Songs from Mexico

1. Cucaracha

2. Toro Requeson

3. Zacatecas

4. Dices

5. Soldado

6. Corrido de Teaxes

7. Linda

8. Jose Mosqueda

9. Deportado

10. Lslas Marias

11. Adelita

12. Jesus Garica

13. Munequita de Paris

14. Cuervo

15. Jesusita

16. Raspa

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Fanfare For The Common Man
From Four Dance Episodes From 'Rodeo': Saturday Night Waltz
From Four Dance Episodes From 'Rodeo': Hoe-Down
From Old American Songs: Simple Gifts
Appalachian Spring: Variations On A Shaker Hymn
From Music For Movies: Grovers Corners (From Our Town)
From Billy The Kid: Introduction - The Open Prairie
From Billy The Kid: Street In A Frontier Town
From Billy The Kid: Mexican Dance
From Billy The Kid: Gun Battle
From Billy The Kid: Celebration (After Billy's Capture)
From Billy The Kid: The Open Prairie Again
From Billy The Kid: El Salon Mexico
Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato: The Bride And Her Intended
Appalachian Spring: Fast: The Revivalist And His Flock
Appalachian Spring: Allegro: Solo Dance Of The Bride
Appalachian Spring: Meno Mosso
Appalachian Spring: Doppio Movimento: Variations On A Shaker Hymn
Appalachian Spring: Moderato: Coda

Customer Reviews:

Best of the the popular Copland..........2004-12-26

Here's a great introduction to the popular music of Aaron Copland. When "Fanfare for the Common Man" begins, sparks of recognition will fly for most listeners. This song has been everywhere: presidential inaugurations, the olympics, commercials, movies, etc. Some flatten it as hopelessly clichéd, while others find it moving and inspiring. Copland also reprised it in the finale of his Third Symphony. Arguably Copland's most famous piece, "Appalachian Spring" closes the CD. In between, more great Copland: excerpts from 'Rodeo' (apparently the beef lobby has appropriated "Hoe-Down" as one of their themes); a great vocal rendition of "Simple Gifts" and a large chunk of another of Copland's best known works: "Billy the Kid". The only confusing piece is the "Variations on a Shaker Hymn" from Appalachian Spring when the entire Appalachian Spring is already included. Seems slightly redundant.

Though most of the pieces on this CD were written in the 1930s and 1940s, they tend to evoke the old west. With titles such as "Rodeo" and "Billy the Kid" this shouldn't surprise too many people.

Copland went on to compose more dissonant and twelve tone compositions later on in his career. These obviously weren't as popular with the public in general as the pieces on this CD. Nonetheless, if this disc whets the appetite, a foray into Copland's less popular works will yield much. It will help to expose the totality of Copland's output. This disc only represents a small portion of his work. Regardless, this disc is a great starting point for getting to know one of the United States' best known composers of the twentieth century.

A Great American Album.......2004-02-13

This is a great album representing true patriotic American music. Songs like "Hoe-Down" are lively and energetic and give rememberance to what one can imagine as the true American spirit.

Must have this one..........2002-09-17

I like all types of music, I wanted this album because I liked the song "RODEO" that is used on the beef commercials. This CD has made me into a Copland fan. It has many great songs. If you want a CD that says "I am an American." This is it. I am sending copies to a friend in Bombay and Tel Aviv. This is who I am put to music.

The Americans: Complete Recordings on Deutsche Grammophon

Average customer rating:

Very Good To Memorable Recordings of Bernstein's American Composer Recordings

The Americans: Complete Recordings on Deutsche Grammophon

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Leonard Bernstein Conducts Sibelius (Collectors Edition)
Stravinsky, Shostakovich: Bernstein's Complete Recordings on Deutsche Grammophon
Schubert, Mendelssohn, Schumann: Complete Recordings on Deutsche Grammophon
Leonard Bernstein Conducts Haydn (Collectors Edition)
Mahler: The Complete Symphonies

ASIN: B0001WGDXU
Release Date: 2004-05-11

Customer Reviews:

Very Good To Memorable Recordings of Bernstein's American Composer Recordings.......2007-07-01

This is yet another superb box set of Bernstein's Deutsche Grammophon recordings, emphasizing his strong affinity and interest in the work of such great American composers like Charles Ives, Aaron Copland and William Schuman. The best recordings are those with The New York Philharmonic of Charles Ives's orchestral works and Aaron Copland's Third Symphony, "Quiet City" suite for horn and strings, and the El Salon de Mexico ballet suite. But I also admire Bernstein's recordings with the Los Angeles Philharmonic of Gershwin's great classical/jazz orchestral works like "Rhapsody in Blue" and "An American in Paris", and the recordings of several other Copland scores, most notably, "Appalachian Spring". Like virtually all of the other recordings in Deutsche Grammophon's "Collector's Edition" series of Leonard Bernstein, these were recorded by Deutsche Grammophon in the 1980s, often during live concert performances held in Los Angeles, Tel Aviv, and New York City (Lincoln Center's Avery Fisher Hall). While some may prefer Bernstein's classic recordings of Copland and Ives for CBS Masterworks (now Sony) in the late 1950s and 1960s, these have the benefit of being digital recordings made by Deutsche Grammophon's then state-0f-the-art recording processes. Without question, anyone who is a fan of Copland's, Gershwin's or Ives' scores and of Leonard Bernstein will surely cherish this fine 6 CD box set.

Average customer rating:

Great!!!

Bernstein: Reaching for the Note

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Bernstein: Symphony No. 3 ("Kaddish"); Chichester Psalms

ASIN: B00000FEPX
Release Date: 1998-10-20

Tracks:

'Manfred' Overture op. 115
El Salon Mexico
Prelude For Piano No. 2
On The Town: New York, New York
On The Town: Carried Away
On The Waterfront: Love Theme
Candide: Overture
Candide: Glitter And Be Gay
West Side Story: Prologue
West Side Story: Tonight
West Side Story: America
West Side Story: Somewhere
Symphony No. 2 'The Age Of Anxiety': Part I: The Prologue - Lento moderato
A Quiet Place: Postlude To Act I

Tracks:

Symphony No. 3 'Kaddish': 2. Kaddish - Andante con tenerezza
Chichester Psalms: 2. Psalm 23 (Complete); Psalm 2 (Vs. 1-4) - Andante con moto, ma tranquillo - Allegro feroce
Songs of a Wayfarer: Wenn mein Schatz Hochzeit macht
Symphony No. 2 In C Minor 'Resurrection': 4. 'Urlicht'
Symphony No. 2 In C Minor 'Resurrection': 5. (Conclusion) 'O Schmerz! Du Alldurchdringer!'
Symphony No. 5 In C Sharp Minor: 4. Adagietto
The Rite Of Spring: Sacrificial Dance, The Chosen Victim
Songfest: 3. 'To What You Said...'
Mass: 10. A Simple Song
Divertimento For Orchestra: 2. Waltz - Allegretto, con grazia
Symphony No. 7 In A Major, Op. 92: 2. Allegretto
Symphony No. 9 In D Minor: 4. Final Chorus 'Ode To Joy (Freedom)' (Conclusion)

Customer Reviews:

Great!!!.......1999-11-01

Buy this CD especially if you have seen the movie, the selections on this CD gives you a nice intro to Mahler, and contemporary music as well as to the Westside, and Candide. Good playing and sound.

Average customer rating:

Excellent Copland Recordings

The Aaron Copland Collection

Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man

ASIN: B000001SKK
Release Date: 1996-10-15

Tracks:

Red Pony Suite: Red Pony Suite (Morning on the Ranch)
Vocalise
El Salexico
The Boatmen's Dance
Appalachian Spring: Appalachian Spring - Very Slowly
Appalachian Spring: Appalachian Spring - Allegro
Appalachian Spring: Appalachian Spring - Moderato
Appalachian Spring: Appalachian Spring - Fast
Appalachian Spring: Appalachian Spring - Allegro
Appalachian Spring: Appalachian Spring - Theme and Variations
Appalachian Spring: Appalachian Spring - Rather Slow
Appalachian Spring: Appalachian Spring - Molto Allegro ed agitato
Appalachian Spring: Appalachian Spring - Moderato
Duo For Violin And Piano: Duo for Violin and Piano - Flowing
Duo For Violin And Piano: Duo for Violin and Piano - Poetic, somewhat mournful
Duo For Violin And Piano: Duo for Violin and Piano - Lively, with bounce
The Tender Land (Finale: The Promise of Living)

Customer Reviews:

Excellent Copland Recordings.......2000-11-12

The RED PONY and THE TENDER LAND selections conducted by James Sedares are the best. This music is a slice of American Pie from Aaron Copland. Very good!

In My Heart - 17th and 18th Italian Songs

Average customer rating:

misguiding
He missed the point
A (perhaps too) romantic approach to some old favorites
Adequate
Highly Recommended

In My Heart - 17th and 18th Italian Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
The Soul of Italy
Ramón Vargas - L'amour, l'amour / Viotti
Carlo Bergonzi - Italian Songs ~ Bellini · Verdi · Danza · Tosti · Donizetti · Rossini · Mascagni · Puccini
Ramon Vargas - Canzoni (Neapolitan Songs and other Italian Classical songs)

ASIN: B00006JO9L
Release Date: 2002-10-14

Tracks:

Amarilla, mia bella
Vittoria, mio core!
O cessate di piagarmi
Gil sole dal Gange
Toglietemi la vita ancor
Pur dicesti, o bocca bella
Sebben, crudele
Come raggio di sol
Per la gloria d'adorarvi
Il mio bel foco; Quella fiamma
Teco, si, vengo anch'io
Nina
O del mio dolce ardor
Nel cor piu non mi sento
Plaisir d'amour
Caro mio ben

Amazon.com

Those who prefer 17th- and 18th-century music performed in a "historically correct" manner may balk, but these "old songs and arias" ("arie antiche") are beautifully presented and sung. It's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 200 and 300 years ago, and these embellishments are attractive and in excellent taste. But the voice is the thing, and it's gorgeous and beautifully used. The opening, earliest song (for instance) is sung sweetly and softly from start to finish--it's hard to recall the last time one heard such sustained elegant, gentle vocalism from a major tenor. Vargas never overstates his case, and by refusing to do so, sells us these brief, lovely items one at a time. Another winner from this unique tenor. --Robert Levine

Customer Reviews:

misguiding.......2007-04-09

Those who love Mr Vargas' singing will probably be satisfied.
His voice is beautiful and this repertoire is most apt to show it to advantage. His technique is good (some problems with pianos), his agility commendable.

Those instead looking for an adequate rendering of old arias will find this compilation lacking: he chose (as declared in the booklet) to ignore philologicas and stylistical issues, singing them beautifully but also romantically, as late Donizetti or early Verdi. Problem is that this, to educated ears, sounds incredibly wrong, nearly inaudible.

A pity: with more attention to style this could have been a useful compilation for singing students too. Such as it is, it is only good for Mr Vargas' fans.

He missed the point.......2005-11-12

I am sorry I bought this album. I did not listen to the sound bytes first...my bad! Vargas croons his way through music that has been orchestated out of all recognition. It sounds syrupy and sentimental, not intensely emotional. The Carissimi is a joke! The Scarlatti is painful to hear. There are too many fine performances of 17th & 18th century music out there for this to pass muster. For example, if you want to hear Bononcini as he should be sung, listen to Martin Oro or Gerard Lesne. My recommendation is a most emphatic "NO".

A (perhaps too) romantic approach to some old favorites.......2003-11-27

Ramon Vargas is probably the most elegant and classy tenor singing today. If I may be forgiven an ethnic cliche, the Mexican singer's voice reminds me of dulce del leche ice cream - rich, sweet, and smooth as caramel. Having sung both on stage and on records a wide operatic repertory ranging from bel canto to French works to Puccini and Verdi, Vargas now turns his efforts to this album of arie antiche entitled (rather unimaginatively, I think) `Nel Mio Cuore' - In My Heart. Nearly all lovers of classical vocal music are familiar with the songs represented on this disc; many singers have recorded them and just about everybody who has ever had a voice lesson has studied at least some of them. The defining feature of these songs - which is why they are used by voice students - is that while it is easy to learn the basics of singing them, it takes true expertise to handle all their technical challenges and to bring out all their nuances. If some misguided performance practice decisions make the CD a less than total success, Vargas' vocal beauty, excellent technique and total commitment make this a mostly very enjoyable listen.

As Vargas says in his brief comments, he wants to sing this music in a more 'romantic', (i.e. unrestrained and overtly emotional) manner than many other performers do, to bring a 21st century sensibility to mostly 17th and 18th century music. Vargas as a child was a soloist in the choir of the Basilica Guadalupe of Mexico City, and it was standard procedure there to sing sacred music from this and earlier periods that way. While this approach to the actual singing works very well, I am not entirely happy with the decision to use a small 'salon' orchestra instead of the usual piano or harpsichord, and I suspect many will agree with me on this. I don't object to orchestral arrangements on principle - the arrangements of the arie antiche recorded by Richard Tucker on the superb CD 'The Soul of Italy' work very well, particularly the delightful 'Gia sole del Gange'. On this disc, however, few of the arrangements (by Sascha Goetzel and Joseph Turrin) really enhance the music or make it more interesting, and sometimes they just get in the way. Perhaps in an actual salon or concert setting, this wouldn't be as big a problem. In general, the best arrangements are the most quiet and unobtrusive ones, such as 'Nina' or 'Plaisir d'amour', allowing Vargas to sing softly and tenderly instead of just ardently. The major exception to this is actually the best track on the disc, `Sebben crudele', where the music helps Vargas' anguish and pain reach appropriately operatic proportions. Gluck's `O del mio dolce ardor', an actual opera selection often sung with orchestra, also responds well to this treatment. For most of the other selections, however, it might be helpful to play individual selections or a few at a time instead of the entire album at once, and I wouldn't advise playing it at much more than medium volume.

The good news, though, is that Vargas sings this music with real passion, warmth, and style. The arrangements may require him to sing the music more loudly than many singers do but he never forces or shouts - his heart may be on his sleeve, but is sincere and never vulgar. He pays close attention to the meaning of the words and is musically sensitive and expressive. His Italian diction is excellent, although his French could be a bit crisper. His long experience with bel canto operas makes runs and articulated grace notes easy for him, and he inserts some lovely decorations. The musicians, led by pianist Katherine Chu, do an excellent job with what they are given, and Vargas should actually have been credited as their conductor. I note particularly the beautiful wind playing in 'Teco, si, vengo anch'io'.

In addition to Vargas' comments, there are also notes on the music and full texts and translations. However, I thought the tone of the notes was just a bit too defensive of the more 'modern' approach. All the musicians are listed by name, a nice touch.

The sheer beauty of Vargas' voice, his enthusiasm and his sincerity should set aside most objections to the performance decisions made here. However, I would definitely recommend a more 'traditional' piano-or-harpsichord-accompanied set of this music alongside this if you don't already have one. Cecilia Bartoli's 'Se Tu M'Ami' is essential, and I would also suggest that if you are interested in hearing the music sung by a tenor, you should listen to Alfredo Kraus, especially since many opera lovers consider Vargas to be an heir to this late great Spaniard. Also, Vargas' 'Canzoni' album, from a live concert in Mexico City, shows how wonderful his voice sounds with piano in Italian and Mexican songs - including 'Gia sole del gange' sung in much the same way it is here. It's at super-budget price, too. Still, `Nel Mio Cuore' will give admirers of this lovely tenor the opportunity to wallow in a wonderful voice and experience the heart of an artist.

Adequate.......2003-05-20

Lovely music, but somehow I find it not very involving. Listen to it some, if possible and see if it really is what you are looking for.

Highly Recommended.......2003-03-10

Every beginning classical singer works on these arias that Vargas chose for this album, so naturally, they are often heard and almost always abused. Vargas makes them music again. Absolutely stunning work. He is the real thing - voice, brains and musicality. This combination is sadly lacking in many of todays top operatic stars.

Average customer rating:

Now
Heavenly
Arthur Fiedler and the Boston Pops at its best
Nice, Nice, Nice!

One Hundred Fiedler Favorites

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Pops Roundup
Fiedler Greatest Hits
Arthur Fiedler & The Boston Pops Play the Beatles
Pops Stoppers
Sixties Classics: The Encore Collection

ASIN: B000003FRA
Release Date: 1994-10-11

Tracks:

Light Cavalry Overture
Little Fugue In G Minor
Hora Staccato
The Love For Three Oranges: March from The Love For Three Oranges
Tambourin chinois
Hungarian Rhapsody No. 2
Peer Gynt Suite No. 1: Morning from Peer Gynt Suite No. 1
Die Walkure: Ride of the Valkyries
In the Steppes of Central Asia
Oberon: Overture
Rodeo: Hoedown from Rodeo
Goyescas: Intermezzo from Goyescas
William Tell: William Tell : Overture

Tracks:

Poet And Peasant Overture
The Merry Wives Of Windsor: Overture
Lohengrin: Prelude To Act III
Hungarian Dance No. 6
Peer Gynt Suite No. 2: Solvejg's Song
Der Freischutz: Overture
Prince Igor: Polovtsian Dances
Sleigh Ride
Mlada: Procession Of The Nobles
Parade Of The Wooden Soldiers
Roumanian Rhapsody No. 1
Gayne: Sabre Dance

Tracks:

Reverie
Jewels Of The Madonna: Dance Of The Cammoristi
Suite No. 3: Air On The G-String
Cradle Song
Xerxes: Largo
Serenade
Sadko: Song Of India
Gayne Suite No. 1: Lullaby
Serenade
Spring Song
Serenade
Cavalleria Rusticana: Intermezzo
Quintet No. 11: Minuet
Liebestraum
None But The Lonely Heart
Madama Butterfly: Humming Chorus
Hansel And Gretel: Dream Pantomime

Tracks:

Tales From The Vienna Woods
The Skaters' Waltz
Pizzicato Polka
Wine, Women And Song
Thunder And Lightning Polka
Roses From The South
The Count Of Luxemburg: Waltzes
Music Of The Spheres
Acceleration Waltz
On The Beautiful Blue Danube

Tracks:

Aida: Grand March
Babes In Toyland: March Of TheToys
Semper Fidelis
Suite No. 1: Marche Miniature
Yankee Doodle
Up The Street
The Damnation of Faust: Rakoczy March
March Of The Siamese Children
Caucasian Sketches: Procession Of The Sardar
Sambre et Meuse
The Ruins Of Athens: Turkish March
Colonel Bogey
Dixie
American Salute
Strike Up The Band
Athalie: War March Of The Priests
Karelia: Alla marcia
Funeral March Of A Marionette
Pomp And Circumstance March No. 1
Valdres March
National Emblem March
The Stars And Stripes Forever

Tracks:

Cuban Overture
Rhapsody In Blue
El Salon Mexico
Interplay: Gavotte
Interplay: Blues
Slaughter On Tenth Avenue
The Typewriter
George M. Cohan Medley: George M. Cohan Medley: Give My Regards To Broadway, Mary's A Grand Old Name, Little Nelly Kelly, You're A Grand Old Flag, You Remind Me Of My Mother, Harrigan, Yankee Doodle Dandy

Tracks:

In The Mood
Eleanor Rigby
Stardust
The Three-Penny Opera: Mack The Knife
Love Is Blue
Smoke Gets In Your Eyes
Love Me Tender
The Syncopated Clock
Laura
A Man And A Woman
Moonlight Serenade
The First Time Ever I Saw Your Face
The Brave Bulls: La Virgen De La Macarena
Moon River
Days Of Wine And Roses
Mame
I Left My Heart In San Francisco
You Are The Sunshine Of My Life
Jalousie

Amazon.com

Perhaps I should start by admitting a bias: Many years ago, lying on Boston's grassy Esplanade by the Charles River on warm summer nights, I learned what a symphony orchestra should sound like, with Arthur Fiedler conducting the Boston Pops Orchestra. Those concerts were free; these seven compact discs are not--not quite. But for any lover of light classical music, they are certainly one of the best buys available. The orchestra (essentially the Boston Symphony) is one of the world's greatest; the music, from Smoke Gets in Your Eyes to the Goyescas Intermezzo and Ride of the Valkyries is instantly enjoyable and permanently valuable; the conductor is at the same time genial and exacting, convinced that any music you play, no matter how frivolous, deserves the best you can give it. --Joe McLellan

Customer Reviews:

Now.......2006-11-03

Now, if you are a music-lover, and you like The Boston Pops & Arthur Fiedler. You should get it as soon as posible.
I cannot find any reasonable objection to this product.

Heavenly.......2003-02-02

Highly Pleasing. If you're a Fiedler fan this is a must have one. It encompasses his entire wealth of perception, understanding, knowledge, vision and talent. Buy it now.

Arthur Fiedler and the Boston Pops at its best.......2000-06-23

Anyone in Love with the Boston Pops during its great Fiedler years should have this set in their CD collection. Hours and hours of all our favorite Pops tunes. Enjoy!

Nice, Nice, Nice!.......1999-11-18

Definitly one of my favorite classical CD's....has a bit of everything, and it's all extremely well played and recognizable. I never go on car trips without it with me. If you buy only one classic CD (set), THIS IS IT!

The Wonderful World of Classical Music (Box Set)

Average customer rating:

The Wonderful World of Classical Music (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00005YKWJ
Release Date: 2000-07-10

Average customer rating:

¡España!

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music
ASIN: B000001HO8
Release Date: 1994-03-22

Tracks:

Espana: Rapsodie - The State Of Mexico Symphony Orchestra/Enrique Batiz
Fandango - Carlos Bonell
The Toreador's Prayer - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Carmen: The Toreadors - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Espana: Tango - Allan Schiller
Cantos De Espana: Bajo La Palmera - Pro Arte Gtr Trio
Suite Espanola: Sevilla - Alma Petchersky
Suite Espanola: Asturias - Guillermo Fierens
Goyescas: Intermezzo - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Tonadillas: The Timid Beau - Sandra Browne/Michael Isidor
Danzas Espanolas: Villanesca - Pro Arte Gtr Trio
Danzas Espanolas: Andaluza - Maria Garzon
Gran Jota - Carlos Bonell
La Vida Breve: Spanish Dance No.1 - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz
Canciones Populares Espanolas: Jota - Sandra Browne/Michael Isidor
Love The Magician: Ritual Fire Dance - Orquesta Filarmonica De La Ciudad De Mexico/Enrico Batiz

Average customer rating:

Ramillete: A Garland Of Choral Songs
Melinda de Jesús , John Kendall Bailey [baritone] , Michael Prichard , American Anonymous , Bolivian Anonymous , Juan de Araujo , Martin Cruzelaegui , Francisco Delgado , Juan Pedro R. Gaffney , Francisco Guerrero , Juan de Lienas , Alonso Lobo , Jose-Luis Orozco , Juan Gutierrez de Padilla , Antonio de Salazar , Narciso Serradell , Spanish Traditional , Wendell Whalum , Kenneth Fitch , Conjunto Nuevo Mundo , Claire Kelm , Helen Dilworth , Mimi Ruiz , Jesús Guillén , Marcos Ramón Hernandez , and Coro Hispano de San Francisco
Manufacturer: pro música
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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ASIN: B0000V8G1Y
Release Date: 2003-10-01

Tracks:

TE DEUM LAUDAMUS: Francisco Delgado
FECIT POTENCIAM from the Magnificat in D: Francisco Delgado
LAUDATE DOMINUM for solo quartet, chorus and orchestra: Fray Martin Cruzelaegui
Anon.: CTICO DEL ALBA
GLORIA from the Misa al segunda ton: Juan de Lienas
AGNUS DEI from the Misa Encarnacion: Anon. Jesuit, 18th c.
VlRGEN SANCTA: Francisco Guerrero
PLAZA, PLAZA!:Juan Gutierrez de Padilla
LAS MANANITAS GUADALUPANAS: Mexican Traditional
LOS COFLADES DE LA ESTLEYA: Juan de Araujo
KERESIMESI ODUN DE O: Nigerian folk carol
O QUAM SUAVIS: Alonso Lobo
DIGAN, DIGAN: Antonio de Salazar
EL TILINGO-LINGO: Traditional melody
LA GOLONDRINA: Narciso Serradell
CUANDO UNO QUIERE A UNA: Anon. 19th c.
TE QUIERO PORQUE TE QUIERO: Anon. 19th c.
CORRIDO DE CESAR CHAVEZ: Jose-Luis Orozco
ES BUENO DARTE GRACIAS, SER Psalm 91: Juan Pedro Gaffney R.:

Album Description

The Coro Hispano present the ESSENTIAL Latin American Choral Music Collection

A "Ramillete" is a bouquet or a garland of the rarest and most beautiful flowers that can be found. And "Ramillete" is an appropriate title for the current collection of Latin American choral music from the 16th to the 21st century. Lovely melodies, sweet harmonies and snappy rhythms will charm even the most discriminating listener play after play. This is the essential CD to begin your discovery of Latin American Choral Music.

World Music:

World Music

world music

World Music

Bloom: Remix Album [Import]

Alvin Singleton: Extension of a Dream

Alfred Schnittke: Music For Cello And Piano

Lincoln Avenue Blues

Blanco Y Negro Mix V.6

All My Life: Their Greatest Hits

Best of Bossa Nova [Import]

American Whip

American Pop

Andrea Bocelli: Verdi

Acoustic, Vol. 2 [Import]

300 Hits in Japan 1965-1984 V.4 [Import]

2 en 1

Tchaikovsky: The Nutcracker (Complete); Swan Lake Suite

Aspects of Love (1989 Original London Cast)