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Essential Verdi
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000056JSW Release Date: 2001-02-13 |
Tracks:
- Rigoletto: La donna e mobile - Luciano Pavarotti
- Nabucco: Va pesiero - Chicago Symphony Orchestra
- La forza del destino: Overture - Kirov Orchestra
- La Traviata: Un di felice - Joan Sutherland
- I Vespri Siciliani: Merce dilette amiche - Maria Chiara
- La Traviata: Libiamo ne' lieti calici - Joan Sutherland
- Il Trovatore: Di quella pira - Jose Carreras
- Il Trovatore: Vedi! le fosche notturne spoglie - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Stride la vampa! - Stefania Toczyska
- Aida: Ritorna vincitor! - Leontyne Price
- Don Carlo: Dio che nell'alma infondere - Carlo Bergonzi
- La Traviata: Prelude - Orchestra E Coro Del Maggio Musicale Fiorentino
- Rigoletto: Caro nome - Joan Sutherland
- Don Carlo: O don fatale - Olga Borodina
- Aida: Se quel guerrier io fossi! Celeste Aida - Carlo Bergonzi
- Emani: Ernani! Ernani involami - Joan Sutherland
- Un Ballo in Maschera: Di tu se fedele - Jussi Bjorling
- Un Ballo in Maschera: Morro ma prima in grazia - Margaret Price
- Luisa Miller: Quando le sere al placido - Luciano Pavarotti
- Aida: Gloria all'Egitto - Chicago Symphony Orchestra
Tracks:
- Requiem: Dies irae - Wiener Philharmoniker
- La forza del destino: Pace pace mio Dio - Angela Gheorghiu
- Rigoletto: Questa o quella - Carlo Bergonzi
- Rigoletto: Bella figlia dell'amore - Luciano Pavarotti
- Otello: Ave Maria - Renee Fleming
- La Traviata: Parigi o cara - Frank Lopardo
- Macbeth: Ah la paterna mano - Luciano Pavarotti
- Il Trovatore: Squilli echeggi la tromba guerriera - Chicago Symphony Orchestra And Chorus
- Don Carlo: O Carlo ascolta - Dmitri Hvorostovsky
- Requiem: Ingemisco - Luciano Pavarotti
- Simon Baccanegra: Come in quest'ora bruna - Kiri Te Kanawa
- Macbeth: Salve o Re! Si colmi il calice - Lucia Aliberti
- Aida: O patria mia - Leontyne Price
- I lombardi: La mia letizia infondere - Placido Domingo
- Aida: Lo sguardo avea degli angeli - Montserrat Caballe
- La forza del destino: Solenne in quest'ora - Nikolai Putilin
- Macbeth: Patria opressa - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Tacea la notte - Katia Ricciarelli
- I due Foscari: Dal piu remoto esilio - Odio solo ed odio atroce - Jose Carreras
- Don Carlo: Spuntato ecco il di esultanza - Orchestra E Coro Del Teatro Alla Scala Di Milano
Customer Reviews:
OKAY, TAKE ME AWAY........2006-01-20
Last summer we had an incredible 20th anniversary trip to Italy. As a side trip from Venice, we planned a night in Verona. Neither my wife or I had been to an opera.
Is this how its supposed to be...
...an incredible star filled night with a three quarter moon, the largest stage and outdoor theatrical production on the planet, all taking place in a roman colleseum (arena) built in 180 a.d., an incredible colorful set and production with a full symphony orchestra and voices that don't come easy. Aida.
Now I know what all the hpye is as you opera fans sure are lucky to have such a beautiful setting for all your productions.
Okay, we got spoiled. But I also found myself getting spoiled on the Italian composer Verdi.
For me, this set is not only a "take me back to Verona" trip, but a great introduction to Verdi's other works. With some of the biggest names in the opera world in starring roles, I listened to both discs twice the first night they arrived.
And, of course, we are planning a return trip to Verona in the very near future to see some more Verdi...perhaps Nabucco or Otello or Macbeth...I'll even settle for Aida again. It was such a magical experience and a superb introduction to opera and Verdi.
This set continues that magical moment for us and provides a great introduction to a master of the opera...Verdi.
Great music...stunning recording quality.......2002-11-01
Incredible.......2002-06-05
Just Stunning!.......2002-01-26
Average customer rating:
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Prima Voce - Caruso
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000037J4 Release Date: 1992-12-02 |
Tracks:
- Manon: Il Sogno ('En Fermant Les Yeux')
- Tosca: E Lucevan Le Stelle
- l'elisir D'amore: Una Furtiva Lagrima
- Il Trovatore: Di Quella Pira
- L'africana: Mi Batti Il Cor .... O Paradiso
- Pagliacci: Recitar .. Vesti La Giubba
- Don Sebastiano: Deserto In Terra Solo
- Rigoletto: Questa O Quella
- La Forza Del Destino: Della Natal Sua Terra ....
- La Regina Di Saba: Magiche Note
- PagliacciI: No! Pagliaccio Non Son
- Aida: Se Quel Guerrier Io Fossi .. Celeste Aida
- Manaon: Je Suis Seul ...Ah! Fuyez Douce Image
- Un Ballo In Maschera: Di Tu Sse Fedele
- Un Ballo In Maschera: Forse La Soglia ...Ma Se M'e Forza
- Lo Schiavo: Qui Fortuna Insistenza ...Quando Nascesti Tu
- Rigoletto: Ella Mi Fu Rapita ...Parmi Veder Le Lagrime
- Manon Lescaut: Donna Non Vidi Mai
- Il Duca D'alba: Angelo Casto E Bel
- La Juive: Rachel, Quand Du Seigneur
Amazon.com
Sounding across the years, through the haze of primitive (though remarkably vivid) recordings, the voice of Enrico Caruso is still a miracle. The sense of style, the feeling of effortless control and power held in reserve, and, most of all, the uncanny expressiveness that comes through in Caruso's combination of phrasing, accent, and intensity: it all compels the greatest admiration. Nimbus helpfully specifies the provenance of the takes collected on this disc. They span a period of 17 years, from several matrices recorded early in 1904--two years after Caruso had made his first recordings for The Grammophone Company--to a 1920 Victor recording of "Rachel, quand du Seigneur" from Halévy's La Juive, one of the tenor's signature pieces. Caruso died at the age of 48, when a lot of today's tenors are just reaching their peak. But as these selections show, he was a seasoned artist from the time he was 28. No wonder the world fell at his feet. --Ted LibbeyCustomer Reviews:
window into the past.......2006-03-24
timeless beauty.......2004-11-24
The first three selections from 1904 are exquisite, and have only a solo piano accompaniment. The "Una Furtiva Lagrima" (track # 3) has a grace and luminosity that is breathtaking.
There are many arias that have remarkable aspects to them, like "Magiche note" from Goldmark's "La Regina di Saba", where he does a series of pianissimos, and of course, his most famous role was as Canio, in Leoncavallo's "Pagliacci", and this CD has both "Vesti la giubba" from 1907, and "No ! Pagliacco non son" from 1910. The latter is phenomenal, and has a deep, dark quality, sounding more like a baritone than a tenor.
There are some rarely heard pieces here, like the Goldmark aria, and "Deserto in terra solo" from Donizetti's "Don Sebastiano", and only occasionally heard is the beautiful "Rachel, quand du Seigneur" from Halevy's "La Juive", and no one can equal Caruso's interpretation of it.
What stands out most about his singing aside from the glorious sound is his phrasing, which is dramatic as well as supremely musical...one of the many reasons the name Caruso has become synonymous with "Italian operatic tenor".
The booklet insert has liner notes on Caruso's career, and a brief synopses for each aria.
The sound considering the age is a marvel, re-mastered from 78 RPM recordings, and states "A breakthrough in archive sound reproduction, Nimbus Natural Ambisonic Transfer technology preserves the immediacy and fidelity of the original performance". Thank goodness Caruso's emergence as a singer and the gramophone came into existence at the same time, so that recordings like this can still be heard.
Total playing time is 74'58.
A Very Good Place to Start with Caruso's Art.......2004-04-03
Caruso eclipses the great tenors of all other ages with ease. However be reminded that to some audience, his singing is dated at least so in term of taste. Others may wish to add more songs or arias to show the best of his voice etc.
The fact is, this CD runs 69.31 minutes which is more than sufficicinet to give the audience a good profile of the greatest voice of the century.
There is No Better..........2003-10-05
My feeling with regard to Caruso is that he sang songs that he really didn't always convince me about. When you hear this CD, which I must say buy, buy, buy, you will understand. It is possible to float the most beautiful male vox over nonchalance; it certainly is done quite regularly. I think if Caruso had created his own songs on a regular basis, I would be even more convinced of him being the greatest male singer of all time. There is no better...
Matthew Hahn...
Best singer to date; period !.......2001-02-28
Enrico Caruso is one of my most favorite singers. Truly, after listening to Caruso sing you will agree that his talent was just enormous. In number after number the VOICE will engulf you, and move you to new heights. Listen to track thirteen, "Ah! Fuyez Douce Image". You will not find a better rendition ANYWHERE.
If you like classical singing and if you wish to hear a true great ply his art, this CD is for you. Five stars do not do justice.
Average customer rating:
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Only Opera CD You'll Ever Need
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003GA0 Release Date: 1997-10-14 |
Tracks:
- Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
- Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
- Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
- Norma: 'Casta Diva' - Rosa Ponselle
- Candide: 'Glitter And Be Gay' - Harolyn Blackwell
- Candide: 'Make Our Garden Grow' - Jerry Hadley
- Carmen: Flower Song - Placido Domingo
- Carmen: Habanera - Rise Stevens
- Carmen: Toreador Song - Robert Merrill
- Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
- Mefistofele: 'Ecco il mondo' - Samuel Ramey
- La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
- Lakme: Bell Song - Lily Pons
- L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
- Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
- Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
- Martha: 'M'appari tutto amor' - Jussi Bjoerling
- Porgy & Bess: 'Summertime' - Leontyne Price
- Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
- Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
- Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
- Salammbo: Aria - Kiri Te Kanawa
- Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
- I Pagliacci: 'Vesti la giubba' - Enrico Caruso
- Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
- Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
- Manon: 'Ah! Fuyez, douce image' - Richard Crooks
- Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
- Don Giovanni: 'La ci darem la mano' - Edith Mathis
- Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
- Don Giovanni: 'Non mi dir' - Carol Vaness
- Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
- Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
- Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
- Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
- Die Zauberflote: Der Holle Rache - Zdislawa Donat
- Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
- Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
- Tales Of Hoffmann: Barcarolle - Montserrat Caballe
- La Gioconda: 'Cielo e mar' - Beniamino Gigli
- La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
- La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
- La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
- La Boheme: Musetta's Waltz Song - Judith Blegen
- Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
- Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
- Madama Butterfly: 'Un bel di' - Leontyne Price
- Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
- La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
- TOSCA: 'Recondita armonia' - Placido Domingo
- TOSCA: 'Vissi d'arte' - Irina Oudalova
- TOSCA: 'E avanti a lui...' - Zinka Milanov
- TOSCA: 'E lucevan le stelle' - Mario Lanza
- Turandot: 'Signore, ascolta' - Renata Tebaldi
- Turandot: 'In questa reggia' - Birgit Nilsson
- Turandot: 'Nessun dorma' - Jussi Bjoerling
- Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
- Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
- Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
- Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
- The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
- Elektra: 'Agamemnon' - Inge Borkh
- Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
- Salome: 'Nicht in der Welt...' - Inge Borkh
- Eugene Onegin: Lenski's Aria - Placido Domingo
- Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
- Aida: 'Celeste Aida' - Jussi Bjoerling
- Aida: 'Ritorna vincitor!' - Leontyne Price
- Aida: 'Gloria all'Egitto' - John Alldis Choir
- Aida: 'O patria mia' - Leontyne Price
- Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
- Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
- Ernani: 'Emani, involami' - Leontyne Price
- La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
- La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
- Nabucco: 'Va, pensiero' - Oleg Reshetkin
- Otello: 'Credo' - Tito Gobbi
- Otello: Willow Song - Leonie Rysanek
- Otello: 'Niun mi tema' - Jon Vickers
- Rigoletto: 'Qesta o quella' - Alfredo Kraus
- Rigoletto: 'Caro nome' - Anna Moffo
- Rigoletto: 'La donna e mobile' - Jan Peerce
- Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
- La Traviata: Brindisi - Montserrat Caballe
- La Traviata: 'Di provenza' - Sherrill Milnes
- La Traviata: 'Sempre libera' - Eleanor Steber
- La Traviata: 'Addio del passato' - Anna Moffo
- Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
- Il Trovatore: 'Di quella pira' - Placido Domingo
- Il Trovatore: 'Tacea la notte placido - Leontyne Price
- Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
- Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
- Die Walkure: Wotan's Farewell - Lawrence Tibbett
- Siegfried: Song Of The Forest Bird - Norma Sharp
- Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
- Lohengrin: Bridal Chorus - Robert Shaw Chorale
- Lohengrin: 'In fernem Land' - Lauritz Melchior
- Tannhauser: 'Dich teure Halle' - Waltraud Meler
Customer Reviews:
Not worth buying!.......2007-05-29
Don't waste your money.......2007-01-18
Perfect for "drop the needle" style tests.......2006-11-19
A CD with Attention Deficit Disorder.......2006-10-02
I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.
Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'
What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.
My copy is going to go sailing into the wastebasket as soon as I finish this review.
This sucks..........2006-03-31
Move on to something else... Amazon has a great selection... just not this one.
Average customer rating: |
Land of My Fathers: 100 Great Welsh Choir Favourites
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009SOFXG Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
- Ave Maria
- Pearl Fishers/Divine Brahma
- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
Tracks:
- Y Nefoedd
- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
- Holy City - Treorchy Male Choir
- Mefistofele: Ave Signor, Degli Angeli
- Senzenina (Zulu Chant)
- That's All I Want from You
- Deep Harmony - Treorchy Male Choir
- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
Average customer rating: |
The Very Best of Giuseppe di Stefano
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A5BXQ Release Date: 2003-09-02 |
Tracks:
- Addio, Mignon
- Ah! Non Credevi Tu
- Io Son Solo...Ah! Dispar, Vision
- E La Solita Storia (Lamento Di Federico)
- Lunge Da Lei...De' Miei Bollenti Spiriti
- Fra Poco A Me Ricovero
- Tu Che A Dio Spiegasti L'Ali
- Son Gia Lontani!...Corre A Valle
- Intanto Amici Qua...Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Recondita Armonia
- E Lucevan Le Stelle
- Dovunque Al Mondo
- Addio, Fiorito Asil
- Recitar!...Vesti La Giubba
- La Vita E Inferno...O Tu Che In Seno Agli Angeli
- Una Parola Sola...Or Son Sei Mesi
- Ch'ella Mi Creda Libero
- Avete Torto!...Firenze E Come Albero
- Non Piangere, Liu
- Nessun Dorma
Tracks:
- Questa O Quella
- Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
- La Donna E Mobile
- Ah Si, Ben Mio
- Di Quella Pira
- Di' Tu Se Fedele
- Teco Io Sto...Non Sai Tu Che Se L'Anima Mia...Oh, Qual Soave Brivido - Maria Callas
- Forse La Soglia Attinse...Ma Se M'e Forza Perderti
- Che Gelida Manina
- In Un Coupe?...O Mimi, Tu Piu Non Torni - Rolando Panerai
- Donna Non Vidi Mai
- Oh, Saro La Piu Bella - Maria Callas
- No! Pazzo Son! Guardate!
- A La Barcillunisa
- Cantu A Timuni
- 'O Sole Mio
- Marechiare
- Core 'Ngrato
- Torna A Surriento
Average customer rating:
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The Very Best of Beniamino Gigli
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A5BXR Release Date: 2003-09-02 |
Tracks:
- Se Quel Guerrier Io Fossi...Celeste Aida
- La Donna E Mobile
- Una Furtiva Lagrima
- Qual Turbamento...Salve Dimora
- O Dolce Incanto...Chiuder Gli Occhi
- Che Gelida Manina
- Recondita Armonia
- E Lucevan Le Stelle
- Dovunque Al Mondo
- Recitar!...Vesti La Giubba
- Intanto Amici, Qua...Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Non Colombelle!...Ah! Tu Ch'Odi Lo Mio Grido
- Che Avvien?...Ah! Non V'Avvicinate...No! Pazzo Son!
- Cujus Animam
- Panis Angelicus
- Ingemisco
- Ave Maria
- Core 'Ngrato
- Funiculi, Funicula - Chorus
Tracks:
- 'O Sole Mio
- La Serenata
- La Danza
- Aprile
- Mattinata
- Torna A Surriento
- L'Ultima Canzone
- La Vita E Inferno...O Tu Che In Seno
- E La Solita Storia Del Pastor
- Un Di All'Azzurro Spazio
- Andrea Chenier...Corragio!...Si, Fui Soldato
- Come Un Bel Di Di Maggio
- Di' Tu Se Fedele
- Forse La Soglia Attinse...Ma Se M' E Forza Perderti
- Rachel, Quand Du Seigneur
- Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee
- Io Son Sol...Ah! Dispar, Vision
- Ah! Non Mi Ridestar
- Quanto E Bella - Chorus
- Nessun Dorma - Chorus
Customer Reviews:
The Art of Gigli.......2007-03-09
"Celeste Aida" from Verdi's opera is smoothly sung; his rich voice serves to good effect. As already noted, the little "cries" are unfortunate, but hardly an issue. His higher notes flow smoothly from lower ones, in a seamless fashion. It would have been nice to hear him try for the piano at the end, but he did not choose to do so. Any way you slice it, a nice version of a glorious aria.
"La donna e mobile" is taken at a rather slow pace. It is smoothly sung but does not really catch the spirit of the wretched Duke. He shows wonderful breath control. This is more a workmanlike than scintillating version. On the other hand, "Che gelida manina" is wonderful. Smooth, elegant singing. A very well done high note. An iconic version.
The twin arias from "Tosca," "Recondita armonia" and "E lucevan le stelle" are very well executed. His rendering of the final "la vita" in the latter aria is, again, noteworthy.
And now for something completely different. . . . "Funiculi funicula" is spritely sung, in good spirits, and it is a lot of fun! Most enjoyable. "O Sole mio," likewise, is well rendered. As previously noted, some "off putting" cries, but the warm, full voice more than makes up for such mannerisms. He does not overpower this song with operatic technique. The end result is most satisfying.
"La danza" befuddled the great Caruso (in his version, his breathing fell apart at one point). But not Gigli. Well sung, good breath control. Bravo Gigli!
Back to opera. . . . "Nessun dorma" is well sung. The vocalization is smooth. Gigli's voice soars over orchestra and other voices. The final "Vincero" rings out.
While this CD is not without some questions, as noted above, it is worth 5 stars for its full portrayal of the work of Gigli. As such, it can be recommended for anyone who wants a comprehensive introduction to this singer.
Gigli Is A Wonderful Singer!.......2006-07-31
Besides listening to Gigli on Cd, you'd be doing yourself a favor to buy a movie in which Gigli appears and sings. The movie is called "Non Ti Scordar di Me". I'll try to find it on amazon or from "The Bel Canto Society" and give it a "review" also. It's an "old movie" but it has a VERY touching story, is well acted, and you get to see and hear Gigli which is a great treat since he has been gone for at least 50 years. He "comes alive" in this CD and in the movie. You will "thrill" to the sound of his voice. Enjoy! Email:boland7214@aol.
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Leontyne Price: The Ultimate Collection
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J912 Release Date: 1999-05-25 |
Tracks:
- Aida: Ritorna vincitor
- Turandot: Signore, ascolta
- Le nozze di Figaro: Porgi amor
- Madama Butterfly: Un Bel Di
- Manon: Adieu, notre petite table
- Manon Lescaut: In quelle trine morbide
- Dido & Aeneas: Thy hand...when I am laid
- Il Trovatore: Che piu... Tacea la notte ...Di tale amor
- Les Nuits D'ete: Sur les lagunes
- Porgy & Bess: Summertime
- La rondine: Chi il bel sogno
- Carmen: Habanera
- La forza del destino: Son giunta...Madre.
- Vier letzte Lieder: Im Abendrot
- Ariadne auf Naxos: Es gibt ein Reich
Tracks:
- Aida: O Patria Mia
- TOSCA: Vissi d'arte
- Turandot: Tu che di gel cinta
- Le nozze di Figaro: Susanna
- Il Trovatore: Siam giunti
- Un Ballo in Maschera: Morro ma prima in grazia
- Carmen: Sequidille
- Il re pastore: L'amero
- Don Carlo: Tu che la vanita
- Suor Angelica: Senza Mama
- Anthony and Cleopatra: Give me my robe
- Madame Butterfly: Tu? tu?
- La forza del destino: Pace, pace mio Dio
Customer Reviews:
The Incomparable LEONTYNE PRICE: "The Stradivarius of Singers"!!.......2006-08-14
For those Opera-lovers who first encountered Ms. Price's magical vocalism from the recording studio, this collection includes the the entire legendary "Blue Album" which many operaphile consider to be one of the finest recordings ever. The selections gathered here vividly demonstrate the reason why Leontyne Price is regarded as the supreme VERDI soprano of her generation (30 years to date) a renowned PUCCINI specialist, and one of the greatest artists of all time. Recorded in the early 60's, Ms. Price's instrument was, in her own words "a juicy lyric". The intrinsic lyricism of her voice was aligned to warm, lustrous tone that pulsated in the middle voice, yielded a dark, uniquely sensuous sound in the lower regions, and gleamed with a distinctive, fast, liquid vibrato in the upper voice. That unique vibrato was elemental to this diva's ability to infuse Verdi and Puccini's most dramatic phrases with surging power (without pushing), and still produce lovely pianos in alt - soaring there with an ease that was singular to her, and that continued to her retirement in the 2002. Elsewhere the listener is treated to the rewards of Ms. Price's natural vocal evolution, wherein her voice developed into a full spinto with the middle throbbing, creamy, and lush, the low voice alternately chesty or breathy, slightly weaker -but retaining its smoky quality. It is in her upper voice, already superb, however, that Ms. Price revealed the rewards of maturation. The upper voice became rounder, less vibrant perhaps but refulgent with greater strength at the top, meeting the out-sized demands of STRAUSS and WAGNER (missing in this compilation) amongst others, while spinning out soft, exquisite pianos, and luxuriating in the long phrases of any number of composers, not the least of which were MOZART, VERDI and PUCCINI.
Leontyne Price recorded arias and scenas from every standard repertory VERDI opera with few exceptions (Nabucco/Luisa Miller/Vespri/Falstaff) in superlative fashion. Her onstage roles included the "Il Trovatore" Leonora, the role of her sensational MET debut (that resulted in a record 42 minute ovation), thrice recorded by her, and a signature role throughout her career. The selections on this recording were culled from her first complete recording of the opera. Here Ms. Price soars effortlessly to the heights repeatedly in "Tacea la notte", and sings the cabaletta fluently. "D'amor sull ali rosee" (once the sole property of Ms. Price's Verdian predecessor Zinka Milanov) is enhanced by the soprano's expert trills, musical nuances, and the glorious vibrato that carries her gossamer tones to the floated high C in alt. She was also the leading interpreter of Verdi's other Leonora -di Vargas- in "La Forza del Destino" which the diva recorded twice. There is also a Live MET performance available on DVD, recorded when the diva was nearing her retirement from Opera. (The two selections here also hail from her first complete recording of this work) "Son giunta!...Madre pietosa Vergine" is one of Verdi's most demanding scenas for soprano, but THIS soprano was a mistress of Verdian sweep, and supplies a wealth of dynamic shadings that illustrate the desperation of the hapless Leonora. Ms. Price produces silvery, vibrant, pulsing tone with amplitude that rises to the forte climaxes, riding them without overpowering the orchestra. This role was one of her most riveting potrayals from a dramatic viewpoint. The second "Forza" aria is the great lament "Pace, pace mio Dio" and is synonymous with Leontyne Price to this day. The diva sang this aria onstage more often than any other Verdi aria throughout her long career. Here she infuses the music with sorrow and despair, her voice in service to the text, and caps the aria with her stirring cries of "Maledizione!!" on a sustained forte high Bflat. Ms. Price's successful outings as Amelia are represented by the Act II aria "Morro, ma prima in grazia" from her stellar complete recording of "Un Ballo in Maschera". She sings the aria in a hushed, somber manner, climaxing on a brilliant high C, and with a lovely diminuendo at its end. One of the several operatic roles Ms. Price sadly did not assume onstage was Queen Elisabetta from "Don Carlo". We must be grateful for her warm, glowing, majesterial account of "Tu che le vanita", replete with burnished, opulent tone throughout. The leading newspaper of Italy said of Ms. Price that "..our great Verdi would have her the ideal Aida" and that sentiment has been adopted the world over. The "Aida" selections here are the first ones recorded by the American diva, and remains a revelation. In "Ritorna vincitor" the soprano's lyric instrument is indeed "juicy", declaiming her fierce opposition to the Egyptian invaders of her Ethiopian homeland with energetic and powerful vocalism. She then masterfully delineates the young princess' dilemma with fervent and youthful passion, ending with a prayerful "Numi pieta" suffused by warm, sable-colored tone. "O Patria mia" is another of Ms. Price's most revered performances, indeed the aria that garnered her a (5) five minute ovation on live television at her "farewell to Opera" performance in the same opera. The soprano injects Aida's farewell to her homeland with rich, smoky, plangent tones that rise effortlessly to a shining high C that bedeviled some of her most illustrous rivals, and would be bettered in the future only by the wonderful Spanish soprano Montserrat Caballe - and Ms. Price herself!!
Leontyne Price performed the veristic music of PUCCINI onstage in a number of his operas that included "Manon Lescaut"/"Tosca"/Madama Butterfly"/"La Faniculla del West"/"Il Tabarro"/ and "Turandot", albeit with less frequency than with Verdi. She brought a luminous, womanly quality to all of the composer's music. Here, she sings with particular intensity and emotion as the geisha girl Cio-Cio San (her favorite Puccini role)and offers limpid, melting tone as the fiery Roman prima donna Floria Tosca -the complete opera twice-recorded and highly-acclaimed. Puccini's music for the doomed Chinese slave-girl Liu are exquisitely sung, while "In quelle trine morbide" and "Senza mamma" benefit from the voluptuous, sensuous vocalism of the more mature Price. The most outstanding qualities of this diva in Puccini's music was a femininity and humanity, inherent in all of her singing, but most pronounced with this composer. She also fearlessly sang his highest phrases with a vocal splendor and freedom unrivalled by anyone, nowhere more than as the tragic Butterfly. However, until she retired from public singing, one aria remained a trademark for this diva: Chi bel sogno di Doretta" from Puccini's rarely performed operetta "La Rondine". The performance here was her first recording of it, and is a classic in its own right. Ms. Price's voice shimmers throughout, singing the high C with astonishing purity, and caressing, velvety tone elsewhere.
MOZART's operas also brought deserved glory to Ms. Price. Her plush-toned voice was considered to be almost too rich for some early in her career. This was amply belied by the rapturous reception her onstage performances brought her, most notably as Donna Anna, the leading lady of "Don Giovanni", ironically not included in this collection. Another aria Ms. Price enjoyed singing in concert, "Come scoglio" ("Cosi Fan Tutte") is missing here as well, though she performed the role of Fiordiligi at the MET. The soprano never performed in "Le Nozze di Figaro", but sang the scena "Dove sono" often in her live concerts, understandably, because of the smooth, elegant vocalism she lavished on this music. It is truly a pity that she didn't either record or perform the entire role. "Porgi amor" (also from Le Nozze) and "L'amero" (Il Re Pastore) were extracted from a Mozart aria recording, and are well-sung, if not as memorably as other Mozarteans.
It is good that RCA included several French selections, for Ms. Price's talents were marvellously well-suited to the Gallic idiom. Leontyne Price sang the leading role of Madame Lidoine in the American premiere of POULENC's "Dialogues des Carmelites", a few performances of MASSENET's "Thais" onstage (both sadly missing from this compilation) in addition to her celebrated recordings of BIZET's "Carmen" and BERLIOZ's song cycle "Nuits D'ete". She lent a deliciously silken tone to the more nuanced passions of the French repertoire. The "Carmen" excerpts are exceptionally vivid in Price's hands, successfully capturing the earthy, sultry qualities of one of Opera's more mercurial creatures. Ms. Price's lower register is richly displayed in the Berlioz song, while Manon's wistful, poignant "farewell" is sung with delicacy and shimmery tone.
The German wing is represented by music that Ms. Price sang onstage, and recorded as well. While the diva recorded Richard STRAUSS' entire "Four Last Songs" song cycle as well as the title heroine in a complete opera recording of "Ariadne auf Naxos" , the listener gets a good sampling of the potency, range, and the "dunkel" qualities she brought to this music. Fortunately, there is a CD of Richard Strauss arias sung by Ms. Price mid-career that is impressive in its breadth, and vocally sumptuous.
Versatility was a Price by-word. In the recording studio she stylishly performed the music of composers that ranged from the early music of PURCELL's "Dido & Aneas" to the 20th Century musings of Samuel BARBER, who wrote the opera "ANTONY & CLEOPATRA" for Ms. Price to open the New MET in 1966 - another historic milestone. Both selections included here are superbly rendered by the artist. The "Dido" aria is sung with a fuller, richer tone than is usually associated with this period (though it should be noted that two great Wagnerian sopranos Kirsten Flagstad and more recently Jessye Norman have been much admired in this music), but with no loss of style, her vibrato evoking pathos and beauty in this plaintive music. The "Antony" scena is sung with all of the majesty, seductive guile, and courage of Cleopatra, one of history's most storied women - and Ms. Price shines in this music written expressly for her voice. RCA also includes the diva's inimitable performance of "Summertime" the opening aria of GERSHWIN's American opera "Porgy and Bess".
This compilation is a superb introduction to the glories of this magnificent artist for a neophyte...and a treasure trove of musical excellence for the connoisseur of great voices, and they come no greater than America's diva assoluta soprano LEONTYNE PRICE.
Leontyne Price: The Ultimate Collection.......2005-07-20
Rolande M. Collins
The true prima donna asoluta.......2002-05-23
Fabulous singing, Overblown orchestras.......2002-04-10
But then I heard a remastering of the famous 1961 "Aida" with Vickers, Gorr and Merrill, and I realized how great a singer she was. That's when I started listening more seriously, and discovered a soprano who had a thorough command of her voice from the late '50s to the late '60s, not only in terms of vocal color but also in terms of phrasing. Listening to Price in her prime is incredible...she almost sounds as if she never breathed, her phrasing is so beautifully bound and poised. At the same time, however, I was disappointed by RCA's choice of partners for her on recordings. ...
This set goes a long way towards restoring the legend. Stripped of her sub-par partners (with the exception of Corelli's belting in the "Seguidilla" from "Carmen"), one can listen to Price's voice uncompromised, and it is a thrill. Even when the orchestra sounds detached and uninteresting, as it often does, Price seems to be on an entirely different wavelength, giving out with passion and great musicality. As for the selections chosen, they represent an excellent cross-section of Price's best work, even though the Purcell and Berlioz sound awfully heavy by today's standards and I can live without the "Anthony and Cleopatra" selection or the Strauss song.
One caveat I have is the lack of discographical information. No dates, orchestras or conductors are given. This is a grave injustice, even though the backup does not always meet expectations. On the plus side, all of the legendary "blue album" (her first recital discs for RCA in 1961) is presented complete, including the two selections from the July 1959 "Il Trovatore" that were on that LP...and in MUCH better, more focused sound. For this, and the heavy orchestral sound, I give the set only 4 stars...but for the singing alone I would give it eight!!
Fabulous!.......2002-01-19
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The Complete Caruso
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001TSWQO Release Date: 2004-11-09 |
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Grandi Voci: Mario del Monaco
Manufacturer: Polygram Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000E582 Release Date: 1993-08-09 |
Tracks:
- Aida: Se Quel Guerrier...Celeste Aida - Orch Dell'Accademia Di Santa Cecilia, Roma/Alberto Erede
- La Forza Del Destino: La Vita e Un Inferno All'infelice.. O Tu Che In Seno Agli Angeli - Orch Dell'Accademia Di Santa Cecilia, Roma/Francesco Molinari-Pradelli
- Ernani: Merce, Diletti Amici... Come Rugiada Al Cespite - New SO Of London/Alberto Erede
- Un Ballo In Maschera: 'Forse La Soglia Attinse.. Ma Se M'e Forza Perderti' - New SO Of London/Alberto Erede
- Il Trovatore: 'Ah Si, Ben Mio.. L'onda De' Suoni Mistici... Di Quella Pira' - Chor Del Maggio Musicale Fiorentino
- La Gioconda: 'Cielo E Mar' - Orch Del Maggio Musicale Fiorentino/Gianandrea Gavazzeni
- Tosca: Dammi I Colori... Recondita Armonia - Fernando Corena
- Tosca: E Lucevan Le Stelle - Orch Dell'Accademia Di Santa Cecilia, Roma/Francesco Molinari-Pradelli
- Madama Butterfly: Addio, Fiorito Asil - New SO Of London/Alberto Erede
- Turandot: Nessum Dorma - Chor Dell'Accademia Di Santa Cecilia, Roma/Alberto Erede
- Fedora: Amor Ti Vieta - New SO Of London/Alberto Erede
- Andrea Chenier: Colpito Qui M'avete... Un Di All'azzurro Spazio - Andrea Chenier
- L'africana: Mi Batte Il Cor... O Paradiso - New SO Of London/Alberto Erede
- Pagliacci: Recitar!... Vesti La Giubba - Orch Dell'Accademia Di Santa Cecilia, Roma/Francesco Molinari-Pradelli
- La Fanciulla Del West: Ch'ella Mi Creda - Cornell MacNeil
- Otello: Niun Mi Tema - Chor Dell'Accademia Di Santa Cecilia, Roma
- 'O Sole Mio - Ernesto Nicelli
- Torna A Surriento - Ernesto Nicelli
- Granada - Ernesto Nicelli
Customer Reviews:
Power.......2007-01-21
Average customer rating:
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Maria Callas Live
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AMUU9E Release Date: 2005-11-08 |
Tracks:
- Casta Diva...Fino Al Rito...Ah! Bello A Me Ritorna
- Oh, Rimembranza!...Ah Si, Fa Core
- Perfido! Or Basti!
- Mira, O Norma...Cedi, Deh Cedi!...Si, Fino All'ore Estreme
- In Mia Man Alfin Tu Sei
- Deh! Non Volerli Vittime
- Sorgete; E In Me Dover...Quando A Un Tratto - Various Artists
- Ah! Lo Sento
- Cedo Al Destin Orribile
- Oh! S'io Potessi Dissipar Le Nubi...Col Sorriso D'innocenza..Oh, Sole! Ti Vela Di Tenebra Fonda
Tracks:
- Care Compagne...Come Per Me Sereno...Sovra Il Sen
- Son Geloso Del Zefiro Errante
- D'Un Pensiero E D'un Accento...Non Piu Nozze - Various Artists
- Ah! Non Credea Mirarti
- Ah! Non Giunge
- Regnava Nel Silenzio...Quando Rapito In Estasi
- Qui Di Sposa...Verranno A Te
- Soffriva Nel Pianto...Tu Che Vedi Il Pianto Mio
- Chi Mi Frena - Various Artists
- Il Dolce Suono...Ardon Gli Incensi...Spargi D'amaro Pianto - Various Artists
Tracks:
- Dei Tuo figli...O Fatal Vello D'or
- Creonte A Me Solo
- E Che? Io Son Medea!
- Come, Innocente Giovane...Non V'ha Sguardo
- Io Sentii Sulla Mia Mano - Various Artists
- Ove Sono?...In Quegli Sguardi Impresso...Ah! Segnata E La Mia Sorte - Various Artists
- Va, Infelice
- Fin Dall'eta Piu Tenera...Salira D'Inghilterra Sul Trono
- Piangete Voi?...Al Dolce Guidami...Qual Mesto Suon?...Coppia Iniqua - Various Artists
Tracks:
- Di Mio Padre...Deh! Pelopea Stirpe!...O Tu, Che In Tua Pieta Crudel
- Sommi Dei!...O Sventurata Ifigenia
- Il Voto Pago Andra...Io Ti Veggio
- Ah! L'esecrando Rito...Io T'imploro Anelante
- Di Quai Soavi Lagrime
- Omai Da Lunge...Perche Di Stolto Giubilo
- Donna...Che! Possente Numi!...Quest'alma E Troppo Debole
- Ah! Fuggi Da Morte
- Ecco Il Segnal!
- Ecco L'orrido Campo...Ma Dall'arido Stela Divulsa
- Teco Io Sto...O Qual Soave Brivido
- A Tal Colpo...Morro, Ma Prima In Grazia
Tracks:
- Libiamo, Ne' Lieti Calici
- E Strano! E Strano...Ah! Fors'e Lui...Sempre Libera
- Non Sapete...Ah! Dite Alla Giovine
- Dammi Tu Forza, O Cielo!
- Teneste La Promessa...Addio Del Passato
- Ah, Violetta!...Se Una Pudica Vergine - Various Artists
- Ritorna Vincitor!
- Al Tuo Consiglio Io Cedo...Gloria All'egitto - Various Artists
- Qui Radames Verra!...O Patria Mia
- Ciel! Mio Padre!
- O Terra, Addio
Tracks:
- Nel Di Della Vittoria...Vieni! T'afferetta!...Or Tutti Sorgete
- La Luce Langue
- Una Macchia E Qui Tuttora
- Gente La Dentro!...Mario! Mario!...Non La Sospiri, La Nostra Casetta
- Orsu, Tosca, Parlate - Various Artists
- Vissi D'arte
- Senti, L'ora E Vicina...Amaro Sol Per Te...Presto! Su, Mario! - Various Artists
- Ecco L'altare...Ervate Possente
- Come Sa Amare!...La Mamma Morta
- Benedico Il Destino! - Various Artists
Tracks:
- Ben Io T'invenni...Anch'io Dischiuso Un Giorno (Abigaille, Act II)
- Dov'e L'indiana Bruna? (Bell Song) (Lakme, Act II)
- Tutte Le Torture (Costanze, Act II)
- Ahime! Che Notte Oscura...Ombra Leggera (Shadow Song) (Dinorah, Act II)
- Depuis Le Jour (Louise, Act III)
- D'amore Al Dolce Impero (Armida, Act II)
- Bel Raggio Lusinghier (Smiramide, Act I)
- Ma Chi E Questa Bella...Ai Vostri Giochi...Ed Ora A Voi (Ofelia, Act IV)
- Vanne, Lasciami...D'amor Sull'ali Rosee (Leonora, Act IV)
- Pace, Pace, Mio Dio! (Leonora, Act IV)
- Dolce E Calmo (Liebestod) Isolde, Act III)
Tracks:
- Una Voce Poco Fa (Rosina, Act I)
- Tu Che Vedi Il Mio Tormento (Tu Che Invoco) (Giulia, Act II)
- Surta E La Notte...Ernani! Nernai, Involami (Elvira, Act I)
- Tu Che Le Vanita (Elsabetta, Act IV)
- Si. Mi Chiamano Mimi (Mimi, Act I)
- L'altra Notte In Fondo Al Mare (Margherita, Act III)
- L'amour Est Un Oiseau rebelle (Habanera) (Carmen, Act I)
- Pres Des Remparts De Seville (Seguedille) (Carmen, Act I)
- Nacqui All'affanno...Non Piu Mesta (Cenerentola, Act II)
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table (Manon, Act II)
- Werther! Qui M'aurait Dit...Des Cris Joyeux (Charlotte, Act III)
- Tu? Tu? Piccolo Iddio (Butterfly, Act II)
- O Mio Babbino Caro (Lauretta)
Customer Reviews:
Just the best of the best........2006-02-08
Unlike her studio recitals, unequal and mostly recorded when her voice was starting to decay, this live records take you back to the glorious early fifties when the young Callas was changing the history of opera forever.
The first 6 CD's are scenes from stage performances and the last 2 from recitals.
Chronollogically, this compilation starts with the legendary (and controversial) 1951 Mexico-City "Aida" and ends with the 1964 Covent Garden "Tosca" (when Callas' voice was just the shade of itself but at the peak of her dramatic skills).
Listen to the electrifying poetry of the 1952 "La sonnambula", to the devorating flame of 1955 "La traviata" and "Lucia". Not to forget the 1952 "Norma", the 1957 "Ana Bolena" and some rarities like "Andrea Chénier", "Ifigenia in Tauride" and "Poliuto".
The only great absent of this collection is "Armida"...
As for the the 2 recital CD's, the first one contains arias from concerts between 1952 and 1958, when Callas was in full command of her voice. Nobody else was capable of singing arias from Nabucco and Lakmé on the same recital! And listen to the last aria: Wagner's Isolde's dead.
The second one, contains arias from 1959 to 1963. Here, Callas voice had diminished considerably and she was not anymore capable of the same technical miracles, but she still managed to give thrilling dramatical interpretations (listen to the dead scene of Madama Butterfly of the 1963 Paris recital!!!)
In 80% of this compilation you can hear the young Callas creating her own legend, giving herself completly on the stage.
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Biblical Songs Op.99 / Evening Songs Op.3 / Et Al
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