Tempo [Import]

Track Listings

 
1. Incerteza
2. Meu Grito de Amor (My Shout of Love) - Alan Jackson, Leonardo
3. Mentira Que Virou Paixão
4. Boto Pra Remexer
5. Será (L'Aurora)
6. Só O Tempo Vai Dizer
7. Dez Segundos Pra Dizer Adeus
8. Eu Vou Dar Um Tempo
9. Sai Tentação
10. Nunca Mais
11. 120...150...200 KM. Por Hora
12. Namoro Novo
13. Mano
14. Não Quero Ficar Mais Sozinho
15. Na Curva da Estrada
16. Amor de Trem
17. Chave de Acesso À Mandic (Provedor da Internet)

Tempo,Leonardo,BMG,Contemporary Folk,World Music
Tanto Tempo
Average customer rating: 4.5 out of 5 stars
  • Can't get enough.......
  • Groundbreaking Tanto Tempo By Bebel Gilberto
  • Great and refreshing
  • Interesting Twist on Bossa Nova
  • Bask in Brazilian music
Tanto Tempo
Bebel Gilberto
Manufacturer: Six Degrees
ProductGroup: Music
Binding: Audio CD

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  1. Bebel Gilberto
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ASIN: B00004SWJX
Release Date: 2000-04-25

Tracks:

  1. Samba De Bencao
  2. August Day Song
  3. Tanto Tempo
  4. Sem Contencao
  5. Mais Feliz
  6. Alguem
  7. So Nice (Summer Samba)
  8. Lonely
  9. Bananeira
  10. Samba E Amor
  11. Close Your Eyes

Amazon.com's Best of 2000

Her father may be the legendary Brazilian guitarist Joao Gilberto, but in 2000 daughter Bebel proved that she understands the bossa nova, too. There's a subtlety throughout this recording that makes Bebel's voice entrancing, as she re-creates the sensual essence of bossa nova before running with it into electronic territory toward the album's end. Tanto Tempo is an even-tempered statement that manages to showcase Bebel's own sexy voice while gracefully remembering the past. --Karen K. Hugg

Amazon.com

Daughter of the famed Brazilian pop and bossa nova singer João Gilberto, Bebel recalls her father's own classic recordings on Tanto Tempo, with a sure sense of pitch. Bebel Gilberto is hardly less charming for that, though, and the album entices with hushed passion. Relying mostly on acoustic instruments and some muted orchestrations, Tanto Tempo is nonetheless smartly paced to allow for some tasteful dance-club electronics to augment a few tracks, and ends on a celebratory note with "Close Your Eyes"--all but an invitation to Carnival. The current trend for things Brazilian should assure this disc a deservedly wide audience. Licensing it for the U.S. is another minor triumph for the fine San Francisco-based label Six Degrees. --Rickey Wright

Customer Reviews:

5 out of 5 stars Can't get enough..............2007-07-23

.....of this fabulous singer. Right now, there are several beautiful Brazilian girls who make beautiful music, and Bebel heads the list. CeU is a comparitive [though fabulous] rookie, and the wonderful Ana Caram has the mixed fortune to record for a boutique label, whose product is hard to find.

This is an absolutely wonderful recording...seductive, alive, enchanting, addicting. The songs are Latin jazz, and won't be familiar to most American listeners, even the ones in English [Bebel's English is pretty good]. Who Cares...this record is about feelings that know no language.

Do not fail to grab this...one hearing, and you're hooked. Then, you'll want Bebel's other records; that's OK, because they're great, too. Go ahead, be seduced; you'll enjoy it. Promise.

5 out of 5 stars Groundbreaking Tanto Tempo By Bebel Gilberto.......2007-05-31

Remember how great it felt for New Year's 2000 to arrive and kickstart The New Millenium?

Bebel Gilberto's groundbreaking CD advanced Popular Music that year.

Tanto Tempo fills a Void.

Fireworks!

Bebel is someone people are going to remember.

Kids young and old, adore her!

A joy.

I bought three of her other CD's through Amazon today.

Bebel has alot to give the World.

Her Music moves things along for me!

Before and after Bebel Gilberto.

Awesome!

4 out of 5 stars Great and refreshing.......2007-05-10

GREAT, simply put.
A refreshing twist on bossa and Brazilian music. A perfect entree to Bebel if you have never purchased any of her CDs.

Beware, however, that if you buy this her others are a "tad" behind this gem. (not to say they are bad at all, just saying this CD set the bar very high).

4 out of 5 stars Interesting Twist on Bossa Nova.......2007-05-06

It's a mesmerizing album with Bossa Nova, pop and jazz mixed together! She's very different from her father's music...she has her own bossa nova style! I simply love this refreshing music and her languid, dreamy voice!

5 out of 5 stars Bask in Brazilian music.......2006-06-14

When this album first came out in 2000,I first saw it at Starbucks coffee shops. I dismissed it as snooze-inducing easy listening,perfect for the background of sipping an overpriced latte.

I was WRONG.

This is a beautiful album!It's impossible to choose highlights or a "Best Track" on this one,because it's PERFECT.Bebel Gilberto breathes new life into bossa nova with her singing.I look forward to listening to more of her music!
Beethoven for Babies
Average customer rating: 4 out of 5 stars
  • Beethoven for Babies
  • Nicest classical CD I have found for my baby (& me)
  • Ode To Beethoven
  • Pseudoscientific crap, but some of the music is good here
  • Nicest classical music CD I've found for my baby (& me)
Beethoven for Babies

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B000009OU6
Release Date: 1998-08-11

Tracks:

  1. Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
  2. Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
  3. Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
  4. Six National Airs With Variations, Op. 105: English Bulls (Irish)
  5. Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
  6. Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
  7. Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
  8. Ten National Airs With Variations, Op. 107: Fur Elise
  9. Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
  10. Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
  11. Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
  12. Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
  13. Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
  14. Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
  15. Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
  16. Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy
  17. Ten National Airs With Variations, Op. 107: Piano Sonata No. 15 In D ('Pastoral') - Rondo (Allegro ma non troppo)
  18. Ten National Airs With Variations, Op. 107: Symphony No. 6 In F ('Pastoral') - Hymn Of Thanksgiving

Amazon.com

For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew Bartlett

Customer Reviews:

5 out of 5 stars Beethoven for Babies.......2007-05-21

My baby and I really enjoy this CD. It is so fun to feel the baby get excited when I play it. I have a pillow speaker and just place it right up against my stomach. It evens helps me to get in a nap or just rest for a while.

5 out of 5 stars Nicest classical CD I have found for my baby (& me).......2005-09-01

This is a very pleasant CD to listen to, and I think the quality of the music is excellent. I enjoy listening to this with my 10 month old son, and we also listen to the radio and lots of modern music. I recently purchased 5 of the classical "Baby Einstein" CDs and I consider them to be inferior to this Beethoven for Babies CD. The Baby Einstein are very synthesized sounding and I think they are annoyingly mellow and kind of dopey. This Beethoven CD is beautiful. In fact I'm going to buy 1 or 2 more from this series.

5 out of 5 stars Ode To Beethoven.......2005-05-13

The actual reason I bought this cd is for "Fur Elise" but it turned out to be much more than I bargained for. Before road rage sets in while sitting in a traffic jam during rush hour, play this. If you need to take it easy and escape from your reality, play this. Need something to play at work that's not explicit or offensive, play this. Of course, it's not Beethoven himself, but if you need some quiet time, play this. Even while you read, you could play this. If you want some authenticity to your collection, get Beethoven for Babies.

3 out of 5 stars Pseudoscientific crap, but some of the music is good here.......2004-05-27

The 3 stars is only because the hucksters that put this together at least had the decency to tracks featuring Arrau & Richter on this CD. A lot of these "turn your baby into a genius with classical music" CDs and tapes feature only lousy musical performances from hack musicians you have never heard of.

That having been said, if you are stupid enough to believe any of this "Mozart Effect" horse manure --- which continues to have no support in any sort of controlled test environment --- then your babies will probably inherit your limited intellectual capacities & no amount of Beethoven & Mozart will ever be able to help them.

If, on the other hand, you are introducing Junior to classical music, you could do worse --- but you could also do better. Go get Arrau's complete Beethoven sonatas & concerti, get the Berg Quartett's complete Beethoven quartet cycle, and get John Eliot Gardiner's complete Beethoven symphonies --- just for a start. Also, don't stop with Beethoven & Mozart. My 9-month old daughter gets a diverse exposure to a thousand years of music, and very little is off limits. She got acquainted with the Bartok Quartets within her first couple of months, and it doesn't look like we have created an axe murderer or anything like that.

Anyway, if you want to create a classical music lover, do it right and go the distance, rather than doing it piecemeal with CDs like this. Your baby may still be a moron, but at least will be a moron with exquisite taste.

5 out of 5 stars Nicest classical music CD I've found for my baby (& me).......2003-11-23

This is a very pleasant CD to listen to, and I think the quality of the music is excellent. I enjoy listening to this with my 10 month old son, and we also listen to the radio and lots of modern music. I recently purchased 5 of the classical "Baby Einstein" CDs and I consider them to be inferior to this Beethoven for Babies CD. The Baby Einstein are very synthesized sounding and I think they are annoyingly mellow and kind of dopey. This Beethoven CD is beautiful. In fact I'm going to buy 1 or 2 more from this series.
25 Tchaikovsky Favorites
Average customer rating: 3 out of 5 stars
  • hmmmm
  • Good Introduction but poor quality
  • Tchaikovsky's Greatest Pieces of Music
  • great music poorely performed.
  • Great!
25 Tchaikovsky Favorites

Manufacturer: Vox (Classical)
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ASIN: B0000058HZ
Release Date: 1996-08-20

Tracks:

  1. Overture
  2. Dance Of The Sugar Plum Fairy
  3. Dance Of The Flutes
  4. Scene
  5. Waltz
  6. Dance of the Swans
  7. Scene 2
  8. Hungarian Dance
  9. III. Scherzo
  10. I. Adagio; Allegro Non Troppo
  11. II. Allegro Con Grazia
  12. III. Allegro Molto Vivace
  13. II. Andante Cantabile
  14. Capriccio Italien In A Major, Op. 45
  15. Marche Slave In B Flat, Op. 31
  16. June - Michael Ponti
  17. II. Andantino Simplice - Felicja Blumental
  18. Coronation March
  19. Eugen Onegin: Waltz
  20. Romeo & Juliet: Fantasy-Overture
  21. Serenade For Strings: II. Waltz
  22. Sleeping Beauty: Tempo Di Valse
  23. String Quartet In D Major, Op. 11: Andante Cantabile
  24. Violin Concerto In D Major, Op. 35: III. Allegro Vivacissimo - Aaron Rosand
  25. 1812 Overture, Op. 49: Excerpt

Customer Reviews:

2 out of 5 stars hmmmm.......2005-09-14

definitely not the best rendition of the popular suite.on the other hand,try finding another one.
stuff is edited,bludgeoned,rather.
tempos verge on comical.
rather disapointing,I really needed a nice version of the sugar plum faerie dance.
will probably stick to Wendy Carlos's,cheesy,runningly cheesy,blue cheese smelly,even,as it might be,still holds the original pace and campy pomp.

...not nuch of a cheese shop is it?
-it's fairly clean.
certainly not contaminated by Cleese!

2 out of 5 stars Good Introduction but poor quality.......2005-09-12

This is a good introduction to Tchaikovsky for the beginner that gives a broad sampling of his work. Considering the price, it's a good value if someone is just wanting to begin exploring classical music or Tchaikovsky in particular.
However, the sound quality on this albumn is quite poor and there are much higher quality Tchaikovsky recordings available.

5 out of 5 stars Tchaikovsky's Greatest Pieces of Music.......2000-09-04

Here are some of Peter Ilych Tchaikovsky's greatest works. His Nutcraker, Swan Lake and Sleeping Beauty ballets are the most famous in the repoirtaire. The Symphony No. 5 and 6 are very excellent symphonic orchestrations. However, despite all the good stuff in here from the Russian master, the performers and conductors cannot surpass the beauty and artistry that such Tchaikovsky music masters as Dorati, Markevitch and Ormandy are. So if you want quality Tchaikovsky, get those conductor renditions. However, for a Tchaikovsky beginner, these pieces will get you hooked. This is a good cd to begin with for a Tchaikovsky listener. I am a Tchaikovsky listener ever since a friend recommended his glorious works to me. I am a Mozart fan but Tchaikovsky is undoubtedly the greatest Romantic composer of all time. He combines Russian melodies (Russian dances, mazurkas, waltzes) and gives them a definite Western romantic feel. He was friends with such noted Romantic composers as Camille Saint Saens, known to create such marvelous music of the era- Carnival of the Animals (now popular through Dysney) and Danse Macabre, to name only a small portion. Tchaikovsky also adored Mozart and although he is not exactly a Classical composer, he greatly admires the beauty of Mozart's works. Three cheers for Tchaikovsky !

1 out of 5 stars great music poorely performed........1999-09-18

T. is my favourite composer but the interpretation on this CD is rather like a good effort in high shool

5 out of 5 stars Great!.......1999-04-18

I think that Peter Tchaikovsky is one of the greatest composers ever. His Nutcracker suite and Capriccio Italien are wonderful pieces of music, as well as the rest of his pieces! This CD is definetly worth owning if you like classical music.
Art of Segovia
Average customer rating: 5 out of 5 stars
  • A Man and His Art - Magnificently Captured
  • What can you say - it's Segovia!
  • EVERYBODY KNOWS
  • Immortal guitar
  • WOW
Art of Segovia
Andres Segovia
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006B66L
Release Date: 2002-10-08

Tracks:

  1. Andante
  2. Andantino
  3. Lento
  4. Romance De Los Pinos
  5. Madronos
  6. Serenata Burlesca
  7. Variations On A Theme From Mozart's 'The Magic Flute'
  8. Mesto E Calmo
  9. Theme, Variations & Finale
  10. Cancion Mexicana No.X
  11. Sevillana, Op.29
  12. Sarabanda
  13. Capriccio Diabolico, Op.85
  14. Tonadilla For Guitar On The Name Of Andres Segovia
  15. No.1 In E Minor
  16. No.3 In A Minor
  17. Guitarreo
  18. Segovia, Op.29

Tracks:

  1. If My Complaints
  2. Now, O Now I Need Must Part
  3. Sarabande
  4. 1. Prelude (Transposed In D Major)
  5. 4. Tempo Di Bourree
  6. Courante
  7. 3. Gavotte En Rondeau
  8. Aria E Corrente
  9. Moderato
  10. Menuet In G Major
  11. Andantino Variato
  12. No.7 In A Major
  13. 2. Canzonetta
  14. 2. Quasi Lento (Preludio)
  15. 1. Andantino Poco Allegretto (Allegretto)
  16. 2. Il Vecchio Castello
  17. Allegretto
  18. Tres Calme Et Doucement Expressif
  19. No.4 In E Flat Minor
  20. 5. Asturias. Leyenda - Preludio
  21. 7. Zambra Granadina
  22. Estudio Sin Luz
  23. Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

5 out of 5 stars A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

5 out of 5 stars What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

5 out of 5 stars EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

5 out of 5 stars Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

5 out of 5 stars WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.
The Nine Worlds
Average customer rating: 4.5 out of 5 stars
  • Austerity and beauty all mesh on "The Nine Worlds".
  • Ambience Spectacular!
  • Pretty nice music, a little bit short of Enigma.
  • If you liked Enigma's "Cross of Changes"...
  • Austere Ethereal Beauty
The Nine Worlds
Achillea
Manufacturer: Sequoia Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
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ASIN: B0009XT87Y
Release Date: 2005-08-02

Tracks:

  1. Achillea - Prelude
  2. Ragnarok - Twilight of the Gods
  3. Odins Hill
  4. The Monks of Lindisfarne
  5. Cape Porcupine
  6. The Seeress Prophecy (Daydreaming)
  7. Land of the Elves
  8. Shears from Scar
  9. The Nine Worlds
  10. Staraja Ladoga
  11. Othila - The Rune Masters
  12. Achillea - Exodus

Album Description

From the co-creator of ENIGMA !

Highly acclaimed co-producer and guitarist of the multi-platinum group Enigma, Jens Gad brings you a spellbinding downtempo musical odyssey into the ancient mythology of his Scandinavian homeland. He is joined by the entrancing classical vocals of Helene Horlyck, to co-create a sophisticated and hypnotic chill-out journey through "The Nine Worlds" of archaic legend. At once stirring and calming, entertaining yet relaxing, Achillea achieves a vibrantly new and hauntingly beautiful musical vision that artfully blends evocative ambient New Age atmospheres with European dance club electronica. Achillea elegantly weaves the mystery of ancient myth - a world of seers, elves, and rune masters, into a lush, richly layered sonic landscape with velvety melodies of delicately bluesy guitar playing, slow sensuous grooves and silky smooth vocals sung in Latin and ancient Swedish. Both intimate and cinematic, this uniquely transcendent masterpiece is full of deep beauty and mysterious wonder that will nourish your soul.

"Achillea is the new project for producer/guitarist Jens Gad, co-producer, co-writer and one of the central creative forces behind popular group Enigma (alongside Michael Cretu). For his first solo project, Gad presents an atmospheric album of tunes themed after Danish myth. Enigma fans should definitely take note, as there are many common denominators between both groups: the same laid-back "Enigma-style" beats, Gregorian chant, whispery vocals and Gad's signature electric guitar. Achillea differs by offering an album steeped in dreamy ambience. This album slower paced and more ethereal, making it better suited for the mind than the dance floor. Adding to the appeal is the wispy, sensual vocals of singer Helene Horlyck, who sings on many of the tracks. Serene, slightly trippy and sure to bring on a bout of Enigma nostalgia, this is a must for worldbeat/chill music fans." - Music Design In Review

Customer Reviews:

5 out of 5 stars Austerity and beauty all mesh on "The Nine Worlds"........2007-02-11

I was entranced by the debut release by artist Achillea. To my peasant surprise, I leanred that it is also a side project of Enigma's guitarist and in terms of side-projects, Achillea is almost as good as Enigma.

The debut album has a similar trademark to Enigma's album but the tracks stand out altogether with beauties like "Odin's Hill", "The Garden if Lisfaraine" and "Seeres Prophecy". Overall, "The Nine Worlds" is almost like a sequel to Enigma's third album from more than a decade ago.

This is highly recommended.

4 out of 5 stars Ambience Spectacular!.......2006-11-27

I am a big fan of early Enigma and having found a first solo release by co-producer of Enigma's Jens Gad, I decided to purchase this release from Amazon.com. Jens is a superb handler of the guitar and it was a pleasure to hear his contributions on Enigma especially on 'Cross Of Changes' and the song 'Turn Around'. But it is good and fitting to see his first solo album be released, and whilst there is alot of similarity with Enigma, he brings to his album a more reflective, softer ambient driven sound that is both spiritual and refreshing. It is a nice chill-out album.

'Achilles' provides sweet and sensual beats with gregorian chants, soft guitar rifts, and a ethno-flavoured landscape. It should be noted that both Jens and his singer Helene are danish and this album is fashioned after numerous Danish folklore. Therefore you expect Danish lyrics and you do get a mixture of Latin and Danish with some English mixed in. All in all the mix is beautifully orchestrated and well-done.

The 12 tracks on this albums offers the listener pure music bliss, and it will take you on a journey that is much needed and is soul nourishing. There is no need to go through each track. This album will mean different things to all people who listen to it. Open your mind, have a open opinion and enjoy. I have and still do.

3 out of 5 stars Pretty nice music, a little bit short of Enigma........2006-11-22

It's quite nice, althought definitely not an Enigma, the female voice is beautiful, but quite monotonous all across most of the songs. Still a good addition to one's New Age sound collection.

4 out of 5 stars If you liked Enigma's "Cross of Changes"..........2006-11-14

Only now that I've heard The Nine Worlds do I appreciate how significant Jens Gad's influence was on the sound of Cross of Changes-era Enigma. The guitar style from that album's "I Love You, I'll Kill You" permeates, but never dominates this album, and I love it. The synth-based writing and arrangement styles are familiar as well. The title track, "The Nine Worlds," is something of a sonic "missing link" between the two albums, with a touch of chant, tablas, and a guitar sound one step closer to "I Love You, I'll Kill You" than the rest of this album.

The first Achillea song I heard was "Cape Porcupine". It remains my favorite song from the album, and is representative of what you'll hear throughout The Nine Worlds. Helene Horlyck's vocal stylings are featured on over half of the album's tracks, and she shares writing credits on those. Her high end is somewhat breathy, and has a piercing edge that frustrates my appreciation of her contributions, but the lower end of her range is beautifully smooth. "Othila - The Rune Masters" is a welcome exception, which I can only attribute to its guest writer/producer, John Tonks.

The Nine Worlds is a great listen for a bit, but there isn't enough variety to make it a really great album. I'm perfectly happy to listen to the whole thing passively, but when I'm listening actively, I typically only get through the first five or six songs ("Odin's Hill" is a highlight I never skip) before changing CDs. I would expect your affinity for The Cross of Changes to be a good indicator of how much you'll like The Nine Worlds.

4 out of 5 stars Austere Ethereal Beauty.......2006-08-30

This album needs a few listens to allow its true beauty to unfold.
If you are after the lush percussive sensory smorgasboard of Enigma , you will be disappointed.

Put aside your preconceptions and open your mind to the pure spare instrumental arrangements accompanied beautifully by Helene Horlyks sublime ethereal vocals . Everything is pared back to a delightful minimalism that sometimes sounds so spacious that the songs seem otherworldly.

Definitely a match to the other great works of Delerium, Enigma , Amethystium etc
J.S. Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006
Average customer rating: 5 out of 5 stars
  • Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin
  • Thoughtful Readings
  • Bach by Julia Fischer
  • very good.
  • What a Surprise!
J.S. Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006

Manufacturer: Pentatone
ProductGroup: Music
Binding: Audio CD

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ASIN: B00097HE8U
Release Date: 2005-06-14

Customer Reviews:

5 out of 5 stars Julia Fischer performs J.S.Bach's Sonatas and Partitas for Solo Violin.......2007-05-07

In March I heard Julia Fischer playing Khachaturian's violin concerto at a concert at the Kennedy Center in Washington D.C. She is such a wonderful violinist that soon after I got home I checked what other performance of hers would be available from Amazon. When I saw this CD I promptly ordered it. Because on this CD she plays without an orchestra, her virtuosity is even more obvious and superb than in the concertos where she is accompanied by a full orchestra. I recommend this CD to everybody who likes the violin music of J.S.Bach!

4 out of 5 stars Thoughtful Readings.......2007-01-09

Bach's unaccompanied sonatas and partitas for solo violin can act as multiple litmus tests, mercilessly revealing a player's cultural, temperamental, intellectual, and technical selves. That is certainly the case with Julia Fischer's set. It shows her to be technically proficient and thoughtful in regard to the structures and, to some degree, the expressive (affective) content of these works. But it also tells the world that she is still a young artist, and that she may have more to say about this music -- and the temerity to say it -- after she's been around a while longer.

Listeners contemplating the purchase of yet another Bach Unaccompanied set will also have to look to their own tastes in deciding whether Fischer fits the bill. Have you long since acquired, and exhausted, the classic Milstein performances? Did you find Perlman nicely polished, or just a bit too slick? Did you respond well to Kremer's impetuosity and drama, or consider his approach overly rough and improvisatory?

In the liner notes, Ms. Fischer tells us that for years she has warmed up every day with these pieces. It shows. She is obviously familiar with them, and her technical security and sense of "what comes next" have benefited. But with familiarity comes a certain complacency, and warmups can encourage a performer to emphasize sheer mechanics: pitch accuracy, evenly smooth bowing, perfect finger coordination, etc. That is what I personally hear as a guiding principle in most of these interpretations. They are soft-edged, maintaining steady tempi, using the middle third of the bow, employing subtle and consistent accents, phrasing, and dynamic emphases.

Nothing wrong with those choices. In many aspects, they may lie closer than some others to what Bach had in mind. But I found myself respecting Fischer's efforts rather than becoming involved in the music itself. In the end I went back to Hilary Hahn's debut disc (which includes some but not all of these works) in order to hear controlled and thoughtful Bach performances with more passion, more bite (bowing at the frog when needed), and more overall humanity.

The SACD recording is quite good, but if anything it emphasizes the mellow, moderated quality of these performances with a violin timbre that is never unpleasant but seldom provides the range of colors that one might hope to hear, even in Bach. Especially in Bach?

I think Ms. Fischer is heard to better advantage in her Pentatone recording of the Russian concertos -- maybe she didn't feel a "Romantic" approach was as appropriate for Baroque music. The result sounds curiously old-fashioned, however, especially given the recent tendency in historically informed Baroque performance to emphasize drama and individualistic expression (e.g., Rachel Podger, Andrew Manze). By comparison, Julia Fischer's Bach comes off as a careful effort by a recent conservatory graduate. Still worth hearing, but perhaps more as an emblem of her undeniable promise.

5 out of 5 stars Bach by Julia Fischer.......2006-08-04

You must listen to this with SACD kit to do justice to the recording. OK CD layer is not too bad but with sensitive equipment you can hear so much more with the SACD it is unbelievable.
She is one of the best performers of Bach solo pieces if not the best. Milstein, Kagan, Grumiaux, Perlman are good. But she is something else. Timing, fluidity, expression I can go on and on. This is the most "musical" interpretation of these pieces I have heard so far.

4 out of 5 stars very good........2006-06-11

At first I was stunned on how good it was to listen to these pieces in a great format as SACD. However, miss Fischer should pay more attention to the details instead of get every note just right. There aren't huge mistakes, which makes it worthy, but it isn't perfect. The booklet says that she's quite young to perform all of this pieces and I believe it's true. She can improve in the future.

5 out of 5 stars What a Surprise!.......2006-03-09

I never thought this young violinist could play Bach in such a matured way. My version at home was Milstein, Szegeti, Kremer (not very good), and Grumiaux. But Julia Fischer's Bach has won so much praise and I just wonder why. Therefore I bought this pricy double SACD (no ordinary CD available).

I was surprised. It doesn't sound like she is young at all. According to Fisher, she played Bach every day. And she has been studying Bach since she was a little girl. No wonder she has attended to the details of it. The speed she took was relatively slow, especially for the Preludes and Sarabande. Her technique was impeccable, but it all sounded so natural. I once listened to Heifitz and I didn't quite like it. It sounded not like Bach. Fisher surely captured the elegance and warmth of one of Bach's most intelligent and intellectual works.

If you like Bach's Unaccompanied Sonata and Partita for Solo Violin, buy this. You won't regret. The recording quality was superb, too!
Violin Favourites & Virtuoso Showpieces
Average customer rating: 5 out of 5 stars
  • beautiful ,beautiful
  • Great Recording
Violin Favourites & Virtuoso Showpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007WQHVW
Release Date: 2005-04-12

Tracks:

  1. Variations on an original theme, Op.15
  2. Romance, Op.78, No.2
  3. Mazurka, Op.81, No.1
  4. Hungarian Dance No.1 in G minor-Transcr. Joseph Joachim
  5. Cantabile, Op.17
  6. Scherzo-Tarantelle, Op.16
  7. Nigun (Improvisation)
  8. Perpetuum mobile
  9. The Prophet Bird
  10. Spanish Dance No.1
  11. Waves at play (Wellenspiel)
  12. Carmen Fantasy, Op.25 - Arr. Waxman

Tracks:

  1. Praeludium and Allegro
  2. Schosmarin
  3. Tambourin chinois
  4. Caprice viennois op.2
  5. La Preuse (in the style of Louis Couperin)
  6. Liebesfreud
  7. Liebesleid
  8. La Gitana
  9. Berceuse Romantique (Caprice)
  10. Polichinelle (Snade)
  11. Rondino on a Theme by Beethoven
  12. Tempo di menuetto (in the style of Pugnani)
  13. Toy Soldiers' March
  14. Allegretto (in the style of Boccherini)
  15. Marche miniature viennoise
  16. Aucassin and Nicolette (canzonetta medievale)
  17. Menuet (in the style of Porpora)
  18. Sicilienne and Rigaudon (in the style of Francois Francoeur)
  19. Syncopation

Customer Reviews:

5 out of 5 stars beautiful ,beautiful.......2007-05-27

I am not a music critic nor do I "know" much about music but if you love lovely violin music you will love this.

5 out of 5 stars Great Recording.......2007-01-04

The Kreisler pieces are played exceptionally well. The one disc alone is worth the price of the double disc collection. Great playing.
Itzhak Perlman's Greatest Hits, Vol. 2
Average customer rating: 5 out of 5 stars
  • Marvellous!
  • The best violinist ever!
Itzhak Perlman's Greatest Hits, Vol. 2

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004XST2
Release Date: 2000-09-12

Tracks:

  1. Chanson Sans Paroles
  2. Polonaise De Concert No.1, Op.4
  3. It's Peaceful Here, Op.21 No.7
  4. Chanson Russe
  5. Liebesleid
  6. Slavonic Dance In E Minor, Op.46, No.2
  7. Tempo Di Minuetto (In The Style Of Pugnani)
  8. Romanza Andaluza, Op.22
  9. Melodie
  10. Serenade Espagnole
  11. Serenade (Frasquita)
  12. La Capricieuse, Op.17
  13. Sicilienne
  14. Molly On The Shore
  15. Andantino (In The Style Of Martini)
  16. Marguerite (Daisies), Op.38, No.3
  17. Melodie, Op.42 No.3
  18. Estrellita
  19. Spanish Dance No.5
  20. Berceuse Sfaradite
  21. Caprice In A Minor

Customer Reviews:

5 out of 5 stars Marvellous!.......2005-11-26

I don't play violin, and I can't even read music, but as a classical music amateur I find this CD outstanding. Even an incompetent like myself can easily understand why Perlman is regarded as one of the greates violinists ever. This is a marvellous collection of pieces. The rendition of "Chanson Russe" by itself is, in my opinion, worth more than the price of the CD. If you listen to the audio samples on Amazon's pages and you like violin you will surely understand why I like this CD so much. I am grateful to People like Perlman, who make this world a better place to live in.

5 out of 5 stars The best violinist ever!.......2001-01-26

All I can say to this CD is it's the best I've ever heard. In this CD, Itzhak Perlman truly demonstrates his best performances of the past years. I have always been a great admirer of Perlman, but since I own this CD, it's all I've listened to for the past three months. I myself play the violin and Perlman has become an inspiration to me, almost a musical idol. For any of those violinists out there, especially young musicians, who don't feel any excitement about playing the violin, listen to this CD and I promise you, you will strive to being able to play like this man does. He is truly the best musician I've ever known.
Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Average customer rating: 4.5 out of 5 stars
  • Only one diva, only Bartoli.
  • Amazing disc
  • Beautiful Music, but vocally unmusical.
  • Not to my taste
  • Exciting, moving, beautiful, energetic, heart-felt, fantastic...
Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Cecilia Bartoli , George Frideric Handel , Alessandro Scarlatti , Antonio Caldara , Marc Minkowski , and Les Musiciens du Louvre
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A6T1HC
Release Date: 2005-09-13

Tracks:

  1. All'arme si accesi guerrieri (Aria dell Pace)
  2. Mentre io godo (Aria della Speranza)
  3. Un pensiero nemico di pace
  4. Vanne pentita a piangere
  5. Sparga il senso lascivo veleno
  6. Caldo Sangue
  7. Come nembo che fugge col vento
  8. Ecco negl'orti tuoi...Che dolce simpatica
  9. Qui resta...L'alta Roma
  10. Lascia la spina cogli la rosa
  11. Ahi qual cordoglio...Doppio affetto
  12. Si piangete pupille dolente
  13. Ahi quanto cieca...Come foco allo splendore
  14. Disserratevi oh porte d'Averno
  15. Notte funesta...Ferma l'ali

Amazon.com

Cecilia Bartoli's new CD features a collection of music that could not be heard in her native Rome at the start of the 18th century due to Papal censorship. Theaters, the Church felt, were places of evil and corruption and operas led people to immorality. But some music-loving senior members of the priesthood asked composers to write oratorios and cantatas--indeed, operas without staging, essentially--for their own private entertainment. Call it what you will, the music is sensational--by turns virtuosic, gentle, and playful--and always expressive: just right, it seems, for Cecilia Bartoli's temperament. The opening aria on the CD, a call for peace in the name of Jesus, is, in fact, a dazzling martial air with trumpets blaring and the voice going through an amazing array of coloratura fireworks. It shows Bartoli at her most aggressive. The listener is practically hurled back from the speakers when she begins, with rapid-fire runs and trills and cascades of notes, all perfectly in place. Showy arias are offset by several tender ones ("Lascia la spina" from Handel's Il trionfo del Tempo e del Disinganno returns in the composer's Rinaldo, four years later, as the now-famous "Lascia ch'io pianga"), and Bartoli exhibits again, her many, many levels of pianissimo and sensitive phrasing. Marc Minkowski and his Musiciens are just right for this repertoire and back Bartoli up superbly. This is a fascinating project, rivetingly performed and presented. --Robert Levine

Album Description

Limited Australian pressing. An extraordinary album of dramatic arias written in Rome at a time when opera performance was forbidden by the Church, and female singers were forbidden from singing in public. Decca. 2005.

Customer Reviews:

4 out of 5 stars Only one diva, only Bartoli........2007-06-19

Just like Farinelli was the opera phenomenon of his time, fast-forward to the 21st century, Bartoli gives once again this music of the Italian settecento a breath of new life in all its splendor and glory.

In Opera Proibita, Bartoli's repertoire not only reflects on her as a consummate vocal artist but also as the ultimate scholar. Rarely an opera singer would dig this dip and go that far to unearth great scores from total obscurity. Even more uncommonly a singer would take the challenge of singing these arias without the risk of ridiculing herself, but to the contrary establishing a new record and precedent.

Her execution of the Handel arias is truly astonishing in coloratura and melismas probably not heard for three hundred years when only the best castrati commanded the virtuosity to tackle these arias. Also surprising and refreshing was to hear works by Handel that show his wild side.

Bartoli brings this album to a high climax with the arias from Il Trionfo del Tempo e del Disinganno. This is really her realm and true medium. Her vocal runs in "Un pensiero nemico di face" sound like a first violin, and as if this was not difficult enough she ornaments the da capo melismas in tempo from allegro to presto molto vivace, and transitions into a note crescendo with great ease and certainty. Wonderful!

5 out of 5 stars Amazing disc.......2007-03-03

This disc has all the elements needed for an amazing disc. The conductor, orchestra, and music are all top notch. Bartoli's singing is amazing. I find this album energizing and a testament to how exciting baroque music can be. However, if you don't like Bartoli's voice in previous recordings, you probably won't change your opinion because of this disc.

3 out of 5 stars Beautiful Music, but vocally unmusical........2007-02-09

I owned over a dozen of Bartoli solo albums, plus other operatic albums of hers. From the early days of 'Arias Antique' I got impressed by her beautiful singing and her outstanding technique.
Alas, starting from her Vivaldi Album, I do not find her singing that beautiful any more. True, the songs picked there are technically very challenging, used to be sung by male castrato singers. The songs picked here are even more difficult.
BUT - is singing just about technique?
There are some songs in the Vivaldi Album that have the vocal musical lines broken in places. Here in Opera Proibita, almost every song has this problem, even the slow ones of Caldara. Compare her singing in the earlier part of her career, her early Mozart operas, I could not help but wonder if Ms. Bartoli has taken the correct turn in her career: her forced high notes, though squarely hit, do not sound at all pleasing; her runs and trills, though taken accurately at great tempi, is no longer truly musical. Compare her singing with the other two great baroque mezzo-sopranos Bernarda Fink and the tragically short-lived late Lorraine Hunt Lieberson, you would understand what I mean.

With the latest turn in Ms. Bartoli's singing, I am being forced to admit that this is a singer of great technical brilliance and enormous fame, but not at all pleasing to the ear.

1 out of 5 stars Not to my taste.......2006-11-05

Cecilia Bartoli has her fans, no doubt, as the other reviews on this site demonstrate, people who love her warmth of tone and her impassioned interpretations. These vocal qualities may suit the performance conventions of the nineteenth-century repertoire; however in this anthology of eighteenth century sacred arias the result is an unhappy imbalance. The problem is, in my opinion, one of clashing calls for attention, whose affect is to distract the listener from attention to the music itself. True, the god of the counter-reformation was to be worshipped ecstatically. And true, also, that I am an anti-romantic listener, who grew up with those early music performances which valued detached purity of tone. This was vaunted as the ideal means of interpretation of the rediscovered seventeenth and eighteenth-century repertoire (it protested too much its rightness, and alienated people- but I like it). However to return to the subject at hand- I find Bartoli's readings of these crypto-erotic arias overblown and self-indulgent. I guess that this sort of coloratura always offered a chance for a bit of ego to be let loose, even in church- however when the performance goes so far as to insist on attention to itself rather than deflecting attention to the music, I stop enjoying the music. This recording does not find the balance between the big romantic personality and eighteenth-century performance conventions, which, after 30 or 40 years of self-critique, have some authority. I disliked it very much. I am a great admirer of Mark Minkowski's opera interpretations, which I think find a perfect balance between these opposing impulses of warm and cool- a binary we can trace throughout aesthetics and through the ages. Here there's an overbalance in favour of warm (hot, in fact), which the performers might argue is just the sort of vivification that Baroque performance needs. Not for me. I gave it to a friend (she's still a friend).

5 out of 5 stars Exciting, moving, beautiful, energetic, heart-felt, fantastic..........2006-09-02

What more can I add?

Cecilia Bartoli just "does it" for me almost every time. She is just fantastic in my books. I love her dearly. She can give one an adrenalin rush with her bravura singing and then break one's heart with her pathos.

This is a superb collection of Baroque arias from "almost" operas! ;-))
I also liked the cheeky and none-too-subtle references to La Dolce Vita on
cover and the images inside the disc. Nice to see an opera singer with a playful sense of humour!

I am listening to this disc as I write this review and all I can say is that I love this disc and it is clearly one of the best Signorina Bartoli has released, although I like all of her recordings. Listen to track 12 and you will buy this disc.

More, please!

PS: How about DECCA getting Cecilia Bartoli and Andreas Scholl together for a musical project? I'd love to see two of my favourite singers together on the one disc.
PSPS: If you like Opera Proibita, buy Andreas Scholl's Arcadia and Arias for Senesino, too!


Handel - Il trionfo del Tempo e del Disinganno
Average customer rating: 4 out of 5 stars
  • A Triumph for Haim, Dessay, Hallenberg, Prina, Breslik & le Concert l'Astrée
  • Get the Alessandrini, it's one of the all-time great Handel recordings
Handel - Il trionfo del Tempo e del Disinganno

Manufacturer: Virgin Classics
ProductGroup: Music
Binding: Audio CD

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  3. Vivaldi: Griselda
  4. Songs by Mahler, Handel & Peter Lieberson
  5. Handel: Fernando

ASIN: B000F3T3E6
Release Date: 2007-05-08

Tracks:

  1. Sonata: Allegro-Adagio-Allegro
  2. Aria: Fido Specchio, In Te Vagheggio
  3. Recitativo: Io, Che Sono Il Piacere
  4. Aria: Fosco Genio, E Nero Duolo
  5. Recitativo: Ed Io, Che 'L Tempo Sono
  6. Aria: Se La Bellezza Perde Vaghezza
  7. Recitativo: Dunque Si Prendan L'Armi
  8. Aria: Una Schiera Di Piaceri
  9. Recitativo: I Colossi Del Sole
  10. Aria: Urne Voi, Che Racchiudete
  11. Recitativo: Sono Troppo Crudeli I Tuoi Consigli
  12. Duetto: Il Voler Nel Fior Degl'Anni
  13. Recitativo: Della Vita Mortale
  14. Aria: Un Pensiero Nemico Di Pace
  15. Recitativo: Folle, Tu Nieghi Il Tempo
  16. Aria: Nasce L'Uomo
  17. Aria: L'Uomo Sempre Se Stesso Distrugge
  18. Recitativo: Questa E La Reggia Mia
  19. Sonata: Taci: Qual Suono Ascolto?
  20. Aria: Un Leggiadro Giovinetto
  21. Recitativo: Ha Nella Destra L'Ali
  22. Aria: Venga Il Tempo
  23. Aria: Crede L'Uom Ch'Egli Riposi
  24. Recitativo: Tu Credi Che Sia Lungi
  25. Aria: Folle, Dunque Tu Sola Presumi
  26. Recitativo: La Reggia Del Piacere Vedesti
  27. Quartetto: Se Non Sei Piu Ministro Di Pene

Tracks:

  1. Recitativo: Se Del Falso Piacere
  2. Aria: Chiudi, Chiudi I Vaghi Rai
  3. Recitativo: In Tre Parti Divise
  4. Aria: Io Sperai Trovar Nel Vero
  5. Recitativo: Tu Vivi Invan Dolente
  6. Aria: Tu Giurasti Di Mai Non Lasciarmi
  7. Recitativo: Sguardo, Che Infermo Ai Rai Del Sol Si Volge
  8. Aria: Io Vorrei Due Cori In Seno
  9. Recitativo: Io Giurerei, Che Tu Chiudesti I Lumi
  10. Aria: Piu Non Cura
  11. Recitativo: E Un Ostinato Errore
  12. Aria: E Ben Folle Quel Nocchier
  13. Recitativo: Decesti Il Vero, E Benche Tardi Intesi
  14. Quartetto: Voglio Tempo Per Risolvere
  15. Recitativo: Presso La Reggia Ove Il Piacer Risiede
  16. Aria: Lascia La Spina
  17. Recitativo: Con Troppo Chiare Note
  18. Aria: Voglio Cangiar Desio
  19. Recitativo: Or Che Tiene La Destra
  20. Aria: Chi Gia Fu Del Biondo Crine
  21. Recitativo: Ma Che Veggio, Che Miro?
  22. Aria: Ricco Pino Nel Cammino
  23. Recitativo: Si, Bella Penitenza
  24. Duetto: Il Bel Pianto Dell'Aurora
  25. Recitativo: Piacer, Che Meco Gia Vivesti
  26. Aria: Come Nembo Que Fugge Col Vento
  27. Recitativo: Pure Del Cielo Intelligenze Eterne
  28. Aria: Tu Del Ciel Ministro Eletto

Amazon.com

Handel's earliest oratorio, dating from 1707, is an allegory in which the character of Beauty is tempted to a life of hedonism by Pleasure but is reasoned with by Time and Enlightenment and turns into a modest, better-balanced type. If this sounds dull, it isn't. The young Handel, in Rome at the time, composed some of his most wonderfully Italianate melodies and was at the peak of his inspiration. Handelians will recognize bits in this work that he later used elsewhere. This performance is now the best available; while the one led by Rinaldo Alessandrini is excellent, here the always original and clever Emmanuelle Haim leads a superb cast, with Natalie Dessay (who has nine arias!) and Sonia Prina absolutely perfect and Ann Hallenberg and Pavol Breslik not far behind. Handel re-adapted this work at the end of his career, by the way, to an English translation. This is a sheer delight. --Robert Levine

Customer Reviews:

5 out of 5 stars A Triumph for Haim, Dessay, Hallenberg, Prina, Breslik & le Concert l'Astrée.......2007-08-02

This early allegorical oratorio (written by Georg Frideric Händel at a mere 22 while on an Italian sojourn) already shows the inventiveness of this genius (and one can understand why the composer cannibalised the work for his later compositions). The libretto is no more than a poetic and moralistic conversation among its four allegorical personae, all individually characterised by the singers all armed with marvellous technique and emotional expression: Bellezza/Beauty (French soprano Natalie Dessay) is fought over by Piacere/Pleasure (Swedish mezzo-soprano Ann Hallenberg) on one side, keeping her enticed with the joys of present "superficial" and pleasurable pursuits, and Enlightenment/Disinganno (Italian contralto Sonia Prina) and Tempo/Time (Slovakian tenor Pavol Breslik) on the other. Of course, the libretto having been written by Händel's pal, the Cardinal, Benedetto Pamphili, it's inevitable that the "virtuous" personae of Enlightenment and Time will win in the end, and Beauty agrees to take on the hairshirt and do penance for enjoying life too much. And yet, the irony of it all is that the very music Händel wrote for this oratorio will bring such pleasures to its hearers and would likely draw the disapproval of Time and Enlightenment for its "corrupting" beauty!

The work is performed with spirit and verve as well as sensitivity by the singers, guided by Baroque conductor Emmanuelle Haïm directing her Le Concert d'Astrée playing on period instruments. Although her over-bright soprano took some getting used to by me, Dessay becomes simply delightful in her very many arias (about nine of them, by my last count), with coloratura passages as in "Un pensiero nemico di piace", "Della vita mortale" and "Un schiera di Piacere", all joyfully rendered and proving of little difficulty for her agile technique. Hallenberg gets to deploy her magnificent, incandescent mezzo in the work's most beautiful and famous arias, including the exquisitely languourous "Lascia la spina", the courtly "Un leggiadro giovinetto", and the furious "Tu giurasti di mai non lasciarmi" and "Come nombe che fugge col vento." Prina brings a measure of majesty to arias like "Più non cura" and "Crede l'uom chegli riposi", entrancing you with her dark, smooth and warm alto, with some impressive virtuosic runs in the middle of the latter aria. Finally, Breslik holds his own among the women as the authoritative and father-like chastising figure of Tempo, with his expressive and textured vocal that's hard to ignore, as in his affecting "Urne voi". On the ensemble pieces, the singers all blend together superbly, and one can get a taste of that excitement in the YouTube music video featuring the quartet singing the exhilarating "Voglio Tempo".

Additionally, director Haïm plays a mean organ on several tracks, with excellent sonata-like passages on "Taci: Qual sono ascolto?" and "Un leggiadro giovinetto". She's actually made this organ-leery listener more appreciative of that instrument.

This is a most welcome addition to the growing recorded Händel repertoire, and one highly recommended to anyone already a Händel fan, or one just starting to learn about the Baroque master's works.

3 out of 5 stars Get the Alessandrini, it's one of the all-time great Handel recordings.......2007-08-02


Amazon reviewer Robert Levine is not a very reliable reviewer of Baroque opera. It is impossible to prefer this recording to the Alessandrini, which has superior singing (Mingardo, York, Bertagnolli, Sears), better orchestral playing (Haim's orchestra sounds very thin, like some Alan Curtis recordings), and a better recording.

The Alessandrini is about to be reissued. Here's the original, with sound clips --

Handel - Il trionfo del Tempo e del Disinganno / York, Bertagnolli, Mingardo, Sears, Concerto Italiano, Alessandrini

And here's the reissue (a 2-disc set, despite what the product details tell you) --

Handel: Il Trionfo Del Tempo

If you must get Haim playing Handel, by all means get Handel: Aci, Galatea e Polifemo -- with the phenomenal line-up of Piau, Mingardo (again), and Naouri, it's another Handel recording destined to be a classic, much like Alessandrini's recording of "Il trionfo."

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