Music of the Streets

Track Listings

 
1. Street Piano
2. Cylinder Paino
3. Mandoline Street Piano
4. Atlas Organette
5. Street Piano
6. Street Piano
7. Street Piano
8. Cylinder Piano
9. Cabinetto Paper-Roll Organ
10. Mandoline Street Piano
11. Tremolo Street Piano
12. Celestina Paper-Roll Organ
13. Street Piano

Music of the Streets,Mechanical Street Entertainment,Saydisc,Instrumental,Int'l & World Music,Pop,V/a Compilations
These Streets
Average customer rating: 4.5 out of 5 stars
  • Great Performer
  • Fabulous
  • fantastic
  • Paolo!
  • listening to live earth now!!
These Streets
Paolo Nutini
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
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  1. Undiscovered
  2. Back to Black
  3. Life in Cartoon Motion
  4. Introducing Joss Stone
  5. Continuum

ASIN: B000LE1GVW
Release Date: 2007-01-30

Tracks:

  1. Jenny Don't Be Hasty
  2. Last Request
  3. Rewind
  4. Million Faces
  5. These Streets
  6. New Shoes
  7. White Lies
  8. Loving You
  9. Autumn
  10. Alloway Grove

From Amazon.co.uk

19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted Kord

Album Description

Debut album from Paolo Nutini.

Customer Reviews:

4 out of 5 stars Great Performer.......2007-08-06

Saw this guy at Vfest in Baltimore, Md. a few days ago. Never heard him before and really like his sound. Great voice with some nice guitar work. Worth a listen.

5 out of 5 stars Fabulous.......2007-08-03

You will love this CD. All the songs are great. I am use to getting CD's that I only love a few of the songs but this one is great the whole way through.

5 out of 5 stars fantastic.......2007-07-26

It's better than i anticipated and better than any review i had read about it.

3 out of 5 stars Paolo!.......2007-07-19

Love the New Shoes song, but the others are a bit slower and sound a little like Jeff Buckley. Not a bad thing, just not as upbeat as what I had expected. Good CD though.

5 out of 5 stars listening to live earth now!!.......2007-07-09

when i heard new shoes on tv, i knew i had to have this album. awesome!! and i'm listening to his performance on the Live Earth stage right now on my computer!
Before These Crowded Streets
Average customer rating: 4.5 out of 5 stars
  • wow
  • fantastic.....
  • Rocky Roads
  • Not DMB's best album, but still good
  • I still love this album
Before These Crowded Streets
Dave Matthews Band
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
Rock Jam BandsRock Jam Bands | Jam Bands | Rock | Styles | Music
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Similar Items:
  1. Under the Table and Dreaming
  2. Crash
  3. Everyday
  4. Busted Stuff
  5. Remember Two Things

ASIN: B00000638Q
Release Date: 1998-04-28

Tracks:

  1. Pantala Naga Pampa
  2. Rapunzel
  3. The Last Stop
  4. Don't Drink The Water
  5. Stay (Wasting Time)
  6. Halloween
  7. The Stone
  8. Crush
  9. The Dreaming Tree
  10. Pig
  11. Spoon

Amazon.com

The Dave Matthews Band is moving its music forward incrementally. While Before These Crowded Streets offers more of the folky melodies and vaguely international rhythms that made this Charlottesville, Virginia, group a major record and concert draw, it also finds them adding subtle new colorings to the mix. Alanis Morissette guests on two cuts, "Spoon" and the disc's first single, "Don't Drink the Water"; banjo Bela Fleck steps in, too. Most intriguing, however, is the modernist string arrangement from the Kronos Quartet on the driving "Halloween." Matthewsat least partly fulfills his obvious hopes to lead something other than a jam band here; at the same time, Streets should keep his fans satisfied. --Rickey Wright

Customer Reviews:

5 out of 5 stars wow.......2007-06-09

this album is amazing. i have been a fan of dave matthews band for a long time, and i never got this cd. i was hooked on under the table and dreaming, but when i got this, it became my all-time favorite cd. this cd is very different from any other of theirs. it is much more dark, and seems to have more worldly influences, which is shown a lot in "the last stop". also, the band goes into a long jam session on almost every song, which is really fun to listen to. what has always amazed me about dmb, and especially shines in before these crowded streets, is that every member of the band is just as important as the other. i personally think that everyone else in the band are better musicians that dave himself. he is, although, an amazing songwriter. here's a review of each song:

1. Pantala Naga Pampa- this song isn't much of a song, but it's good for what it is. you can find it played at the end of the D&T version of "jimi thing".
2. Rapunzel- this song shows how tight the band is together. it's played in 5:4 time, which is really tough. the whole song is tasty, and the bridge is a 6:8 turnaround with a great violin part. great song.
3. The Last Stop- this song makes a very large use of a middle-eastern scale. that's what makes it sound really egyptian, and although i really appreciate the influence, it's probably my least favorite on the cd. it is still a good song.
4. Don't Drink The Water- i really like this song. i like the live version better, because i think it has more energy, but this version is very good as well. i love the passion that the lyrics show and how the music describes it.
5. Stay- great single, although it's almost 6 min long. it's very catchy and has a black female vocal group singing in it. i love the two jams that the band goes into. dave is very good at describing feelings in terms of music, this one being love.
6. Halloween- This song is very funny. It sounds like dave is singing like he's frankenstein's monster or something. Sometimes it gets on my nerves, but it's musically a great song. really funny to listen to.
7. The Stone- halloween fades into just violins and stuff and flows into the beginning of the stone. that makes for a great intro. then the guitar comes in, and it's a very good guitar riff. this is the most dark of all songs on the album. it also has the best of all guitar riffs on the cd in my opinion, the verse, chorus, and transition back to the verse. it has a very long, awesome jam at the end and fades. amazing song.
8. Crush- I think this is my favorite of all dmb songs. again, dave describes love in the form of music very well. this is just a feel good song. the jam at the end blows my mind. tim reynolds, leroi moore, and boyd tinsley are all soloing at once. even dave has a few funky chords in the jam himself, the closest thing to soloing i think i've ever heard from him. also one of the best live songs by dmb.
9. The Dreaming Tree- I love this song. It has a great story and just a great feel to it. A great bass line (not as great as in crush) carries the song through the verse.
10.Pig- this song has a great message to not waste days away, and that we take tomorrow for granted too much. musically, it's not as good as some dmb songs, but it's still good.
11. Spoon- This song is very jazzy, and has a guest female vocalist. i'm not sure, but i think she is the girl that plays with damien rice. it's a great finale to the whole album, a great way to end it all off.


Bottom line is, this cd is great. it's a lot different from other dmb albums, but if you're more of the listener that just cranks it up and listens to it instead of playing it in the background, this is probably the one cd by dmb that is most enjoyable when you have it really loud. you have to listen to this whole cd at one time to get the full effect. if you enjoy this, i recommend sunrise over sea by the john butler trio.

5 out of 5 stars fantastic............2007-03-27

It took me (almost) ten years to hear this great album! I can't believe I waited so long. The Dave Matthews Band has been a fixture at The Gorge at George concerts, in Washington, for several years now, and Dave, himself, was often seen down at Pike Place Market in my hometown of Seattle, Washington, playing acoustic sets for the public.....that was a few years ago. BEFORE THESE CROWDED STREETS features some of the finest and most eclectic cross-section of music genres I have heard on one album. It's hard to believe that this music was all done by one band. We hear ska, power metal, jazz, world and pop all stirred and then blended into a great musical smoothie.

Some of my favorite cuts include "Last Stop," which eerily illustrates what was to become of the relationship between the United States and the Middle East, only three years later, when 9/11 took place (chillingly prophetic), "Stay," which is an upbeat, fun, and calypso-inspired romp in the grass and makes you feel like the sun is shining even if you're listening to it in the pouring rain, "Crush," a beautiful jazzy love song, and "The Dreaming Tree," which is poetic, ponderous and devestating. There really isn't a "bad" song on here. Dave Matthews is a fantastic story teller and he wrote most of the songs himself. This album is an example of rock/crossover music at its best.....

4 out of 5 stars Rocky Roads.......2007-03-27

Dave made a name for himself crooning about things like love, lust, longing, and belonging with an opulent and mossy voice. His first two albums swam with sultry and complex arrangements, production values so riotous and rambunctious that they were almost too much to handle.

"Streets" marked a shift in his band's sexily sour and dreamily dour demeanor. There is still the classic romantic chaos ("Rapunzel" and "Stay") and the seeping wonderment of his melancholy moods ("Crush," "The Dreaming Tree," and "Spoon"), and as before it's done with meticulous attention to every chord and spark, every pluck and quaver.

Here, however, Dave has chosen also to get really, really angry. He saturates those moments with just as much technical skill as ever, but gone is the lyricism, replaced by Dave ripping resentful and revenge-hungry tirades out of his throat as if they have been sawed into shape with a cheese grater. I'm not saying he shouldn't be angry (his vendettas are against the rape and loss of cultures/land and also sometimes against things more difficult to pinpoint); I'm just saying he's more skilled at singing about love and bittersweet loss than he is at growling about drinking water and "Halloween."

4 out of 5 stars Not DMB's best album, but still good.......2007-03-15

There are some great songs on this album and some that are kind of strange. But, all in all, it's still Dave Matthews! It's still worth buying and listening to.

4 out of 5 stars I still love this album.......2007-02-11

Ok first of all, I got into dMb in high school and have since then expanded my cd collection greatly, but I still keep coming back to this album and still enjoy listening to it to this day. This album is the quintessential dmb studio album in my opinion. It has the "listen to it all the way through" quality of 'under the table and dreaming' and the song writing quality of 'crash'. Personally, I enjoy bands like radiohead, smashing pumpkins, modest mouse, fugazi, the flaming lips, and the pixies...bands in my opinion who really put out albums that keep the listener entertained from beginning to end, and really give you alot to listen to. The thing about 'before these crowded streets' is that there is alot to listen to without bring things like keyboards and electronic effects into the mix. These guys are great musicians, and despite their frat boy following and mainstream success, this band still deserves your attention. This was the last studio album recorded with Steve Lillywhite as producer and although their recent albums have been some what disappointing, this album still has alot to offer (as does the band **here's hoping that their next album will be a return to something close to this album**). Albums like 'under the table and dreaming' and 'crash' are good too, but in my opinion this album is superior. This album is similar to 'under the table' but the songs have more diversity, and unlike 'crash' which in my opnion is just a collection of good songs, 'before these crowded streets' flows and actually takes you somewhere. If you enjoy this album, check out their live in Chicago cd.
While the City Sleeps, We Rule the Streets
Average customer rating: 5 out of 5 stars
  • Awesome Album, Start to Finish
  • Beam me up Cobra Starship
  • G A B E gonna get you high!
  • Cobra starship rocks!
  • Cool sound
While the City Sleeps, We Rule the Streets
Cobra Starship
Manufacturer: Decaydance
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Punk-PopPunk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music
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ASIN: B000I2IS0E
Release Date: 2006-10-10

Tracks:

  1. Being From Jersey Means Never Having To Say You're Sorry
  2. Send My Love To The Dancefloor I'll See You In Hell (Hey Mister D.J.)
  3. The Church Of Hot Addiction
  4. The Kids Are All F***ed Up
  5. It's Warmer In The Basement
  6. Keep It Simple
  7. It's Amateur Night At The Appollo Creed!
  8. Bring It (Snakes On A Plane)
  9. The Ballad Of Big Poppa And Diamond Girl
  10. Pop-Punk Is Sooooo '05
  11. You Can't Be Missed If You Never Go Away

Album Description

The band burst onto the scene with the uber-catchy dance-pop-rock of "Snakes On A Plane (Bring It)" from the movie's soundtrack. This is their debut full-length. Produced by S*A*M, a.k.a. Sam Hollander (Method Man, The Sounds, Gym Class Heroes) and Sluggo, the alter ego of renowned session bassist Dave Katz (Roger Daltrey). Features special guests, such as members of Fall Out Boy, The Academy Is..., Gym Class Heroes, The Sounds, and 80's dance/pop group The Cover Girls.

Customer Reviews:

5 out of 5 stars Awesome Album, Start to Finish.......2007-06-27

Highly Reccomended. It's got a blend of the 80s with a more contemporary feel and keeps yer head boppin along with the beat.

5 out of 5 stars Beam me up Cobra Starship.......2007-06-05

Saw this band on this years Honda Civic Tour. I originally went to see Fall Out Boy (of course!) and was totally taken over by Cobra Starship!
I find their music original and fun.
Favorite tracks are "Send My Love to the Dance Floor..." and "Keep it Simple".
I would definitely recommend this album to anyone who is looking for something different.

5 out of 5 stars G A B E gonna get you high!.......2007-05-21

Cobra Startship's debut album will put you in such a great musical mood, you wont be able to help dancing with yourself!

Gabe Saporta knows just want it takes to get the listener to really feel his songs and get you moving!

My favorite tracks are Send my Love... The balland of Big Poppa... The Kids are all F'd up.

If you are feeling Gabe's sound, be sure to check out some of his former band, Midtown's releases: Forget What you Know OR Living Well is the Best Revenge.

Holla!

5 out of 5 stars Cobra starship rocks!.......2007-04-09

Dudes this album is sick all the way through!!! If you dig gabes voice and songs, you must check out all of his "midtown" albums!!! they are different, but evenly good!!!!

5 out of 5 stars Cool sound.......2007-03-09

Cobra starship has a nice up beat kind of dance beat to it. I really like the whole C.D. it is a nice addition to my collection
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
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Similar Items:
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  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
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  4. Study of Orchestration, Third Edition
  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

    All Works by HerbertAll Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    Hadley, JerryHadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    Movie ScoresMovie Scores | Soundtracks | Styles | Music
    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    Similar Items:
    1. In the Real World
    2. Standing Room Only
    3. Jerry Hadley and Thomas Hampson - Famous Opera Duets (Tenor/Bass)
    4. Show Boat (1988 Studio Cast Highlights)
    5. A Song of Naples - Neapolitan Songs

    ASIN: B000003FQQ
    Release Date: 1994-08-16

    Tracks:

    1. Song of the Vagabonds
    2. I'm Falling in Love With Someone
    3. Streets of New York
    4. Neapolitan Love Song
    5. Desert Song/One Alone
    6. Every Day Is Ladies' Day with Me
    7. Donkey Serenade
    8. Softly, As in a Morning Sunrise
    9. Drinking Song
    10. When You're Away
    11. I Love to Go Swimmin' With Wimmin
    12. I Might Be Your Once-In-A-While
    13. Marianne
    14. Serenade
    15. Indian Summer
    16. When I Grow Too Old to Dream
    17. Gypsy Love Song
    18. Golden Days - Jerry Hadley, Mario Lanza
    Original Pirate Material
    Average customer rating: 4 out of 5 stars
    • Sardonic, Clever, Hip, Original
    • original.. that's for sure
    • instantly a favorite!!!!
    • Classic
    • I don't even listen to rap and I still give it 4 stars
    Original Pirate Material
    The Streets
    Manufacturer: Vice/Atlantic
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    ElectronicaElectronica | Dance & DJ | Styles | Music
    HouseHouse | Dance & DJ | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
    Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
    Similar Items:
    1. Blinded by the Lights
    2. LCD Soundsystem
    3. Public Warning
    4. Arular
    5. Game Theory

    ASIN: B00006L88F
    Release Date: 2002-10-22

    Tracks:

    1. Turn the Page
    2. Has It Come to This?
    3. Let's Push Things Forward
    4. Sharp darts
    5. Same Old Thing
    6. Geezers Need Excitement
    7. It's Too Late
    8. Too Much Brandy
    9. Don't Mug Yourself
    10. Who Got the Funk?
    11. The Irony of It All
    12. Weak Becomes Heroes
    13. Who Dares Wins
    14. Stay Positive

    Amazon.com

    In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison

    Album Description

    2002 debut is enhanced with the videos of 'Weak Become Heroes' and 'Let's Push Things Forward'. The album is nominated for this year's Mercury Prize, alongside luminaries David Bowie and Doves and was certified Gold in the UK. Vice.

    Customer Reviews:

    5 out of 5 stars Sardonic, Clever, Hip, Original.......2007-07-31

    I first discovered this record in early 2003 and was immediately impressed. The lyrics and arrangements ooze a sort of snarly confidence, and the wordplay is really clever and memorable.

    The Streets' two subsequent albums haven't lived up to the potential seen here on "Original Pirate Material," as Skinner's lazy/arrogant outlook on life became more annoying than charming, and the music seemed less inspired overall. But this record stands alone as a modern classic.

    5 out of 5 stars original.. that's for sure.......2006-10-24

    let's get one thing clear.. this is not rap. i don't really know how to classify it, but it's not rap. mike skinner rhymes over unique beats and to be honest, it sounds good. his rhymes are abstract and takes you all over the place. he talks about birds, geezers, clubs, and drugs among many things, but does so in a way i've never heard before. this album sounds amazing considering he recorded it in his bedroom. if you're looking for something new and an english accent doesn't bother you, check out the streets! just as good as this album is The Street's follow-up, A Grand Don't Come For Free.

    tracks worth checking out:
    Turn The Page (best opening song on any album i've ever heard)
    Too Much Brandy
    Don't Mug Yourself
    It's Too Late
    Irony Of It All (weed vs. alchohol)
    Stay Positive (a description of himself during a heroine addiction)

    5 out of 5 stars instantly a favorite!!!!.......2006-06-13

    for whatever reasons i panned his latest album....mike skinner, by virtue of this debut album> enters genius-status...hall-of-famer and all in 4 listens of my first day ever hearing this obvious classic.
    a heady blend of comic one-off, day-to-day musings, and some very basic earthy (am i allowed to say?) wisdom......this thing grabs you from beginning to end and never lets go.
    every track rocks unique and sneeky brilliant....even sexy at times...bare yet clever and the words flow non-stop effortlessness without the pomp and bragadassiho of so much rap.
    it's hard to believe i enjoyed a true hip-hop album as much as this.
    this one's gonna rock my senses for some time to come.
    an absolute must for any collection of what is cool and modern...even if you're not.
    : )

    mcc>

    5 out of 5 stars Classic.......2005-11-02

    Ok here's the scoop. Mike Skinner has done something wonderful to the UK Garage scene. He has dropped an album that is appealing to absolutely everyone who can get their hands on it. It doesn't matter where you are in the world, your feeling his stuff, this man is the truth!!
    'Turn the Page' starts the album off with a bang, and it just gets better from there. The next 2 songs, 'Has It Come To This?' and 'Let's Push Things Forward' deliver a kind of laid back attitude to rapping, almost so that the songs sound like spoken words. The rest of the album is like this also, but it truly does fit well. 'It's Too Late' and 'Weak Become Heroes' are the kind of tracks that draw emotion from deep inside the listener, whether they are liking the music or not, and 'Stay Positive' delivers advice on life and how to deal with it. The only porr track is 'Sharp Darts', which is barely 2 minutes, which doesn't detract from the album at all. Incredible.
    Definitely buy this CD, throw money at Mike Skinner for creating such brilliane!

    4 out of 5 stars I don't even listen to rap and I still give it 4 stars.......2005-10-29

    My buddy had played me a couple of tracks from this CD a year or two ago, and it had stayed with me ever since. So I finally sought out this album.

    There must be something about the American rap "style" that is an instant turn-off; maybe it's all the bling-in-your-face attitude. Ugh. But the poetic eloquence here--the meaning behind these words--seems somehow to hit home.

    "Turn the page" is freakin brilliant, no matter what you call it; rap, poetry, music, whatever.

    I'm not saying every track is a masterpiece, but when something is obviously special it deserves special attenton.
    These Streets
    Average customer rating: 4.5 out of 5 stars
    • Nutini - These Streets
    • Simply tremendous album
    • Wow!
    • There will be 5 stars down the road
    • This artist is going places
    These Streets
    Paolo Nutini
    Manufacturer: Wea International
    ProductGroup: Music
    Binding: Audio CD

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    5. Jenny Don't Be Hasty, Pt. 2

    ASIN: B000FVGMC4
    Release Date: 2006-09-05

    Tracks:

    1. Jenny Don't Be Hasty
    2. Last Request
    3. Rewind
    4. Million Faces
    5. These Streets
    6. New Shoes
    7. White Lies
    8. Loving You
    9. Autumn
    10. Alloway Grove

    From Amazon.co.uk

    19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted Kord

    Album Description

    2006 debut album by this young Scottish singer/songwriter influenced by such diverse artists as John Martyn, Van Morrison, Ray Charles and The Drifters, who is playing sold-out headline shows across the UK based on positive word-of-mouth and press support. 10 tracks including 'Jenny Don't Be Hasty', 'Last Request' and 'New Shoes'. Atlantic.

    Album Details

    Paolo Nutini's Songs Suggest He Knows an Awful Lot About the Vicissitudes of Life and Love, and Demonstrate his Unique Gift for Expressing in Song the Attitudes and Experiences of Someone his Age. 'these Streets' Records his Experiences of Moving to London, a Song which Wistfully Name Checks the Places in which He Grew Up and is Sure to Strike a Chord with Anyone who Has Ever Lived in Bedsit-land. "Feeling Good, Feeling Down, Telling a Few White Lies. It's a Very Personal Record," Says Nutini, "But Hopefully Other People Can Relate to the Feelings." Many of the Songs on the Album, Including 'last Request' and 'rewind', were Inspired by a Turbulent Relationship with a Girlfriend, and 'jenny Don't Be Hasty' is a True Story About Encounters with an Older Woman.

    Customer Reviews:

    5 out of 5 stars Nutini - These Streets.......2007-06-30

    This young man has me enjoying music again. Just get it and take a listen, you will find something in it for yourself. I can hear so many wonderful influences, mixed with unique and sincere lyrics and music.

    Thank you, Paolo...keep on going :)...Welcome to the USA.

    5 out of 5 stars Simply tremendous album.......2007-05-13

    I found out about Paolo on the web by sheer accident on YouTube. What an amazing soulful and mature voice he has, even at 19 (now 20). Other than Amos Lee and Martin Sexton and Stereophonics, I've not come across an artist recently whose lyrics and command of his voice is so perfect. Paolo knows just what his scottish accent works best on.

    I am distantly reminded of a young Rod Stewart, in the time of the Faces, way before he went mainstream pop and disco, and when he was a wee rocking lad.

    Saw him live in Seattle, frankly, his live stuff is way better (as good as this album is!!!). See the live stuff he's done on YouTube (the stuff his crew has released, not the cell phone concert tapings of 15 year olds) and you have to agree that Paolo is the best thing to come out of Scotland in years.

    Hint, the last track (Alloway Groove) is actually three songs, separated by about a minute or three of silence. At about 12:00 min into the song and after a few minutes of silence, suddenly you hear Paolo do an acoustic version of Last Request. Amazing.....

    5 out of 5 stars Wow!.......2007-04-30

    Fell asleep watching Leno, woke right up when this guy came on. Missed the intro and could hardly wait to find out who this was. Am looking forward to hearing more new music from him.

    4 out of 5 stars There will be 5 stars down the road.......2007-03-26

    The only reason I didn't give Paola Nutini five stars is that I wish there were just a few more up-tempo numbers. Don't get me wrong, all of the songs on this CD are very good, it's just that I like songs that make me want to move more than I like songs that move me. Nutini has a great voice and a nice way with a tune. How good will he be in five years?

    5 out of 5 stars This artist is going places.......2007-03-18

    I am always on the lookout for up and coming new singer songwriters to add to my collection so when I heard New Shoes on a Paste Magazine CD I knew Paolo Nutini was the perfect addition. For me, I can tell how good a CD is by how long it stays in my car's CD player. I have a long commute and no CD changer so I listen to the same CD over and over until I get tired of it. A mediocre CD is lucky to last a week. These Streets lasted over 2 months and when it was replaced it was immediately put on my MP3 player for at-work listening. Every song is a gem with some that sparkle just a tad more. My favorites are These Streets, a song about moving to an unfamiliar place, and Autumn, a beautiful and moving tribute to his late grandfather. Of course New Shoes is one of the best with catchy lyrics that you can't help but sing along with at the top of your lungs...well I can't anyhow ;)
    All in all this is a great addition to any CD collection.
    One Hundred Greatest TV Themes
    Average customer rating: 3.5 out of 5 stars
    • Two tracks I really like
    • Quantity Over Quality
    • Mediocre
    • One Hundred Greatest TV Themes
    • Pretty close to original recordings
    One Hundred Greatest TV Themes

    Manufacturer: Silva America
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005Y49F
    Release Date: 2002-08-27

    Tracks:

    1. The A-Team - Nic Raine
    2. The Addams Family - Nic Raine
    3. The Adventures Of Robinson Crusoe - Nic Raine
    4. Airwolf - Derek Wadsworth
    5. The Avengers - Mike Townend
    6. Barnaby Jones - Jerry Goldsmith
    7. Batman - Nic Raine
    8. Battlestar Galactica - Nic Raine
    9. Baywatch - Derek Wadsworth
    10. Beverly Hills 90210 - Derek Wadsworth
    11. Bewitched - Nic Raine
    12. Between The Lines - Mark Ayres
    13. The Bill - Nic Raine
    14. Bonanza - The Philharmonia Orchestra
    15. Brideshead Revisited - Derek Wadsworth
    16. Buck Rogers In The 25th Century - Nic Raine
    17. Burke's Law - Derek Wadsworth
    18. Cagney And Lacey - Derek Wadsworth
    19. Captain Scarlet And The Mysterons - Mark Ayres
    20. Casualty - Mark Ayres
    21. Cheers - Mark Ayres
    22. Dallas - Nic Raine
    23. Dangerman (Secret Agent) - Mike Townend
    24. Doctor Who - Mark Ayres
    25. Doctor Kildare - Jerry Goldsmith

    Tracks:

    1. Doogie Howser, M.D. - Derek Wadsworth
    2. Dynasty - Nic Raine
    3. The Equalizer - Derek Wadsworth
    4. Falcon Crest - Derek Wadsworth
    5. Fireball XL-5 - Derek Wadsworth
    6. The Fugitive - Nic Raine
    7. Hawaii 5-0 - Mike Townend
    8. Hercules: The Legendary Journeys - Nic Raine
    9. The High Chaparral - Nic Raine
    10. Highway To Heaven - Derek Wadsworth
    11. Hill Street Blues - Derek Wadsworth
    12. The Hitchhikers Guide To The Galaxy - Mark Ayres
    13. The Incredible Hulk - Derek Wadsworth
    14. Jason King - Mike Townend
    15. Jesus Of Nazareth - Paul Bateman
    16. Joe 90 - Derek Wadsworth
    17. Johnny Staccato - Derek Wadsworth
    18. Knight Rider - Derek Wadsworth
    19. Kojak - Mike Townend
    20. L.A. Law - Derek Wadsworth
    21. Land Of The Giants - Nic Raine
    22. Little House On The Prairie - Derek Wadsworth
    23. Lonesome Dove - Nic Raine
    24. Lost In Space - Nic Raine
    25. Lou Grant - Derek Wadsworth

    Tracks:

    1. Magnum, P.I. - Derek Wadsworth
    2. A Man Called Ironside - Mike Townend
    3. The Man From U.N.C.L.E. - Derek Wadsworth
    4. M*A*S*H - Nic Raine
    5. Miami Vice - Mark Ayres
    6. Mike Hammer - Derek Wadsworth
    7. Mission Impossible - Mike Townend
    8. Monty Python's Flying Circus - Nic Raine
    9. The Munsters - Derek Wadsworth
    10. Murder She Wrote - Derek Wadsworth
    11. Newhart - Derek Wadsworth
    12. North And South - Derek Wadsworth
    13. Northern Exposure - Derek Wadsworth
    14. NYPD Blue - Mark Ayres
    15. The Outer Limits - Nic Raine
    16. Perry Mason - Mike Townend
    17. The Persuaders - Mark Ayres
    18. Peter Gunn - Mike Townend
    19. Police Squad - Nic Raine
    20. The Prisoner - Mike Townend
    21. Quantum Leap - Derek Wadsworth
    22. Randall And Hopkirk (Deceased) - Mike Townend
    23. Red Dwarf - Mark Lambert
    24. The Rockford Files - Mike Post
    25. Roseanne - Dan Foliart

    Tracks:

    1. The Saint - Mike Townend
    2. Seaquest DSV - Nic Raine
    3. Space 1999 - Derek Wadsworth
    4. Star Trek - Mike Townend
    5. Star Trek: Deep Space Nine - Derek Wadsworth
    6. Star Trek: Voyager - Nic Raine
    7. St. Elsewhere - Derek Wadsworth
    8. The Streets Of San Francisco - Nic Raine
    9. Stingray - Barry Gray
    10. Taxi - Derek Wadsworth
    11. Thunderbirds - Derek Wadsworth
    12. Thirty Something - Derek Wadsworth
    13. The Time Tunnel - Nic Raine
    14. Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
    15. The Twighlight Zone - Nic Raine
    16. Twin Peaks - Derek Wadsworth
    17. U.F.O. - Derek Wadsworth
    18. The Virginian - Nic Raine
    19. Voyage To The Bottom Of The Sea - Nic Raine
    20. Wagon Train - Paul Bateman
    21. The Waltons - Jerry Goldsmith
    22. The Wild Wild West - Derek Wadsworth
    23. Young Riders - John Debney
    24. Xena: The Warrior Princess - Paul Bateman
    25. The X-Files - Mark Ayres

    Customer Reviews:

    4 out of 5 stars Two tracks I really like.......2007-07-21

    The Mission Impossible theme is performed well.
    The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.

    2 out of 5 stars Quantity Over Quality.......2007-01-15

    As a musician myself, I know too well that one of the most important ingredients in ANY performance (live or recorded) is passion. The recordings here generally lack the same passion and sheer drama of the originals. Much of the instrumentation has been reduced to a cheezy, thin, plastic synthesized replica. The performances are simply a watered-down lackluster version of the classic originals. If it were not for the sheer volume of tracks compiled here, I would have rated the comp only "one star".

    3 out of 5 stars Mediocre.......2006-05-17

    The sound quality for this collection isn't much better than the samples offered by Amazon.

    4 out of 5 stars One Hundred Greatest TV Themes.......2005-08-06

    I have watched almost all the shows that are on these 4 cd's. Many were made before I started watching TV. Most I've seen once or twice before.

    4 out of 5 stars Pretty close to original recordings.......2005-07-24

    Definitely not as good as the originals. You'll probably notice the slight differences since it's stuff you saw and listened to every week or everyday in reruns growing up, but it's still an amazing collection.
    Takin' It to the Streets
    Average customer rating: 4.5 out of 5 stars
    • The Multi-Facets of the Diamond Band
    • WONDERFUL!
    • Fine music seriously marred by poor sonics
    • GREAT ALBUM, BUT YOU'RE BUYING THE WRONG VERSION!
    • The transition album
    Takin' It to the Streets
    The Doobie Brothers
    Manufacturer: Warner Bros / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002KG6
    Release Date: 1990-10-25

    Tracks:

    1. Wheels Of Fortune
    2. Takin' It To The Streets
    3. 8th Avenue Shuffle
    4. Losin' End
    5. Rio
    6. For Someone Special
    7. It Keeps You Runnin'
    8. Turn It Loose
    9. Carry Me Away

    Customer Reviews:

    5 out of 5 stars The Multi-Facets of the Diamond Band.......2007-04-14

    Even though the name "Doobie Brothers" could invoke drug usage by the over-critical, few can deny the magic of their music.

    A staple of mid 70's FM radio airplay, the Doobie Brothers earned a well-respective niche in rock. In this debut presentation of the talents of Michael McDonald as spokesman-singer, you hear staple songs of the Doobie's career. But more important, you hear more obscure tracks that are super-beautiful and cross the division between rock and jazz-fusion.

    If you don't have this album, then get it right now!

    5 out of 5 stars WONDERFUL!.......2007-04-03

    I bought this album just for the hard-to-find song "For Someone Special", which is one of their best songs, although it didn't receive a lot of air play. I got to listen to it only a couple of times before my son borrowed it, who is a 2nd-generation Doobie Brothers fan. This album has a little more soul than some of their others, and great guitars, vocals and lyrics. This album takes you back and leaves you feeling happy. I totally recommend it!

    2 out of 5 stars Fine music seriously marred by poor sonics.......2006-11-05

    Michael McDonald and Patrick Simmons have outstanding vocal talents and gave us compositions that, even after 30 years, still sound fresh. But you won't get to that conclusion by listening to this CD. While the vocal efforts here are strong, the rythms driving, and the tunes catchy, this CD sounds as if a sonic veil has been thrown over the music. Think of what you hear when listening to a recording that is being played back on speakers in another room, or the sound you would hear using the tiny speakers on, say, a 13" TV set, and you will get an idea of how badly this CD captures the band's perfomance. If you enjoy the Doobie Brothers, avoid this recording: it will only cause disappointment over a lost opportunity to appreciate some great tunes played by fine musicians.

    1 out of 5 stars GREAT ALBUM, BUT YOU'RE BUYING THE WRONG VERSION!.......2006-07-17


    The Japanese imports of the Doobie catalog are remastered.

    Warner Brothers here in the U.S. is still selling the old LP-EQ'd, terrible-sounding masters they released on CD in 1990.

    If you love these albums, get a set of the Japanese editions. They cost more, but they're worth it.

    5 out of 5 stars The transition album.......2006-02-10

    Tom Johnston was ill and had some drug issues and thus Michael McDonald took over as the "leader" of the Doobs in this 1976 jewel. The bulk of the group stayed the same except that Jeff Baxter bridged the guitar gap left by the departure of Johnston becoming a full timer. Patrick Simmons, Tiran Porter, John Hartman and Keith Knudsen made up the rest of the core. Backed by the Memphis Horns, Bobby La Kind (congas) and Maria Muldaur (cameo vocals in "Rio"). This album blends rock, jazz, soul and pop to perfection. Highlights include "Wheels of Fortune" and "It Keeps You Running". Tom Johnston's "Turn It Loose" was the only song he sang in and wrote. A great '70s listen.
    Streets: A Rock Opera
    Average customer rating: 4.5 out of 5 stars
    • "Tonight, She Grins Again"
    • Perhaps We'll All Find the Answers Somewhere in Time
    • Streets: A Rock Opera
    • Rock da melhor qualidade
    • Streets: A Rock Opera
    Streets: A Rock Opera
    Savatage
    Manufacturer: Atlantic / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002IS7
    Release Date: 1991-10-15

    Tracks:

    1. Streets
    2. Jesus Saves
    3. Tonight He Grins Again/Strange Reality
    4. Strange Reality
    5. A Little Too Far
    6. You're Alive
    7. Sammy And Tex
    8. St. Patrick's
    9. Can You Hear Me Now?
    10. New York City Don't Mean Nothing
    11. Ghost In The Ruins
    12. If I Go Away
    13. Agony And Ecstasy
    14. Heal My Soul
    15. Somewhere In Time
    16. Believe

    Customer Reviews:

    5 out of 5 stars "Tonight, She Grins Again".......2007-06-17

    ...after listening to this album for the umpeenth time. Streets has truly become one of my 'stranded on an island' discs. There isn't a dull song among the bunch and it just gets better every time I listen to it.

    I will not bore you by reiterating the albums' story line that everyone else here has posted, but I will say that this is quite possibly one of the most brilliantly written concept albums, ever. Not to mention one of Sav's best. (Dead Winter Dead only comes close). It's an emotional story that I'll bet every one of us, in some way or another can actually relate to. It speaks to the human existence on so many levels.

    Structurally speaking, the music is a symbiosis of hard rock/thrash backed with a well-orchestrated sypmphony of brass instruments and well-arranged piano solos, played by none other than the great Jon Oliva. Criss plays some amazing albeit haunting guitar solos here as well. All in all, the arrangements make for one quite emotional experience, indeed. To give you a better idea, albums such as this and Dead Winter Dead are what set the stage for what will eventually become TSO. (Although, Oliva denounces having any part of that)... Obviously the inspiration was there, however.






    5 out of 5 stars Perhaps We'll All Find the Answers Somewhere in Time.......2007-04-17

    DT (short for Downtown Jesus) was a drug dealer in NYC before he became a rock star. But the hard-rockin' life had taken its toll on DT, and he'd fallen on hard times. So one summer night he decided to go cold turkey and set out into the New York City night to search for meaning in his life. What he found was tragedy, anger, sorrow, doubt, regret, despair, hope, love, and, ultimately, redemption.

    That, in a nutshell, is the plot of Savatage's STREETS: A ROCK OPERA. When an album has the term "rock opera" right there in the title, you can probably assume the contents are going to be a little bombastic; and that wouldn't be an unwise assumption here. Don't get me wrong, Savatage is a metal band (with a name like that they'd almost have to be), and STREETS is indeed a metal album. But the kind of metal that kicks off with an excerpt from Mozart's THE MAGIC FLUTE, the kind of metal couched in grandiose theatrics and lots of piano and vocal harmonies - metal with an eye toward Broadway. Progressive metal, if you will. It shouldn't be surprising then that part of this album was originally conceived by producer/songwriter Paul O'Neill as part of an unfinished Broadway musical - not unlike Jim Steinman's Neverland. Big, highly-wrought ballads ("A Little Too Far", "If I Go Away", "New York City Don't Mean Nothing") share space with raging rockers ("Jesus Saves", "Sammy & Tex", "You're Alive"), and between the two groups of songs there's not a genuinely weak spot on the album.

    But as with any album, I have my favourites, of course. The opening title track sets up the epic, slightly distorted world of the album magnificently, and "Tonight He Grins Again" and "Agony & Ecstasy" are both wonderfully dark bits of melodic metal. I have to admit though, by and large the ballads are the highlights for me, perhaps because they sound the most like the Trans-Siberian Orchestra, with their soaring choruses and Jon Oliva's prominent piano lines. Of these, "St. Patrick's", which finds our hero in the cathedral in NYC doubting the existence of a God, is a truly powerful statement. On the flip side of that coin, the final trilogy - "Heal My Soul" (set to the tune of an old Welsh lullaby), "Somewhere in Time", and the sublime "Believe" - are absolutely life-affirming.

    While STREETS' storyline is clear throughout the album, what's surprising is that, unlike so many rock operas, the music doesn't suffer to accomodate it, or vice-versa. It's a simple story, but not too simple or vague; there's no narrative padding or inconsequential linking tracks; and by the time the album ends, you really do feel as if you've experienced something big. Jon Oliva's dramatic vocals, while they might take some getting used to, are very well suited to the music (though I can't help but think of his role as Mephistopheles on BEETHOVEN'S LAST NIGHT) and the band plays great - especially guitarist Criss Oliva, Jon's brother, who's equally at home spinning out heavy metal pyrotechnics and heart-rending solos.

    I inspected Savatage on the strength of Jon Oliva and Paul O'Neill's (brilliant) side-project the Trans-Siberian Orchestra, and unsurprisingly STREETS has turned out to be an album and Savatage a band I think I'll find myself returning to quite a bit in the future.

    3 out of 5 stars Streets: A Rock Opera.......2007-04-04

    This album is not one of the best Savatage albums. It has some good songs on it but what lets it down is the fact that the overall sound isn't that good. Also after reading the inside of the CD inlay the description of the story is too long, just reading the lyrics is good enough to catch the story.

    And the track listing is a little confusing as it says that some songs are on the same track when after putting it into the PC it or listening to it on a CD player it becomes apparent that this is not the case.

    However, for any Savatage fan this is a must if only to listen to the legendary Criss Oliva. Rock In Peace.

    4 out of 5 stars Rock da melhor qualidade.......2007-02-22

    O album registra um ótimo momento do savatage, o timbre das guitarras bem característico da banda dá o tom do disco. recomendo a todos os amantes da boa música.

    4 out of 5 stars Streets: A Rock Opera .......2007-01-13

    Just like it states... "Rock Opera Music". Try it, you may like the way it moves.

    World Music:

    1. Nostal Rock [Import]
    2. Notte Di Natale [Import]
    3. O Circo da Solidao [Import]
    4. O Encontro Do Homem Com a Natureza [Import]
    5. On Kielder Side
    6. Os Melhores Do Samba [Import]
    7. Persone Silenzione [Import]
    8. Play the Zydeco
    9. Primeiro Fado
    10. Quel Fenomeno Di Lucio Dalla

    World Music

    world music

    World Music

    Live at Sturgis [DualDisc] [Live]

    Blavet: Flute Sonatas

    Beethoven: Piano Concerto No. 5; Violin Concerto

    Lionel Hampton 90th Birthday Celebration [Live]

    Blitzkrieg Pop [Enhanced] [Limited Edition]

    A41

    Best of British Folk

    A Passage in Time [Enhanced] [Explicit Lyrics]

    Aprés le Paradis [Import]

    Bach: Brandenburg Concertos 1, 2, 3 - Overture - Orchestral Suite BWV 1066

    Anam Cara

    Aria Di Famiglia [Import]

    20 Exitos Nortenos

    Tchaikovsky: Ballet Music (Leonard Bernstein: The Royal Edition, Vol. 94 of 100)

    Brigade