Audrey [Import]

1. Même Les Anges

2. Don't You Say Goodbye

3. Faux Départ

4. Pour Toujours

5. Juste Adieux

6. I Keep Crying

7. Je Ne Suis Que Moi

8. Dis-Moi Pourquoi

9. Someone Who Believes in You

10. Tout Est Dans Mes Yeux

11. Bout de Toi

12. Si Tu M'Entends

13. Change

14. Un de Nous

Audrey,Audrey,Bmg Int'l,Int'l & World Music,Pop,Rock/Pop

Average customer rating: Outstanding performances Grey Gardens altered cast album Wonderful score UNBELIEVABLE!!! All About EBERSOLE!

Grey Gardens - A New Musical (2006 Original Broadway Cast) Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Spring Awakening (2006 Original Broadway Cast) Curtains (2007 Original Broadway Cast) The Drowsy Chaperone (2006 Original Broadway Cast) Company (2006 Broadway Revival Cast) [title of show] (2006 Original Off-Broadway Cast) ASIN: B000G75A9I Release Date: 2006-08-22

Tracks:

1. The Girl Who Has Everything
2. The Five-Fifteen
3. Mother Darling
4. Goin' Places
5. Marry Well
6. Hominy Grits
7. Peas in a Pod
8. Drift Away
9. The Five-Fifteen (reprise)
10. Daddy's Girl
11. The Telegram
12. Will You?
13. The Revolutionary Costume for Today
14. The Cake I Had
15. Entering Grey Gardens
16. The House We Live In
17. Jerry Likes My Corn
18. Around the World
19. Choose to Be Happy
20. Around the World (reprise)
21. Another Winter in a Summer Town
22. The Girl Who Has Everything (reprise)

Product Description

GREY GARDENS proclaimed the #1 Show of the Year by Time Magazine is preserved here in its Original Broadway Cast Recording. The show had been previously recorded following its off-Broadway premiere in the spring of 2006 (and its cast album released by PS Classics in August of 2006), but this new recording features the new songs and new cast members that were added for its Broadway transfer last fall. The new GREY GARDENS opened on Broadway on November 2, 2006, to rave reviews, led by Ben Brantley in The New York Times, who called it an experience no passionate theatergoer should miss! Starring Tony Award winner Christine Ebersole and Tony Award nominee Mary Louise Wilson, it subsequently appeared on over 25 Best of 2006 lists, including #1 Show of the Year (Time), Best Musical of the Year (USA Today, Entertainment Weekly) and Performance of the Year (The New York Times, New York) for Ms. Ebersole. In addition to the new songs and new performances, this Original Broadway Cast Recording also features an all-new 32-page full-color booklet complete with lyrics and Broadway production photos.

Amazon.com

Based on the Maysles brothers' cult 1975 documentary of the same name, this musical is an endearing—-and sometimes genuinely heartwrenching—-oddity propelled by Christine Ebersole's exceptional, for-the-history-books performance. The movie followed the kooky duo of Edith Bouvier Beale and her daughter, Little Edie Beale, as they lived with their 52 cats in a derelict East Hampton mansion. The show's first act, set in 1941, is a prologue of sorts, while the second act, set in 1973, follows the movie closely. Ebersole plays Edith in Act I (which she concludes in dazzling manner with "Will You?") and Little Edie in Act II (when Mary Louise Wilson comes in to play the mother). And while Wilson is superb, this is Ebersole's show. Technically, she is flawless—-just listen to the way she changes her voice between the acts—-but she also makes Little Edie a poignant eccentric, a lost soul stuck in a world of deluded, decaying grandeur. It all peaks in the poignant "Around the World," the show's best song and an Ebersole tour de force. Note that this recording documents the Off-Broadway production; the show transferred to Broadway in the fall of 2006 with a slightly altered first act. --Elisabeth Vincentelli

Customer Reviews:

Outstanding performances.......2007-08-03

Even if you didn't see Grey Gardens, the CD captures some of the excitement of two of the best performances I've ever seen on a New York Stage. The music tells the story and much of the music is memorable.

Grey Gardens altered cast album.......2007-08-01

loved the off broadway cast album.....this new one is also very good but has been changed . Still one of the best scores recently. If you are smitten with the story and musical...you need both in your collection

Wonderful score.......2007-07-29

I was pleasantly surprised. I think the score is terriffic. I am not sure why the critics did not give it more praise.

UNBELIEVABLE!!!.......2007-07-27

One of the best musicals I have ever, and probably WILL ever, see. Christine Ebersole delivers a masterful performance and Mary Louise Wilson is a gem! These phenomenal ladies, as well as the entire talented cast, showcase Scott Frankel's music beautifully. I strongly urge you to buy this recording!

All About EBERSOLE!.......2007-07-27

Simply put : AMAZING! Christine Ebersole is a masterclass performer and totally morphed into this role. After watching the show I rented and watched the Documentary on Grey Gardens. I couldnt tell if Christine Ebersole was Imitating Lil' Edie or if Lil' Edie was imitating Christine!

Average customer rating: Best soundtrack I've heard, especially if you like 1950's swing and jazz YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP) Capote It Still Resonates in Our Hearts Oh it's good...

Breakfast At Tiffany's: Music From The Motion Picture Score Henry Mancini Manufacturer: RCA ProductGroup: Music Binding: Audio CD Lounge | Easy Listening | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1960s | By Decade | Soundtracks | Styles | Music CDs $7 - $10 | Movie Soundtracks | Soundtracks | Today's Deals in Music | Formats | Music All Bargain Titles | Movie Soundtracks | Soundtracks | Today's Deals in Music | Formats | Music All Bargain Titles | Easy Listening | Pop | Today's Deals in Music | Formats | Music Similar Items: Breakfast at Tiffany's (Special Aniversary Collector's Edition) Midnight, Moonlight & Magic: The Very Best of Henry Mancini The Pink Panther Music From The Films Of Audrey Hepburn The Music from Peter Gunn (1958-1961 TV Series) ASIN: B000002W3F Release Date: 1990-10-25

Tracks:

1. Moon River
2. Something For Cat
3. Sally's Tomato
4. Mr. Yunioshi
5. The Big Blow Out
6. Hub Cap & Tail Lights
7. Breakfast At Tiffany's
8. Latin Golightly
9. Holly
10. Loose Caboose
11. The Big Heist
12. Moon River Cha Cha

Amazon.com

When you think of Henry Mancini, you inevitably think of either "Peter Gunn" or "Moon River." (Well, maybe "The Pink Panther"--but that became a cartoon show, so it doesn't count!) Breakfast at Tiffany's gave the world the latter tune, and that beautiful melody recurs throughout this soundtrack LP, which remained No. 1 on the Billboard pop charts for 12 weeks in 1961. (Music for Peter Gunn in 1959 was Mancini's only other No. 1 album.) The soundtrack doesn't include Andy Williams's hit single of "Moon River," but then neither did the film. It does, however, take you through the many moods of the film (and the exploits of Miss Holly Golightly), with an emphasis on Latin influences in the forms of "Latin Golightly" and "Moon River Cha Cha." Nevertheless, one common complaint has been that RCA could've remastered the music and added additional tracks to flesh out the CD. Maybe in the future... --Bill Holdship

Customer Reviews:

Best soundtrack I've heard, especially if you like 1950's swing and jazz.......2007-05-04

Great soundtrack, though very hard to find. Henry Mancini does a great job with the orchestra, I can almost see Mr.Yomioshi peeking out of his door, or Holly singing with her guitar in her windowsill. Perfect for background music when entertaining, and also when you want to relax and enjoy the music of the 1950's.

YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP).......2006-08-27

Back in the mid-1980s, I had an idea for a "theme party" I wanted to throw. Unfortunately, life (lower case L) obstructed my plan and I never got around to it. {*Truth is, he never managed to save up enough money to buy friends to invite.*} But I did record four 90-minute cassette tapes of background music for the party that never was. (Remember, this was before recordable CDs and all the other technocrap.) Oh, the music would have been great: Booker T And The MGs; Three Dog Night; Bobby Darin; Stevie Wonder; Muddy Waters; The Partridge Family; War; and Wild Cherry (guess which Funky song, White Boy!) But each side of every tape ended with MR. YUNIOSHI, the theme song for Mickey Rooney's angry Japanese character in the movie, Breakfast At Tiffany's. MR. YUNIOSHI was to be the cue for me - wherever I was mixing, or whoever I was mixing it up with - to prepare to turn over the tape.

I may throw this party yet...someday. The house is going to be jammed - floor to ceiling - with helium-filled balloons, so as you push your way through them, you'll never know who or what you're about to run into. {*Fun, eh? If you're smart, you'll have a prior engagement.*} Hey, never mind that voice behind the curtain - it IS going to be fun! But there is one thing that every person at this party will have in common: Regardless of who ends up kissing whom, or who ends up punching whom, or regardless of For Whom The Bell Tolls {*Sounds like it's going to be an exhausting evening for Whom! I hope he or she is up to it.*}, each and every person will have knocked back a slug of SAKE as a prerequisite for gaining admittance to this soiree.

SAKE (pronounced "Sock-ee"), in case you don't know, is the traditional fermented Japanese beverage made from rice. It's served hot in small ceramic cups. Being hot, it seems to assimilate in a person's bloodstream fairly quickly and makes one feel real good, real fast. For many, it's an "acquired taste", although I took to it immediately. {*He's an alky; he took to all booze before he took to the bus for elementary school.*} I have two nice sake sets that I purchased ages ago in Chinatown, near downtown Los Angeles, and you'll need to suck a shot of sake before you're permitted to enter my pagoda to hear MR. YUNIOSHI. {*And burst his bubble and pop his balloons!*}

But MR. YUNIOSHI is far from being the only track I like from Henry Mancini's BREAKFAST AT TIFFANY'S soundtrack. I've seen the movie a couple of times and I'm just not one of its fans. But the music, now that's another thing! BREAKFAST AT TIFFANY'S (the film) won none of the 1961 Academy Awards, but the Oscars for "Best Music Score" and "Best Song" (Moon River) went to Mr. Mancini. What does that tell you? {*Think, McFly! Think!*} This entire album is delicious; it's one of my 25 most frequently played compact discs!

It starts with the award-winning bittersweet song, MOON RIVER, written by Mancini and the equally legendary Johnny Mercer. I love the song even if my favorite version was recorded later by Louis "Satchmo" Armstrong. This is the only "song", literally speaking, as it contains lyrics sung by Mancini's Chorus. All other tracks are instrumentals unless you're counting the Chorus singing "Oohs" and "Ahhs" on a couple of the other cuts.

Some of the instrumental pieces have that unmistakable "Mancini" stamp: Distinctively pronounced beats (a la "The Pink Panther"). Others are the antithesis of that style, with a tremendously yearning emotional content conveyed through the subtle interplay of his impeccable Orchestra and the smooth harmonic layering of his Chorus of male and female voices doing little more than humming the melodies.

And yet again, on some pieces, Mancini's charts propel his dynamic, top-notch Orchestra into bright, soaring flights that seem almost on the verge of running off the pages and into improvisational exuberance. {*Don'tcha just love how he nearly sounds like he knows what he's talking about?*} I mean, listen to that Orchestra crank it up on THE BIG BLOW OUT, or SOMETHING FOR CAT, or LOOSE CABOOSE - Mancini directed highly accomplished musicians as befitting a man of his genius. And I never use the word "genius" lightly, but this man was indeed just that! How he was able to translate the action of a scene into corresponding "music pictures" in pieces like THE BIG HEIST and the playful striptease-cum-cartoon, HUB CAPS AND TAIL LIGHTS! {*Some would say, if you've got `em, flaunt `em.*}

But nothing moves me more than SALLY'S TOMATO, BREAKFAST AT TIFFANY'S, and HOLLY - three instrumentals that float like some tear-drenched, melancholic sunbeam. They were recorded at the dawn of the 1960s, just before all hell broke loose in this country and we found ourselves embroiled in a cultural revolution that pierced an ineffable something deep within us and from which we'll never recover. There's a desperate "looking back at innocence" captured in these three pieces that crushes my heart and forces my eyelids closed. It's a memory of joy that's gone and not returning. It's gently swaying grass growing around the headstone of a deceased lover. {*Aw, cap it, will ya? Yer bumming everyone out.*}

Alright then. Let me just say that this soundtrack is Five Star from top to bottom, and in short {*It's too late for THAT!*}, there are two things that I really recommend you do: You should acquire a copy of Henry Mancini's musical masterpiece right here and now, and later you should come to my SAKE PARTY. {*If you pass out, and you're still there in the morning, he's gonna treat you to BREAKFAST AT TIFFANY'S!*}

Capote.......2006-05-23

If you've seen the recent academy-award-winning performance depicting Truman Caopte, you can appreciate even more the role Hepburn plays in this film.

And, perhaps as much or more, the crucial function Henry Mancini had to fulfill in creating this memorable music. The exact music in the movie itself is a little different than what you'll find in this album, but that is actually a good thing.

This album combines aspiration, ambition, sophistication and pretense into a really irresistable brew. Hepburn's performance made us love her.

But Mancini won an Oscar, too. Let's reflect on exactly how and why that happened...

It Still Resonates in Our Hearts.......2006-03-03

Henry Mancini's soundtrack is very timely for the period in which it was released. It remains vibrant, elegant and sentimentally moving and captures the essence of this film so satisfyingly. Adding to the overall effect is the melancholy and so endearingly memorable and touching MOON RIVER. This soundtrack truly captures the feel of this film and those great times that seem gone forever but still resonate in our hearts.

Oh it's good..........2005-11-23

When listening to the first track simply entitled "Moon River" you would think that you're in a black Givency evening dress with a string of pearls standing outside Tiffany's eating a dansih and drinking coffee.
"Moon River Cha Cha" describes a typical cocktail party and it's good!
This soundtrack does NOT dissapoint and in my opinion is timeless, I mean it *is* Henry Mancini...

Average customer rating: Music that brings back the Joyfull Memories of this Unforgettable Woman Mancini at His Best Well-intentioned but a disappointment Awesome!!!! In loving Memory of Audrey Hepburn...

Music From The Films Of Audrey Hepburn Henry Mancini , Fred Astaire , and Frederick Loewe Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music 1960s | By Decade | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music 1960-1969 | Decades | Compilations | Miscellaneous | Styles | Music Similar Items: Breakfast At Tiffany's: Music From The Motion Picture Score Funny Face (1957 Film) Two for the Road Paris When It Sizzles Funny Face ASIN: B000002L1E Release Date: 1993-07-13

Tracks:

1. Breakfast At Tiffany's: Moon River - Henry Mancini
2. Charade: Main Title - Henry Mancini
3. My Fair Lady: Overture - Frederick Loewe
4. Funny Face: He Loves, She Loves - Fred Austaire/George And Ira Gershwin
5. The Nun's Story: Main Title - Franz Waxman
6. Wait Until Dark: Theme For Three - Henry Mancini
7. How To Steal A Million: Main Title - John Williams
8. Robin And Marian: John Bursts In/The End - John Barry
9. Two For The Road: Main Title-Instrumental - Henry Mancini
10. Paris When It Sizzles: Gabrielle - Nelson Riddle
11. Moon River - Audrey Hepburn

Customer Reviews:

Music that brings back the Joyfull Memories of this Unforgettable Woman.......2007-01-27

Audrey Hepburn was a great actress and a wonderful person with a beautiful character. When you see one of her movies, the charm of Hepburn and her way of acting give the film a certain atmosphere. Next to Hepburn's acting and charm, there was another thing that helped the films creating a certain mood and feeling. Yes, the music.

In 1993, a few months after Hepburn's death, this lovely CD was released with great themes and music pieces from Hepburn's films. Although it is sad that none of her own singing from the film "Funny Face" is included, you still get the grand luxury of hearing Hepburn's voice on this music collection at the last track.
This music is connected to Hepburn. And when you listen to it, you can see her in front of you, bringing back the memories of those fine moments watching her on the screen.
Now let's see what every track brings:

1. Breakfast at Tiffany's: Moon River - Henry Mancini --- The perfect way to start this CD. This beautiful theme from the film "Breakfast at Tiffany's" is pure magic. When you hear the tones you can immediately see Hepburn standing on that empty New York street, wearing that lovely black dress while she is gazing into the windows of the jewellery store Tiffany & CO.
This theme gives shivers down my spine and remains one of the most beautiful themes ever written.
Length: (2:40)

2. Charade: Main title - Henry Mancini --- Charade is a movie that was introduced to people in previews and trailers back in 1963 as a mix of Suspense, Romance and Comedy. When you hear this great theme by Mancini you can hear those three ingredients clearly. The fear the main character has, the love she encounters and of course the fun.
Length: (2:07)

3. My Fair lady: Overture - Frederick Loewe --- My Fair Lady is one of the most enchanting and successful musicals ever made. And as we all know, music is very important in a musical. It is a character itself. This overture of the film is a mix of different songs and themes from the film and is heard at the very beginning. This overture includes music of the melody of the song "You did it", the melody of the romantic song "On the Street where you live" and the melody of the song "I could have danced all night".
Length: (3:23)

4. Funny Face: He loves, She loves - Sung by Fred Astaire --- Funny Face, released in 1956 was Audrey's first musical film. The weird thing is that this song is included on the CD and not a song where Audrey's own singing talent is heard (which is in a lot of songs in the film). Anyways, Fred Astaire is a great singer and gives this song a great fifties atmosphere. The atmosphere of the film is clearly present in this song.
Length: (4:59)

5. The Nun's Story: Main Title - Franz Waxman --- The Nun's Story was one of Hepburn's most serious films. A powerful story about a woman who becomes a nun but has difficulty following her obligations even though she tries very hard to do so. The film had a sad and sometimes even dark atmosphere because of the inner struggle the main character had. This title theme gives the atmosphere of the film, the difficulty the character has. You hear the sad atmosphere, but also the love the character has within her heart. A dramatic and powerful theme, beautiful to listen too. Gives me shivers down my spine
Length: (2:37)

6. Wait Until Dark: Theme for Three - Henry Mancini --- Now another one of Hepburn's most serious films. A kind of Horror Thriller where she plays a blind woman who gets terrorised by three men who are searching for a doll stuffed with heroin which they believe is hidden in her house somewhere. The film had a very creepy atmosphere and is considered the scariest film Hepburn has ever made. The character is completely alone in the dark while she has to find her way to safety and help. This creepy theme by Mancini reflects the atmosphere of the film and shows how frightened Hepburn's character was.
Length: (2:43)

7. How To Steal a Million: Main Title - John Williams --- One of my personal favourites. A fun and happy adventure this film is. The great chemistry between Hepburn and Peter O'Toole is grand in the film and this great great great theme by John Williams brings such a happy feeling. It is a lively and adventurous theme and reflects the fun of the film and the great adventure of love and happiness the characters are experiencing in the film. Fantastic music! My only complain is that it is too bad that this is the shortest track on the CD.
Length: (1:47)

8. Robin and Marian: John Bursts In/The End - John Barry --- Robin and Marian brought Hepburn back to the big screen after she left the movie business to raise her children (what a wonderful heart that woman had). The film itself is a romantic drama that has a kind of sad atmosphere. Robin and Marian are not that in love with each other anymore and the flame of their relationship is being softly blown out by the wind. This piece of music, which is played at the end, gives the main theme of the film and the music at the last scene. If you have seen the film, you know what happens. If you haven't, then I won't spoil it for you, but the music speaks for itself. Beautiful theme by John Barry.
Length: (4:35)

9. Two For the Road: Main Theme - Instrumental - Henry Mancini --- Another theme from the great Henry Mancini. The man just kept coming with great themes. This is one of the most beautiful themes I ever heard in a film. It also gets stuck in your head. This theme shows the relation between a married couple whose marriage is weakening. It is tender, emotional and beautiful. One of the greatest tracks on this CD. Simply magnificent.
Length: (2:41)

10. Paris When It Sizzles: Gabrielle - Nelson Riddle --- Another one of those fun romantic comedy films of Audrey Hepburn was Paris When It Sizzles. This relaxing theme is played at the very beginning of the film, when Hepburn's Character Gabrielle arrives at her destination in Paris and the titles are rolling over the screen. True sixties music that is nice and once again, relaxing. Just sit back in that nice big chair with a nice drink in your hand and listen. Relaxing indeed.
Length: (2:46)

11. Moon River - Sung by Audrey Hepburn --- And the great final they have kept to the very end of the CD. The song Moon River sung by Hepburn herself. Hearing the screen legend's singing voice is an absolute joy. Her voice in combination with the beautiful theme of Mancini gives a thrilling musical experience and makes this track the one that is closest connected to Hepburn.
Length: (2:01)

There is a kind of small mini poster from about 24 cm by 24 cm included. This little poster includes a few nice small black and white photos of Audrey in the films. There is also a small picture of a letter Audrey wrote to Henry Mancini, in which she tells him what a great job he has done on the soundtrack of Breakfast of Tiffany's, which is nice to read and cool that it is included between the pictures. There is also an introduction to the CD by Henri Mancini, who tells about his music in the movies and how he got inspired by the lovely Hepburn.

This CD is full with music that gives you the feeling that Hepburn is right with you in the room. The atmosphere this music brings is close to the atmosphere Hepburn brought to the screen. Just listen to this CD, close you eyes, and you will see that lovely Audrey smile in front of you once more. And believe it or not, you will smile only seconds after seeing that lovely sight with this music playing into your ears.

Mancini at His Best.......2006-08-10

This is a great CD. Excellent sound quality and the difficult to find Audrey Hepburn version of "Moon River".

Well-intentioned but a disappointment.......2005-05-20

This posthumous tribute to the ethereal Ms. Hepburn begins with the gloriously cool "Moon River" from 'Breakfast at Tiffany's', sounding resplendant with Henry Mancini and his studio singers. But that proves to be a peak difficult to top. The producers of this CD picked Mancini's opening theme to "Charade" and not the ballad version with the lyrics(big mistake), and none of Hepburn's "Funny Face" vocals are present. They seemed intent on spotlighting just the opening titles music, and this leaves a lot of great vocal music out in the cold. The photos and liner notes almost make this worth having, yet the crowning achievement is Hepburn's movie-track vocal on "Moon River" at the finale. Unavailable any place else, they made sure fans would buy this on the basis of this inclusion alone.

Awesome!!!!.......2002-06-11

This captures all of Audrey's best movies in one album. I haighly recommend it!!!!

In loving Memory of Audrey Hepburn..........2000-11-19

I'm gratefully delighted to find this CD. This collection of sound tracks, music and songs from some of Audrey's best movies served well as remembrance. My fave of course is "Moon River". Touching and significant. Audrey may not had the best vocal but she sang it with her heart and soul. That's touches me. Her version was the only one I love because only she could bring out it's essence. Who can forget "Breakfast at Tiffany's" when she sang it sitting outside her window drying her hair........

With these sound tracks, I can listen to Audrey while driving, in the comfort of an easy chair,lazing in bed and retrospect with it as background. What so great about this CD was that it helped me to visualise those scenes and magical moments from their respective movies. The saddness of "Nun Story" to the upbeat melody from "My Fair Lady". Audrey's Classic movies deserved to be remembered and this CD stored the spirits of them. My only complain is it should be a full extensive movie soundtracks of all of Audrey's films.

All in all this's as good as I can get. I will cherish it. In loving memory of Audrey Hepburn... She was kind,graceful,charismatic,classy,talented,charming,and with a heart of gold. She was a great asset to the film industry She'll be remembered forever.

Average customer rating: Grey Eye Glances - Well Done Pop With Excellent Female Vocals A Spell Has Been Cast . . . A must have album Beautiful You will love this!

A Little Voodoo Grey Eye Glances Manufacturer: Sojourn Hills ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Progressive Rock | Progressive | Rock | Styles | Music General | Pop | Indie Music | Stores | Music Progressive | Rock | Indie Music | Stores | Music Similar Items: Eventide Further On... The Other Side Of Time different eyes October Project ASIN: B000068793 Release Date: 2002-06-18

Tracks:

1. Close Your Eyes
2. Oh No
3. If I Was
4. The One
5. Good Folks
6. Big Red Boat
7. He And She
8. Even
9. Keep On
10. All Because Of You

Amazon.com

New Jersey's Grey Eye Glances began their career rooted in '70s folkie-prog of U.K. bands like Fairport Convention and Renaissance. But they were also informed by a raft of evolving alt-pop and subtle country influences that bubbled to the surface on Painted Pictures and Eventide, drawing favorable comparisons to 10,000 Maniacs in the bargain. Voodoo finds those sensibilities blossoming (burnished by a lineup of producers that includes Jerry Marotta, Paul Bryan, and the band itself) into a full-bodied sound that ably demonstrates how thoroughly the alt consciousness has become mainstream.

The occasionally precious melodic sense of previous albums gets a tougher edge on "The One" and is downright muscular on tracks like "Close You Eyes" and "Keep On." That bigger-is-better gambit has pushed vocalist Jennifer Noble (often compared to Natalie Merchant, but with a commanding sense of vocal drama here that recalls Aimee Mann as well) to good effect, encompassing the spare, haunting melancholy of "Good Folks" and "Even," the rhythmic pop of "Oh No," and even some surprisingly straightforward rock turns. It's this last sensibility--exemplified by the riff-heavy guitar assault of "He and She" and Noble's sweet and gritty way with a pop hook--that may take Grey Eye fans by surprise. Voodoo's expansive production and harder edges may be a long way from the band's coffeehouse roots, but it's a compelling argument for their restless ambition. --Jerry McCulley

Customer Reviews:

Grey Eye Glances - Well Done Pop With Excellent Female Vocals.......2007-04-28

I first was led to discover Grey Eye Glances because the band contains two members of one of my favorite progressive rock bands Echolyn. Brett Kull and Paul Ramsey are members of both bands and I was interested in finding out about their side project Grey Eye Glances. Although the music here is a far cry from the expansive progressive rock of Echolyn, Kull and Ramsey are allowed enough room to move within a pure pop context to add their distinct musical flavor to the material. Grey Eye Glances reminds me a lot of bands like 10,000 Maniacs / Natalie Merchant or a more rocked up version of Cowboy Junkies. In fact a couple of the mellower tunes on this disc would fit right at home on a Cowboy Junkies disc. The center point of the band is vocalist Jennifer Nobel. She has an outstanding voice and delivers these pop gems in a warm fluid style that fits perfectly with the music. The rest of the band is also talented on their respective instruments. I do not own any of the bands other albums, so I don't have anything to compare, but overall if you are a fan of nicely done pop with excellent female vocals this band might be for you.

A Spell Has Been Cast . . . .......2006-08-09

I received this cd just about a month ago, popped it in my cd player in the truck and . . . I haven't taken it out once since. I love to hear instruments and voices that blend so perfectly together that they almost become one (throw in a teanie tiny bit of piano and I'm almost always hooked). Add to that some truley brilliant lyrics and I couldn't be any happier. My favorite song is the last one on the cd (which is actually two songs bridged together as one). The melodies are great, I can see "the brillance of the light at night", and I enjoy the manner in which the voices play with each other on this one.

I don't own any other Grey Eye Glances but this WON'T be my last. Thanks to Amazon for the recommendation. I've tripped across some great finds thanks to this feature.

A must have album.......2005-11-25

This GEG effort is sublime. You will not be disappointed.

Beautiful.......2005-01-13

I love this album (so why only 3 stars?). It is NOT prog. Even though Brett Kull and Paul Ramsey from Echolyn are a part of this group and GEG's previous releases had a lot of prog flavor, it's still not Prog. I highly recommend this to MUSIC lover's of the Natalie Merchant/Sarah McLachlan ilk. Fabulous lyrics, the incredibly silky voice of Jennifer Nobel, well crafted melodies, catchy hooks, highly polished musicianship and crystal clear production.

This is music for couples, played loudly winding down the coastal highways. It's hard for me to choose one tune as THE standout track. It flows along seemlessly, which is hard to believe since three different producers pieced this together; Jerry Marotta, T-Bone Wolk and Brett Kull.

Kulls guitar gets its moments to shine but he plays within the context of the tune. Ramsey's drum work is solid with the less then stressful stuff he played with Echolyn. Dwayne Keith's keyboard work is more ambient and fills the backgrounds nicely. Eric O'Dell lays down some nice bass work that enhances the tunes and keeps them moving.

Obviously GEG is looking for the limelight, and why shouldn't they? Is writing smart thoughtful tunes, even in a pop setting, wrong? Not at all. Buy it, even if it's not prog. Your wife or girlfriend will like you better for it.

You will love this!.......2004-04-09

I love this CD. It's not like anything else I own. The lyrics are beautiful and the music is really diverse. It's soft at times and rockin' at other times. The tunes will stay in your head long after you listen to them. The singer's voice is beautiful.

Average customer rating: Fantastic Don Giovanni Gone Great performance at a bargain price A word for this production A highly-rated and universally admired classic recording.

Mozart: Don Giovanni Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: Beethoven: Late Quartets, etc / Busch Quartet Mozart: Così fan tutte Puccini: Madama Butterfly Mozart: Le Nozze di Figaro Beethoven: Complete Piano Sonatas (Box Set) ASIN: B00005AYEF Release Date: 2001-06-19

Tracks:

1. Ov - Glyndebourne Festival Orch/Fritz Busch
2. Act I, Scene I. Intro: Notte E Giorno Faticar - Salvatore Baccaloni
3. Act I, Scene I: Non Sperar, Se Non M'uccidi - Ina Souez/John Brownlee/Salvatore Baccaloni
4. Act I, Scene I: Lasciala, Indegno! Ah, Soccorso! - David Franklin/John Brownlee/Salvatore Baccaloni
5. Act I, Scene I. Recitativo: Leporello, Ove Sei? - John Brownlee/Salvatore Baccaloni
6. Act I, Scene I. Recitativo: Ah, Del Padre In Periglio - Ina Souez/Koloman Von Pataky
7. Act I, Scene I. Duetto: Fuggi, Crudele, Fuggi! - Ina Souez/Koloman Von Pataky
8. Act I, Scene II. Recitativo: Orsu, Spicciati Presto - John Brownlee/Salvatore Baccaloni
9. Act I, Scene II. Aria: Ah, Chi Mi Dice Mai - Luise Helletsgruber/John Brownlee/Salvatore Baccaloni
10. Act I, Scene II. Recitativo: Chi E La? Stelle! Che Vedo! - Luise Helletsgruber/John Brownlee/Salvatore Baccaloni
11. Act I, Scene II. No.4 Aria: Madamina, Il Catalogo E Questo - Salvatore Baccaloni/Luise Helletsgruber
12. Act I, Scene III. Coro: Giovinette Che Fate All'amore - Audrey Mildmay/Glyndebourne Festival Chor/Roy Henderson
13. Act I, Scene III. Recitativo: Manco Male E Partita - John Brownlee/Salvatore Baccaloni/Audrey Mildmay/Roy Henderson
14. Act I, Scene III. Aria: Ho Capito, Signor, Si! - Roy Henderson/Salvatore Baccaloni
15. Act I, Scene III. Recitativo: Alfin Siam Liberati - John Brownlee/Audrey Mildmay
16. Act I, Scene III. Duettino: La Ci Darem La Mano - John Brownlee/Audrey Mildmay
17. Act I, Scene III. Recitativo: Fermati, Scellerato! - Luise Helletsgruber/Audrey Mildmay/John Brownlee
18. Act I, Scene III. Aria: Ah! Fuggi Il Traditor! - Luise Helletsgruber
19. Act I, Scene III. Recitativo: Mi Par Che Oggi Il Demonio - John Brownlee/Koloman Von Pataky/Ina Souez/Luise Helletsgruber
20. Act I, Scene III. Qt: Non Ti Fidar, O Misera - Luise Helletsgruber/Ina Souez/Koloman Von Pataky/John Brownlee
21. Act I, Scene III. Recitativo: Povera Sventurata! - Koloman Von Pataky
22. Act I, Scene III. Recitativo: Don Ottavio, Son Morta! - Ina Souez/Koloman Von Pataky
23. Act I, Scene III. Aria: Or Sai Chi L'onore - Ina Souez
24. Act I, Scene III. Recitativo: Come Mai Creder Deggio - Koloman Von Pataky
25. Act I, Scene III. Aria: Dalla Sua Pace - Koloman Von Pataky
26. Act I, Scene III. Recitativo: Io Deggio Ad Ogni Patto - Salvatore Baccaloni/John Brownlee
27. Act I, Scene III. Aria: Finch'han Dal Vino - John Brownlee

Tracks:

1. Act I, Scene IV. Recitativo: Masetto, Senti Un Po! - Audrey Mildmay/Roy Henderson
2. Act I, Scene IV. Aria: Batti, Batti, O Bel Masetto - Audrey Mildmay
3. Act I, Scene IV. Recitativo: Guarda Un Po' - Roy Henderson/John Brownlee/Audrey Mildmay
4. Act I, Scene IV. Finale: Presto, Presto, Pria Ch'ei Venga - Roy Henderson/Audrey Mildmay/John Brownlee/Glyndebourne Festival Chor
5. Act I, Scene IV: Tra Quest Arbori Celata - Audrey Mildmay/John Brownlee/Roy Henderson
6. Act I, Scene IV: Bisogna Aver Coraggio - Luise Helletsgruber/Koloman Von Pataky/Ina Souez/Salvatore Baccaloni/John Brownlee
7. Act I, Scene IV: Protegga Il Giusto Cielo Vendichi Il Giusto Cielo - Koloman Von Pataky/Ina Souez/Luise Helletsgruber/Salvatore Baccaloni
8. Act I, Scene V: Riposate, Vezzose Ragazze - John Brownlee/Salvatore Baccaloni/Audrey Mildmay/Roy Henderson
9. Act I, Scene V: Venite Pur Avanti - Luise Helletsgruber/Koloman Von Pataky/Ina Souez/Salvatore Baccaloni/John Brownlee/Roy Henderson...
10. Act I, Scene V: Ecco Il Birbo Che T'ha Offesa - Luise Helletsgruber/Koloman Von Pataky/Ina Souez/Salvatore Baccaloni/John Brownlee
11. Act I, Scene V: Trema, Trema, O Scellerato! - Luise Helletsgruber/Koloman Von Pataky/Ina Souez/Salvatore Baccaloni/John Brownlee/Roy Henderson
12. Act II, Scene I. Duetto: Eh Via, Buffone, Non Mi Seccar! - John Brownlee/Salvatore Baccaloni
13. Act II, Scene I. Recitativo: Leporello! Signore? - John Brownlee/Salvatore Baccaloni
14. Act II, Scene I. Trio: Ah, Taci, Ingiusto Core! - John Brownlee/Salvatore Baccaloni/Luise Helletsgruber
15. Act II, Scene I. Recitativo: Amico, Che Ti Par? - John Brownlee/Salvatore Baccaloni/Luise Helletsgruber
16. Act II, Scene I. Serenata: Deh, Vieni Alla Finestra - John Brownlee
17. Act II, Scene I. Recitativo: V'e Gente Alla Finestra - John Brownlee/Roy Henderson
18. Act II, Scene I. Aria: Meta Di Voi Qua Vadano - John Brownlee
19. Act II, Scene I. Recitativo: Zitto, Lascia Ch'io Senta - John Brownlee/Roy Henderson/Audrey Mildmay
20. Act II, Scene I. Aria: Vedrai, Carino - Audrey Mildmay
21. Act II, Scene II. Recitativo: Di Molte Faci Il Lume - Salvatore Baccaloni/Luise Helletsgruber
22. Act II, Scene II. Sestetto: Sola, Sola In Buio Loco - Luise Helletsgruber/Salvatore Baccaloni/Koloman Von Pataky/Ina Souez/Audrey Mildmay/Roy Henderson
23. Act II, Scene II: Mille Torbidi Pensieri - Luise Helletsgruber/Salvatore Baccaloni/Koloman Von Pataky/Ina Souez/Audrey Mildmay/Roy Henderson
24. Act II, Scene II. Recitativo: Dunque Quello Sei Tu - Audrey Mildmay/Luise Helletsgruber/Koloman Von Pataky/Salvatore Baccaloni
25. Act II, Scene II. Aria: Ah Pieta, Signori Miei! - Salvatore Baccaloni
26. Act II, Scene II. Recitativo: Ferma, Perfido, Ferma! - Luise Helletsgruber/Roy Henderson/Audrey Mildmay/Koloman Von Pataky
27. Act II, Scene II. Aria: Il Mio Tesoro Intanto - Koloman Von Pataky
28. Act II, Scene II. Recitativo: In Quali Eccessi - Luise Helletsgruber
29. Act II, Scene II. Aria: Mi Tradi Quell'alma Ingrata - Luise Helletsgruber

Tracks:

1. Act II, Scene III. Recitativo: Ah, Ah, Ah Questa Buona - John Brownlee/Salvatore Baccaloni/Glyndebourne Festival Chor
2. Act II, Scene III. Duetto: O Statua Gentilissima - John Brownlee/Salvatore Baccaloni/Glyndebourne Festival Chor
3. Act II, Scene IV. Recitativo: Calmatevi, Idol Mio! - Koloman Von Pataky/Ina Souez
4. Act II, Scene IV. Recitativo: Crudele Ah No, Mio Bene! - Ina Souez
5. Act II, Scene IV. Aria: Non Mi Dir, Bell'idol Mio - Ina Souez
6. Act II, Scene V. Finale: Gia La Mensa E Preparata - John Brownlee/Salvatore Baccaloni
7. Act II, Scene V: L'ultima Prova Dell'amor Mio - Luise Helletsgruber/John Brownlee
8. Act II, Scene V: Che Grido E Questo Mai? - John Brownlee/Salvatore Baccaloni
9. Act II, Scene V: Don Giovanni, A Cenar Teco - Glyndebourne Festival Chor/John Brownlee/Salvatore Baccaloni
10. Act II, Scene V: Da Qual Tremore Insolito - John Brownlee
11. Act II, Scene V. Epilogo: Ah, Dov'e Il Perfido? - Ina Souez/Audrey Mildmay/Koloman Von Pataky/Roy Henderson/Salvatore Baccaloni
12. Act II, Scene V: Or Che Tutti, O Mio Tesoro - Koloman Von Pataky/Ina Souez/Luise Helletsgruber/Audrey Mildmay/Roy Henderson/Salvatore Baccaloni
13. Act II, Scene V: Resti Dunque Quel Birbon - Salvatore Baccaloni
14. Act II, Scene V: Questo E Il Fin - Koloman Von Pataky/Ina Souez/Luise Helletsgruber/Audrey Mildmay/Roy Henderson/Salvatore Baccaloni
15. Madamina! - Fedor Chaliapin
16. La Ci Darem La Mano - Rosa Raisa/Giacomo Rimini
17. Or Sai Chi L'onore - Frida Leider
18. Dalla Sua Pace - Richard Tauber
19. Finche Han Del Vino - Ezio Pinza
20. Batti, Batti - Elisabeth Rethberg
21. Deh, Vieni Alla Finestra - Ezio Pinza
22. Vedrai Carino - Elisabeth Schumann
23. Il Mio Tesoro - Richard Tauber

Customer Reviews:

Fantastic Don Giovanni.......2006-02-14

One of the earliest of the staple "Don Giovanni" recordings. I have been listening to this recording non stop for the past few weeks now, and it continues to surprise me. Despite being an older recording, the quality is excellent thanks to the work of the brilliant Ward Marston (any time you see his name on a remastered recording, you know the work is top-notch). He knows how to clean up the sound without distorting or destroying it. At the price Naxos offers, there should be nothing to keep this out of anyone's collection, even if you already have a few recordings of this opera. The primary cast is excellent, and I have been especially pleased to listen to the beautifully high-voiced Don Ottavio on this disc--generally the sound of Ottavios on other great recordings is weak at best (the Siepi recording suffers from this).

Gone.......2005-11-06

I won't even lower myself to find exactly what the legal copyright fluff was with EMI that caused this extraordinary 70-year-old recording (that maybe 3000 people worldwide remotely care about) to be yanked from circulation. I picked mine up at a music retailer's--coincidentally at the moment he was gathering up various Naxos discs involved in this altercation, in preparation to returning them. Now the question is when will this be re-released and will we ever again hear the incredible remastering done by Ward Marston; it's all in the hands of lawyers and money people now. It's the best DG I've ever heard and, in a peculiar yet wonderful sense, the best sounding. The clarity of this recording of this singular cast is amazing! Some background hiss but who the heck cares.

Anyway, if this ever turns up again, or if you spot it in a cutout bin at some backwater shop grab it.

Great performance at a bargain price.......2004-03-09

I agree with the previous reviewers.

This is a justly famous recording of what must have been a fabulous ensemble on the Glyndebourne stage. For my money, the youthful Salvatore Baccaloni is the finest Leporello on disc. And Louise Helletsgruber, that best of Cherubinos, is very good as Donna Elvira. John Brownlee is the smoothest and most seductive among the handfull of truly great Don Giovannis.

A word for this production.......2003-02-19

I would like merely to emphasize the astonishing dramatic quality of this recording. I have heard other performerrs outshine those here from a purely musical point of view.. But never a recording (of any work) that gave a better sensation of the operatic performance.

A highly-rated and universally admired classic recording........2001-08-15

For as long as I can remember, this recording made at the then newly-built opera house on John Christie's country estate at Glyndebourne, Sussex, England, has been highly rated and universally admired. Critics and reviewers in recent times have generally rated it as indispensable, even though it was recorded more than seventy years ago. I believe it was the first complete recording of the opera. It was made over a period of one week while the opera festival was in progress. Now comes this excellent Ward Marston restoration on the super budget Naxos label to a newer listening public in the C21st.

Keith Anderson, in the accompanying notes, provides an explanation for the greatness of the Mozart opera productions that opened the Glyndbourne opera house in the 1930s. They were strong ensemble productions. The conductor was Fritz Busch. The producer was Carl Ebert. Rudolf Bing became involved also in 1936.

As has frequently happened in subsequent productions, the cast of singers is drawn from many countries - almost as many as Leporello mentions in his catalogue aria. The don is an Australian, Leporello an Italian, Anna an American, Elvira an Austrian, Zerlina is English, Ottavio is Hungarian, and Masetto is Scottish. Outstanding amongst them is Salvatore Baccaloni as Leporello. He encompasses the vocal part with ease, he colours his voice with skill, and he delivers the recitatives at a spanking pace. John Brownlee is noticeably slower in the latter requirement. His singing always has the stamp of the aristocrat, suggesting a don destined for life-long partnership with a Spanish infanta rather than a don responsible for a catalogue of seductions. Ina Souez, powerful of voice and well in command of her difficult music, suggests a donna well able to defend herself from molestation, with or without the aid of Don Ottavio. Kolomon von Pataky sings eloquently throughout. Although the conductor favours fast tempi generally, Ottavio's two arias are taken slowly, preventing Pataky from attempting the "all in one breath" feats that many tenors achieve in these arias. Roy Henderson brings a few welcome touches of characterisation to the minor part of Masetto.

It is of course in the ensembles and the Act One finale that the opera's greatest sequences occur. Happily, these sections are wonderfully well-realised in this production. Indeed, the sense of ensemble and company interaction is perhaps the greatest strength of this classic recording.

As an appendix, Naxos provides excerpts from "Don Giovanni" performed by what they call "golden age singers" - including Chaliapin, Leider, Tauber, Pinza, and Elisabeth Schumann - in recordings made between 1926 and 1939.

Average customer rating: Not the Orignal Broadway Cast buy nice I MARRIED AN ANGEL Odd compilation of disparate recordings - a recreation.

I Married An Angel (1950s Studio Casts) Lorenz Hart Manufacturer: Aei ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Dearest Enemy (1955 Television Cast) You Never Know (2001 Studio Cast) Billy Rose's Jumbo (1962 Film Soundtrack) Rodgers & Hart, Vol. 1 Babes in Arms (Vocal Score Series) ASIN: B000000N5E Release Date: 1995-07-14

Tracks:

1. Medley - Walter/Bowers
2. Did You Ever Get Stung? - Wynn Murray
3. I Married An Angel - Gordon MacRae
4. I'll Tell The Man In The Street - Lucille Norman/Gordan MacRae
5. How To Win Friends And Influence People - Audrey Christe
6. Finale Act One - I Married An Angel
7. Spring Is Here - Eve Symington
8. Angel Without Wings - Lucille Norman
9. A Twinkle in Your Eye - Wynn Murray
10. At The Roxy Music Hall - Audrey Christie
11. Finale: I'll Tell The Man In The Street/Did You Ever Get Stung?/A Twinkle in Your Eye/Spring Is... - Gordon MacRae/Lucille Norman/Ensemble

Customer Reviews:

Not the Orignal Broadway Cast buy nice.......2003-03-24

This is not the Orignal Broadway cast of the musical. Traks n° 1, 2, 4, 6, 8 and 9 were recorded in 1938 by Audey Christie (she was part of the original brodway cast) and Wynn Murray (she was in the original cast of Babes in Arms). The rest of the traks are from a radio show with Gordon MacRea.

I MARRIED AN ANGEL.......2001-06-23

Original cast recordings from this show languished in obscurity until the good folks at AEI made them available on LP and CD, together with other more recent recordings of one of Rodgers & Hart's most delightful scores. Because American cast recordings of Broadway productions did not start until "Oklahoma!", there was never a full scale recording of this memorable R&H show, and we are fortunate that this has been made available. For Music Theater buffs, this is a *must* for any collection, for not only does it show Larry Hart at his wittiest, Richard Rodgers is at his most melodic, before the somewhat sugary melodies he composed during his association with Oscar Hammerstein II. "I Married an Angel" may not be their best known title, bu it sure is worth a listen!

Odd compilation of disparate recordings - a recreation........1998-09-23

Someone loves this minor Rodgers and Hart show enough to attempt to assemble a studio cast recording by grouping popular recordings of most of the songs from the show (four are left out). Since this show has never received a cast album,it does fill a gap, but the score is not one of the team's best (only SPRING IS HERE and I'LL TELL THE MAN IN THE STREET were hits)and the effect is more of an oddity than a joy. For Rodgers and Hart fans only.

Average customer rating:

Saint-Saëns: Chamber Works Manufacturer: Summit(Classical) ProductGroup: Music Binding: Audio CD General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Saint-Saëns: Piano Quartet; Piano Quintet; Septet; etc. ASIN: B0000038JU Release Date: 1994-08-23

Tracks:

1. Preamble
2. Menuet
3. Interlude
4. Gavotte Et Final
5. Wedding Cake, Op.76
6. Fantaisie For Violin And Harp, Op. 124
7. Andantino
8. Ad Libitum-Allegretto
9. Molto Allegro
10. Morceau De Concert For Horn And Piano, Op. 94
11. Scherzo For Piano And Harmonium, Op. 8
12. Les Cloches Du Soir, Op.85

Average customer rating:

Step By Step Jeff Lorber Manufacturer: Bmg Music ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music ASIN: B00000DOQ3 Release Date: 1988-11-09

Average customer rating: Best of Audrey Landers

Best of Audrey Landers Audrey Landers Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Dance & DJ | Imports | Stores | Music International | Imports | Stores | Music Rock | Imports | Stores | Music ASIN: B00003W84Y Release Date: 2000-01-28

Tracks:

1. Honeymoon In Trinidad
2. Playa Blanca
3. Blue Bayou
4. Shot Down
5. Yellow Rose Of Texas
6. Rose Garden
7. Lucky
8. Tennessee Nights
9. Hideaway Havana
10. Some Broken Hearts Never
11. Mi Amor
12. Little River
13. Summernight In Rome
14. Manuel Goodbye

Album Description

Budget priced import-only release from the singer/actress best known for her portrayal of Afton Cooper in the world hit television series, Dallas. 14 tracks. Ariola Express. 2000.

Customer Reviews:

Best of Audrey Landers.......2007-05-17

Hello. This item of the Best of Audrey Landers is a very good CD. I like the songs and nice music. The songs a very catchy and fun to listen to. I've been searcing for a CD of Audrey Landers for a long time.

Average customer rating:

The Dream John & Audrey Wiggins Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Similar Items: John & Audrey Wiggins ASIN: B000001EQE Release Date: 1997-04-22

Tracks:

1. Somewhere In Love
2. Once You've Loved Somebody
3. I Can Sleep When I'm Dead
4. Little Bitty Pieces
5. Crazy Love
6. Were You Ever Really Mine
7. Be Still My Heart
8. Party Down
9. Going With My Heart
10. If A Train Left For Memphis
11. The Dream

World Music:

1. Bauls of Bengal Mystic Songs from India
2. Bayreuth Zwei [Import]
3. Best of [Import]
4. Bukhara: Musical Crossroads Of Asia
5. Buonanotte Ai Suonatori [Import]
6. Caramella Smog [Enhanced] [Import]
7. Clara [Box set] [Import]
8. Come to the Dance [Import]
9. Diletantismo [Import]
10. Disco Italia, Vol. 2 [Import]

World Music

world music

World Music

Field Day

Haydn and the Sea

Gliere: Pieces Op39; Khrizis

Three for One

In House Perspectives 01: Mixed By the Beard [Import]

M.A.D.E. [Explicit Lyrics]

Laurence Jalbert/Dan Bigras En Concert [Import] [Live]

Marilyn Martin

Jezebel

Heinrich Schutz: Motets and Concertos/Musikalische Exequien

No Earthly Man

Leve [Import]

En Vivo, Vol. II

Stravinsky: L'oiseau de feu No2; Petrushka

Buddy's Baddest: The Best Of Buddy Guy