| 1. A Paris |
| 2. Marjolaine |
| 3. Bal Petit Bal |
| 4. Petit Cordonnier |
| 5. Rose Et La Guerre |
| 6. Les Fiacres |
| 7. Paris Se Regarde |
| 8. Mon Copain D'pekin |
| 9. Toi Tu Ne Ressembles A Pe |
| 10. Ecoutez La Ballade |
| 11. Matilda |
| 12. L'air De Paris |
| 13. Temps Du Muguet |
| 14. Quand Un Soldat |
| 15. Seul Un Homme Peut Faire |
| 16. Je Me Souviens De La Bohe |
A Paris,Francis Lemarque,Universal/Polygram,France,French Pop,World Music
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Live in Paris
Diana Krall Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006J9OT Release Date: 2002-10-01 |
Tracks:
- I Love Being Here With You
- Let's Fall in Love
- 'Deed I Do
- The Look of Love
- East of the Sun (and West of the Moon)
- I've Got You Under My Skin
- Devil May Care
- Maybe You'll Be There
- 'S Wonderful
- Fly Me to the Moon
- A Case of You
- Just the Way You Are
Amazon.com
Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr.Album Description
Canadian version of 2002 live release includes one exclusive bonus track, 'Charmed Life' & the U.S. bonus track, 'Just The Way You Are' (Studio Version/Billy Joel cover). The first-ever live concert recording from Grammy winning vocalist/pianist Diana Krall, recorded at the Paris Olympia Theatre winter 2002. Here finally, captured in amazing audio quality, is an album showcasing the magic of Krall's concert performances. Krall & her band - perform some of the tunes from Krall's studio recordings, such as 'East of the Sun (West of the Moon)' & 'Devil May Care'. Joined by special guests John Pisano (acoustic guitar) & Paulinho DaCosta (percussion) for several tracks, including the Gershwin's 'S'wonderful'. The Orchestre Symphonique European, conducted by Alan Broadbent with special guest conductor Claus Ogerman, is featured on the upbeat 'Let's Fall in Love' & a haunting interpretation of 'I've Got YouAlbum Details
Includes Two Bonus Tracks of "Charmed Life" and the Enhanced Track "Look of Love".Customer Reviews:
Diana Krall in Top Form, Classic.......2007-08-04
If they let me give ten stars................2007-07-30
....but this trumps it. Diana in the studio is fabulous, but Diana live, connecting with the audience and her band, goes way beyond that. You can feel the magic. Some singers live don't measure up [no names]. Others, like our dear Carly Simon, have to overcome massive stage fright. [Carly has only one live album, great as it is]... I have no idea how much stage fright Diana has [and stage fright is real; been there, done that. I'm lucky that I actually enjoy the feeling]. Some fortunate singers are actually improved by a real audience. Whatever Diana's feelings, she gives the audience [and us] her all. I've not heard Diana in person, but on this recording we can get the electricity of a special experience.
Diana Krall is a treasure in earthen vessel....a beautiful girl, with a voice for the ages. If you're not familiar with her music, I'm sorry. If you only know her studio recordings, you've GOT to hear this.
Diana Krall at her best.......2007-06-20
you know that.......2007-04-12
Very Enjoyable and that's all that matters..........2007-02-24
This is a very very good Jazz band and Diana Krall swings. She plays well and she does an incredible amount with the voice that the maker gave here. The album is very enjoyable to me and it's a good place to start if you want to hear Diana Krall.
Is she great? That question is so subjective and who cares anyway. One reviewer suggested that calling her great was disrespectful to the great Jazz singers. Popular singers like Diana bring attention to Ella Fitzgerald and Sarah Vaughn and Sinatra etc... People start with Diana and move backward from there... 5 stars from this reviewer!!!
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Gershwin: Rhapsody In Blue/An American In Paris
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025MH Release Date: 1990-10-25 |
Tracks:
- Rhapsody in Blue
- An American in Paris
Customer Reviews:
Superb performance of the most moving piece of American classical music .......2007-07-27
What a genius Gershwin had when he wrote this work.
Gershwin/Bernstein: Rhapsody In Blue and American In Paris.......2007-01-16
A glorious tribute!.......2006-11-22
To my mind, there just have been five pianists who have surmounted this peak: Oscar Levant, Jesus Maria Sanroma, Eugene List, Earl Wild and Leonard Bernstein.
So, under any pretext you should miss this invaluable musical gem.
A Truly Great Performance.......2006-08-19
GLORIOUS!.......2006-07-21
Well, how can you go wrong when Leonard Bernstein, with the help of the Columbia Symphony Orchestra and the New York Philharmonic, conducts(and performs brilliantly on piano)these two George Gershwin greats.You just can't. Even the quality of the CD is excellent.
Rhapsody will carry you away to some other place for a while. From that very first bluesy note, Bernstein and Orchestra will have you wrapped up in all it's jazzy glory. It's music that defines the word greatness and it's THE song I would pick (if I could only pick one) that exemplifies the masterfulness of American composers.
An American In Paris is wonderful. The feeling of a tourist on the loose in Paris is expertly portrayed through this recording. The highs, the lows and all the delights. I felt a part of it all(and I'm a long way from Paris!)
Now, if you have read any of my other CD reviews, you know that right about here is where I complain ,and sometimes even take a star off of my rating, when a CD is too short(considering how easy it is to get music elsewhere these days). But I have to say, even though the total time on this CD is only about 35 minutes, what a glorious 35 minutes it is.
Rhapsody a wonderful 16:26 and American In Paris a Yummy 18:22.
It's music that never gets old. It stands the test of time, and many repeated playings.
So you may want to keep a copy of this in your car. A great way to start your day. Listen on the way to work, and you'll have that "what? me worry?" attitude. Also fabulous for destressing on the way home from a long days work.It just seems to make everything okay.
As I said the CD has a nice quality. It also has a booklet with some notes on how Gershwin came to compose these songs.
Gershwin performed by Bernstein..it was meant to be!
Enjoy it...Laurie
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Last Boogie in Paris - The Complete Concert
Johnny Rivers & His L.A. Boogie Band Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ROAL6W Release Date: 2007-07-31 |
Tracks:
- Sea Cruise
- Over the Line
- Barefootin'
- Summer Rain
- Long Tall Sally
- It's Alright
- Brown Eyed Girl
- Knock On Wood
- Rockin' Pneumonia And the Boogie Woogie Flu
- I've Just Seen A Face
- Stories To a Child
- Willie And the Hand Jive
- Memphis
- Blue Suede Shoes
- Baby, I Need Your Lovin'
- Walkin' Blues
- Take Me In Your Arms (Rock Me a Little While)
- John Lee Hooker '74
Album Description
Taped at the Olympia Theatre in Paris at the end of Johnny Rivers' triumphant 1973 European tour, portions of the concert were released the following year by Atlantic Records exclusively for the European tour market as Last Boogie In Paradise. More than three decades after its original release, this classic Johnny Rivers live album is presented in its complete, unedited form, as Last Boogie In Paradise: The Complete Concert. Newly remastered from the original master tapes, with ten previously unreleased tracks.
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Putumayo Presents: Paris
Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UX20 Release Date: 2006-04-18 |
Tracks:
- Au Cafe De La Paix - Thomas Fersen
- Samba De Mon Coeur Qui Bat - Coralie Clement
- Dites Moi Tu - Karpatt
- Quelqu'un M'a Dit - Carla Bruni
- Je Reste Au Lit - Pascal Parisot
- Jardin D'Hiver - Keren Ann
- Serre-Moi - Tryo
- Lettre A P... - Paris Combo
- L'ongle - Presque Oui
- Ta P'tite Flamme - Amelie-Les-Crayons
- Les Pages - Myrtille
- Carpe Diem - Aldebert
Product Description
Highlighting artists from the Nouvelle Scene (New Scene), Paris features modern takes on classic French chanson. Thomas Fersen Au Café de la Paix Coralie Clément Samba de Mon Cur Qui Bat Karpatt Dites Moi Tu Carla Bruni Quelqu'un M'a Dit Pascal Parisot Je Reste au Lit Keren Ann Jardin d'Hiver Tryo Serre-Moi Paris Combo Lettre A P... Presque Oui L'ongle Amélie-Les-Crayons Ta P'tite Flamme Myrtille Les Pages Aldebert Carpe DiemAmazon.com
Many Putumayo compilations fail to capture the essence of a specific region by focusing on music that is simply too polite for its own good. When it comes to the languid charms of French chanson, however, the label has always excelled. An indispensable companion to the previously released French Café Paris focuses on the renaissance of French popular music in the hands of artists such as the raspy voiced Thomas Fersen, supermodel-turned-songwriter Carla Bruni and the ineffable Paris Combo-- arguably, the one group that started the smoky cabaret song revival in the mid-'90s. An air of luxury and languor defines the 12 tracks here, from the breezy bossa nova of Coralie Clément's "Samba de Mon Coeur Qui Bat" ("Samba of my Beating Heart") to the accordion laced atmospherics of Amelie-Les-Crayons and the wistful "Ta P'tite Flamme" ("Your Little Flame"). Judging by this disc, contemporary French pop may very well be one of the most exciting musical movements in the world right now. --Ernesto LechnerCustomer Reviews:
Now you can always have Paris!.......2007-05-15
My only criticism might be that it's too bad that Putumayo does not include the lyrics to the songs!
Paris, City for Dreamers.......2007-04-11
French Music for YOUR Home.......2007-03-25
Cool and seductive........2007-03-10
Packed with some of the best, chilled French café songs of the moment, Paris is this summer's essential for barbeques, soirées, dinner parties or possibly just for those hot nights in.
From Coralie Clément singing seductively about the "Samba de Mon Coeur Qui Bat" to the equally seductive Carla Bruni's "Quelqu'un M'a Dit", Keren Ann's "Jardin d'Hiver" -- which she whispers rather than sings -- and Karpatt's caressed and tapped acoustic guitar, this is a compilation of class and smooth charm.
While Paris recalls the heyday of French chanson it is a thoroughly modern mix from the nouvelle scène. It's entirely easy listening -- nothing from the outer reaches of French culture here.
Part of the proceeds from each CD sold goes to Terre des Hommes, who support disadvantaged children around the world, so you can feel good about your purchase while humming along to the catchy tunes.
Great intro to La Chanson Francaise for the novice..........2007-03-06
If you like the songs on this album, definitely check out Rupa and the April Fishes. Rupa Marya is an Indian woman living in San Francisco who sings in French; the April Fishes' music is a jazzy eclectic riff off of chanson, and is definitely 5-star. If it weren't enough that she's beautiful and sings like an angel, Rupa in her "free time" is also a medical doctor. Talk about talent. Check 'em out!
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Mozart for Meditation
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041CD Release Date: 1995-01-17 |
Tracks:
- Flute Concerto No. 1 In G
- Piano Concerto No. 23 in A
- Horn Concerto No. 4 In E-Flat
- Symphony No. 31 In D: Symphony No. 31 In D - Andante
- Piano Concerto No. 15 In B-Flat
- Violin Concerto No. 4 In D
- Wind Serenade No. 12 In C Minor - Andante: Wind Serenade No. 12 In C Minor
- Concerto For Flute And Harp I - In C - Andatino
- Piano Concerto No. 27 In B-Flat
- Symphony No. 34 In C: Symphony No. 34 In C - Andante Di Molto
- Fantasia In D Minor
Customer Reviews:
Good Music to Sleep By.......2007-06-08
Enjoyment.......2007-05-07
Best Music to Have on When You Work.......2007-01-22
Excellent for Massage!.......2006-04-06
MOZART FOR MEDITATION.......2005-09-07
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Jacques Brel Is Alive and Well and Living in Paris (1966 Original Off-Broadway Cast)
Jacques Brel , Ocr , Elly Stone , and Mort Shuman Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067AS5 Release Date: 2002-05-28 |
Tracks:
- Marathon
- Alone
- Madeleine
- I Loved
- Mathilde
- Bachelor's Dance
- Timid Frieda
- My Death
- Jackie
- Desperate Ones
- Sons Of.
- Amsterdam
- The Bulls
- Old Folks
- Marieke
- Brussels
- Fanette
- Funeral Tango
- The Middle Class
- You're Not Alone
- Next
- Carousel
- If We Only Have Love
Amazon.com
At the time of this show's 1968 Greenwich Village debut, French singer-songwriter Jacques Brel's body of theatrically insightful ballads was already an obscure but deeply influential treasure trove for many American musicians. The revue's success would go on to influence artists as diverse as Leonard Cohen, Bowie (who covered "Amsterdam" shortly thereafter), and Sinatra, and it may even be responsible for one-hit wonder Terry Jacks's revival of "Seasons in the Sun".More important, the pioneering musical-without-a-book helped introduce Brel's oft-brooding, ever evocative art to a wider American audience--and arguably had an evolutionary influence on Broadway itself. This complete reissue of the 1968 boxed set cast album offers up a rich cross-section of Brel's songs about life, death, and love--and typically sharp-eyed observations about the human follies that season them--deftly performed by a cast that includes Elly Stone, Alice Whitfield, Shawn Elliott, and, crucially, rock pioneer, Brel associate, and co-producer Mort Shuman. This new edition fleshes out the set with the sessions' only unreleased song, a sprightly take on the deliciously cynical "The Middle Class." --Jerry McCulley
Customer Reviews:
Jaques Brel still lives.......2007-04-02
Fabulous Show.......2007-02-22
Jacques Brel lives on through English Translation of his songs.......2007-02-12
A Little Night Music...........2007-01-23
I had a good friend who was in the show for one summer, maybe 79 or 80. Just a sad staging in a little town in Appalachia trying on some Paris. We had a dinner theater in our town, which meant an old building , some tables, small area and a stage kind of and some curtains. Rather ambitious for the town, they staged summer shows of Brel. And other things too, finally. My girlfriend as she often did hooked me into her evenings and I made drinks there as well as gave a few musical efforts and some easily forgotten attempts at choral support. On nights someone didn't show. You actually also made the food and sang the show, in those days for your audience, who tended to tip fairly poorly and be the local lawyers and med school doctors dragged out by wives seeking a cultural night of dinner theater. It was a kind of starving kids for ten bucks sing, act, cook, serve vodka/tonics, smoke and tell you the story of Boheme life while mixing blue cheese from packets of powder and creme in a frenzy preparing to figure out who plays the piano well enough as the player won't being pissed over low wages and a remark made about his big derrière. That kind of a summer. Songs probably wasted on the young.
All that said, it was/is a lovely collection of songs. Even better an experience when you learn and sing the French and can then argue incessantly about the translations and "feel" of the shows on two continents. I loved then to sing them, and find a tune floating in my head tonight from no where-just there- when "No. Love You're Not Alone" actually woke me. The American film was awful, the show best seen in revival and smoky nights in clubs. Then, in 1980 or so, it made my life richer, it's probably a good thing Susanna was such a friend...though I didn't understand, we dragged ourselves to a lot of meaning.And that rather odious experience in the Bahamas.
I think this worthy of time and listening. And a big moon would be cool, to walk on the shore and hear it once more. Think I'll slip out awhile.
Fine Singer / Actors Do Brel Justice.......2007-01-15
Unbeknownst to them, about the same time Elly Stone heard her first Brel recording, Mort Shuman was undergoing something of a revelation across the Atlantic. In the midst of a successful career writing rock and roll songs (including hits for Elvis Presley, and the ubiquitous teenage anthem, Save The last Dance For Me), Mort Shuman had been wandering restlessly around Europe, and came to settle for a time in Paris. There, he became acquainted with Brel's music, and, later, with the man himself, and the two became close friends. Shuman convinced Brel that he should be allowed to translate some of his better-known songs into English, and bring them to America. More on the strength of their friendship than Shuman's reputation as a songwriter, Brel agreed, but a problem soon emerged. Although Shuman had mastered French surprisingly well, he was finding the task of translating Brel's songs quite daunting. After several attempts, Shuman found his English versions sorely lacking. He realized that it was not only that he had become too enraptured with Brel's work to find the objectivity required to do them justice, but it also became apparent that Brel's songs reflected too much of the French philosophy and politics to appeal to an American public largely besotted on syrupy, trite love songs.
Shuman returned to America, vowing to find a way to introduce Brel's songs to an English speaking public. By this time, Nat Shapiro had heard Elly Stone perform Eric Blau's first translations of Brel, and wanted more. In November 1966, Nat Shapiro persuaded Mort Shuman to hear Elly Stone perform at Julius Monk's Plaza 9, despite Shuman's reluctance, which derived from his belief that only a male singer could do Brel justice. At a table with Shapiro and a very nervous Eric Blau, Shuman applauded politely. "She's good", he told Blau, "the translations are real good". It must have rankled him somewhat that it was Blau and not Shuman who first successfully translated Brel to English.
Nat Shapiro also had the idea for the perfect venue to introduce Brel to America - an off-Broadway show. Not exactly a revue, since that implied that the songs had been heard before, what eventually took shape was the first "libretto-less" musical, Jacques Brel Is Alive and Well and Living in Paris. In addition to Elly Stone and Eric Blau's enthusiasm for Brel's music, Elly's amazing talent had won Shuman over and convinced him to work with Blau on the translations. Two years later, their labor of love finally introduced Brel's songs to an American public that was as ready for Brel, as Brel's songs were ready for America.
I am somewhat puzzled by the negative reviews by those who insist that Brel's songs can never be appreciated in anything but the original French. When Eric Blau realized, as Mort Shuman had earlier, that Brel's songs could never be translated exactly to American English (steeped as they were in French life and politics), they agreed to go for the next best thing. They opted to translate Brel's songs as closely as they could, but, when this was not possible, they kept Brel's melodies while attempting to retain the spirit of his writing, if not his actual words. What resulted were often very good translations indeed. One only has to compare the French text of songs that became Jackie, the Old Folks, Brussels, the Middle Class, Madeleine or Amsterdam to realize that, for the most part, the narrative and spirit (and sometimes even the lyrics) closely matched Brel's originals. Two additional translations, Song For Old Lovers and My Childhood, which also resembled the originals, were recorded by Elly Stone on her (now very rare) self-titled Columbia album. Miss Stone also recorded Goodbye My Friends for her second album, which was arguably a superior version of Brel's Le Moribond than the dreadful version by Rod McKuen, Seasons In the Sun.
In other cases, the translations altered Brel's songs in such a way as to make them more palatable to American tastes, while retaining Brel's concept. Thus, Jef, a song in which a man tries to cheer up a drinking buddy who has lost a great love, becomes a love song, in which one partner attempts to bolster the melancholy spirit of their beloved. In fact, some would argue that the beautiful prose of No Love You're Not Alone not only equals the poetic imagery of Brel's original lyrics quite adequately, they are actually an improvement. Conversely, When We Only Have Love was transformed from a love song to an anthem for brotherly love, yet did not destroy Brel's concept or his "poetry", but successfully built on it. Brel, by the way, often pointed out that, in his culture, it would be unforgivably vain for a songwriter to compare himself to a poet. To the French, poetry is not only a much higher art form than songwriting, Brel did not consider songwriting an art at all, but merely "a craft". All told, there are, in fact, only a few songs in this show where the lyrics, content, spirit, tone and / or subject matter were completely altered from Brel's originals.
When the show premiered in Canada, the creators were terrified that they would be taken to task by the French Canadian press for daring to present Brel in English there, as Brel is highly prized in Canada. Instead, it was the English Canadian press who savaged the show. But the French Canadian journalist, Rudel-Tessier (a bi-lingual writer, quite familiar with Brel in French) stated flatly that, although in translating the work, some of Blau / Shuman went in and some of Brel came out, he found it marvelous to have Brel in English at all. And, he gently chided his peers by pointing out that, while Shakespeare is quite popular in French, the Bard will never be quite the same in French as he is in English. So, to those who say you cannot appreciate Brel's songs in anything but French I reply, this show was written for those who never have, and never will, understand a single word of French. Does anyone really think that those who only speak French should be deprived of Shakespeare?
Even if none of this were true, I would like to point out that Jacques Brel himself, armed with exact French translations of the English lyrics, personally approved every song that was written for the show before the decision to produce it was finalized.
Besides, the passion and reverence that these performers feel for Brel and this material is evident in every song, and to those who claim that this show is an insult to Brel, I answer that it's an insult to the efforts of this fine cast to suggest that they had anything but his best interests at heart, and, as someone who is quite familiar with Brel in French, I believe they succeeded brilliantly. And as fine a songwriter as you can argue that Brel is in French, well, Elly Stone is equally as fine a singer in any language, and I bemoan the fact that she virtually squandered the balance of her career championing Brel's work, when she could have made a major name for herself, based solely on her own talent. Having seen Elly Stone perform live many times (in and out of this show), I will attest to the fact that, in her prime, she had the most impressive voice I have ever heard in a concert hall.
And in the end, it was Brel himself who gave the supreme complement to this effort. At one point, Eric Blau fretted when, in order to more closely translate Brel's lyrics to la Mort (My Death), he and Shuman had to alter Brel's melody. When they sent the new song to Brel, he responded, "You have improved it; it's better than mine". A year after the show opened, Brel flew in to New York to see it. That night, he led a standing ovation for the performers, and modestly told Blau and Shuman repeatedly that they had not only exceeded his expectations, in many instances, they had improved his work. He also told Elly Stone that she was, "the finest lady performer" he had ever seen (including Piaf, whom she was often compared to unfairly) and he told her that he wanted to write new songs specifically for her. Unfortunately for us, he never had time, but it was a testament to her talent and artistic integrity that Brel offered.
And if Brel himself was pleased with the translations featured in this glorious production, why should anyone quarrel with that?
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Forever Cool
Dean Martin Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000RHRGOO Release Date: 2007-08-14 |
Tracks:
- Who's Got the Action?
- Ain't That a Kick In the Head
- I've Grown Accustomed To Her Face
- Baby-O
- Who Was That Lady?
- Please Don't Talk About Me When I'm Gone
- I Can't Believe That You're In Love With Me
- Just In Time
- Baby, It's Cold Outside
- King Of the Road
- You're Nobody 'Til Somebody Loves You
- Arrivederci Roma
- Everybody Loves Somebody
- Brahm's Lullaby
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Beethoven: Piano Concertos Nos. 1 & 4
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OYC3FM Release Date: 2007-05-08 |
Tracks:
- 1. Allegro Con Brio
- 2. Largo
- 3. Rondo. Allegro
- 1. Allegro Moderato
- 2. Andante Con Moto
- 3. Rondo. Vivace
Amazon.com
What a beautiful recording! Perhaps the most exciting thing about Lang Lang's playing is that when he plays softly and lyrically, he doesn't sound as if he's holding back; when he opts to stomp and yell, it sounds equally natural. The First Concerto is played with lightness and bounce in the outer movements and is as tuneful as imaginable in the stunning second movement's Largo. The Fourth Concerto is a whole other matter - mature Beethoven - and Lang rises easily to the occasion, playing with potency and handsome tone. The first movement makes us sit and admire his skill, and he is poetic and sensitive in the second movement. It would have been easy for him to run away with the final movement in a blaze of virtuosity, but he sticks to its classical outlines. These are superb performances, and the sonics are gloriously rich. --Robert LevineAlbum Description
Lang Lang delivers his first-ever Beethoven recording, a stunning reading of the extensive Concerto no. 4 and the jubilant Concerto no. 1. Even though he has performed this repertoire extensively in concert, Lang Lang waited for the perfect moment and the perfect team to record his first pair of concertos from these milestones of piano repertoire When Lang Lang embarked on his international career, Christoph Eschenbach became one of his first and most enthusiastic proponents - and a mentor and close friend ever since, Eschenbach was the ideal collaborator for Lang Lang's first Beethoven recording. Nimbly supported by Eschenbach's superb Orchestre de Paris, with its tradition of having been the first orchestra ever in France to perform music by Beethoven, Lang Lang's performance gives further proof as to why he is one of today's most acclaimed pianistsCustomer Reviews:
Counting Stars with Lang Lang........2007-07-18
I don't care how Lang Lang `behaves' at the pianoforte. These are quite irrelevant to his music, as any seasoned listener would tell. Lang Lang and Eschenbach both embark on what could be called a novel to almost revolutionary course in this recording. Instead of resorting to `copy and paste' of some Gilels, some Kempff, some Pletnev and many others, Lang/Eschenbach work on originality. The result yields plenty of fireworks and impassioned music, showering listeners with unexpected joy note after note.
Lang Lang has managed to present `his' version of Beethoven's two challenging concertos for the pianoforte (compare the LP version of the same two pieces by Eschenbach/Karajan decades ago) in his lusciously youthful style, yet leaving much more in his listeners (not for those who adamantly refuse to `listen', though) to long for his future re-releases of these same pieces, where definitely more new things could and would be said then.
As for the collaboration, however revolutionary in interpretation, however unconventional in expression, both Lang and Eschenbach are never in doubt as to where and when to hold on to the reigns, and when and where to let go, even though at times at the least expected places. The teamwork is almost perfect. The cadenza of the first movement of No. 4 is shatteringly novel, while the third movement is one whole piece of explosive firework blowing the listeners away. The No.4 alone justifies the cost for this disc.
I absolutely look forward to the Lang/Eschenbach collaboration of Beethoven's Choral Fantasy, and more others.
False emotion.......2007-07-10
dexterity unquestioned.......2007-07-07
Without soul!.......2007-06-10
Artistically Improving.......2007-05-23
And yet, Lang Lang shows signs of development that are encouraging. His performance of the First Concerto is both lively and exquisitely melodic, except for the occassionally ham-fisted showmanship he is often (and deservedly) derided for. However, the Fourth Concerto seems beyond his artistic grasp. While technically brilliant, it is a soulless and showy performance that displays none of the depth a more mature artist would be capabale of. Beethoven was not a composer known for showmanship but artistry and restraint. These are not qualities Lang Lang is exactly reknown for.
Still, Lang Lang's occassional lyricism can override his more exaggerated tendencies, which makes he and Beethoven quite compatible. This is what makes this CD as effective as it is. Perhaps this young man has received too much acclaim too soon. He needs time to mature as an artist but has so far chosen to present himself to the public at every possible turn. This recording indicates that there is something more to him than has consistently met the ear. Frustrating and encouraging at the same time, Lang Lang's latest CD shows a definite progression in his interpretive skills. It's exciting to think what may be coming in his future.
Finally, the typically exquisite DG sound and fidelity must be acknowledged. Every note and romantic passage is beautifully displayed in a pristine recording of gourgeous beauty. A wothwhile addition to any modern classical collection.
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Cocktail Disco
Dimitri from Paris Manufacturer: Bbe ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PAAI70 Release Date: 2007-06-19 |
Tracks:
- Summertime [Original LP Version] - The Blue Velvets
- Ocean's Apart [Original 12" Version] - Vast Majority
- Never Too Late [Original 12" Version] - Victoria Hubbard Barnes
- Girl from Ipanema [Original 12" Version] - Astrud Gilberto
- C'est Si Bon [Original LP Version] - Rhoda Scott
- It's Got to Be Love [Original 12" Version] - Darcus
- Who Can I Turn To (When Nobody Needs Me) [Original 12" Version]
- Joy of You [Original 12" Version]
- Disco Village [Original 12" Version]
- Show You the Way to Go [Original LP Version] - Charlie's Roots
- Starfight [Original 12" Version]
Tracks:
- What You Need Is My Love [Original 12" Version] - Cindy & Tito Rodriguez
- Never Gonna Let You Go [Original 12" Version]
- Take Me with You [Original 12" Version] - Ralfi Pagan
- Frenesi [Original LP Version] - The Ritchie Family
- Lady of the Night (Hey Honey Come Gimme Money) [Original 12" Version]
- Canteen [Original 12" Version]
- Keep It Up - Nightfall
- Little High Things [Original 12" Version]
- Something About You [Original 12" Version]
- Again [Original 12" Version] - Night People
- Baby, I Just Wanna Love You [Original 12" Version] - Jonelle Allen
Customer Reviews:
Do You Remember!.......2007-07-29
Needless to say, I have followed this truely gifted Artist since the beginning of his career in the States and this wonderful compilation really takes you finally on that journey through the craft and evolution of his grasp of the genre.
If you want to become reaquainted with his work or are a seasoned fan of the first "French Revolution" in music please check out the 2nd CD of "Disco Forever".
dj dimitri transports the love boat into the new millenium!!!.......2007-07-25
Cocktail Disco is the Perfect Love Music for One's Daily Vacation Get-away.......2007-07-22
Dimitri from Paris obviously has selected the most happy and enchanting selections from his personal collection. It is pure love anad heavenly disco. It transcends the decades and makes the love boat come alive. If there is a rave in heaven, this would be playing on the turntables. This music makes you move, puts a smile on your face and is the happiest music heard.
Go on vacation just for this CD - I did- and then relive it on the morning commute.
Cocktail Disco.......2007-07-07
"Greetings ladies and gentleman, welcome to the wonderful world of Cocktail Disco.".......2007-06-24
Dimitri from Paris (DFP) is no stranger to disco and anyone who has been following his career knows that he is possibly the number 1 de facto leader or ambassador to this genre of music post its rise and fall in the late 1970's. Not surprisingly he continues to favor and deeply supports the genre faithfully, this album is a true testiment to that note.
"And what does Cocktail Disco refer to you may ask?... Rich orchestrations, a touch of Latin influence, the ubiquitous 4/4 Disco beat, and rather over the top vocals... Maybe some would find it Cheesy, I would rather say cheeky and glamorous, something that would be fit for a Broadway musical show."
His two album releases from the "Defected in the House" label showcase the music side he is known for spinning when he is in a live event club space. Here Dimtri returns to the major indie London based DJ label "BBE" in which he also has two prior album releases with. DFP with this record label is oriented with his disco loving side (Both prior albums have disco in the title "Disco Forever" and "The Kings of Disco"). Contrary to what all previous albums were like, this one is different in the fact that it is unmixed but rather compiled. He chose to unalter any of the music to keep them true to their original sound. All the tracks are their full-length versions however and even though they are not mixed or original compositions, they still are very much Dimitri and each song rings his name loudly.
Average customer rating:
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The Best of the Three Tenors
Luciano Pavarotti , Placido Domingo , Jose Carerras , Zubin Mehta , and James Levine Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UB8A Release Date: 2002-06-11 |
Tracks:
- 'O sole mio
- Funiculi, funicula
- Libiamo ne' lieti calici (Brindisi)
- Sous le ciel de Paris
- Torero quiero ser
- Parlami d'amore, Mariu
- Manha de Carnaval
- Lolita
- Dicitencello vuie
- Core 'ngrato
- Because
- You'll Never Walk Alone
- Singin' In The Rain
- Maria
- Tonight
- 'O paese d' 'o sole
- Cielito lindo
- Ochi tchorniye
- Caminito
- La Vie en Rose
- Mattinata
- Wien, Wien, nur du allein
- Amapola
- Lippen schweigen
- Brazil
- Sous les ponts de Paris
- Torna a Surriento
- Nessun dorma
- La donna e mobile
Amazon.com
Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time.This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop.
The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew
Customer Reviews:
Nice songs from this album.......2007-07-22
Not bad.......2006-03-18
The best from the three greatest..........2005-08-11
There are no solos on the cd. I think I've read somewhere that they felt there had been enough "three tenors cd's" and if they were to release yet another one it would be one containing what the audience demands, the three of them joining forces and performing together in the songs.
The result, in my opinion is highly recommendable. The three voices blend perfectly together. I have to admit that I have a personal favourite among the tenors and that I would never buy an entire recording featuring only one of the two others, but I recognize their talents and -as stupid as it may sound- since they are performing together I can also appreciate the other two. (I like them too, but in smaller doses....)Some people have commented on their problems with mastering the english language. If anything, I think it just adds to their charm. By the way, who is perfect??
The songs on this cd is a mixture of beautiful songs, heartwrenching songs, toe-tapping songs and powerful songs. It's wonderful to just listen to the beauty in the three voices. It's fun hearing Pavarotti pushing his "high-note-button" in "O sole mio" and Carreras and Domingo copying his stunt. I have no idea what they're singing about in "Manha de Carnaval", but boy does it sound romantic...... And "Dicitencello vuie" brings tears to my eyes (even if I'm still left in the dark when it comes to understanding the meaning of the words...) In "Because" Carreras takes my breath away when singing "because God made thee mine, I'll cherish thee...through light and darkness, through all time to be, and pray his love may make our love divine...." (What woman wouldn't like to hear those words..??!?) Their rendition of "You'll never walk alone" should satisfy some of the soccer-fans since it's the anthem of a European football-club and "Nessun Dorma" will probably satisfy the rest of the soccer-fans, being the antheme of the 1998 world soccer championship. In short, there should be something for every taste on this cd.
It's a very "versatile" cd. You can play it almost everywhere. You can sing along to it in the car, you can dance around the house to it while doing your chores, you can put your feet up and unwind after a hectic week. Or you can write an Amazon review while listening to it.... (Feel free to add suggestions of your own here.....)
To make a long story short - a very enjoyable cd!
Just Like the Real Thing!.......2005-07-14
Powerful and moving!.......2004-10-21
World Music:
- A Viola E Minha Gente [Import]
- Akai Blanco [CD-single]
- Amarain [Import]
- Anthology [Import]
- Anthology [Import]
- Asia
- Ayurveda: Art of Being [Import]
- Best of 1985-1995 [Import]
- Black Ivory Soul
- Canta Tito Rojas
World Music
Busoni And His Circle, Volume II
Cesar & Strings / At the Heart of Christmas
Cuban Music Anthology [Original recording remastered]
Apostrophe [Original recording remastered]
Beach Boys' Party! [Import] [Limited Edition] [Live]
Besterberg: Best of Paul Westerberg [Original recording remastered]