| 1. All Afternoon Part 1 |
| 2. Kind Light |
| 3. Green Inferno |
| 4. Always/Never Sleep Part 1 |
| 5. Always/Never Sleep Part 2 |
| 6. Tracers |
| 7. Morning/Evening |
| 8. Landlovers |
| 9. All Afternoon Part 2 (Dawn of the Dead) |
Editorial Reviews
Magnet April 2005
"It banishes the cold and coaxes tropical foliage to grow out of the speakers and steam up your living room."
Product Description
Though best known for his work in Town & Country, who have been experimenting in acoustic resonance, minimalist composition and world musics for the past seven years, Ben Vida has been a prominent player in the Chicago music scene, placing himself at the nexus between improvised and acoustic minimalist musics. He has played and recorded with Central Falls, Terminal 4, Pillow and Everyoned. Green Inferno is his second solo recording, a long-in-coming successor to Mpls., which was released on Brent Gutzeits Boxmedia label in 1999. Boxmedia described Mpls. as "a record of delicate acoustic guitar compositions, soft melodic songs with hidden teeth." Green Inferno is a different beast, showing its teeth with dense percussive tracks and droning narcotic folk songs. Ben Vida describes it as an attempt to fuse all of his favorite aspects of the groups he has been playing in.
Green Inferno
"All Afternoon Part 1" begins with an outside feel of birds chirping, then dissonant horns and fuzz overpower the birds and bring a loud sort of world vibe to the beginning of the album. Perhaps Vida wants us to feel as if we are walking through a forest dense with tribal life, thick foliage, and the sounds of nature. "Kind Light" brings a peaceful piece for the listeners. There is a soft vocal and an almost soft animal growl. An acoustic guitar plays in between the sounds and a beautiful ring that hums under all the sounds. "Green Inferno" has reverberating vocals, scissor type sounds and some jungle drums. It is a soothing track that is beautiful and deep. "Always/Never Sleep Part #1" is a beautiful ambient piece ala Stars of the Lid. There is simple, subtle bass and floating keys. This track is soothing and spacious. "Always/Never Sleep Part #2" starts out with a low rumble. This also is a beautiful, brief track that kind of gives a closing remark to "Sleep Part 1" and the center of the disc has a very smooth anchored feel to it.
"Tracers" has some interesting percussion sounds and, perhaps, Vida is making what sounds like insects come alive with instruments. There are sprinkles of birds here and there. Vida's compositions, when not entirely ambient, have a very organic feel to them. He portrays an interesting aesthetic. "Morning/Evening" begins with violin and soft, recessed vocals. The violin pans from left to right and really has an odd feel to it. This continues throughout and I can't help but think that insects were the inspiration for this track as well. About half way through the tracks, the panning violin is replaced by a higher pitch sound that pans as well. There is quiet vox in the background and the track drops instrumentation until it fades out.
"Landlovers" starts with organ and soft, echoing vocals again. There is what seems like a horn sound floating amidst the organs. The vox remind me of Frank Lenz or Justin Bowsher. There is a great, listless feel to this track that is altogether comforting. The disc finishes with "All Afternoon Part 1 (Dawn of the Dead)." This track begins like the first and the bird sounds once again float into the chaos of tribal beats and sounds. After the mid-point of the track, the sounds begin to grate on the nerves with little to no variation in the overall structure or sound. Vida exit to his disc is just as his beginning. He ushers his listener out with the chaos and birds that brought the listener in. The calm moments of the center of the disc have disappeared from the inner sanctuary of Bird Show's world.
My assessment is that this is a good disc. There are incredibly beautiful moments on it, but I am not sure about the amount of dissonant first and last tracks. "Dawn of the Dead" is perhaps too long and over stays it's welcome. Where Vida shines is more towards the middle of the disc, when calm and serene moments hit the listener's ear.
"It banishes the cold and coaxes tropical foliage to grow out of the speakers and steam up your living room."
Product Description
Though best known for his work in Town & Country, who have been experimenting in acoustic resonance, minimalist composition and world musics for the past seven years, Ben Vida has been a prominent player in the Chicago music scene, placing himself at the nexus between improvised and acoustic minimalist musics. He has played and recorded with Central Falls, Terminal 4, Pillow and Everyoned. Green Inferno is his second solo recording, a long-in-coming successor to Mpls., which was released on Brent Gutzeits Boxmedia label in 1999. Boxmedia described Mpls. as "a record of delicate acoustic guitar compositions, soft melodic songs with hidden teeth." Green Inferno is a different beast, showing its teeth with dense percussive tracks and droning narcotic folk songs. Ben Vida describes it as an attempt to fuse all of his favorite aspects of the groups he has been playing in.
Green Inferno
Green Inferno,Bird Show,Kranky,Experimental,Int'l & World Music,Pop,Rock/Pop
Average customer rating: |
Double Feature: Saturday Night Fever/Grease
Manufacturer: Madacy Records ProductGroup: Music Binding: Audio CD ASIN: B0009NCQK0 Release Date: 2005-01-04 |
Tracks:
- Night Fever
- Stayin' Alive
- Disco Inferno
- How Deep Is You Love
- You Should Be Dancing
- More Than a Woman
- Jive Talkin'
- Boogie Shoes
- If I Can't Have You
- Boogie Child
- Fifth of Beethoven
- K-Jee
- Salsation
Tracks:
- You're the One That I Want
- Grease
- Summer Nights
- Look at Me, I'm Sandra Dee
- Hopelessly Devoted to You
- Greased Lightning
- Beauty School Dropout
- Blue Moon
- Love Is Many-Splendored Thing [Instrumental]
- Sandy
- Tears on My Pillow
- We Go Together
Average customer rating:
|
Green Inferno
Bird Show Manufacturer: Kranky ProductGroup: Music Binding: Audio CD ASIN: B0007N1A0E Release Date: 2005-02-15 |
Tracks:
- All Afternoon Part 1
- Kind Light
- Green Inferno
- Always/Never Sleep Part 1
- Always/Never Sleep Part 2
- Tracers
- Morning/Evening
- Landlovers
- All Afternoon Part 2 (Dawn of the Dead)
Album Description
Though best known for his work in Town & Country, who have been experimenting in acoustic resonance, minimalist composition and world musics for the past seven years, Ben Vida has been a prominent player in the Chicago music scene, placing himself at the nexus between improvised and acoustic minimalist musics. He has played and recorded with Central Falls, Terminal 4, Pillow and Everyoned. Green Inferno is his second solo recording, a long-in-coming successor to Mpls., which was released on Brent Gutzeit's Boxmedia label in 1999. Boxmedia described Mpls. as "a record of delicate acoustic guitar compositions, soft melodic songs with hidden teeth." Green Inferno is a different beast, showing its teeth with dense percussive tracks and droning narcotic folk songs. Ben Vida describes it as an attempt to fuse all of his favorite aspects of the groups he has been playing in.Customer Reviews:
more of a 4.5 on when listened to the way it is supposed to be listened to........2006-03-16
Bird Show.......2005-04-27
"All Afternoon Part 1" begins with an outside feel of birds chirping, then dissonant horns and fuzz overpower the birds and bring a loud sort of world vibe to the beginning of the album. Perhaps Vida wants us to feel as if we are walking through a forest dense with tribal life, thick foliage, and the sounds of nature. "Kind Light" brings a peaceful piece for the listeners. There is a soft vocal and an almost soft animal growl. An acoustic guitar plays in between the sounds and a beautiful ring that hums under all the sounds. "Green Inferno" has reverberating vocals, scissor type sounds and some jungle drums. It is a soothing track that is beautiful and deep. "Always/Never Sleep Part #1" is a beautiful ambient piece ala Stars of the Lid. There is simple, subtle bass and floating keys. This track is soothing and spacious. "Always/Never Sleep Part #2" starts out with a low rumble. This also is a beautiful, brief track that kind of gives a closing remark to "Sleep Part 1" and the center of the disc has a very smooth anchored feel to it.
"Tracers" has some interesting percussion sounds and, perhaps, Vida is making what sounds like insects come alive with instruments. There are sprinkles of birds here and there. Vida's compositions, when not entirely ambient, have a very organic feel to them. He portrays an interesting aesthetic. "Morning/Evening" begins with violin and soft, recessed vocals. The violin pans from left to right and really has an odd feel to it. This continues throughout and I can't help but think that insects were the inspiration for this track as well. About half way through the tracks, the panning violin is replaced by a higher pitch sound that pans as well. There is quiet vox in the background and the track drops instrumentation until it fades out.
"Landlovers" starts with organ and soft, echoing vocals again. There is what seems like a horn sound floating amidst the organs. The vox remind me of Frank Lenz or Justin Bowsher. There is a great, listless feel to this track that is altogether comforting. The disc finishes with "All Afternoon Part 1 (Dawn of the Dead)." This track begins like the first and the bird sounds once again float into the chaos of tribal beats and sounds. After the mid-point of the track, the sounds begin to grate on the nerves with little to no variation in the overall structure or sound. Vida exit to his disc is just as his beginning. He ushers his listener out with the chaos and birds that brought the listener in. The calm moments of the center of the disc have disappeared from the inner sanctuary of Bird Show's world.
My assessment is that this is a good disc. There are incredibly beautiful moments on it, but I am not sure about the amount of dissonant first and last tracks. "Dawn of the Dead" is perhaps too long and over stays it's welcome. Where Vida shines is more towards the middle of the disc, when calm and serene moments hit the listener's ear.
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- Inseguendo l'Aquila [Import]
- Jezebel
- Journey Into Nigritia [Import]
- La Chica Del Viento [Import]
- Latin Divas
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Josquin des Prés: Missa Pange Lingua; Missa La Sol Fa Re Mi