| 1. Avaz-Ebayat-E Esfahan |
| 2. Dastgah-E Chahargah |
| 3. Dastgah-E Homayun: 1 Ere Partie |
| 4. Dastgah-E Homayun: 2 Eme Partie |
| 5. Dastgah-E Homayun: 3 Eme Partie |
| 6. Avaz-E Bayat-E Kord |
| 7. Douze Sequences du Reng-E Shahr Ashub |
Iran,Various Artists,Ocora,Int'l & World Music,Iran,Pop
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The Rain
Ghazal Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008UAGA Release Date: 2003-08-26 |
Tracks:
- Fire
- Dawn
- Eternity
Amazon.com
As on their previous releases, this much-admired Persian/Indian crossover duo have created a separate yet spacious universe that is tranquility incarnate. The musicans, who have named themselves after an ancient form of romantic poetry, perform on sitar (a multi-stringed Indian plucked instrument with a tall fretboard attached to a resonating gourd) and kamancheh (a sonorous but gutty-sounding spike fiddle) and voice, accompanied by a tabla virtuoso (a tuned skin drum commonly played in India and Pakistan). They wander hither and yon, seemingly traveling between dimensions of time, thought, and feeling. People who find Indian classical music too demanding for a beginner and/or have no idea what Persian music sounds like need have no fear. These three extended pieces, called "Fire," "Dawn," and "Eternity," may be somewhat rarified but they are also utterly accessible. Performing live before a respectfully rapt audience, Ghazal is at once sensuous, austere, fiery, and spiritual. --Christina RodenCustomer Reviews:
A trip from the terrestrial to the celestial........2007-03-24
"Gazal": An Urdu word, to me it means: a delicate poem of love and passion.
Pl let me share a few known things. Ustaad Shujaat is a maestro of Sitar, a seven string Indian music instrument, with a big echo box made from a shell of a gourd. He excels in "Gayaki" style where strings are plucked and intonations made to emulate vocal chords. He hums along and renders the words with Sitar as a fiddle, to follow up. He has a deep commitment to the tradition, at the same time is fearless to experiment and improvise. Please listen to his other CD "Lajo" where pristine folk tunes from Punjab, India have been given a rebirth. Amazing, indeed.
Kayhan Kalhor, for me has been an amazing find and gift to Indians; from Persia With Love. I have no words to write about him, but admire his art, vision, virtuosity.
Together they in this CD will enthrall anybody. If you can follow the words, this is ecstatic. Otherwise it is sublime. Listen and enjoy these to take a flight to another planet.
This is very inspiring music, to go on a trip, from the terrestrial to the celestial.
ENJOY.
Anil, Iselin, NJ.
First rate.......2007-01-03
Pure Bliss.......2006-05-28
Hindu-Persian Beauty.......2005-12-18
it sends me.......2005-12-09
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Heat of the Sun
Strunz & Farah Manufacturer: Selva Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000000HB Release Date: 1995-09-26 |
Tracks:
- Jardin
- Anaconda
- Lucero
- Illusion
- Dark Fire
- Heat Of The Sun
- Recuerdo
- La Tinaja
- Damask
- Pure Vida
- Terremoto
Customer Reviews:
Stunz & Farah "Heat of the Sun" CD.......2007-03-22
One of Their Best.......2005-12-22
Since that time, I have enjoyed many other Strunz and Farah recordings and have yet to hear a bad one.
Their earliest work while they were still in the process of establishing their style is sometimes repetitious and somewhat mediocre, but most of what I've heard is in the four to five star category, so the problem becomes trying to sort out the best from the rest. And since there is a superficial sameness to a lot of their music, albeit on a very high plane, the sorting becomes difficult.
Though I have not heard everything the duo has recorded, I've heard most of it. When Heat of the Sun was initially issued, availability was spotty perhaps because it was issued on a small independent label. I bought it on sight and when I put it in the CD player, it blew me away. Sometimes Strunz and Farah just play, and play very well, but on Heat of the Sun they play with a rare gusto that suggests syncronicity with their muse.
I like the entire CD a lot and it stands tall after ten years as one of the best of its genre. My favorites are the sprightly Jardin, the smouldering Dark Fire, the virtuoso title cut, the languid Recuerdo, the mellow La Tinaja, and what I consider the CD's best song, the dreamy soundscape that is Terremoto.
Its difficult to keep up with all the great music that comes out year after year, and especially difficult to keep up with a group as prolific as Strunz and Farah. So if you have just a couple of Strunz and Farah recordings in your collection, one of them should be Heat of the Sun, because it is definitely one of their best. I most highly recommend it.
Heat Of The Sun Is One Hot Title!.......2005-08-06
Delicately Sweet Guitar music from the Duo.......2001-09-06
This is my first Strunz & Farah CD. I rate "Heat of the Sun" very highly indeed. Max. stars. Program content is excellent. plenty of variety from fast gorgeous numbers to slow sexy ones. The mix from the other instrumentalists adds real musical value to the total package. Well done! The sound quality of this CD is excellent as well.
All tracks in this CD are 5-star material, but my favorites got to be; Dark Fire; Jardin; and Recuerdo.
Great CD. Highly recommended.
Mesmerizing! Strunz & Farah are guitar GODS!!!!.......2001-06-01
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Night Silence Desert
Mohammad Reza Shajarian , and Kayhan Kalhor Manufacturer: Trad. Crossroads ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004WH7X Release Date: 2000-10-03 |
Tracks:
- Silence Of The Night
- Desert
- Instrument And Vocal
- Desert Night
- Rain
- Festive Occasion
- Dotar Instrumental
- Setar Instrumental
- Instrument And Vocal
- Lovers' Plight
Amazon.com
Kayhan Kalhor is the world's leading exponent of the kamancheh, an upright spike fiddle. Renowned for his work with Ghazal, a group that bridges Indian and Persian music, he applies a similar approach to Iranian folk and classical forms on Night Silence Desert. The Radif (Persian classical repertoire) grew from folk forms, but over the centuries the music evolved from its simple rural origins into an elaborately ornamented and rigorously structured style. This album doesn't take the music back to its basics--there's too much refined virtuosity on display. But the musicians infuse their playing with a vigor and crisp cohesion that belies the record's fitful production. First Kalhor convened 11 strummers, drummers, and flute blowers in Tehran in 1994 to lay down the sweeping instrumental passages. Four years later he and vocalist Shajarian finished the record in Vancouver, British Columbia, Canada. The two men exchange intricate call-and-response melodies that radiate impassioned exhilaration. --Bill MeyerCustomer Reviews:
Wow! A super recording........2005-05-26
Kayhan's best?.......2004-12-16
A huge part of this success is of course due to Mohammad Reza Shajarian. His style and degree of vocal control maybe unmatched (At least in terms of men. Oftentimes I greatly prefer women singers over their male counterparts) by all but a few other men on the whole planet.
Kayhan really is the spark behind all of this, though. Mohammad is the voice, but Kahyan is the reason this exists at all. His kamancheh playing is, as usual, gorgeous... and you also get a larger glimpse into his setar playing than is usual, at least by the standards of his other discs that I own. Although if i remember correctly, my favorite instance of his setar playing is on the Yo-Yo Ma Silk Road disc. I need to pop that one in again. It's been a while.
This isn't his most well-recorded disc... it's certainly not at the level of the 2 Ghazal albums I have, or Scattering Stars Like Dust, but I think the quality of the performance makes up for it.
BEAUTIFUL AND TRANSPORTING..........2004-05-16
Kalhor is a master performer on the kemancheh (the traditional bowed lute of the region, widely used in Arab and Middle Eastern music) and setar (a 4-stringed plucked lute) - he is joined here by an exceptionally talented ensemble featuring dotar (a 2-stringed lute), barbat (oud), santur (an instrument similar to the Western hammered dulcimer), nay (a reed flute), ghooshmeh (a double-reed flute), cello, and assorted percussion instruments. The ten tracks on the disc flow together wonderfully - sometimes so smoothly that the listener might not notice the track has changed until the subtle shifts in mood and melody become apparent.
The words sung in the four vocal sections are, like the music, a mixture of ancient and modern - two are by masters from the 11th and 13th century, and two are by contemporary poets. The ghazal form of lyrical expression is one of the most moving and beautiful to be found in the world - and while the pieces on this disc are not sung in English, there are translations provided. The emotions expressed in the poetry are given glorious flight by the voice of Shajarian, one of the most respected vocalists in Persian music today - listening to his performances here, it's easy to understand why he is so revered.
Far from being a `fusion' disc, the music here (at least to my untrained ears) remains true to the essence of Persian classical music. This album is a real treat.
Virtuosity, Perceivable Even by Novices.......2002-12-08
This is a recording one can listen to repeatedly, each time discovering new nuances and patterns missed before. Highly recommended.
Awsome!!.......2002-06-16
This is the CD that moved Simin Behbahani, Iran's preeminent living poetess, to utter "My heart was beating fast with every note of the tar and my throat was choking up." [p.13 in "Kojast Fekre Hakimi?", Ketab Corp, LA, 2003]
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Lost Songs Of The Silk Road
Ghazal Manufacturer: Shanachie ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000E4I Release Date: 1997-09-23 |
Tracks:
- The Saga Of The Rising Sun
- Come With Me
- You Are My Moon
- Safar/Journey
Amazon.com
The word ghazal means a type of Persian (Iranian) poetry and also describes an old style of romantic ballad often sung in India. The classical music traditions of Iran and India both feature complex scales and rhythms that demand a lifetime of study. However, they are highly compatible with each other, and combining them allows for fresh insights and deeper pleasures. Shujaat Hussain Kahn is the son of the legendary sitarist Ustad Vilayat Khan, and his own command of the multistringed instrument is a wondrous thing. He is joined by Iran's Kayhan Kalhor, a master of the kamancheh, a spiked violin with a woodsy tone, and the setar, a small lute thought to be a prototype of the sitar. The brilliant tabla drummer Swapan Chaudhuri rounds out an all-star trio. Together they make exciting, accessible, richly melodic music that will delight listeners of all tastes and backgrounds. --Christina RodenCustomer Reviews:
Lost Songs of the Silk Road.......2007-02-24
Opened my eyes again.......2003-11-09
Seductive and mesmerizing...a welcome escape!.......1998-10-17
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The Wind
Kayhan Kalhor Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H9I1AA Release Date: 2006-09-19 |
Tracks:
- Part I
- Part II
- Part III
- Part IV
- Part V
- Part VI
- Part VII
- Part VIII
- Part IX
- Part X
- Part XI
- Part XII
Amazon.com
In this follow-up to The Rain, his Grammy-nominated outing with the group Ghazal, the revered Iranian kamencheh (spike fiddle) virtuoso is back with another wonderful set of collaborators. This time, he is heard with Erdal Erzincan, master of the Turkish baglama (or saz), which resembles a long-necked oud but has a more earthy, plangent sound, accompanied by Ulas Özdemir on bass baglama. This first-ever recording of these two giants performing together is the result of extensive research, during which Mr. Kalhor made several visits over many years to Istanbul with Mr. Özdemir, who is also a noted musicologist, serving as his guide and translator. Once he encountered Mr. Erzincan, who is widely considered to be the finest living exponent of the ancient Anatolian tradition, they started searching for a common ground between their respective disciplines. This meant creating a bridge, over which the highly improvisational Persian sources and the more codified Turkish styles, which usually include vocals, could meet and flourish on their own terms. The resulting twelve instrumentals are fiercely inventive and gloriously played, as scratchy bowed and gutty plucked strings climb and dive, propelling one another to previously unimagined heights and depths. --Christina RodenCustomer Reviews:
Trust Me.......2007-01-20
Regards,
Andre
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Endless Vision
Hossein Alizadeh , and Djivan Gasparyan Manufacturer: World Village ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BZ881W Release Date: 2006-02-14 |
Tracks:
- Birds
- Armenian Romances
- Sari Galin
- Call of the Birds
- Mama
- Shurangiz Improvisation
- Tasnif Parvaneh Sho
Amazon.com
Any recording featuring elderly Armenian duduk (an ancient, nine-holed shawm-oboe made of apricot wood) virtuoso Djivan Gasparyan is worth treasuring. But this time out, he was heard in particularly august company and under extraordinary circumstances. In September, 2003, the maestro, along with Grammy-nominated Iranian plucked string virtuoso Hossein Alizedeh and a hand-picked group of collaborators, gathered at Teheran's Niavaran Palace. The personnel included Alizedeh's own Hamavayan Ensemble, with Armen Ghazarian and Vazgen Markaryan on duduk and bass duduk, plus vocalists Afsaneh Rasaei, Hourshid Biabani, and Ali Samadpour. Alizedeh is a renowned composer and a foremost living exponent of the tar and other members of the Persian lute family. However, for this recital, he is heard on the six-stringed shurangiz, a relatively recent and notably resonant descendent of that clan. Gasparyan's mature grace ignites Alizadeh's impetuosity as the two men negotiate the highest peaks of passion and inspiration; both are captured at their best and that's saying a lot. But aside from the musical brilliance on hand, the event also constituted a social breakthrough, in which a female singer performed live with an otherwise male roster and appeared before a mixed-sex audience. --Christina RodenAmazon.com
Any recording featuring elderly Armenian duduk (an ancient, nine-holed shawm-oboe made of apricot wood) virtuoso Djivan Gasparyan is worth treasuring. But this time out, he was heard in particularly august company and under extraordinary circumstances. In September, 2003, the maestro, along with Grammy-nominated Iranian plucked string virtuoso Hossein Alizedeh and a hand-picked group of collaborators, gathered at Teheran's Niavaran Palace. The personnel included Alizedeh's own Hamavayan Ensemble, with Armen Ghazarian and Vazgen Markaryan on duduk and bass duduk, plus vocalists Afsaneh Rasaei, Hourshid Biabani, and Ali Samadpour. Alizedeh is a renowned composer and a foremost living exponent of the tar and other members of the Persian lute family. However, for this recital, he is heard on the six-stringed shurangiz, a relatively recent and notably resonant descendent of that clan. Gasparyan's mature grace ignites Alizadeh's impetuosity as the two men negotiate the highest peaks of passion and inspiration; both are captured at their best and that's saying a lot. But aside from the musical brilliance on hand, the event also constituted a social breakthrough, in which a female singer performed live with an otherwise male roster and appeared before a mixed-sex audience. --Christina RodenCustomer Reviews:
Incredible performance.......2007-05-22
excellent.......2007-05-12
masterpiece .......2006-12-22
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As Night Falls On The Silk Road
Ghazal Manufacturer: Shanachie ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AFQ3 Release Date: 1998-09-15 |
Tracks:
- My Eyes, My Heart
- Between Dawn And Dawn A New Truth
- Snowy Mountains
- Traces Of The Beloved
Amazon.com
This is the second release to feature the exceptional collaboration between Persian and Indian musical masters and it is every bit as good. Kayhan Kalhor is a consummate player of the kamancheh (Persian spike fiddle). In Kalhor's hands this instrument has a range of expression from gentle melancholy to fiery passion. Shujaat Hussain Khan is the masterful sitarist of this musical meeting. His pure tone and technique create watery cascades of notes, and at other times, eruptions of bright sparks of sound. Swapan Chaudhuri, tabla virtuoso, provides the rhythmic foundation and deft percussive ornamentation. The four long pieces on this title are rich treasure troves of classical technique and dazzling improvisation. The marvelous interplay between the bowed kamancheh, the plucked sitar, the struck tabla, and the warm vocals, exemplify not only the meeting of the remarkable minds of the musicians, but also the joining of two rich musical traditions finding harmonious common ground. --Jeff GrubbCustomer Reviews:
Meditative reflective music.......2007-03-27
repetitious-repertoire...........2005-08-18
Soothing to the soul..........2005-07-26
Kayhan Kalhor/Shujaat Husain Khan masters of improvisation.......2004-09-23
The sound experience of the players and the mastery of instruments show through the whole album but it's in "Traces of the Beloved" (4th track) that you can find confirmation of that.
If I were in everyone of you fans of persian music, I'd buy this CD with no hesitation at all. It lasts almost 75 minutes and you enjoy every moment.
You can clearly notice how well Kalhor and Husain Khan play their improvisations with one mind and one heart. There are moments in which one player leaves way to the other and viceversa.
Tip: the first time you listen to this CD, don't be envolved in other mansions. Just list to the music and let your mind fly hand in hand with the setar of Sujaat Husain Khan.
Amazing.......2003-02-20
I have a wide range of musical favorites, from Godflesh to old school punk to The Chemical Brothers...Ghazal seems to speak to me for some reason. You can put this CD in and just float through the whole set mesmerized. I have no other way to describe it.
awesome
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Rough Guide to the Music of Iran
Various Artists Manufacturer: World Music Network ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FQJPIW Release Date: 2006-06-23 |
Tracks:
- Afsoongar (Glamorous) - Arian Band
- Dekay Ambar, Dekay Auber - The Kamkars
- Sari Gailin - Hossein Alizadeh & Djivan Gasparyan
- Yazdah - Trio Chemirani
- Daramad Homayoun - Parvin Javdan
- Dashti - Abdolnaghi Afsharnia
- Saz Va Avaz - Dastan Ensemble & Shahram Nazeri
- Showgh - Kayhan Kalhor & Ali Akbar Moradi
- Lullaby - Jahle
- Misri Koroglu - Chengis Mehdipour
- Dar Har Rage Man (Within Each Of My Veins) - Barad
- Haj Ghorban Soleimani - Zareni Hossain Yar
- Ya Ghows - Din Mohammad Zangeshahi
- Darde Eshgh - O-Hu
- Torkaman - Masster Of Persian Music
Amazon.com
Produced and annotated by UK-based Rough Guides and SongLines editor Simon Broughton (the enhanced CD includes an enlightening interview with him), this admirable compilation travels through fifteen varied tracks, showcasing some of Teheran's finest classical practitioners, cutting-edge pop stars, folk singers, and even a few invaluable and previously unheard field recordings. As is typical of so much of the Middle East, history is a living part of daily life in modern Iran. Latter-day expressions descend from ancient Persia's highly rarified and sophisticated culture, where centuries of troubadour-poets plied their craft before enlightened despots. Many of the instruments, from the shawm-like duduk, captured live in a performance by the great Djivan Gasparyan, to Kayhan Kalhor's scratchy yet agile kamancheh (spiked fiddle) harbor haunting parallels with early Western music. But the most overwhelming impression is of diversity, whether in terms of outlook, opinion, or tribal identity, as scholars and hip-hoppers, traditionalists and iconoclasts, Armenians, Kurds, and the nation's lesser-known black minority all get heard from. And in these troubled times, anything capable of reminding the more jingoistic among us that relating to the so-called "Axis of Evil" will prove more complicated than an action movie or a computer game is very welcome. --Christina RodenAlbum Description
The traffic-choked streets of Tehran and the magnificent mosques of Esfahan, the underground DJs and the Sufi minstrels of Kurdistan, are all reflected in the vibrant musical scene in Iran. From contemporary rappers to folk legends, from great singing stars to contemporary bands, from regional traditionalists to the trance musicians of Baluchistan, this Rough Guide features a captivating cross-section of contemporary Iranian sounds.Customer Reviews:
The Glorious Heritage of Persia.......2006-10-02
This CD is but a small sampling of the incredible musical diversity in modern day Iran. Such a survey is obviously going to leave out some major artists (such as the pop diva Googoosh, as the other reviewer pointed out), but this CD benefits from being very fresh and up to date. As such, it can serve as a cross-cultural window for more westerners to see the REAL Iran. The classical, improvisational music of Persia is well represented by Kayhan Kolhor & Ali Akbar Moradi, the Masters of Persian Music and Hossein Alizadeh & Djivan Gasparyan (their song, "Sari Gailin" mixes Persian, Armenian and even Azeri influences), standing in contrast to the modern pop/rock of groups like Arian Band (named for the ancient Aryans, after whom Iran was named), Barad and O-Hum (who's song "Darde Eshgh" features some awesome vocals and guitar). And yes, even women are represented. Parvin Javdan and Zohreh Bayat from the all-female Rozaneh ensemble perform a wonderful song, quoting from the beloved Sufi poet Hafez.
Folk and ethnic music is also represented, showing the traditions of rural Iran (which includes numerous minority groups like the Kurds, Armenians, Qashqai, Turkomen, Azeris, Baluchis, etc). The legendary Kamkar ensemble showcases the irregular metered percussion of Kurdistan on "Dekay Ambar, Dekay Auber". Haj Ghorban Soleimani, a bashkhi or bard from Khorasan, tells a story from Hazer Afsaneh accompanied by the dotar on "Zareni Hossain Yar". Chenghis Medhipour showcases the epic song traditions of the Azeris, and Din Mohammad Zangeshahi shows the folk art of Baluchistan, while another Shahram Nazeri (also Kurdish) leads the Dastan Ensemble in a performance of Sufi music. But one of the great high-lights of this CD comes from the Jahle band (descendant of freed black African slaves, now settled along Iran's coast), who perform a lullaby made popular by being played on BBC. Demmand for this song, which until now was unavailable, proved so great that World Music Network spend a great deal of time working with the BBC to release it. Exclusive to this CD, fans should be glad that we can now get our hands on it.
From the first notes of the Arian Band's pop song Afsoongar, to the haunting last echos of the (aptly named) Masters of Persian Music, this CD serves as a wonderful journey across the incredibly varied country of Iran. It is a window into a world few in the west get to see, and it's a tragedy that this CD is not sold in every book and music store across the nation. I STRONGLY recommend that anyone who is interested in seeing the TRUE face or Iran and/or the Middle East purchase this CD. It will greatly expand your mind, showing you the beauty, grandeur and majesty that is Persian culture. Even those who are already familar with Persian music will find this CD an incredibly worthwhile purchase, because of the inclusion of several unique or hard to find tracks (particularly "Lullaby" by the Jahle Band). So do yourself a favor and go out and buy this CD.
Some omissions.......2006-08-09
Where is pop icon Googoosh? Where is folk singer Sima Bina? Both ladies are missing from this compilation. Without them, this CD is not a representative collection of music from Iran.
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Iran - Persian Classical Music
Various Artists Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IWG Release Date: 1991-04-17 |
Tracks:
- Dastgah Shur
- Dastgah Homayoun
- Dastgah Segah
- Zarb Solo
- Dastgah Chahargah
- Dastgah Mahour
Customer Reviews:
A Haunting Performance by Virtuosos.......2003-05-05
Magical. Beautiful!.......2002-05-31
Over the cubicle wall and across international boundaries.......2002-03-07
I know very little about Persian music, so when I returned to work, I asked an Iranian friend and cubicle neighbor if she had any CDs I good borrow to get a taste. This is one of the CDs she passed over the cubicle wall.
I played it last night and loved it. Anyone who loves music will be entranced by this CD. My favorite piece last night was Dastgah Mahour, but depending on my mood, any one of them could be my favorite. There are no less than wonderful tracks.
Beautiful, as always!.......2001-05-19
Good CD.......2000-09-26
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Under the Moroccan Sky
Various Artists Manufacturer: Sounds True Direct ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B53M Release Date: 2001-05-08 |
Tracks:
- Musa Dieng Kala
- Ibn 'Arabi
- Houria Aichi
- Dufay Collective
- Tekameli
- Nass El Ghiwane
- Aruna Sairam
- Avay-E-Doust
- Sheikh Tacine Al Tuhamy
Customer Reviews:
Truly sacred.......2001-07-30
World Music:
- Jesus Cristo 70 [Import]
- Kein Zufall [Import]
- Klapa Fa Lindo
- Libero Sentire [Import]
- Marasma General [Import]
- Maria Bethania/Maria Ao Vivo [Import]
- Mauvaises Nouvelles Des Etoiles [Original recording remastered] [Import]
- Meus Momentos [Import]
- Mit 17 Fängt Das Leben Erst An [Import]
- Muitos Carnavais [Import]
World Music
Schumann: Symphonies No. 1 "Spring" & No. 3 "Rhenish"
Ravel: Works for Piano, Violin & Cello
The Economy of Sound [Enhanced]
Bernstein Century - Mahler: Symphonies no 2 & 8 (Part 1), etc...