| 1. Georgia On My Mind |
| 2. Danny Boy |
| 3. Ol' Man River |
| 4. Summertime |
| 5. Yesterday |
| 6. Stormy Weather |
| 7. Begin The Beguine |
| 8. Blue Moon |
| 9. Dancin' In The Dark |
| 10. Saint Louis Blues |
| 11. Smoke Gets In Your Eyes |
| 12. In A Sentimental Mood |
Old America,Fausto Papetti,Sony Bmg,World Music
Average customer rating:
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Beyond
Dinosaur Jr. Manufacturer: Fat Possum [Old] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OCZ9R8 Release Date: 2007-05-01 |
Tracks:
- Almost Ready
- Crumble
- Pick Me Up
- Back To Your Heart
- This Is All I Came To Do
- Been There All The Time
- It's Me
- We're Not Alone
- I Got Lost
- Lightning Bulb
- What If I Knew
Amazon.com
Since bassist Lou Barlow left Dinosaur Jr. in 1989, the band--whose last record was 1997's expansive Hand It Over--has largely become an alter-ego moniker for guitarist/vocalist J Mascis. But now the original trio (including drummer Emmett "Murph" Murphy) has reunited for the first time since Barlow's split, and the 11-song outcome makes one ask: Why did they wait so long? Mascis's thunderous "Almost Ready," featuring both his combustible guitar and weary vocals, is the perfect blast-off, allowing Murphy's backbeat to set a turbulent pace early, and while songs like "Been There All the Time" and the Neil Young accolade "This Is All I Came to Do" have Mascis as primed as ever, Barlow (whose '90s-era Sebadoh set the bar for lo-fi bands) reappears with two of the record's strongest tracks: the poppy "Lightning Bulb" and "Back to Your Heart," which recalls late-in-the-game Hüsker Dü. These 50 minutes of music are as cohesive as they are conquering, and whether the same can be said of the once-prickly relationship between Mascis and Barlow will ultimately decide if this is a one-off reunion or if the real Dinosaur Jr. is back for awhile. --Scott HolterCustomer Reviews:
Dinosaur likes his guitar!.......2007-08-04
The return of Dinosaur Jr........2007-07-20
Stephen
Beyond Expectations.......2007-07-04
Beyond belief.......2007-07-04
Green Mind changed my life forever. It was *the* album to live by when I was in college, some 15+ years ago. It defined a thoughtful, angsty existence for a thinking, feeling American adolescent. And the drums, bass, vocals, guitar... they were all amazing. Honed to fuzzy sonic perfection. Mascis ranks near to Neal Young for literally being able to speak volumes with his guitar work. He just goes and goes and goes. The newer albums never lived up to the perfection of the classics, from the original "Dinosaur" to "Bug" and "You're Living All Over Me." But they all had 3 or 4 great songs that made them worth the while.
When I heard a new album was coming out, I was very skeptical to say the least.
Now I am in disbelief.
This new album, "Beyond," is amazing. Some of the best alt-rock songs recorded to date. And Barlow, who could be annoying and self-indulgent in the past, has actually performed some real winners.
This album is a gift to the music loving public.
I can't say enough good things about it.
Lou Barlow Back for Beyond.......2007-06-29
Of course those two albums didn't have the original Dinosaur lineup. By 1989 bassist Lou Barlow was kicked out of the band and that same year formed Sebadoh and later on Folk Implosion.
Only a couple of years ago Merge Records re-released the original Dinosaur classics (the first 3) and soon re-issued 'Green Mind' w/ three bonus tracks and 1993's 'Where You Been' (I only liked the opening song: "Out There").
Soon a whole new fanbase of Dinosaur Jr. sprouted and I do believe it helped ignite this reunion of the three original members: J, Lou & drummer Murph.
Yes! Lou Barlow is back and he writes/sings two of the eleven songs on 'Beyond' - "Back to Your Heart" and "Lightning Bulb" -which should bring a smile to any Dino-fan, that's followed the band since 1988's 'Bug'.
I haven't been a fan for that long, but I have been a devoted fan for about 12 years now, even when two of the worst Dinosaur Jr. albums were released 'Without A Sound' and 'Hand It Over'-
At the start of 'Beyond' from the opening chords of "Almost Ready" you just know Dinosaur Jr. are back with that fully charged noisy jangly bliss, they are known for!
Then on to two other near perfect Dino tracks, the swooning "Crumble" and the soaring "Pick Me Up".
As always exceptionally awesome guitar playing from J. Mascis. Yeah he's still got it! A highly under-rated guitarist that the mainstream should be taking notes from.
One of my favorite tracks is the In-your-face onslaught of "Been There All the Time" an instant classic for sure and just as good as most of the songs on my favorite Dinosaur Jr. album - 'Bug'.
I also really like J 's softest track on 'Beyond' the song "I Got Lost"-
Lets hope the original Dinosaur Jr. lineup is here to stay because this is the band's best in over 15 years.
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Licensed to Ill
Beastie Boys Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000024JN Release Date: 1995-03-28 |
Tracks:
- Rhymin & Stealin
- The New Style
- She's Crafty
- Posse In Effect
- Slow Ride
- Girls
- Fight For Your Right
- No Sleep Till Brooklyn
- Paul Revere
- Hold It Now, Hit It
- Brass Monkey
- Slow And Low
- Time To Get Ill
Amazon.com essential recording
The joke of Licensed to Ill's cover--that the Beasties could crash their jet into the side of a mountain and keep on tickin'--serves as a good metaphor for a career that even some of their 1986 admirers thought might be over after the one-time-only shock of this full-length debut. That thousands of funk-junkie wannabes have since failed at re-creating its groove, breaking-the-law vibe, and ear-splitting mix of rock and rap is an even better joke. And funniest of all is the record itself, which packs dexterous boasts, aural puns, and lots and lots of yelling into a disc that can still be listened to with as much pleasure as it gave in '86. --Rickey WrightCustomer Reviews:
listen to this classic....and party!.......2007-07-29
Always a classic.......2007-06-09
The Beginning of the Beastie Boys' Dynasty.......2007-06-05
Formerly a punk-rock outfit called the Young & the Useless, New Yorkers Mike D, MCA and King Ad-Rock hooked up with Def Jam founder Rick Rubin in the mid-1980's to create a hip-hop masterpiece. Released in the fall of 1986, License to Ill took both the hip-hop world and mainstream pop culture by storm. Though this was their debut LP, the three MC's traded verses like veterans. Hip-hop rhythm tracks were combined with guitar licks for one of the first rap/rock fusion efforts, sowing seeds for the sub-genre's late 90's resurgence in the likes of Limp Bizkit and Rage Against the Machine.
Lyrically, the Beasties are basically college-age party animals throughout the album, telling wild stories about getting kicked out of White Castle, get-togethers stocked with Budweiser, and related tales of cheerful, hedonistic mayhem. In interviews, band members admitted to having a Schoolly-D fixation at the time, and so there are also some casual gun references here and there. "Slow and Low" covers an unreleased Run-DMC song, with the unforgettable line "White Castle fries only come in one size.." "Rhymin' & Stealin'" is pre-gangster rap pirate fantasy, where the Boys vow to send sucker MC's "to Davy Jones' locker.." "No Sleep `til Brooklyn" has a great guitar contribution by Slayer's Kerry King, as the Boys vow to keep the party going "eight days a week.."; the now-legendary "Paul Revere" is a cowboy fantasy (co-written with Run DMC) where the Beasties play desperadoes on the frontier, set to a reverse-drum track rhythm: "MCA was with it, and he's my ace, so I grab the piano player and I punched him in the face; piano player's out, the music stopped; his boy had beef, and he got dropped.."
The album's signature song was the top-10 pop smash "(You Gotta) Fight for Your Right". The rocker is almost out of place amidst all the straightforward hip-hop, but it's just as well that it was the album's closer. The Beasties expanded the cultural diversity of rap as well as expanding its cultural acceptance worldwide.
As of 2007, the LP's 20th anniversary has already passed; a deluxe re-release is in order; it should include any unreleased songs (such as the early "Rock Hard" EP; also, bootleg releases have included rare songs like "Scenario", "I'm Down" and an alternate take of "Fight for Your Right"), as well as a DVD version of the now-rare VHS home video compilation.
The Joke Is..........2007-05-08
The joke, Mr. Wright, is not them crashing their jet into the side of a mountain and surviving, but rather what the image turns into when you unfold the album cover and hold it length-wise with the tail-end up. It's the image of a 'joint' being mashed out (like a cigarette in an ashtray). So I think the genius behind it works, making the obvious - unobvious.
Also, the call letters on the rear of the plane (3MTA3) actually spell 'EAT ME' when viewed in reverse - which is what is usually done when you're smokin' a fatty and 'Jake' is on ya.
As for the album itself - CLASSIC! True Beastie Boy gold!
A near-excellent album.......2007-03-09
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Solid Gold Hits
Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BGR0SS Release Date: 2005-11-08 |
Tracks:
- So What'cha Want
- Brass Monkey
- Ch-Check It Out
- No Sleep 'till Brooklyn
- Hey Ladies
- Pass The Mic
- An Open Letter To NYC
- Root Down
- Shake Your Rump
- Intergalactic
- Sure Shot
- Body Movin' (Fatboy Slim Remix)
- Triple Trouble
- Sabotage
- Fight For Your Right
Amazon.com
In celebration of Beastie Boys' 24th anniversary, Capitol Records has decided to pay tribute to Michael "Mike D" Diamond, Adam "Adrock" Horovitz and Adam "MCA" Yauch-- known collectively as Beastie Boys, with the release of Solid Gold Hits. (No, the group is not breaking up.) The infomercial-worthy 15-track compendium distills the NYC trio's storied career into an ADD-friendly digest format: Covering the Boys' first platinum-mining expeditions with "No Sleep 'Til Brooklyn" and "Fight For Your Right" through west coast detours "Shake Your Rump," "So What'cha Want" and "Sabotage," up to last year's return to #1 with the million-plus-selling To The 5 Boroughs' "Ch-Check It Out," "An Open Letter To NYC" and "Triple Trouble" -and all points between.Beastie Boys Photos
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More from Beastie Boys
Paul's Boutique |
Check Your Head |
IIll Communication |
Licensed to Ill |
Awesome, I Shot That |
DVD Video Anthology - Criterion Collection |
Customer Reviews:
It's what you want on the road........2007-05-31
Ear-splitting goodness.......2007-03-25
Okay, maybe not that. But your neighbors will probably tell you to turn it down. Hey, just tell them you've got a right to party.
i don't own this..........2006-11-08
When Rap Was Cool.......2006-08-21
great introduction to beastie boys.......2006-03-03
1. So What'cha Want - 4/5 - Great intro song, but not the best.
2. Brass Monkey - 5/5 - Amazing song, the best song from their debut album.
3. Ch-Check it Out - 5/5 - Best song on the album, although MCA's voice sounds shot compared to some of the earlier songs. Also, I think the Just Blaze Remix is better if you can find that.
4. No Sleep 'Til Brooklyn - 3/5 - not one of my favorites, but its still pretty good.
5. Hey Ladies - 5/5 - Great song, really shows off the genious of Paul's Boutique.
6. Pass The Mic - 3/5 - The worst song on the album, although it's ok.
7. An Open Letter to NYC - 4/5 - Great tribute to NYC, but like with Ch-Check it Out, MCA's voice isn't as good as in the older songs.
8. Root Down - 4/5 - Great song.
9. Shake Your Rump - 4/5 - Another one from Paul's Boutique, although not as good as Hey Ladies.
10. Intergalactic - 5/5 - The first Beastie Boys song I ever heard, back when it came out in 98, great song.
11. Sure Shot - 4/5 - Great song, the only rap song I've ever heard that successfully incorporates a flute.
12. Body Movin' (Fatboy Slim Remix) - 5/5 - Takes the original, which was an ok song, and turns it into something sublime.
13. Triple Trouble - 4/5 - Great song, but it has the same beat as Rapper's Delight by Sugarhill Gang.
14. Sabotage - 4/5 - Great song, more metal than rap.
15. Fight for your Right - 5/5 - How can you not love this song?
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This Old Road
Kris Kristofferson Manufacturer: New West Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UKD2 Release Date: 2006-03-07 |
Tracks:
- This Old Road
- Pilgrim's Progress
- The Last Thing To Go
- Wild American
- In The News
- The Burden Of Freedom
- Chase The Feeling
- Holy Creation
- The Show Goes On
- Thank You For A Life
- Final Attraction
Amazon.com
Though Kris Kristofferson has long seemed ageless, the approach of his 70th birthday plainly has the songwriter looking back, taking stock and coming to terms with his legacy and his mortality. The result is his most consistently compelling release in decades, as well as his most stripped-to-the-bone intimate. The spare production by bassist Don Was captures Kristofferson in all his rough-edged, plain-spoken, and big-hearted glory, with occasional support from guitarist (and longtime Kristofferson compatriot) Stephen Bruton and drummer Jim Keltner putting the focus on songs that combine the poetic grace of Kristofferson's early classics with a conviction that has grown stronger with the passing years. "Wild Americans" offers a roll call of outspoken heroes--from American Indian activist John Trudell to country maverick Steve Earle--while "In the News" lambastes the very concept of a holy war. Yet it's the spiritual side of Kristofferson that really touches the soul, from a father's wonder at the "Holy Creation" of his children's birth to the bittersweet benediction of "Thank You for a Life." With the title cut, "The Last Thing to Go," "The Show Goes On," and "Final Attraction," he takes a look back at the life of a troubadour and decides that, for all the bumps, this road has been one of incomparable rewards. The listener shares the riches. --Don McLeeseAlbum Description
Kris Kristofferson has always identified himself first and foremost as a writer, and true writers know that what works best is giving a piece of themselves to the listener. With his latest album, This Old Road, Kristofferson lays a chunk of his own soul on every track. This beautifully sparse recording, puts an emphasis on his fine lyrics and distinctive voice by featuring Kristofferson, his guitar, and harmonica. The album is so intimate it makes the listener feel as if they are sitting in Kristofferson's living room while he picks and sings just for them.Customer Reviews:
Hits The Spot.......2007-06-27
Late In The Day, A Diamond.......2007-06-19
Kris Rocks.......2007-06-08
Kristofferson is one of the best singers/songwriters in American history and this is one of his best albums.
This Old Road.......2007-05-13
Kris is a major talent.......2007-04-06
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Old School
Koko Taylor Manufacturer: Alligator Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA2744 Release Date: 2007-04-03 |
Tracks:
- Piece Of Man
- Gonna Buy Me A Mule
- Black Rat
- Money Is The Name Of The Game
- You Ain't Worth A Good Woman
- Better Watch Your Step
- Bad Avenue
- Bad Rooster
- Don't Go No Further
- All Your Love
- Hard Pill To Swallow
- Young Fashioned Ways
Amazon.com
Go ahead and call it a comeback. Despite her advancing years and frail health following a 2003 hospitalization, Old School shows that the Queen of Chicago Blues has no intentions of abdicating her throne just yet. Koko Taylor isn't terribly prolific--this is only her third album in 14 years--but she's also never released a lackluster effort, and this is no exception. As the title suggests, you should be prepared for tough, rugged Chicago blues sung by one of the masters of the genre, regardless of gender. Taylor's legendary booming voice does show some wear, but her husky pipes, wang-dang-doodle attitude, and sheer enthusiasm will convince any skeptics that the singer is far from phoning in her performance. The disc is split evenly between originals and covers of Willie Dixon, Magic Sam, and others, all powered by a gritty yet professional no-nonsense band featuring guitarists Steady Rollin' Bob Margolin and Criss Johnson, along with the harmonica great Billy Branch. Musically, there aren't many surprises, but at this stage Taylor isn't pushing boundaries with her meat-and-potatoes diet of grinding shuffles mixed with the occasional slow blues. Knocking off a tune or two from the hour-long program might have made this a more concise, compact statement, however. Yet with songs as frisky as "Bad Rooster"--possibly an answer to the classic "Little Red Rooster"--and a strutting version of Dixon's "Don't Go No Further," there's no doubt that Taylor remains as passionate and intense as when she was first claiming her crown, nearly four decades ago. --Hal HorowitzAlbum Description
With her first album in seven years, the aptly titled Old School, Taylor once again shows the world what she does so well. From foot-stomping barnburners to powerful slow blues, Koko proves in an instant that her blues are joyous and life-affirming, powerful and soul-stirring.With Old School, Taylor brings it all back home, supported by a band of veteran musicians and young revivalists. Singing like she did for Chess Records early in her career, Taylor belts out a set of material that could easily have topped the blues charts in the 1950s, and will certainly reach the top of the blues world today.
Koko Taylor, guitarist Criss Johnson and Alligator president Bruce Iglauer produced Old School. Recorded in Chicago, the 12 songs (including five new Taylor originals and songs by Willie Dixon, Magic Sam, Lefty Dizz, and E.G. Kight) all hearken back to Taylor's early years in the Windy City. They range from the humorous truth of Piece Of Man to the rocking blues advice of Better Watch Your Step to the tough street scene of Bad Avenue (done in classic Muddy Waters style), to Koko's version of Memphis Minnie's Black Rat, a song she used to sing as a teenager. "I put my heart and soul into everything that I do," says Taylor. "I worked long and hard on Old School, and I want my fans to enjoy it as much as I do."
Customer Reviews:
Still the Queen.......2007-08-01
This must be something like her 17th or 18th regular album, which isn't a lot considering that her recording career began in the early 1960s. And it's been seven years since the excellent "Royal Blue" album, so I guess "Old School" could be viewed as a comeback of sorts. But if so, it is a comeback without any modern hijinks...Koko Taylor still sounds like she did 40 years ago, and so does her music. She is even backed by Muddy Waters' former guitarist, "Steady Rollin'" Bob Margolin, on several songs.
So "Old School" doesn't break any new ground, but then why should it? There aren't excactly too many left of Koko Taylor's calibre, and to still be able to hear her growling the blues is something of a treat in itself. even if this isn't the strongest collection of songs she has even put out.
The band is excellent, or rather the bands, because these 12 songs are recorded with three (somewhat) different bands. Longftime Koko-associate Criss Johnson plays excellent lead guitar on several songs, as does Bob Margolin, and "Brother" John Katke's piano playing is pure R&B-heaven.
A handful of songs feature a tenor saxophone, while the rest of them (with the exception of one song) have Billy Branch blowing the harp.
But, again, the songs are not all as good as the music. There are a few somewhat generic numbers here, like "Bad Avenue", "You Ain't Worth a Good Woman", and the slow and rather forgettable "Money is the Name of the Game". Not bad, you understand, but not really memorable either.
But fortunately there is also some really great, swaggering blues to be found. The opening number, Taylor's own "Piece Of Man", is one of the highlights of the album, a powerful, thumping R&B piledriver. And she does an amazing rendition of the classic "Black Rat", which has never been one of my favorite blues songs, but I was frankly surprised at how good this one sounds.
And there are excellent covers of two somewhat lesser-known Willie Dixon songs, and a relatively slow, soulful "All Your Love"...not the Otis Rush-single but the Magic Sam-number.
All in all, this music wouldn't seem at all out of place next to Taylor's own 60s or 70s recordings, and the producers (which include Taylor herself) deserve a lot of credit for not sanding away the grit, leaving the music raw and ragged like real blues music should be.
3 1/2 stars for this one. Buzzrat and music critic Steve Leggett once wrote that this was a continuance rather than a comeback. I think I prefer to call it that as well.
Queen of the Blues.......2007-07-17
Koko's Still Got It!.......2007-07-10
Her voice still strong, still able to plead, prod, cajole and coerce, Ms. Taylor proves that no one will be pretending to ascend to her Queen of The blues throne anytime soon.
If you've always loved Koko, you'll find that nothing has changed. And that's a good thing.
YES, WE ARE IN THE BACK STREETS BUT WE ARE NOT CRYING.......2007-06-26
koko.......2007-06-16
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Too Far to Care
Old 97's Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002HPH Release Date: 1997-06-17 |
Tracks:
- Timebomb
- Barrier Reef
- Broadway
- Salome
- W. TX Teardops
- Melt Snow
- Streets Of Where I'm From
- Big Brown Eyes
- Just Like California
- Curtain Calls
- Niteclub
- House That Used To Be
- Four Leaf Clover
Amazon.com essential recording
If the Waco Brothers sound like the Clash playing country music, an Old '97s song like "Barrier Reef" sounds like Rancid doing the Wacos. That's not a bad thing, but lead singer Rhett Miller is more distinctive pining for his gal on the sweetly beautiful "Salome" and "Streets of Where I'm From," a jazzy number about living in a place where romance ends as roadkill. The band--Miller, lead guitarist Ken Bethea, bassist Murry Hammond, drummer Phillip Peeples--sounds most like a rock outfit on the album-opening "Time Bomb," and most like a country crew on "West Texas Teardrops," featuring banjo and Hammond's nasal twang.On at least half his songs, Miller reveals himself to be a guy who falls in love easily but takes getting dumped hard. The subject matter might get old, but the '97s vary things enough musically to steer clear of trouble. If the story of a guy scared to death of Manhattan on "Broadway" is too obvious, Miller easily redeems himself on the album's closer, "Four Leaf Clover." Sung as a duet with Exene Cervenka, it sounds like X riding a Bo Diddley beat, but the bitter lyrics send it to the moon. "I got a four-leaf clover, but it ain't done me a single lick of good/I'm still a drunk and I'm still a loser/And I'm still living in a lousy neighborhood." After all the crying he's done, it's nice to hear Miller get good and pissed. --Keith Moerer
Customer Reviews:
the quintessential altcountry album.......2006-05-13
So what makes this album so great? Rhett Miller's lyrics and delivery. He had already shown himself to be a smart and clever lyricist on previous albums, but here he takes it to the next level where almost every phrase of every song employs some sort of subtle intricate wordplay. His themes of young love and love lost are still there, but you can tell he took his time with the words this time around. For example, from "Salome", "I'm tired of making friends, and I'm tired of making time; from "Big Brown Eyes", "you make a big impression for a girl your size"; from "Niteclub", "telephones make strangers out of lovers, whiskey makes the strangers all look good", and from "Barrier Reef", "my name's Stuart Ransom Miller, and I'm a serial lady killer". Oh, and did I mention that the kid can sing?
As for the music, they are as tuneful as they ever were here, but the country leanings are very pronounced. They would definitely go on to produce more polished work over the next few years, but if you like your pop music with a healty twang of cowpunk then this is the album for you.
"This Ain't Our Home Anymore, It's Just Four Walls and A Floor...".......2006-04-16
No matter how old you are, where you're from, or what kind of music you normally listen to, I dare you not to stomp your feet when "Timebomb" gets going. This is the perfect driving album.
But as any Old 97's fan will tell you, the music's only half the story. Rhett Miller and company are kings of the lyrical one liners... and their skills truly shine in Too Far to Care.
Buy this album - you won't regret it. Then see them live!
Old 97's - Too Far To Care.......2005-07-28
Yeeeeeeee haw!!! Give this a spin..........2005-01-20
I recommend TOO FAR TO CARE to anyone who likes CMT and country radio...
Really, country? I might call it rockabilly instead........2004-09-30
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The Same Old Blood Rush with a New Touch
Cute Is What We Aim For Manufacturer: Fueled By Ramen ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FFP00A Release Date: 2006-06-20 |
Tracks:
- Newport Living
- There's A Class For This
- Finger Twist & Split
- Risque
- Sweat the Battle Before the Battle Sweats You
- The Fourth Drink Instinct
- Sweet Talk 101
- The Curse of Curves
- I Put the "Metro" In Metronome
- Lyrical Lies
- Moan
- Teasing to Please (Left Side, Strong Side)
Album Description
This Buffalo, NY group is best known for their countless hooks, pop sensibility, and witty lyrics. Their debut was produced by Matt Squire (Panic! At The Disco, Thrice, Northstar). Their online presence is unlike anything Fueled By Ramen has ever experienced. They've consistently been in the top ten on purevolume.com for over six months, racking up over 1.6 million plays. Alternative Press named them one of the 100 Bands You Need To Know In 2006.Customer Reviews:
ROCK ON!.......2007-08-07
Great CD, You gotta get this one!.......2007-07-07
DEAR GOD! I LOVE CUTE IS WHAT WE AIM FOR!.......2007-05-08
seriously, just do it. it's super fun pop/punk deliciousness. cute is what we aim for is going to blow up very soon, and don't you want to brag about how you knew about them BEFORE they went platinum? oh yes, you do. the vocals and lyrics are amazingly original. random even.
cute is what we aim for can also be seen on warped tour this year, so you should check them out there too.
Cute Is What They Are.......2007-04-12
I listen to it over and over...and over and over and over.......2007-03-26
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The Carter Family: 1927-1934
The Carter Family Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TPB7 Release Date: 2002-04-30 |
Tracks:
- Bury Me Under The Weeping Willow
- Little Log Cabin By The Sea
- The Poor Orphan Child
- The Storms Are On The Ocean
- Single Girl, Married Girl
- The Wandering Boy
- Meet Me By The Moonlight, Alone
- Little Darling, Pal Of Mine
- Keep On The Sunny Side
- Anchored In Love
- John Hardy Was A Desperate Little Man
- I Ain't Goin' To Work Tomorrow
- Will You Miss Me When I'm Gone
- River Of Jordan
- Chewing Gum
- Wildwood Flower
- I Have No-One To Love Me (But The Sailor On The Deep Blue Sea)
- Forsaken Love
- Sweet Fern
- My Clinch Mountain Home
- God Gave Noah The Rainbow Sign
- I'm Thinking Tonight Of My Blue Eyes
- Little Moses
- Lulu Wall
- The Grave On The Green Hillside
Tracks:
- Don't Forget This Song
- The Foggy Mountain Top
- Bring Back My Blue-Eyed Boy To Me
- Diamonds In The Rough
- Engine One-Forty-Three
- The Homestead On The Farm
- The Cyclone Of Rye Cove
- Motherless Children
- When The Roses Bloom In Dixieland
- No Telephone In Heaven
- Western Hobo
- Carter's Blues
- Wabash Cannonball
- A Distant Land To Roam
- Jimmie Brown The Newsboy
- Kitty Waltz
- Fond Affection
- The Cannonball
- The Lover's Farewell
- There's Someone Awaiting For Me
- The Little Log Hut In The Lane
- When The Springtime Comes Again
- When The World's On Fire
- I Have An Aged Mother
- Dying Soldier
- Worried Man Blues
Tracks:
- Lonesome Valley
- On The Rock Where Moses Stood
- Room In Heaven For Me
- Lonesome Pine Special
- No More The Moon Shines On Lorena
- On My Way To Canaan's Land
- Where Shall I Be?
- Sow 'Em On The Mountain
- Darling Nellie Across The Sea
- The Birds Were Singing Of You
- Weary Prodigal Son
- My Old Cottage Home
- When I'm Gone
- Sunshine In The Mountain
- Let The Church Roll On
- Lonesome For You
- Can't Feel At Home
- Why There's A Tear In My Eye
- The Wonderful City
- Jimmie Rodgers Visits The Carter Family
- The Carter Family And Jimmie Rodgers In Texas
- 'Mid The Green Fields Of Virginia
- Happiest Days Of All
- Picture On The Wall
- Amber Tresses
Tracks:
- I Never Loved But One
- Tell Me That You Love Me
- Where We'll Never Grow Old
- We Will March Through The Streets Of The City
- Sweet As The Flowers In Maytime
- Will The Roses Bloom In Heaven
- My Little Home In Tennessee
- The Sun Of The Soul
- If One Won't, Another One Will
- Broken Hearted Love
- Two Sweethearts
- The Winding Stream
- I Wouldn't Mind Dying
- The Spirit Of Love Watches Over Me
- The Church In The Wildwood
- Give Me Roses While I Live
- I Will Never Marry
- On The Sea Of Galilee
- Home By The Sea
- I Loved You Better Than You Knew
- This Is Like Heaven To Me
- See That My Grave Is Kept Green
- Over The Garden Wall
- Gold Watch And Chain
- Will My Mother Know Me There?
Tracks:
- On A Hill Lone And Gray
- Cowboy Jack
- I'll Be All Smiles Tonight
- Away Out On The Old Saint Sabbath
- Happy Or Lonesome
- One Little Word
- Darling Daisies
- The East Virginia Blues
- Lovers Return
- It'll Aggravate Your Soul
- Hello Central! Give Me Heaven
- I'm Working On A Building
- You've Been Fooling Me, Baby
- Longing For Old Virginia
- March Winds Goin' To Blow My Blues All Away
- There'll Be Joy, Joy, Joy
- Are You Tired Of Me, My Darling
- My Heart's Tonight In Texas
- There's No Hiding Place Down Here
- Cowboy's Wild Song To His Herd
- The Evening Bells Are Ringing
- The Mountains Of Tennessee
- I'll Be Home Some Day
- Faded Coat Of Blue
- Sailor Boy
Product Description
Among the 127 tracks on these albums are:Little Log Cabin By The Sea, Keep On The Sunny Side, The Foggy Mountain Top, Engine 143, Western Hobo, Wabash Cannonball, Jimmy Brown The Newsboy, The Lover's Farewell, Worried Man Blues, Lonesome Pine Special, My Old Cottage Home, The Wonderful City, Broken Hearted Love, and Cowboy Jack
Format: CD
Amazon.com
Their setup was primitive enough--guitar, Autoharp, and vocals--but in the late '20s the trio of A.P. Delaney Carter, his wife Sara, and his sister-in-law Maybelle would change (chart?) the course of country music forever. They did it with haunting harmonies, incredible guitar playing (thanks to Maybelle's driving strums on her Gibson L-5 guitar), and a vast repertoire that included murder ballads, gospel tunes, love songs, and Appalachian folk tunes--many of which would be covered by musicians for decades to come. Unlike their musical peers in the late '20s and early '30s, the Carters weren't just playing "hillbilly" music; this was, quite simply, country music, and their timeless output still resonates with listeners today. JSP's bargain-priced, five-CD collection is easily the most complete, essential collection of their music available, capturing and remastering their RCA Victor recordings (their later, less-seminal sessions for Decca and the American Record Company are not included). Hearing five CDs' worth of music from the Carter Family is almost sensory overload--from the initial 1927 Bristol sessions, which Johnny Cash hailed as "the single most important event in the history of country music," to their depression-era recordings. Even today, Sara Carter's voice sounds aching, yet empowered. Whether they're yodeling through "The Foggy Mountain Top," singing a feminist anthem like "Single Girl, Married Girl," or harmonizing with Maybelle on "Worried Man Blues," you can hear the Carters' profound influence on country music. A must-have. --Jason VerlindeCustomer Reviews:
Indispensable.......2007-06-09
Carter Family CD boxed set.......2007-05-13
An Excellent Collection Of Songs By One Of The Great Bands In All Of American Music.......2007-04-27
The Carter Family's beautiful sound was powered by Sara's clear, gorgeous voice and Maybelle's unique and influential guitar style. The songs mostly came from "song catching" trips which A.P. would go on, sometimes with a black musician friend named Leslie Riddle. They would travel through states like North Carolina and Tennesse looking for gospel hymns, folk songs and love ballads that they could record. The Carter Family ended up becoming one of the most popular and important musical groups of their era and thus were able to bring to a wider audience many great songs which would have otherwise likely remained in obscurity.
When I listen to this music I often feel very relaxed and at peace. The music is almost like a time machine, taking you back to the past with its stories of ill fated romance, hobos on the railroad and mountain tops covered with wild flowers. There are so many songs that I love on this collection, too many to mention by name. But I especially appreciate their earlier material. For example, the first 6 songs on disc A, which are from their original audition in Bristol, have a sound that is so intensely raw and heart felt. But really the whole collection is great and a must purchase for any fan of great American music.
Pure, Uncontaminated Music.......2006-08-30
Like most boomers, I grew up completely unaware of the original Carter Family. I watched the Johnny Cash Show in the late 60s and knew about his wife June and her sisters, but still nothing about that older woman in their group. It wasn't until sometime in the late seventies or early eighties, perhaps from Rolling Stone, I learned that the original Carter Family had been a trio that recorded sometime back in the 20s and 30s. It was about this time I first heard the term "Carter Style" and "Carter Brush".
Then, a few years ago, I heard Uncle Tupelo's version of "No Depression", and I decided I wanted to investigate further. A friend loaned me some compilation CDs of old-time country music with the Carter versions of "Sunny Side of Life" and "Can the Circle be Unbroken" on them. I bought and watched the DVD of the PBS documentary. The more I discovered about these fascinating musicians the more I wanted to hear.
This is, quite simply, the most beautiful, purest, and least commercial music you will ever find on CD. It's hard to decide which is more riveting, Sara's electrifying vocals, Maybelle's trailblazing guitar, or the gut-wrenching harmonies which at times surpass that of the Beach Boys.
Throw your prejudices aside and listen to this with an open mind. "hillbilly music" has been satirized often; but there is no pretense or cynicism here. These people sang and played with their hearts, something that's rare in this American Idol era.
RURAL TREASURES.......2006-06-19
With the recent Johnny Cash movie biography Walk the Line the Carter Family has again come into greater public prominence. And rightly so. The trio performing simple country (or better rural) music mainly composed by A.P. Carter evokes, if not a simpler time, then in any case, a simpler type of music. While I cannot listen endlessly to such music at one sitting about one-half a cd at a time works. Why not the whole cd? There is a very similar melody and guitar line to their work in most songs. The value of each song sometimes gets lost in the basic repetition.
A note on subject matter- The bulk of the songs concern home, hearth lovesickness and religion as might be expected from mountain people. And that is okay. This reviewer, although not a religious man, can appreciate the simple, fundamentalist but very personal religion evoked here. Not to romanticize the simple rural folk of the past but I do not believe that the religious sentiments expressed here are the same as those of religious fundamentalists today who want to ram a theocracy down our throats in the United States.
Average customer rating:
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Hit by a Train: The Best of Old 97's
Old 97's Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FFJ808 Release Date: 2006-06-20 |
Tracks:
- Stoned
- Cryin' Drunk
- Doreen
- Victoria
- Timebomb
- Niteclub
- Four Leaf Clover
- El Paso
- Jagged
- Lonely Holiday
- Murder (Or A Heart Attack)
- Valentine
- The Villain
- King Of All Of The World
- Question
- Rollerskate Skinny
- Barrier Reef (Live)
- Nineteen (Live)
Album Description
The Old 97's have a rich, organic sound that effortlessly fuses roots rock, alt-country twang and pure pop sensibilities. Known for the raw intensity of their live shows and the authentic Americana-spiked punch of their recordings, the band formed in Dallas, TX, in the early `90s. Their early singles and 1994 indie debut disc, Hitchhike To Rhome led to a trio of critically acclaimed and crowd-pleasing albums for Elektra, beginning with 1997's stellar Too Far To Care and running through 2001's Satellite Rides.Customer Reviews:
I'm sick of the old 97's.......2007-07-06
Highly recommend.
This is the Best of the Old 97's.......2006-07-23
More of a 'Great Sampler' than a 'Greatest Hits' Collection.......2006-07-18
Miller has a tendency toward song-title puns that don't do justice to the songs themselves ("Cryin' Drunk," "Crash on the Barrelhead" - not included here), but this only points out his self-consciously clever way with a phrase. The band has obviously mastered the two-step `train beat' (3 tracks here) and the hard-bouncing "Texas shuffle" (which accounts for eight of the CD's eighteen tracks), but it's Miller's lyrics that keep you coming back for more, even after repeated listens. Miller's albums as a solo artist certainly hold up well, but it's his work with Old 97's that is most effective, which is why this collection works as well as it does. How can you not love an album containing "Barrier Reef," "Lonely Holiday," "Jagged" and "Victoria," all on the same disk? "Hit By a Train" encapsulates some of the band's best moments, and hardcore fans of the band will want this if only for the non-album tracks (the above-mentioned "El Paso" and "Cryin' Drunk"), but casual fans would do well to continue exploring their catalog further. A- Tom Ryan
Excellent Retrospective.......2006-06-25
A Foolproof Plan.......2006-06-23
If you're really head over heals after all that, get Rhett's solo stuff. You'll like that as well. And if you're a metro-sexual type, be sure to get his latest release "the believer" because you will like the picture on the cover.
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20