Rodrigo Guitar Concerto [Import]

Product Description
The world's most popular classical guitar concerto performed by acclaimed guitarist Manuel Cubedo with authentic orchestration by the Barcelona Symphony Orchestra. Sanctuary. 2004.

Rodrigo Guitar Concerto,Barcelona Symphony Orchestra,Castle/Pulse,Latin Pop/Rock,World Music

Average customer rating: Lives Up To The Title, Fine Variety Of Genre's. Good for relaxing pregnant women Too much opera Does what it set out to do, very well TRULY The most relaxing and beautiful music ever written.

The Most Relaxing Classical Album in the World...Ever! Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. 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The Most Relaxing Classical Music in the Universe 25 Classical Favorites Best of the Millennium: Top 40 Classical Hits ASIN: B00000I93Z Release Date: 1999-03-30

Tracks:

1. Air 'On the G String' - Academy Of St. Martin In The Fields
2. Morning - Academy Of St. Martin In The Fields
3. Canon In D - Academy Of St. Martin In The Fields
4. Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
5. Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
6. II. Andante - Stephen Hough
7. Viens, Mallika - Mady Mesple
8. In Paradisum - Choir Of King's College, Cambridge
9. Clair De Lune - Dame Moura Lympany
10. II. Andate - Yehudi Menuhin
11. The Swan - Osian Ellis
12. II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
13. II. Andantino - James Galway
14. II. Largo - Yehudi Menuhin
15. Nimrod - London Symphony Orchestra
16. Blow the Wind - Pie Jesu - Jocelyn Pook
17. Variation 18 - Cecile Ousset
18. Pavane Op.50 - Gareth Morris

Tracks:

1. Zion Hort Die Wachter Singen - South German Madrigal Choir
2. Adagio In G Minor - Academy Of St. Martin In The Fields
3. Minuet - Academy Of St. Martin In The Fields
4. II. Largo - Andrei Gavrilov
5. Meditation - Hans Kalafusz
6. I. Adagio Sostenuto - Dame Moura Lympany
7. Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
8. II. Andante - Nigel North
9. II. Adagio - Jack Brymer
10. Intermezzo - Philharmonia Orchestra
11. I. Moderato - London Chamber Orchestra
12. O Mio Babbino Caro - Montserrat Caballe
13. Fantasia On 'Greensleeves' - Sinfonia Of London
14. II. Adagio Sostenuto (Opening) - Cecile Ousset
15. Nocturne - Academy Of St. Martin In The Fields
16. II. Adagio (Opening) - Julian Bream
17. Adagio For Strings Op.11a - The Philadelphia Orchestra
18. Entr'acte To Act III - Orchestre National De France

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!

Average customer rating: Concierto de Aranjuez Do not buy it The music will take you away! tremendous recordings of some favorites and some less well-known works A magical Classical Ambience

Rodrigo: Concierto de Aranjuez; Fantasía para un Gentilhombre Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Concertos | Forms & Genres | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Romero, Pepe | ( R ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Rodrigo: Concerto Madrigal; Concerto Andaluz Rodrigo: Complete Concertos for Guitar and Harp Brassed Off!: Original Soundtrack From The Miramax Motion Picture 300 Years of Guitar Masterpieces The Royal Family of the Spanish Guitar ASIN: B00000415P Release Date: 1994-05-10

Tracks:

1. Concierto de Aranjuez: Allegro con spirito
2. Concierto de Aranjuez: Adagio
3. Concierto de Aranjuez: Allegro gentile
4. Fantasia para un gentilhombre: Villano y Ricercare
5. Fantasia para un gentilhombre: Espanoleta y Fanfare de la caballeria de Napoles
6. Fantasia para un gentilhombre: Danza de la hachas
7. Fantasia para un gentilhombre: Canarios
8. Canconeta
9. Invocation et danse: Moderato
10. Invocation et danse: Allegro moderato: Polo
11. Trois petites pieces: Ya se van los pastores
12. Trois petites pieces: Por caminos de Santiago
13. Trois petites pieces: Pequena sevillana

Amazon.com

Rodrigo's two "greatest hits," these works for guitar and orchestra made a convenient and frequent LP coupling, but they are a skimpy CD program. One recommendable feature of this CD is the inclusion of two lovely works for solo guitar along with an equally lovely piece for violin and orchestra. Rodrigo deserves to be more than a two-hit wonder, and bravo to Philips for exposing a little more of his music like this. Still, the performances of the "hits" are our major concern here. Pepe Romero plays with complete command of the music, and in the affecting slow movement of the "Concierto" (composed, as we learned only after his death, to mourn the loss of a child who died at birth), he plays his heart out. Marriner and the not so small orchestra give outstandingly crisp and sensitive support, and the recording manages the difficult feat of balancing guitar and orchestra so that the solo instrument remains audible without sounding artificially boosted. There are many fine versions of the concertos on CD, including one by Pepe's brother Angel, several by John Williams, and one by Manuel Barrueco with Placido Domingo conducting. But this Philips disc is as good as any and does have the advantage of the extra music. --Leslie Gerber

Customer Reviews:

Concierto de Aranjuez.......2007-01-22

This is an old favorite I am delighted to have refound. The music is uplifting and Rodrigo does a wonderful job as usual. Very exciting music.

Do not buy it.......2006-10-12

Horrible composition, make-no-sense musical arrangement, lack of harmony, sectional, not "together". Buy another Concierto de Aranjuez, not this one.

The music will take you away! .......2006-03-10

Try this for a break from bland music. Play in your car while driving to work. The last few minutes of track 2 while bring joy to your heart and tears to your eyes!

tremendous recordings of some favorites and some less well-known works.......2005-11-04

What a recording. For years I liked both the efforts of Williams/Ormandy (live performance) and Parkening with the RPO. But this is my favorite recording now, hands down. The sonics are top-notch as compared with those two ADD selections, and there is more less well-known Rodrigo that is equally lovely. Romero's interpretations just seem more passionate, which seems necessary for these works, in particular the slow movement of the Concierto de Aranjuez.
Recommended.

A magical Classical Ambience.......2005-02-15

I must admit I used to be a classical fan but in the last few years my music tastes have changed into the alternative rock genre. However on a whim this album stood out due to the title and the cover design. I was delightfully suprised when I played the CD for the first time. Simply magical the entire CD is. Concierto de Aranjuez under the direction of Jacek Kaspszyk and conducted by Carlos Bonell created a gentle and yet firm sounding piece of work. Each track flows onto the next and each track has its own brilliance.
Close your eyes when you listen to this CD and allow yourself to be taken on a journey, for the music, the instruments and the ebb and flow of the music take one on a journey down to the essence of the soul, mind and heart.
All I can say is this is a must for any fan of Spanish Classical ambience theme music.

Average customer rating: Can't be beat! Excellent Segovia Disc for Beginners!!! Virtuoso! Maybe not "The Best of," but VERY good!

The Best of Andrés Segovia: The Millennium Collection Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Segovia, Andrés | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Art of Segovia The Legendary Segovia Spanish Guitar Music Essential Guitar: 33 Guitar Masterpieces Andres Segovia: In Portrait ASIN: B00068CVGM Release Date: 2004-11-09

Customer Reviews:

Can't be beat!.......2007-04-07

No classical guitar fan should be without this Segovia cd. Though I have these pieces on other Segovia cd's to have these beautiful pieces on one cd is great. Some of my favorite numbers which I myself play are on it and I can listen to these over and over again to improve my own performance.

Excellent Segovia Disc for Beginners!!!.......2006-08-07

Although I had been familiar with Andres Segovia for pretty much all my life, I never really heard or owned anything by the great Spanish guitar legend until I purchased this - "The Millenium Collection".
After listening to this CD only once, I've come to realize why Segovia is such an innovative legend. Every track on this CD whether it be Bach, Albinez or Rodrigo is performed with great passion and fire. The notes literally cascade from Segovia's fingers as if they were made of paper.
This CD comes as highly recommended for guitar fanatics. Whether you're into rock, jazz or classical, there is plenty of amazing virtouosity heard on this disc that will amaze you.
Segovia's influence can be heard in the playing of anyone from his contemporaries Julian Bream and John Williams to rock legends Eric Clapton and Steve Hackett.
Here, you get to hear the master at work and I must say, it is awesome!!!

Virtuoso!.......2006-04-27

Yes no doubt, he can play.
Very good reasonable price compilation. On the other hand his production is so wide, so it is difficult/impossible to collect one perfect compilation.
Good start to Segovia.
Booklet is good enough.

Maybe not "The Best of," but VERY good!.......2004-12-27

I'll be completely honest, I only have one Andres Segovia album, this one, so I can't say as to how accurate the title of this cd actually is, but i have heard a lot of classical music (and classical guitar), and from this i can draw that this album is great! We all now how great Segovia is, and this album is jam packed with Segovia being, well, great! It starts out with the prelude to the first Bach cello suite. Being both a cellist and a guitarist, its unbelievable hearing the emphasis and phrasing that Segovia uses playing a cello suite on the guitar. It's a great representation of Segovia's innovativeness becaues of one, his phrasing as mentioned, but two, he alters the music to fit his style of playing, and it makes a creative piece of art. The next track is the Bouree from Bach's guitar suite in E minor. Now if you've heard classical guitar, chances are, you've heard this one. It's such a great classic, and Segovia simply makes it all the better. The next track is also a cross over between insturments (from violin), and also Bach, (but most importantly, also Segovia!). Next is a piece for the lute, a rare track, but it's a nice one and Segovia gives it a nice touch. The next track, Recuerdos de la Alhambra, is, in my opinion, the best. It's just such a beatiful piece of music, and the guitar playing will really bring you to tears. The next two are both written by Albeniz. The color of Segovia's tone as well as his technical genious are well represented on these two tracks. Simply unbelievable. The next piece is a fun spanish dance, performed by the greatest classical guitarist ever, from spain! The last few tracks are Segovia with a small orchestra. The piece is 1st class, and its a whole new experience hearing segovia play with other people. There is a lot of energy and fluidity throughout the tracks, and its a great way to show another amazing side to this guitar player. All in all, who knows if it's the best, but Andres Segovia IS the best, and if the music is beatiful, why not? Pick up a copy, you won't be disapointed.

Average customer rating: The Aranjuez Adagio is Perfection Classic Classic Williams: Romance of the Guitar The Best One Disc Compilation of the Man That's Out There! Excellent!!

Classic Williams: Romance of the Guitar Manufacturer: Sony ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Piazzolla, Astor | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Theodorakis | Theodorakis, Mikis | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces Spanish Guitar Music Baroque Guitar Reflections of Spain: Spanish Favorites for Guitar 300 Years of Guitar Masterpieces ASIN: B00004T0P4 Release Date: 2000-05-02

Tracks:

1. Romance
2. Pavane
3. Sunburst
4. Una Limosna Por el Amor de Dios
5. Asturias
6. Gymnopedie No. 3
7. El Condor Pasa
8. Verano Porteno
9. Scherzino Mexicano
10. Berceuse
11. Natalia
12. Dance from la Vida Breve
13. Planxty Madame Maxwell
14. Epitafios
15. Prelude from Lute Suite
16. I. Prelude from Suite for Lute (Guitar) No. 4 in E Major, BXV 1006a - From The Seville Concert
17. Sonata in E Major, K. 380 (L. 23) - From The Baroque Album
18. III. Allegro from Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, RV 82 - From John Williams Plays Vivaldi Concertos
19. II. Adagio From Conceirto de Aranjuez For Guitar And Orchestra

Amazon.com

Guitarist John Williams (no, not John Williams the soundtrack composer) adds to his fine catalog of impeccable recordings with Classic Williams: Romance of the Guitar. But this isn't just a best-of collection (though some of his greatest work is included here) since the disc contains three new recordings. Among the new tracks, Fauré's Pavane is a real stunner, a short but gorgeous piece originally meant for orchestra and choir, where Williams's guitar sounds as though it always belonged there. We get Williams at his most interpretative--his arrangements of Satie's Gymnopedie No. 3 and Piazzolla tango Verano porteno--and his most serene (the "Cavatina" theme from the movie Deer Hunter). Let's face it, some fine classical guitarists can lull their listeners into near comatose states with their instrument; Williams, on the other hand, is just the opposite. His gorgeous tone, inventive arrangements, and interesting repertoire continue to make the classical guitar sound exciting. In short, a great introduction to Williams and a real gem for lovers of classical guitar. --Jason Verlinde

Customer Reviews:

The Aranjuez Adagio is Perfection.......2007-03-01

The second movement adagio of the Aranjuez concert is one of my favourite pieces, a very difficult one to get right. I've listened to well over a dozen variations, the one on this CD, track 19, is an absolute gem. Just by itself is reason enough to own this CD. The only other Aranjuez performance that's even worth mentioning in the same breath is Julian Bream's, track 2 of the CD titled just "Julian Bream", with the Monteverdi orchestra. Both are just stunning performances, as close to perfection as it gets. Julian's is a bit stronger on the guitar than the one here.

Classic.......2007-01-26

Excellent CD for those interested in classical music. All the tracks are great in sound quality!

Classic Williams: Romance of the Guitar.......2007-01-20

Loved the songs....loved the guitar renditions. Would highly recommend!

The Best One Disc Compilation of the Man That's Out There!.......2006-04-19

If you had to call modern classical guitar by another name, it would be John Williams. A student of none other than the brilliant Andres Segovia himself, John has shown over the years to have learnt a great deal from the master and has himself developed simply impeccable technique.

As a guitarist myself who has been struggling all these years with "Cavatina", it always amazes me how effortlessly John makes the tune sound so simple and as if two guitarists are playing, one for the accompanyment and one for the melody and yet it's all him! Not only are the tracks representative of John's great talent but they also represent some of the most famous and challenging pieces to play.

Another great example of this is "Asturias(Leyenda) by Albeniz, a hauntingly beautiful and deceptively simple-sounding piece. We also get pieces that span the centuries from J.S. Bach and Vivaldi to Stanley Myers and York ending with the brilliant second movement of Rodrigo's "Concierto de Aranjuez".

Although the sound quality isn't brilliant as some tracks sound better mastered than others, overall this is a great one disc introduction to John Williams' work and comes highly recommended.

Excellent!!.......2006-03-06

This is a delightful compilation. The music flows effortlessly and leaves the listener wanting more.

Average customer rating: Simply Gorgeous !

Adagio: A Windham Hill Collection Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music Ambient | Dance & DJ | Styles | Music General | Contemporary Folk | Folk | Styles | Music General | International | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music General | Compilations | New Age | Styles | Music Solo Instrumental | New Age | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Prayer: A Windham Hill Collection Windham Hill Chill: Ambient Acoustic The Bach Variations: A Windham Hill Sampler Touch-Windham Hill 25 Years of Guitar Thanksgiving: A Windham Hill Collection ASIN: B000089YAX Release Date: 2003-03-04

Tracks:

1. Air 'On The String' - Philippe Saisse
2. Ave Maria - Paul McCandless
3. Arioso - Tracy Silverman
4. Nocturne - Steve Erquiaga
5. Sarabande - Paul Schwartz
6. Intermezzo No.6 - David Benoit
7. Adagio - Brian Dunning
8. Adagio - Patrick O'Hearn
9. Prelude In C-Sharp Minor - Edgar Meyer
10. Adagio - Richard Schonherz
11. Adagio For Strings - Philip Aaberg
12. Largo - Tim Story

Amazon.com

Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio for Strings. He stretches the melody across his piano in finely drawn lines, subtlety filled out with synthesizer undertones. Subtlety is a casualty on Philipe Saisse's bongos, bells, and synth arrangement of Bach's Air on a G String. It's also sacrificed in a corny confection of Handel's Sarabande by Paul Schwartz. His ham-fisted electronic keyboards would've sounded dated even before Switched-On Bach. But Adagio features plenty of musicians who are willing to surrender themselves to their elegiac themes, including guitarist Steve Erquiaga, Mike Marshall, and Edgar Meyers. --John Diliberto

Customer Reviews:

Simply Gorgeous !.......2003-10-05

This is the first Windham Hill compilation I've purchased in a long, long time, and I am thrilled with the music.
The artistry is stunning, the artists bring themselves to the music while at the same time maintaining the integrity of the original piece.
My favorite is Grieg's Nocturne, arranged and performed by Steve Erquiaga. I have been in love with his music from the moment
I heard his CD "Cafe Paradiso" (Imaginary road Records). It is absolutely stunning!
When I saw that he was on "Adagio" I went for it. I'm so happy that I did ...
Other hightlights for me are Philip Aaberg's "Adagio for Strings", Tracy Silverman's "Arioso" ..... they're all beautiful.
Thank You for this wonderful music.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Like a rainy day in a good bookstore Not "Ultimate", but Wonderful! Everyone would love this album! Incredible One well worth the price of two

Ultimate Guitar Collection Manufacturer: RCA ProductGroup: Music Binding: Audio CD Albeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Bream, Julian | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Julian Bream: The Ultimate Guitar Collection-Volume 2 Essential Guitar: 33 Guitar Masterpieces 300 Years of Guitar Masterpieces Baroque Guitar Classic Williams: Romance of the Guitar ASIN: B00000I9M1 Release Date: 1999-03-09

Tracks:

1. Allegro Giusto
2. Largo
3. Allegro
4. Packington's Pound
5. Greensleeves
6. Fantasia 'A Fancy'
7. Canarios
8. Sonata In D
9. Leyenda (Asturias)
10. The Three Cornered Hat: The Millar's Dance
11. Recuerdos De La Alhambra
12. Choros No.1
13. Andantino Espressivo
14. Poco Animato
15. En Los Trigales
16. Allegro Con Spirito
17. Adagio
18. Allegro Con Brio

Tracks:

1. Mallorca, Op. 202 - Albeniz
2. Cataluna
3. Granada
4. Sevilla
5. Cadiz
6. Cordoba
7. Dedicatoria
8. La Maja De Goya
9. Danza Espanola No. 4
10. Valses Poeticos - Granados
11. Danza Espanola No. 5 - Granados
12. Fandango
13. Passacaglia
14. Zapateado

Customer Reviews:

Like a rainy day in a good bookstore.......2007-07-10

"Always pleasant, never a false cord." That's what I think each time I listen to this collection. I guess I should be listening more closely, but I find the music and the virtuosity with which it is played to be a springboard to other thoughts and activities. I can read with it in the background, write with it or simply drift into thought. And that is really quite enough for me.

Not "Ultimate", but Wonderful!.......2007-03-29

As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.

Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.

Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.

The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.

I recommend it highly.

Everyone would love this album!.......2007-01-16

This album is fantastic. Easy to listen to and wonderful background music for working or dinner parties

Incredible.......2005-10-24

This is the leading guitar player of his generation at his best.

He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.

I can't imagine anybody buying this cd then regretting it.

One well worth the price of two.......2004-09-25

This two cd set is an odd juxtaposition. The first cd consists of a sampler of Bream's career output - but without (and I believe the omission is disgraceful) any acknowledgement of Bream's significant contribution toward the creation of a truly 20th century concert repertoire for guitar. The second cd is a re-release of his superb early 1980's recording of Albeniz and Granados transcriptions with the added bonus of a sublime interpretation of the "Three Spanish Pieces" by J Rodrigo.

Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.

However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.

The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.

As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.

Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.

The second cd alone is worth twice the compilation's asking price.

Average customer rating: Wonderful, sensitive playing.... John Bayless is awesome The One CD in My Collection I Never Tire of Listening To Gorgeous arrangements. Very dramatic and melodic.

The Movie Album Classical Pictures; John Bayless John Bayless , Luis Enrique Bacalov , Giacomo Puccini , Michel Legrand , Joaquin Rodrigo , Nino Rota , John Williams , James Horner , Sergey Rachmaninov , and Harold Arlen Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Similar Items: Romantica The Puccini Album: Arias for Piano Christmas Rhapsody Bach Meets the Beatles: Revisited Bayless Meets Bernstein: West Side Story Variations ASIN: B000002SLY Release Date: 1996-11-19

Tracks:

1. Il Postino, From The Postman - Visi d'Arte, From Tosca
2. El Canto de Ensarria - The Summer Knows, From Summer Of '42 - Concierto de Aranjuez, 2nd Movement
3. A Time For Us, Love Theme From Romeo And Juliet- Adagio In G Minor
4. Theme From Schindler's List - Prelude In C-Sharp Minor - Hatikva (Interlude)
5. Somewhere Out There, From An American Tail - Rhapsody On A Theme Of Paganini Variations No.18
6. When I fall In Love, From Sleepless In Seattle - Liebestraume
7. Moon River, From Breakfast At Tiffany's - Piano Concerto No.2, 1st Movement
8. Beauty And The Beast, From Beauty And The Beast - Prayer From Hansel And Gretel
9. Over The Rainbow, From The Wizard Of Oz - Legends

Customer Reviews:

Wonderful, sensitive playing...........2003-11-02

Ah, reader, consider this album. I have been listening to Bayless music for years, from Bach Meets the Beatles to his crazy happy birthday album in a dozen styles (Stravinsky's Rite of Birthday, a favorite), but this one has something special going on. The playing is so beautifully, and sensitively played that one is really swept away by the original movie tune, interwound with a classical piece, so seamless and amazing. One of my all-time favorite albums.

John Bayless is awesome.......2003-10-13

He's such a great talent, I was lucky enough to meet him almost 2 years ago. I got this CD autographed! :) He was such a nice person and performed so well on the stage. Buy this album, it's really awesome!

The One CD in My Collection I Never Tire of Listening To.......2001-03-24

John Bayless had a vision for this album---to combine the most beautiful classical pieces along with the most romantic and engaging movie themes of all time. The arrangements and the way in which he weaves the varous pieces together, sometimes playing both themes simultaneously, are incredible. They lift you up and carry you away. The various instrumental additions (such as the guitar in track 2, drums in track 6, strings in track 5, the sound of the wind in track 4) add just the right touch---lightly sprinkled in when needed. As a professional pianist myself, I also appreciate his considerable technique and the emotion with which he infuses his music. Anyone who likes classical music and movies should own this CD. Anyone who has friends who like classical music and movies should purchase this CD for them. They will love you for it. It is my favorite CD. I never tire of listening to it.

Gorgeous arrangements. Very dramatic and melodic........1999-11-16

Don't be scared off by the "clown-like" picture on the cover. This album, by a true piano virtuoso/arranger, blends familiar movie and light classical melodies together into unique arrangements. Every time it's been on while I have guests, someone always asks "What's that beautiful music?"

Average customer rating: Above All Others The Great Master, of Masters THIS GORGEOUS GUITAR MUSIC BEGS FOR LISTENING. . . beautiful selection of the decca segovia There's Only One Segovia

The Segovia Collection Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Segovia, Andrés | ( S ) | Featured Performers, A-Z | Classical | Styles | Music