Spazio [Import]

Track Listings

 
1. Ll Mondo Visto Dallo Spa
2. Senza Gravita'
3. Al.C
4. Cento (100) Parole
5. Se Telefonando
6. Sei Tu
7. Facile
8. Tu Mi Vuoi
9. Distante
10. Palmer Eldritch
11. Il Mondo Visto Dallo Spaz
12. Se Telefonando (Radio Edi
13. Se Telefonando (Version E

Editorial Reviews

Product Description
Excellent Debut Album from New Italian Band. Their Music is a Mixture of Pop with Trip-hop. The First Single 'se Telefonando' (Cover of Mina's Hit) Has a Heavy Rotation on Italian Radio.

Spazio,Delta V,Bmg Int'l,Pop,Rock,World Music
The Very Best of Franco Corelli
Average customer rating: 5 out of 5 stars
  • If you love beautiful voices...
  • If you want to know Corelli's art, this is the right CD
  • excellent gift
  • Greatest Tenor of This Century!
  • Ah... Franco :}
The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

  1. A Te, O Cara
  2. Meco All' Altar Di Venere... Me Protegge, Me Difende
  3. Ah Si, Ben mio...De Quella Pira
  4. Se Quel Guerrier Io Fossi!...Celeste Aida
  5. Pur Ti Riveggo, Mia Dolce Aida
  6. Intanto Amici... Viva Il Vino Spumeggiante
  7. Mamma, Quel Vino E Generoso
  8. Recitar!... Vesti La Giubba
  9. No, Pagliaccio Non Son
  10. Colpito Qui M'avete...Un Di All'azzuro Spazio
  11. Credo A Una Possanza Arcana
  12. Legray!... Andrea Chenier!...Si, Fui Soldato
  13. Come Un Bel Di Di Maggio
  14. Vicino A Te

Tracks:

  1. Donna Non Vidi Mai
  2. Recondita Armonia
  3. E Lucevan Le Stelle
  4. Non Piangere, Liu... Ah! Per L'ultima Volta!
  5. Nessun Dorma
  6. Favorita Del Re!... Spirto Gentil
  7. Cielo E Mar
  8. L'anima Ho Stanca
  9. Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
  10. Ange Adorable
  11. L'amour, L'amour.. Ah! Leve-Toi, Soleil!
  12. O Nuit Divine!
  13. C'est La! Salut! Tombeau!
  14. Fronde Tenere... Ombra Mai Fu
  15. Ave Maria
  16. Domine Deus
  17. Core 'Ngrato
  18. Torna A Surriento

Customer Reviews:

5 out of 5 stars If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

5 out of 5 stars If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

5 out of 5 stars excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

5 out of 5 stars Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

5 out of 5 stars Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.
Mario del Monaco: Historical Recordings 1950 - 60
Average customer rating: 4.5 out of 5 stars
  • One of the biggest voices of the past 50 years
  • The Biggest Tenor Voice of the 20th century
Mario del Monaco: Historical Recordings 1950 - 60

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001XLU
Release Date: 2000-06-06

Tracks:

  1. 'I pagliacci': Prologo
  2. 'I pagliacci': Vesti la giubba
  3. 'I pagliacci': No, pagliaccio non son!
  4. 'Il trovarore': Di quella pira
  5. 'Il trovarore': Mal reggendo
  6. 'Il trovarore': Ah, si ben mio
  7. 'Macbeth': Ah, la peterna mano
  8. 'Otello': Esultate
  9. 'Otello': Niun mi tema
  10. 'Otello': Morte di Otello
  11. 'Madama Butterfly': Addio fiorito asil
  12. 'Tosca': Recondita armonia
  13. 'Tosca': E lucevan le stelle
  14. 'Il tabarro': Hai ben raggione
  15. 'Il tabarro': Folle di gelosia
  16. 'Andrea Chenier': Un di all'azzuro spazio
  17. 'Andrea Chenier': Si fui soldato
  18. 'Andrea Chenier': Come un bel di maggio
  19. 'Les troyens': Aria di Enea
  20. 'Il Barbiere Di Siviglia': Largo al factotum
  21. 'Die Walkure': Monologue of Siegmund

Customer Reviews:

4 out of 5 stars One of the biggest voices of the past 50 years.......2007-02-19

Mario del Monaco was not the most elegant tenor; he was not a great actor. But, man, did he have a big voice! He had one of the most powerful tenor voices of the past 50 years. We're talking Richard Tucker and Franco Corelli power here (and maybe even more at that).

Some examples. He sings "Largo al factotum" from Rossini's "Il Barbiere de Siviglia." He takes it at a fast pace. This work is normally sung by a baritone, but del Monaco makes it his own anyhow. He has fun with this aria and it shows.

For tenors, "Di quella pira" is a show off aria (from Verdi's "Il Trovatore"). The high C here is a splendid place to demonstrate one's voice. Del Monaco has the big voice for this; the high notes ring out. On the other hand, with the "shake" in this work, he is pretty rough and inelegant. But elegance was not del Monaco's forte; power was. His voice on the final notes sails above the orchestra and chorus.

Verdi's "Tosca" has two showstoppers for tenors: "E lucevan le stella" and "Recondita armonia." His version of the former is powerfully sung. Again, not elegant, no great characterization--but powerfully sung. A stentorian voice deployed to good effect. His singing of the words "la vita" catches one's attention. As for the latter, more of the same. If elegance you want, do not attend to Mario del Monaco. If you are intrigued with power, then he is someone you might wish to listen to.

"Vesti la giubba" was one of Caruso's most famous pieces. This aria, from Leoncavallo's "I Pagliacci," is one of the most well known works in the repertoire. Again, del Monaco's version is not graceful. His laughter works nicely; his voice is almost too much for this aria. Nonetheless, again, for those interested in the work of del Monaco, this is interesting to listen to.

All in all, a nice introduction to the work of Mario del Monaco. Personally, I find his power wondrous to listen to; on the other hand, I wish that there were a bit more elegance and subtlety. But the power of his voice is a natural wonder!

5 out of 5 stars The Biggest Tenor Voice of the 20th century.......2005-08-01

Most music scholars and opera cognescentes credit the Italian from Florence Mario Del Monaco to have been blessed with the most powerful and biggest tenor voice in the 20th century. I wouldn't know about in all history, but for all I know, he could have indeed have the biggest tenor voice in history, since in the old days of opera -Baroque Era to the 19th century, purely lyric tenors with only some weight and power- like Caruso, were in vogue. When Monaco came along, he changed the course of tenor performances. He was singing in electrifying performances during the 50's- his career spanned the same time of Maria Callas' legendary performances. He even worked with Callas and Tebaldi in such operas as Norma and Andrea Chenier. Mario Del Monaco's most famous role was Verdi's Otello, still considered the greatest interpretation by any tenor of that role. This album finds him at his peak and he sings aria after aria in powerful, masculine, dynamic and beautiful voice, exemplifying the best way to sing in the Italian manner. Find out for yourself and put on this recording while listening to other tenors singing the same arias at the same time. I have tried it. Monaco's voice is far bigger and meatier than such celebrated tenors as Giuseppe Di Stefano, Franco Corelli, Jon Vickers, Placido Domingo and Luciano Pavoratti. Vickers had a big voice as well but even his voice is thinner next to the hefty voice of Del Monaco. Not only that but Del Monaco was the first real "star" tenor at a time when soprano divas were always the stars. He immersed himself in the roles he sang and brought to life for post-World War II audiences.

This well-documented album showcases Mario's versatility in various Italian operas. The only non-Italian aria here is the last one, Siegfried's Aria and Monologue from Wagner's Die Walkure. But mostly, he sang in Italian as only singers from Germany itself sung in the operas of Strauss and Wagner. Americans or Italian singers sticked to the much beloved Italian repertoire. Monaco shows off his muscular vocal chords in the classic tenor signature aria - Vesti La Giubba from I Pagliacci, made famous by Enrico Caruso. In this aria, Pagliacci, just learning that his lady love Nedda has been unfaithful, is naturally crushed but has to perform that night and adopts a "show must go on" attitude. "Laugh, clown, laugh" is his motto in that aria. Monaco makes that aria more intense than any other tenor that followed him. His Manrico is the perfect vehicle for his heroic bravado technique and his Di Quella Pira is hands down the finest interpretation. Included here are arias from Otello, including the passionate "Esultate!" which soars above a powerful orchestra. Also here are stirring arias from Andrea Chenier and even a delightful rendition of "Largo Al Factotum" from the comic Rossini masterpiece The Barber of Seville. Surprisingly, Monaco does not seem perfect for such a role, since it seems to be vocally beneath him. Del Monaco was too serious and heroic sounding that such comic roles as a barber appeared like an odd stray from the norm. But it also proves his versatility I guess. For me, Mario Del Monaco was at his best in such roles as Manrico from Trovatore, Radames from Aida, Cavaradossi from Tosca (included here) Don Jose in Carmen, which he sung opposite Regina Resnik, Calaf in Turandot and Siegfried as well as Otello. Get this album and hear for yourself the voice that dazzled audiences and the man who is still beloved and talked about by opera lovers to this day.
Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
Average customer rating: 4.5 out of 5 stars
  • Mario Lanza Opera
  • Outstanding
  • Unsurpassed!
  • BMG Needs to hire Folks in the Know
  • Mario Lanza WAS a trained opera singer
Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JMH3
Release Date: 2001-10-08

Tracks:

  1. Celeste Aida
  2. Amor Ti Vieta
  3. Di All'azzurro Spazio [From "Andrea Chenier]
  4. O Soave Fanciulla
  5. Fleur Que Tu M'Avais Jetee
  6. O Paradiso
  7. Tal Giocco/Vesti la Giubba
  8. Stolta Paura l'Amor - Mario Lanza,
  9. Donna E Mobile
  10. Vesti la Giubba
  11. M'Appari
  12. Nessun Dorma
  13. Testa Adorata
  14. Come un Bel Di Maggio
  15. Lamento Di Federico
  16. Dio Ti Giocondi - Licia Albanese, Mario Lanza

Customer Reviews:

5 out of 5 stars Mario Lanza Opera.......2007-05-12

This CD of mario is absolutely fabulous. It is the only recording I have managed to find of him singing Nessum Dorma. It is not to be missed. One of operas greatest.

5 out of 5 stars Outstanding.......2006-11-06

Hey, this is Mario Lanza, it can't get any better. A great collection of the best Arias!

4 out of 5 stars Unsurpassed!.......2005-12-13

I am sick and tired of all these technical reviews and critical remarks leveled against everything Mario Lanza did in his short life!

True, musically Mario made some mistakes....but so has every other great tenor in history....from Caruso to Pavarotti and beyond!
And perhaps he sang some arias with too much fortissimo....so what?
Every single song on here, be it among his best or worst work, is a masterpiece when compared to renditions of the same arias by other, more legit and operatically acclaimed tenors.

In order to "get" Lanza one must discard all notions of "finesse", "grace" and " elegance" for Lanza operated, and sang on raw, unadulterated, gut wrenching emotion.
THAT was the genious of Mario Lanza.

We can argue for another 40 years as to his operatic legitimacy...for nought!
Lanza was a VOCAL master and his approach to song was as unconventional and idiosyncratic as was his life.
That's what makes these songs so special and unique.

No one other than perhaps Corelli had the voice and the balls to sing with such uninhibited emotion and that's what this CD is all about.
It is a testament of a great voice.
The fact that Lanza did not have the benefit of a great conductor or teacher guiding him through most of his career, makes these recordings all the more great.

He sang the music as he felt it and that's a big no-no in the stuffy, overbearing and self-righteous world of opera.
Lanza earned millions of dollars because his voice touched all who heard it. His art brought more people to opera than all the leading tenors of his day combined....and this during the golden age of tenors and opera as a whole!

The only word of lesser praise I can offer is the inclusion of the duets. Mario did not have the temprament for duet singing, and subsequently he ended up drowning his partners out, or engaging in a sort of vocal warfare which was the case with much of what he and Grayson recorded during his MGM days.
The arias are great....the duets are medicore on all accounts.

In closing, I apologize for not having spen time on the actual songs. It's been done to death.
All I can say is that, if you wish to hear opera arias sung in a way such as will never be heard again in our lifetime, then this is a CD for you.
If you want proper, technically proficient opera, sung by some big name opera jerk, then stick to that....you'll only end up feeling like all the other good people who have so much negative to say about this CD.

4 out of 5 stars BMG Needs to hire Folks in the Know.......2004-06-15

There are several cuts on this CD that Lnaza did in fact record much better at other times. I have all his records LPs, 78s and movies and I wish BMG would consult a Lanza fan,or me,for the cuts would make the perfect CD. I think its great that we have such a wonderful collection of recordings of Lanza and this one warts and all is still one of the best. The best Lanza set was the RCA LP 2 record set put out in the 70s with Lanza on the cover in M. Butterfly. Where oh where can it be??? Long live Mario Lanza!

4 out of 5 stars Mario Lanza WAS a trained opera singer.......2003-11-13

To the reviewer from Michigan who said Mario never performed an opera on stage, you are wrong. He did two performances as Pinkerton in Madame Butterfly before going off to Hollywood.

Mario had extensive operatic training from some top teachers. He was sought after by many opera companies, including the Met in New York.

It is true that some of Mario's recordings are not as good as others. He did various versions of much of his material, both live and studio, so of course you will find some you prefer to others. But the beauty, power and expressiveness of his voice is unmatched by any tenor I have ever heard.
Carreras · Domingo · Pavarotti ~ Favorite Arias by the World's Favorite Tenors
Average customer rating: 4.5 out of 5 stars
  • One Of The Best
  • outstanding CD and great introduction to these great works
Carreras · Domingo · Pavarotti ~ Favorite Arias by the World's Favorite Tenors
Giacomo Puccini , Gaetano Donizetti , Giuseppe Verdi , Umberto Giordano , Ruggiero Leoncavallo , Jules Massenet , Richard Strauss , Pietro Mascagni , Francesco Cilea , Eve Queler , Lorin Maazel , Emerson Buckley , Michael Tilson Thomas , Sir John Pritchard , Giuseppe Patane , Zubin Mehta , Leonard Bernstein , James Levine , Luciano Pavarotti , Placido Domingo , Jose Carreras , and Ingvar Wixell
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Marton · Scotto · Te Kanawa ~ Favorite Puccini Arias by the World's Favorite Sopranos
  2. Christmas Favorites from the World's Favorite Tenors
  3. Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
  4. José Carreras: The Golden Years
  5. José Carreras Sings Catalan Songs

ASIN: B0000027IG
Release Date: 1991-07-02

Tracks:

  1. Fedora: Amor Ti Vieta
  2. L'Elisir d'Amore: Una Furtiva Lagrima
  3. Lucia de Lammermoor: Fra Poco A Me Ricovero
  4. La Traviata: De' Miei Bollenti Spiriti (Domingo)
  5. Rigoletto: Questa O Quella
  6. Rigoletto: La Donna E Mobile
  7. TOSCA: E Lucevan Le Stelle
  8. La Boheme: Che Gelida Manina
  9. Gianni Schicchi: Firenze E Come Un Albero Fiorito
  10. Madama Butterfly: Addio, Fiorito Asil
  11. Pagliacci: Vesti La Giubra
  12. Andrea Chenier: Un Di All' Azzurro Spazio
  13. Andrea Chenier: Come Un Bel Di Di Maggio
  14. Le Cid: O Souverain, O Juge, O Pere
  15. Der Rosenkavalier: Di Rigori Armato Il Seno
  16. Iris: Apri La Tua Finestra!
  17. Luisa Miller: Quando Le Sere Al Placido
  18. Adriana Lecouvreur: L'Anima Ho Stanca
  19. Turandot: Non Piangere, Liu!
  20. Turadot: Nessun Dorma

Customer Reviews:

5 out of 5 stars One Of The Best.......2005-08-07

This album has got to be one of the best compilations in its genre. If you are into male opera singers, specifically tenors, then you should definitely buy this CD. Imagine their hearty expressive voices coming out of your home stereo system. It might make you cry! (in a good way)

4 out of 5 stars outstanding CD and great introduction to these great works.......2000-05-12

These three are amazing and this CD gives you a great introduction to their talent. The music is soothing and relaxing. The Arias chosen for this CD are awesome, however my only complaint would be that most of them are short (2 to 3 minutes). There are few arias that are longer (more than 4 minutes). I found the short arias to be a bit distracting because I'd just start relaxing into a song and then it would be over. Notwithstanding, a great CD and definitely worth owning.
The Very Best of Beniamino Gigli
Average customer rating: 5 out of 5 stars
  • The Art of Gigli
  • Gigli Is A Wonderful Singer!
The Very Best of Beniamino Gigli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  4. Beniamino Gigli: Historical Recordings 1927 - 1951
  5. Giuseppe Di Stefano Sings Neapolitan Songs

ASIN: B0000A5BXR
Release Date: 2003-09-02

Tracks:

  1. Se Quel Guerrier Io Fossi...Celeste Aida
  2. La Donna E Mobile
  3. Una Furtiva Lagrima
  4. Qual Turbamento...Salve Dimora
  5. O Dolce Incanto...Chiuder Gli Occhi
  6. Che Gelida Manina
  7. Recondita Armonia
  8. E Lucevan Le Stelle
  9. Dovunque Al Mondo
  10. Recitar!...Vesti La Giubba
  11. Intanto Amici, Qua...Viva Il Vino Spumeggiante
  12. Mamma, Quel Vino E Generoso
  13. Non Colombelle!...Ah! Tu Ch'Odi Lo Mio Grido
  14. Che Avvien?...Ah! Non V'Avvicinate...No! Pazzo Son!
  15. Cujus Animam
  16. Panis Angelicus
  17. Ingemisco
  18. Ave Maria
  19. Core 'Ngrato
  20. Funiculi, Funicula - Chorus

Tracks:

  1. 'O Sole Mio
  2. La Serenata
  3. La Danza
  4. Aprile
  5. Mattinata
  6. Torna A Surriento
  7. L'Ultima Canzone
  8. La Vita E Inferno...O Tu Che In Seno
  9. E La Solita Storia Del Pastor
  10. Un Di All'Azzurro Spazio
  11. Andrea Chenier...Corragio!...Si, Fui Soldato
  12. Come Un Bel Di Di Maggio
  13. Di' Tu Se Fedele
  14. Forse La Soglia Attinse...Ma Se M' E Forza Perderti
  15. Rachel, Quand Du Seigneur
  16. Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee
  17. Io Son Sol...Ah! Dispar, Vision
  18. Ah! Non Mi Ridestar
  19. Quanto E Bella - Chorus
  20. Nessun Dorma - Chorus

Customer Reviews:

5 out of 5 stars The Art of Gigli.......2007-03-09

After Caruso's death, Beniamino Gigli became one of the most renowned tenors in the world. His rich voice well justified his reputation. While some of his mannerisms (the little "cries" and "catches" in his voice) can be a bit overdone, they were not atypical of the time. A few reactions to specific cuts.

"Celeste Aida" from Verdi's opera is smoothly sung; his rich voice serves to good effect. As already noted, the little "cries" are unfortunate, but hardly an issue. His higher notes flow smoothly from lower ones, in a seamless fashion. It would have been nice to hear him try for the piano at the end, but he did not choose to do so. Any way you slice it, a nice version of a glorious aria.

"La donna e mobile" is taken at a rather slow pace. It is smoothly sung but does not really catch the spirit of the wretched Duke. He shows wonderful breath control. This is more a workmanlike than scintillating version. On the other hand, "Che gelida manina" is wonderful. Smooth, elegant singing. A very well done high note. An iconic version.

The twin arias from "Tosca," "Recondita armonia" and "E lucevan le stelle" are very well executed. His rendering of the final "la vita" in the latter aria is, again, noteworthy.

And now for something completely different. . . . "Funiculi funicula" is spritely sung, in good spirits, and it is a lot of fun! Most enjoyable. "O Sole mio," likewise, is well rendered. As previously noted, some "off putting" cries, but the warm, full voice more than makes up for such mannerisms. He does not overpower this song with operatic technique. The end result is most satisfying.

"La danza" befuddled the great Caruso (in his version, his breathing fell apart at one point). But not Gigli. Well sung, good breath control. Bravo Gigli!

Back to opera. . . . "Nessun dorma" is well sung. The vocalization is smooth. Gigli's voice soars over orchestra and other voices. The final "Vincero" rings out.

While this CD is not without some questions, as noted above, it is worth 5 stars for its full portrayal of the work of Gigli. As such, it can be recommended for anyone who wants a comprehensive introduction to this singer.

5 out of 5 stars Gigli Is A Wonderful Singer!.......2006-07-31

It's an honor for me to be "the first" to review this recording for Amazon. As "opera lovers" know, Gigli was "the greatest tenor in the world" for many years after the death of Caruso. If you haven't heard Gigli, a great treat is in store for you! He had "penache" and drama in the way he sang. Plus he had a beautiful tonal quality! I could go on and on but if you "pass this guy up" you'll be missing some beautiful and dramatic singing from a "world class" singing actor.

Besides listening to Gigli on Cd, you'd be doing yourself a favor to buy a movie in which Gigli appears and sings. The movie is called "Non Ti Scordar di Me". I'll try to find it on amazon or from "The Bel Canto Society" and give it a "review" also. It's an "old movie" but it has a VERY touching story, is well acted, and you get to see and hear Gigli which is a great treat since he has been gone for at least 50 years. He "comes alive" in this CD and in the movie. You will "thrill" to the sound of his voice. Enjoy! Email:boland7214@aol.
Mario del Monaco: Opera Arias
Average customer rating: 5 out of 5 stars
  • Showcase for a powerful voice
  • Bravo Mario!!!
  • A force of Nature!
Mario del Monaco: Opera Arias

Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD

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  1. Mario del Monaco: Historical Recordings 1950 - 60
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ASIN: B000003XIL
Release Date: 1994-09-13

Tracks:

  1. Aida: Celeste Aida
  2. Otello: Esultate!
  3. Otello: Ora E per Sempre Addio
  4. Otello: Dio Mi Potevi Scagliar
  5. Otello: Niun Mi Tema
  6. La Boheme: Testa Adorata, Piu Non Tornerai
  7. I Pagliacci: Vesti La Giubba
  8. I Pagliacci: No, Pagliacci Non Son
  9. Manon Lescaut: Donna Non Vidi Mai
  10. Turandot: Nessun Dorma
  11. L'amico Fritz: O Amore, O Bella Luce Del Cor
  12. Cavalleria Rusticana: O Lola Ch'hai Di Latti La Cammisa
  13. Cavalleria Rusticana: Mamma, Quel Vino E Generoso
  14. Andrea Chenier: Un Di All'azzurro Spazio
  15. Andrea Chenier: Si, Fui Soldato
  16. Andrea Chenier: Come Un Bel Di Di Maggio
  17. Adriana Lecouvreur: La Dolcissima Effigie
  18. Adriana Lecouvreur: L'anima Ho Stanca
  19. L'africana: O Paradiso
  20. Marta: M'appari Tutt'amor
  21. Carmen: Il Fior Che Avevi A Me To Dato
  22. Werther: Ah! Non Mi Ridestar
  23. Lohengrin: Da Voi Lontan

Customer Reviews:

5 out of 5 stars Showcase for a powerful voice.......2007-02-26

Mario del Monaco reached his professional peak in the 1950s, as analog recording technologies approached their golden age. This cd remasters excellent recordings of del Monaco's truly magnificent voice.

5 out of 5 stars Bravo Mario!!!.......2002-06-18

The Greatest Tenor of Them All. Del Monaco is in wonderful voice here, a voice filled with both Power and Beauty. Just listen and you will hear why Del Monaco is the Tenors Tenor.
Bravo Mario!!!!!!

5 out of 5 stars A force of Nature!.......2001-01-31

This is the most commonly used sentence when someone wants to describe the voice of Mario Del Monaco.Not many tenors can sing those high notes which del Monaco reaches, with such ease!

Loathed by many for this high sound and accused for not being able to sing below forte, especially in the late stages of his carreer, no one can deny the fact that he has performed and recorded operas with some of the greatest singers of all times:Renata Tebaldi, M.Callas, J.Sutherland, M.Olivero, A.Cerquetti, G.Simionato, E.Bastianini, C.Siepi and many others. The list is long. Perhaps not the best tenor choice for all the roles he performed, Mario del Monaco was sublime when the role suited his voice. Such examples are Ottelo, Andrea Chenier, Canio (Pagliacci), Des Grieux (Manon Lescaut), Johnson (Fanciulla del West) and many of these performances are heard on this collection. He had a certain sound that made his voice very dramatic thus so good for these roles.

Concluding, those who like him will find this collection of exceptional value. Those who don't, just stay away since this Cd is full of Mario del Monaco.
The Complete Caruso
Average customer rating: Not rated
    The Complete Caruso

    Manufacturer: RCA
    ProductGroup: Music
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    ASIN: B0001TSWQO
    Release Date: 2004-11-09
    Artists Of The Century - Caruso, The Greatest Tenor In The World
    Average customer rating: 4.5 out of 5 stars
    • A nice overview of Caruso's legacy
    • Unearthly
    • If You Only Buy One Caruso . . .
    Artists Of The Century - Caruso, The Greatest Tenor In The World

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    5. Caruso 2000

    ASIN: B00000J913
    Release Date: 1999-05-25

    Tracks:

    1. Act II: Amor Ti Vieta
    2. Act II: Che Gelinda Manina
    3. Act III: Salut Demeure Chaste Et Pure
    4. Act III: Di Quella Pira
    5. Act IV: Spirto Gentil, Ne' Sogni Miei (Romanza)
    6. Act III: Solenne In Quest'Ora
    7. Act IV: Mi Batte Il Cor...O Paradiso!
    8. Act I: Un Di All'Azzurro Spazio (Improvviso)
    9. Recitar!... Vesti La Giubba
    10. Act I: Questa O Quella
    11. Act IV: La Donna E Mobile
    12. Act III: Ah Si, Ben Mio
    13. Act I: Celeste Aida
    14. Act I: Recondita Armonia
    15. Act III: E Lucevan Le Stelle
    16. Act III: Della Natal Sua Terra Il Padre... O Tu Che In Seno Agl' Angeli
    17. Act II: Magiche Note
    18. Act II: La Fleur Que Tu M'Avais Jetee
    19. Act I: Ah, Qual Soave Vision...Bianca Al Par Di Neve
    20. Act II: Cielo E Mar
    21. Act II: Nell'Ore Arcane Della Sua Lussuria... Ora E Per Sempre Addio
    22. Un Ballo In Maschera: Act I: Di' Tu Se Fedele
    23. Act II: Una Furtiva Lagrima

    Tracks:

    1. Act III: Je Suis Seul... Ah, Uyez, Douce Image
    2. Act II: Chi Mi Frena In Tal Momento? (Sextett)
    3. Act I: O Soave Fanciulla
    4. Act III: Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
    5. Act I: Donna Non Vidi Mai
    6. Cujus Animam
    7. Act II: Oh! Mostruosa Colpa!... Si, Pel Ciel
    8. Act I: Libiamo, Libiamo (Brindisi)
    9. Ingemisco
    10. Act II: Faiblesse De La Race Humaine!... Inspirez-Moi, Race Divine
    11. Act III: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere!
    12. Act IV: O Figli, O Figli Miei... Ah, La Paterna Mano
    13. Act II: Pour Moi Ce Jour Est Tout Mystere
    14. Act I: A Cette Voix Quel Trouble...Je Crois Entendre Encore
    15. Act IV: Bella Figlia Dell'Amore (Quartett) - Giuseppe De Luca
    16. Act II: Chi Mi Frena In Tal Momento? (Sextett) - Amelita Galli-Curci
    17. Act I: Frondi Tenere E Belle...Ombra Mai Fu (Largo)
    18. Act I: Studenti! Udite!
    19. Crucifixus

    Customer Reviews:

    5 out of 5 stars A nice overview of Caruso's legacy.......2007-01-04

    Enrico Caruso was one of the first "media stars," with his recordings selling widely in the early twentieth century; he helped popularize the recording industry. He was one of the leading tenors of his day, and is regarded as one of the tops of the twentieth century (although he began serious singing in the late 19th century).

    This CD features some of his "greatest hits," among which are his well reputed version of "Vesti la giubba" (from I Pagliacci, one of his signature operas); arias from Verdi's Rigoletto, including the bold "Questa o quella" and "La donna e mobile"; some of his most popular recordings from Puccini, including "E lucevan le stelle," "Recondita armonia," and "Che gelida manina." Nice additions to the CD are wonderful ensemble pieces, such as the sextet from Lucia di Lammermoor (including the voice of Luisa Tetrazzini) and the quartet from Rigoletto (with Amelita Galli-Curci).

    Interesting tidbits include his first recording, from 1902, and his last, from 1920.

    All in all, this is a very nice representation of his work. I'm not sure that it compares with the old LP (with him in clown outfit) that includes Rossini's nearly unsingable "La danza," among other items. But it is a terrific introduction to the art of Caruso. Anyone who has not listened to this tenor's works before would be well advised to use this as their entree to his oeuvre.

    5 out of 5 stars Unearthly.......2002-12-23

    Forget toiling for a BMW, enjoy finer things in life.One of my personal favorites is ''Le pecheurs de perles'', but the offer is overwhelming.

    4 out of 5 stars If You Only Buy One Caruso . . ........2001-01-03

    let this be it! Wonderful, generous selection of his singles for Victor, most of them solos, but a few duets, quartets, quintets, and a sextet. The accompanying booklet makes a great deal of including his first and last recordings, but by far the most important here is Caruso's 1907 recording of Vesti la giubba, the first classical recording to sell over a million copies in the United States. If you listen to it, you'll know why--it's every bit as melodramatic as the minstrel show singles with which it shared the top of the early twentieth-century charts.
    Francesco Tamagno: The Complete Recordings and Three Unpublished Recordings
    Average customer rating: 4 out of 5 stars
    • Francesco Tamagno, the first Otello
    Francesco Tamagno: The Complete Recordings and Three Unpublished Recordings

    Manufacturer: Pearl
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000000WYZ
    Release Date: 1993-01-21

    Tracks:

    1. Otello: Esultate!
    2. Otello: Niun mi tema
    3. Otello: Ora e per sempre
    4. Andrea Chenier: Un di all'azzurro spazio
    5. Il Profeta: Re del cielo
    6. Il travatore: Di quella pira
    7. Il travatore: Di quella pira
    8. Il Profeta: Sopra Berta
    9. Herodiade: Adieu donc, vains objets
    10. Sansone e Dalila: Figli miei
    11. Guglielmo Tell: O muto asil
    12. Guglielmo Tell: Corriam, corriamo
    13. Otello: Ora e per sempre
    14. Guglierlmo Tell: Corriam, corriamo
    15. Herodiade: Quand nos jours
    16. Il Trovatore: Deserto sulla terra
    17. Otello: Niun mi tema
    18. Andrea Chenier: Un di all'azzurro spazio
    19. Otello: Esultate
    20. Otello: Ora e per sempre
    21. Otello: Niun mi tema
    22. Guglielmo Tell: O muto asil

    Customer Reviews:

    4 out of 5 stars Francesco Tamagno, the first Otello.......2000-02-17

    Opal records has released a cd, "Francesco Tamagno:Complete Recordings". The transfers are superb, but these recordings were made after Signor Tamango had effectively retired from performing due to chronic heart disease, and must be evaluated with that in mind. Even so, his phrasing is masterful and the voice is still magnificent. He is remembered as the man who first sang Verdi's "Otello", learning the role with the Maestro's supervision. One can imagine Tamagno singing the "Esultate!" to the adulation of audiences worldwide. There are in existance a number of additional unpublished recordings which do not appear on this collection, yet for the opera afficionado who desires to experience the artistry of Francesco Tamagno, this cd is essential.
    Amor ti vieta: Great Opera Arias
    Average customer rating: 4 out of 5 stars
    • Quite a miracle
    Amor ti vieta: Great Opera Arias

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    2. Italian Songs: The Digital Recordings

    ASIN: B0002JUWY8
    Release Date: 2004-08-10

    Amazon.com

    This disc can make a hardened realist believe in miracles. The first is technological: superimposing a new instrumental background on "vocals" recorded between 1902 and 1913. To listeners who cherish Pearl's re-issues of the Caruso Edition, where the voice comes through in all its glory while the orchestra sounds like a village band several miles away, this is naturally a vast improvement. It is also strangely disorienting: with brand-new accompaniments played by an excellent orchestra, the vocal sound shows its age; instead of leaping out from its surroundings, it almost seems upstaged by it. However, the ear quickly adjusts, just as it did to the originals' orchestral sound. The second miracle is Caruso's unique vocal and dramatic artistry. The program features favorite arias as well as unfamiliar ones, such as the disc's title track from Giordano's Fedora and Canio's final aria, rather than the famous earlier one, from Leoncavallo's I Pagliacci. An aria from Verdi's Otello, which he was to sing for the first time at the Metropolitan Opera in 1921, brings home the tragedy of his death at 48 that year. The disc includes some of his earliest recordings (with the orchestra taking over the original piano accompaniments played by the composers), as well as several he made after his operations, when his bright, honeyed, "golden" voice took on its famous baritonal quality: darker, warmer, somewhat heavier. In close juxtaposition, the difference is quite startling, creating the illusion of hearing two different singers. What remains unchanged are his incomparable technique and his inimitable style, though the early tendency toward what now seem excessive slides, portamentos, fermatas, gradually abates. His top notes retained their thrilling, heroic ring, his agility its effortless ease; his breath-control remained uncanny, his charm infectious. Perhaps most striking is his ability to create mood and character, drawing you instantly into the heart of the scene and the person portrayed. --Edith Eisler

    Customer Reviews:

    4 out of 5 stars Quite a miracle.......2005-05-16

    I bought the first digital Caruso CD, "Caruso 2000", and loved listening to it. Although it was more interesting than artistic. I found the digital process fascinating, however it seemed that too much was erased from the digital recordings, to the point that Caruso's voice lost some nuance. This CD however (the third in this series) manages to somehow filter out (most of)the surface noise and the original accompiament while keeping the voice mostly intact. The balance between the old and the new is also more convincing. Detractors of the Caruso 2000 CD should definitely check this one out. They might be surprised

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