Oh Otto [Import]

Track Listings

 
1. Das Hausboot
2. Im Sportstudio
3. Schnippi
4. Ostfriese? !
5. Im Wald
6. Robin Hood
7. Marchenstunde
8. Susi Sorglos
9. Das Brechmittel
10. Al Capone
11. Omw 2000
12. Titanic (Ms Charlotte)
13. Quiz Mit Otto Glitter
14. I'd Love You To Want Me
15. English - Lesson
16. Bucherwerbung
17. Gern Hab' Ichdie Frau' N
18. Karl Soost

Oh Otto,Otto,Sony,Brazil,Club/Dance,World Music
Mozart: Don Giovanni
Average customer rating: 5 out of 5 stars
  • A great Don (except for the sound)
  • IT'S A GREAT ONE!
 Mozart: Don Giovanni

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
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GermanGerman | Languages | Opera & Vocal | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. Mozart: Don Giovanni
  2. Mozart: Don Giovanni
  3. Mozart: Symphonies Nos 29, 35 (Haffner), 38 (Prague), 39, 40, and 41 (Jupiter)
  4. Mozart - Don Giovanni / Fischer-Dieskau, Fricsay
  5. Mozart: Symphony #40/Piano Concerto #20/Serenades #10 'Gran Partita' & #13 'Eine Kleine Nachtmusik - Wilhelm Furtwangler, Berlin Philharmonic

ASIN: B000BNV8E8
Release Date: 2006-01-10

Tracks:

  1. Sinfonia/Overture - Chor Der Wiener Staatsoper
  2. Notte E Giorno Faticar - Otto Edelmann
  3. Non Sperar, Se Non M'uccidi - Otto Edelmann
  4. Lasciala, Indegno!...Leporello, Ove Sei? - Various Artists
  5. Ma Qual Mai S'offre, Oh Dei - Anton Dermota
  6. Fuggi, Crudele, Fuggi! - Anton Dermota
  7. Orsu, Spicciati Presto - Otto Edelmann
  8. Ah, Chi Mi Dice Mai - Otto Edelmann
  9. Chi E La? - Otto Edelmann
  10. Madaminia, Il Catalogo E Questo - Otto Edelmann
  11. Giovinette, Che Fate All'amore - Walter Berry
  12. Manco Male E Partita - Various Artists
  13. Ho Capito, Signor, Si! - Walter Berry
  14. Alfin Siam Liberati - Cesare Siepi
  15. La Ci Darem la Mano - Cesare Siepi
  16. Fermati, Scellerato!...Ah! Fuggi Il Traditor! - Elisabeth Schwarzkopf
  17. Mi Par Ch'oggi Il Demonio Si Diverta...Non ti Fidar, O Misera...Povera Sventurata! - Various Artists
  18. Don Ottavio, Son Morta! - Anton Dermota
  19. Or Sai Chi L'onore - Elisabeth Grummer
  20. Come Mai Creder Deggio...Dalla Sua Pace - Anton Dermota
  21. Io Deggio Ad Ogni Patto - Otto Edelmann
  22. Finch'han Dal Vino - Cesare Siepi

Tracks:

  1. Massetto, Senti Un Po'! - Walter Berry
  2. Batti, Batti, O Bell Masetto...Guarda Un Po' - Walter Berry
  3. Presto, Presto, Pria Ch'ei Venga - Various Artists
  4. Tra Quest'arbori Celata - Walter Berry
  5. Bisogna Aver Coraggio - Various Artists
  6. Protegga Il Giusto Cielo - Elisabeth Schwarzkopf
  7. Riposate, Vezzose Raggzze - Various Artists
  8. Venite Pur Avanti - Various Artists
  9. Ecco Il Birbo Che T'ha Offesa! - Various Artists
  10. Trema, Trema, O Scellerato! - Various Artists
  11. Eh Via, Buffone, Non Mi Seccar...Leporello!...Signore? - Otto Edelmann
  12. Ah Taci, Ingisusto Core! - Otto Edelmann
  13. Amico, Che Ti Par? - Otto Edelmann
  14. Deh, Vieni Alla Finestra...V'e Gente Alla Finestra - Walter Berry
  15. Meta Di Voi Qua Vadano - Cesare Siepi
  16. Zitto, Iascia Ch'io Senta! - Walter Berry
  17. Verdrai, Carino, Se Sei Buonino - Erna Berger
  18. Di Molte Faci Il Lume...Sola, Sola In Buio Loco - Various Artists
  19. Mille torbidi Pensieri - Various Artists
  20. Dunque Quello Sei Tu...Ah, Pieta, Signori Miei!...Ferma, Perfido, Ferma! - Various Artists
  21. Il Mio Tesoro Intanto - Anton Dermota
  22. In Quali Eccessi, O Numi - Elisabeth Schwarzkopf
  23. Mi Tradi Quell'alama Ingrata - Elisabeth Schwarzkopf

Tracks:

  1. Ah, Ah, Ah, Questa E Buona - Otto Edelmann
  2. O Statua Gentilissima - Otto Edelmann
  3. Calmatevi, Idol Mio! - Anton Dermota
  4. Crudele? Ah No, Mio Bene! - Elisabeth Grummer
  5. Non Mi Dir, Bell'idol Mio - Elisabeth Grummer
  6. Gia La Mensa E Preparata - Otto Edelmann
  7. L'ultima Prova Dell'amor Mio - Elisabeth Schwarzkopf
  8. Che Grido E Questo Mai - Otto Edelmann
  9. Don Giovanni A Cenar Teco - Otto Edelmann
  10. Da Qual Tremore Insolito - Otto Edelmann
  11. Ah, Dov'e Il Perfido? - Various Artists
  12. Or Che tutti, O Mio Tesoro - Various Artists
  13. Questo E Il Fin - Various Artists

Customer Reviews:

5 out of 5 stars A great Don (except for the sound).......2007-06-27

I have to agree with the previous reviewer that as an operatic production, this recording is superb. The only downside is the sound quality, which probably could not be helped; one must simply take it on faith that EMI did their best to re-master the original tapes (though I feel that they may have overdone the bass parts in some places). The singers are superb, and you can hear the stage effects, which gives the recording a charming immediacy. Anyone who has only heard only modern recordings of the opera, which emphasize "period" instruments and tempos, should be warned that Furtwängler did not feel obliged to stick to any one particular set of tempi - he varies the speed quite a bit, even within particular numbers, but this reflects an overall aesthetic conception of the opera which he formed over many years (this recording was made in 1954, the year of his death) and which fits together perfectly in its own way.
Moreover, like the previous reviewer, I am glad that EMI is releasing this set for a reasonable price, and it is a good companion to the classic Giulini set (although I would recommend other versions of the opera as well - even some of the "period" interpretations).

5 out of 5 stars IT'S A GREAT ONE!.......2006-01-29

"Don Giovanni" is a very great, but difficult opera. It requires a charasmatic bass-baritone (or bass) for the title role, another equally great bass-baritone with a comic flair (for Leporello), two great leading sopranos for two very difficult roles (Donnas Anna and Elvira), a flawless lyric tenor (Don Octavio), and a pair of appealing younger singers for Zerlina and Massetto. It also doesn't hurt to have a sonorous Commandatore (a real bass)who can terrify Don Giovanni and take him to down at the end of the opera. This is an opera better left alone than presented even decently. The 1950's was a great time for Mozart singers, and many of them are right here on this live recording from Vienna in 1954. Cesere Siepi made the role of Don Giovanni his own and performed it many times (as well as on a commercial London recording which still is available). Elisabeth Schwarzkopf owned the role of Donna Elvira, and, in fact, can be heard on the EMI commercial recording made five years after this performance took place. Elisabeth Grummer was primarily a singer of the lighter Wagnerian roles, but her Donna Anna has power and passion. All of the other artists - Otto Edelmann, Erna Berger, Anton Dermota, Walter Berry, etc, were well known for their Mozart performances all through the decade. They mesh beautifully together in this performance, all under the exciting leadership of the legendary Wilhelm Furtwangler, who really finds the dramatic elements in this piece --- at the price of perhaps less emphasis on the lighter moments. Still, this is a towering performance, in excellent monophonic sound (yes, there are some stage noises, but no distortion or peaking). EMI has made it available at an incredibly low and wonderful price, and I can't see how anyone who loves Mozart would want to be without it under any circumstances. This is a great companion to the EMI Giulini set, and quite probably the superior of all the others.
It's a winner!
Mozart: Così Fan Tutte
Average customer rating: 4 out of 5 stars
  • Una de la mejores interpretaciones en CD del Cosi fan tutte
  • Overrated, but decent
  • Which classic Cosi to buy--Karajan or Bohm?
  • AN INEXPENSIVE EDITION OF A CLASSIC PERFORMANCE
 Mozart: Così Fan Tutte

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
GermanGerman | Languages | Opera & Vocal | Styles | Music
Similar Items:
  1. Puccini: Tosca / Freni, Pavarotti, Milnes, Rescigno, National Philharmonic
  2. Britten - Death in Venice / Peter Pears · John Shirley-Quirk · James Bowman · Kenneth Bowen · Stuart Bedford
  3. Cosi fan tutte (Opera Journeys Mini Guide Series)
  4. Puccini Without Excuses: A Refreshing Reassessment of the World's Most Popular Composer
  5. Mozart's Letters, Mozart's Life

ASIN: B000BL98ME
Release Date: 2006-01-10

Tracks:

  1. Sinfonia/Overture - Philharmonia Orchestra & Chorus
  2. La Mia Dorabella Capace Non E - Rolando Panerai
  3. Cessate Di Scherzar - Rolando Panerai
  4. E La Fede Delle Femmine - Rolando Panerai
  5. Scioccherie Di Poeti! - Rolando Panerai
  6. Una Bella Serenata - Rolando Panerai
  7. Ah, Guarda, Sorella - Elisabeth Schwarzkopf
  8. Mi Par Che Stamattina - Elisabeth Schwarzkopf
  9. Barbaro Fato!...Vorrei Dir, E Cor Non Ho - Sesto Bruscantini
  10. Stelle! Per Carita, Signor Alfonso - Elisabeth Schwarzkopf
  11. Sento, Oddio, che Questo Piede - Various Artists
  12. O Cielo, Questo E Il Tamburo Funesto - Various Artists
  13. Bella Vita Militar! - Philharmonia Orchestra & Chorus
  14. Non V'e Piu Tempo - Various Artists
  15. Muoio D'affano!...Di Scrivermi Ogni Giorno - Various Artists
  16. Oh, Di, come Veloce Se Ne Va Quella Barca! - Elisabeth Schwarzkopf
  17. Soave Sia Il Vento - Elisabeth Schwarzkopf
  18. Quante Smorfie...Quante Buffonerie! - Sesto Bruscantini
  19. Che Vita Maledetta - Elisabeth Schwarzkopf
  20. Ah, Scostati!...Smanie Implacabili Che M'agitate - Nan Merriman
  21. Signora Dorabella, Signora Fiordiligi - Elisabeth Schwarzkopf
  22. In Uomini, In Soldati Sperare Fedelta? - Lisa Otto
  23. Despinetta!...Chi Batte? - Lisa Otto
  24. Alla Bella Despinetta - Various Artists
  25. Oh, Ciel! Mirate: Uomini In Cosa Nostra - Various Artists
  26. Come Scoglio Immoto Resta - Elisabeth Schwarzkopf
  27. Ah, Non Partite! - Various Artists
  28. Non Siate Ritrosi - Rolando Panerai
  29. E Voi Ridete? - Rolando Panerai
  30. E Avete Ancora Coraggio Di Fiatar? - Rolando Panerai
  31. un'aura Amorosa Del Nostro Tesoro - Leopold Simoneau
  32. E Come Credi Che L'affar Finira? - Lisa Otto

Tracks:

  1. Ah, Che Tutto In Un Momento - Elisabeth Schwarzkopf
  2. Si Mora, Si, Si Mora - Various Artists
  3. Eccovi Il Medico - Various Artists
  4. Dove Son? Che Loco E Questo? - Various Artists
  5. Dammi Un Bacio, O Mio Tesoro - Various Artists
  6. Andate La, Che Siete Due Bizzarre Ragazze! - Elisabeth Schwarzkopf
  7. Una Donna A Quindici Anni - Lisa Otto
  8. Sorella, Cosa Dici? - Elisabeth Schwarzkopf
  9. Prendero Quel Brunettino - Elisabeth Schwarzkopf
  10. Secondate, Aurette Amiche - Rolando Panerai
  11. Cos'e Tal Mascherata? - Various Artists
  12. La Mano A Me Date - Various Artists
  13. Oh, che Bella Giornata! - Various Artists
  14. Il Core Vi Dono - Rolando Panerai
  15. Ei Parte...Senti...Ah No! - Elisabeth Schwarzkopf
  16. Per Pieta, Ben Mio, Perdona - Elisabeth Schwarzkopf
  17. Amico, Abbiamo Vinto! - Leopold Simoneau
  18. Donne Mie, La Fate A Tanti A Tanti - Rolando Panerai
  19. In Qual Fiero Contrasto - Leopold Simoneau
  20. Tradito, Schernito - Leopold Simoneau
  21. Bravo, Questa E Costanza - Rolando Panerai

Tracks:

  1. Ora Vedo Che Siete Una Donna Di Garbo - Elisabeth Schwarzkopf
  2. E Amore Un Ladroncello - Nan Merriman
  3. Come Tutto Congiura - Elisabeth Schwarzkopf
  4. Fra Gli Amplessi In Pochi Istanti - Elisabeth Schwarzkopf
  5. Ah, Poveretto Me, Cosa Ho Veduto! - Rolando Panerai
  6. Tutti Accusan Le Donne - Rolando Panerai
  7. Vittoria Padroncini! - Various Artists
  8. Fate Presto, O Cari Amici - Lisa Otto
  9. Benedetti I Doppi Coniugi - Various Artists
  10. E Nel Tuo, Nel Mio Bicchiero - Various Artists
  11. Bella Vita Militar! - Various Artists
  12. Bella Vita Militar! - Various Artists
  13. Sani E Salvi Agli Amplessi Amorosi - Various Artists
  14. No, Signor, Non E Un Notaio - Various Artists
  15. Ah, Signor, Son Rea Di Morte - Various Artists
  16. A Voi S'inchina, Bella Damina - Various Artists
  17. Fortunato L'uom Che Prende - Various Artists

Customer Reviews:

5 out of 5 stars Una de la mejores interpretaciones en CD del Cosi fan tutte.......2006-11-16

Esta es una de las mejores interpretaciones en CD del Cosi Fan tutte, en compañìa de la versión de Böhm de 1962. Uno de los méritos fundamentales de esta excelsa grabación es la magnífica dirección de Karajan. El maestro austriaco se demuestra en todo momento como un estilista consumado, obtiene timbres orquestales sugerentes y refinados, construye y define adecuadamente lo que es el "dramma giocoso", con gracia, con humor y justos toques de seriedad, todo con una elegante presición. Cuenta, por lo demás, con un cast abolutamente modélico; Elizabeth Schwarzkopf es considerada unánimemente por todos los criticos musicales como la intérprete de referencia del rol de Fiordiligi, por su imponente modo de esculpir y modelar las frases con un estilo y elegancia de fraseo espectaculares. Leopold Simoneau, es un Ferrando sutil e insinuante, ideal por su voz leve, clara y robusta a la vez. Es junto a Alfredo Kraus, de la versión Böhm 1962, el mejor intérprete histórico de este rol. Lisa Otto configura con musicalidad, vitalidad y fino humor una Despina excelente. Sesto Bruscantini, es sin duda el Don Alfonso de referencia, por su fina ironia y discreta elegancia, aunado a la belleza de su voz baritonal y excelente técnica. Rolando Panerai es el barítono brillante que todo aficionado serio a la opera conoce a la perfección. Excelente técnica, fraseo inteligente e incisivo, en suma un Guglielmo de referencia. Quizás el punto un poco mas debil del cast sea la Dorabella de Nan Merriman, pero solo si se la compara con el resto del cast, ya que se trata de una fina artista, muy musical y de excelente estilo (es necesario recordar que fue una de las artistas preferidas del gran Arturo Toscanini). En suma un clásico absoluto de la discografia, reconocido casi por unanimidad, por toda la crítica especializada y por los mozartianos en particular. Sería interesante comprarla junto a la versión de Böhm de 1962, ya que las dos son complementarias y no excluyentes.

3 out of 5 stars Overrated, but decent.......2006-03-29

As a whole, this recording isn't bad at all. As far as quality of sound goes, while it definitely shows its age, you probably wouldn't notice unless you compared it side-by-side with a modern recording.

My biggest complaint about this recording is the merciless abridgement. It seems like the powers that be were more interested in getting from aria to aria as quickly as possible, and so the recitatives were butchered to that end. That rankles me to no end, because opera isn't just about pretty music, it's about drama too! And the recitatives are an integral part of the drama. Ferrando's beautiful aria "Ah lo veggio" fell victim to this abridgement as well. Though that didn't stop me from considering Bohm's version as the best "first Cosi," there's just not enough merit in the rest of Karajan's recording to compensate for such a huge loss.

In regards to Schwarzkopf's performances as Fiordiligi, I think the Bohm version is far better. Though her voice is fresher and lighter here, I think the maturity and experience she gained by the Bohm recording fits Fiordiligi's character a lot better. This is not to say that her Karajan performance is mediocre, just not quite as marvelous.

Another thing that really bugs me about this recording is that this Don Alfonso sounds much too young, certainly too young to be so cynical. I prefer the more mainstream, mature Don Alfonso (like Cachemaille). I'm also not overly fond of their choice for Despina, who pronunces words funny. It's a really small matter, but it bugs me (kinda like how Kathleen Battle's Despina-with-American-accent bugs me).

Basically, this recording is worth getting if you already own Bohm's, Jacobs', Mackerras' and Solti's recordings. The only reason to get this recording is to hear the young Schwarzkopf, because there's nothing else there.

4 out of 5 stars Which classic Cosi to buy--Karajan or Bohm?.......2006-03-20

Whereas EMI was fortunate enough to make one Don Giovanni and one Marriage of Figaro for the ages, both under Giulini, they achieved mixed results with two versions of Cosi fan tutte. Neither is an obvious first choice, so I thought it was worthwhile comparing their respective pluses and minuses.

Karajan (1954): This mono recording is in good enough sound to compete successfully with Bohm's stereo version, with the singers placed very close up. They achieve a great deal of intimacy and nuance. Karajan favors tempo extremes, taking Schwarzkopf's two big arias, as well as her opening duet with Merriman, quite slowly. Stylistically, his approach is ultra-suave, which yields benefits in Bruscantini's sly urbanity as Don Alfonso, for example, but in the long run proves more than a little precious. As Fiordiligi, Schwarzkopf is younger and fresher than in Bohm's set, but there she has gained in artistry. Simoneau and Panerai are great as the two heros, probably the best pair on records. Nan Merriman as Dorabella is musically satisfying, but she has a fast beat in her voice that wears after a while.

Bohm (1963): This later performance is in good stereo, with the voices placed further from the mike than in Karajan's recording. Where Karajan is suave, Bohm is blunt. He misses many opportunities for subtle phrasing, yet given the choice, I'd rather hear his plain-faced Cosi than Karajan's overly sophisticated one. As to tempos, bohm is rrelaxed and often just as slow as Karajan--period performances from Ostmann, Gardiner and Jacobs go much faster. In the Karajan set the men were stronger than the laides; here it's the reverse. Schwarzkopf and Ludwig make ideal sisters, unrivalled for their musicality, even if Schwarzkopf can no longer quite negotiate Fiodiligi's cruelly difficult arias. The male pair are certainly good, but I find Alfredo Kraus's voice dry and his manner stiff; Taddei is fine, howevr. Walter Berry makes for a bluff Don Alfonso without a trace of Bruscantini's sly malice.

Naturally, thee's much more to say in detail, but I think I've given a fair sketch of the two performances. I've lived with both for a long time, and it pains me to say that on balance I prefer Karl Bohm, even though he is far from being a favorite conductor. The comvinaiton of Schwarzkopf and Ludwig carries the day.

5 out of 5 stars AN INEXPENSIVE EDITION OF A CLASSIC PERFORMANCE.......2006-01-30

EMI had been incredibly consistent with their Mozart opera recordings in the 1950's. Of course, their great fortune was to have conductors like Van Karajan, Giulini, and Furtwangler under contract. It was an age of great Mozart singers---Elisabeth Schwarzkopf, Anton Dermota, Irmgard Seefried, Sena Jurinac, and Leopold Simoneau - all of whom recorded for EMI. By 1954, Schwarzkopf and Von Karajan were already big ticket talent at EMI (they also had exclusive contracts with Maria Callas, Victoria de los Angeles, Nicolai Gedda, Tito Gobbi, Giuseppe di Stefano ---- seven-eighths of the greatest opera singers in the world at the time). This recording of Mozart's "Cosi Fan Tutte" comes from the height of that period, and it's very impressive indeed. Von Karajan's musicians make the most of Mozart's lush music, and the entire performance has a "float" to it that I find eludes other presentations of this opera. The legendary and gifted Schwarzkopf sings a beautiful Fiordiligi ---her "Come Scoglio" a real piece of virtuoso singing covering a span of two and a half octaves. Her singing throughout the opera is exemplary (I cannot understand one critic years ago referred to her performance as "pufferies of sound"---he's dead wrong!).
Schwarzkopf is well contrasted by Nan Merriman's Dorabella. Merriman was an American mezzo who frequently sang at the Met, and who could reach impressive vocal and interpretive heights when surrounded by artists of the caliber encountered in this performance. I know of no tenor recorded in the role of Ferrando who sounds as honeyed and lyrically beautiful as Leopold Simoneau -------this French-Canadian tenor was surely one of the great Mozart singers of virtually any generation. Rolando Panerai's light baritone is ideal for Guglielmo (Panerai was a used by EMI in a good share of their earliest Callas operas - and always made a good impression), and his sense of comedy is apt and highly appropriate in a role which, to be most effective, can't be overdone. Sesto Bruscantini, with his extensive experience in the buffo operas of Rossini, provides a robust Don Alfonso, and Lisa Otto is a cute and incisive Despina.
EMI is to be commended for making this wonderful performance available at such an inexpensive price. When it comes to Mozart operas, especially with the recordings EMI made in the 1950's, older is definitely better! Now ---- they need to release their legendary recording of "Die Entfuhrung Aus Dem Serail" with Leopold Simoneau. Highly recommended.
Mozart: Opera Arias
Average customer rating: 5 out of 5 stars
  • Heck, I Don't Even Like Most Opera
  • Mozart excerpts to end all excerpts
  • Great Combo of Mozart Arias
  • Great for Beginners
  • A Great Sampling of Mozart Arias
 Mozart: Opera Arias

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Allen, ThomasAllen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Arias | Opera & Vocal | Styles | Music
Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
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Freni, MirellaFreni, Mirella | Divas | Opera & Vocal | Styles | Music
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Nilsson, BirgitNilsson, Birgit | Divas | Opera & Vocal | Styles | Music
Soderstrom, ElisabethSoderstrom, Elisabeth | Divas | Opera & Vocal | Styles | Music
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CDs Under $7CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
ASIN: B000000UWC
Release Date: 1996-03-12

Tracks:

  1. Le nozze di Figaro: Non so piu cosa son
  2. Le nozze di Figaro: Non piu andrai
  3. Le nozze di Figaro: Porgi, amor
  4. Le nozze di Figaro: Voi, che sapete
  5. Le nozze di Figaro: Hai gia vinta la causa!
  6. Le nozze di Figaro: Dove sono i bei momenti
  7. Le nozze di Figaro: Aprite un po' quelgli occhi
  8. Le nozze di Figaro: Deh vieni, non tardar
  9. La Clemenza di Tito: Se all' impero
  10. Idomeneo: Fuor del mar
  11. Idomeneo: D'Oreste, d'Aiace
  12. Don Giovanni: Madamina, il catalogo e questo
  13. Don Giovanni: Or sai chi l;onore
  14. Don Giovanni: Finch' han dal vino
  15. Don Giovanni: Batti, batti, o bel
  16. Don Giovanni: Deh vieni alla finestra
  17. Don Giovanni: Vedrai, carino
  18. Don Giovanni: Il mio tesoro
  19. Don Giovanni: Mi tradi quell'alma ingrata
  20. Don Giovanni: Non mi dir, bell'idol mio

Tracks:

  1. Cosi fan tutte: Soave sia il vento
  2. Cosi fan tutte: Come scoglio immoto resta
  3. Cosi fan tutte: Un'aura amorosa
  4. Cosi fan tutte: Una donna a quindici anni
  5. Il re pastore: L'amero, saro costante
  6. Die Entfurhrung aus dem Serail: Ach Ich liebte
  7. Die Entfurhrung aus dem Serail: Martern aller Arten
  8. Die Entfurhrung aus dem Serail: Oh, wie will ich triumphieren
  9. Die Zauberflote: Der Vogelfdnger bin ich ja
  10. Die Zauberflote: O zittre nicht, mein lieber Sohn !
  11. Die Zauberflote: Die Bildnis ist bezaubernd schon
  12. Die Zauberflote: Bei, Mdnnern, welche Liebe f|hlen
  13. Die Zauberflote: Der Holle Rache
  14. Die Zauberflote: In deisen heil'gen Hallen
  15. Die Zauberflote: Ach, ich fuhl's
  16. Die Zauberflote: Ein Madchen oder Weibchen
  17. Die Zauberflote: Pa-pa-gena ! Pa-pa-geno !

Customer Reviews:

5 out of 5 stars Heck, I Don't Even Like Most Opera.......2002-02-24

There is Opera and then there is Mozart. As a lover of Mozart Operatic works, I am amazed at how unmoved I am by other Opera composers. There is just something about Mozart's Music, though, that makes me stop dead in my tracks. It actually does make me feel smarter -- and I know that is a loony thing to say, but I have to say it because it is true.
Anyways, these CD's present a vast quantity of quality recordings culled from Mozart's famous Operas making it a great introduction to those works. I especially love the second CD and find the tracks from The Magic Flute to be unbelievably beautiful -- including a very nice rendition of Pa-pap-gena! Pa-pa-geno.
My favorite track, though, remains 'Soave sia il vento' from Cosi Fan Tutte. For this sublime track alone, I am glad I bought this CD.

5 out of 5 stars Mozart excerpts to end all excerpts.......2001-06-21

It is hard to imagine a bunch of executives deciding to put these excerpts together. It is just too imaginative, an anthology designed in Record Collectors Heaven. There will not be universal agreement that every single selection is the best ever--even the best recording ever issued by Angel/EMI. But who will not be thrilled to hear the bits from the 1950s and very early 1960s by Wunderlich, Gedda, Schwarzkopf, the young Joan Sutherland, Moffo, etc. Yet those of us who still love the Angel Mozart recordings of that time need to hear more recent interpretations as well, and each one of these is really fine. Because so many of the complete recordings are either unavailable or not competitive in today's market, this seems like a self-congratulatory but not self-serving anthology. Where else would we get to hear, again and again, the Spanish soprano Pilar Lorengar sing Pamina's aria from the "Magic Flute"? It is lovely. 99% of the other selections are too. With a huge quantity of music on these two discs, you can't go wrong.

5 out of 5 stars Great Combo of Mozart Arias.......2001-01-14

If you have heard of Mozart, but you don't know some or most of his most famous operatic music, this album would be a great start for you. This is a great price for a set of 2 CDs full of operatic arias such as Voi Che Sapete(with great mezzo soprano voices by the way), Batti Batti, and a duet piece(Papagena, Papageno) from The Magic Flute. This is certainly one of the very well and richly combined album of Mozart's famous opera works. And, this indeed will be a great econonically smart gift idea for anyone who likes Mozart's music.

4 out of 5 stars Great for Beginners.......2000-05-02

This CD is a wonderful introduction to Mozart's most well-known operas as well as lesser knowns such as "Il re pastore" and "Die Entfuhrung aus dem Serail." There are three good things about this CD, and are as follows:

1st -- Most importantly for the beginner, it is DIRT CHEAP. Especially when considering that there are two CD's. WOW.

2nd -- The variety is great, and the CD chooses the most popular arias and duets from each of the operas.

3rd -- The singers aren't complete unknowns as in other Seraphim CD's. So you have some pretty good singers singing good songs like Hermann Prey singing a favorite of mine "Ein Madchen oder Weibchen," or Teresa Berganza singing "Voi, che sapete." So you are getting some quality for your small investment.

I love the fact that this CD includes those three attributes. It's a fantastic way for beginners to be introduced into the world of opera without too much risk if they end up not liking it at all... But I'm sure they'll love Mozart since most people do.

I must warn people though, do try and stay away from compilations of music that attest that they have everything that you could want from a composer. There are lesser known works that are absolutely fantastic and should be recognized and heard. I only recommend this compilation to beginners, and anyone who is truly interested in opera should be buying complete opera CD's, and even better, be going to hear operas live, as they should be heard.

5 out of 5 stars A Great Sampling of Mozart Arias.......1999-11-05

This CD is wonderful if you are unfamiliar with the different operas that Mozart wrote. This album offers a sampling of well known arias from Mozarts most famous operas. The singing and orchastrations were wonderful. A CD that is worth owning. (when I purchased this album I recieved the correct CDs)
George Gershwin Memorial Concert
Average customer rating: 4.5 out of 5 stars
  • An Absolute Must For Lovers of Music and History
  • A real collector's item, especially for old-time radio buffs
 George Gershwin Memorial Concert

Manufacturer: North American Class
ProductGroup: Music
Binding: Audio CD

All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
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GeneralGeneral | Opera & Vocal | Styles | Music
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Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
ASIN: B000006PDF
Release Date: 1998-04-28

Tracks:

  1. Opening Comments
  2. Prelude #2
  3. Commentary
  4. An American In Paris
  5. Commentary
  6. Eulogy
  7. Swanee
  8. The Man I Love
  9. They Can't Take That Away From Me
  10. Station Identification : Commentary
  11. 1st Movement : Allegro
  12. 2nd Movement : Andate con moto
  13. Concerto In F: 3rd Movement : Allegro con brio

Tracks:

  1. Intermission : Mrs. Leiland Atherton Irish; Oscar Hammerstein Tribute; Edward G. Robinson Tribute; Commentary
  2. Introduction To The Second Half
  3. Anthology : The Man I Love, Liza, Lady Be Good, Somebody Loves Me, Do It Again, I Got Rhythm, Wintergreen For President, Strike Up The Band
  4. Commentary
  5. Porgy And Bess: Introduction And Summertime
  6. Commentary
  7. Porgy And Bess: My Man's Gone Now
  8. Porgy And Bess: The Buzzard Song
  9. Porgy And Bess: The Train Song
  10. Porgy And Bess: I've Got Plenty O' Nuttin'
  11. Porgy And Bess: Bess, You Is My Woman Now
  12. Porgy And Bess: I'm On My Way
  13. Commentary
  14. Rhapsody In Blue

Customer Reviews:

5 out of 5 stars An Absolute Must For Lovers of Music and History.......2001-01-20

This album contains the best works of George Gershwin, played by the very best artists of the period. The quality of the recording is excellent, actually amazing considering that this recording was made in 1937. The music of the master, George Gershwin, and the authenticity of the playing is more than enough reason to buy the CD set. But there is more: The album consists of the complete two and one half hour historic radio program, broadcast as the announcer says "by short wave to the four corners of the earth." It is so moving that you can feel like you are experiencing it live. The 16 pages of liner notes that come with CD set have been carefully researched for historical accuracy and competent critical evaluation of the music. One could have wished the producers would have found room on the cover of the CD set to list Charles Previn, who conducted Concerto in F, which accounted for approximately thirty minutes of the playing time and for Nathaniel Shilkret and Nathaniel Finston who, as conductors, were the featured artists for another approximate half hour of playing time. One could only wish that there were only such minor complaints with all musical recordings. The producers deserve thanks for making this wonderful piece of history available to the public.

4 out of 5 stars A real collector's item, especially for old-time radio buffs.......2000-09-24

This recording preserves,for all posterity and in quite listenable sound for its time, one of the most important and moving cultural events of the early twentieth century--the full-length memorial tribute to George Gershwin, the USA's greatest composer ever,IMHO.

This was broadcast on CBS Radio in September,1937, barely two months after the composer's shocking and untimely death from a brain tumor at the age of thirty-eight. All of his most famous pieces for concert hall are heard here,and the advantage of hearing them in a live performance is that they are not edited, as they often would have been in recordings made during that era. (Gershwin's own recording of the "Rhapsody in Blue",made in the 1920's in a recording studio,is rather severely cut.)

Many of the performers, such as Fred Astaire and Oscar Levant, give memorable performances,but there are a few clinkers. The great German conductor Otto Klemperer may be brilliant in Beethoven and Bach, but he was not the man to conduct Gershwin's Second Prelude, heard here in an orchestral arrangement. He has no feel for jazz idioms whatsoever, and he makes this slow, blues-like piece sound like a dirge out of Mahler or Bruckner. It is,sad to say, the worst performance of the Prelude I have ever heard. And whatever possessed the producers of this concert to get Lily Pons,with her pronounced French accent,to sing "Summertime", rather than an American soprano,which they could have gotten easily? It throws the whole "Porgy and Bess" segment out of whack.

That "Porgy" segment, however, is one of the most valuable historical documents ever recorded. It presents members of the original 1935 cast of the opera performing unedited versions of several arias,duets and ensemble pieces from the opera, conducted by Alexander Smallens, the original conductor. And it presents perhaps the only surviving recording of Ruby Elzy,the original Serena, singing "My Man's Gone Now". (Miss Elzy was NOT featured on the so-called Broadway cast album; Anne Brown,the original Bess,sang Serena's music on that one,as well as singing Bess and Clara's arias.) And we finally get to hear Todd Duncan perform "The Buzzard Song", which was cut from the opera for a very long time.

Fred Astaire's spoken tribute to Gershwin is very moving, and at one point, his voice is heard cracking with emotion. The announcer and narrator, however, speaks in that overenunciated, dramatic, actorish style which was apparently the norm for radio announcers of that period. He sounds as if he were getting ready to either impersonate Orson Welles, or audition for "Hamlet", and his style of speaking is almost quaint nowadays.

But this album is still irreplaceable.

An update to this review - This edition of the memorial concert is apparently out of print, and the concert itself has been reissued as part of the ongoing CD series "The Radio Years". DO NOT BUY THAT VERSION. It is vastly inferior to this one. This version has spectacular sound for its time, and the new reissue sounds as if had been recorded through a tin can. And not only is the sound bad on the reissue, but there is tons of surface noise and the program itself seems to be abridged.

We can only hope that the edition listed on this page will be re-issued some day. This historic concert deserves no less.
The Viennese Nightingale
Average customer rating: 5 out of 5 stars
  • The Essential Coloratura Album
 The Viennese Nightingale

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Strauss, Saint-Saens / Rita Streich
  2. Rita Streich: Folksongs & Lullabies
  3. Pierre Fournier: Aristocrat of the Cello [United Kingdom]
  4. Rare Recordings 1963 -1974
  5. Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto

ASIN: B0000U1NGU
Release Date: 2004-02-10

Customer Reviews:

5 out of 5 stars The Essential Coloratura Album.......2007-02-16

The artistry of Rita Streich presented in this multi-disc set represents an art that in all likelihood would not return: the Viennese school of coloratura and lyrical singing.
Together with Elisabeth Schwarzkopf, Rita Streich studied voice with Maria Ivogun, a great coloratura soprano of the German-Austro school. Together with her colleague, Streich excelled in the Viennese-style coloratura singing. This album presents her wide range of repertoire from Austro-German to French to Italian opera; from classical opera to romantic Strauss operetta; from lieder to folk songs.
What this album does NOT include is Streich's Russian repertoire, some thing that, owing to her maternal descent, she was most adept at.
Unlike Schwarzkopf, Streich owned a voice that is out-right lyrical. It is even lighter, even more agile, even more silvery, though not as forceful as Schwarzkopf's on demand. Listen to her delightful "Bastien und Bastienne", her Mozart concert arias and enjoy her highly articulated, musically refined delivery. It is the exemplary Viennese singing. Her soubrettes as well as lyrical heroines are nothing short of being superb.
Not being as internationalised a singer as Schwarzkopf, Streich nonetheless was a representative figure of Viennese coloratura singing. Some times I would even feel that her coloratura is even more superior to that of the great dramatic coloratura of the 20th century, Joan Sutherland, again a very much more internationalised singer than Streich.
If you are undergoing voice training, this box set is essential.
Wagner: Les Introuvables du Ring
Average customer rating: Not rated
    		Wagner: Les Introuvables du Ring

    Manufacturer: EMI
    ProductGroup: Music
    Binding: Audio CD

    All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    Opera & VocalOpera & Vocal | Box Sets | Stores | Music
    ASIN: B000005GQX
    Release Date: 1994-01-01

    Tracks:

    1. Les Introvables Du Ring: Das Rheingold - Scene 1- Prelude
    2. Les Introvables Du Ring: Das Rheingold - Scene 1- Weia! Waga!
    3. Les Introvables Du Ring: Das Rheingold - Scene 1 - He He !
    4. Les Introvables Du Ring: Das Rheingold - Scene 1 - Garstig Glatter
    5. Les Introvables Du Ring: Das Rheingold - Scene 1 - Lugt, Schwestern
    6. Les Introvables Du Ring: Das Rheingold - Scene 1 - Bangt Euch Noch Nicht?
    7. Les Introvables Du Ring: Das Rheingold - Scene 4 - Bein Ich Nun Frei?
    8. Les Introvables Du Ring: Das Rheingold - Scene 4 - Weiche, Wotan, Weiche!
    9. Les Introvables Du Ring: Das Rheingold - Scene 4 - Furchtbar Nun Erfing Ich Des Fluches Kraft
    10. Les Introvables Du Ring: Das Rheingold - Scene 4 Schwules Gedunst Schwebt In Der Luft
    11. Les Introvables Du Ring: Das Rheingold - Scene 4 - Zur Burg Fuhrt Die Brucke
    12. Les Introvables Du Ring: Das Rheingold - Scene 4 - Abendich Straglt Der Sonne Auge
    13. Les Introvables Du Ring: Das Rheingold - Scene 4 - Ihrem Ende Eilen Sie Zu
    14. Les Introvables Du Ring: Das Rheingold - Scene 4 - Rheingold! Rheingold!
    15. Les Introvables Du Ring: Die Walkure - Act II- Scene 4 - Siegmund!
    16. Les Introvables Du Ring: Die Walkure - Act II- Scene 4 - Erdenluft Mass Sie Noch Atmen
    17. Les Introvables Du Ring: Die Walkure - Act II- Scene 4 - Weh! Weh! Sussestes Weib
    18. Les Introvables Du Ring: Die Walkure - Act II- Scene 4 - Zwei Leben Lachen Dir Hier
    19. Les Introvables Du Ring: Die Walkure - Act III - Scene 3 - Leb Whol, Du Kuhnes, Herrliches Kind!
    20. Les Introvables Du Ring: Die Walkure - Act III - Scene 3 - Der Augen Leuchtendes Paar
    21. Les Introvables Du Ring: Die Walkure - Act III - Scene 3 - Loge, Hor! Lausche Hieher!
    22. Les Introvables Du Ring: Die Walkure - Act III - Scene 3 - Incantation Du Feu - Magic Fire Music

    Tracks:

    1. Ls Intruvables Du Ring: Die Walkure - Act 1 - Prelude
    2. Ls Intruvables Du Ring: Die Walkure - Act 1 - Wes Herd Dies Auch Sei, Hier Muss Ich Rasten
    3. Ls Intruvables Du Ring: Die Walkure - Act 1 - Einen Unseligen Labtest Du
    4. Ls Intruvables Du Ring: Die Walkure - Act 1 - Mu Am Herd Fand Ich Den Mann
    5. Ls Intruvables Du Ring: Die Walkure - Act 1 - Friedmund Darf Ich Nicht Heissen
    6. Ls Intruvables Du Ring: Die Walkure - Act 1 - Die So Leidig Los Dir Beschied
    7. Ls Intruvables Du Ring: Die Walkure - Act 1 - Ich Weiss Ein Wildes Geschlecht
    8. Ls Intruvables Du Ring: Die Walkure - Act 1 - Ein Schwert Verhiess Mir Der Vater
    9. Ls Intruvables Du Ring: Die Walkure - Act 1 - Schlafst Du, Gast?
    10. Ls Intruvables Du Ring: Die Walkure - Act 1- Wintersurme Wichne Dem Wonnemond
    11. Ls Intruvables Du Ring: Die Walkure - Act 1 - Du Bist Der Lenz
    12. Ls Intruvables Du Ring: Die Walkure - Act 1 - O Susseste Wonne!
    13. Ls Intruvables Du Ring: Die Walkure - Act 1 - Siegmund Heiss Ich

    Tracks:

    1. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - War Es So Schmahlich, Was Ich Verbrach
    2. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Deinen Leichten Sinn Lass Dich Denn Leiten
    3. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Du Zeugtest Ein Edles Geschlect
    4. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Leb Wohl , Du Kuhnes, Herrliches Kind
    5. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Der Augen Leuchtendes Paar
    6. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Loge, Hor! Lausche Hieher
    7. Les Introuvables Du Ring: Die Walkure - Act III Scene 3 - Incantation Du Feu
    8. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Heil Dir Sonne
    9. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - So Starb Nicht Meine Mutter?
    10. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Dort Seh Ich Grane
    11. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Heilig Schied Sie Aus Walhall
    12. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Oh! Siegfried!
    13. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Wie Des Blutes Strome Sich Zunden
    14. Les Introuvables Du Ring: Siegfried - Act III Scene 3 - Fahr Hin, Walhalls Leuchtende Welt!

    Tracks:

    1. Les Introuvables Du Ring: Gotterdammerung - Prologue - Zu Meuen Taten Teurer Helde
    2. Les Introuvables Du Ring: Gotterdammerung - Prologue - Mehr Gabst Du Wunderfrau
    3. Les Introuvables Du Ring: Gotterdammerung - Prologue - O Heilige Gotter!
    4. Les Introuvables Du Ring: Gotterdammerung - Prologue - Voyage De Siegfried Sur Le Rhin
    5. Les Introuvables Du Ring: Gotterdammerung - Hier Sitz Ich Zur Wacht
    6. Les Introuvables Du Ring: Gotterdammerung - Act II Scene 3
    7. Les Introuvables Du Ring: Gotterdammerung - Act II Scene 4 - Helle Wehr! Heilige Waffe
    8. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - March Funebre
    9. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - Starke Scheite Schichtet Mir Dort
    10. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - Wie Sonne Lauter Strahlt Mir Sein Licht
    11. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - O ihr, Der Eide Ewige Huter!
    12. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - Mein Erbe Nun Nehm Ich zu Eigen
    13. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - Fliegt Heim, Ihr Raben!
    14. Les Introuvables Du Ring: Gotterdammerung - Act III Scene 3 - Grane, Mein Ross Sei Mir Gegruss!
    Best of Opera (Box Set)
    Average customer rating: Not rated
      		Best of Opera (Box Set)

      Manufacturer: Madacy Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
      OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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      GeneralGeneral | Classical | Styles | Music
      London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
      National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
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      FrenchFrench | Languages | Opera & Vocal | Styles | Music
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      All Bargain TitlesAll Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
      ASIN: B000000LDK
      Release Date: 1995-07-20

      Tracks:

      1. The Magic Flute: Overture
      2. The Magic Flute: Aria From The Queen Of The Night
      3. The Magic Flute: Sarastro's Aria
      4. The Magic Flute: Chorus Of The Three Graces
      5. The Magic Flute: Aria Of The Queen Of The Night
      6. The Magic Flute: Tamino's Aria
      7. The Magic Flute: Priest's Chorus
      8. The Marriage Of Figaro: Overture
      9. The Marriage Of Figaro: Susanne's Aria
      10. The Marriage Of Figaro: Chorus Amanti Constanti
      11. The Abduction From The Seraglio: Overture
      12. The Abduction From The Seraglio: Aria Of Blondchen
      13. The Abduction From The Seraglio: Aria Of Blondchen
      14. Cosi fan tutte: Overture
      15. Cosi fan tutte: Despina's Aria
      16. Cosi fan tutte: Despina's Aria
      17. La Clemenza di Tito: Overture

      Tracks:

      1. Fidelio: Abscheulicher, wo eilst du hin
      2. The Coronation Of Poppea: Addio, Roma
      3. La Favorita: Oh Leonore
      4. Orfeo ed Euridice: T'assiste Amore
      5. William Tell: Qui Vous L'Arrachez
      6. Orfeo ed Euridice: Che Fare Senza
      7. The Barber Of Seville: Overture
      8. The Barber Of Seville: Una Voce Poco Fa
      9. La Gazza Ladra: Overture

      Tracks:

      1. If I Were King: Overture
      2. Aida: O Patria Mia
      3. Carmen: Outside The Wall Of Sevilla
      4. Aida: Ritorna Vincitor
      5. TOSCA: Vissi D'Arte
      6. Samson And Delila: Mon coeur s'ouvre ta voix
      7. L'arlesiana: E la storia solita
      8. Werther: Aria of Charlotte: These Letters
      9. Il Bajazzo: Choir Of Paysans
      10. La Boheme: Si, mi chiamo Mimi
      11. The Merry Wives Of Windsor: Overture
      12. La Gioconda: Voce di Donna

      Tracks:

      1. Tannhauser: Dich Teure Halle, gruss' ich wieder
      2. La Gioconda: Suicidio - in guesti fieri
      3. La forza del destino: Overture
      4. TOSCA: E lucevan le stelle
      5. Prince Igor: Polovtzian Dances
      6. Notre Dame: Intermezzo
      7. Pique Dame: Oh Jungenderinnerungen
      8. La forza del destino: Pace, pace
      9. Lohengrin: Bridal Chorus
      10. Nabucco: The Prisoner's Chorus
      11. Carmen: Overture Act IV
      Opera Arias
      Average customer rating: Not rated
        		Opera Arias

        Manufacturer: Capitol
        ProductGroup: Music
        Binding: Audio CD

        Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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        GeneralGeneral | Arias | Opera & Vocal | Styles | Music
        Humperdinck, EngelbertHumperdinck, Engelbert | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Lehar, FranzLehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Strauss Jr., JohannStrauss Jr., Johann | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
        Strauss, RichardStrauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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        Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
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        RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ASIN: B00000DO6H
        Release Date: 1991-07-01
        Bravura Diva
        Average customer rating: 5 out of 5 stars
        • COMMENT & SUMMARY
        • Fine chocolate, indeed!
        • Brava, Bravura Diva
        • A New Queen Reigns in Bel Canto Singing
        • Like Fine Chocolate!
        		 Bravura Diva

        Manufacturer: Opera Rara UK
        ProductGroup: Music
        Binding: Audio CD

        Pacini, GiovanniPacini, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
        Larmore, JenniferLarmore, Jennifer | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
        London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
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        GeneralGeneral | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        ItalianItalian | Languages | Opera & Vocal | Styles | Music
        ClassicalClassical | Imports | Stores | Music
        Similar Items:
        1. Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
        2. Mozart: Violin Concertos, K. 216, 218, & 219
        3. Paventa Insano: Pacini and Mercadante Arias and Ensembles
        4. Mercadante Rediscovered
        5. HOMAGE: The Age of the Diva

        ASIN: B00095L8YI
        Release Date: 2005-08-09

        Customer Reviews:

        5 out of 5 stars COMMENT & SUMMARY.......2007-02-07

        Having often pondered and lamented upon who in the world eventually would fill Sutherland's golden slippers, I can now relax with the knowlege that those slippers are not only filled, but polished and reheeled! I only regret that one can merely imagine what celestial magic would have graced our ears had she been able to belt out a few with Horne.

        PRODUCT SUMMARY:
        "Jennifer Larmore's exceptional affinity with the bel canto repertoire, supported by her formidable technical armoury, has allowed Opera Rara the luxury of recording for this disc some of the most difficult vocal music of the 19th century. Virtuosity, then, is the theme of this album. It features music written for several of the greatest singers of the early 19th century, including Carolina Bassi, Rosmonda Pisaroni, Isabella Colbran and Maria Malibran. A lot has been written about the vocal abilities of these legendary singers. The music they sang is often very florid, the drama reinforced by pyrotechnical vocal hurdles, which on paper look just this side of impossible. It's only when you hear a singer of the calibre of Jennifer Larmore actually leaping those hurdles that you begin to understand what the fuss was all about. Works by Costa, Rossini, Pacini, Mercadante and Lauro Rossi are all featured on this CD which is accompanied by a fully coloured 100 page booklet with notes on each contribution written by the eminent specialist in 19th century opera Jeremy Commons." - Opera Rara

        5 out of 5 stars Fine chocolate, indeed!.......2006-05-17

        Larmore continues to amaze. Reading the Opera Rara histories, it begins to seem that Larmore may be the best mezzo in a couple of hundred years. We surely haven't seen many others attempting these three octave bel canto treks, and Larmore not only attempts, she succeeds.
        The reference to a voice like chocolate turned up in the promos and the review of her concert in March at the Eastman School of Music. And it's really not as crazy as it sounds, for Jennie's voice, like fine chocolate, is dark and sweet, and addictive. Unlike chocolate, however, it has no calories.
        This is music to smooth out the frayed nerves of a hard day, or a hard life, and this is a voice to hear in your head all day.

        5 out of 5 stars Brava, Bravura Diva.......2006-03-01

        Jennifer Larmore's meltingly beautiful yet powerful voice, aided by her rich coloring and emotional resonance, make her among the very best mezzo-sopranos of our day, or, in fact, of any day. There are more than a few critics and fans who compare her to the great Marilyn Horne. She is a consummate artist, and this magnificent collection of her vocal charisma and fireworks is long overdue. Anyone who has seen her in performance, in opera or recital, can attest that she is a pro in every respect. Having met her backstage several times, I can also tell you that she is lovely, charming, appreciative of her fans, and a "diva" in the "good" sense of the word. She takes time to talk to people and thanks them for their support.
        Even after Giulio Cesare at the Met or Carmen at the Washington Opera. Or a Master Class at the Yale Music School.

        More than perhaps any other mezzo today, Larmore brings her unique vocal artistry and dramatic verve to a range of well- known, as well as less well-known opera works, and brings them to vivid life.

        One can only look forward to a similar collection of Larmore's
        magnificent talents in the Baroque repertory. There is good reason to hope for Bravura Diva, Part II.

        5 out of 5 stars A New Queen Reigns in Bel Canto Singing.......2005-11-22

        Jennifer Larmore is one of those rare artists whose career seems more pointed toward solid, strong development of the voice and the repertoire than to the glamour that the opera world seduces artists to define. Larmore is a consummate vocalist whose technique and musicality are so solid that she doubtless will be on the performing stages for many years. And here is a sparkling CD of bel canto arias and ensembles that shows her strengths and musical intelligence.

        Arias by such composers as Sir Michael Costa, Luigi Arditi, Lauro Rossi, and Giovanni Pacini don't exactly ring familiar bells with the general public, but here Larmore gives this fine music the communication it needs to acquaint us with some splendid operas. Larmore is well known for her Rossini roles of the known works of the composer so it is with a bow to her musicality that she offers here arias from the lesser known operas 'Bianca e Falliero' and 'Elisabetta, regina d'Inghilterra'. She also gives us portions of Mercadante ('Andronico') not readily available on the stage, and while these arias are somewhat obscure Larmore delivers them with a rich, robust vocal color and facile technique that make them important. These arias were the territory of the infamous Pauline Viardot and Maria Malibran who in many ways 'created' bel canto, and like her predecessors Joan Sutherland and Marilyn Horne, she is up there with the best of them.

        Various conductors and orchestras are represented on this collection (some from previous recordings of entire operas) and the support from the conductors and other singers with whom she sings ensembles is consistently fine. Jennifer Larmore's time has come and this album is titled appropriately! Grady Harp, November 05

        5 out of 5 stars Like Fine Chocolate!.......2005-11-15

        A friend and I were talking about Jennifer Larmore's spectacular new CD and all he said was "It's like fine chocolate, addictive and you can easily eat the whole box!"...I agree, and I say, go ahead, eat the whole box...Fine chocolate is a perfect description for Ms. Larmore's unique mezzo voice. In top form, the new queen of Bel Canto shows us a thing or two about how this music must be sung. Now, I am quite partial to her voice, but this Opera Rara treat is a MUST for Bel Canto fans. The Pacini selections made me love this neglected composer. Buy the full length recording of Carlo di Borgogna and I guarentee you will not put it down. Also featured are Opera Rara favorites Majella Cullagh and the great Bruce Ford. What's more, the packaging features stunning shots of Larmore as Giulietta from Tales of Hoffman. Beat still my heart.

        World's Greatest Opera
        Average customer rating: Not rated
          		World's Greatest Opera

          Manufacturer: Madacy Records
          ProductGroup: Music
          Binding: Audio CD

          All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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          Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
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          ASIN: B000000LMM
          Release Date: 1999-08-17

          Tracks:

          1. The Marriage Of Figaro: Ov - London Festival Orch/Alfred Scholz
          2. La Gioconda: Suicidio-In Guesti Fieri - Vanca Gerlovic
          3. The Force Of Destiny: Ov - Slovak PO/Bystrik Rezucha
          4. The Barber Of Sevilla: Una Voce Poco Fa - Miki Sahashi
          5. Fidelio: Abscheulicher, Wo Eilst Du Hin - Vanda Gerlovic
          6. La Boheme: Si, Mi Chiamo Mimi - Bozena Ruck-Focic
          7. La Favorita: Oh Leonore - Biserka Cvejic
          8. La Gioconda: Voce Di Donna - Ruza Pospisch-Baldani
          9. La Gazza Ladra: Ov - Pilharmonia Slavonica/Henri Adolph
          10. The Merry Wives Of Windsor: Ov - Pilharmonia Orch London/Christian Rainer
          11. Lohengrin: Bridal Chor - Chor Of The Opr Karsruhe Badische Staatskapelle/Marcel Courand

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