Not One Word [Import]

1. Not One Word

2. Roobenia

3. Theme for Trio

4. Milos

5. Brazzhelia

6. Wolves' House

7. Theme for Duet

8. Mot Imaginaire

9. Besame Mucho

10. Lampi

11. Tango Disorientato

12. Bells

13. Due Voci Per Orchestra

14. Raining at My Door

Not One Word,Ivano Fossati,Sony Int'l,Int'l & World Music,Italy,Pop,World Music

Average customer rating: my opinion Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Elijah: An Oratorio for Piano & Vocal Score ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

my opinion.......2007-08-01

This recording was reccomended somewhere as being even better than the newer version with Bryn Terfel and Renee Fleming - it really is tops, I think. Dietrich Fischer-Dieskau is as lyrical as ever. And the other soloists are also breathtaking.

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: full description missing Fine Excerpts At An Affordable Price Excerpts And Highlights From The Pirates Of Penzance Pirates Of Penzance Highlights At A Cheap Price !! A reasonably good abridgement to this ever-popular G&S opera

Gilbert & Sullivan: The Pirates Of Penzance Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music CDs $7 - $10 | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Operas | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Sullivan: Mikado Gilbert & Sullivan: HMS Pinafore Highlights Gilbert and Sullivan: H.M.S. Pinafore Gilbert & Sullivan - The Pirates of Penzance / Kline, Ronstadt, Smith, Routledge, Delacorte Theater (Broadway Theatre Archive) Mozart: Requiem ASIN: B00000420J Release Date: 1993-05-11

Tracks:

1. Pirates Of Penzance: Overture
2. Pirates Of Penzance: Act. I - Pour, Oh Pour The Pirate Sherry
3. Pirates Of Penzance: Act. I - When Fred'ric Was A Little Lad
4. Pirates Of Penzance: Act. I - Oh, Better Far to Live and Die
5. Pirates Of Penzance: Act. I - Climbing Over Rocky Mountain
6. Pirates Of Penzance: Act. I - Oh, Is There Not One Maiden Breast
7. Pirates Of Penzance: Act. I - Oh, Sisters, Dear To Pity's Name, For Shame!
8. Pirates Of Penzance: Act. I - Poor Wand'ring One!
9. Pirates Of Penzance: Act. I - How Beautifully Blue The Sky
10. Pirates Of Penzance: Act. I - Stay, We Must Not Lose Our Senses
11. Pirates Of Penzance: Act. I - I Am The Very Model Of A Modern Major-General
12. Pirates Of Penzance: Act. II - Oh, Dry The Glist'ning Tear
13. Pirates Of Penzance: Act. II - Then Frederic .. When The Foeman Bares His Steel
14. Pirates Of Penzance: Act. II - Stay, Fred'ric, Stay!
15. Pirates Of Penzance: Act. II - When A Felon's Not Engaged In His Employment
16. Pirates Of Penzance: Act. II - With Cat-Like Tread
17. Pirates Of Penzance: Act. II - Hush! Hush! Not A Word
18. Pirates Of Penzance: Act. II - Sighing Softly To The River ... (Finale)

Customer Reviews:

full description missing.......2006-08-18

While the music that is on the CD is good, a several numbers are missing! It's not the full operetta

Fine Excerpts At An Affordable Price.......2004-02-07

Gilbert And Sullivan. Eternal names in the musical theatre scene. They were the 19th century British version of Rodgers and Hammerstein or Lerner and Loewe. And this was long before Broadway, when the Savoy was the vogue of musical comedy and the Savoyards were highly popular entertainers. William S. Gilbert provided the libretti and lyrics to the operettas, while Arthur Sullivan, who was a serious music composer in his own right, provided the music. The operettas or light operas they wrote were mostly up-beat social satires dressed up as comedy, very theatrical, historical, inventive, and very patriotic to Brittain. Their works borrowed the opera technique- choruses, arias, ensembles, but as far as plot and content their only serious work was The Yeomen Of The Guard. Other Gilbert And Sullivan hits include Trial By Jury, H.M.S. Pinafore, The Mikado, Princess Ida and The Gondoliers. Gilbert And Sullivan's manager/impresario was Richard D'Oyly Carte.

This recording is only highlights from a 1968 recording (also available on Amazon.com) with the D'Oyly Carte Opera, conductor Isidore Godfrey directs the Royal Philharmonic. In the role of Frederick, lyric tenor Phillip Potter, in the role of Mabel, soprano Valerie Masterson, John Reed as Major General Stanley, Donald Adams as The Pirate King,Owen Brannigan as the Sergeant Of Police, and mezzo soprano Christine Palmer as Nurse Ruth. These singers were at their vocal peaks, and they provide much comedic acting as well. Impressive scenes include the mezzo soprano vocals of Christine Palmer's Ruth as she describes how she mistook "Pilot" for "Pirate" when nursing Frederick (When Frederick Was A Little Lad"), Frederick's plea to the daughters of the Major General to accept him as husband (O Is There Not One Maiden Breast) Valerie Masterson, whose Mabel is the best, singing the coloratura showcase "Poor Wondering One" and her duet in "Stay Frederick Stay" John Reed singing "I Am The Very Model Of A Modern Major General" is hilarious and a display of virtuosity for this type of singing. The beautiful chorus "O Dry The Glistening Tear" the upbeat "With Cat Like Tread" and the finale are exceptional.

Excerpts And Highlights From The Pirates Of Penzance.......2004-02-04

This cd contains only highlights and excerpts from the 1968 recording by the D'Oyly Carte Opera Company. For a full recording, check it out on the Amazon.com catalog under Gilbert and Sullivan Pirates Of Penzance D'Oyl Carte Opera. This company was founded by the original impresario and manager of the Gilbert and Sullivan productions in the late 19th century, Richard D'Oyly Carte. Arthur Sullivan, who was a well-known composer, provided the music and William Gilbert wrote the libretti. Their partnership was a match made in heaven, as evident in the success of their many operettas, beginning with the smash hit "Trial By Jury" and even on to the more serious opera "The Yeomen Of The Guard". Nevertheless, Gilbert and Sullivan had different temperaments and did'nt always get along very well. They split up sometime in the 1890's. Other famous light operas of theirs include The H.M.S. Pinafore, The Mikado, Iolanthe, Princess Ida and The Gondoliers. Light opera or operetta was the vogue of the day, especially popular in the Savoy Theatre in London. Although it was not opera, it borrowed much of the opera techniques- namely arias and chorus. The entertainment of the Gilbert and Sullivan operettas were very much like Broadway musicals. In fact, one could make the argument that the Savoy was the Broadway long before American Broadway theatre and Gilbert and Sullivan were like an early British form of Rodgers and Hammersteins or Lerner and Loewe.

The Pirate Of Penzance is a beautiful work of art. The sugary and sentimental story is about the exoneration of pirates, who are noble men who have "gone astray" by such authorities as the Major General,his daughters and the Sergeant of Police. Through the course of the opera, Frederick, who was nursed by Ruth and reared by the Pirate King and his roguish band of pirates. When the daughters of Major General Stanley reject his proposals of love, only Mabel consents to love him. But there's a catch. Frederick is in the hands of the pirates until he comes of age but he was born on a leap year and not until 1940 will he be released. The ending is happy and finds the pirates forgivened by the authorities and Mabel and Frederick are happily married.

The singers really deliver a great performance. In the role of the Major General Stanley is John Reed, who by the time of this recording was a veteran singer in the company. He comes off as fatherly, authoritive but cheerful. An especially skilled type of singer is needed for the master song "I am the Very Model Of A Modern Major General". In contrast, a lyric tenderness is required in the final song "Sighing Softly To The River". As mentioned, a lot of this light opera shines with chorus. The excellent choruses include the opening chorus "Pour The Pirate Sherry", "Oh Dry The Glistening Tear"- this one in particular is set to beautiful music and the daughters of the Major General sound heavenly when they sing in chorus, expressive also in their chorus when Frederick sings "O, Is There Not One Maiden Breast ?". Frederick is sung by Phillip Potter, whose tenor voice is lyric and romantic, and it sounds gorgeous when in duet with Valerie Masterson's Mabel, as in the duet that follows "Stay Frederick Stay". Valerie Masterson was the principal soprano of the company and performed in various other lead roles such as Princess Yum-Yum in The Mikado. A well-schooled lyric and coloratura diva, Valerie Masterson extended her repertoire into Broadway and opera- she has sung Violetta Valery of Verdi's La Traviata (in both Italian and in English versions), Adele in Die Fledermaus and even a part in an English version of Wagner's Ring of the Nibelung. Valerie has recordings out in stock and available in Amazon.com.

Pirates Of Penzance Highlights At A Cheap Price !!.......2003-12-27

For a very reasonable, inexpensive price (around 8 dollars) this cd is a must have for those who have recently taken up an interest in Gilbert and Sullivan. Gilbert and Sullivan were a team of composer and librettist, both Englishmen, from the late 19th century who composed operettas written in the English language and in the spirit of popular folk song of the Victorian period (roughly 1870's, 1880's and 1890's ) The light operas were equally as light in plot and mood- they were cheery, uncomplicated stories, a lot of them set on a naval vessel out at sea. They poked fun at the Victorian way of life, in much the same vein that Offenbach satirized the French of his day during the Second Empire (1860's). Gilbert and Sullivan composed many operettas that still remain popular today, especially The Mikado, The H.M.S. Pinafore and in this case The Pirates Of Penzance. The D'Oyly Carte Opera Company specialized exclusively in the art of Gilbert and Sullivan and have long been regarded as the finest interpreters of the style. In the 50's and 60's they performed live and made a variety of recordings, employing the talents of many outstanding English singers- among them lyric soprano Valerie Masterson.

In The Pirates Of Penzance, Mabel and Frederick are temporarily seperated lovers when Frederick is accused of a crime he did not commit. The plot involves pirates, among them the bass-baritone Pirate King. Light-hearted, bouncy tunes abound in what is considered the direct ancestor to Broadway musicals. The Overture makes use of the chorus "With Cat Like Tread" a march-like, jovial piece of music. The Highlights on this cd include "Pour O Pour The Pirate Sherry", "When Frederick Was A Lad", " Poor Wondering One", "I Am The Very Model Of A Modern Major General" and the uplifting finale. Valerie Masterson plays the role of Mabel. Her voice is fresh, agile, lyric and she has excellent command of coloratura when warranted, as she sings in "Poor Wondering One". This 1968 recording is in its entirety on the same label with the same singers on a different cd recording.

A reasonably good abridgement to this ever-popular G&S opera.......2001-03-08

This budget-priced abridgement of D'Oyly Carte's incomporable 1968 PIRATES is a reasonably good way for beginners to get started on the opera itself. The D'Oyly Carte's performance is top-notch and beyond reproach and Isidore Godfrey elicits delicate playing from the Royal Philharmonic Orchestra. The 62-minute playing time gives exceptionl value for money, even though there are scenes I feel should hae been omitted such as Frederic's "Oh is there not one maiden breast" that hold up the action. It would have been ince to include the Act One finale because it reveals what is to come in the second act. To round off, some people think that this performance of PIRATES is far too operatic, but this is Sullivan's original arrangement and not others' work.

Average customer rating: On the Subject of Intelligent and Sensitive Recitals Lovely A Beautiful Disc A stunning burst onto the world stage Wonderful songs, and a singer with great potential

Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu) Antonin Dvorak , Bohuslav Martinu , Leos Janacek , Magdalena Kozená , and Graham Johnson Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Janácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Martinu | Martinu, Bohuslav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Songs: Magdalena Kozena Magdalena Kozená - Le belle immagini (Mozart, Gluck, Myslivecek) Lamento French Arias Bach - Cantatas BWV 199, 179, 113 / Kozená · Towers · Padmore · Loges · Gardiner ASIN: B00004SDO1 Release Date: 2000-08-08

Tracks:

1. Love Songs: Oh, Our Love Does Not Bloom
2. Love Songs: Death Dwells In So Many A Heart
3. Love Songs: Now I Stumble Past The House
4. Love Songs: I Know That In Sweet Hope
5. Love Songs: Gentle Slumber Reigns Over The Countryside
6. Love Songs: Here In The Forest By A Brook
7. Love Songs: In The Sweet Power Of Your Eyes
8. Love Songs: Oh, Dear Matchless Soul
9. New Miniatures: The Rich Sweetheart
10. New Miniatures: The Forsaken Lover
11. New Miniatures: Lounging
12. New Miniatures: The Inquisitive Girl
13. New Miniatures: The Cheerful Girl
14. New Miniatures: The Unhappy Lover
15. New Miniatures: The Request
16. New Miniatures: The Tall Tower
17. Songs For A Friend Of My Country: Ponies On The Fallow Land
18. Songs For A Friend Of My Country: The Lost Little Slipper
19. Songs For A Friend Of My Country: A Religious Song
20. Songs For A Friend Of My Country: An Invitation
21. Four Songs: You Heartfelt Songs
22. Four Songs: Oh, That Was A Beautiful, Golden Dream
23. Four Songs: In Pain, My Heart Often Broods
24. Four Songs: Silence On The Mountains
25. Lullaby
26. Songs For One Page: Dew
27. Songs For One Page: Unlocking With A Single Word
28. Songs For One Page: Journey To The Beloved
29. Songs For One Page: The Footpath
30. Songs For One Page: At Mother's
31. Songs For One Page: The Virgin Mary's Dream
32. Songs For One Page: Rosemary
33. New Slovak Songs: So Tell Me
34. New Slovak Songs: I Had A Blouse
35. Moravian Folk Poetry In Songs: Who Is The Posy For?
36. Moravian Folk Poetry In Songs: A Lover's Picture
37. Moravian Folk Poetry In Songs: Little Posy
38. Moravian Folk Poetry In Songs: Constancy
39. Moravian Folk Poetry In Songs: Love
40. Moravian Folk Poetry In Songs: Parting
41. Moravian Folk Poetry In Songs: My Lover's Horses
42. Good Night, My Darling

Amazon.com

The composers Antonín Dvorák, Leos Janácek, and Bohuslav Martinu might not be the names that first spring to mind when love songs are mentioned, yet this fascinating collection gives us a taste of what delights we have been missing. They range from seven Moravian folk songs, collected by Janácek at the turn of the century, to songs written by Martinu in the U.S. in 1942. There's also early Martinu--including songs he collected in Slovakia in 1920--plus the world-premiere recording of Songs for a Friend of My Country, a cycle he wrote in France in 1940 on his way to America. All of these songs are of interest in giving us another aspect of each composer's work; most have much more to offer. Many are achingly lovely, especially those by Dvorák--including his Op. 2, a reworking of four songs from a cycle he had written almost 20 years earlier, and Love Songs, a revision of eight songs from the same cycle. "Good night, my darling," from his 1886 cycle In Folk Tone, is worth the price of this CD alone. Czech mezzo Magdalena Kozená, who put together the program, sings with pure, attractive tone. Graham Johnson is her excellent accompanist. --Richard Fawkes

Customer Reviews:

On the Subject of Intelligent and Sensitive Recitals.......2005-05-19

Combing the recorded literature to find CDs that showcase singers who not only own brilliant vocal gifts but who also possess the intelligence to program recordings of lesser known works in a sequence that makes for intelligent recitals, it is becoming more obvious that there are many singers who opt for purity of purpose rather than 'salesmanship' of careers in the PR arena. Magdalena Kozená is one of these gifted singers whose intelligence and sensitivity match her physical and vocal beauty.

LOVE SONGS is a tastefully selected panorama of lesser-known songs by Kozená's fellow countrymen (Czech) Antonín Dvorák, Leos Janácek, and Bohuslav Martinu. And while many of the Dvorák and Janácek songs have been occasionally heard in recitals, the Martinu "Songs for a Friend of My Country", an exquisitely beautiful work written in 1940, here receives its World Premiere recording. Kozená's voice is in prime condition for these songs and she is ably accompanied by pianist Graham Johnson. The special flavor of these Slavic emotions and songs has rarely been so well captured.

But over and above the beauty of Kozená's performance of these neglected masterpieces shines the glow of her sensitive programming. Recordings such as these are rare and should be included in the libraries of those who appreciate the lieder genre. Highly recommended. Grady Harp, May 05

Lovely.......2004-03-25

This is a beautifully performed selection of Czech lieder. Kozena has a lovely voice and sings with precision and nicely modulated emotion. The accompanying pianist, Graham Johnston, is excellent. Despite the title, not all these songs are love or romantic songs but all are well worth hearing. The selection of songs is excellent. Different listeners will prefer different songs. For me, the highlight of this recording are the rarely heard Martinu songs, many of which exhibit the lyrical aspect of his compositional style. Recommended strongly.

A Beautiful Disc.......2002-01-06

This is simply a magnificent recording. I like it better every time I put it on. The voice is fresh, supple, and expressive. I even find myself trying to learn some of the Czech words (from the translation in the booklet) they sound so nice. Both Kozena and the brilliant piano contributions by Graham Johnson are faithfully caught on the recording. There is enough variety and contrast that one doesn't tire in the least (over the generous 67 minutes of playing time) of hearing these playful, sometimes poignant, songs. One of the best discs, in terms of programming, performance, and sound quality, of the past couple of years.

A stunning burst onto the world stage.......2001-12-17

Magdalena Kozena is suddenly known around the world, thanks to this stunning disc of 42 lieder from her Czech homeland. Most of the songs are short - some come in under a minute, the longest 3-4 minutes. Each is a little gem and many have never been recorded before.

Kozena's voice is sheer delight. She does have resonances in her voice which are reminiscent of her compatriot, Lucia Popp, but is certainly a mezzo - although she has chosen her repertoire well so we hear no strain at the top. Her low resonances are delightful and consistent with her head voice. To compare Kozena's voice to that of the late diva (Popp), it is more pure, more consistent in tone from top to bottom, and doesn't have so much of the `squeezey' quality which Popp used to great effect in evincing the passion of her characters. Kozena can empty her voice of vibrato or let it out rich and full, and uses all her vocal resources to great effect in contrasting the individual songs. She has astoundingly mature lieder-singer's technique for such a young singer.

This recording rightly won a Gramophone award this year. Kozena deserves all the accolades she receives for this - doubtless all listeners will develop their own favourites from these delightful miniatures.

Wonderful songs, and a singer with great potential.......2000-10-08

What a wonderful, carefully thought out CD! Kozena obviously revels in these rarely performed songs by Dvorak, Martinu, and Janacek, and Johnson accompanies with his usual ease and sensitivity. What a pity the piano is balanced distantly -- we hear little of Johnson's variety of touch and dynamics. As for Kozena, she is obviously an intelligent musician with a voice of great potential. It is qutie beautiful as it is, yet the colour is still rather pale. Yes, there is something of the late Lucia Popp's timbre, yet it has little of Popp's depth and range of colour. BBC Legends released a CD of Popp a year ago which includes three Dvorak songs also sung by Kozena. The differences are quite marked -- while Kozena's timbre and interpretation suggests a dreamy yet earnest youth, Popp brings out an autumnal glow and a sharp pain that pierces at least this listener's heart. Kozena has started a wonderful career. Only time will tell how her voice will develop. I do hope it goes in the direction of Popp's unique lyric timbre. No one could ever equal Popp (perhaps it's obvious by now that Popp is my favorite singer of all time), but perhaps Kozena will become something of Popp's heir, while still being her own person. I hope so. But her musicality is not in question. Let's keep our ears open!

Average customer rating: I'll take "reminds me of Converge" for $500, Alex Great Album Listenable spazzcore for once Surprisingly Good fancy!

Not One Word Has Been Omitted From a Second Story Window Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music 4-for-3 Hard Rock & Metal | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Delenda Ideas of Reference The Design The Healing Process When Goodbye Means Forever ASIN: B0006212IG Release Date: 2004-10-19

Tracks:

1. The Challenge Of Caring
2. I Tried Voodoo Once
3. In A River Where You Least Expect It There Will Be Fish
4. How London Got Its Fog
5. Vespers

Album Description

Metal-Core

Customer Reviews:

I'll take "reminds me of Converge" for $500, Alex.......2006-08-11

From a Second Story Window are one of those bands who, while good, steal all of their best ideas from better, bigger namds. With the case of this band, it's converge.
Don't get me wrong. From a Second Sotry Window are good at what they do, their ideas just arent any thing new. They've been done before and better by bands like converge. If they worked on their originality a little more, i see great things for this band in the near future

Great Album.......2006-04-08

This band is going places, they've managed to make something different in a genre where a lot of the music all sounds the same. Theur vocalist is insane, the only problem I have with this record, is that it's almost impossible to discern anything the screamer screams, but the vocals are amazing and shred none the less. Great guitar work, drumming is tight, great double bass in parts. All around a great sounding band, give these guys a look. "The Challenge of Caring", "How London Got Its Fog", and "Vespers" are stand out tracks.

Listenable spazzcore for once.......2005-12-30

Cumbersome name but absolutely stunning spazcore/metal. I'm not a huge fan of spazzcore in
general as it seems most of the time they're just deliberately trying to make the most dissonant,
chaotic music possible but that's not the case here. There's definitely elements of it here but it's
kept in check by more measured metalcore passages and even softer, classical sounding
bridges. This gives many of these five songs a song within a song feel as they drift effortlessly
from chaotic spazz to slower, sophisticated melodic material. So much so it doesn't even feel like
you're listening to an EP. Of course it also helps that most of these songs clock in at 6-7 minutes!

Even their most traditional sounding metal riffs are built in way to resemble a tidal surge with a
wave of dense, hazy, indistinct guitars surging past only to be brought back by crisp underlying
guitar slides or melodic riffs. This deliberate sense of movement is what really holds these
songs together as you know their more spazz like elements are not just random guitar wanking
but part of the larger whole. The best example of this approach can be seen on "I Tried Voodoo
Once" as it blasts out of the gates with a monumental riff only to blaze off in at least four different
distinct directions before bring back the crushing original riff but only for the briefest time before
going into another more melodic direction. All in almost less than a minute. Sounds like it's hard
to keep up but it's really a great ride.

The one thing that might keep people from really digging this band is the vocals. He's got a
combo of that old black metal scream and grindcore grunts which amounts to a lot of
indecipherable screaming. I just look past this as the music is really the star here but even I get
annoyed on a song like "Vespers" where it's just constant barking.

Even though this EP has only five songs it's hard to think of a recent band that's come out with
such a compelling sound fully baked from the start. I can't wait to here what these guys can do on
a full length.

Check out more reviews at ohboydestroy.

Surprisingly Good.......2005-12-11

Though many things on this page indicate From a Second Story Window is a metalcore band, please take note of the Cradle of Filth, Psyopus, and Between the Buried and Me references as well.

Though this is far from an extraordinary album, its aggression and precision are worth repeated listens. Yes, the vocals lean more towards the deranged screaming of metalcore than the growling of death metal, but the singer alternates between two styles enough so that it doesn't become an irreconcilable offense to the album's overall appeal.

And the appeal here is the technical ability. Though I tend to shy away from the relentlessly brutal, the breakdowns, occasional sick riff, and other random passages here provide sufficient respite from the punishment.

Death metal purists, beware. I'm not sure you will be able to forgive the definite metalcore presence. But like many other bands have accomplished as the world of metal continues to expand, From a Second Story Window shows that earnestness, ability, and the willingness to forge forward by melding multiple styles will always result in a worthwhile listen.

fancy!.......2005-07-19

good album. powerful with all of crazy riffs and double bass pedal madness. it good to wake up to, i do it all the time.
ipod alarm clock + 5.1 speaks + FASSW = jolly morning wakeup
Doo ittt!
PURCHASE!

Average customer rating: Major find here........super funny, high intellect w/o being vulgar.....................................

Thats Not Right! Manufacturer: Original Cast ProductGroup: Music Binding: Audio CD Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music ASIN: B000CA44IC Release Date: 2004-05-25

Tracks:

1. intro
2. Kellogg's Cereal Tour
3. Eeaney Meaney
4. My Eye
5. Jon Benet
6. Getting In Shape
7. Johnny & Ethel
8. Snoring
9. Housekeeping
10. All You Can Eat
11. We're Going To Lose the House
12. A Bomb Drills
13. Big Pants People
14. Aunt Rose
15. Catchers & Pitchers
16. Phone Sex
17. The Meaney's Summer Vacations
18. Mistaken Identity
19. Liver Transplant
20. Camouflage
21. Woman From Colon
22. I Don't Care

Customer Reviews:

Major find here........super funny, high intellect w/o being vulgar............................................2007-02-07

We first saw Kevin Meaney while looking for something to do after moving to Raleigh, N.C.

A lot of the routines done on this c.d. were part of the act we saw. We were laughing so hard, I could barely catch my breath. At first, the couple we were with, our only friends since we had just moved, were sort of surprised at how real our gut laughs were, then they caught the wave.......our table was shaking, and the tears were rolling down our eyes......Kevin Meaney was that funny.

Coming from an Irish Catholic(not practicing now)family of Eleven......I could really relate. Haven't heard a thing from him in a while, but every now and then I check..........wish he would do something else......now, more than ever, I could use a freakin' laugh.

Kebmo.........comeback!!!
Blessings,
becca

Average customer rating:

Songs by Dvorak: Biblical Songs Op. 99; Songs on Folk Tunes / Martinu: Songs on One Page for voice & piano, H. 294 / Janacek: Moravian Folk Poetry in Songs Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Janácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Martinu | Martinu, Bohuslav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00000E6NA Release Date: 1993-09-14

Average customer rating: A Comic-Opera Treasure! an obscure delight!

Dittersdorf: Arcifanfano, King of Fools Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD All Works by Dittersdorf | Dittersdorf, Karl Ditters | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Anna Russell Takes On... Nabucco & The Magic Flute Anna Russell Again? The Anna Russell Album Encore? Hansel and Gretel: An Opera Fantasy ASIN: B000003LIK Release Date: 1994-12-12

Tracks:

1. Arcifanfano, King Of Fools: Act I: Overture
2. Arcifanfano, King Of Fools: Act I: Chorus - We've Traveled Far (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
3. Arcifanfano, King Of Fools: Act I: Recitative - Approach! What Is Your Name, Sir? (Furibondo)
4. Arcifanfano, King Of Fools: Act I: Aria - With A Sword That Is Sterner Than Moses (Furibondo)
5. Arcifanfano, King Of Fools: Act I: Recitative - Unhappy Oddling (Gloriosa)
6. Arcifanfano, King Of Fools: Act I: Aria - My Fair Skin, My Bare Chin (Gloriosa)
7. Arcifanfano, King Of Fools: Act I: Recitative - Was Ever There Insanity (Sordidone)
8. Arcifanfano, King Of Fools: Act I: Aria - Snugly Hidden Safe From Prying (Sordidone)
9. Arcifanfano, King Of Fools: Act I: Recitative - Madness Beyond All Measure (Malgoverno)
10. Arcifanfano, King Of Fools: Act I: Aria - When The Purse Is Clinking (Malgoverno)
11. Arcifanfano, King Of Fools: Act I: Recitative - There, Like A Vapor (Semplicina)
12. Arcifanfano, King Of Fools: Act I: Aria - O Look So Woeful (Semplicina)
13. Arcifanfano, King Of Fools: Act I: Recitative - Such As She Seems To Be Frigid (Garbata)
14. Arcifanfano, King Of Fools: Act I: Aria - Let's Sing, Let's All Be Jolly (Garbata)
15. Arcifanfano, King Of Fools: Act I: Recitative - For All Types Of Confusion
16. Arcifanfano, King Of Fools: Act I: Aria - The Fierce One Lives Only For The Slaughter
17. Arcifanfano, King Of Fools: Act II: Recitative - I Beg You To Stop (Malgoverna, Gloriosa, Garbata)
18. Arcifanfano, King Of Fools: Act II: Aria - We Praise The Sun For Beauty (Malgoverna)
19. Arcifanfano, King Of Fools: Act II: Recitative - Bumpkin, Coarse-grained (Gloriosa, Garbata)
20. Arcifanfano, King Of Fools: Act II: Aria - If You Will Love Me, I Will Love You (Garbata)
21. Arcifanfano, King Of Fools: Act II: Recitative - No, They Cannot Persuade Me! (Gloriosa)
22. Arcifanfano, King Of Fools: Act II: Aria - Lovely Ladies, You Enjoying (Gloriosa)
23. Arcifanfano, King Of Fools: Act II: Recitative - Where's My Lover, Sweetheart (Sordidone)

Tracks:

1. Arcifanfano, King Of Fools: Act II: Aria - Sordidone, Be A Bunny
2. Arcifanfano, King Of Fools: Act II: Recitative - Are You Hiding? (Sordidone, Garbata)
3. Arcifanfano, King Of Fools: Act II: Duet - See Comely Phyllis Wander (Garbata, Sordidone)
4. Arcifanfano, King Of Fools: Act II: Recitative - Don't Come Near Me (Semplicina, Furibondo)
5. Arcifanfano, King Of Fools: Act II: Aria - The High And Mighty Lion (Furibondo)
6. Arcifanfano, King Of Fools: Act II: Recitative - Quiet At Last (Semplicina)
7. Arcifanfano, King Of Fools: Act II: Duet - Semplicina, Do You Hear Me? (Semplicina)
8. Arcifanfano, King Of Fools: Act II: Quartet - Ever More Bitter Shall Be My Raging (Gloriosa, Garbata, Malgoverno, Furibondo)
9. Arcifanfano, King Of Fools: Act II: Recitative - What Now? What New Forms Of Madness? (Gloriosa, Sordidone, Malgoverno, Furibondo)
10. Arcifanfano, King Of Fools: Act II: Chorus - Long Live King Arcifanfano (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
11. Arcifanfano, King Of Fools: Act III: Aria - Earth, Our Dearest, Good And Nearest (Sordidone)
12. Arcifanfano, King Of Fools: Act III: Aria - That His Sowing Yield A Growing (Malgoverno)
13. Arcifanfano, King Of Fools: Act III: Recitative - What Has The Fool Committed (Malgoverna, Gloriosa)
14. Arcifanfano, King Of Fools: Act III: Aria - Ask Of Beauty, She Will Answer (Gloriosa)
15. Arcifanfano, King Of Fools: Act III: Recitative - Hop And Stop It! (Furibondo, Gloriosa)
16. Arcifanfano, King Of Fools: Act III: Aria - All Of This Planet, I Cry To Each Man (Furibondo)
17. Arcifanfano, King Of Fools: Act III: Recitative - What's Unleashed These Dreadful Roars? (Garbata, Furibondo)
18. Arcifanfano, King Of Fools: Act III: Aria - I'm Simple And I'm Candid (Garbata)
19. Arcifanfano, King Of Fools: Act III: Recitative - What Mischief And Load This Purse Is!
20. Arcifanfano, King Of Fools: Act III: Aria - Goddess Bright As Morning
21. Arcifanfano, King Of Fools: Act III: Recitative - Mother Always Used To Tell Me (Sordidone, Semplicina)
22. Arcifanfano, King Of Fools: Act III: Aria - What A Lot I Need What I Need Lot's Of! (Sordidone)
23. Arcifanfano, King Of Fools: Act III: Recitative - May He Not Come To Harm (Semplicina)
24. Arcifanfano, King Of Fools: Act III: Aria - There's A Devil In A Ducat (Semplicina)
25. Arcifanfano, King Of Fools: Act III: Recitative - Gather, O Subjects, About Us (Gloriosa, Garbata, Semplicina)
26. Arcifanfano, King Of Fools: Act III: Duet - If You Marry Me (Semplicina)
27. Arcifanfano, King Of Fools: Act III: Chorus - With Curiosity All Aflame (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
28. Arcifanfano, King Of Fools: Act III: Recitative - Quiet, Please, We Implore You!
29. Arcifanfano, King Of Fools: Act III: Chorus - The Wise And The Mad Have Got One Word For Their Dwelling

Customer Reviews:

A Comic-Opera Treasure!.......2007-01-28

Dittersdorf is a sort of working-man's Mozart; in fact, this opera sounds similar to some of Mozart's early operas. But Mozart sought to break the rules and to explore new musical ideas; Dittersdorf is not an innovator...yet he is no less a master! This performance, too, is a materpiece of refined (not always!) comedy; the arias include some extremely difficult vocal leaps and trills, yet the primary joy is the witty verse. W.H. Auden (no less!) ramrodded this translation to English. And Anna Russell, famed for her "Analysis of Wagner's Ring Cycle" steals every scene she's in! Ad-libbing shamelessly, her introductory aria, all by itself, is worth more than the purchase price!

an obscure delight!.......2002-07-31

Eleanor Steber's image on the cover of this set caught my eye while rummaging through the cut-out bins of San Francisco on a recent opera whirlwind. What a lost treasure this performance is - recorded "LIVE" in NYC 1965! All the principles shine, their energy ebullient. Don't hesitate, buy it and smile before it disappears.

Average customer rating: Essential works from an essential composer The entire set is outstanding!!!

Purcell: The Complete Anthems and Services, Vol. 3 Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Henry Purcell: The Complete Anthems and Services, Vol. 2 Henry Purcell: The Complete Anthems and Services, Vol. 1 Henry Purcell: The Complete Anthems and Services, Vol. 7 Purcell: The Complete Anthems and Services, Vol 6 /King's Consort * King Purcell: The Complete Anthems and Services, Vol. 5 ASIN: B000002ZS1 Release Date: 1994-04-28

Tracks:

1. The Complete Anthems And Services - 3: Blow Up The Trumpet In Sion Z10
2. The Complete Anthems And Services - 3: The Lord Is King, Be The People Never So Impatient Z53
3. The Complete Anthems And Services - 3: Begin The Song, And Strike The Living Lyre Z183
4. The Complete Anthems And Services - 3: Thy Word Is A Lantern Unto My Feet Z61
5. The Complete Anthems And Services - 3: Tell Me, Some Pitying Angel (The Blessed Virgin's Expostulation) Z196
6. The Complete Anthems And Services - 3: Heat My Prayer, O Lord Z15
7. The Complete Anthems And Services - 3: Lord, I Can Suffer Thy Rebukes Z136
8. The Complete Anthems And Services - 3: O Lord, Our Governor Z141
9. The Complete Anthems And Services - 3: Remember Not, Lord, Our Offences Z50
10. The Complete Anthems And Services - 3: Hosanna To The Highest Z187
11. The Complete Anthems And Services - 3: O God, Thou Hast Cast Us Out Z36

Customer Reviews:

Essential works from an essential composer.......2004-10-07

This volume contain the holy works of Purcell that are composed only for continuo without orchestra. Thw anthems have a haunting immediacy without orchestra. If you can no afford all of the 11 volumes of Purcell, I recommend you buy this volume and Number 1.
Purcell died at a very young age. His output is a deep and important as that of Bach. The 3 volumes I have listened to have demonstrated Purcell's ability to word paint gorgeously all of his texts.
As many of these volumes as you can afford belong in the collection of every classical music lover.

The entire set is outstanding!!!.......2003-01-16

While some of the works are superior to others the entire set is great in the realm of production. Mostly all of these pieces are just superb and if you are someone who enjoys English Baroque then you absolutely MUST purchase these cds. If you enjoy complex, melancholic or heroic music then I urge you to purchase this cd and the rest of the volumes in the set...you won't be disappointed.

Average customer rating:

An Introduction to Schubert's Piano Quintet "Trout" Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Music | Entertainment | Subjects | Books Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Instructional | Miscellaneous | Styles | Music Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music Similar Items: Classics Explained: Pastoral Symphony Symphony 9: Introduction to Dvorak An Introduction to Brahms' Piano Concerto No. 2 Classics Explained: Rite of Spring Classics Explained: Brandenburg Concertos 4 & 5 ASIN: B000076FX6 Release Date: 2003-01-21

Average customer rating:

The Ultimate Lotte Lenya Collection Manufacturer: Bear Family ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Blitzstein | Blitzstein, Marc | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Eisler, Hanns | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Austria | Continental Europe | Europe | International | Styles | Music Vocal Jazz | Jazz | Indie Music | Stores | Music ASIN: B0000251AF Release Date: 1999-03-22

Tracks:

1. 'Happy End': Surabaya-Johnny (1929)
2. 'Happy End': Bilbao-Song (1929)
3. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
4. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
7. 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
8. 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
9. 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
10. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
11. 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
12. 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
13. 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
14. 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
15. Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
16. Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
17. 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
18. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
19. Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
20. J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
21. 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
22. 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
23. 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth

Tracks:

1. 'Die Dreigoschenoper': Moritat (1955)
2. 'Die Dreigoschenoper': Barbara-Song (1955)
3. 'Die Dreigoschenoper': Seerauberjenny (1955)
4. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
7. 'Happy End': Bilbao-Song (1955)
8. 'Happy End': Surabaya-Johnny (1955)
9. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
10. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
11. 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
12. 'Der Silbersee': Casar-Ballade (1955)
13. 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
14. 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
15. 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
16. 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
17. 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
18. 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
19. 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
20. 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
21. 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen

Tracks:

1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
9. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
10. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
11. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
12. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
13. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

Tracks:

1. 'Knickerbocker Holiday': September Song (1957)
2. 'Knickerbocker Holiday': It Never Was You (1957)
3. 'Lady In The Dark': Saga Of Jenny (1957)
4. 'One Touch Of Venus': Foolish Heart (1957)
5. 'One Touch Of Venus': Speak Low (1957)
6. 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
7. 'The Eternal Road': Song Of Ruth (July Version) (1957)
8. 'Street Scene': Lonely House (1957)
9. 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
10. 'Love Life': Green-Up Time (1957)
11. 'Lost In The Stars': Trouble Man (1957)
12. 'Lost In The Stars': Stay Well (1957)
13. 'Lost In The Stars': Lost In The Stars (1957)
14. 'The Eternal Road': Song Of Ruth (August Version) (1957)
15. 'The Threepenny Opera': Pirate Jenny (1954)
16. 'The Threepenny Opera': Solomon-Song (1954)
17. 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
18. 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
19. 'Johnny Johnson': Mon Ami, My Friend (1956)
20. Young Blood (1969)
21. Welcome Home (1969)

Tracks:

1. 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
2. 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
3. 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
4. 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
5. 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
6. 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
7. 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
8. 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
9. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
10. 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
11. 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
12. 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
13. 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
14. 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
15. 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
16. 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
17. 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
18. 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
19. 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
20. 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
21. 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
22. 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
23. 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
24. 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
25. 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
26. 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...

Tracks:

1. 'Happy End': Introduktion (Hosiannah) (1960)
2. 'Happy End': Bilbao-Song (1960)
3. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
4. 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
5. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
6. 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
7. 'Happy End': Das Lied Vom Branntweinhandler (1960)
8. 'Happy End': Der Song Von Mandelay (1960)
9. 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
10. 'Happy End': Surabaya-Johnny (1960)
11. 'Happy End': Das Lied Von Der Harten Nuss (1960)
12. 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
13. 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
14. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
15. 'Cabaret': So What? (1966)
16. 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
17. 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
18. 'Cabaret': What Would You Do (1966)
19. 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey

Tracks:

1. Unter Der Linde (1958)
2. Menschlich Elende (1958)
3. Das Rosenband (1958)
4. Der Tod Und Das Madchen (1958)
5. Abendlied (1958)
6. Der Bauer (1958)
7. Lebenspflichten (1958)
8. Gesang Der Geister Uber Den Wassern (1958)
9. Aus 'Romische Elegein' (1958)
10. Gefunden (1958)
11. Wo Bist Du Itzt (1958)
12. Der Handschuh (1958)
13. Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
14. Mondnacht (1958)
15. Das Schloss Boncourt (1958)
16. Kommen Und Scheiden (1958)
17. Auf Geheimem Waldespfade (1958)
18. Der Weiher (1958)
19. Das Verlassene Magdlein (1958)
20. Der Wirtin Tochterlein (1958)
21. Mit Dummen Madchen (1958)
22. Im Wunderschonen Monat Mai (1958)
23. Ich Wollte Meine Lieder (1958)
24. Nachtlich Am Busento (1958)
25. Kehr Ein Bei Mir! (1958)
26. Altassyrisch (1958)
27. Die Musik Kommt (1958)
28. Wer Weiss Wo (1958)
29. Der Romische Brunnen (1958)
30. Vereinsamt (1958)
31. Der Werwolf (1958)
32. Der Arbeitsmann (1958)
33. Die Bieden (1958)
34. Du Schlank Und Rein Wie Eine Flamme (1958)
35. Spanische Tanzerin (1958)
36. Ich Liebe Frauen (1958)
37. An Den Leser (1958)
38. Die Entwicklung Der Menschheit (1958)
39. Der Vater (1958)
40. Erinnerung An Die Marie A (1958)
41. Von Der Freundlichkeit Der Welt (1958)
42. Kinderkreuzzug (1958)

Tracks:

1. A Hunger Artist (1959)
2. An Imperial Message (1959)
3. A Fratricide (1959)
4. The Care Of A Family Man (1959)
5. Up In The Gallery (1959)
6. A Dream (1959)
7. The Bucket Rider (1959)
8. Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
9. Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
10. 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
11. 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
12. Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
13. Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
14. Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
15. Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
16. 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
17. To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
18. Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
19. Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
20. Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
21. Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill

Tracks:

1. 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
2. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
3. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
4. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
5. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
6. 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
7. 'Happy End': Bilbao-Song (1960)
8. Carnegie Hall Introduction (1965)
9. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
10. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
11. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
12. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
13. 'One Touch Of Venus': Speak Low (1965)
14. 'One Touch Of Venus': Foolish Heart (1965)
15. 'One Touch Of Venus': Bilbao-Song (1965)
16. 'One Touch Of Venus': Surabaya-Johnny (1965)
17. 'Love Life': Love-Song (1965)
18. 'Love Life': Susan's Dream (1965)
19. 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
20. 'Happy End': Der Song Von Mandelay (1965)
21. 'Happy End': Das Lied Von Der Harten Nuss (1965)
22. 'Happy End': Lilli Of Hell (1965)
23. 'Knickerbocker Holiday': September Song (1965)
24. 'Die Dreigroscheneroper': Barbara Song (1965)

Tracks:

1. Moritat (1965)
2. Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
3. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
4. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
5. Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
6. Das Lied Vom Weib Und Soldaten (1965)
7. Lied Von Der Grossen Kapitulation (1965)
8. Lied Der Courage II (1965)
9. Lied Der Courage III (1965)
10. Eia Popeia, Was Ras Im Stroh (1965)
11. Lied Der Courage IV (1965)
12. The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
13. Start (1975) - Lotte Lenya/Dick Cavett
14. American Films (1975) - Lotte Lenya/Dick Cavett
15. The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
16. 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
17. Anita Berber (1975) - Lotte Lenya/Dick Cavett
18. The Great Inflation (1975) - Lotte Lenya/Dick Cavett
19. Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
20. Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
21. Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
22. Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
23. Introduction (1966)
24. 'Knickerbocker Holiday': How Can You Tell An American (1966)
25. 'Knickerbocker Holiday': September Song (1966)

World Music:

1. Now You Know Better [CD-single] [Import]
2. Nuestra Herencia
3. Number 1 Brazilian Album [Import]
4. Paoli E Tenco/Le Canzoni Della Mala, Vol. 2 [Import]
5. Por Amor A Astor
6. Roses in the Sky
7. Serie de Oro: Grandes Exitos [Import]
8. Sevillanas
9. Somewhere in Your Heart
10. Songs From Spain

World Music

world music

World Music

Faded Glory

Chopin and the Sea

André D'Arkor (Tenor)

Mingus at Antibes [Import]

And They Danced the Night [Import] [Box set]

Anthology (1970-1994)

Brasil! [Import]

Amethyst Rock Star [Explicit Lyrics]

Back From Gone

Beethoven: Piano Sonatas

Bowie at the Beeb: The Best of the BBC Radio Sessions [Box set] [Live]

20 Super Sucessos [Import]

20 Exitos

Lars-Erik Larsson: Symphonies Nos. 1 & 2

The Drift