Un Autre Monde [Import]

1. Mon Fils Ma Bataille

2. 10,000 Metres

3. Bateau Toujours

4. Lipstick Polychrome

5. Je Ne Suis Pas Un Heros

6. Detournement

7. La Vie Ne M Apprend Rien

8. Mort D Un Robot

9. Allez Hop

10. Un Autre Monde

Tracks:

Sym No.1: I. Passacailli: Andante - BBC Phil/Yan Pascal Tortelier
Sym No.1: II. Scherzo: Molto Vivace - BBC Phil/Yan Pascal Tortelier
Sym No.1: III. Intermezzo: Lento - BBC Phil/Yan Pascal Tortelier
Sym No.1: Finale, Con Vars: Largemente - Allegro - Scherzo - Lento - BBC Phil/Yan Pascal Tortelier
Sym No.2 'Le Double:' I. Animato, Ma Misterioso - Andrew Orton/Robert Chasey/Janet Fisher/Peter Dixon/Marios Argiros/Paul Dintinger/David Chatwin...
Sym No.2 'Le Double:' II. Andantino Sostenuto - Andrew Orton/Robert Chasey/Janet Fisher/Peter Dixon/Marios Argiros/Paul Dintinger/David Chatwin...
Sym No.2 'Le Double:' III. Allegro Fuocoso - Calmato - Andrew Orton/Robert Chasey/Janet Fisher/Peter Dixon/Marios Argiros/Paul Dintinger/David Chatwin...

Tracks:

L'Arbre Des Songs: I. Librement - - Oliver Charlier
L'Arbre Des Songs: Interlude - - Oliver Charlier
L'Arbre Des Songs: II. Vif - - Oliver Charlier
L'Arbre Des Songs: Interlude - - Oliver Charlier
L'Arbre Des Songs: III. Lent - - Oliver Charlier
L'Arbre Des Songs: Interlude - - Oliver Charlier
L'Arbre Des Songs: IV. Large Et Anime - Oliver Charlier
Two Sonnets, 'I Dreamt That I Carried You In My Arms:' Extremement Calme - Neal Davies
Two Sonnets, 'There Was Nothing But Torn Trunks:' Vehemet Et Agite - Neal Davies
Timbres, Espace, Mouvement Avec Interlude: I (1/4nt = 72 Environ) - BBC Phil/Yan Pascal Tortelier
Timbres, Espace, Mouvement Avec Interlude: Interlude - - BBC Phil/Yan Pascal Tortelier
Timbres, Espace, Mouvement Avec Interlude: II (1/8nt = 56 Environ) - BBC Phil/Yan Pascal Tortelier
Prayer For Us Mortals: Tres Librement Recite - Animato - Plus Librement - Sans Lenteur - Neal Davies/Martyn Hill

Tracks:

Metaboles: I. Incantatoire - - BBC Phil/Yan Pascal Tortelier
Metaboles: II. Lineaire - - BBC Phil/Yan Pascal Tortelier
Metaboles: III. Obsessionnel - - BBC Phil/Yan Pascal Tortelier
Metaboles: IV. Torpide - - BBC Phil/Yan Pascal Tortelier
Metaboles: V. Flamboyant - BBC Phil/Yan Pascal Tortelier
Tout Un Monde Lointain: I. Enigme - - Boris Pergamenschikow
Tout Un Monde Lointain: II. Regard - - Boris Pergamenschikow
Tout Un Monde Lointain: III. Houles - - Boris Pergamenschikow
Tout Un Monde Lointain: IV. Miroirs - - Boris Pergamenschikow
Tout Un Monde Lointain: V. Hymne - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): I. Appels - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): II. Echos - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): III. Prismes - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): IV. Espaces Lointains - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): V. Litanies - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): VI. Choral - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): VII. Rumeurs - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): VIII. Soliloques - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): IX. Metamorphoses (Sur Le Nom Sacher) - - Boris Pergamenschikow
Mystere De L'instant (Grande Formation): X. Embrasement - Boris Pergamenschikow

Tracks:

The Shadows Of Time: I. Hours - - BBC Phil/Yan Pascal Tortelier
The Shadows Of Time: II. Evil Ariel - - BBC Phil/Yan Pascal Tortelier
The Shadows Of Time: III. Memory of Shadows - - BBC Phil/Yan Pascal Tortelier
The Shadows Of Time: Interlude - - BBC Phil/Yan Pascal Tortelier
The Shadows Of Time: IV. Waves Of Light - BBC Phil/Yan Pascal Tortelier
The Shadows Of Time: V. Blue Dominant? - BBC Phil/Yan Pascal Tortelier

Customer Reviews:

Dutilleux - who?.......2005-08-20

After hearing Henri Dutilleux for the first time ("The Shadow of Time") on a recent NPR broadcast, I immediately ordered his complete orchestral works, available on this four CD set. I am not disappointed. His music is very accessible and deserves a much wider audience. I highly recommend this set.

ON THE RISE.......2005-05-29

Because he's so quiet, and his music isn't as controversial as certain other post WWII french composers who will remain nameless *cough*, Dutilleux's tiny, immaculate reperatory does not get nearly the attention it deserves, and that's a damn shame.

Anyway, to keep it short, "The Shadows of Time" is one of the great triumphs of contemporary music and even as a broke musician I would have paid the admission fee just for this one (this recording is the best of the four available, too, though I'm sure better ones will come). Not to overshadow the rest of the music though, because this is a helluvalotta damn good, damn pretty, damn imaginative music.

This collection is a must for anyone who likes contemporary music--or early 20th century and wants to stretch there ears just a bit. Beautiful, beautiful, beautiful.

complete?.......2004-03-21

How can Chandos clain this to be a complete orchestral collection when they leave out his ballet, . Ok. There are dancers on stage, but it is a full orchestra that plays it, and it has yet to see the light of day completely recorded anywhere.
Shame on Chandos for overlooking this.

Landmarks of modern French orchestral music.......2004-01-02

Henri Dutilleux has increasingly been regarded as one of the finest of living composers, and as his conservative-modernist style--derived from Debussy and Ravel, though more chromatic and less tonally-centered than either--has become less unfashionable his music has received an increasing number of recordings. Amongst the finest of these have been Yan-Pascal Tortelier's readings for Chandos, and this 4-CD boxed set contains Tortelier's three individual discs, plus a 22-minute bonus disc of a live performance (Tortelier again) of the composer's 1997 work The Shadows of Time. When released, this collection was a complete recording of all Dutilleux's acknowledged orchestral works: this is no longer true, as Dutilleux is still writing, although his post-Shadows work is yet to be recorded. (Hopefully Hans Graf's ongoing budget-price Arte Nova series of Dutilleux recordings will bring matters up to date.)

I have already reviewed the individual discs included on this set, so I will only describe the works briefly, but taken as a whole, they undoubtably rank as amongst the most important orchestral music of the post-war period. Chronologically speaking, they begin with the two symphonies. The first of these, completed in 1951, begins with a slow, mysterious passacaglia, follows it with an overly virtuosic scherzo, a deeply-felt nocturnal slow movement and a flamboyand finale. It is a considerable achievement, though it is some way from Dutilleux's fully mature style, unlike the Second Symphony, completed eight years later. This work is subtitled 'Le Double', as a concertino-like group of 12 players forms a counter-orchestra to the main band--though its function is not of a concerto grosso nature but merely to allow a much greater variety of colours and timbres. The first movement begins mysteriously, building to a dramatic climax. The slow movement (in which the counter-orchestra is particularly prominent) contains a wonderful range of musical colours, while the finale begins vigorously but lapses half-way through into a slow epilogue.

The 1964 work Métaboles is effectively a brief concerto for orchestra in five movements. The first four movements each showcase a different section of the orchestra--alternating fast and slow movements--and in the finale the whole orchestra comes together for a vigorous conclusion. Tout un monde lointain, a 1970 cello concerto based on the poetry of Charles Baudelaire, is a deliriously nocturnal work in five movements that combines delightful solo writing with some extraordinary orchestration, before fading out ambiguously. Perhaps the finest of Dutilleux's orchestral works is Timbres, espace, mouvement, a darkly ecstatic diptych inspired by Van Gogh's painting 'Starry Night'. Two powerfully visionary panels are separated by a forceful interlude for the orchestral cellos alone.

L'Arbre des songes, completed in 1985, is a dreamlike violin concerto in four movements that play without a break. Lyrical and fantastic in equal measure, it has often been described as one of the finest violin concerti of the 20th century, and I wouldn't dispute that rating. Mystère de l'instant is a 1989 work, a sequence of ten atmospheric 'snapshots' for strings and solo cimbalom. The first is an extraordinary evocation of a mass of flying birds; while the other nine are good, they don't quite live up to the first. Finally, The Shadows of Time is perhaps the only authentically angry work in Dutilleux's output. A meditation questioning the validity of music in a world capable of the Holocaust, it begins ambivalently with an evocation of ticking clocks against tense orchestral writing. A solo treble sings 'Why me? Why the star?' before the music builds to an angry climax. After an interlude and a second, equally angry climax, the finale returns to the ambivalent mood of the opening, and the work ends with return of the ticking clocks.

The performances on this set range from good to excellent, but whether the set will be of interest probably depends on whether one owns any of the individual discs. For those who do, or who only need a recording of The Shadows of Time, Hans Graf's first Arte Nova disc may prove more attractive, but those wanting the complete available works in one easy package will find this compilation well-nigh unbeatable.

Music for a Starry Night.......2003-02-26

The reason to buy this boxed set is not to acquire new, definitive interpretations of much represented music; it is to become acquainted with a composer who has had no prior integral recording. That is justification enough. The music of Henri Dutilleux (born 1916) manages to be unmistakably "modern" without being the slightest bit doctrinaire or off-putting: Dutilleux's roots go down deeply into the impressionist soil of Claude Debussy, although unlike Debussy, Dutilleux shows an interest in polyphonic complexity rather than in chord-based harmonic color as such. In addition, Dutilleux's structures usually correspond to what one can call "the symphonic" in a way that Debussy rarely essayed: and indeed his first two orchestral scores were symphonies (1951 and 1959). Like many composers in the aftermath of World War Two who refused to embrace the procedures of the "Second Viennese School," Dutilleux found himself somewhat marginalized. While Dutilleux received performances and commissions and was recorded over the years, he never enjoyed the cachet of, say, Pierre Boulez. In an essay on "The Symphony in France," published in "Paths to Modern Music" (1971), the astute Laurence Davies had to plead for Dutilleux, "a much underestimated composer outside his own country" whose "brilliantly clear textures" make his Second Symphony (subtitled "The Double") "an astounding achievement." On record, Rostropovich played the Cello Concerto and Stern his Violin Concerto; other works have been recorded here and there. The neglect is largely made up for in Yan Pascal Tortelier's comprehensive four-disc survey for Chandos, illustrated appropriately on the jewel-box and on the pamphlet by van Gogh's "Starry Night." On CD 1, Tortelier pairs the two symphonies. Davies valued the Second over the First Symphony, although he admitted the virtues of the latter, particularly its opening Passacaglia. The musical language of the First Symphony is close (by way of a known reference) to Frank Martin's: intensely chromatic without abandoning tonality. (Dutilleux's Passacaglia resembles Martin's free-standing endeavor of the same name in its full-orchestra version, available on a Chandos CD under Matthias Bamert). The two inner movements are a colorful Scherzo and a darkly colored slow movement. The Finale, like the First Movement, is a theme with variations - virtually a second passacaglia, but wider ranging in its moods than the First Movement. The Second Symphony pits a small orchestra of about ten instruments, including harpsichord and celesta, against the full orchestra, hence the appellation of "The Double." I imagine that this is a difficult score to record, as the spatial element resists transcribed representation. That said, this three-movement work is quite as fascinating and beautiful as its precursor. On CD 2, Tortelier gives us Dutilleux's Violin Concerto, "L'arbre des songes" ("The Tree of Dreams" [1985]), in a sequence of uninterrupted movements proper and interludes. This is Dutilleux the mystic, sharing certain penchants with Olivier Messiaen, although never sounding brash or vulgar, as Messiaen sometimes does. "The Tree of Dreams" is music for late-night listening. The "Two Sonnets by Jean Cassou" for baritone and orchestra, dating from the 1940s, show the composer working in a tradition of French orchestral song going back to Hector Berlioz and his "Nuits d'été." The score called "Timbres, espace, et mouvement avec interlude" (1978) takes its inspiration from van Gogh's "Starry Night." It depicts the awe of stellar delirium effectively - less wildly than Messiaen, be it said - yet with some strange and novel sounds. "Métaboles" (1964), on CD 3, again shows some kinship with Martin (think of "The Four Elements") and gives the impression of a symphony by another name. The Cello Concerto, entitled "Tout un monde lointain" (difficult convincingly to translate into English: "A Whole World Far Away"), is another essay in religious yearning and phantasmagoria. Like Berlioz, Dutilleux has a gift for melody: the concerto-format lets him exploit his talent, allotting the "singing role" to the solo instrument and supporting the solo line in a delicate web of hallucinatory accompaniment. The descriptive title comes from one of the Baudelaire poems that the concerto purports to "interpret." This is another link to Berlioz, who made one of the earliest settings of Baudelaire. "Delicacy" and "exquisiteness" are adjective that come to mind insistently as one listens to Dutilleux's music. One thinks of them as French traits par excellence. They appear again in "Mystère de l'instant," a quasi-concerto for cimbalom and strings - by no means so odd as it might seem. On CD 4, Tortelier gives us "The Shadows of Time" (1995), for voice and orchestra, which shows Dutilleux refining his mode of expression even further toward the seamless and translucent. With one minor quibble, I recommend this boxed set. The quibble is the shortness of the fourth disc. Chandos could easily have added a performance of Dutilleux's string quartet, "Ainsi la nuit," which would have turned a stinting measure into a fair one. Discs 1 - 3 are well filled.

Average customer rating:

That's french rock for you!
the title-track, not the entire album

Un Autre Monde
Telephone
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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Dure Limite

ASIN: B000007WIX
Release Date: 1998-01-07

Tracks:

Les Dunes
New York Avec Toi
Loin De Toi (Un Peu Top Loin)
66 Heures
Ce Que Je Veux
Le Garcon D'Ascenceur
Oublie Ca
T'as Qu'ces Mots
Le Taxi Las
Electric Cite
Un Autre Monde

Album Details

Last Album from France Most Popular Rock Band.

Customer Reviews:

That's french rock for you!.......2005-07-11

Telephone is one of France's finest rock band and have produced many countless hits. "Un Autre Monde" is their very last album. The title-track is a real anthem in France and is known by all French without exception. It was their most diversed effort as it features a variety of sounds and instruments. Personally I'm glad they split up after this when you hear what they were beginning to sound like on their last single (not included here). If you'd like to discover this band, I highly recomend that you try this album since it is their best bake.

the title-track, not the entire album.......2001-10-18

"New York avec toi" sert d'illustration au film à succès "Marche à l'ombre". Ecoutez-donc Renaud et vous découvrirez l'humeur des banlieues françaises.
Pour le reste, je rêvais d'un autre "Téléphone".
The EMI-years were better than the Virgin ones.

Average customer rating:

Un Autre Monde
Daniel Balavoine
Manufacturer: Universal/Polygram
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Vocal Pop | Pop | Styles | Music

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ASIN: B000006SOB
Release Date: 1996-03-05

Tracks:

Mon Fils Ma Bataille
10,000 Metres
Bateau Toujours
Lipstick Polychrome
Je Ne Suis Pas un Heros
Detournement
Vie Ne M Apprend Rien
Mort D un Robot
Allez Hop
Autre Monde

Average customer rating:

Souvenirs D'Un Autre Monde
Alcest
Manufacturer: Profound Lore
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music
ASIN: B000UNYPNA
Release Date: 2007-08-14

Average customer rating:

De Lully A Rameau
Jean-Baptiste Lully , André Campra , Jean-Philippe Rameau , Véronique Gens , Jean-Paul Fouchécourt , William Christie , Les Arts Florissants , Agnès Mellon , Françoise Semellaz , Jean-François Gardeil , Guillemette Laurens , Noémi Rime , Bernard Deletré , Jacques Bona , Michel Laplénie , Gilles Ragon , Isabelle Desrochers , Guy de Mey , Jérôme Correas , Monique Zanetti , Sandrine Piau , Richard Dugay , Anne Mopin , Claire Brua , Sophie Daneman , Howard Crook , Adrian Brand , Jean-Claude Sarragosse , and John Holloway
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

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Classical | Box Sets | Stores | Music
ASIN: B000000752
Release Date: 1996-10-22

Tracks:

Atys (Extraits): Ov - Les Arts Florissants/William Christie
Atys (Extraits) Acte I, Scene 1: Allons, Allons, Accourez Tous/Acte I, Scene 2 - Guy De Mey/Jacques Bona
Atys (Extraits) Acte I, Scene 2: Atys, Ne Feignez Plus - Jacques Bona
Atys (Extraits) Acte I, Scene 3: Allons, Allons, Accourez Tous, Cybele Va Descendre/Ecoutons Les... - Agnes Mellon/Francoise Semellaz/Guy De Mey/Jacques Bona
Atys (Extraits) Acte I, Scene 4: Atys Est Trop Heureux/Un Amour Malhereux - Agnes Mellon/Francoise Semellaz
Atys (Extraits) Acte II, Scene 2: Je Veux Joindre En Ces Lieux La Gloire Et L'Abondance - Guillemente Laurens/Jean-Francois Gardeil
Atys (Extraits) Acte II, Scene 3: Tu T'Etonnes, Melisse - Guillemente Laurens/Noemi Rime
Atys (Extraits) Acte II, Scene 4: Celebrons La Gloire Immortelle - Les Arts Florissants/William Christie
Atys (Extraits) Acte III, Scene 4: Prld/Dormons, Dormons Tous/Air Des Songes Agreables - Gilles Ragon/Jean-Paul Fouchcourt/Bernard Deletre/Michel Laplenie
Atys (Extraits) Acte IV, Scene 2 & 3: Belle Nymphe, L'Hymen Va Suivre Mon Envie - Jean-Francois Gardeil/Agnes Mellon
Atys (Extraits) Acte IV, Scene 5: O Vous Qui Prenez Part Au Bien De Ma Famille/QUe L'On Danse... - Bernard Deletre/Les Arts Florissants/William Christie
Atys (Extraits) Acte IV, Scene 5: La Beaute La Plus Severe/D'Une Constance Extreme Le Ruisseau... - Bernard Deletre/Les Arts Florissants/William Christie
Atys (Extraits) Acte IV, Scene 6: Venez Former Des Noeuds Charmants - Les Arts Florissants/William Christie
Atys (Extraits) Acte V, Scene Derniere: Venez Furieux Corybantes - Guillemette Laurens/Les Arts Florissants/William Christie
Atys (Extraits) Acte V, Scene Derniere: Entree Des Nymphes/Premiere Entree Des Corybantes... - Guillemette Laurens/Les Arts Florissants/William Christie
Atys (Extraits) Acte V, Scene Derniere: Que Le Malheur D'Atys Afflige Tout Le Monde - Guillemette Laurens/Les Arts Florissants/William Christie

Tracks:

Idomenee, Prologue: Ov - Les Arts Florissants/William Christie
Idomenee, Prologue Scene I: Laissez Nous Sortir D'Esclavage - Jean-Paul Fouchecourt/Monique Zanetti/Les Arts Florissants/William Christie
Idomenee, Acte Premier Scene III: Quittez Vos Fers - Jean-Paul Fouchecourt
Idomenee, Acte Second Scene I: O Dieux! O Justes Dieux!/Scene II: Cessez De Soulever Les Ondes - Jerome Correas/Les Arts Florissants/William Christie
Idomenee, Acte Second Scene IV: Soyez Temoins De Mon Inquietude - Jean-Paul Fouchecourt/Bernard Deletre
Idomenee, Acte Second Scenes V-VI: Il ME Fuit Le Cruel! - Sandrine Piau
Idomenee, Acte Trosieme Scenes II-III: Je Dois Etre Jaloux Qu'Un Autre Ait Eu La Gloire - Monique Zanetti/Bernard Deletre
Idomenee, Acte Trosieme Scene VI: Je Vois Des Argiens La Troue Impatiente - Sandrine Piau/Les Arts Florissants/William Christie
Idomenee, Acte Quatrieme Scene I: Rigaudon - Les Arts Florissants/William Christie
Idomenee, Acte Quatrieme Scene I: Espoir Des Malheureux - Monique Zanetti
Idomenee, Acte Quatrieme Scene III: Ciel! Que Vois-Je? - Bernard Deletre/Jean-Paul Fouchecourt
Idomenee, Acte Quatrieme Scene IV: O Neptune, Recoy Nos Voeux/Scene V - Bernard Deletre/Les Arts Florissants/William Christie
Idomenee, Acte Quatrieme Scene VI: Triomphez, Remportez Une Immortelle Gloire - Bernard Deletre/Richard Dugay/Les Arts Florissants/William Christie
Idomenee, Acte Quatrieme Scene VI: Musette - Les Arts Florissants/William Christie
Idomenee, Acte Quatrieme Scene VI: Volez Au Son De Nos Musettes - Anne Prichard/Anne Mopin
Idomenee, Acte Quatrieme Scene VI: Premier & Deuxieme Menuets - Les Arts Florissants/William Christie
Idomenee, Acte Cinquieme Scene I: Il Est Donc Vray, Seigneur - Sandrine Piau/Jean-Paul Fouchecourt
Idomenee, Acte Cinquieme Scene II: Ah! Quel Bonheur De Vous Revoir! - Monique Zanettie/Jean-Paul Fouchecourt
Idomenee, Acte Cinquieme Scene V: Quel Pouvoir M'A Conduit Sur Ce Bord Ecarte? - Bernard Deletre

Tracks:

Castor & Pollux, Prologue: Ov - Les Arts Florissants/William Christie
Castor & Pollux, Prologue Scene I: Venus, O Venus - Claire Brua/Mark Padmore/Les Arts Florissants/William Christie
Castor & Pollux, Acte Premier Scene I: Que Tout Gemisse - Les Arts Florissants/William Christie
Castor & Pollux, Acte Premier Scene III: Tristes Apprets, Pales Flambeaux - Agnes Mellon
Castor & Pollux, Acte Premier Scene IV: Mais, D'Ou Partent Ces Cris Nouveaux?/Premier Air Pour... - Jerome Correas/Agnes Mellon/Les Arts Florissants/William Christie
Castor & Pollux, Acte Deuxieme Scene V: Deuxieme Air Pour Hebe Et Ses Suivantes/Un Plasir: Voici... - Jerome Correas/Sophie Daneman/Les Arts Florissants/William Christie
Castor & Pollux, Acte Trosieme Scene IV: Sortez D'Esclavage/Premier Air Des Demons - Jerome Correas/Agnes Mellon/Veronique Gens/Les Arts Florissants/William Christie
Castor & Pollux, Acte Trosieme Scene IV: Brisons Tous Nos Fers/Deuxieme Air Des Demons - Les Arts Florissants/William Christie
Castor & Pollux, Acte Quatrieme Scene I: Sejour De L'Eternelle Paix - Howard Crook
Castor & Pollux, Acte Quatrieme Scene II: Air Pour Les Ombres/Qu'Il Soit Heureux Comme Nous... - Les Arts Florissants/William Christie
Castor & Pollux, Acte Quatrieme Scene II: Ici Se Leve L'Aurore - Sandrine Piau
Castor & Pollux, Acte Quatrieme Scene IV: Revenez, Revenez Sur Les Rivanges Sombres/Gavotte - Les Arts Florissants/William Christie
Castor & Pollux, Acte Cinquieme Scene VII: Entree Des Astres/Gigue - Les Arts Florissants/William Christie
Castor & Pollux, Acte Cinquieme Scene VII: Airette/Brillez, Brillez, Astres Nouveaux - Sandrine Piau
Castor & Pollux, Acte Cinquieme Scene VII: Que Les Cieux, Que La Terre Et L'Onde - Les Arts Florissants/William Christie