| 1. Street Piano |
| 2. Cylinder Paino |
| 3. Mandoline Street Piano |
| 4. Atlas Organette |
| 5. Street Piano |
| 6. Street Piano |
| 7. Street Piano |
| 8. Cylinder Piano |
| 9. Cabinetto Paper-Roll Organ |
| 10. Mandoline Street Piano |
| 11. Tremolo Street Piano |
| 12. Celestina Paper-Roll Organ |
| 13. Street Piano |
Music of the Streets,Mechanical Street Entertainment,Saydisc,Instrumental,Int'l & World Music,Pop,V/a Compilations
Average customer rating:
|
These Streets
Paolo Nutini Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LE1GVW Release Date: 2007-01-30 |
Tracks:
- Jenny Don't Be Hasty
- Last Request
- Rewind
- Million Faces
- These Streets
- New Shoes
- White Lies
- Loving You
- Autumn
- Alloway Grove
From Amazon.co.uk
19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted KordAlbum Description
Debut album from Paolo Nutini.Customer Reviews:
Great Performer.......2007-08-06
Fabulous.......2007-08-03
fantastic.......2007-07-26
Paolo!.......2007-07-19
listening to live earth now!!.......2007-07-09
Average customer rating:
|
Before These Crowded Streets
Dave Matthews Band Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000638Q Release Date: 1998-04-28 |
Tracks:
- Pantala Naga Pampa
- Rapunzel
- The Last Stop
- Don't Drink The Water
- Stay (Wasting Time)
- Halloween
- The Stone
- Crush
- The Dreaming Tree
- Pig
- Spoon
Amazon.com
The Dave Matthews Band is moving its music forward incrementally. While Before These Crowded Streets offers more of the folky melodies and vaguely international rhythms that made this Charlottesville, Virginia, group a major record and concert draw, it also finds them adding subtle new colorings to the mix. Alanis Morissette guests on two cuts, "Spoon" and the disc's first single, "Don't Drink the Water"; banjo Bela Fleck steps in, too. Most intriguing, however, is the modernist string arrangement from the Kronos Quartet on the driving "Halloween." Matthewsat least partly fulfills his obvious hopes to lead something other than a jam band here; at the same time, Streets should keep his fans satisfied. --Rickey WrightCustomer Reviews:
wow.......2007-06-09
1. Pantala Naga Pampa- this song isn't much of a song, but it's good for what it is. you can find it played at the end of the D&T version of "jimi thing".
2. Rapunzel- this song shows how tight the band is together. it's played in 5:4 time, which is really tough. the whole song is tasty, and the bridge is a 6:8 turnaround with a great violin part. great song.
3. The Last Stop- this song makes a very large use of a middle-eastern scale. that's what makes it sound really egyptian, and although i really appreciate the influence, it's probably my least favorite on the cd. it is still a good song.
4. Don't Drink The Water- i really like this song. i like the live version better, because i think it has more energy, but this version is very good as well. i love the passion that the lyrics show and how the music describes it.
5. Stay- great single, although it's almost 6 min long. it's very catchy and has a black female vocal group singing in it. i love the two jams that the band goes into. dave is very good at describing feelings in terms of music, this one being love.
6. Halloween- This song is very funny. It sounds like dave is singing like he's frankenstein's monster or something. Sometimes it gets on my nerves, but it's musically a great song. really funny to listen to.
7. The Stone- halloween fades into just violins and stuff and flows into the beginning of the stone. that makes for a great intro. then the guitar comes in, and it's a very good guitar riff. this is the most dark of all songs on the album. it also has the best of all guitar riffs on the cd in my opinion, the verse, chorus, and transition back to the verse. it has a very long, awesome jam at the end and fades. amazing song.
8. Crush- I think this is my favorite of all dmb songs. again, dave describes love in the form of music very well. this is just a feel good song. the jam at the end blows my mind. tim reynolds, leroi moore, and boyd tinsley are all soloing at once. even dave has a few funky chords in the jam himself, the closest thing to soloing i think i've ever heard from him. also one of the best live songs by dmb.
9. The Dreaming Tree- I love this song. It has a great story and just a great feel to it. A great bass line (not as great as in crush) carries the song through the verse.
10.Pig- this song has a great message to not waste days away, and that we take tomorrow for granted too much. musically, it's not as good as some dmb songs, but it's still good.
11. Spoon- This song is very jazzy, and has a guest female vocalist. i'm not sure, but i think she is the girl that plays with damien rice. it's a great finale to the whole album, a great way to end it all off.
Bottom line is, this cd is great. it's a lot different from other dmb albums, but if you're more of the listener that just cranks it up and listens to it instead of playing it in the background, this is probably the one cd by dmb that is most enjoyable when you have it really loud. you have to listen to this whole cd at one time to get the full effect. if you enjoy this, i recommend sunrise over sea by the john butler trio.
fantastic............2007-03-27
Some of my favorite cuts include "Last Stop," which eerily illustrates what was to become of the relationship between the United States and the Middle East, only three years later, when 9/11 took place (chillingly prophetic), "Stay," which is an upbeat, fun, and calypso-inspired romp in the grass and makes you feel like the sun is shining even if you're listening to it in the pouring rain, "Crush," a beautiful jazzy love song, and "The Dreaming Tree," which is poetic, ponderous and devestating. There really isn't a "bad" song on here. Dave Matthews is a fantastic story teller and he wrote most of the songs himself. This album is an example of rock/crossover music at its best.....
Rocky Roads.......2007-03-27
"Streets" marked a shift in his band's sexily sour and dreamily dour demeanor. There is still the classic romantic chaos ("Rapunzel" and "Stay") and the seeping wonderment of his melancholy moods ("Crush," "The Dreaming Tree," and "Spoon"), and as before it's done with meticulous attention to every chord and spark, every pluck and quaver.
Here, however, Dave has chosen also to get really, really angry. He saturates those moments with just as much technical skill as ever, but gone is the lyricism, replaced by Dave ripping resentful and revenge-hungry tirades out of his throat as if they have been sawed into shape with a cheese grater. I'm not saying he shouldn't be angry (his vendettas are against the rape and loss of cultures/land and also sometimes against things more difficult to pinpoint); I'm just saying he's more skilled at singing about love and bittersweet loss than he is at growling about drinking water and "Halloween."
Not DMB's best album, but still good.......2007-03-15
I still love this album.......2007-02-11
Average customer rating:
|
While the City Sleeps, We Rule the Streets
Cobra Starship Manufacturer: Decaydance ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2IS0E Release Date: 2006-10-10 |
Tracks:
- Being From Jersey Means Never Having To Say You're Sorry
- Send My Love To The Dancefloor I'll See You In Hell (Hey Mister D.J.)
- The Church Of Hot Addiction
- The Kids Are All F***ed Up
- It's Warmer In The Basement
- Keep It Simple
- It's Amateur Night At The Appollo Creed!
- Bring It (Snakes On A Plane)
- The Ballad Of Big Poppa And Diamond Girl
- Pop-Punk Is Sooooo '05
- You Can't Be Missed If You Never Go Away
Album Description
The band burst onto the scene with the uber-catchy dance-pop-rock of "Snakes On A Plane (Bring It)" from the movie's soundtrack. This is their debut full-length. Produced by S*A*M, a.k.a. Sam Hollander (Method Man, The Sounds, Gym Class Heroes) and Sluggo, the alter ego of renowned session bassist Dave Katz (Roger Daltrey). Features special guests, such as members of Fall Out Boy, The Academy Is..., Gym Class Heroes, The Sounds, and 80's dance/pop group The Cover Girls.Customer Reviews:
Awesome Album, Start to Finish.......2007-06-27
Beam me up Cobra Starship.......2007-06-05
I find their music original and fun.
Favorite tracks are "Send My Love to the Dance Floor..." and "Keep it Simple".
I would definitely recommend this album to anyone who is looking for something different.
G A B E gonna get you high!.......2007-05-21
Gabe Saporta knows just want it takes to get the listener to really feel his songs and get you moving!
My favorite tracks are Send my Love... The balland of Big Poppa... The Kids are all F'd up.
If you are feeling Gabe's sound, be sure to check out some of his former band, Midtown's releases: Forget What you Know OR Living Well is the Best Revenge.
Holla!
Cobra starship rocks!.......2007-04-09
Cool sound.......2007-03-09
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating: |
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FQQ Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
Average customer rating:
|
Original Pirate Material
The Streets Manufacturer: Vice/Atlantic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006L88F Release Date: 2002-10-22 |
Tracks:
- Turn the Page
- Has It Come to This?
- Let's Push Things Forward
- Sharp darts
- Same Old Thing
- Geezers Need Excitement
- It's Too Late
- Too Much Brandy
- Don't Mug Yourself
- Who Got the Funk?
- The Irony of It All
- Weak Becomes Heroes
- Who Dares Wins
- Stay Positive
Amazon.com
In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis PattisonAlbum Description
2002 debut is enhanced with the videos of 'Weak Become Heroes' and 'Let's Push Things Forward'. The album is nominated for this year's Mercury Prize, alongside luminaries David Bowie and Doves and was certified Gold in the UK. Vice.Customer Reviews:
Sardonic, Clever, Hip, Original.......2007-07-31
The Streets' two subsequent albums haven't lived up to the potential seen here on "Original Pirate Material," as Skinner's lazy/arrogant outlook on life became more annoying than charming, and the music seemed less inspired overall. But this record stands alone as a modern classic.
original.. that's for sure.......2006-10-24
tracks worth checking out:
Turn The Page (best opening song on any album i've ever heard)
Too Much Brandy
Don't Mug Yourself
It's Too Late
Irony Of It All (weed vs. alchohol)
Stay Positive (a description of himself during a heroine addiction)
instantly a favorite!!!!.......2006-06-13
a heady blend of comic one-off, day-to-day musings, and some very basic earthy (am i allowed to say?) wisdom......this thing grabs you from beginning to end and never lets go.
every track rocks unique and sneeky brilliant....even sexy at times...bare yet clever and the words flow non-stop effortlessness without the pomp and bragadassiho of so much rap.
it's hard to believe i enjoyed a true hip-hop album as much as this.
this one's gonna rock my senses for some time to come.
an absolute must for any collection of what is cool and modern...even if you're not.
: )
mcc>
Classic.......2005-11-02
'Turn the Page' starts the album off with a bang, and it just gets better from there. The next 2 songs, 'Has It Come To This?' and 'Let's Push Things Forward' deliver a kind of laid back attitude to rapping, almost so that the songs sound like spoken words. The rest of the album is like this also, but it truly does fit well. 'It's Too Late' and 'Weak Become Heroes' are the kind of tracks that draw emotion from deep inside the listener, whether they are liking the music or not, and 'Stay Positive' delivers advice on life and how to deal with it. The only porr track is 'Sharp Darts', which is barely 2 minutes, which doesn't detract from the album at all. Incredible.
Definitely buy this CD, throw money at Mike Skinner for creating such brilliane!
I don't even listen to rap and I still give it 4 stars.......2005-10-29
There must be something about the American rap "style" that is an instant turn-off; maybe it's all the bling-in-your-face attitude. Ugh. But the poetic eloquence here--the meaning behind these words--seems somehow to hit home.
"Turn the page" is freakin brilliant, no matter what you call it; rap, poetry, music, whatever.
I'm not saying every track is a masterpiece, but when something is obviously special it deserves special attenton.
Average customer rating:
|
These Streets
Paolo Nutini Manufacturer: Wea International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FVGMC4 Release Date: 2006-09-05 |
Tracks:
- Jenny Don't Be Hasty
- Last Request
- Rewind
- Million Faces
- These Streets
- New Shoes
- White Lies
- Loving You
- Autumn
- Alloway Grove
From Amazon.co.uk
19-year old Scottish singer/songwriter Paolo Nutini sounds older than his years on his debut album, These Streets. It's not just his careworn, smooth-as-sandpaper voice, either (although, admittedly, it does help). It's more to do with the maturity of the lyrics, and the casual soulfulness of his delivery. "Last Request" is more the work of a vintage Motown singer than a teenager from Paisley, and it's to Nutini's credit that he carries it off with aplomb. And rather like the soul singers of previous generations, he manages to sing without a hint of hypocrisy about his own sexual exploits ("Jenny Don't Be Hasty") while also questioning his girlfriend's fidelity ("Alloway Grove"). It's the fact that he's so frank, and even a little bit naive, that he manages to get away with it. And though the stripped-down tunes on These Streets don't always immediately grab the listener (the title track, in particular), the songs where Nutini is accompanied by a full band often manage to evoke sunny-day American soul ("New Shoes", for example). This is a strong debut, and considering Paolo Nutini's tender years, bigger things can be expected of him in the future. --Ted KordAlbum Description
2006 debut album by this young Scottish singer/songwriter influenced by such diverse artists as John Martyn, Van Morrison, Ray Charles and The Drifters, who is playing sold-out headline shows across the UK based on positive word-of-mouth and press support. 10 tracks including 'Jenny Don't Be Hasty', 'Last Request' and 'New Shoes'. Atlantic.Album Details
Paolo Nutini's Songs Suggest He Knows an Awful Lot About the Vicissitudes of Life and Love, and Demonstrate his Unique Gift for Expressing in Song the Attitudes and Experiences of Someone his Age. 'these Streets' Records his Experiences of Moving to London, a Song which Wistfully Name Checks the Places in which He Grew Up and is Sure to Strike a Chord with Anyone who Has Ever Lived in Bedsit-land. "Feeling Good, Feeling Down, Telling a Few White Lies. It's a Very Personal Record," Says Nutini, "But Hopefully Other People Can Relate to the Feelings." Many of the Songs on the Album, Including 'last Request' and 'rewind', were Inspired by a Turbulent Relationship with a Girlfriend, and 'jenny Don't Be Hasty' is a True Story About Encounters with an Older Woman.Customer Reviews:
Nutini - These Streets.......2007-06-30
Thank you, Paolo...keep on going :)...Welcome to the USA.
Simply tremendous album.......2007-05-13
I am distantly reminded of a young Rod Stewart, in the time of the Faces, way before he went mainstream pop and disco, and when he was a wee rocking lad.
Saw him live in Seattle, frankly, his live stuff is way better (as good as this album is!!!). See the live stuff he's done on YouTube (the stuff his crew has released, not the cell phone concert tapings of 15 year olds) and you have to agree that Paolo is the best thing to come out of Scotland in years.
Hint, the last track (Alloway Groove) is actually three songs, separated by about a minute or three of silence. At about 12:00 min into the song and after a few minutes of silence, suddenly you hear Paolo do an acoustic version of Last Request. Amazing.....
Wow!.......2007-04-30
There will be 5 stars down the road.......2007-03-26
This artist is going places.......2007-03-18
All in all this is a great addition to any CD collection.
Average customer rating:
|
One Hundred Greatest TV Themes
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y49F Release Date: 2002-08-27 |
Tracks:
- The A-Team - Nic Raine
- The Addams Family - Nic Raine
- The Adventures Of Robinson Crusoe - Nic Raine
- Airwolf - Derek Wadsworth
- The Avengers - Mike Townend
- Barnaby Jones - Jerry Goldsmith
- Batman - Nic Raine
- Battlestar Galactica - Nic Raine
- Baywatch - Derek Wadsworth
- Beverly Hills 90210 - Derek Wadsworth
- Bewitched - Nic Raine
- Between The Lines - Mark Ayres
- The Bill - Nic Raine
- Bonanza - The Philharmonia Orchestra
- Brideshead Revisited - Derek Wadsworth
- Buck Rogers In The 25th Century - Nic Raine
- Burke's Law - Derek Wadsworth
- Cagney And Lacey - Derek Wadsworth
- Captain Scarlet And The Mysterons - Mark Ayres
- Casualty - Mark Ayres
- Cheers - Mark Ayres
- Dallas - Nic Raine
- Dangerman (Secret Agent) - Mike Townend
- Doctor Who - Mark Ayres
- Doctor Kildare - Jerry Goldsmith
Tracks:
- Doogie Howser, M.D. - Derek Wadsworth
- Dynasty - Nic Raine
- The Equalizer - Derek Wadsworth
- Falcon Crest - Derek Wadsworth
- Fireball XL-5 - Derek Wadsworth
- The Fugitive - Nic Raine
- Hawaii 5-0 - Mike Townend
- Hercules: The Legendary Journeys - Nic Raine
- The High Chaparral - Nic Raine
- Highway To Heaven - Derek Wadsworth
- Hill Street Blues - Derek Wadsworth
- The Hitchhikers Guide To The Galaxy - Mark Ayres
- The Incredible Hulk - Derek Wadsworth
- Jason King - Mike Townend
- Jesus Of Nazareth - Paul Bateman
- Joe 90 - Derek Wadsworth
- Johnny Staccato - Derek Wadsworth
- Knight Rider - Derek Wadsworth
- Kojak - Mike Townend
- L.A. Law - Derek Wadsworth
- Land Of The Giants - Nic Raine
- Little House On The Prairie - Derek Wadsworth
- Lonesome Dove - Nic Raine
- Lost In Space - Nic Raine
- Lou Grant - Derek Wadsworth
Tracks:
- Magnum, P.I. - Derek Wadsworth
- A Man Called Ironside - Mike Townend
- The Man From U.N.C.L.E. - Derek Wadsworth
- M*A*S*H - Nic Raine
- Miami Vice - Mark Ayres
- Mike Hammer - Derek Wadsworth
- Mission Impossible - Mike Townend
- Monty Python's Flying Circus - Nic Raine
- The Munsters - Derek Wadsworth
- Murder She Wrote - Derek Wadsworth
- Newhart - Derek Wadsworth
- North And South - Derek Wadsworth
- Northern Exposure - Derek Wadsworth
- NYPD Blue - Mark Ayres
- The Outer Limits - Nic Raine
- Perry Mason - Mike Townend
- The Persuaders - Mark Ayres
- Peter Gunn - Mike Townend
- Police Squad - Nic Raine
- The Prisoner - Mike Townend
- Quantum Leap - Derek Wadsworth
- Randall And Hopkirk (Deceased) - Mike Townend
- Red Dwarf - Mark Lambert
- The Rockford Files - Mike Post
- Roseanne - Dan Foliart
Tracks:
- The Saint - Mike Townend
- Seaquest DSV - Nic Raine
- Space 1999 - Derek Wadsworth
- Star Trek - Mike Townend
- Star Trek: Deep Space Nine - Derek Wadsworth
- Star Trek: Voyager - Nic Raine
- St. Elsewhere - Derek Wadsworth
- The Streets Of San Francisco - Nic Raine
- Stingray - Barry Gray
- Taxi - Derek Wadsworth
- Thunderbirds - Derek Wadsworth
- Thirty Something - Derek Wadsworth
- The Time Tunnel - Nic Raine
- Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
- The Twighlight Zone - Nic Raine
- Twin Peaks - Derek Wadsworth
- U.F.O. - Derek Wadsworth
- The Virginian - Nic Raine
- Voyage To The Bottom Of The Sea - Nic Raine
- Wagon Train - Paul Bateman
- The Waltons - Jerry Goldsmith
- The Wild Wild West - Derek Wadsworth
- Young Riders - John Debney
- Xena: The Warrior Princess - Paul Bateman
- The X-Files - Mark Ayres
Customer Reviews:
Two tracks I really like.......2007-07-21
The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.
Quantity Over Quality.......2007-01-15
Mediocre.......2006-05-17
One Hundred Greatest TV Themes.......2005-08-06
Pretty close to original recordings.......2005-07-24
Average customer rating:
|
Takin' It to the Streets
The Doobie Brothers Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KG6 Release Date: 1990-10-25 |
Tracks:
- Wheels Of Fortune
- Takin' It To The Streets
- 8th Avenue Shuffle
- Losin' End
- Rio
- For Someone Special
- It Keeps You Runnin'
- Turn It Loose
- Carry Me Away
Customer Reviews:
The Multi-Facets of the Diamond Band.......2007-04-14
A staple of mid 70's FM radio airplay, the Doobie Brothers earned a well-respective niche in rock. In this debut presentation of the talents of Michael McDonald as spokesman-singer, you hear staple songs of the Doobie's career. But more important, you hear more obscure tracks that are super-beautiful and cross the division between rock and jazz-fusion.
If you don't have this album, then get it right now!
WONDERFUL!.......2007-04-03
Fine music seriously marred by poor sonics.......2006-11-05
GREAT ALBUM, BUT YOU'RE BUYING THE WRONG VERSION!.......2006-07-17
The Japanese imports of the Doobie catalog are remastered.
Warner Brothers here in the U.S. is still selling the old LP-EQ'd, terrible-sounding masters they released on CD in 1990.
If you love these albums, get a set of the Japanese editions. They cost more, but they're worth it.
The transition album.......2006-02-10
Average customer rating:
|
Streets: A Rock Opera
Savatage Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IS7 Release Date: 1991-10-15 |
Tracks:
- Streets
- Jesus Saves
- Tonight He Grins Again/Strange Reality
- Strange Reality
- A Little Too Far
- You're Alive
- Sammy And Tex
- St. Patrick's
- Can You Hear Me Now?
- New York City Don't Mean Nothing
- Ghost In The Ruins
- If I Go Away
- Agony And Ecstasy
- Heal My Soul
- Somewhere In Time
- Believe
Customer Reviews:
"Tonight, She Grins Again".......2007-06-17
I will not bore you by reiterating the albums' story line that everyone else here has posted, but I will say that this is quite possibly one of the most brilliantly written concept albums, ever. Not to mention one of Sav's best. (Dead Winter Dead only comes close). It's an emotional story that I'll bet every one of us, in some way or another can actually relate to. It speaks to the human existence on so many levels.
Structurally speaking, the music is a symbiosis of hard rock/thrash backed with a well-orchestrated sypmphony of brass instruments and well-arranged piano solos, played by none other than the great Jon Oliva. Criss plays some amazing albeit haunting guitar solos here as well. All in all, the arrangements make for one quite emotional experience, indeed. To give you a better idea, albums such as this and Dead Winter Dead are what set the stage for what will eventually become TSO. (Although, Oliva denounces having any part of that)... Obviously the inspiration was there, however.
Perhaps We'll All Find the Answers Somewhere in Time.......2007-04-17
That, in a nutshell, is the plot of Savatage's STREETS: A ROCK OPERA. When an album has the term "rock opera" right there in the title, you can probably assume the contents are going to be a little bombastic; and that wouldn't be an unwise assumption here. Don't get me wrong, Savatage is a metal band (with a name like that they'd almost have to be), and STREETS is indeed a metal album. But the kind of metal that kicks off with an excerpt from Mozart's THE MAGIC FLUTE, the kind of metal couched in grandiose theatrics and lots of piano and vocal harmonies - metal with an eye toward Broadway. Progressive metal, if you will. It shouldn't be surprising then that part of this album was originally conceived by producer/songwriter Paul O'Neill as part of an unfinished Broadway musical - not unlike Jim Steinman's Neverland. Big, highly-wrought ballads ("A Little Too Far", "If I Go Away", "New York City Don't Mean Nothing") share space with raging rockers ("Jesus Saves", "Sammy & Tex", "You're Alive"), and between the two groups of songs there's not a genuinely weak spot on the album.
But as with any album, I have my favourites, of course. The opening title track sets up the epic, slightly distorted world of the album magnificently, and "Tonight He Grins Again" and "Agony & Ecstasy" are both wonderfully dark bits of melodic metal. I have to admit though, by and large the ballads are the highlights for me, perhaps because they sound the most like the Trans-Siberian Orchestra, with their soaring choruses and Jon Oliva's prominent piano lines. Of these, "St. Patrick's", which finds our hero in the cathedral in NYC doubting the existence of a God, is a truly powerful statement. On the flip side of that coin, the final trilogy - "Heal My Soul" (set to the tune of an old Welsh lullaby), "Somewhere in Time", and the sublime "Believe" - are absolutely life-affirming.
While STREETS' storyline is clear throughout the album, what's surprising is that, unlike so many rock operas, the music doesn't suffer to accomodate it, or vice-versa. It's a simple story, but not too simple or vague; there's no narrative padding or inconsequential linking tracks; and by the time the album ends, you really do feel as if you've experienced something big. Jon Oliva's dramatic vocals, while they might take some getting used to, are very well suited to the music (though I can't help but think of his role as Mephistopheles on BEETHOVEN'S LAST NIGHT) and the band plays great - especially guitarist Criss Oliva, Jon's brother, who's equally at home spinning out heavy metal pyrotechnics and heart-rending solos.
I inspected Savatage on the strength of Jon Oliva and Paul O'Neill's (brilliant) side-project the Trans-Siberian Orchestra, and unsurprisingly STREETS has turned out to be an album and Savatage a band I think I'll find myself returning to quite a bit in the future.
Streets: A Rock Opera.......2007-04-04
And the track listing is a little confusing as it says that some songs are on the same track when after putting it into the PC it or listening to it on a CD player it becomes apparent that this is not the case.
However, for any Savatage fan this is a must if only to listen to the legendary Criss Oliva. Rock In Peace.
Rock da melhor qualidade.......2007-02-22
Streets: A Rock Opera .......2007-01-13
World Music:
- Nostal Rock [Import]
- Notte Di Natale [Import]
- O Circo da Solidao [Import]
- O Encontro Do Homem Com a Natureza [Import]
- On Kielder Side
- Os Melhores Do Samba [Import]
- Persone Silenzione [Import]
- Play the Zydeco
- Primeiro Fado
- Quel Fenomeno Di Lucio Dalla
World Music
Live at Sturgis [DualDisc] [Live]
Beethoven: Piano Concerto No. 5; Violin Concerto
Lionel Hampton 90th Birthday Celebration [Live]
Blitzkrieg Pop [Enhanced] [Limited Edition]
A Passage in Time [Enhanced] [Explicit Lyrics]
Bach: Brandenburg Concertos 1, 2, 3 - Overture - Orchestral Suite BWV 1066
Tchaikovsky: Ballet Music (Leonard Bernstein: The Royal Edition, Vol. 94 of 100)