"An album of brilliance and originality"
Product Description
a blend of modern electronics and harmonies with East Indian musical influences
The Crossing
The Crossing,Sanjay Mishra,Akar Records,Int'l & World Music,Pop,World Beat,World Music,Worldbeat
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The Essential Elmer Bernstein Film Music Collection
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007XTQ14 Release Date: 2005-06-07 |
Tracks:
- The Magnificent Seven
- To Kill A Mockingbird (Suite)
- The Buccaneer (Overture)
- Walk On The Wild Side
- An American Werewolf In London (Metamorphosis)
- The Age Of Innocence (End Titles)
- The Comancheros
- Ghostbusters
- Heavy Metal (Taarna's Theme)
- Johnny Staccato
- True Grit (Rooster Cogburn/A Warm Wrap-Up)
- Hollywood And The Stars
- Zulu Dawn (River Crossing)
Tracks:
- The Great Escape
- The Man With The Golden Arm
- Far From Heaven
- The Sons Of Katie Elder
- Airplane (Suite)
- The Shootist (Main Title)
- Hawaii (Overture)
- The Birdman Of Alcatraz (Finale)
- The Hallelujah Trail (Overture)
- The Bridge At Remagen
- Thoroughly Modern Millie (Sky-Hi)
- The Scalphunters
- The Ten Commandments (Overture)
Album Description
*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.
*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."
*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.
Customer Reviews:
Sad, Really Sad.......2007-05-13
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.
An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround
Excellent.......2007-04-22
With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.
The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.
I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.
Great Film Music.......2007-03-09
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.
Fun, Powerfull music.......2007-02-17
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Winged Migration
Various Artists Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008V5TE Release Date: 2003-04-22 |
Tracks:
- To Be By Your Side - Nick Cave
- Masters Of The Field - Robert Wyatt
- Northern Bound
- The Crossing
- The Highest Gander - Robert Wyatt
- Beating Drums
- The Return Of The Cranes
- The Blue Thread
- The Red Forest - Robert Wyatt
- Like A Breath Of Air - A Filetta
- The Takeoff
- Amidst The Factory Smoke
- The Glider
- After The Hunt
- The Paper Parrot
- The Swans Flight
- Feathers
- The Wounded Dove - Gabriel Yacoub
- Off Camera
Customer Reviews:
Beautiful!.......2007-04-24
Winged Migration CD.......2007-02-08
Beautiful Soundtrack.......2007-01-06
WINGED MIGRATION.......2006-08-29
THE RIGHT MUSIC FOR THE RIGHT MOVIE.......2006-06-22
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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The Crossing
Big Country Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y1ZE Release Date: 2002-02-05 |
Tracks:
- In A Big Country
- Inwards
- Chance
- 1000 Stars
- The Storm
- Harvest Home
- Lost Patrol
- Close Action
- Fields Of Fire
- Porrohman
- Wonderland
- All Fall Together
- Angle Park
- The Crossing
- Chance (re-recorded single version)
Customer Reviews:
TO INFINITY AND BEYOND.......2007-07-25
Extra Tracks Make a Great Record Greater.......2007-05-01
One of the most influential and defining albums of the 80s.......2007-02-02
This CD also includes the songs from the Wonderland EP as bonus tracks (on the same CD) after the original Crossing songs.
Highly recommended!
Timeless, Fat Guitar Sounds.......2007-01-05
Great trip back in time!.......2006-11-10
Average customer rating:
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The Edinburgh Military Tattoo: Bagpipe Marches of Scotland
Manufacturer: Legacy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002NQ9 Release Date: 1994-07-18 |
Tracks:
- Pipes And Drums: Amazing Grace/Fanfare Trumpets: Fanfare Militaire
- Pipes And Drums: The Rock And Wee Pickle Tow/I Lo'ed A Laddie But Ane/The Drummer's Call...
- Massed Military Bands: The Band Strikes-Mexican Hat Dance
- 4/4 Marches And 3/4 Retreats: Hills Of Alva/Far O' Er Struy/Torosay Castle/Lord Byron...
- Waltzes: Hearken My Love/The Herding Song/My Lodging's On The Cold Cold Ground/Westering Home
- 2/4 Marches: Kitchener's Army/Balkan Hills/The Rhodesian Regiment
- 2/4 March, Strathspey And Reel: Miss Elspeth Campbell/The Shepherd's Crock/Smith O' Chilliechassie
- 4/4 And 2/4 Marches: Scotland The Brave/Highland Laddie/The Earl Of Mansfield...
- 6/8 Marches: 10th H.L.I. Crossing The Rhine/Mrs. Lily Christie/Dovecote Park
- Waltzes: Loch Broom Bay/My Home
- 4/4 March, Strathspeys, Reels, Hornpipes And Jigs: Peter McKenzie Warren/Sporting Jamie...
Customer Reviews:
Stay Away.......2006-01-05
Edinburgh Military Tattoo.......2001-05-19
Not like being there, but a good appetizer.......2000-11-23
Pipes and Drums: Amazing Grace.......2000-06-11
Average customer rating:
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Atlantic Crossing
Rod Stewart Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6O1 Release Date: 2000-09-19 |
Tracks:
- Three Time Loser
- Alright For An Hour
- All In The Name Of Rock 'N' Roll
- Drift Away
- Stone Cold Sober
- I Don't Want To Talk About It
- It's Not The Spotlight
- This Old Heart Of Mine
- Still Love You
- Sailing
Customer Reviews:
Like Mick without Keith...not bad, not the stuff of legends.......2007-03-31
The start of the rot?.......2006-07-15
With Rod's newly acquired champagne lifestyle Atlantic Crossing was the first album he produced from this era. However AC does contain 2 very famous classic ballads in the Stewart repetoire - "I don't want to talk about it", and of course the one song and single that many fans consider to be his signature tune, "Sailing", though he never actually wrote it. Inexplicably this was not a hit in the US, although it topped the charts for weeks just about everywhere else. Both these tracks well demonstrate the emotional quality of Rod Stewart's voice. And it's this aspect of his singing which his legion of fans of all ages find so appealing about the guy. 'Drift Away' the Dobie Gray classic is also covered here, but I prefer the original, although Rod does a more than adequate job with it.
The rockers are the downside on this album. "Stone Cold Sober", "Three Time Loser" are standard type blues rockers, the sort of songs Rod could do in his sleep having performed this type of material countless times in the past. But somehow, without the presence of the Faces behind him, from here on all of Stewart's rockers on his albums seemed to lack genuine quality and conviction, with which he performed so brilliantly in his days with Mercury. This became much more obvious on later albums, the most notorious examples being 'Hot Legs', and 'Do Ya Think I'm Sexy'. Here, these songs just sound mundane, and having girlie back-up singers doesn't help.
It's true that from Atlantic Crossing onwards Rod Stewart achieved far greater fame and fortune than he ever did before moving to the US. Part of this I suspect was due to his well publicised off-stage antics with models/film stars. All this publicicity only helped to bring him to the attention of a wider audience. AC is not a bad record,(there were far worse albums to come a few years later). It's certainly listenable, and doesn't sound too dated, but I personally would not buy AC for reasons outlined. But if this more commercial side of Rod Stewart is your bag, then you will probably love this album.
Stands the test of time better than any of his latter output.......2006-03-05
The title refers to Stewart's departure for the US and the cover depicts the transition and he is accompanied by top session musicians (including Steve Cropper, Barry Beckett and Lee Sklar) and veteran American producer Tom Dowd to create an overall slick sound.
The album is divided into two parts - slow side and fast side. The slow side is much stronger than the fast side overall, and all the hits and best-known tracks are on the slow half. Although there were no major hits in the US, 'Sailing' was number 1 in UK for 4 weeks in the summer of 1975. All 5 tracks on the slow side are excellent.
Stewart's version of Danny Whitten's 'I Don't Want To Talk About It' must be one his best performances ever. 'Its not the Spotlight' is convincing. Track 3 on the slow half is the original version of 'This Old Heart of Mine' which is far superior to the later version. 'Still Love You' grows on you, and last but not least the catchy 'Sailing'.
The fast side unfortunately suffers from one or two weak tracks and the vocals aren't as strong, apart from 'Drift Away' (which really belongs in the slow half). The rest are mostly uptempo rockers, of which 'Three Time Loser' and and 'Stone Cold Sober' catch fire.
I originally had it on vinyl. Interestingly in some editions of the original LP the slow half was side one, and 'Stone Cold Sober' was listed as the final album track. The digitally remastered edition is the best yet - the original CD recording quality was poor so its definitely worth the upgrade.
Even though its not quite as strong as some of Rod's earlier material (including 'Maggie May'), this is his best out of all his albums that came Warner Brothers. A great album, worth having even if you only like the slow tracks, and one that you can always come back to enjoy.
a new phase.......2005-11-12
For this CD, Stewart abandoned those formats for a hybrid of the two. It is not as good as his first 4 CDs or his 4 CDs with the Faces, but is worth buying. Steve Cropper, the pipe-smoking guitarist in the Blues Brothers movie, plays guitar on this CD!
Stewart would continue the musical style in this CD for two more albums (Night on the Town and Foot Loose), make one more decent album (Blondes Have More Fun) and would never be the same since, within a few years TOTALLY breaking from his past with songs like "Love Touch."
Now, he is kind of a hack, which is a shame because for about 10 years (1968-1978) his only rivals were the Stones and McCartney. McCartney has made a respectable comeback in time to reclaim his stature...we're still waiting for Stewart.
Rod, What The Hell?!.......2004-11-16
Except he is English and has this incessant will to create sell-out American styled and fused albums.
The Great American Songbook has been such a huge, gravely overrated set of albums I'm getting tired. For starter he's not American, he's not `great', nor is America (just joking honestly, I am English you see). I just question why label yourself under such false pretences.
I'll tell you why, just take a look at where those babies are in the charts...HIGH. Way too high for an incredulous false-labelled con man. Does this sh*te sell in England, not really no, and it's because he has this disregard for his roots, a hang-up.
As for the music, well, it's nothing great. I get this overwhelming feeling to cough violently when I hear Mr. America sing due to his old husky voice, which sounds like an 80 year old with throat cancer. Also, hang on...IT IS OLD. 70's ok...80's pushing it...90's mmm no more though, BUT NOW. Please just retire and shack up with some blonde thing.
He needs to grow up, cut his hair, get rid of the highlights, settle in his homeland America, marry and stop producing The Great Piece Of Self-Obsessed Ludicrous Songbook. I'm fed up to the teeth with Rodney Stewart, he's dealings with leggy young blondes half his age, his possessiveness with American Music charts, and of course the dollar he sticks up his arse every time a sheep buys this turd.
His use of the American public, idolising himself as an American singer and artist...yes of course us Brits believe you. Yep, I'm done with this old has-been.
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Crossing Jordan
Various Artsits Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008PX87 Release Date: 2003-04-01 |
Tracks:
- I Wanna Be Your Man - Sam Phillips
- Days - Marc Anthony Thompson
- Can't Find My Way Home - Alison Krauss
- The Wind Cries Mary - Cassandra Wilson
- Season Of The Witch - Richard Thompson
- Hang Down Your Head - Lucinda Williams
- You're Gonna Need Somebody On Your Bond - The Holmes Brothers
- Buckets Of Rain - Vic Chesnutt
- You're Innocent When You Dream - Jill Hennessy
- Pale Blue Eyes - Joe Henry
- Trouble - The Holmes Brothers
- It's All Over Now, Baby Blue - Jill Hennessy
- Crossing Jordan Themes Medley - Wendy Melvoin & Lisa Coleman
- Black Coffee - Rosemary Clooney
Customer Reviews:
great music.......2007-07-05
SEASON OF THE WITCH!!!!!!!!!.......2007-01-09
get it just for that ... it's well worth it. amazing.
Crossing Jordan DVD.......2006-10-23
Wonderful Music Selection.......2006-03-29
This is a great compilation with some very exciting covers. What I really wish they would do is release a "greatest hits" CD for EACH SEASON. There is some superb music in that series - not just the great cover versions, but overall. Nearly every episode has a song that makes you sit up and take notice.
I would also be quite pleased with a CD of "Garrett's favorites". He listens to some excellent music on that old Victrola phonograph. I'd love to be able to gather them up on one CD (or two disc set).
My advice: Buy this CD. It has something for almost everybody and the price is great.
Wow!.......2006-03-13
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Crossing Muddy Waters
Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004X03W Release Date: 2000-09-26 |
Tracks:
- Lincoln Town
- Crossing Muddy Waters
- What Do We Do Now?
- Only The Song Survives
- Lift Up Every Stone
- Take It Down
- Gone
- Take It Back
- Mr. Stanley
- God's Golden Eyes
- Before I Go
Amazon.com
Two and a half decades into a career that's never delivered the stardom forecast by legions of champions, John Hiatt has settled into a niche that's about as comfortable as a maturing singer-songwriter could ask for. No longer a major-label priority, Hiatt has hooked up with the stalwart folk label Vanguard for his 15th release. Crossing Muddy Waters adroitly captures Hiatt's comfort and confidence. Not so much blues as blusey, Crossing Muddy Waters features 11 new Hiatt compositions, half of which feel instantly familiar. The rambunctious "Lift Up Every Stone" sounds a little like some of Tom Waits's more accessible recent efforts, while "Take It Down" is a love-lost lament that's as heavy as a foggy evening. Crossing Muddy Waters was cut in three days and features only two accompanists--the uncommonly sympathetic Davey Faragher and David Immercluck. Just goes to show that Hiatt moves just fine when he's not dragging a lot of added weight and heavy expectations behind him. --Steven StolderCustomer Reviews:
3 1/2 acoustic stars. Crisp, rootsy folk-rock. And no drummer.......2007-07-30
"Crossing Muddy Waters" is not a blues record, despite the title. It is a predominately acoustic album, just Hiatt and multi-instrumentalists Davey Farragher and David Immerglück on various stringed instruments, tambourine, harmonium and a folding chair.
And the songs are quite low-key as well; "Crossing Muddy Waters" is dominated by slow and mid-tempo folk shuffles, with just a couple of up-tempo numbers.
Many of the songs deal with lost love, but it's not a depressing record. A sober one, yes, but with lighter moments as well, including the swinging "Lincoln Town", and the gospel-imbued "Lift Up Every Stone". And there is a lot to be said for this simple approach..."Crossing Muddy Waters" was recorded in four days, and the result is an album which feels relaxed without being unfocused or sloppy, and John Hiatt sings as well or better than he ever has.
"Crossing Muddy Waters" is not A-list-songs all the way from beginning to end; there are few somewhat forgettable numbers which refuse to make much impression, on me, anyway. The first half of the album is significantly stronger than the second, which makes for a bit of an odd listen, but there is still enough here to make it worth your while is you're into John Hiatt. Just don't expect too much rock n' roll music.
timeless.......2007-01-31
Recommend to Your Friends.......2006-07-14
I bought a copy of this album for my friend who recently lost her husband, and she told me that she listens to it every day. I can see why
Courage.......2006-01-30
At night when the wind blows he hears her moans of remorse in the trees. But the waters have widened and there's no crossing back.
Hiatt's simple arrangement makes the song even more evocative by providing a haunting melody that doesn't drown his words in molasses.
It took amazing courage for Hiatt to express this achingly sad experience in song and share it with the world. "Crossing Muddy Waters'' also highlights his artistry: in less talented hands the song would sound mawkish, i.e., Nashville mainstream.
That Hiatt, a recovering alcoholic, has lived on some of life's highest peaks and in its deepest valleys makes his music so much more meaningful than the canned crap rolling out of the Acme Music Factory that Nashville has become.
Fantastic Acoustic Album.......2005-03-27
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California Crossing
Fu Manchu Manufacturer: Fontana Mammoth ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QG9X Release Date: 2002-02-05 |
Tracks:
- Separate Kingdom
- Hang On
- Mongoose
- Thinkin' Out Loud
- California Crossing
- Wiz Kid
- Squash That Fly
- Ampn'
- Bultaco
- Downtowin In Dogtown
- The Wasteoid
Amazon.com
In the hazy, heavy world of stoner rock, two bands have risen out of pioneering act Kyuss to develop their own legions of followers--Queens of the Stone Age and Fu Manchu. Queens gained the respect of the mainstream alt-rock crowd, while Fu Manchu developed their own cult of worshipers through small indie labels. Now on their seventh album, Fu Manchu should be on their way to grabbing more of the commercial rock spotlight; their clean, straightforward sound is spit-shined and ready for airplay. While not quite up there with Fu's 2000 epic King of the Road, California Crossing is a big-barreled hybrid of sludgy guitars, mid- to up-tempo rhythms (with a couple insane drum solos), and frontman Scott Hill's SoCal-driven vocals. The album is the standard tribute to Black Sabbath and Blue Cheer. But like ex-bandmates Nebula, Fu Manchu add Led Zeppelin-like classic rock influences to their music as well. With songs like "Squash That Fly" and "Mongoose," California Crossing is a well-fueled album that should please fans of that gray area between heavy metal and hard rock. Jennifer MaerzCustomer Reviews:
The Loudest Band in Rock and Roll.......2006-08-08
That experience to me sums up Fu Manchu. Very loud stoner rock, with a slight taste of mischief, and a lead singer who likes to say "goddamn" a whole heck of a lot.
This particular album's got some hooks on it that will leave the average stoner rock fan craving for more. TO me, the top song on this album has got to be the rockin' "Squash that fly". The screaming chords and sarcastic vocals on these songs will leave you wanting to see these guys live, a show that is well worth every penny.
Not their best effort.......2005-09-29
Fu Manchu - 'California Crossing' (Mammoth).......2004-11-19
Yeah, man...that's REAL good.......2004-10-13
Still Awesome.......2003-11-10
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Shadow Behind the Iron Sun
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031W9F Release Date: 2000-03-07 |
Tracks:
- First Contract
- Shadow Behind The Iron Sun
- Attack Of The Glow Worm
- Land Of Vendon
- Icefall
- Thunder Caves
- The Council
- Warrior's Chant
- Battle Cry
- Wind Horse
- Crossing The Bridge
- Last Contract
- Battle Cry - (Bonus Mix)
Amazon.com
If you think the percussionist's role is merely to supply rhythmic backbone, you haven't encountered the phenomenon named Evelyn Glennie. The category-defying Scottish musician has spent her career pursuing the unique route of percussion virtuoso, turning music into an intensely hyperactive verb. Glennie's sound world encompasses a global, pan-cultural panoply of music makers in addition to the standard drum kit: watergongs, bamboo sticks, ceramic bells, car exhaust pipes, finger cymbals, thundersheet--to name a few from the arsenal she uses here (Glennie reportedly owns over 1,000 percussive instruments). Even in her interpretations of works by other composers--such as James MacMillan's Veni, Veni, Emmanuel or the Grammy-nominated Concerto for Percussion by Joseph Schwantner--Glennie scoops out plentiful opportunities for improvisation; but the concept of Shadow Behind the Iron Sun was to allow Glennie to lock herself up in her studio and improvise the entire album. With the help of her collaborator, pop mixmaster Michael Brauer, the result is a fantastically textured, mesmerizing adventure for the ears and the imagination. Despite a vague ambition to explore "as many moods as possible" (Michael Crichton's Eaters of the Dead was apparently the source for some of the picturesque titles here, such as "Attack of the Glow Worm" and "Wind Horse"), the variety and juxtaposition of colors evoke a cinematically gripping, almost synesthetic sense of atmosphere--yet another evolution of "program music" into the 21st century? Much of the fun is in experiencing sounds whose origin remains mysterious, as Glennie performs her one-woman-as-orchestra wonders. --Thomas MayCustomer Reviews:
music i hear with my body .......2005-03-09
Beyond Belief.......2004-06-16
You don't listen to it, you experience it.......2001-03-01
Something a little different.......2000-09-23
A near-perfect album.......2000-04-08
Solo percussion is, admittedly, an acquired taste. The song samples here give you a reasonable flavor of the album. If you don't like them, don't buy it.
At the same time, Glennie has done more than anybody to advance the art, the possibilities, and the popularity of percussion. (I saw her perform a snare solo encore last year that brought the audience to its feet.) In this album, she operates with more freedom and pushes more boundaries than in anything she's done to date. Yet it's still an approachable and genuinely exciting collection of music.
World Music:
- The Jewish Sampler Vol 1
- This Is Gold [Import]
- Tremendo Cumban
- Tutto O Niente [Import]
- Voyage Interieur-Inde Du [Import]
- You and Me
- Zwei Blonde Senoritas [Import]
- 10 Anos de Éotchan [Import]
- A Cigana [Import]
- Acustico MTV [Import]
World Music
Amore: Opera's Greatest Romances
40 Anos De Estrada [Box set] [Import]
20 Essential Tracks From the Boxed Set: 1965-90