Product Description
1980 Release from Italian Rockers.
Piccola Rapsodie Dell Ape,Le Orme,Univesal,Latin Pop,World Music
Average customer rating:
- Question
- Now it makes more sense...
- Where's my Philip Glass?
- This is an unique soundtrack
- More score, less opera please
|
No Reservations
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B000RHRGQC
Release Date: 2007-07-24 |
Tracks:
- Truffles And Quail - Conrad Pope
- Sway - Michael Buble
- Celeste Aida - Luciano Pavarotti
- O Mio Babbino Caro - Renata Tebaldi
- Zoe & Kate Watch Video - Phillip Glass
- Libiamo Libiamo - Joan Sutherland
- Via Con Me - Paolo Conte
- La Donna E 'Mobile - Joseph Calleja
- Un Bel Di 'Vedremo - Renata Tebaldi
- Zoe Goes To the Restaurant - Phillip Glass
- Cielo E Mar - Luciano Pavarotti
- Mambo Gelato - Ray Gelato
- Nessun Dorma - Luciano Pavarotti
- Count On My Love - Liz Phair
Customer Reviews:
Question.......2007-08-07
I'm dying to know who composed the opening track just after the therapy truffle scene. When she first puts on her apron and we see her working in the kitchen
please can someone tell me if this was also phillip glass
?????
Now it makes more sense..........2007-07-30
It appears that some of the most memorable score cues from the movie are actually from Mark Isham's soundtrack "Life As A House" (Listen to track 11 from "Life As A House" for example.)
Now I'm beginning to understand why there seems to be such a paucity of score cues on this CD. I think either Glass' score was partially rejected or he only scored a small part of the movie to begin with.
Where's my Philip Glass? .......2007-07-30
The other music on the cd is perfectly fine. It's good music actually, but I wanted more score. I was hoping the two score cues would be longer than they were.
Philip Glass only used a few motifs (three tops) in the movie...would it have been so hard to include all of them (as opposed to 1)?
Shame on Decca...unless they're planning on releasing a score-only CD.
Hope they do.
This is an unique soundtrack.......2007-07-29
This is an unusual soundtrack. It combines instrumental music with opera music. This disc also has two songs from popular singers. I love the track "Sway" by Michael Buble. I also enjoyed the track "Mambo Gelato" These two tracks make me want to grab someone and dance. The opera tracks on this disc are excellent. The best of the bunch is "La Donna E Mobile" by Joseph Calleja. This track is very uplifting and playful. "Cielo E Mar" is a romantic sounding track from Pavarotti. "Nessum Dorma" is a really soothing track from Pavarotti too. He has such a powerful voice. Philip Glass is a talented composer for the film. I love his instrumental restaurant theme here. It is a beautiful piece of music. "Count On My Love" is a great song that fits the tone of the movie well. I really enjoyed listening to the music on this soundtrack.
More score, less opera please.......2007-07-28
Phillip Glass's score was exceptional, why there isn't more of it on the rousing soundtrack, I can't imagine, but the lack leaves a hole in the overall CD.
Average customer rating:
- Here's what the fuss was all about!
- Beverly Sills - The Best
- Beverly Sills' highs are breathtaking!
- THE 2005 OPERA CD OF THE YEAR
- EMI Does It Again: Beverly Sills - A Tribute
|
The Very Best of Beverly Sills
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B0006VYELE
Release Date: 2005-04-26 |
Tracks:
- Una Voce Poco Fa - Sherrill Milnes
- Dunque Io Son - Sherrill Milnes
- Contro Un Cor - Sherrill Milnes
- Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
- E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
- Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
- Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
- V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
- Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
- Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
- Via, Caro Sposino - Ambrosian Opera Chorus
- Tornami A Dir Che M'ami - Ambrosian Opera Chorus
- La Morale In Tutto Questo - Ambrosian Opera Chorus
Tracks:
- Vilia - Beverly Sills
- Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
- Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
- Libiamo Ne' Lieti Calici - John Alldis Choir
- Un Di Felice, Eterea - John Alldis Choir
- E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
- Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
- Che Fai? - John Alldis Choir
- Addio Del Passato - John Alldis Choir
- Parigi, O Cara - John Alldis Choir
Amazon.com
Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
Here's what the fuss was all about!.......2007-07-17
It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.
Beverly Sills - The Best.......2007-04-01
What a voice. No coloratura can compare, and she makes it seem so easy.
Beverly Sills' highs are breathtaking!.......2006-09-18
Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!
THE 2005 OPERA CD OF THE YEAR.......2006-08-19
THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!
EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22
EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Average customer rating:
- Wonderful melodies
- Hayley Westenra - Odyssey
- Very soothing
- very good pop singer voice
- Voice & level head deserve high marks
|
Odyssey
Hayley Westenra
Manufacturer: Decca
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ASIN: B000AXWHPI
Release Date: 2005-10-18 |
Tracks:
- Prayer
- Both Sides Now
- Never Saw Blue
- Dell' Amore Non Si Sa
- What You Never Know (Won't Hurt You)
- May It Be
- Quanta Qualia
- You Are Water
- She Moves Through the Fair
- My Heart Belongs To You - Hayley Westenra
- Ave Maria
- I Say Grace
Album Description
Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman.
Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop.
"I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist."
Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song."
With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.
Customer Reviews:
Wonderful melodies.......2007-06-08
This is a wonderful CD with beautiful melodies. Hayley Westenra has a very pure voice and sings right on key. The melodies are very relaxing and the musical settings are well arranged.
Hayley Westenra - Odyssey.......2007-06-08
Pure, crystalline, angelic voice. Gorgeously produced. "Prayer" is stunning. "Both Sides Now" wonderful. The rest is good but not her best song selection. When I first heard this girl on the "Celtic Woman" tour I was totally blown away. None of her CDs will disappoint!
Very soothing.......2007-05-14
Hayley Westenra's Odyssey is a very beautiful CD. If you switch on your walkman and listen to the CD's tracks non-stop, you'll soon feel like you're flying in Heaven. It's very soothing and heavenly. It calms you down, without causing you to feel lonely or sad because you're listening to it in solitary, like other vocal or classical songs do sometimes.
I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.
very good pop singer voice.......2007-05-13
the selections were tasteful and varied. the singer has a very good pop singer voice. i would have liked some voice variation between songs. all were sung in exactly the same style. good singing but without tonal variation the disk tends to be bland. i hope that as she gets more exposure she will vary her voice to make the songs stand out individually instead of letting them blend into one song on the disc. i would rate this 5 stars except for that major fault.
Voice & level head deserve high marks .......2007-04-20
Not only has Hayley Westenra's voice remained "pure", but her good sense and sensibilty has stayed intact when so many similar young performers have gone over the deep end with extreme behavior and disreputable remarks. On this CD Miss Westernra covers a number of songs in her own special style, such as excellent versions of "Prayer", "May It Be" and "Both Sides Now". I hope to hear her renditions of more such tunes, old and new. I would like to hear her sing songs like "Yesterday", "I Still Believe in Love" and All I Know. She has a way with her soaring vocals that never lets the listener down.
Average customer rating:
- Can't go wrong
- Most Famous???
- Only one song knew well
- The Most Famous Opera Duets
- Good selection of opera highlights
|
The Most Famous Opera Duets
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002SCA
Release Date: 1994-04-12 |
Tracks:
- Les Peurs des perles Act 1 - Au fond du temple saint
- Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
- Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
- La Traviata Act I - Un di, felice, eterea
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- Il Trovatore Act IV - Miserere...Quel suon, quelle preci
Amazon.com
This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine
Customer Reviews:
Can't go wrong.......2007-07-14
This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.
Most Famous???.......2007-05-14
The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.
Only one song knew well.......2007-05-14
I should have done more research. The last song is the only one I could easily recognize. Live and learn.
The Most Famous Opera Duets.......2007-01-05
This seller truly makes a purchaser confident in the product as well the time in which is promised.
Thanks again!!!!!
Good selection of opera highlights.......2006-11-04
Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.
Average customer rating:
- HOW DO YOU SAY,"WOW," IN ITALIAN?
- Just buy it.
- Teamo, Andrea Bocelli
- A new style from Andrea.
- Not happy with delivery (or non delivery) of this item
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Andrea
Massimo Varini , Ensemble of Bologna , London Session Orchestra , Andy Duncan , Leo Z. , Rosario Jermano , Dave Arch , and David Arch
Manufacturer: Philips
ProductGroup: Music
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Similar Items:
- Andrea Bocelli - Amore
- Romanza
- Cieli di Toscana
- Sogno
- Andrea Bocelli - Sacred Arias / Myung-Whun Chung
ASIN: B00063M112
Release Date: 2004-11-09 |
Tracks:
- Dell'Amore Non Si Sa
- L'Attesa
- Un Nuovo Giorno
- Tu Ci Sei
- Sin Tu Amor
- Libert
- Per Noi
- Le Parole Che Non Ti Ho Detto
- Sempre O Mai
- In Canto
- Quante Volte Ti Ho Cercato
- When A Child Is Born
- Go Where Love Goes
Amazon.com
It's no mean feat being the world's foremost crossover artist--a task that risks alienating two disparate audiences and everyone in between--but somebody had to do it, and Andrea Bocelli again walks that artistic tightrope with impressive deftness. The title may imply a casual intimacy (indeed, the singer admits to taking a more "hands-on" approach to the album's conception and production), but it's a collection that nonetheless continues to expand on the Italian tenor's ambitious internationalism. His collaboration "Sin Tu Amor" immerses his voice in the Gipsy Kings' own rich Iberian folk-pop fusion with compelling results, while "Where Love Goes" (a musical focal point of the film Lazarus Child), his English language duet with 11-year-old prodigy Holly Stell, achieves an almost liturgical grace. "Tu Ci Sei" (You Are There) continues in the romantic vein of his familiar theme "Con Te Partiro" (Time to Say Goodbye), while the single "Dell' Amore Non Si Sa" (With Love You Never Know) features Bocelli in a signature dramatic tour de force collaboration with arranger Mauro Malavasi, the accomplished producer of the singer's Romanza and Sogno albums. Bocelli's shrewd taste and vocal prowess here not only again redeem an oft-maligned genre, but elevate it considerably in the bargain. --Jerry McCulley
Customer Reviews:
HOW DO YOU SAY,"WOW," IN ITALIAN?.......2007-06-22
BEFORE I START, LET ME SAY, THAT I AM A DANCE CLUB GUY AND THAT, ORDINARILY, THIS IS NOT MY KIND OF MUSIC. OF COURSE, I LAUGH AS I SAY THAT, AS, APPARENTLY, A NEW DOOR HAS OPENED IN MY LIFE, THANKS TO THIS MAN.
A FEW YEARS AGO I HAD HEARD ANDREA DO, "CON TE PARTIRO," ON A PBS SPECIAL AND MY EYES FILLED WITH TEARS THAT ANY HUMAN COULD MAKE SUCH SOUNDS. I WAS ASTOUNDED; MORE ASTOUNDING, STILL, WAS TO HEAR THIS ALBUM AND FIND THAT HIS VOICE HAD ACTUALLY VASTLY IMPOVED OVER TIME. HOW IS THIS POSSIBLE? " CON TE..," PALES IN COMPARISON TO THE QUALITY OF THIS WORK; THE TRACKS ON THIS CD ARE PERFECT, FULL, RICH, AND MORE MOVING THAN ANYTHING I HAVE EVER HEARD. I HAVE HAD IT A WEEK, NOW, AND I HAVE NOT BEEN ABLE TO LISTEN TO ANYTHING ELSE FOR VERY LONG, AND I PLAY IT OVER AND OVER. IT HAS BEEN MANY YEARS SINCE I HAVE BEEN AFFECTED LIKE THIS BY ANY VOCAL CD. IF HE NEVER RECORDED AGAIN HE WOULD HAVE MADE A MARK ON THE WORLD OF AUDIO NEVER TO BE ERASED OR FORGOTTEN. WHAT A VOICE! WHAT SONGS! THE CUT, "LIBERTA," ABSOLUTELY KILLS ME WITH FEELINGS OF JOY AND MARVEL. I HAVE EVEN TAKEN UP STUDYING ITALIAN BECAUSE OF IT.
TREAT YOURSELF, AND A GOOD FRIEND, TO THE SOUNDS ON THIS CD. SIT AND WATCH A SUNSET WITH IT ON... I MEAN NOW!
Just buy it........2007-05-30
If you like soft music that make's you feel up beat, just order a Andrea Bocelli CD. Listening to his CD's after being at work all day, is like having an option in life to hear and be somewhere else.
Teamo, Andrea Bocelli .......2007-03-08
One of his best. Need the lyrics translated from the Italian to the English inside the casing next time. Nonetheless, Mr. Bocelli has a beautiful voice. It made my wife and all my female co-workers swoon when they listened to it.
A new style from Andrea........2007-02-24
There were some ugly songs in here.(I absolutely hate to say that about anything Andrea.)But the good far outshone the bad.
Un Nouvo Giorno stunned me the first time I heard it.It was so unlike anything I had heard from Andrea- very pop.But it soon grew on me.
Liberta is amazing.Very catchy and upbeat.
Sempre O Mai is my favorite.It keeps its tempo up and has the best of Andrea and pop.Great song.
So this album was really a double album with pop and classical songs interspersed.A good mix from the master.
Not happy with delivery (or non delivery) of this item.......2007-01-16
When I ordered this on 12/04/2006 they said I would have it before Christmas. Then right before Christmas the delivery date was changed to mid-January. So I had to cancel my order and go, at the last minute, buy it at a store because it was a Christmas present. I wasn't happy about it and won't be buying from amazon for the holidays any longer.
Average customer rating:
- Woo Hoo!
- Einstein
- The baby danced.
- A Lot of Fun for Playtime
- Synthesized dreck
|
Baby Einstein: Playtime Music Box
Manufacturer: Buena Vista
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Binding: Audio CD
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- Baby Einstein: Lullaby Classics
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ASIN: B0006SSRP6
Release Date: 2004-12-21 |
Tracks:
- Carmen Suite Medley
- Snow Maiden, Dance Of The Birds
- William Tell Overture, 'Lone Ranger'
- Flight Of The Bumblebee
- Humpty Dumpty/Child's Verse Medley
- The Bartered Bride, Furiant
- Minute Waltz
- Gaite Parisienne, Vivo
- Hey Diddle Diddle
- Wellington's Victory, Op.91, 'England'
- Wellington's Victory, Op.91, 'Victory Finale'
- Swan Lake, Waltz
- Old MacDonald Had A Farm
- Happy Farmer
- Farmer In The Dell
- Jack & Jill
- Symphony No.4
- Dance Of The Hours
- The Bartered Bride, Skokna
- Voices Of Spring, Waltz
Product Description
The Playtime Music Box music CD is a 20-track, 31-minute concert featuring a collection of up-beat classical melodies and traditional song favorites to inspire your little one to dance, clap and play! Each delightful piece was specially selected and produced to bring musical fun to any activity - playtime, travel time, tummy time and more. Playtime Music Box includes classical pieces such as Rossini's ?Ç£William Tell Overture?Ç¥ and Schumann's ?Ç£Happy Farmer,?Ç¥ as well as ?Ç£Old MacDonald Had a Farm.?Ç¥Musical Selections:1. Carmen Suite, Medley, G. Bizet2. Snow Maiden, Danse des Oiseaux, N. Rimsky-Korsakov3. William Tell Overture, G. Rossini4. Flight of the Bumblebee, N. Rimsky-Korsakov5. Humpty Dumpty, W. Weisbach (traditional verse)6. The Bartered Bride Suite, Furiant, B. Smetana7. Minute Waltz, F. Chopin8. Gaite Parisienne, Vivo, J. Offenbach9. Hey Diddle Diddle, W. Weisbach (traditional verse)10. Wellington's Victory, Op 91, England, L. Beethoven11. Wellington's Victory, Op 91, Victory Finale, L. Beethoven12. Swan Lake, Waltz, P. Tchaikovsky13. Old MacDonald Had a Farm, traditional14. Happy Farmer, R. Schumann15. Farmer in the Dell, traditional16. Jack & Jill, W. Weisbach (traditional verse)17. Symphony No. 4, Italian, F. Mendelssohn18. Dance of the Hours, A. Ponchielli19. The Bartered Bride Suite, Skocna, B. Smetana20. Voices of Spring, Waltz, J. Strauss IIAge: birth +
Customer Reviews:
Woo Hoo!.......2007-05-07
This is by far the best CD in the Baby Einstein collection--it will put your toddler in hyperactive playful mode and exhaust you as you try to keep up. But for today's overweight, tv- and game- addicted children, this is great!
Einstein.......2007-04-09
Anything that has an Einstein in the title my twins love. I used to play this for them at night while they slept.
The baby danced........2007-03-09
I gave Baby Einstein: Playtime Music Box to a little boy on his first birthday. He loves it and dances and dances to the music.
A Lot of Fun for Playtime.......2006-01-04
This CD is a lot of fun. The music is bubbly and upbeat and makes you want to get up and dance or just jump around. It's a great way to spend some play time with your kids. And the classical music exposure is a bonus.
Synthesized dreck.......2005-08-13
Why did the producers use synthesizers for this music? It's awful. It's possible to hook kids on classical music using the actual instruments written for it - that's how I got hooked. That's what Mel Blanc and Disney did in their cartoons, Bugs Bunny and Fantasia. I do NOT recommend this CD to anyone. It was a shower gift. If you are not familiar with classical music, then I recommend "Baby Needs Beethoven", which is a collection of music using real instruments (albeit shortened - no full length symphonies here).
Average customer rating:
- See Other Andrea Bocelli Review
- Emotional therapy!
- Great music!
- Cieli di Toscana
- LOVE IT!!!!
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Cieli di Toscana
Paolo Gianolio , Margherita Graczyk , Gary Miller , John Reid , Luis Jardim , Francesco Sartori , Mauro Malavasi , and Massimo Guantini
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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- Andrea Bocelli - Amore
- Andrea
- Sogno
- Andrea Bocelli - Sacred Arias / Myung-Whun Chung
ASIN: B00005OWJV
Release Date: 2001-10-16 |
Tracks:
- Melodramma
- Mille Lune Mille Onde
- E Ara 'A Settembre (Someone Like You)
- Chiara
- Mascagni
- Resta Qui
- Il Mistero Dell 'Amore
- Se La Gente Usasse Il Cuore
- Si Volto'
- L 'Abitudine
- L 'Incontro
- E Mi Manchi Tu
- Il Diavolo E L 'Angelo
- L 'Ultimo Re
Amazon.com
Not content with the simplistic "crossover" formula, superstar tenor Andrea Bocelli has been pursuing alternative paths since he emerged as a vocal phenomenon in the mid-1990s: operatic classics and contemporary popular song. The singer's last few albums have showcased his love for the former (including homages to his beloved Verdi: the Requiem and Verdi aria collection). But Cieli di Toscana ("Tuscan Skies") marks a triumphant return to the pop idiom last explored on Sogno, offering a highly varied series of the kind of beautifully crafted contemporary melodies that initially won Bocelli acclaim.
The familiar cast of songwriter-collaborators (including Francesco Sartori, responsible for the smash success "Time to Say Goodbye") mixes with new blood; Bocelli himself unveils his songwriting talents on "Il Diavolo e l'Angelo." It's a highly produced affair, but behind all the gloss, Bocelli sings with a newfound, relaxed, even mellow quality. There are intimately touching moments--"L'Incontro," a tribute to his first son featuring Bocelli's own poetry as read by U2's Bono--as well as soaring flights of lyricism (the duet "L'Abitudine" with Italian singer Helena). And on "Mascagni," with its quotes from that composer's operas, Bocelli makes another nod to his classical affinities. But whatever the style, Bocelli is a singer who knows how to go straight to his listeners' hearts. --Sarah Chin
Album Description
Exclusive UK version of Bocelli's third pop release includes the exclusive bonus track 'Tornera La Neve' and CD-ROM. The album also features 'L'Incontro' a duet with Gerard Depardieu. David Foster co-composes some of the tracks on this album as well. 2001.
Customer Reviews:
See Other Andrea Bocelli Review.......2007-07-06
Just what it says. See my other Andrea Bocelli reviews to get the idea I really like this guy.
Emotional therapy!.......2007-05-14
"He is all heart; there's no pretense. You can feel it." No kidding. These were my mom's last comments about Bocelli two months before she left earthly existence.
This album helped me process a lot of emotional residue affiliated with the strain of difficult dynamics between my mom and myself.
Don't get me wrong. The music isn't sad; it's pure heart and emotion, so it may evoke emotions. The last cut, "L'Ultimo Re" is gorgeous with the way his voice soars!
E.A. Davis, author: Waiting for Wings: Accompanying a Parent to the Edge of Life
Great music!.......2006-12-18
I bought the album before listening to any of the songs, because i'm a Bocelli fan. I was not disappointed. Wonderful melodies, beautiful voice.My personal favourites are Melodramma, Chiara and Resta Qui, but this is a great cd overall.
Cieli di Toscana.......2006-08-25
There is no other voice quite like Andrea's voice. I keep listening to this CD over and over as some of the songs just touch my heart, both with his voice and the written arrangements. One of my very favorites from Andrea. He has the same qualities to his voice with popular songs as he does with opera. When following the English translations in the CD case, the message of each song becomes very clear through the inflections and tonal quality of his voice.
LOVE IT!!!!.......2006-08-25
What more can I say once agian a total great cd, that will sure to become my favorite and my kids love it too!!! Ages 5, 8, and 15. WOW>>>>> Pleases all ages,LOVE IT LOVE LOVE IT
Average customer rating:
- The American Experience Encapsulated
- Best Album Ever!
- Once Upon a Time in America Soundtrack
- One of the best movie soundtracks
- Timeless
|
Once Upon a Time in America
Manufacturer: Rykodisk Import
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Once Upon a Time in America (Two-Disc Special Edition)
- The Untouchables (1987 Film)
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- Once Upon A Time In The West: The Original Soundtrack Recording
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ASIN: B00008MJ8H
Release Date: 2003-03-31 |
Tracks:
- Once upon a Time in America
- Poverty
- Deborah's Theme
- Childhood Memories
- Amapola
- Friends
- Prohibition Dirge
- Cockeye's Song
- Amapola, Pt. 2
- Chilhood Poverty
- Photographic Memories
- Friends
- Friendship & Love
- Speakeasy
- Deborah's Theme-Amapola
- Suite from Once upon a Time in America [Includes Amapola][#]
- Poverty [Temp. Version][#]
- Unused Theme [#]
- Unused Theme [Version 2][#]
Album Details
2003 Digitally Remastered Reissue of One of Ennio Morricone's Most Stirring and Most Beloved Soundtrack Compositions. While it was Technically Released in the USA in the 1980's, Supplies of the Disc were Quite Scarce, Prompting Collectors to Value it as Something Rare. It also Introduced the Sound of Gheorghe Zamfir's Panflute to the Rest of the World, Creating an Entire New Audience for his Career. This Edition is Plentiful and Includes Four Tracks Not on the Original.
Customer Reviews:
The American Experience Encapsulated.......2007-06-23
For more than twenty years now, I've been listening to this haunting music and it has never dulled. Revisiting it now, in my forties, I find it overwhelmingly sad....tracks #2 "Poverty" and #3 "Deborah's Theme" crystallize what I think is the theme of the movie: how a group of young people coming of age just when the country itself is coming into its own can, like the leadership of the country, make choices that impact the rest of their lives. Can they....can the country...find redemption? Like great fiction, and, many would say, like the movie, it has different meanings as you listen to it at different stages in your own life. I call that music for the ages. This one will be regarding as a classic long after my generation has left the earth.
Best Album Ever!.......2007-06-13
I've hundreds of movie soundtracks but this far by the best soundtract I've heard...The quality of the CD and the music from Morricone is timeless. The music is so haunting and so melancholic that feel inside of you. I highly recommend this album.
Once Upon a Time in America Soundtrack.......2007-03-18
For years I have trying to find this! It is beyond wonderful and moving!
One of the best movie soundtracks.......2007-03-08
Of all the soundtracks I own, this is probably the best. Morricone's skills and talent are evident on this CD. The information in the included leaflet give even more insight into the filming and composing of this classic film.
Timeless.......2005-02-24
You will not go wrong with this album. Every track is a masterpiece. If you loved the movie, you must have the accompanying soundtrack. I've had it for 15 years and when the mood strikes, there is nothing like it. Now, this version also comes with a few unreleased tracks. You can't lose!
Average customer rating:
- Only one diva, only Bartoli.
- Amazing disc
- Beautiful Music, but vocally unmusical.
- Not to my taste
- Exciting, moving, beautiful, energetic, heart-felt, fantastic...
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Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Cecilia Bartoli , George Frideric Handel , Alessandro Scarlatti , Antonio Caldara , Marc Minkowski , and Les Musiciens du Louvre
Manufacturer: Decca
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- Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
- Vivaldi: Bajazet [Includes Bonus DVD]
- Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
- Lamento
ASIN: B000A6T1HC
Release Date: 2005-09-13 |
Tracks:
- All'arme si accesi guerrieri (Aria dell Pace)
- Mentre io godo (Aria della Speranza)
- Un pensiero nemico di pace
- Vanne pentita a piangere
- Sparga il senso lascivo veleno
- Caldo Sangue
- Come nembo che fugge col vento
- Ecco negl'orti tuoi...Che dolce simpatica
- Qui resta...L'alta Roma
- Lascia la spina cogli la rosa
- Ahi qual cordoglio...Doppio affetto
- Si piangete pupille dolente
- Ahi quanto cieca...Come foco allo splendore
- Disserratevi oh porte d'Averno
- Notte funesta...Ferma l'ali
Amazon.com
Cecilia Bartoli's new CD features a collection of music that could not be heard in her native Rome at the start of the 18th century due to Papal censorship. Theaters, the Church felt, were places of evil and corruption and operas led people to immorality. But some music-loving senior members of the priesthood asked composers to write oratorios and cantatas--indeed, operas without staging, essentially--for their own private entertainment. Call it what you will, the music is sensational--by turns virtuosic, gentle, and playful--and always expressive: just right, it seems, for Cecilia Bartoli's temperament. The opening aria on the CD, a call for peace in the name of Jesus, is, in fact, a dazzling martial air with trumpets blaring and the voice going through an amazing array of coloratura fireworks. It shows Bartoli at her most aggressive. The listener is practically hurled back from the speakers when she begins, with rapid-fire runs and trills and cascades of notes, all perfectly in place. Showy arias are offset by several tender ones ("Lascia la spina" from Handel's Il trionfo del Tempo e del Disinganno returns in the composer's Rinaldo, four years later, as the now-famous "Lascia ch'io pianga"), and Bartoli exhibits again, her many, many levels of pianissimo and sensitive phrasing. Marc Minkowski and his Musiciens are just right for this repertoire and back Bartoli up superbly. This is a fascinating project, rivetingly performed and presented. --Robert Levine
Album Description
Limited Australian pressing. An extraordinary album of dramatic arias written in Rome at a time when opera performance was forbidden by the Church, and female singers were forbidden from singing in public. Decca. 2005.
Customer Reviews:
Only one diva, only Bartoli........2007-06-19
Just like Farinelli was the opera phenomenon of his time, fast-forward to the 21st century, Bartoli gives once again this music of the Italian settecento a breath of new life in all its splendor and glory.
In Opera Proibita, Bartoli's repertoire not only reflects on her as a consummate vocal artist but also as the ultimate scholar. Rarely an opera singer would dig this dip and go that far to unearth great scores from total obscurity. Even more uncommonly a singer would take the challenge of singing these arias without the risk of ridiculing herself, but to the contrary establishing a new record and precedent.
Her execution of the Handel arias is truly astonishing in coloratura and melismas probably not heard for three hundred years when only the best castrati commanded the virtuosity to tackle these arias. Also surprising and refreshing was to hear works by Handel that show his wild side.
Bartoli brings this album to a high climax with the arias from Il Trionfo del Tempo e del Disinganno. This is really her realm and true medium. Her vocal runs in "Un pensiero nemico di face" sound like a first violin, and as if this was not difficult enough she ornaments the da capo melismas in tempo from allegro to presto molto vivace, and transitions into a note crescendo with great ease and certainty. Wonderful!
Amazing disc.......2007-03-03
This disc has all the elements needed for an amazing disc. The conductor, orchestra, and music are all top notch. Bartoli's singing is amazing. I find this album energizing and a testament to how exciting baroque music can be. However, if you don't like Bartoli's voice in previous recordings, you probably won't change your opinion because of this disc.
Beautiful Music, but vocally unmusical........2007-02-09
I owned over a dozen of Bartoli solo albums, plus other operatic albums of hers. From the early days of 'Arias Antique' I got impressed by her beautiful singing and her outstanding technique.
Alas, starting from her Vivaldi Album, I do not find her singing that beautiful any more. True, the songs picked there are technically very challenging, used to be sung by male castrato singers. The songs picked here are even more difficult.
BUT - is singing just about technique?
There are some songs in the Vivaldi Album that have the vocal musical lines broken in places. Here in Opera Proibita, almost every song has this problem, even the slow ones of Caldara. Compare her singing in the earlier part of her career, her early Mozart operas, I could not help but wonder if Ms. Bartoli has taken the correct turn in her career: her forced high notes, though squarely hit, do not sound at all pleasing; her runs and trills, though taken accurately at great tempi, is no longer truly musical. Compare her singing with the other two great baroque mezzo-sopranos Bernarda Fink and the tragically short-lived late Lorraine Hunt Lieberson, you would understand what I mean.
With the latest turn in Ms. Bartoli's singing, I am being forced to admit that this is a singer of great technical brilliance and enormous fame, but not at all pleasing to the ear.
Not to my taste.......2006-11-05
Cecilia Bartoli has her fans, no doubt, as the other reviews on this site demonstrate, people who love her warmth of tone and her impassioned interpretations. These vocal qualities may suit the performance conventions of the nineteenth-century repertoire; however in this anthology of eighteenth century sacred arias the result is an unhappy imbalance. The problem is, in my opinion, one of clashing calls for attention, whose affect is to distract the listener from attention to the music itself. True, the god of the counter-reformation was to be worshipped ecstatically. And true, also, that I am an anti-romantic listener, who grew up with those early music performances which valued detached purity of tone. This was vaunted as the ideal means of interpretation of the rediscovered seventeenth and eighteenth-century repertoire (it protested too much its rightness, and alienated people- but I like it). However to return to the subject at hand- I find Bartoli's readings of these crypto-erotic arias overblown and self-indulgent. I guess that this sort of coloratura always offered a chance for a bit of ego to be let loose, even in church- however when the performance goes so far as to insist on attention to itself rather than deflecting attention to the music, I stop enjoying the music. This recording does not find the balance between the big romantic personality and eighteenth-century performance conventions, which, after 30 or 40 years of self-critique, have some authority. I disliked it very much. I am a great admirer of Mark Minkowski's opera interpretations, which I think find a perfect balance between these opposing impulses of warm and cool- a binary we can trace throughout aesthetics and through the ages. Here there's an overbalance in favour of warm (hot, in fact), which the performers might argue is just the sort of vivification that Baroque performance needs. Not for me. I gave it to a friend (she's still a friend).
Exciting, moving, beautiful, energetic, heart-felt, fantastic..........2006-09-02
What more can I add?
Cecilia Bartoli just "does it" for me almost every time. She is just fantastic in my books. I love her dearly. She can give one an adrenalin rush with her bravura singing and then break one's heart with her pathos.
This is a superb collection of Baroque arias from "almost" operas! ;-))
I also liked the cheeky and none-too-subtle references to La Dolce Vita on
cover and the images inside the disc. Nice to see an opera singer with a playful sense of humour!
I am listening to this disc as I write this review and all I can say is that I love this disc and it is clearly one of the best Signorina Bartoli has released, although I like all of her recordings. Listen to track 12 and you will buy this disc.
More, please!
PS: How about DECCA getting Cecilia Bartoli and Andreas Scholl together for a musical project? I'd love to see two of my favourite singers together on the one disc.
PSPS: If you like Opera Proibita, buy Andreas Scholl's Arcadia and Arias for Senesino, too!
Average customer rating:
- Point of Information
- Estrellita
- Ugly
- Carmen
- Excellent disc
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Beverly Sills
Manufacturer: Sony
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- The Very Best of Beverly Sills
- Art of Beverly
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ASIN: B00000FCKP
Release Date: 1998-11-24 |
Tracks:
- Parlez-moi d'amour
- Ouvre ton coeur
- Oh, quand je dors
- Waltz From Mireille
- Si tu le veux
- Les filles de le Cadiz
- Les chemins de l'amour
- Plaisir d'amour
- Villanelle
- Goyescas: Interludio
- Goyescas: La maja y el ruisenior
- Estrellita
- La morena de mi copla
Customer Reviews:
Point of Information.......2007-07-06
Folks, please read the recording data! This album does not present merely the "older Sills" of 1975. Tracks 10 to 13 were recorded in February 1961, when Sills was about three months shy of 32 years old. To hear her any younger on disc, you have to go to her splendid recording of *The Ballad of Baby Doe*, released in 1959. (If anyone knows of still earlier recordings, please holler!) So these 1961 tracks alone make the album priceless, especially since it offers vastly better sound than the slightly boomy acoustic of *Baby Doe*.
For me, the initial main attraction here was the Granados, and it was a hallelujah moment when I spotted this CD in the bins almost 10 years ago. While this disc represents the commercial first release of the *Goyescas* selections, they received limited issue around December 1963 on a holiday-bonus LP ("The Sound of Genius 1963") from the Columbia Record Club.
That LP was my introduction to Sills, and it made me fall in love with her voice. It was always a special treat to play her vocal track for those who had no idea it existed and watch their astonishment as Beverly's voice floated through sonic space like the very nightingale she sings about. It is simply some of the loveliest, most haunting singing I've ever heard. To get two additional tracks from the same recordings sessions -- especially "Estrellita" -- was an unexpected blessing.
So get this CD for the last three tracks, if nothing else (track 10 is purely orchestral). They capture Sills at a magical moment. Even if you like nothing else on the disc (and I think you'll like much more), you can claim these three special treasures for a mere pittance. How much more precious are they, now that she has gone on to sing, we pray, in other realms.
Estrellita.......2006-12-07
The incomparable Beverly Sills beautifuly sings here a true bouquet of songs in French and Spanish. A pleasure to the ear.
Estrellita is not a Spanish song as claimed by some commentators, but a Mexican one, whose author is the late Manuel M. Ponce.
Ugly.......2004-05-20
Sills screeching a mezzo-role? She already ruined belcanto with her puny, fake screeching!
Carmen.......2004-04-26
She DID sing Michaela. And it's said that she also did Carmen. But if she did, she was completely miscast. She also did Aida, live-recording of her Aida is...interesting. Anyway, Sills rules in the French rep, esp. as Manon.
Excellent disc.......2004-03-21
This is a fantastic disc and shows Beverly Sills at her interpretive best with zesty, go-for-broke vocalism that is truly wonderful to hear.
Sills DID sing Carmen. She sang it on tour in the 1950s.
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