Trilhas E Temas V.1 [Import]

Track Listings

 
1. Crescendo Com Olivia
2. O Canto Das Sereias
3. Lagrimas Da Mae Do Mundo
4. Eldorado
5. Visao Da Cidade Perdida
6. Temada Vida
7. Rodando O Brasil
8. Filhos Do Sol
9. Tango
10. Ave Maria

Trilhas E Temas V.1,Marcus Viana,Sonhos E Sons,World Music
Lighten our Darkness
Average customer rating: 5 out of 5 stars
  • ravishing...
  • Marvelous
Lighten our Darkness

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Music for Compline
  2. Allegri Miserere-Tenebrae
  3. Morten Lauridsen: Nocturnes
  4. William Byrd: Laudibus in sanctis
  5. Pilgrimage to Santiago

ASIN: B000I2IS5Y
Release Date: 2006-10-17

Tracks:

  1. In Pace
  2. Libera Nos, Salva Nos
  3. Justorum Animae
  4. Pater Noster
  5. O Lord, The Maker Of All Thing
  6. Visita, Quaesumus Domine
  7. Abendlied
  8. O Christ Who Are The Light And Day
  9. O Gladsome Light
  10. Te Lucis Ante Terminum
  11. Alma Redemptoris Mater
  12. Ave Regina Caelorum
  13. Regina Caeli Laetare
  14. Salve Regina
  15. Ave Maria
  16. Bogoroditsye Dyevo
  17. In Manus Tuas
  18. In Manus Tuas

Tracks:

  1. Opening Sentences And Responses
  2. Psalm 91
  3. Lesson: Come Unto Me
  4. Respond: Into Thy Hands
  5. Hymn: Before The Ending Of The Day
  6. Keep Me As The Apple Of An Eye And Nunc Dimmittis
  7. The Apostles' Creed And Lord's Prayer
  8. Verscicles And Responses
  9. Confession And Absolution
  10. Responses And Collects
  11. We Will Lay Us Down In Peace
  12. Closing Responsies And Blessing

Customer Reviews:

5 out of 5 stars ravishing..........2007-07-02

if this recording is not on your short list of things to hear/do, it should be.
the Byrd setting of "Oh Christ who art our light and day" is one of the loveliest things that I have ever heard.
I play it ever day at the same, appointed hour; so comforting, so beautifully well-sung.
the Compline setting on Disc 2 is pretty memorable, too.
a strong rec.

5 out of 5 stars Marvelous.......2007-01-19

This is superb a capella singing. Each note, each syllable, is just right. John Rutter has a genius for writing and, as is the case here, performing religious choral music. The sound is gorgeous. Highest recommendation.
O Magnum Mysterium
Average customer rating: 5 out of 5 stars
  • This is an amazing, amazing product
  • a voice teacher and early music fan
  • Incredible
  • Very inspiring for this Christian (Catholic)
  • Amazing!
O Magnum Mysterium
Thomas Tallis , Tomas Luis de Victoria , Morten Lauridsen , Francis Poulenc , Sergey Rachmaninov , Franz Schubert , Anonymous , Spiritual Traditional , Henryk Gorecki , Christopher Cock , Robert Shaw Festival Singers , and Robert Shaw Chamber Singers
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Górecki, Henryk MikolajGórecki, Henryk Mikolaj | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale
  2. Sergei Rachmaninoff: Vespers (Mass for Unaccompanied Chorus)
  3. Choral Masterpieces
  4. Agnus Dei: Music of Inner Harmony
  5. Morten Lauridsen: Lux aeterna

ASIN: B00004WFLW
Release Date: 2000-08-22

Tracks:

  1. If Ye Love Me
  2. A New Commandment
  3. O Vos Omnes
  4. O Magnum Mysterium
  5. O Magnum Mysterium
  6. O Magnum Mysterium
  7. Praise The Name Of The Lord
  8. Der Entfernten
  9. Wondrous Love
  10. Amazing Grace
  11. Sometimes I Feel Like Moanin'
  12. Totus Tuus

Amazon.com

The trademark qualities of a Robert Shaw-trained chorus included perfect tonal blend and balance, expressive phrasing, and superb tuning. As an interpreter, Shaw hewed to the middle road, steering clear of eccentricities and honoring the composer's intentions. On this tribute disc, we hear these virtues coalesce in works such as Poulenc's austere Christmas hymn "O magnum mysterium," one of three settings of the text here. Shaw was at his best in works whose fervent spirituality he shared, and the selection from Rachmaninov's Vespers, with its repeated alleluias, is a highlight, both radiant and passionate. But then, virtually everything here is a highlight: the Schubert part song done to a turn with soft singing projected in rounded tones; the curve of "Wondrous Love"'s melody perfectly traced; and "Amazing Grace" in Shaw's arrangement all the more moving for its calm dignity. The longest piece, Górecki's Marian hymn "Totus tuus," is otherworldly in an enthralled reading that never loses focus. Like all of Shaw's Telarc recordings, the sonics are first-class. --Dan Davis

Customer Reviews:

5 out of 5 stars This is an amazing, amazing product.......2007-02-07

The only part of the CD I would quibble with is the selection from Rachmaninov's Vespers, but I'm really lucky and have heard that performed live several times and heard multiple recordings, and decided on one that I liked best early on.

If you aren't blown away by the performance of the Tallis, you'll probably still cry when you hear the Lauridsen later in the CD. One thing about this CD is that after hearing it, my standard for what I could expect in a recording became a lot higher.

5 out of 5 stars a voice teacher and early music fan.......2007-01-17

When Robert Shaw retired in 1988 as Conductor of the Atlanta Symphony Orchestra he returned to the conducting of unaccompanied choral music, that he had been involved with in the Robert Shaw Chorale in the 1950's and early 60's.
The selections on this disc are taken from several different Telarc recordings that were made at summer festivals he directed during the last decade of his life.
The Poulenc "O Magnum Mysterium" is one of the four motets on a Christmas album made in 1989. "Wondrous Love", "Amazing Grace", and "Sometimes I Feel Like a Moanin' Dove" are from the collection of 'American Hymns and Spirituals', performed and recorded in 1992. Gorecki's motet "Totus Tuus" appeared on 'Evocation of the Spirit' recorded in 1994.
In the Summer of 1989, the first year of Shaw's choral festivals in France yielded an impressive array of unaccompanied music which included Rachmaninoff's 'Vespers' or 'All Night Vigil', Op.37, the 2 Thomas Tallis pieces and the two in Latin by Vittoria.
"Der Entfernten" comes from a collection of 'Schubert Songs' for Male Chorus taped in the Summer of 1992. Morton Luridsen's 'O magnum mysterium', the most recent composition on this disc as well as the last recorded (1997), was included on 'A Robert Shaw Christmas'.
It is interesting to note that there are no less than three settings of the anonymous medieval text "O Magnum Mysterium". Shaw, a deeply spiritual man, often lamented about the commercialism that had pervaded the celebraton of the American Christmas. He retained a sincere awe for the miraculous details of the Nativity story, and it was natural that he should return again to music having this text, with its wondrous mixture of the homespun and the mystical, the lowly and the most high.

This is a truly interesting variety of compositions featuring a diversified group of fine composers!!!!.Any choral group that Shaw conducted always sang with much emotion and always great skill. There is never a 'ragged' entrance OR exit; there is never poor balance between the voices; the diction is crisp and clear and never 'muddied'; and the sound is ethereally beautiful. I would have liked to know who the personnel were in each of his 2 groups on this disc, but they were not listed, so I guess I never will know. Just a fabulous recording!!!!!

5 out of 5 stars Incredible.......2005-08-02

Who can listen to this without being humbled, yet enriched, as if walking through the courts of sacred and simple places?

5 out of 5 stars Very inspiring for this Christian (Catholic).......2004-07-22

I'd swear that Robert Shaw must have visited heaven and come back to write his rendition of O Magnum Mysterium (particularly track #5 with the chamber singers). It's my favorite classical piece, especially among choral works. I'd love to be in a great gothic cathedral like Notre Dame or Cologne and hear this piece. Even though you'll likely only be hearing this recording through your headphones in your room, it'll take you to the cathedrals and heaven itself.

I read somewhere that Robert Shaw was deeply religious/spiritual. I have no reason to doubt this...his faith shines through on this disk. I couldn't recommend it highly enough.

"Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband; and I heard a loud voice from the throne saying, "Behold, the dwelling of God is with men. He will dwell with them, and they shall be his people, and God himself will be with them; he will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain any more, for the former things have passed away." - Revelation 21

5 out of 5 stars Amazing!.......2004-02-10

In my choir at school, we are singing O Magnum Mysterium; I can't help from sinking into its soft harmonies. How to describe this feeling?--each bar more poignant than the last; dynamically profound; crystal clear tone; that clash between tenors in the chorus...it makes me believe in love and god all at once! Spectacular, this CD is--how lucky I am to have found it. Recommended to anyone with hearing.
The Essential Tallis Scholars
Average customer rating: 5 out of 5 stars
  • Great choral music CD
  • a voice teacher and early music fan
  • Lovely!!!
  • Beautiful, but a little cold
  • The Greatest Hits of a Pioneer Ensemble
The Essential Tallis Scholars

Manufacturer: Gimell UK
ProductGroup: Music
Binding: Audio CD

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  1. Tallis Scholars sing Palestrina
  2. Tallis: Spem in Alium
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  5. The Tallis Scholars Sing Thomas Tallis

ASIN: B00009NJ20
Release Date: 2003-09-09

Tracks:

  1. Miserere
  2. Ave Maria For Double Choir
  3. Sicut Lilium I
  4. Praeter Rerum Seriem
  5. Pater Peccavi
  6. Ego Flos Campi
  7. Tota Pulchra Es
  8. Descendi In Hortum Meum
  9. Alma Redemptoris Mater
  10. Salve Regina
  11. Ave Regina Caelorum
  12. Gloria

Tracks:

  1. Media Vita
  2. In Manus Tuas
  3. O Nata Lux
  4. Audivi Vocem
  5. Exaudiat Te Dominus
  6. Ah, Robin
  7. Salve Regina
  8. Kyrie
  9. Gloria
  10. Credo
  11. Sanctus
  12. Agnus Dei

Customer Reviews:

5 out of 5 stars Great choral music CD.......2007-01-26

This CD is excellent - a "must have" for every collection. Beautiful voices, relaxing music.

5 out of 5 stars a voice teacher and early music fan.......2007-01-08

The pieces on these two discs are taken from over fifteen years of recording by the Tallis Scholars, startng with the now-famous recording of Allegri's 'Miserere' from 1980. Allegri lived well into the Baroque era, dying in 1562, Therefore, he did not write the 'Miserere' in renaissance polyphony; and his chordal structure leaned toward the Baroque.
Victoria's 8-part 'Ave Maria' and Palestrina's 'Sicut lilium' are both pieces iln a contemplative mood, the first making direct reference to the Virgin Mary, and the second indirect reference to her via the poetry of the 'Song of Songs'. The remaining selections on Disc l, maintain the consistent, intense sonority of Flemish polyphony.
Disc 2 falls into two parts. The pieces by Sheppard, Tallis,White and Cornysh come from the first half of the sixteenth century and are part of the 'English School' of writing. Here the music is made up of long lines, more notes than syllables, with the emphasis on the part-writing and not the harmonic background.
The second part of Disc 2 is Byrd's five-part Mass, which was written in the 1590's for a recusant Catholic community. Byrd's music has drawn closer to the Flemish style; that is imitative voice parts, largely syllabic in setting with the occasional examples of word-paintings, and the voice parts closer together. But the mood has a different intensity than the writing on Disc one; darker and more questioning. Never was polyphony more passionate than in Byrd's masses,of which the five-part is the crowning achievement.
The members of the Tallis Scholars vary from year to year, and the list of participating singers is included in the accompanying booklet; but it does not tell you which singers are singing each year. That bothered me somewhat because I like to know to whom I am listening specifically. It does mention, however, that the solo group in Allegi's 'Miserere' is Alison Stamp (treble), Michael Chance (countertenor) Jane Armstrong and Julian Walker.
The recording is outstanding in every way. Perfect balance between the voices, perfect emotional investment, flawless dicton and the most beautiful vocal sounds you will ever hear; just Two and One-half hours of pure pleasure!!!!!

4 out of 5 stars Lovely!!!.......2006-06-02

This set of CDs is truly wonderful. I am fond of sacred choral music and purchased the CD mostly to obtain the recording of Gregorio Allegri's "Miserere Mei." This song alone is worth buying the set. I heard it live by an excellent college choir in my hometown and immediately set out to find the best recording of it. Most buyers recommended this recording over the others. (By the way "Miserere Mei: by Gregorio is hard to find.) Additionally the other songs are also so relaxing, flowing, and meditative. I will be honest . . .the Tallis Scholars sing well but not as flawlessly as the Cambridge Singers. You will note that not every consanant is hit in unison, but this is not overly disturbing. (Still that is the only reason for giving four stars instead of five.) The sound is still lovely and the songs gorgeous. In Media Vita is another gorgeous song (first on second CD). If you haven't heard it, I'm sure you'll love the flowing melody!

5 out of 5 stars Beautiful, but a little cold.......2006-02-06

The Tallis Scholars are the zenith of this type of singing, but sometimes they lack the vocal warmth that they probably could achieve if they were guided to do so. Still, this is a great CD, and even better for the 2 CDs of fine and uplifting singing.

5 out of 5 stars The Greatest Hits of a Pioneer Ensemble.......2005-09-27

For years, Tallis Scholars have been quietly revolutionizing our recovery of sacred music. This is their "greatest hits" collection and quite great indeed. The Miserere which begins the set is alone worth the price of the set. The only fault with it is that it is so startling, so obviously genuine, that you will still be hearing it as you play through the rest of the set. The Scholars' ongoing recovery project only proves how integral music is to the human psyche, how essential the sacred is to basic human sanity. And how the severence of the two in the public space and the popular imagination -- the sacred from music -- has severely damaged us all en masse.
Lambarena-Bach to Africa
Average customer rating: 4 out of 5 stars
  • A Communication between Alien Worlds
  • Absolutely amazing
  • Inspiring
  • sophisticated
  • keep it open
Lambarena-Bach to Africa

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Mozart in Egypt
  2. Mozart in Egypt 2
  3. Songs of Innocence
  4. Djelika
  5. African Voices

ASIN: B000002A94
Release Date: 1995-10-24

Tracks:

  1. Jesus bleibet meine Freude
  2. Sankanda
  3. Mayingo
  4. Herr, unser Herrscher
  5. Mabo Maboe
  6. Bombe
  7. Pepa Nzac Gnon Ma
  8. Mamoudo Na Sakka Baya Boudouma Ngombi
  9. Agnus Dei
  10. Ikoukou
  11. Inongo
  12. Okoukoue
  13. Lhr Lieblishste Blicke, ihr freudige Stunden
  14. Jesus bleibet meine Freude

Customer Reviews:

5 out of 5 stars A Communication between Alien Worlds.......2006-12-01

Electrifying...first let me say that this is among the 10 top CD's in my
entire music collection. Let me explain what this music is NOT. It is not a group of African singers and musicians performing Bach. No, instead it is the response of African musicians listening to the music of Bach and talking back in their own tonal language. First we hear melodies of Bach - tame and civilized - played on the traditional instruments, perhaps organ or piano or violin. On hearing Bach, the Africans join in and respond with their own raw, primeval, earth-centered music. Think of a bird which changes its song and rhythm in response to a classical flute melody and you get the idea. A treat not to be missed.

5 out of 5 stars Absolutely amazing.......2006-04-06

I have truly enjoyed this CD. As a Gabonese woman myself hearing the mix of traditional gabonese sounds, tribal language, and sounds and the heavenly music of Bach is truly...heaven. I do understand that such a mix could be an atrocity for some classical music fans but just forget Bach alone and try to picture his music beinf celebrated by some people who before had maybe never heard of him... jst enjoy the coming ogether of two cultures... Pierre Akendengue is brilliant, simply brilliant!

5 out of 5 stars Inspiring.......2005-08-28

As a classically trained celleist and person who simply loves classical music- This album has been a tremendous insparation, opening my eyes to the true possibilities of music. The mix of the traditional music of Africa and Bach shows how cultures, from complete and totoal opposit ends of the world can come together and culturally unite. I would highly recommend this album to anyone who wants to see the true potential of Bach.

5 out of 5 stars sophisticated.......2005-08-06

The work in this record is amazing and incredibly sophisticated.
The blend is almost unthinkable, but after you listen to this CD you feel the musical magic that was created at that early days of the 29th century, where two opposite worlds meet to surprise our senses with new sounds.
A real banquet for a music lover!

4 out of 5 stars keep it open.......2005-03-28

We are all one world. Combining the sounds and rhythms of different cultures and eras can be a beautiful thing. This album does it well. With an open mind, you'll find yourself swept away, only to be brought back by the natural motion of your tapping foot or your swaying body.
Villancicos y Danzas Criollas
Average customer rating: 5 out of 5 stars
  • Perfect Performances
  • Mucho me pesa la cabeza
  • Just Get it!
  • This is such a great recording
  • ýCreoleý Songs and Dances from Old Spain to the New World
Villancicos y Danzas Criollas

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
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ASIN: B0000E64U4
Release Date: 2004-03-09

Tracks:

  1. Chacona: A La Vida Bona
  2. Danza Del Hacha - Hesperion XXI
  3. Moresca: Di Perra Mora
  4. Negrilla A 4: San Sabeya Gugurumbe
  5. Ritual Formulario: Hanacpachap Cussicuinin
  6. Joto
  7. Tono Humano: Ay Que Me Rio De Amor
  8. Mestizo E Indio: Tleycantimo Choquiliya
  9. Negra A 5: Antonya Flaciquia Gasipa
  10. Cachua - Hesperion XXI
  11. Rorro: Desvelado Dueno Mio
  12. Negrilla: A Siolo Flasiquiyo
  13. Juguete: Un Juguetico De Fuego
  14. Juguete A 4: Convidando Esta La Noche
  15. Guaracha: Ay Que Me Abraso
  16. Villancico A 8: Serafin Que Con Dulce

Customer Reviews:

5 out of 5 stars Perfect Performances.......2007-07-11

Villancicos y Danzas Criollas is a homage to the cultural traditions of Iberia and Ibero-America, showing the influence of European traditions in the Americas. The Villancico (also called Chanzoneta) is a form of poetry that was adopted for use in secular songs and, in the 17th century, for Christmas carols (the modern usage of the word denotes a carol). The secular songs were gradually replaced by the Romance while the Christmas carol form became more popular. The typical lyrics of villancicos have two or three stanzas followed by a refrain. The most religious-oriented villancico of this collection is Hanacpachap Cussicuinin (from Lima) where the author asks for their prayer to be answered.

The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.

As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.

As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.

4 out of 5 stars Mucho me pesa la cabeza.......2007-07-02


Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."

This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!

The massage is quite expansive!

Not a painful massage at all, but it does get inside your head!

5 out of 5 stars Just Get it!.......2006-08-20

It's hard to pick out anything special on this disk... everything is top-notch. The opening 'La Chacona' is a delight and it just gets better and better and better. The second piece definitely is having some fun setting the listener up for 'something.' The ritual piece is majestic while the tone changes again with the harp solo... Hesprion XX/XXI are treasures in the ocean of music.
Gracias, Senores!

5 out of 5 stars This is such a great recording.......2006-01-10

This recording is so great and so
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....

5 out of 5 stars ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16

An astonishing collection of vocal polyphony and dance music, largely from Guatemala, Peru, and Mexico. Performed with flair and feeling by the preeminent Spanish early-music ensemble of our time. Not to be missed!

My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.

In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.

Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.

Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."

I wouldn't want to give the impression that this music will appeal mostly to scholars. In fact, it is simply full of human joy, tenderness, and fun, qualities that leap across the centuries at us and need no special pleading, thanks to the terrific performances on this CD. You will enjoy it.
Moreschi - The Last Castrato
Average customer rating: 4.5 out of 5 stars
  • For historical reference, a must have.
  • A real rarity
  • a voice teacher and early music fan
  • What a beautiful voice!
  • A new world opened in front of me.
Moreschi - The Last Castrato

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Moreschi: The Last Castrato (Life & Times)
  2. Arias for Farinelli
  3. Farinelli
  4. The World of the Castrati: The History of an Extraordinary Operatic Phenomenon
  5. Farinelli

ASIN: B000000WYS
Release Date: 1993-01-21

Tracks:

  1. Domine salvum fac
  2. Et incarnatus est, Crucifixus
  3. Ideale
  4. Ave verum
  5. Tui sunt coeli
  6. Ave verum
  7. Crucifixus
  8. Crucifixus
  9. Pie jesu
  10. Hostias et preces
  11. Preghiera
  12. Ave Maria
  13. Incipt lamentatio
  14. Laudamus te
  15. Improperia
  16. La cruda mia Nemica
  17. Oremus pro pontifice
  18. Pope Leo XIII

Customer Reviews:

4 out of 5 stars For historical reference, a must have........2007-05-09

If you're looking for the best quality recording, it's not due to the recording technologies of that time; Allessandro Moreschi died in 1922. But, if you want to hear how a castrato could sound like, it's a great recording reference. Sound quality is average; a lot of hiss and clicks. The singer or the singing "seems" average too: a lot of scooping (remember: different times, different singing techniques, different tastes; could be the result of singing in the acoustics of the Sistine Chapel). But, I don't regret my choice because I wanted a recording I could go back to and appreciate the evolution of singing throughout history.

5 out of 5 stars A real rarity.......2007-05-07

Very interesting and rare recordings of the last castrato, even if his voice was at that time already rather exhausted. The most fascinating thing is to hear from living the voice of a Pope of the XIXth Century as Leo XIII was.

2 out of 5 stars a voice teacher and early music fan.......2006-10-03

Professor Alessandro Moreschi (1858-1922),made in 1902-3 about 10 recordings all devoted to 19th century religious music. For us today the great question is: how far do Moreschi's records allow us to form any notion of the characteristics of castrato singing in the great periods? To that question there can be no certain answer, but I think that the resemblance must be slight! To begin with Moreschi's technique, far from being impeccable, often sounds shaky; in some passages he fumbles for his notes and wavers almost comically as Florence Foster Jenkins herself. These vocal shortcomings can hardly be ascribed to the singer's advanced age, for in his mid-forties he ought to have been not far past him prime. Ancient though the records are, they are reasonably well-recorded and probably give a fairly accurate impression of Moreschi's tone quality, if not his volume. The voice, unquestionably a soprano, resembles that of neither boy or woman, being stronger than the one and less sauve than the other. And I am totally sure that he is a long way from Farinelli. He is surprising, but never exquisite. The most painful for me to listen to were:'Ave Verum' Mozart- 'Crucifixus' from 'Petite Messe Solenelle' Rossini-and 'Ave Maria' Schubert. My problem with this disc is no doubt the fact that I would not want anyone to think that Moreschi's voice even in his prime was in any way equal to the great castrati singers of the 17th century!!!!

5 out of 5 stars What a beautiful voice!.......2005-08-16

Moreschi's voice is incredibly beautiful. You have to get beyond the fact that this is an old recording and just listen to him hit those high notes without sounding shrill or breaking apart. In the end, this is your only chance to listen to a real castrato, and a good one at that.

4 out of 5 stars A new world opened in front of me........2005-08-16

As a long-time lover of classical music but an amateur in opera I got interested into the opera voices and the castrato voices especially since I read a book about the castratos (Anne Rice: Cry to Heaven).
I was at first slightly shocked about the CD. Spoiled by our standards today I had to get used to the voices and especially to the low quality of the recordings (1902-04). The more I was listening the better I liked it. I started to understand that this long ago poeple were feeling different and therefore singing different. So many more emotions and so much suffering, you can hear it in the music if you can open up to it and, ignore the bad technical part of it.
I don't regret buying this rare recording since it gave me more than just music.
Thanks for saving these recordings and thanks to Amazon for making it possible to buy them.
Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others)
Average customer rating: 4.5 out of 5 stars
  • Beautiful with excellent sound engineering and singing
  • Beautiful performances and some nice surprises
  • Heavenly
  • Marvelous sound
  • Gorgeous choral voices surrounding you
Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others)
Chanticleer , William Cornysh , John Taverner , Claudio Monteverdi , Vasily Polikarpovich Titov , Tomas Luis de Victoria , Vassili Polikarpovich Titov , Giovanni Pierluigi da Palestrina , Josquin Desprez , and Marianne Kach
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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  1. Mysteria
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ASIN: B00004SDN3
Release Date: 2000-07-11

Tracks:

  1. Ave Maria
  2. Ave Maria, Mater Dei
  3. Magnificat
  4. Stabat Virgo Maria
  5. Maria, Quid Ploras
  6. The Angel Cried Out
  7. Regina Caeli Laetare
  8. Alma Redemptoris Mater
  9. Ave Maris Stella
  10. O Thou Joy Of All The Sorrowful
  11. Ave Regina Caelorum A 8
  12. Ave Maria A 4
  13. Salve Regina A 5

Amazon.com

In the wake of its previous, Grammy-winning disc of contemporary madrigals (Colors of Love), the all-male a cappella ensemble that calls itself Chanticleer--in homage to Chaucer's Canterbury Tales --comes home to roost in this theme album of early music. After all, this is the territory that Chanticleer first staked out when the group banded together in 1978, and the return is most welcome. Magnificat offers manifold rewards, from the sensitive, imaginative culling of its program to the warmth and lithe interweaving of vocal layers in its execution (vividly recorded in splendid 20/24-bit process at the Skywalker Ranch)--not to mention the capsule music history that it traces. Like depictions of the Annunciation in medieval and Renaissance paintings, musical settings of texts that are centered on Mary abound during this period. Chanticleer's anthology includes familiar gems (the hymn "Ave Maris Stella"), but the group is delightfully unpredictable in many of its choices: examples of the polychoral sacred music of Russian Vasily Titov, contrafactum reworkings of two Monteverdi madrigals to Marian texts, and a full Magnificat setting by Tudor master John Taverner. The latter gives a microcosm of Chanticleer's vocal versatility, presenting stern, unadorned plainsong side-by-side with melodies that blossom like tendrils. Or listen to the ensemble's dynamic control, from the exultant climaxes of the Titov choral concerto to the achingly beautiful, held diminuendo on the second Monteverdi piece. Most impressive of all is that Chanticleer manages to avoid the bane of a cappella groups--a bland, homogenized sameness of sound--through its subtle variations in color and thoughtful musicality. A real treasure. --Thomas May

Customer Reviews:

5 out of 5 stars Beautiful with excellent sound engineering and singing.......2007-06-27

I got what I wanted ---some absolutely beautiful compositions with exquiste voices.
Should be a grammy nominee

5 out of 5 stars Beautiful performances and some nice surprises.......2005-06-17

This is a nice anthology of Renaissance music encompassing key composers of both the Prima and Seconda Prattica, including one or two less known names. The uniting theme is that of they are all in praise of the Virgin Mary. Most of these works are old war horses such as the Josquin Ave Maria which is beautifully performed. Their tempo for the Josquin is similar to that of the spacious approach of the Hilliard Ensemble, and unless you like this music performed at breakneck speed you will likely find this performance perfectly satisfying. If you are interested in an anthology of Renaissance music then this is a great choice, however for those of us with a strong interest in music of this period what really makes this essential listening is the two extraordinary pieces by Vasily Titov.

Titov composed at the time of Tsar Peter the Great's modernisation drive in Russia. He brought in composers from the West and Titov's music represents a marriage of the Italian compositional styles of the Seconda Prattica with the traditions of the Russian Orthodox Church. Like the grand architecture of St Petersburgs, and the Hermitage this is an fascinating mixture of Western influences with distinctly Russian ones. The twelve part polychoral writings have some of the dark solemnity of Russian Orthodox music while clearly being heavily influenced by the likes of Monteverdi, Gabrielli, Lassus and Palestrina. Perhaps a more authentically Russian approach to this music would have given far more prominence to the basses, but this still has trumendous impact. It makes it strange that there is so much interest in composers such as Tchaikovsky, Rachmaninov, Moussorsky, Shostakovich and the like but the Early Music movement have yet to catch up with Eastern Europe - Titov is very easily their equal and I would welcome more substantial recordings devoted to exploring this neglected composer.

This is a great recording recommended both to a general audience as well as to lovers of Renaissance music alike. The recorded sound is natural and full bodied. You can pick out individual voices in the chorus without them being drowned into an amorphous porridge of sound - a sign of a good recording. Still, I have heard wider sound staging and a wider dynamic range, so for all its virtues this is almost - but not quite - audiophile quality. Clearly a SACD format DSD recording would have been preferable.

5 out of 5 stars Heavenly.......2003-01-04

This is one of my first two DVD-audio discs. Some tracks are recorded from the audience perspective, with the choir across the front and cathedral ambience all around, and those are beautiful, but I gotta say I love the, "choir-around the room" recordings a little more. Track 3 in particular has the choir "doubled" with parts recorded seperately with the choir at the rear of the cathedral, a then they moved 'em all down front, and stuck the tracks together through the magic of digital editing. I don't have a DVD-audio player yet so I'm just listening to the compressed Dolby 5.1 tracks. Can't imagine it sounding any better, though. Get this disc. Seriously, do it so you can go to heaven!

4 out of 5 stars Marvelous sound.......2002-03-08

This recording wraps you up in a gorgeous sonority, and I'm only listening in stereo. I can't wait to hear it when I fill out my speaker ensemble.

5 out of 5 stars Gorgeous choral voices surrounding you.......2002-02-03

I hesitated to buy this disc until a friend told me he knew one of the members of Chanticleer; then again I also had nothing like it in my collection. The sound is rich and resonant. You should know it is recorded realistically, in a variety of soundfields, i.e. sometimes there is a processional from front to rear, sometimes choruses on upper left/right, or from all around you, depending on the material. If that sounds disconcerting be assured it isn't. This is a beautiful and soothing disc with a nice variety to it, and the sound is wonderful.
25 Sacred Choral Favorites
Average customer rating: 4.5 out of 5 stars
  • Religious Hit Parade
  • Very uplifting
25 Sacred Choral Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. Ave Maria
  2. The Only Choral CD You'll Ever Need
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  5. 25 Concerto Favorites

ASIN: B0000058IM
Release Date: 1997-07-01

Tracks:

  1. Messiah: Hallelujah Chorus - George Frideric Handel
  2. Messiah: For Unto Us A Child Is Born - George Frideric Handel
  3. Laudate Dominum - Wolfgang Amadeus Mozart
  4. Magnificat: Esurientes - Johann Sebastian Bach
  5. B Minor Mass: Credo - Johann Sebastian Bach
  6. B Minor Mass: Crucifixus - Johann Sebastian Bach
  7. Avinu Malkeinu - Jewish Traditional
  8. O Magnum Mysterium - Giovanni Pierluigi Da Palestrina
  9. Estote Fortes in Bello - TomLuis de Victoria
  10. Stabat Mater: Opening Movement - Giovanni Pergolesi
  11. Stabat Mater: Quae Moerebat - Giovanni Pergolesi
  12. Stabat Mater: Fac ut Ardeat - XXGiovanni Pergolesi
  13. Gloria: Opening Movement - Antonio Vivaldi
  14. Stabat Mater: Eja Mater - Antonio Vivaldi
  15. Magnificat: Quia Fecit - Claudio Monteverdi
  16. Requiem:: Dies Irae - Wolfgang Amadeus Mozart
  17. Requiem: Lacrimosa - Wolfgang Amadeus Mozart
  18. Tzadik Katamar - Louis Lewandowski
  19. Sanctus From Mass In A-Flat - Franz Schubert
  20. Requiem: Libera Me Domine - Gabriel Faure
  21. Requiem: Pie Jesu - Gabriel Faure
  22. Ave Verum - Wolfgang Amadeus Mozart
  23. The Creation: Achieved Is The Glorious Work - Franz Josef Haydn
  24. Messiah: Since By Man Came Death - George Frideric Handel
  25. Messiah: Amen - George Frideric Handel

Customer Reviews:

5 out of 5 stars Religious Hit Parade.......2002-04-08

I was torn between four and five stars for this album. In the end, it got five because of the inclusion of the two wonderful traditional Jewish songs - "Alvinu Malkeinu" and "Tzadik Katamar". They are the highlights of the disc for me (no, I'm not Jewish, but that doesn't matter) - and really, where else are you going to find this kind of music?

This CD serves the same purpose as a sampler disc - enticing the listener to buy the full works - Handel's "Messiah", Pergolesi's "Stabat Mater", Faurè's Requiem Mass, and what have you. Believe it or not, I had never heard any of "Messiah" - not even the Hallelujah Chorus in its entirety - before I purchased this CD. Now I realize what I've been missing and checked it out from the local library. Ditto for the unearthly beauty of Pergolesi's "Stabat Mater" - check out the samples of "Stabat Mater Dolorosa" and "Quae Moerebat" if you don't believe me.

The quality of the performers is excellent, and how can ANYONE pass up that price???? That is what ultimately clinched it at a solid five stars. I consider this CD one of my greatest finds - you will too.

4 out of 5 stars Very uplifting.......2000-05-21

This is a great bargain CD with excerpts from some familiar classics and some lesser known treasures. Many listeners, including myself, will want to own the complete performance of most of these works, but this CD is a good way to hear composers such as Lewandowski and Pergolesi, whose works may not already be a part of your music library. The opening movement of Vivaldi's Gloria as performed by the Atlanta Symphony and Chorus conducted by Robert Shaw is terrific. True to his reputation as one of the greatest choral conductors of all time, everything sounds just right under his baton. The other performances were not as highly distinguished in my humble opinion, but overall most of them were good, and many were excellent. For Handel's Messiah though, I highly recommend Sir Georg Solti conducting the Chicago Symphony and Chorus, starring Kiri Te Kanawa (once you hear the Solti version, most other Messiah performances don't feel as moving). And if you enjoyed this CD, you'll really love Kiri Te Kanawa's Ave Maria album.

Overall, this compilation is a really great selection of powerful, serene, and uplifting music. Some of the other CD's in the 25 Favorites series are not very satisfying, but this one is a real winner!
Zarzuela Arias & Duets
Average customer rating: 5 out of 5 stars
  • One of he greatest voice ever!
  • overall
  • Beautiful
Zarzuela Arias & Duets

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  5. Gitano

ASIN: B000003FW6
Release Date: 1995-09-04

Tracks:

  1. El Rey que rabi?: Mi t?o se figura
  2. El Caser?o: Bueno d?as
  3. La Canci?n del olvido: Marinela, Marinela
  4. El Cabo primero: Yo quiero a un hombre
  5. La Leyenda Del Beso: Amor, mi raza sabe conquistar
  6. Bohemios: No quiero que sepa que aqu? vengo yo
  7. La generala: Mi dulce sueno de adolescente
  8. MARINA: Pensar en ?l
  9. La Dolores: !Dolores m ... ! Aquu!
  10. El Nino jud?o: De Espana vengo
  11. Luisa Fernanda: Caballero del alto plumero
  12. La Rosa del Azafr?n: No me duele que se vaya
  13. Don Gil de AlcalBendita cruz
  14. El D?o de la Africana: Comprende lo grave de mi situaci?n

Customer Reviews:

5 out of 5 stars One of he greatest voice ever!.......2007-01-10

A privilege to hear this wonderful voice in these native, for her, works.

5 out of 5 stars overall.......2006-03-16

Great recording
Great music selection, Great orchestration

Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you

5 out of 5 stars Beautiful.......2001-09-29

This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.
Pilgrimage to Santiago
Average customer rating: 5 out of 5 stars
  • Transcendant spiritual beauty
  • More Gardiner than "Renaissance", but nonetheless undeniably vivid...
Pilgrimage to Santiago

Manufacturer: Soli Deo Gloria
ProductGroup: Music
Binding: Audio CD

All Works by DufayAll Works by Dufay | Dufay, Guillaume | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LassusAll Works by Lassus | Lassus, Orlando di(Lasso) | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Morales, Cristóbal de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
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GeneralGeneral | Opera & Vocal | Styles | Music
HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
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ASIN: B000IFRPUA
Release Date: 2006-11-14

Tracks:

  1. Dum Pater Familias
  2. Congaudeant Catholici
  3. O Virgo Splendens
  4. Parce Mihi Domine
  5. Alma Perpetui
  6. Jesu Rex Admirabilis
  7. Rite Majorem
  8. O Quam Gloriosum/Missa O Quam Gloriosum
  9. Kyrie
  10. Psallat Chorus Caelestium
  11. Gloria
  12. O Lux Et Decus Hispaniae
  13. Sanctus
  14. Benedictus
  15. O Venerande Christi
  16. Agnus Dei
  17. Nesciens Mater
  18. O Maria Vernans Rosa
  19. Vadam Et Circuibo
  20. Justorum Animae
  21. Sanctus

Customer Reviews:

5 out of 5 stars Transcendant spiritual beauty.......2007-05-19

After arriving at the end of this astonishing CD, any critical objectivity was swept away by the sheer transcendent quality of these performances. One need not be religious to understand something out of the ordinary is happening here. This was recorded in London in between performances in France and Spain where the choir hiked from town to town and performed the program in abbeys and churches, ending with a performance in the Cathedral of Santiago de Campostela.Surely the memories of those churches, their extraordinary spiritual qualities and acoustics, remained in the singer's ears and hearts during this recording session. So much of it is so beautiful, with the motet 'O Maria vernans rosa' by Clemens non papa being for me the highlight. It is hard to imagine anything more transcendant than the soaring treble lines and prismatic harmonies in that music.All that is missing are the candles and the incense. Glorious!

5 out of 5 stars More Gardiner than "Renaissance", but nonetheless undeniably vivid..........2007-01-22

In his first non-Bach recording for the Monteverdi Choir's own 'Soli deo gloria' label, John Eliot Gardiner presents a sublime programme of works from the 12th-16th centuries inspired by the renowned Santiago pilgrim route. If the CD does not quite surpass the Monteverdi Choir's 2005 recording of similar music ('Santiago a cappella', Universal/Emarcy 0028947630104), it is still by any account a magnificent achievement. The performances exhibit both impeccable ensemble and near-faultless intonation, and are beautifully encaptured within a warm and reverberant acoustic. In addition, Gardiner frequently exploits a slow 'tactus' to great effect, resulting in readings which are spiritually charged and spacious (perhaps most obviously in Morales' ubiquitous 'Parce mihi Domine', Mouton's 'Nesciens mater' and Clemens 'O Maria vernans rosa').

If there can be any criticism of the disc, it is that, at times, the towering force of Gardiner's musical personality is perhaps a little too dominant. In his defence, Gardiner makes no pretence that this is anything but a highly idiosyncratic account, a fact as obvious from the presentation (note the CD cover and booklet notes featuring personal reflections from himself [pp.1-2] and members of the choir [pp.34-5]) as from the performances themselves. A number of the interpretations, for example, rely on a rhetorical approach to dynamics and tempo arguably more appropriate to late 16th/early 17th century secular music than 'prima prattica' (and earlier) sacred music, and whilst this musicological liberty is often effective, sometimes it is not. The declamatory 'forte' outbursts of Dufay's 'Rite majorem' are indicative of this over-emphasis on text; similarly the rather organic tempo in Victoria's motet 'O quam gloriosum' sounds a little mannered in places and seems to contradict what is known about tempo in Renaissance music (see below *). Additionally, the choice of forces (see below **) and occasional mannerisms (such as the clipped 'Hosanna' in the Sanctus and Benedictus of Victoria's Mass) are powerfully suggestive of the mixed-voice Cambridge choral tradition of Rutter, Marlow and Brown (Gardiner himself having studied there). And incidentally, why is the Credo from Victoria's Mass silently omitted...?!

If the overall result, then, is really more a personal invitation to Gardiner's insight than an accurate representation of the selected works, this does not detract from the profound and ethereal experience which is created upon listening to this marvellous release. Highly recommended.


(*) It would be dangerous to interpret sources too literally, but it surely significant that contemporary theorists almost consistently relate the tactus to mediums with a regular factor, most commonly the heartbeat (e.g. Ramis de Pareia [1482], Adam of Fulda [1490], etc...), but also breathing (Gaffurius, 1496), walking (Buchner c.1520), etc.
(**) Performance of Iberian polyphony with instruments - rather than 'a cappella' (as here) - is well documented, and Santiago Cathedral itself boasted 4 salaried ministriles from 1539. In Rome too, where Victoria's Mass was published (1583), instrumental participation was common. The English jesuit Gregory Martin, describing music in Roman churches c.1576-8, for example, notes: "...with the Organs a childes voice shriller and louder than the instrument, tuneable with every pipe: Among the quyre, Cornet or Sagbut, or such like above the voices..." (Roma Sancta, 1581, p.96)

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