Ombre [Import]

Track Listings

 
1. Theme - Moondog
2. Der Himmel Über Berlin (Le Ciel au Dessus de Berlin) - Mark Hollis
3. Daily Planet - Erik Satie
4. Gnossienne, No. 4 - Arvo Pärt
5. Cantus in Memory of Benjamin Britten for String Orchestra and Bell
6. Stand by Me
7. Saida - Laurie Anderson
8. Cello Solo [Live] - Laurie Anderson
9. We've Got Four Big Clocks (And They're All Ticking) [Live]
10. Climax 4 - Alain Bashung
11. Le Paradis Terrestre {Extrait de la Mort d'Orion}

Editorial Reviews

Product Description
The Famed Designer Assembled the Tracks Featured on this CD in Conjunction with a Retrospective Exhibition of his Life's Work at the Beauborg Center in Paris, 2003. In Addition to his Best Known Designs of Clothing, Furniture, Home Appliances, Corporation Logos, Hotel Décor and all the Other Aspects of his Realm, Starck also Shows that He Has a Keen Ear for the Musically Eclectic and Interesting. Starck's Taste is Impeccably Represented Here, as the Tracks of this Collection Are Quite Varied and Feature Works from Estonian Composer Arvo Part, American Avant-garde Artist Laurie Anderson, Former Talk Talk Singer Mark Hollis, Singing Legend Ben E. King, Composer Erik Satie and Many More. The Package Design Follows in Suit, with a Clear Soft Plastic Jewelbox that Presents the Disc Up to the Listener the Moment it is Opened.

Ombre,Various Artists,EMI Int'l,Int'l & World Music,Pop,World Music
Claude Debussy: The Composer as Pianist
Average customer rating: 5 out of 5 stars
  • Revelatory.
  • A primary source for interpreting Debussy
Claude Debussy: The Composer as Pianist

Manufacturer: Pierian
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Maurice Ravel: The Composer as Pianist and Conductor
  2. Bartók Plays Bartók
  3. Alexander Scriabin: The Composer as Pianist
  4. The Composer as Pianist
  5. Prokofiev Plays Prokofiev

ASIN: B00005IC03
Release Date: 2000-09-26

Customer Reviews:

5 out of 5 stars Revelatory........2004-01-27

Debussy lived into the age of recording, but the primary documents of his playing are his Welte-Mignon piano rolls. The Welte-Mignon contraption was a mechanical "player" which you set before a regular piano. It differed from the familiar player piano in that it could reproduce not only dynamics but touch and pedal technique. Mahler also recorded some of his pieces in this way. The problem with these things is their extreme fussiness. There's a problem with getting them to play at the intended speeds. You don't know, for example, how fast or slow Debussy intended, say, "La cathedrale engloutie" simply by looking at the roll. Also, apparently Welte-Mignon players were fitted to the individual piano. However, Pierian has used the talents of an engineer, Kenneth Caswell, who has devoted decades to the innards of the player, and the results have won the imprimatur of Harold Schoenberg himself, formerly a severe critic of modern Welte-Mignon reproduction. That's good enough for me.

All that said, I consider this one of the ten most important releases in the history of recording, even though I don't know what the other nine would be. Debussy is one of the master composers of keyboard music, along with Scarlatti, Bach, Beethoven, Chopin, Brahms, Schumann, Liszt, Bartok, Ravel, and Prokofiev. So the recording is the equivalent of having Bach play the Goldbergs for you. Does Debussy differ from benchmark performances, like Gieseking? Not to take anything away from Gieseking, but, yes, he does. I can describe it as an extreme inwardness, as if the composer were communing with himself. The fingerwork isn't as sure as some, but the outstanding feature of the playing is its outstanding singing or, considering the composer's subtle temperament, humming. I can't imagine anybody interested in Debussy's piano music passing up this CD.

We also get Debussy's acoustic recordings as Mary Garden's accompanist in the Ariettes oubliees and in an extract from Pelleas. These to me have more problems than the rolls, mainly because the sound is so crude, but I make that judgment precisely because I have the rolls. Without Caswell's dedication, I'd have been extremely grateful for the acoustic recordings.

5 out of 5 stars A primary source for interpreting Debussy.......2002-07-02

This is an album of Debussy's piano works played by Debussy himself. Most of the pieces are from rolls recorded by Debussy and played on Ken Caswell's beautifully and carefully restored Welte reproducing piano. There are also four acoustic recordings of Debussy vocal works, with Debussy playing piano.

The Welte reproducing piano records and plays back many aspects of piano playing (dynamics and touch) at remarkably high fidelity for the time. Thus these piano rolls are primary documents showing how Debussy intended his works to be played. While these recordings to not have the fidelity of modern acoustic recordings, it is possible to detect pedaling, tempo and dynamics. This recording has been the basis of scholarly research, such as the essay by Cecilia Denoyer in the book "Debussy in Performance", edited by James Briscoe.

The acoustic recordings of the vocal works are of much lower fidelity, but do give a sense of Debussy's feel of the piano.

If you are studying Debussy's piano works and want to know how to interpret his notation, this album is for you. If you just want to listen to Debussy's piano works, a modern recording may be more musically pleasing, but you may still enjoy hearing the pieces as they were played by the master himself.
Josquin Desprez: Motets & Chansons
Average customer rating: 4.5 out of 5 stars
  • A good reference disc
  • Beautiful music.
  • Beneath the objective criticism often lies a subjective grandeur
  • The Orlando Consort sings Desprez much better...
  • Splendid
Josquin Desprez: Motets & Chansons
Josquin Desprez , Paul Hillier , and The Hilliard Ensemble
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Palestrina: Missa Papae Marcelli, Missa Aeterna
  2. Perotin / The Hilliard Ensemble
  3. Machaut: Messe de Notre Dame / The Hilliard Ensemble
  4. Josquin des Prés: Missa Pange Lingua; Missa La Sol Fa Re Mi
  5. Dufay: Missa L'homme armé; Supremum est mortalibus bonum

ASIN: B000002SSH
Release Date: 1997-01-21

Tracks:

  1. Ave Maria... Virgo serena (Motet a quatre voix)
  2. Absalon fili mi (Motet a quatre voix)
  3. Veni Sancte Spiritus (Motet a six voix)
  4. De profundis clamavi (Motet a quatre voix)
  5. Scaramella va alla guerra And Scaramella fa la galla
  6. In te Domine speravi
  7. El grillo
  8. Milles regretz (chanson a quatre voix)
  9. Petite camusette (chanson a six voix)
  10. Je me complains (chanson a cinq voix)
  11. En l'ombre d'ung buissonet (chanson a trois voix)
  12. Je ne me puis tenir d'aimer (chanson a cinq voix)
  13. La deploration de Jehan Ockeghem

Amazon.com essential recording

The Hilliard Ensemble bathes these vital vocal works by Josquin in a Mediterranean light: clear, warm, and brilliant. Josquin was a northerner who, like so many other composers of the Renaissance, descended to Italy to pursue his career. The singers bring to life the composer's marriage of the Flemish preoccupation with technique and the southern instinct toward lyricism. This is an extraordinary disc. --Joshua Cody

Customer Reviews:

3 out of 5 stars A good reference disc.......2007-03-20

These performance are crystal claer, but seem to lack emotional investment.

4 out of 5 stars Beautiful music........2007-01-05

I just wish there was more recorded Desprez out there. Enjoy this lovely CD.

3 out of 5 stars Beneath the objective criticism often lies a subjective grandeur.......2006-07-14

3 1/2


Sacred choral works sung with the subtle graces of stained glass refracting light, still at times synonymous sentiment in tonality looses value in between a few more upbeat numbers. While focusing and authenticating to the vibration of what was undoubtedly a symbolic pillar of faith many centuries ago, one benefits more from a detached awareness from composition in favor of utter immersion into the sublime transitions throughout these hallowed vocals. Although hardly a definitive collection, this disc serves as a good introduction (& painful reminder) to the ancient, purist reception this stilling music once knew.

3 out of 5 stars The Orlando Consort sings Desprez much better..........2005-03-28

This unexpensive and rather short cd offers a selection of Desprez's works, both sacred and profane in a 50/50 ratio.

While some people may find the contrast between the (extremely)slow, stately religious pieces and the quick, playful songs in French and Italian stimulating, I found it slightly disturbing. I definitely would have preferred a selection of pieces with a greater unity of mood and style.

While the performance is certainly first-rate, the recording seems to me to be below average: when you turn up the volume, an annoying hum is heard in the background. Is this problem due to the inferior quality of my hi-fi? It might be, but the fact is that this maddening defect has appeared only on very few of my cds (it is also very evident on recordings of the King's College Choir).

I recommend in addition to this cd Ockeghem's Mass "De plus en plus" by the Orlando Consort. Ockeghem's Great Lament for the death of Jean Binchois is in my opinion much more beautiful and moving than Desprez's own lament for Ockeghem on this cd.

I also warmly recommend "Desprez: Motets", also by the Orlando Consort, an imported October 2000 Deutsche Grammophon CD, for me one of the best, if not the best Renaissance sacred music recording. IMHO, The Orlando Consort sings and interprets Desprez infinitely better than the Hilliard Ensemble and even beats the Tallis Scholars.

The total duration of this recording is 50 minutes.

5 out of 5 stars Splendid.......2005-02-23

Other reviewers have pretty much said it all-- all I can add is-- if you don't like James's voice, then don't listen to Hilliard. David James is to the Hilliard Ensemble what The Edge is to U2. ;)
Sacred Arias [Special Edition with Bonus DVD]
Average customer rating: 5 out of 5 stars
  • A spiritual experience
Sacred Arias [Special Edition with Bonus DVD]
Andrea Bocelli , Giulio Caccini , Cesar Franck , Charles Gounod , Franz Xaver Gruber , George Frideric Handel , Jean-Paul Lecot , Eric Levi , Steven Mercurio , Wolfgang Amadeus Mozart , Louis Niedermeyer , Gioachino Rossini , Franz Schubert , Giuseppe Verdi , John Francis Wade , Richard Wagner , Myung-Whun Chung , and Santa Cecilia National Academy Orchestra Rome
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Andrea Bocelli - Amore
  2. Romanza
  3. Sentimento: Andrea Bocelli with Lorin Maazel and the London Symphony Orchestra [Limited Edition w/ Bonus Track]
  4. Andrea Bocelli - The Opera Album ~ Aria
  5. Andrea Bocelli: A Night in Tuscany [Region 2]

ASIN: B0000CE9VO
Release Date: 2003-10-14

Tracks:

  1. Ave Maria
  2. Sancta Maria
  3. Ave Maria
  4. Ave Maria
  5. Panis Angelicus - Norbert Balatsch
  6. Cujus Animam
  7. Ingemisco
  8. Ave Verum Corpus
  9. Der Engel
  10. Frondi Tenere... Ombra Mai Fu
  11. Pieta, Signore - Norbert Balatsch
  12. Domine Deus
  13. Mille Cherubini In Coro - Norbert Balatsch
  14. Silent Night
  15. Adeste Fideles (O Come, All Ye Faithful) - Norbert Balatsch
  16. Gloria A Te, Cristo Gesu (The Hymn Of The Great Jubilee)
  17. Agnus Dei
  18. I Believe

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. This new special edition includes two bonus tracks on a CD enhanced with a picture gallery as well as a full-length DVD of Bocelli in concert filmed at the Basilica of Santa Maria sopra Minerva in Rome. --Thomas May

Album Description

Special Edition includes enhanced CD with bonus tracks and concert DVD.

Customer Reviews:

5 out of 5 stars A spiritual experience.......2003-11-27

The DVD is the full 77 minute concert with two featurettes previously released alone. The CD is the full 72 minute concert previously released alone, except that two bonus tracks have been added. The audio quality of each one is quite good. (If you have a Dolby Digital stereo, then you must go into the setup menu on the DVD to select Dolby Digital sound. The default music track is the stereo 2.0 sound.) The video quality of the DVD is astonishing.

The DVD gives the feeling that you are in the church with the other worshippers. It literally sends chills up and down my spine. I highly recommend this CD/DVD combination Special Edition while it is still available.
A - Z of Opera (includes 762 page booklet)
Average customer rating: 5 out of 5 stars
  • AN OPERA OPUS THAT'S A MUST!
  • The Best
  • Superb Modestly Priced Favorite Arias Collection!!!
  • Wonderful introduction to opera
A - Z of Opera (includes 762 page booklet)
Puccini , Thomas Harper , Ingrid Kertesi , Scholars Baroque Ensemble , and Hungarian State Opera Orchestra
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A to Z of Classical Music
  2. The Most Famous Opera Duets
  3. The Most Famous Opera Arias
  4. The Best of Italian Opera
  5. Rapture: Opera's Most Heavenly Moments

ASIN: B00004YYRR
Release Date: 2000-10-17

Tracks:

  1. L'Orfeo: Sinf/Ecco Pur Ch'a Voi - Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo
  2. Dido And Aeneas: When I Am Laid In Earth - Kym Amps
  3. Rinaldo: Lascia Ch'io Pianga - Ingrid Kertesi
  4. Serse: Ombra Mai Fu (Largo) - Ingrid Kertesi
  5. Orfeo Ed Euridice: Dance Of The Blessed Spirits - Slovak State PO/Johannes Wildner
  6. Alceste: Ombre Larve - Theresa Ringhoz/Drottningholm Theatre Chor
  7. Don Giovanni: Madamina! (Catalogue Aria) - Andrea Martin
  8. Cosi Fan Tutte: Soave Sia Il Vento (Terzetto) - Joanna Borowska/Rohangiz Yachmi/Peter Mikulas
  9. The Marriage Of Figaro: Non Piu Andrai - Natale De Carolis
  10. Die Zauberflote: Der Holle Rache (Aria Of The Queen Of The Night) - Helen Kwon/Hungarian Festival Chor
  11. Fidelio: Abscheulicher! - Inga Nielsen/Hungarian Radio Chor
  12. Der Freischutz: Huntsmen's Chor - Slovak Phil Chor
  13. The Barber Of Seville: Largo Al Factotum - Roberto Servile
  14. L'Elisir D'Amore: Una Furtiva Lagrima - Vincenzo La Scola
  15. I Puritani: Qui La Voce Sua Soave - Luba Orgonasova
  16. La Traviata: Un Di Felice (Love Duet) - Monika Krause/Yordy Ramiro
  17. Nabucco: Va Pensiero (Chor Of The Hebrew Slaves) - Slovak Phil Chor (Bratislava)
  18. Aida: Grand March - Nat SO Of Ireland/Rico Saccani
  19. Falstaff: E Sogno? O Realita - Roberto Servile

Tracks:

  1. Rigoletto: La Donna E Mobile - Yordy Ramiro/Slovak Phil Chor
  2. Die Walkure: Ride Of The Valkyries - Czecho-Slovak RSO/Uwe Mund
  3. Tannhauser: Begluckt Darf Nun Dich (Pilgrims' Chor) - Slovak Phil Chor
  4. La Wally: Ebben, Ne Andro Lontana - Miriam Gauci
  5. Rusalka: O, Silver Moon (Song To The Moon) - Jana Valaskova
  6. Gianni Schicchi: O Mio Babbino Caro - Luba Orgonasova
  7. La Boheme: Che Gelida Manina - Jonathan Welch
  8. Madama Butterfly: Un Bel Di Vedremo - Miriam Gauci
  9. Tosca: E Lucevan Le Stelle - Giorgio Lamberti
  10. Turandot: Nessun Dorma - Thomas Harper/Slovak Phil Chor
  11. Lakme: Dome Epais (Flower Duet) - Adriana Kohutkova/Denisa Slepkovska
  12. Thais: Meditation - Janos Selmeczi
  13. Carmen: L'Amour Est Un Oiseau Rebelle (Habanera) - Graciela Alperyn/Slovak Phil Chor/Bratislava Children's Chor
  14. The Pearl Fishers: Au Fond Du Temple Saint (Duet) - Janez Lotric/Igor Morozov
  15. Pagliacci: Recitar!... Vesti La Giubba - Nicola Matinucci/Slovak Phil Chor
  16. Cavalleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
  17. Andrea Chenier: Come Un Bel Di Di Maggio - Thomas Harper
  18. King Roger: Roxana's Aria - Barbara Zagorzanka
  19. Die Tote Stadt: Gluck, Das Mir Verblieb (Marietta's Lied) - Katarina Dalayman/Thomas Sunnegardh/Tomtberga School Children's Chor/Royal Swedish Opr Chor

Album Description

A-Z of Opera is a 762-page, illustrated book, accompanied by two-and-a-half hours of opera's most glorious and moving moments on two CDs, and reflects the ever-growing Naxos catalog of recordings ranging from Monteverdi to the contemporary. A-Z of Opera provides a wide range of information on operas and their composers, from Handel's Rinaldo to Mozart's Die Zauberflote, and beyond. It features plot synopses, background details and cast lists for hundreds of operas including well-known standards as well as opera rarities. In addition, there is a wealth of information about all the great composers and a glossary of key musical and operatic terms.

Customer Reviews:

4 out of 5 stars AN OPERA OPUS THAT'S A MUST!.......2003-01-19

Oh, such letter-perfect perfection! This marvel features a two-hour-plus showcase of well-known arias from "Cosi Fan Tuti," "Aida," "Carmen," "Madame Butterfly" and "The Barber of Seville." It also comes with a book --- 762 pages of remarkable facts, figures and illustrations.Encore!

5 out of 5 stars The Best.......2002-06-09

This is, by far, the best introduction to opera on the market. It also contains some gem performances for anyone who already has a serious opera collection. Several tracks on this collection of mostly Eastern European singers rival those of their Western counterparts. This is a collection for EVERYONE - from the opera novice to the person who has long collected all the major Western stars. At this price, it's the best opera bargain in the world. GET IT NOW!!! Thank you, Naxos! I hope that some of these Eastern European singers at last get the attention they deserve.

5 out of 5 stars Superb Modestly Priced Favorite Arias Collection!!!.......2001-02-12

I received this as my 20th birthday gift from my bestfriend and I was amazed at the quality and the content of this CD. Some of the arias which I am immensely fond of are included, i.e. "Habanera" from Bizet's "Carmen." And who would have guessed that the soprano on track 10 performing Queen of the Night's Aria from Mozart's "Die Zauberflote" was none other than Hellen Kwon? Amazing!

I really love this gift from my bestfriend for it was thoughtful and well, what can I say that this makes an excellant gift for opera neophytes (though I am not an opera neophyte).

The highlight of this CD is track 13, Rossini's "Largo al Factotum" from "The Barber of Seville." When I first heard this, I was contemplating to myself as to where have I heard this before. Then it hit me: Michigan J. Frog's signature tune! (In case people are wondering who on earth is Michigan J. Frog is, he is the Warner Brother's frog; the frog can be seen on WB network channel). I love this track! Buy this for yourself if not this makes a perfect gift for your opera neophyte friend(s)! This track brings joy and smiles on my face everytime I hear this piece!

5 out of 5 stars Wonderful introduction to opera.......2000-12-16

More than just a promotional sampler, the Naxos (8.555037-38) contains not only 2 CDs crammed with 39 excerpts from that company's seemingly bottomless catalogue, but also a 762 page book. The text offers plot summaries of almost every important opera and many of far lesser renown (Delius' "The Magic Fountain," Mascagni's "Iris," for example), a brief biography of the composers, a glossary, and finally a discography. The recorded examples are in chronological order from Monteverdi to Korngold. The entries in the book, however, are in alphabetical order--so be careful to look for "Zauberflote," not "Magic Flute," and so on.

Of course, Big Names do not appear on many Naxos opera sets; but this set is an introduction to that vast area of culture and is meant to be an educational (and of course a promotional ) device. Nevertheless, many of the selections on the CDs are beautifully sung, a very few lack characterization (the arias from"Don Giovanni" and "Nozze di Figaro" for two). But at this incredibly low budget price, who can complain?

As soon as I saw what this set had to offer, I immediately ordered a copy as a seasonal gift for a friend who wants to "get into" opera. I could think of no better gift.

There is a sister set titled (8.555319-20) that uses the same format. There are 2 CDs with 36 selections from Gregorian Chant to Glass. The 562-page book gives us the major facts about "the Great Composers and Their Greatest Works, " a glossary, and a 45-page list of classical music heard in films. The discography is included in the composers section. Again, the value of this set as an educational tool is enormous and well worth the extremely low price Naxos is asking.
The Glories of Handel Opera ~ Kirkby · Sutherland · Tebaldi · Berganza · Horne · Bowman · Pavarotti
Average customer rating: 4.5 out of 5 stars
  • A Lovely Mix of Old and New.
  • Glorious!
  • The glories could have been even more...glorious
  • Splendid Anthology from the Past 40 years
The Glories of Handel Opera ~ Kirkby · Sutherland · Tebaldi · Berganza · Horne · Bowman · Pavarotti
George Frideric Handel , Christopher Hogwood , Christophe Rousset , Richard Bonynge , Alexander Gibson , Bryan Balkwill , Henry Lewis , Emma Kirkby , James Bowman , Sara Mingardo , Luciano Pavarotti , Marilyn Horne , Joan Sutherland , Alicia Nafe , Philip Ledger , Forbes Robinson , Teresa Berganza , Bernadette Greevey , Renata Tebaldi , Sir Geraint Evans , and Emmanuelle Haïm
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Sandrine Piau - Handel Opera Seria
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  5. Rinaldo

ASIN: B00004U8FD
Release Date: 2001-02-13

Tracks:

  1. Alcina: Tornami a vagheggiar - Kirkby
  2. Orlando: Ah Stigie larve! - Bowman
  3. Orlando: Gia latra Cerbero - Bowman
  4. Orlando: Vaghe pupille non piangete - Bowman
  5. Riccardo Primo: Atterrato il muro cada - Mingardo
  6. Atalanta: Care selve ombre beate - Pavarotti
  7. Semele: Hence Iris hence away - Horne
  8. Rodelinda: Io t'abbraccio - Sutherland
  9. Ezio: Se un bell'ardire puo innamorarti - Forbes Robinson
  10. Giuliu Cesare: Piangero la sorte mia - Teresa Berganza
  11. Alcina: Dream Music - Kirkby
  12. Rinaldo: Armida dispietata! Lascia ch'io pianga - Bernadette Greevy
  13. Alcina: Sta nell'Ircana pietrosa tana tigre sdegnosa - Teresa Berganza
  14. Serse: Frondi tenere - Ombra mai fu - Renata Tebaldi
  15. Berenice: Si tra i ceppi e le ritorte la mia fe risplendera - Geraint Evans
  16. Rodelinda: Dove sei amato bene? - Marilyn Horne
  17. Giuliu Cesare: Da tempeste il legno infranto - Joan Sutherland

Customer Reviews:

4 out of 5 stars A Lovely Mix of Old and New........2006-11-14


This volume actually updates an old tape--which I still own!--by adding some of the more recent interest in historical performance practices to some of the older operatic show-biz types on display here.

I very much enjoy Sutherland and similar performers in this material. Talk about razzle-dazzle. Singers like Pavarotti and Tebaldi bring a lot of know-how about beautiful music to Handel, and that is never unwelcome.

While they might not have been terribly musicologically-informed, performers like Sutherland, Horne and Berganza certainly knew more about period performance practices: they indeed initiated the resurgence of such practices in the last three decades. Do other reviewers here perhaps forget that in preferring Dessay over Sutherland?

Meanwhile for the purists, Hogwood, Kirkby and Bowman are certainly more in the original instruments/authenticity-fetish camp: if memory serves, they were not included in the old cassette version. Clearly Decca is aware of the change in performing styles--and perhaps audience tastes--even as they are reflected on this very Amazon page. Frankly, I could use less of these and more of the old-timers.

So yes, this is a mix of old and new. The newest trends are not included. But are they not readily available elsewhere? Meanwhile, like its earlier incarnations, this set is still a marvelous compilation of gorgeous music-making from the deep Decca catalog.

5 out of 5 stars Glorious!.......2005-12-30

I bought this album a while back because I've taken an interest in Baroque music recently, and I was not disappointed. This truly is a glorious recording of Handel Opera. Of course with singers like Pavarotti, Sutherland, Horne, Tebaldi it would have to be above average. Sutherland ends the album with a dazzling display of vocal dexterity in "Da tempeste il legno infranto". Even when she sings the 16th note runs each note still has clarity. And Pavarotti is delectable in "Care Selve". I could give a review of each song but there's no need for that because each track on this is marvellous in its own way. Buy this album.

4 out of 5 stars The glories could have been even more...glorious.......2004-05-31

Handel operas nowadays receive impressive stage productions and become increasingly popular. This is a great collection if you want to hear some of your favourite Italian opera singers like Sutherland, Tebaldi, Pavarotti, Evans, Berganza and Horne sing Handel. Especially the young Sutherland and Pavarotti are sensational!

Considering on the other hand that Decca has now recorded many Handel operas with excellent Baroque singers, I find this recording to be somewhat outdated. It wasn't necessary for example to have Sutherland, Horne and Berganza sing two different roles when the same parts have recently been recorded by excellent newcomers like Dessay, Von Otter, or Scholl to name a few. Why stick to the past when the present has so many wonderful Handel singers?

Overall however, a decent introduction to Handel's music.

5 out of 5 stars Splendid Anthology from the Past 40 years.......2002-07-03

This fine CD is an anthology of splendid performances dating from 1960-1995 by the world's most celebrated opera singers of great music by Handel, who in my opinion wrote better for the voice than anyone else. Enjoy! You will listen to it again and again.
The Art of Joan Sutherland
Average customer rating: 5 out of 5 stars
  • Valuable compendium
  • Rareties available on CD at last!
  • Heavenly
  • WHO ELSE CAN SING LIKE THIS TODAY?
The Art of Joan Sutherland

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by ArneAll Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by PaisielloAll Works by Paisiello | Paisiello, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Piccinni, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ThomasAll Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Academy of Ancient MusicAcademy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
Sutherland, Dame JoanSutherland, Dame Joan | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
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RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
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ASIN: B000654OUQ
Release Date: 2005-03-15

Customer Reviews:

5 out of 5 stars Valuable compendium.......2007-01-24

This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.

5 out of 5 stars Rareties available on CD at last!.......2006-03-29

While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").

While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.

I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.

5 out of 5 stars Heavenly.......2006-01-31

I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.

5 out of 5 stars WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10

This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

    TriosTrios | Chamber Music | Classical | Styles | Music
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    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Forgotten Songs: Dawn Upshaw Sings Debussy
    Average customer rating: 4.5 out of 5 stars
    • Classic Art Songs Sung with Brilliance and Artistry
    • Pretty, but not memorable
    • Returning to the Recital Hall: A Soiree
    • Pretty sound spoiled by a bad vocal habit
    • Excellent!
    Forgotten Songs: Dawn Upshaw Sings Debussy

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000002B6P
    Release Date: 1997-03-18

    Tracks:

    1. Vasnier Songbook: I. Pantomime
    2. Vasnier Songbook: II. Calmes dans le demi-jour (En sourdine)
    3. Vasnier Songbook: III. Mandoline
    4. Vasnier Songbook: IV. Clair de lune
    5. Vasnier Songbook: Fantoches
    6. Vasnier Songbook: VI. Coquetterie posthume
    7. Vasnier Songbook: VII. Romance - Silence ineffable
    8. Vasnier Songbook: VIII. Musique
    9. Vasnier Songbook: X. Paysage sentimental
    10. Vasnier Songbook: X. Romance - Voici que le printemps
    11. Vasnier Songbook: XI. La Romance d'Ariel
    12. Vasnier Songbook: XII. Regret
    13. Forgotten Melodies: I. C'est l'extase langoureuse
    14. Forgotten Melodies: II. Il pleure dans mon coeur
    15. Forgotten Melodies: III. L'ombre des arbres
    16. Forgotten Melodies: IV. Chevaux de bois
    17. Forgotten Melodies: V. Green (Aquarelle)
    18. Forgotten Melodies: VI. Spleen (Aquarelle)
    19. Five Poems Of Charles Baudelaire: I. Le Balcon
    20. Five Poems Of Charles Baudelaire: II. Harmonie du soir
    21. Five Poems Of Charles Baudelaire: III. Le Jet d'eau
    22. Five Poems Of Charles Baudelaire: IV. Recueillement
    23. Five Poems Of Charles Baudelaire: V. La Mort des amants

    Customer Reviews:

    5 out of 5 stars Classic Art Songs Sung with Brilliance and Artistry.......2006-11-10

    Dawn Upshaw possesses a voice with beautiful bell canto tonal quality and uses the glissando technique, only when effective, rendering this collection of uncommon art songs superbly sung. The entire album is a joy to listen to...

    4 out of 5 stars Pretty, but not memorable.......2006-04-29

    'Forgotton Songs, Dawn Upshaw sings Debussy' with James Levine at the piano is, to my layman's ear, very pretty to listen to, but not a whole lot to get excited about. If you are especially fond of Upshaw, you must have this recording. If you are especially fond of Debussy, other vocalists may have just a little more to offer. Everything about this recording is 'nice', just not a whole lot to get excited about.

    5 out of 5 stars Returning to the Recital Hall: A Soiree.......2005-04-09

    Dawn Upshaw is one of the most intelligent and creative and adventuresome singers on the concert stage today. Just reviewing the list of her recordings available and it is obvious that she has paid attention to both contemporary and established composers in a way that is truly refreshing.

    Here the program is devoted to the works of Claude Debussy, a composer for whom Upshaw has a particular penchant. Her voice is crystal clear, perfectly focused and yet not afraid to animate when the lyrics demand. She covers three cycles here: 'Ariettes oubliees' (for this listener the most successful on the album), 'Racueil Vasnier', and 'Cinq Poemes de Charles Baudelaire' (contrast these with the recently released Susan Graham version and see what interpretation is all about!).

    The collaboration between Upshaw and James Levine is sensitive (if not always the pianism of others..). But the entire recital is uplifting and satisfying for the variation in the songs, recorded sound, the generosity of the disc, and most of all for the musical intelligence in which these songs are performed! Grady Harp, April 05

    2 out of 5 stars Pretty sound spoiled by a bad vocal habit.......2004-05-07

    Every voice teacher I have ever had, and I have had many, were unanimous in their advice that sliding into notes is something that must be done with great moderation. Dawn Upshaw does it all the time and to the ears of a trained singer it becomes extremely annoying extremely quickly. Constant sliding into notes is less objectionable if one actually reaches the right pitch in the process. Miss Upshaw frequently does NOT, resulting in numerous instances where she is simply not in tune at all on some notes. Her sliding also creates constant dissonances with the piano which are entirely undebussyesque. If it were Webern or Berg she were singing she might get away with it. Here she does not. NOT RECOMMENDED.

    P.S. Since writing this review (quite some time ago), I was fortunate to hear a recording of Ms. Upshaw in a production at the Metropolitan Opera where she didn't do any of her annoying sliding at all - not once - (probably because it was music from a much earlier time) The difference was astounding. It was a glorious performance. It was hard to believe it was the same person. This, more than ever, confirms my opinion that she ruined this recording with a bad singing habit.

    5 out of 5 stars Excellent!.......2003-11-26

    This recording of Debussy's Melodies are really excellent. Dawn Upshaw's voice is exactly right for this kind of music - light, charming, and lyrical, with real sensitivity to the text. The Ariettes Oubliees are the best I've heard, with the exception of Frederica von Stade. In addition, her interpretation of Mandoline from the Vasnier Songbook is perfect - the tempo, piano, voice, and interpretation are exactly right. My only criticism is that the diction, while perfectly clear, has an "American" accent that is sometimes distracting.
    Avant Que l'Ombre
    Average customer rating: 4.5 out of 5 stars
    • Its everything the others reviewers say it is!!!
    • F)(CK THEM ALL? Certainment!
    • If you are unsure about buying this.....DON'T BE !
    • oh
    • Great album
    Avant Que l'Ombre
    Mylene Farmer
    Manufacturer: Umvd Import
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
    Euro DanceEuro Dance | Dance Pop | Dance & DJ | Styles | Music
    FranceFrance | Continental Europe | Europe | International | Styles | Music
    GeneralGeneral | Continental Europe | Europe | International | Styles | Music
    GeneralGeneral | International | Styles | Music
    GeneralGeneral | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GeneralGeneral | Euro Pop | Pop | Styles | Music
    French PopFrench Pop | Euro Pop | Pop | Styles | Music
    Dance & DJDance & DJ | Imports | Stores | Music
    InternationalInternational | Imports | Stores | Music
    RockRock | Imports | Stores | Music
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    ASIN: B0007SQMN4
    Release Date: 2005-04-25

    Tracks:

    1. Avant Que l'Ombre ...
    2. Fuck Them All
    3. Dans Les Rues de Londres
    4. Q.I
    5. Redonne-Moi
    6. Porno Graphique
    7. Derri Les Fenes
    8. Aime
    9. Tous Ces Combats
    10. Ange, Parle-Moi
    11. Amour N'Est Rien ...
    12. J'Attends
    13. Peut-tre Toi
    14. Et Pourtant

    Customer Reviews:

    5 out of 5 stars Its everything the others reviewers say it is!!!.......2007-02-15

    From the cover design, to the CD (resembles a old vinyl record), to the songs themselves, there is little I didn't like. Ok, there was nothing I didn't like. Myléne Farmer is incredible! Ta musique est formidable Myléne!!!

    4 out of 5 stars F)(CK THEM ALL? Certainment!.......2007-01-09

    Mylene Farmer is often referred to as 'The French Madonna,' meaning, I guess that she has been around about as long as Madge, her live performances are huge spectacles, and she goes out of her way to be controversial and sensational.

    But Madonna's music isn't as remarkable as her public image. In fact if she wasn't Madonna, her CDs would probably be roundly ignored. In my opinion. Mylene Farmer, on the other hand, is no musical lightweight. 'Avant Que l'Ombre' is a CD full of Farmers new model of French Pop -- frothy, cooing pop (Amour N'est Rien), sexy, insinuating electronica (Pornographique), and lush ballads (Ange Parle Moi).

    The overall sound is lush, intricately produced, and shiny. In music production, the art of polishing inconsequential music is known as 'buffing a turd,' and like the best music by Janet Jackson, it's refreshing to hear all the tricks of the commercial studio used to polish up music of real consequence.

    Since I don't really speak French, my appreciation for her lyrics is limited but I know enough to see some of the subtlety and sly allusions that are there. The best of Farmer's lyrics would not survive translation to English, as they are full of the insinuation and indirection that is uniquely French.

    So I'd recommend this CD to anyone who appreciates the best in commercial pop music. It is quite accessible to non-francophones, yet it is different from the common sort of empty contemporary pop. There's simply more here for the listener. And it's worthwhile searching Youtube for her music videos, especially the sly striptease Mylene does in the video for "Amour N'est Rien."

    4 out of 5 stars If you are unsure about buying this.....DON'T BE !.......2006-01-24

    That is if you are fan of artists like Kate Bush, Goldfrapp, Brork or Madonna, I have little doubt that this masterpiece of sophistcated adult pop will appeal to you. The best album of 2005 - with Goldfrapp and Madonna a close second and third (and Rachel Stevens fourth!)

    5 out of 5 stars oh.......2005-09-09

    I was not expecting to like her. Now that I've actually listened to her, I love her. All of the songs on this album are great!!

    5 out of 5 stars Great album.......2005-06-18

    It's amazing album by amazing french singer. It's so unfair that she is unknown in USA because people there refuse listen songs on other languages. What can say, she till has it even in her 43. I suggest this album to everyone.
    Sandrine Piau - Handel Opera Seria
    Average customer rating: 5 out of 5 stars
    • Seriously incredible Handel
    • Stunning Work From One of the Top Handel Interpreters
    • Outstanding!
    • Don't overlook this special gem!
    Sandrine Piau - Handel Opera Seria
    Sandrine Piau , Christophe Rousset , Les Talens Lyriques , and Georg Friedrich Handel
    Manufacturer: Astree
    ProductGroup: Music
    Binding: Audio CD

    All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
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    ASIN: B000678KLI
    Release Date: 2005-01-18

    Customer Reviews:

    5 out of 5 stars Seriously incredible Handel.......2005-11-15

    If you don't like Handel recitals that come with a lot of hype, be warned that this album comes with a heavy load of uniform critical praise, plus raves and adoration of music aficionados. It may not be selling as well as it should, as there is a law in the music business that declares "Handel album without Ombra Mai Fu shall be treated with utmost suspicion" but just look at the reviews here. In the press, this CD has been called astonishing, amazing, peerless, superb, blah blah blah and also the "best Handel aria recording ever made by a soprano." Hyperbole aside, does it live up to the hype? It doesn't just live up to it, it walks all over it. I have had this album for months, but every time I try to write something about it, I end up listening to it over and over again, instead of writing about it.
    Piau's voice is light, perfectly focused, like a bright laser beam, absolutely even from top to bottom and with incredible high notes. Her technique is perfect, same for breath control. Her speed and impossibly precise runs defy laws of nature. But of course just that would not be enough for stellar Handel performance of this calibre; she is also a gifted actress who is able to show dramatic colours in every single aria. There is not a single track here which is not a fascinating study of the character, and her interpretations are varied and very memorable: Berenice, fiery, defiant, Cleopatra in her mournful lament... To fully credit Piau's interpretive gifts, I would have to list every aria on this CD. And she chooses such great pieces, many seldom heard at all, all arranged in an imaginative, stimulating programme.
    I usually have a bone to pick with Baroque ornamentations from the current singers, having been brought up on a steady diet of Emma Kirkby, Julianne Baird and Lorraine Hunt, who not only improvise their ornamentations, but do it so brilliantly. Sandrine Piau joins this illustrious club of the Ornamentators Par Excellence; her ornamentations are written in (largely by Rousset) but they are just glorious.
    The Les Talens Lyriques orchestra under Christophe Rousset, Piau's frequent collaborator in live performances, plays great, though if I had one tiny complaint about this album, it would be that laws of physic do mar their performance a little bit: Piau's voice can move faster than these period instruments, and she sometimes whizzes by the orchestra very slightly ahead of them, in the fast arias. This is actually most evident in the fireworks of the opening aria, Scoglio d'immota, but that's only because she takes it at such superhuman speed, they have to play for their life just to stay with her.
    Last but not least, I actually like the cover of this album, I think Piau looks cool, like a porcelain doll. Not that this album would be any less awe inspiring if it came wrapped in brown sandwich paper. This is some seriously amazing Opera Seria and if you love Handel's music, this album is an absolute must-have.

    5 out of 5 stars Stunning Work From One of the Top Handel Interpreters.......2005-02-20

    French soprano Sandrine Piau is not as readily known as other Handelians, at least on this side of the pond, but she is certainly among the most gifted of interpreters as she proves on this wonderful recording of opera arias specifically written for the soprano voice. Even though mezzo-soprano Lorraine Hunt-Lieberson and soprano Renée Fleming have put out superb, higher profile recordings of Handel arias in the past few months, you can still confidently add this one to your collection thanks to Piau's thrilling, expressive vocalism, at once early-music in style with a powerful yet economical use of technique, well-balanced with a wide capacity for accurate coloratura and an immaculate technique sure to please Baroque purists.

    Piau displays impeccable taste in her highly personalized program. Instead of going for the more familiar gems like "Ombra mai fú" from "Serse", she has pulled together an anthology of Handelian prime donne that features arias composed over more than two decades. Many are from operas that are relatively obscure but still quite stunning, for example, the defiant "Scoglio d'immota fronte" from "Scipione", the dynamic "Brilla nell' alma un non inteso ancor" from "Alessandro" and the angry, distressed "M'ai resa infelice" from "Deidamia". Even with the better known operas, she choose not the showpieces but the ones that are worthy of rediscovery, such as "Verdi piante, erbette liete" from "Orlando", "Se pieta" from "Giulio Cesare in Egritto", "L'amor ed il destin" from "Partenope" and "Ombre piante, une funeste" from "Rodelinda", in which her painful expressiveness of want certainly gives Fleming a run for her money. Even the order of the program is commendable, as it reflects a wide gamut of emotions that make the recording feel like one cohesive work, even with the variety of characters and dramatic situations and rich vocal demands for which Handel is known. Piau's long-time collaboration with Christophe Rousset, who leads the wondrous and period-authentic playing of Les Talens Lyriques, has produced a seamless rapport that makes this an essential recording. Strongly recommended.

    5 out of 5 stars Outstanding!.......2005-02-01

    I received this CD a couple of days ago and it has not left my CD player. I was very impressed with her Mozart CD but this one has some fascinating ornamentation and very daring vocal acrobatics. I first heard her in Scipione under Christophe Rousset in 1993 and was very impressed by her contributions. Piau includes the aria "Scoglio d'immota fronte" from Scipione (also on Fleming's Handel disc), this time around showing off her coloratura skills and speed even more than on the complete recording. The rest of the CD is a real treasure of vocal fireworks and beautiful plaintive arias. Highly recommended!

    5 out of 5 stars Don't overlook this special gem!.......2005-02-01

    It doesn't often happen that a release gets so much unanimous enthusiastic praise from both critics and audiences alike, particularly if the release is from an independent company and the singer is not a heavily promoted "star". But here it is - Sandrine Piau's Handel recital on Naive seems to be outshining many vocal releases of the past year (it was released in 2004) and the reason for this stir is simple: it is a stupendous disc from a great singer who deserves a wider recognition.

    Everything is special here, even the cover. In an era when so many solo recitals try to attract us through flashy covers (and often not much more inside), Piau is courageous enough to appear in what may well be one of the most unflattering cover photos ever made. Through this photo, Piau seems to be making a bold statement: "I am not a cover girl, I am an artist".

    And what an artist! Every phrase in this recital is delivered with utmost honesty and spectacular technical assurance, nothing is calculated or contrived. What is even more important, every Handelian heroine portrayed here is vividly brought to life. There is not a moment of monotony or routine - the selections cover a variety of moods and allow the artist to display not only her stupendous technique but also phenomenal interpretative gifts.

    It is impossible to get tired of Piau's singing! Her voice and singing style should appeal to both camps of opera lovers: devotees of the HIP movement and those who are afraid of HIP because of the stigma of "white, bland voices" that became a trademark of the movement. Piau's voice is small and delicate, but there is nothing "white" or bland about it. It is a gorgeous instrument, flexible and colourful, able to convey a wide range of emotions without resorting to "special effects".

    It is of course tempting to compare Piau's recital with the other highly popular Handel discs of 2004 (by Lorraine Hunt, Sarah Connolly, Renee Fleming) but comparisons don't really make much sense here for each of those recitals has its own virtues and each singer her own faithful audience. Yet Piau's disc risks being overlooked in the USA since the French soprano is not quite a household name here (in spite of some marvellous solo recitals in her discography). Let's hope this fantastic new disc will change this. (Kicek)

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