In London

Track Listings

 
1. Rag Kedar
2. Rag Shahana
3. Rag Abhogi
4. Rag Abhogi

In London,Ustad Rasid Khan,Navras,India,India / Pakistan,Indian Classical,Int'l & World Music,Pop,Raga
Harry Potter & the Goblet of Fire
Average customer rating: 3.5 out of 5 stars
  • A must have...
  • Harry Potter moves on.. and so does the music
  • The Magic is Gone
  • Atmospheric...But That's About All
  • Musically Spellbinding
Harry Potter & the Goblet of Fire

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Harry Potter & the Prisoner of Azkaban
  2. Harry Potter and the Chamber of Secrets
  3. Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack
  4. Harry Potter and the Order of the Phoenix
  5. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

ASIN: B000BGH22W
Release Date: 2005-11-15

Tracks:

  1. Story Continues
  2. Frank Dies
  3. Quidditch World Cup
  4. Dark Mark
  5. Foreign Visitors Arrive
  6. Goblet of Fire
  7. Rita Skeeter
  8. Sirius Fire
  9. Harry Sees Dragons
  10. Golden Egg
  11. Neville's Waltz
  12. Harry in Winter
  13. Potter Waltz
  14. Underwater Secrets
  15. Black Lake
  16. Hogwarts' March
  17. Maze
  18. Voldemort
  19. Death of Cedric
  20. Another Year Ends
  21. Hogwarts Hymn
  22. Do the Hippogriff
  23. This Is The Night
  24. Magic Works

Amazon.com

Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth Vincentelli

Album Description

Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.

Customer Reviews:

5 out of 5 stars A must have..........2007-07-30

This is a must have for any REAL HP fan.....had to have it! Along w/ the other ones available :)

5 out of 5 stars Harry Potter moves on.. and so does the music.......2007-05-23

As a collector of movie soundtracks, it was unthinkable not to get this fourth album of the Harry Potter series. After reading the mixed reviews, I was apprehensive as to whether it would sit on my shelf collecting dust or get a good workout in the CD player.

I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.

As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?

I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.

So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!

1 out of 5 stars The Magic is Gone.......2007-05-10

John Williams is not simply a hard act to follow...he's THE hard act to follow. Nonetheless this score falls far short. There was once magic in the land of Hogwarts.. themes were stated boldly and elevated the story, flurries of woodwinds nurtured scenes of flight. Doyle's score does dare to quote William's melodies at 3 points in this score. They are harmonized poorly and treated even worse. The rest of the score just goes downhill from here. He does introduce his own new "themes." These are presented as boring quarter note string lines that you can't seem to remember 10 seconds after you hear them. The rest of the scoreat it's best is a prime example of dated cliches. The dialogue scenes are overly sappy and the action scenes become hokey in an almost silent film music stlye. Watch the graveyard scene again and laugh, check out the dance scene where characters get lifted in the air as simple scales comically mirror their moves. The most common reaction to the music after viewing the film is "I don't really remember it as being good or bad." If you go back and watch it again I think you story will change. The magic is gone.

3 out of 5 stars Atmospheric...But That's About All.......2007-03-31

One of the joys for me of the John Williams "Harry Potter" scores are the lush, melodic leitmotifs. On "The Chamber of Secrets" album alone there are wonderful themes for Fawkes, Dobby and Gilderoy Lockhart, not to mention Colin, Hedwig and The Flying Car. They're charming, evocative pieces that stand alone apart from the moodier, more percussive tracks composed to accompany the actual movie. Unfortunately, there's nothing that even comes close to these in Doyle's "Goblet of Fire" score. There's certainly drama ("The Maze") and pathos ("Death of Cedric"), but nothing thematic that you'd want to hear over and over again. And what themes there are ("Neville's Waltz" for instance) I find woefully banal. (And don't get me started on the acid rock songs that close the album.) So this is a true movie score in the sense that it's pretty much all background music; it certainly creates atmosphere and serves as a reminder of the film's superlative visuals. But what works well in the theater doesn't translate very well for the home audio listener.

5 out of 5 stars Musically Spellbinding.......2007-01-09

This album is a must for an Harry Potter fan, both young and old, from the mild to the extreme. I also recommend the entire collection of soundtracks to the movies. Each one is full of calm, soothing melodies we have come to enjoy from Harry Potter.
The Best of Italian Opera
Average customer rating: 4.5 out of 5 stars
  • Great Stuff
  • A Great Introduction to Italian Opera
  • Best of the best!
  • Fabulous bargain for anyone
  • Great songs for a low price.
The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

  1. La Traviata: 'Libiamo, Libiamo'
  2. Rigoletto: 'La donna e' Mobile'
  3. The Barber Of Seville: 'Una voce poco fa'
  4. La Boheme: 'Che gelida manina'
  5. Rigoletto: 'Gualtier Malde!' Caro nome'
  6. Il Trovatore: 'Vedi! le fosche'
  7. Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
  8. TOSCA: 'Vissi d'arte'
  9. La Traviata: 'Di Provenza il mar, il suol'
  10. The Marriage Of Figaro: 'Voi che sapete'
  11. Aida: 'Se quel guerrier io fossi...Celeste Aida'
  12. Madama Butterfly: 'Un bel di vedremo'
  13. La Gioconda: 'Cielo e mar'
  14. Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

5 out of 5 stars Great Stuff.......2007-07-22

The sound quality of this disc is surprisingly good, very good for an ADD. All the selections captured each singer in his/her top form. It is a real treat that this disc contains many work that were not normally in certain singer's repertoire. Gedda's Aida, Moffo's Rossini-Rosina and Cherobino, for example, all were superbly sung. Even Moffo's Lucia sounds much better than I have ever heard in other places.

4 out of 5 stars A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

5 out of 5 stars Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

5 out of 5 stars Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

4 out of 5 stars Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.
The Most Famous Opera Arias
Average customer rating: 4 out of 5 stars
  • Great for kids!
  • Mediocre Sound Quality
  • I was pleased
  • The Most Famous Opera Arias
  • Okay But.... - a review of "The Most Famous Opera Arias"
The Most Famous Opera Arias

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SCE
Release Date: 1994-07-19

Tracks:

  1. Rigoletto: Act I - Caro nome
  2. Rigoletto: Act III - La donna e mobile
  3. Gianni Schicchi: O mio babbino caro
  4. Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
  5. Orfeo ed Euridice: Act III - Che faro senz Euridice
  6. Madama Butterfly: Act III - Un bel di, vedremo
  7. Romeo et Juliette: Act I - Ah! je veux vivre
  8. Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
  9. Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
  10. Tosca:: Act II - Vissi d'arte, vissi d'amore
  11. Aida: Act I-Celeste Aida
  12. Il Barbiere Di Siviglia: Act I-Una voce poco fa
  13. Lakme: Act II - Ou va la jeune indoue?
  14. La Wally: Act I - Ebben? Ne andro lontano
  15. La Boheme: Act I - Che gelida manina
  16. Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen

Customer Reviews:

5 out of 5 stars Great for kids!.......2007-06-27

I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.

2 out of 5 stars Mediocre Sound Quality.......2007-03-31

If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.

It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.

5 out of 5 stars I was pleased.......2007-02-18

I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.

5 out of 5 stars The Most Famous Opera Arias.......2007-01-05

I was completely surprised in the product as well as the time in which it was delivered.

I would not only refer this seller but I will come back myself.

3 out of 5 stars Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18

My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.

This was the first we purchased and it is okay but not great.

Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)

Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.

Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
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The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Vivaldi: The Four Seasons; Violin Concertos
Average customer rating: 4.5 out of 5 stars
  • Sublime!
  • plays every day!
  • Fun
  • Wonderful recording!
  • If all music were so beautiful
Vivaldi: The Four Seasons; Violin Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bach: Violin Concertos
  2. Bach: Brandenburg Concertos No. 1-4; Neville Marriner; Academy of St. Martin in the Fields
  3. Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
  4. Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture
  5. Chopin: Preludes & Nocturnes

ASIN: B00005NPK1
Release Date: 2002-08-13

Tracks:

  1. The Four Seasons: Con No.1 in E, RV 269 'Spring': I. Allegro - London Philharmonic Orchestra
  2. The Four Seasons: Con No.1 in E, RV 269 'Spring': II. Largo - London Philharmonic Orchestra
  3. The Four Seasons: Con No.1 in E, RV 269 'Spring': III. Allegro - London Philharmonic Orchestra
  4. The Four Seasons: Con No.2 in g, RV 315 'Summer': I. Allegro Non Molto - London Philharmonic Orchestra
  5. The Four Seasons: Con No.2 in g, RV 315 'Summer': II. Adagio - London Philharmonic Orchestra
  6. The Four Seasons: Con No.2 in g, RV 315 'Summer': III. Presto - London Philharmonic Orchestra
  7. The Four Seasons: Con No.3 in F, RV 293 'Autumn': I. Allegro - London Philharmonic Orchestra
  8. The Four Seasons: Con No.3 in F, RV 293 'Autumn': II. Adagio Molto - London Philharmonic Orchestra
  9. The Four Seasons: Con No.3 in F, RV 293 'Autumn': III. Allegro - London Philharmonic Orchestra
  10. The Four Seasons: Con No.4 in f, RV 297 'Winter': I. Allegro Non Molto - London Philharmonic Orchestra
  11. The Four Seasons: Con No.4 in f, RV 297 'Winter': II. Largo - London Philharmonic Orchestra
  12. The Four Seasons: Con No.4 in f, RV 297 'Winter': III. Allegro - London Philharmonic Orchestra
  13. Vn Con in c, RV 199 'Il Sospetto': I. Allegro - Itzhak Perlman
  14. Vn Con in c, RV 199 'Il Sospetto': II. Andante - Itzhak Perlman
  15. Vn Con in c, RV 199 'Il Sospetto': III. Allegro - Itzhak Perlman
  16. Vn Con in a, RV 356: I. Allegro - Itzhak Perlman
  17. Vn Con in a, RV 356: II. Largo - Itzhak Perlman
  18. Vn Con in a, RV 356: III. Presto - Itzhak Perlman
  19. Vn Con in A, RV 347: I. Allegro - Itzhak Perlman
  20. Vn Con in A, RV 347: II. Largo - Itzhak Perlman
  21. Vn Con in A, RV 347: III. Allegro - Itzhak Perlman

Customer Reviews:

5 out of 5 stars Sublime!.......2007-07-19

So lovely I think we'll need to get a second copy because we might just wear out the one we have! The concertos are an especially nice added treat!

5 out of 5 stars plays every day!.......2007-06-14

This tape is played every day in our house at nap time - it is beautiful and wonderful.

5 out of 5 stars Fun.......2007-05-26

I'm not really much in the way of a music expert, but I really enjoyed this cd.

5 out of 5 stars Wonderful recording!.......2007-05-20

I purchased this recording for my grandson, who is studying the Vivaldi Violin Concerto in A minor. This is a fortunate time for instrumental music students, as, through the medium of digital sound, they can purchase a CD and hear the music, as played by world-class players.

The CD technology eliminates the old game of "drop the needle!" Wonderful!

I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!

I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!


5 out of 5 stars If all music were so beautiful.......2007-01-12

Four seasons is one of my favorite pieces. With Itzhak Perlman at the helm, this rendition is flawless as one would rightfully expect.
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
Average customer rating: 5 out of 5 stars
  • desert island disk choice. get it no, fast!
  • It has no equal
  • Possibly the biggest steal in all of recorded music !
  • Milstein is spectacular here!
  • sounds as good as any $15 recording
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture
  2. Elgar: Pomp and Circumstance Marches Op. 39; Enigma Variations Op. 36
  3. Bach: Violin Concertos
  4. Symphonie Fantastique
  5. Vivaldi: The Four Seasons; Violin Concertos

ASIN: B000000UW5
Release Date: 1995-10-17

Tracks:

  1. Violin Concerto In D, Op. 35: I. Allegro moderato
  2. Violin Concerto In D, Op. 35: II. Canzonetta (Andante)
  3. Violin Concerto In D, Op. 35: III. Finale (Allegro vivacissimo)
  4. VIOLIN CONCERTO IN D, OP. 77: I. Allegro non troppo
  5. VIOLIN CONCERTO IN D, OP. 77: II. Adagio
  6. VIOLIN CONCERTO IN D, OP. 77: III. Allegro giocoso, ma non troppo vivace

Customer Reviews:

5 out of 5 stars desert island disk choice. get it no, fast!.......2007-05-07

If you have this recording, you do not need another one of these pieces. This one has satisfied me for what must be at least 2 decades. You'll never need another recording.

5 out of 5 stars It has no equal.......2006-03-21

The availability of this CD phenomenon with a $3.98 price should be shouted from the rooftops. Milstein outperforms everyone on both concertos; the Brahms is sublime, and the recording quality is excellent throughout. Push the purchase now key without further delay. It doesn't get any better than this, ever!

5 out of 5 stars Possibly the biggest steal in all of recorded music !.......2005-10-22

As one who grew up adoring the Jascha Heifetz/Fritz Reiner recordings of these two great concerti, and certain they had set a standard of musical excellence impossible of being equalled, much less bettered, imagine my surprise upon hearing this fabulous disc.

HEIFETZ & REINER HAVE BEEN DETHRONED!

Having beaten back great artists in recent years such as Vengerov and Shaham, it hardly seemed possible that there were two old recordings by Nathan Milstein (which must have skipped my notice) which had long ago taken the prize....

...Music lovers, forget the Rosette and attendant babble given by the Penguin Guide to the Milstein Brahms Concerto (with Steinberg conducting, in mono). That publication after dismissively mentioning the Jochum conducted performance of the 1980s adds insult to injury by ignoring completely this Fistoulari conducted version! (Even if it is currently unavailable in the UK, surely it should be remembered - it was even recorded there!)

Of course any performance by a genius such as Milstein will have wonderful moments now and then, but this recording, with Fistoulari conducting, in stereo, is the best of them all - it has real magic and passion, and is the performance to get.

The Tchaikovsky with Steinberg is probably more of a draw, but the "Finale" is as good as it gets, and the rest is merely magnificent. What a fiddler!

Finally, that this disc is being sold to the public at a price this low should make all music lovers weep in gratitude, certain that "Yes, Virginia - there is a Santa Claus...."

5 out of 5 stars Milstein is spectacular here!.......2005-06-08

As many reviews have been written about this disc, I'll try to keep it short and mention the things that I like about this CD most.

There are tons of recordings of these pieces, most of which are incredible and worth hearing. The thing that strikes me most about Milstein's playing is how polished it is. His tone and phrasing is perfectly thought out and executed on every single passage, even those which are highly virtuosic. His sound is gorgeous and supple, again even in the most difficult passages. I also enjoy his style, particularly on the Tchaikovsky. His use of rubato and other such expressive tools is entirely appropriate and never overdone.

When I listen to this disc, it is very clear that Milstein absolutely mastered every aspect of his instrument. His versions of these "old favorites" are absolutely wonderful.

5 out of 5 stars sounds as good as any $15 recording.......2005-01-18

I got this CD because it was recommended in the Penguin Book (the Penguin Guide to Compact Discs), and at $4, as someone said, I couldn't afford not to get it. It's brilliant - the Brahms is better than the Mutter/Karajan/BPO recording, and the Tchaikovsky is better than the only other recording I'd heard at the time (Mehta/Zukerman/Israel Philharmonic). The orchestra is very good, and Milstein plays the double stops (these pieces are harder than practically every other violin concerto other than Paganini's) effortlessly. The CD is very romantic and easy on the ears - a good example of the Romantic era. And there's two recordings for $4 - how can you not get it :).
25 Beethoven Favorites
Average customer rating: 3.5 out of 5 stars
  • Great for the road
  • Beethoven 25 Favorites
  • 25 Beethoven Favorites
  • bEtHoVeN mAnIaC
  • Great Price...Not so good itself
25 Beethoven Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. 25 Mozart Favorites
  2. 25 Bach Favorites
  3. 25 Tchaikovsky Favorites
  4. 25 Vivaldi Favorites
  5. 25 Classical Favorites

ASIN: B0000058HX
Release Date: 1996-08-20

Tracks:

  1. Egmont Overture - Ludwig Van Beethoven
  2. Symphony No. 5 In C Minor - Ludwig Van Beethoven
  3. Piano Sonata No. 21 In C Major - Alfred Brendel
  4. Piano Sonata No. 14 In C Sharp Minor - Jerome Rose
  5. Piano Sonata No. 8 In C Minor - Jerome Rose
  6. Piano Sonata No. 23 In F Minor - Jerome Rose
  7. Symphony No. 6 In F Major - Ludwig Van Beethoven
  8. Symphony No. 7 In A Major - Ludwig Van Beethoven
  9. 'The Creatures Of Prometheus' Ballet - Ludwig Van Beethoven
  10. Violin Concerto In D Major - Susanne Lautenbacher
  11. Sonata For Violin And Piano No. 5 In F Major - Aaron Rosand
  12. Piano Trio In B Flat - Mannheimer Trio
  13. Fse - Various Artists
  14. Quintet In E Flat For Piano And Winds - Abbey Simon
  15. 'Chorale Fantasy' In C Minor For Piano, Chorus And Orchestra - Walter Klien
  16. Piano Concerto No. 2 In B Flat - Alfred Brendel
  17. Piano Concerto No. 3 In C Minor - Ludwig Van Beethoven
  18. Piano Concerto No. 4 In G Major - Alfred Brendel
  19. Piano Concerto No. 5 In E Flat - Alfred Brendel
  20. Symphony No. 3 In E Flat - Ludwig Van Beethoven
  21. 'The Ruins Of Athens,' - Ludwig Van Beethoven
  22. 'Corolian,' - Ludwig Van Beethoven
  23. Ecossaise For Piano - Alfred Brendel
  24. Symphony No. 9 In D Minor - Ludwig Van Beethoven
  25. Symphony No. 9 In D Minor - Ludwig Van Beethoven

Customer Reviews:

3 out of 5 stars Great for the road.......2007-05-11

I found this to be a nice collection of favorites, especially to keep in the car and listen to. It is a variety of well known compilations. Although not encompassing, it is perfect as a review for driving, relaxing, and enjoyment. Plus, the price is right!

5 out of 5 stars Beethoven 25 Favorites.......2006-11-21

Very good! I ordered it especially for Piano Sonata No. 8 Pathetique

4 out of 5 stars 25 Beethoven Favorites.......2006-11-05

Good overview of his works----an introduction into his depth as a composer

3 out of 5 stars bEtHoVeN mAnIaC.......2005-11-03

[...] Honestly, it isn't THAT THAT great, but its good enough for its price. I'd say that your $ pays off, for a while. I've noticed how after a long time, it gets aggrivating at times. No harm meant, "Beethoven lover". I just mean don't plunge into this cd with all the hopes in the world. Besides, it's just my opinion, so you may like it more than me. All i can say is; a) listen to some samples before you buy, b)know this is not REALLY the great Beethoven himself, and c) enjoy YOUR music, whatever it may be.

2 out of 5 stars Great Price...Not so good itself.......2005-05-19

This a great priced cd, but the content is why it is so cheap. It's a true-amateur album. Beethoven Lover is over her/his head. This is the real world, not a fantasy-everyone-likes-every-type-of-music world. Deal with it and agree with me. It isn't so great.
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Average customer rating: 5 out of 5 stars
  • Wonderful Collection
  • Beutefully interpretted
  • I THOUGHT I had heard these concertos,,,
  • Excellent Selection
  • A sassy dame
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
Edward Elgar , Luigi Boccherini , Antonin Dvorak , Camille Saint-Saëns , Joseph Haydn , Arnold Schoenberg , Robert Schuman , Daniel Barenboim , Sir John Barbirolli , Jacqueline du Pré , Valda Aveling , Georg Mathias Monn , London Symphony Orchestra , New Philharmonia Orchestra , Chicago Symphony Orchestra , and English Chamber Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. Jacqueline du Pré - a lasting inspiration
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  4. Hilary & Jackie
  5. Jacqueline du Pré - Chopin: Cello Sonata in G minor, Franck: Sonata in A / Barenboim

ASIN: B000002S1F
Release Date: 1990-05-07

Tracks:

  1. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 1 - Moderato - Kadenz - Tempo I
  2. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 2 - Adagio - Kadenz - Tempo I
  3. Cello Concerto No. 1 In C Major, Hob. VIIb:1: 3 - Allegro molto
  4. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 1 - Allegro moderato
  5. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 2 - Adagio
  6. Cello Concerto No. 2 In D Major, Hob. VIIb:2: 3 - Rondo (Allegro)
  7. Cello Concerto in B flat major: 1 - Allegro moderato - Kadenz - Tempo I
  8. Cello Concerto in B flat major: 2 - Adagio no troppo
  9. Cello Concerto in B flat major: 3 - Rondo (Allegro) - Kadenz - Tempo I

Tracks:

  1. Cello Concerto In A Minor, Op. 129: I. Nicht zu schnell
  2. Cello Concerto In A Minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
  3. Cello Concerto In A Minor, Op. 129: III. Sehr lebhaft - Kadenz - Tempo I
  4. Concerto No. 1 in A minor, Op. 33
  5. Cello Concerto In G Minor: I. Allegro
  6. Cello Concerto In G Minor: II. Adagio
  7. Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

  1. Concerto In B Minor, Op. 104: I. Allegro
  2. Concerto In B Minor, Op. 104: II. Adagio ma non troppo
  3. Concerto In B Minor, Op. 104: III. Finale (Allegro moderato)
  4. Concerto In E Minor, Op. 85: Adagio-Moderato
  5. Concerto In E Minor, Op. 85: II. Lento-Allegro molto
  6. Concerto In E Minor, Op. 85: III. Adagio
  7. Concerto In E Minor, Op. 85: IV. Allegro ma non troppo

Amazon.com essential recording

During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May

Customer Reviews:

5 out of 5 stars Wonderful Collection.......2007-07-28

This is a wonderful collection of Jacqueline du Pre's work, both because it traces her development as an artist, her unique interaction with various conductors and her interpretations of a variety of composers. Jacueline du Pre is a cellist for all time.

5 out of 5 stars Beutefully interpretted.......2007-04-04

Jacquline du Pres interprettation of some of the moast famous cello consertos is simply amasing. her music just flows with energy and abbowe all passion. she realy brings out the qaleties of the cello with intensety and softnes intertwined. music bursting with passion.

5 out of 5 stars I THOUGHT I had heard these concertos,,,.......2007-04-04

UNTIL I was fortunate enough to have heard them performed by Jacqueline du Pre!!!
ABSOLUTELY STUNNING!!! Her superb playing, along with truly masterful
interpretative skills, just "comes pouring out of the speakers!"
Also, the orchestras were obviously truly inspired by these opportunities to perform and record with one of the greatest musicians of all time.
The sound quality is excellent, as is the separation and clarity of both the soloist's and orchestral performances. The overall dynanism is also top notch - I found I had to lower the volume substantially from my normal
system loudness levels.
I've enjoyed this set so much I'll probably wind up buying everything from Amazon that EMI has produced with Jacqueline du Pre's name on it!

5 out of 5 stars Excellent Selection.......2007-02-27

The choice of concertos is excellent and the artistry of Jacqueline du Pre is exceptional. The Schumann and Saint-Saens works are truly beautiful.

The album is a fitting tribute to the tragic loss of an incredible young talent.

4 out of 5 stars A sassy dame.......2007-02-20

I love this CD. It came extremely fast to NZ and a bonus too as I was expecting only one cd not three!
While Dvorak is currently my favourite, other composers featured here have been growing on me.
Never been a Cello devotee in the past, but I am enjoying this new phase of my musical listening.
The late Ms du Pre plays with vigor and assertiveness, yet manages to convey those moving and sublime moments when needed.
Most enjoyable. Thanky you
Classical Music for Children: A Toddler's Introduction to Classical Music
Average customer rating: 5 out of 5 stars
  • Awesome CD
  • He started dancing as soon as we put it on!
  • Better than baby einstein
  • great music at a great price
  • A Wonderful CD for all ages
Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

  1. Clair de Lune
  2. Eine kleine Nachtmusik: Romance: Andante
  3. Moonlight Sonata: Adagio sestonuto
  4. Minute Waltz
  5. On The Beautiful Blue Danube
  6. The Nutcracker Suite: Russian Dance
  7. El Amor Brujo: Danca del Terror
  8. Grand Valse Brillante, Waltz No. 1 op. 18
  9. Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
  10. Goldberg Variations: Aria
  11. The Nutcracker Suite: Chinese Dance
  12. Symphony No. 7: Allegro molto
  13. Symphony No. 94: Menuetto: Allegro molto
  14. The Nutcracker Suite: March
  15. Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

5 out of 5 stars Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

5 out of 5 stars He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

5 out of 5 stars Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

5 out of 5 stars great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

5 out of 5 stars A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.
Andrea
Average customer rating: 4 out of 5 stars
  • HOW DO YOU SAY,"WOW," IN ITALIAN?
  • Just buy it.
  • Teamo, Andrea Bocelli
  • A new style from Andrea.
  • Not happy with delivery (or non delivery) of this item
Andrea
Massimo Varini , Ensemble of Bologna , London Session Orchestra , Andy Duncan , Leo Z. , Rosario Jermano , Dave Arch , and David Arch
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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  1. Andrea Bocelli - Amore
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  4. Sogno
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ASIN: B00063M112
Release Date: 2004-11-09

Tracks:

  1. Dell'Amore Non Si Sa
  2. L'Attesa
  3. Un Nuovo Giorno
  4. Tu Ci Sei
  5. Sin Tu Amor
  6. Libert
  7. Per Noi
  8. Le Parole Che Non Ti Ho Detto
  9. Sempre O Mai
  10. In Canto
  11. Quante Volte Ti Ho Cercato
  12. When A Child Is Born
  13. Go Where Love Goes

Amazon.com

It's no mean feat being the world's foremost crossover artist--a task that risks alienating two disparate audiences and everyone in between--but somebody had to do it, and Andrea Bocelli again walks that artistic tightrope with impressive deftness. The title may imply a casual intimacy (indeed, the singer admits to taking a more "hands-on" approach to the album's conception and production), but it's a collection that nonetheless continues to expand on the Italian tenor's ambitious internationalism. His collaboration "Sin Tu Amor" immerses his voice in the Gipsy Kings' own rich Iberian folk-pop fusion with compelling results, while "Where Love Goes" (a musical focal point of the film Lazarus Child), his English language duet with 11-year-old prodigy Holly Stell, achieves an almost liturgical grace. "Tu Ci Sei" (You Are There) continues in the romantic vein of his familiar theme "Con Te Partiro" (Time to Say Goodbye), while the single "Dell' Amore Non Si Sa" (With Love You Never Know) features Bocelli in a signature dramatic tour de force collaboration with arranger Mauro Malavasi, the accomplished producer of the singer's Romanza and Sogno albums. Bocelli's shrewd taste and vocal prowess here not only again redeem an oft-maligned genre, but elevate it considerably in the bargain. --Jerry McCulley

Customer Reviews:

5 out of 5 stars HOW DO YOU SAY,"WOW," IN ITALIAN?.......2007-06-22

BEFORE I START, LET ME SAY, THAT I AM A DANCE CLUB GUY AND THAT, ORDINARILY, THIS IS NOT MY KIND OF MUSIC. OF COURSE, I LAUGH AS I SAY THAT, AS, APPARENTLY, A NEW DOOR HAS OPENED IN MY LIFE, THANKS TO THIS MAN.
A FEW YEARS AGO I HAD HEARD ANDREA DO, "CON TE PARTIRO," ON A PBS SPECIAL AND MY EYES FILLED WITH TEARS THAT ANY HUMAN COULD MAKE SUCH SOUNDS. I WAS ASTOUNDED; MORE ASTOUNDING, STILL, WAS TO HEAR THIS ALBUM AND FIND THAT HIS VOICE HAD ACTUALLY VASTLY IMPOVED OVER TIME. HOW IS THIS POSSIBLE? " CON TE..," PALES IN COMPARISON TO THE QUALITY OF THIS WORK; THE TRACKS ON THIS CD ARE PERFECT, FULL, RICH, AND MORE MOVING THAN ANYTHING I HAVE EVER HEARD. I HAVE HAD IT A WEEK, NOW, AND I HAVE NOT BEEN ABLE TO LISTEN TO ANYTHING ELSE FOR VERY LONG, AND I PLAY IT OVER AND OVER. IT HAS BEEN MANY YEARS SINCE I HAVE BEEN AFFECTED LIKE THIS BY ANY VOCAL CD. IF HE NEVER RECORDED AGAIN HE WOULD HAVE MADE A MARK ON THE WORLD OF AUDIO NEVER TO BE ERASED OR FORGOTTEN. WHAT A VOICE! WHAT SONGS! THE CUT, "LIBERTA," ABSOLUTELY KILLS ME WITH FEELINGS OF JOY AND MARVEL. I HAVE EVEN TAKEN UP STUDYING ITALIAN BECAUSE OF IT.
TREAT YOURSELF, AND A GOOD FRIEND, TO THE SOUNDS ON THIS CD. SIT AND WATCH A SUNSET WITH IT ON... I MEAN NOW!

5 out of 5 stars Just buy it........2007-05-30

If you like soft music that make's you feel up beat, just order a Andrea Bocelli CD. Listening to his CD's after being at work all day, is like having an option in life to hear and be somewhere else.

5 out of 5 stars Teamo, Andrea Bocelli .......2007-03-08

One of his best. Need the lyrics translated from the Italian to the English inside the casing next time. Nonetheless, Mr. Bocelli has a beautiful voice. It made my wife and all my female co-workers swoon when they listened to it.

4 out of 5 stars A new style from Andrea........2007-02-24

There were some ugly songs in here.(I absolutely hate to say that about anything Andrea.)But the good far outshone the bad.
Un Nouvo Giorno stunned me the first time I heard it.It was so unlike anything I had heard from Andrea- very pop.But it soon grew on me.
Liberta is amazing.Very catchy and upbeat.
Sempre O Mai is my favorite.It keeps its tempo up and has the best of Andrea and pop.Great song.

So this album was really a double album with pop and classical songs interspersed.A good mix from the master.

1 out of 5 stars Not happy with delivery (or non delivery) of this item.......2007-01-16

When I ordered this on 12/04/2006 they said I would have it before Christmas. Then right before Christmas the delivery date was changed to mid-January. So I had to cancel my order and go, at the last minute, buy it at a store because it was a Christmas present. I wasn't happy about it and won't be buying from amazon for the holidays any longer.

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