Another Way Home [Enhanced]

Editorial Reviews

About the Artist
Isaiah Toran is a musician, composer, performer, sound sculptor, and visual artist who has become known for his unique sound.

Through a highly developed process of layering, Isaiah composes and performs music in rich texture, depth, mood, and subtle detail. Using various acoustic and electronic instruments, found sounds and extended studio techniques, he is able to sculpt sound environments that conjure a strong sense of place, hovering somewhere between the inner self and the external environment.

Isaiah Toran began composing and performing music in 1990 while studying biochemistry and psychology. He has composed music for film, video, dance, theater, radio and art installations.

The debut CD " another way home " is now available

Product Description
The sweetest, brightest sounds move in waves across and through the mind, picking you up and carrying you, weightless, drifting into an exquisite other world. The music is luminous rainbows.

Another Way Home,Isaiah Toran,The Orchard,Int'l & World Music,Pop,World Beat,World Music
The Maury Yeston Songbook
Average customer rating: 4.5 out of 5 stars
  • a wonderful surprise
  • What!? How is this possible?
  • Beauty and grace, charm and wit - Maury's got it all
  • A perfect marriage of music and lyrics
  • The Maury Yeston Songbook
The Maury Yeston Songbook
Maury Yeston , Christine Andreas , Brent Barrett , Betty Buckley , Liz Callaway , Alice Ripley , Sutton Foster , Brian d'Arcy James , and Philip Chaffin
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
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  1. The Maury Yeston Songbook
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ASIN: B00008H2LJ
Release Date: 2003-04-08

Tracks:

  1. Please Let's Not Even Say Hello - Alice Ripley
  2. Only with You - Brent Barrett
  3. I Want to Go to Hollywood - Sutton Foster
  4. Danglin' - Johnny Rodgers
  5. I Had a Dream About You - Betty Buckley
  6. My True Love - Philip Chaffin
  7. A Call from the Vatican - Alice Ripley
  8. Now and Then - Laura Benanti
  9. You're There Too - Christopher Fitzgerald
  10. Is Someone Out There? - Eden Espinosa
  11. New Words - Brent Barrett
  12. My Grandmother's Love Letters - Christine Ebersole
  13. By the River - Christine Andreas
  14. I Am Longing - Philip Chaffin
  15. Home - Laura Benanti & Robert Cuccioli
  16. Another Day in the Modern World - Michael Holland
  17. Simple - Liz Callaway
  18. Unusual Way - Brian d'Arcy James
  19. Be On Your Own - Betty Buckley
  20. No Moon - Howard McGillin

Amazon.com

Despite racking up Tony nominations and/or box-office success with Nine, Grand Hotel, and Titanic, Maury Yeston remains a relatively unknown Broadway auteur. And yet, what a fabulous songwriter he is. Listen to "Home," for instance: This excerpt from Phantom (the other adaptation of Phantom of the Opera) has great melodic hooks, along with natural sweep and unrestrained emotion. Like every song on this CD, it also has such dramatic drive that it easily stands on its own outside of its regular narrative frame. This collection of new recordings provides an excellent overview of Yeston's talent, juxtaposing numbers from his three best-known scores (though there's only one from Titanic) with rarities and a generous selection from his 1991 song cycle December Songs. Christine Ebersole, Liz Callaway, and Betty Buckley turn in expectedly strong performances, but watch also for Laura Benanti (the star of the 2003 revival of Nine), Christine Andreas, and Foster Sutton, who completely make the material theirs. --Elisabeth Vincentelli

Description

The Tony Award-winning composer/lyricist -- who's given us the smash hit musicals Titanic, Phantom and Grand Hotel, and whose first stage show, Nine, is currently being revived in New York with Antonio Banderas -- is celebrated in song by the best stars o

Customer Reviews:

4 out of 5 stars a wonderful surprise.......2007-07-22

Like others, I bought this CD primarily for Sutton Foster's rendition of "I Want to Go to Hollywood." And while that's wonderful, the real surprises here are the songs from Yeston's song cycle "December Songs." Christine Ebersole and Christine Andreas give absolutely lovely, technically proficient, completely heartfelt renditions of "My Grandmother's Love Letters" and "By the River", respectively. I'd heard Andrea Marcovicci's recording of "December Songs" and was seriously underwhelmed. These two tracks just prove that Yeston might have over-estimated Marcovicci's range and technical ability. "By the River" is a revelation in the right hands, and Ms. Andreas's rendition is just four minutes of wonderful. I also want to mention Howard McGillin's "No Moon". This little song from "Titanic" is just so moving. Pulled out of context, it becomes a little jewel of metaphor.

The CD as a whole is beautifully recorded, with an intimacy and clarity that makes you feel like you're in the first row of a very small theatre. If you come across this and you're on the fence, take a chance. I bet that you'll be as pleasantly surprised and deeply moved as I've been.

3 out of 5 stars What!? How is this possible?.......2007-01-20

How could one put together a Maury Yeston Songbook cd without a track from Andrea Marcovicci? He wrote a song cycle for her. Granted there are some great singers here but a grave oversight to not include Ms Marcovicci.

5 out of 5 stars Beauty and grace, charm and wit - Maury's got it all.......2006-11-14

Maury Yeston may be musical theatre's unsung genius to the public at large, but I've heard his praises sung many times. A friend convinced me to buy the original Broadway cast of "Nine", and while there were some fantastic songs and an undeniable melodic gift throughout, it left me lukewarm. The same with "Grand Hotel". And I couldn't stand "Titanic" - too big, too self-important, too reliant on booming low brass and bombastic orchestral swells.

"Phantom" was the only one of his scores that touched something other than distanced admiration in me. It was everything Sir Lloyd Webber's popera travesty could never quite aspire to - epic yet human, beautiful and touching, with songs that showed actual details and emotions. So it was with that in mind that I purchased this, figuring that maybe Maury could prove me wrong, shorn from the restrictions of a book musical format.

And by God, did he prove me right and then some.

Maybe it's the singers. Maybe it's the perfect orchestrations. Maybe it's just the absence of a plot to follow. More than likely, it's all three, but this is one of the most gorgeous, enjoyable, heartbreaking albums I've ever purchased. Yeston has assembled an impressive cast to give voice to his music - such heavy Broadway hitters as Alice Ripley, Brent Barrett, Betty Buckley, Christine Ebersole and Howard McGillin mix with up-and-comers like Eden Espinosa, Sutton Foster, and Brian d'Arcy James. But the most impressive turns are given by people I'd never heard of before - Johnny Rodgers (who?) has a voice spun from gold, and he's absolutely perfect in "Danglin'", a simple and powerful song despite some odd lyric choices by Yeston. Likewise Philip Chaffin in "My True Love" and "I Am Longing", and Michael Holland displays a warm and untrained performance of "Another Day in the Modern World". These three men, who I'd never heard of before, absolutely stole the show. It doesn't hurt that they're given some of the best songs from the album.

Of course, the rest of the ensemble uniformly turns in worthwhile performances. The professionalism of Broadway is gloriously evident here, each singer making their song uniquely theirs. Brent Barrett made me hear "Only With You" as if for the first time. Betty Buckley is surprisingly vulnerable in "I Had A Dream About You". Alice Ripley is her usual bundle of raw emotion in "Please Let's Not Even Say Hello", and turns in a rare comic performance in "Call From The Vatican" to great effect (listen to that surprise high note near the end! Wow, Alice!). Christine Ebersole is heartbroken, elated, vulnerable, and tough all in the course of "Grandmother's Love Letters"' 4 minutes.

There are some weak spots - Eden Espinosa is mostly one-note during her song, and while it's certainly a high note, it's nothing you haven't heard her do better elsewhere. Laura Benanti's "Now and Then" goes by without much notice, which is a shame for this talented actress. And Betty Buckley goes back to her usual high-volume stridence in "Be On Your Own", which despite its chilling music deserves a more nuanced performance than Buckley gives here. But these songs would be standouts on any other album, and it's only the company they keep that prevent them from being excellent.

Oh, and "Unusual Way", possibly Yeston's best-known song, is so beautifully performed here by Brian d'Arcy James and a three-piece band that I nearly cried hearing it. And that's quite a feat for a song that I swore never to listen to again after the seventeenth girl in a day auditioned with it (badly). But the gender swap works perfectly, and d'Arcy James' golden Irish tenor swings through the music effortlessly.

As for the band - there are no missteps here. Each song is given exactly what it needs, from the Romantic-with-a-capital-R string section on "Home", to the jazzy saxophone on "Letter From the Vatican", to "Be On Your Own", which is given a Herrmann-esque string section. Some particular touches stand out - that lovely acoustic guitar on "Danglin'", the simple piano line on "Modern World", and the sublime cello/piano outro in "Unusual Way" really stuck with me after the album stopped playing. And the recording is without fault - crisp, encompassing, personable and expansive as the mood requires. The whole album sounds fantastic.

There is such a wide range of style and substance here that each song would deserve purchasing individually. As a collection? It's bliss. If you're a fan of theater music, appreciate great vocals, or just need something to keep you company on long nights, this is required purchase.

5 out of 5 stars A perfect marriage of music and lyrics.......2006-09-07

I think Yeston must be the most underrated talent in music theatre. And not just music theatre ... for as far as I know, "Danglin'" is not from a show - a jewel of a song ... and a disarmingly honest rendition from Johnny Rogers (what a beautiful voice! Why hasn't he made more CD's?) Some other favourites are "New Words" (not enough parent-child love songs out there ... and I can't imagine it could be sung any better than this), "You're there too" (with a charming and unexpected twist), "Simple" (Callaway is superb), "Only With You" (loveable rogue!) ... to name but a few. Inspired music theatre writing. A must for any musical buff, composer or singer seeking repertoire that will help them stand out from the crowd.

3 out of 5 stars The Maury Yeston Songbook.......2006-08-30

A good album sung by good singers. I have been an admirer of Maury Yeston for a number of years . I am a great fan of "Nine"
which I consider his best work.(If possible try to listen to the
Australian Cast Recording with John Diedrich) I enjoy listening to artists like Alice Ripley, Brent Barrett, Sutton Foster,and my very favourite singer Liz Callaway. All in all a great CD to just sit back ,relax and enjoy Les Breen
Lerner & Loewe Songbook for Orchestra
Average customer rating: 5 out of 5 stars
  • Lerner & Loewe Songbook
  • Wouldn't it be lovely?
  • A Successful Sequel
  • Delightful Listening
Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D0E
Release Date: 1994-01-25

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Customer Reviews:

5 out of 5 stars Lerner & Loewe Songbook.......2006-02-24

If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.

5 out of 5 stars Wouldn't it be lovely?.......2005-09-26

This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.

The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.

There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.

This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.

This is a fun disc to have.

5 out of 5 stars A Successful Sequel.......2005-08-03

This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.

4 out of 5 stars Delightful Listening.......1998-12-05

Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
A Connecticut Yankee
Average customer rating: 4 out of 5 stars
  • Oldie, but Goodie
  • Once lost, now found and reissued on CD.
  • THOU SWELL. THE YANKEE WINS AGAIN!
  • A Lost Gem
  • Not complete and NOT first CD version
A Connecticut Yankee
Broadway Revival Cast
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A8KC
Release Date: 2001-03-06

Tracks:

  1. A Connecticut Yankee: Overture
  2. A Connecticut Yankee: My Heart Stood Still
  3. A Connecticut Yankee: Thou Swell
  4. A Connecticut Yankee: On A Desert Island With Thee
  5. A Connecticut Yankee: To Keep My Love Alive
  6. A Connecticut Yankee: Can't You Do A Friend A Favor?
  7. A Connecticut Yankee: I Feel At Home With You
  8. A Connecticut Yankee: You Always Love The Same Girl
  9. A Connecticut Yankee: Finale
  10. Higher And Higher (Selections): Nothing But You
  11. Higher And Higher (Selections): Ev'ry Sunday Afternoon
  12. Higher And Higher (Selections): From Another World
  13. Higher And Higher (Selections): It Never Entered My Mind
  14. By Jupiter (Selections): Careless Rhapsody
  15. By Jupiter (Selections): Jupiter Forbid
  16. By Jupiter (Selections): Ev'rything I Got
  17. By Jupiter (Selections): Nobody's Heart

Customer Reviews:

3 out of 5 stars Oldie, but Goodie.......2006-08-01

Well, I was not expecting to like this one. Its SO old, and very classic (Rodgers and Hart.) But one good thing about it being Rodgers and Hart, is it has lovely lyrics. Clever and witty on every song. Mark Twains book was done justice I think, but I've never read the book. I would suggest this to classic lovers, and newer Broadway fans who want to hear a`"classic" other than Oklahoma. This is a good one. The other great thing about this CD is you get not only A Connecticut Yankee, but also highlights from two other Rodgers and Hart musicals: Higher and Higher and By Jupiter. AWSOME. Favorite Song: "To Keep My Love Alive"

4 out of 5 stars Once lost, now found and reissued on CD........2005-06-03

One of Decca's earliest cast albums (recorded just a few weeks after their famous OKLAHOMA! album) this very nearly became a lost treasure. Recorded on 16" glass masters in 1943, the original release was on 78 RPMS (complete witha booklet givinga detailed synopsis and all the lyrics.) The revival was not a success and when Long Playing records were introduced in the late 1940s, CONNECTICUT YANKEE was not reissued in the new format.

At one time in the 1960s Decca had the masters transferred to tape for a possible LP reissue. That reissue never happened, and in shipping the discs back to the storage facility, they were broken. The tape was taken from the company's archives and did not turn up until almost 30 years later. Though modern technology could probably have coaxed even better sound from the master discs, we must be thankful that the tape was made when it was.

In the meanwhile there were three unautherized isses of these tracks. A new York based private label called Box Office transferred the 78's to one side of an Lp in the 1970s. Later, AEI released an elaborate gatefold Lp with not only the full score (again dubbed from 78s) but also fabricated some additional tracks reprising some of the songs (in theatrical order) by editing portions from the existing tracks. Finally there was a release on CD from Box Office with horrible sound that stil sometimes turns up for sale. Avoid it. Decca actually sent a request that Box Office withdraw the bootleg Cd.

This edition has much better sound and the bonus tracks by Hildegard and Shirley Ross from BY JUPITER and HIGHER AND HIGHER make the package very worthwhile.

5 out of 5 stars THOU SWELL. THE YANKEE WINS AGAIN!.......2003-02-09

"A Connecticut Yankee," by Lorenz Hart and Richard Rodgers, contains more hit songs than the average Broadway season nowadays. "My Heart Stood," "Still," "Thou Swell" and the redoubtable "To Keep My Love Alive" all sound fresh and vibrant in this fabulously remastered 1943 recording. Particularly wonderful is the total and complete recording of "To Keep My Love Alive," sung by the one great (female) love of the Lyricist's life, Vivienne Segal ... nearly seven minutes of the wittiest ways to do in a husband. This is one of the first "original cast" recordings ever recorded, and it sounds as crisp and clear as a recording made today. Bravo! (Submitted by staff member Stephen J. Finn)

4 out of 5 stars A Lost Gem.......2002-01-17

A wonderful rerelease of glass discs made for the 1943 revival of this charming musical. While the orchestra is less than polished (there is one particular trumpet you can hear over and over that is awful and flat!)--it has a lot of zest to it, and makes one yearn to see the play - indeed, to see more of the Rodgers and Hart shows performed.

3 out of 5 stars Not complete and NOT first CD version.......2001-08-19

This CD collection of tracks from the 1943 revival of the Rodgers & Hart musical is advertised as the first CD presentation of these tracks. This is incorrect. I have a CD issued in 1999 by Box Office Recordings called "A Collector's Rodgers & Hart" which contains all the "Connecticut Yankee" tracks plus 14 additional tracks of Rodgers & Hart covers (different from the covers on the Decca CD).

Worse, I have an AEI LP recording of the revival which has three additional tracks from the show. Why weren't these selections included in this recording?

On the other hand, even the 9 tracks from Connecticut Yankee are worth owning. As a previous reviewer said, just Vivienne Segal's "To Keep My Love Alive" is worth the price of admission!
You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
Average customer rating: Not rated
    You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
    Cole Porter , Ethel Merman , and Fred Astaire
    Manufacturer: Koch Int'l Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00006JTGP
    Release Date: 2002-10-22
    another way home
    Average customer rating: 5 out of 5 stars
    • Amazing Soundscapes
    • The Travel
    • A wonderful mix of sounds that soothe and stimulate the mind
    • A powerful and emotional journey
    • caress
    another way home

    Manufacturer: Isaiah Toran
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | New Age | Styles | Music
    MeditationMeditation | New Age | Styles | Music
    RelaxationRelaxation | New Age | Styles | Music
    ASIN: B000089RUZ
    Release Date: 2003-01-01

    Tracks:

    1. intu ourself
    2. mind
    3. solit
    4. wen It tuches iu
    5. translucenthart
    6. nutonianlicwid
    7. biosonic
    8. uthersid of solis
    9. wer ran returns
    10. shiningthunder
    11. tuching tomoros tecstures
    12. oasis

    Album Description

    The cd was dazzling, like tender warm rain caressing the skin of the mind. It was softly luminous, like the warm sun casting rainbows into the sky of Soul. It was an uplifting surge of sweet energy that awakened the Spirit of Love. It makes you want to embrace everything in soft, loving arms. It overlays the cosmos with a jewel-like sheen and glitter. It fills the heartmind with delightful light. The psyche feels light as a feather, floating, drifting weightlessly in an ocean of healing Lovelight. It immerses you in a larger Mind, Oceanmind, the Mind of Love. Self evaporates, boundaries disappear, troubles vanish without a trace as the sounds lift you to a pristine and serene level of being. It is like being reborn, into a cosmos of gentle light.

    Customer Reviews:

    5 out of 5 stars Amazing Soundscapes.......2004-07-17

    "Another Way Home" is a truly memorable listening experience. The album manages to sooth while it stimulates. The music evokes powerful images that become guideposts along whatever path you may want to follow. For me, it serves as a kind of soundtrack that directs me toward that ever-elusive and much sought-after place called "home". It is quite a journey indeed. Thank you, Isaiah.

    5 out of 5 stars The Travel.......2004-06-24

    This is the perfect CD for meditaion healing or for making love. Whatever journey you wish to travel use this CD to get you there.
    DJ Phenix / New York

    5 out of 5 stars A wonderful mix of sounds that soothe and stimulate the mind.......2004-06-20

    Another Way Home has a powerful way of relaxing the mind and allows you to drift to other times and places. The melodic, yet mysterious sounds on this cd help provide an escape from the hectic pace of today's world. I'll listen to it again and again; I highly recommend you give it a try.

    5 out of 5 stars A powerful and emotional journey.......2004-06-19

    Another Way Home is a powerful collection of sounds that took me on an emotional journey. Some pieces evoked feelings of sadness; others made me feel full of hope and new life. I have never had an experience like that with a CD, but enjoyed every minute of it. I plan to introduce my family and friends to the experience as well!

    5 out of 5 stars caress.......2003-02-24

    we are living in a world fill with fear and apprehension. the media feeds our woes each day. there is no escape or is there. music has always reflected our times. one just has to listen to the music of the forties and sixties to understand. music also has the power to change one's moods. i found the power of this in "ANOTHER WAY HOME". it only took a few moments to become engulfed and hypnotized by the sounds. a calm washed over me with each song as relentless as the ocean tide. music that caressed by heart and mind. replenished my soul to meet another day. in the solitude of night "ANOTHER WAY HOME" embraces, caresses and heals. thank you for this touch....
    An Introduction to Schubert's Piano Quintet "Trout"
    Average customer rating: Not rated
      An Introduction to Schubert's Piano Quintet "Trout"

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000076FX6
      Release Date: 2003-01-21
      Symphony 9: Introduction to Dvorak
      Average customer rating: Not rated
        Symphony 9: Introduction to Dvorak
        Dvorak
        Manufacturer: Naxos
        ProductGroup: Music
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        Les Miserables - The Complete Symphonic Recording
        Average customer rating: 4.5 out of 5 stars
        • Great, definitely go with this and TAC
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        • Mixed Feelings
        Les Miserables - The Complete Symphonic Recording
        Claude-Michel Schonberg
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        ASIN: B000003BVK
        Release Date: 1990-05-22

        Tracks:

        1. Prologue
        2. Valjean's Soliloquy (What Have I Done?)
        3. At The End Of The Day
        4. I Dreamed A Dream
        5. Lovely Ladies
        6. Fantine's Arrest
        7. The Runaway Cart
        8. Who Am I?-The Trial
        9. Fantine's Death
        10. The Confrontation
        11. Castle On A Cloud
        12. Master Of The House

        Tracks:

        1. The Bargain-The Waltz Of Treachery
        2. Look Down
        3. The Robbery-Javert's Intervention (Another Brawl)
        4. Stars
        5. Eponine's Errand
        6. The ABC Cafe-Red And Black
        7. Do You Hear The People Sing?
        8. Rue Plumet-In My LIfe
        9. A Heart Full Of Love
        10. The Attack On Rue Plumet
        11. One Day More!
        12. At The Barricade (Upon These Stones)
        13. On My Own
        14. Building The Barricade
        15. Javert's Arrival
        16. Little People
        17. A Little Fall Of Rain
        18. Night Of Anguish
        19. First Attack

        Tracks:

        1. Drink With Me
        2. Bring Him Home
        3. Dawn Of Anguish
        4. The Second Attack (Death Of Gavroche)
        5. The Final Battle
        6. The Sewers-Dog Eats Dog
        7. Javert's Suicide
        8. Turning
        9. Empty Chairs At Empty Tables
        10. Every Day (Marius And Cosette)
        11. Valjean's Confession
        12. The Wedding Chorale- Beggars At The Feast
        13. Epilogue (Finale)
        14. Bonus Track

        Customer Reviews:

        5 out of 5 stars Great, definitely go with this and TAC.......2005-08-31

        Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.

        If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.

        5 out of 5 stars Awesome.......2005-07-03

        I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.

        3 out of 5 stars Bought it used - thank God!.......2005-06-17

        "Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.

        However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.

        I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)

        5 out of 5 stars magnificent!.......2005-06-15

        Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.

        As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.

        *Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.

        *Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.

        *Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.

        *Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.

        *Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.

        *Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.

        *Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).

        *Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!


        Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!

        4 out of 5 stars Mixed Feelings.......2005-04-20

        I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.

        For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
        Calendar Girls
        Average customer rating: 3 out of 5 stars
        • Actual Soundtrack is great!
        • disappointed
        Calendar Girls

        Manufacturer: Hollywood Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Opera & Vocal | Styles | Music
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        GeneralGeneral | Vocal Pop | Pop | Styles | Music
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        ASIN: B0000YEF1G
        Release Date: 2003-12-09

        Tracks:

        1. I Find Your Love - Beth Nielsen Chapman
        2. Jerusalem - Knapley Women's Club (Cast)
        3. The Funeral
        4. Fantastic Tits
        5. March
        6. Bra's Off
        7. Sponsorship
        8. The Press
        9. Letters
        10. One More Hour
        11. Jerusalem
        12. The Way You Do the Things You Do - The Temptations
        13. You Upset Me Baby - B.B. King
        14. Comin' Home Baby - Quincy Jones & His Orchestra
        15. Ride Your Pony - The Meters
        16. Find Another Way - Mornin' Norman

        Customer Reviews:

        5 out of 5 stars Actual Soundtrack is great!.......2004-02-26

        I think the previous reviewer got hold of the 20 minute cd of the score that was sent to academy members for consideration of an oscar - not the complete soundtrack with tracks as listed here.

        1 out of 5 stars disappointed.......2004-01-09

        I loved the music in the movie...the soundtrack did not include all the upbeat music, just 20 minutes of the dreamy tune of the funeral/tai chi scenes. Very disappointing!
        Musicals - The Gold Collection
        Average customer rating: 4 out of 5 stars
        • "56 Show-Stoppers from the Last Century ~ Paul Bateman"
        Musicals - The Gold Collection
        Helen Hobson , Dave Willetts , and Lesley Garrett
        Manufacturer: Silva America
        ProductGroup: Music
        Binding: Audio CD

        All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
        EnglishEnglish | Languages | Opera & Vocal | Styles | Music
        GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
        Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
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        GeneralGeneral | Soundtracks | Styles | Music
        GeneralGeneral | Vocal Pop | Pop | Styles | Music
        ASIN: B0001JXPB6
        Release Date: 2004-04-06

        Tracks:

        1. West Side Story 'America' - Helen Hobson & Crouch End Festival Chorus
        2. Annie 'Tomorrow' - Helen Hobson
        3. Annie Get Your Gun 'Anything You Can Do' - Jason Howard
        4. Annie Get Your Gun 'The Girl That I Marry/My Defences Are Down' - Jason Howard
        5. Aspects Of Love 'Love Changes Everything' - Chris Corcoran
        6. Anything Goes 'Anything Goes' - Helen Hobson
        7. Cabaret 'Cabaret' - Helen Hobson
        8. La Cage Aux Folles 'I Am What I Am' - Dave Willetts
        9. Carmen Jones 'Dat's Love' - Lesley Garrett
        10. Cats 'Memory' - Lesley Garrett
        11. Cats 'Macavity: The Mystery Cat' - Deborah Steel
        12. Carousel 'Soliloquoy' - Jason Howard
        13. Carousel 'If I Loved You' - Paul Bateman
        14. Carousel 'You'll Never Walk Alone' - Jason Howard

        Tracks:

        1. Chess 'I Know Him So Well' - Meredith Braun
        2. Evita 'Don't Cry For Me Argentina' - Sharon Campbell & Crouch End Festival Chorus
        3. Evita 'Another Suitcase In Another Hall' - Sharon Campbell & Crouch End Festival Chorus
        4. Evita 'High Flying Adored' - Meredith Braun
        5. The Fantastiks 'Try To Remember' - John Langley & Crouch End Festival Chorus
        6. Fiddler On The Roof 'If I Were A Rich Man' - John Langley
        7. Gigi 'Gigi' - Keith Ferreira
        8. Guys And Dolls 'Luck Be A Lady' - Dave Willetts
        9. Jesus Christ Superstar 'Superstar' - Christopher Howard
        10. Jesus Christ Superstar 'I Don't Know How To Love Him' - Sharon Campbell
        11. Jesus Christ Superstar 'Everything's Alright' - Sharon Campbell
        12. Joseph And His Amazing Technicolor Dream-Coat 'Close Every Door' - Crouch End Festival Chorus
        13. Kismet 'And This Is My Beloved' - Lesley Garrett
        14. Kismet 'Stranger In Paradise' - Jason Howard

        Tracks:

        1. Kiss Me Kate 'Where Is The Life That Late I Led?' - Jason Howard
        2. A Little Night Music 'Send In The Clowns' - Helen Hobson
        3. Les Miserables 'Bring Him Home' - Dave Willetts
        4. Man Of La Mancha 'The Impossible Dream' - John Langley
        5. Oklahoma 'Oh What A Beautiful Morning' - Jason Howard
        6. Oklahoma 'The Surrey With The Fringe On Top' - Jason Howard
        7. Oklahoma 'Oklahoma' - Jason Howard
        8. Phantom Of The Opera 'Phantom Of The Opera' - Lesley Garrett
        9. Phantom Of The Opera 'Music Of The Night' - Dave Willetts
        10. Phantom Of The Opera 'All I Ask Of You' - Lesley Garrett
        11. Porgy & Bess 'Summertime' - Lesley Garrett
        12. Seven Brides For Seven Brothers 'Bless Your Beautiful Hide' - Jason Howard
        13. Showboat 'Ol' Man River' - Jason Howard
        14. Showboat 'Make Believe' - Jason Howard

        Tracks:

        1. The Sound Of Music 'The Sound Of Music' - Helen Hobson
        2. The Sound Of Music 'Climb Ev'ry Mountain' - Tania Williams & Crouch End Festival Chorus
        3. The Sound Of Music 'Edelweiss' - John Langley
        4. South Pacific 'Some Enchanted Evening' - John Langley
        5. South Pacific 'Younger Than Springtime' - David Shannon
        6. Starlight Express 'Starlight Express' - Keith Burns
        7. Sunset Boulevard 'Sunset Boulevard' - Gerard Casey
        8. Sunset Boulevard 'With One Look' - Mary Carewe
        9. Sunset Boulevard 'As If We Never Said Goodbye' - Mary Carewe
        10. Tell Me On Sunday 'Tell Me On Sunday' - Sharon Campbell
        11. West Side Story 'Maria' - David Shannon
        12. West Side Story 'Tonight' (The Balcony Scene) - Meredith Braun
        13. West Side Story 'Somewhere' - Meredith Braun
        14. There's No Business Like Show Business & Annie Get Your Gun 'Theres No Business Like Showbusiness' - Helen Hobson & Crouch End Festival Chorus

        Customer Reviews:

        4 out of 5 stars "56 Show-Stoppers from the Last Century ~ Paul Bateman".......2004-04-16

        Some of the best musicals from the last century appear on this 4-CD compilation "Musicals:The Gold Collection", featuring many stars of the London Stage with Paul Bateman (conductor), The City of Prague Philharmonic Orchestra, The Philharmonia, The Royal Philharmonic Orchestra and the world renown Crouch End Festival Chorus ~ sharing the spotlight, blending voice and music within the boundaries of great compositions from sold out musical shows from the past ~ all songs presented on this collection have been performed by a diverse set of artists ~ share the beauty of simplicity that exists in the music of each performance.

        Here's just a sampling with "Annie", Annie Get Your Gun", "Anything Goes", "Aspects of Love", "Cabaret", "Carmen Jones", "Carousel", "Cats", "Chess", "Evita", "The Fantastics", "Fiddler on the Roof", "Gigi", "Guys and Dolls", "Jesus Christ Superstar", "Joseph and His Amazing Technicolor Dreamcoat", "Kismet", "Kiss Me Kate", "La Cage Aux Folles", "Les Miserables", "A Little Night Music", "Man of La Mancha", "Oklahoma", "Phantom of the Opera", "Porgy & Bess", "Seven Brides For Seven Brothers", "Showboat", "The Sound of Music", "South Pacific", "Starlight Express", "Sunset Boulevard", "Tell Me On Sunday", "There's No Business Like Show Business", "West Side Story" ~ each cue is just the icing on the cake presented in this one of a kind event.

        Let's take a look at the stars of the London Stage ~ Meredith Braun, Keith Burns, Sharon Campbell, Mary Carewe, Gerard Casey, Chris Corcoran, Keith Ferreira, Lesley Garrett (always a favorite in everyones collection), Helen Hobson, Michele Hooper, Christopher Howard, Jason Howard, Ria Jones, John Langley, David Shannon, Deorah Steel, Jill Washington, Dave Willetts, Tania Williams ~ so much talent under one banner, perfection is the only description that comes to mind. Paul Bateman has come up with a instrumental masterpiece, with emotional peaks and valleys that we've experienced over decades in the tumultuous world of musicals in the theatre.

        Silva America, James Fitzpatrick, Reynold da Silva and David Stoner have paid homage to this genre ~ brought to the forefront in one universal voice the magnitude and influence for all it's listeners ~ powerful and personal touch of each track makes you feel the melody is still ringing in your ears, that's what the composer hoped for and it works ~ this musical collection is a keeper ~ gotta love it!

        Total Time: 4-CD-Set ~ Silva America 3605 ~ (4/06/2004)

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