sollscher
- Allegretto - Goran Sollscher
- Una Limosna Por El Amor De Dios - Alexander-Sergei Ramierez
- Valse Criollo - John Williams
- Homenaje 'Le Tombeau De Debussy' - Julian Bream
- Cacion De Cuna (Berceuse) - Goran Sollscher
- Etude No. 1 For Guitar In E Minor - John Williams
- Choro No. 1 - Eduardo Fernandez
- Ayer Y Hoy (Guajiras) - Paco Pena
Tracks:
- (Allegro Giusto) - Goran Sollscher
- Largo - Goran Sollscher
- Allegro - Goran Sollscher
- Allegro Maestoso - Eduardo Fernandez
- Andante Siciliano - Eduardo Fernandez
- Alla Polacca - Eduardo Fernandez
- Villano Y Ricercare (Adagietto/Andante Moderato) - Andres Seovia
- Espanoleta Toques De La Caballeria De Napoles - Andres Seovia
- Danza De Las Hachas (Allegro Con Brio) - Andres Seovia
- Canario (Allegro Ma Non Troppo) - Andres Seovia
- Allegro Con Spirito - Pepe Romero Christine Pendrill
- Adagio - Pepe Romero Christine Pendrill
- Allegro Gentile - Pepe Romero Christine Pendrill
Customer Reviews:
Very good material, so pleasent.......2007-07-24
World Music:
- 6 & 12 String Slack Key
- Afro Centrica [Import]
- Agent Spirituel
- Ammore
- Archive: 23 Historic Selections
- Aus Böhmen Kommt Die Musik [Import]
- Blues De La Frontera [Import]
- Cachorro Grande [Import]
- Canastra [Import]
- Celtic Voyage
World Music
Midnite Sound of the Milky Way
Learning Your Classics: Mozart
Godard: Cello Sonata; Two Pieces, Op. 61; Boëllmann: Cello Sanata; Two Pieces, Op. 31
The Kenny Drew Trio [Original recording remastered]
Let the Sunshine in//Cream of the Crop [Original recording remastered] [Import]
Horowitz Rediscovered [Original recording remastered]
Neverland (Stands for Decibels / Repercussion) [Import]