Vado Via [Import]

1. Vado Via (Ft The Pentecostal Community Choir)

2. Rimani

3. Sambario

4. Sereno E

5. Mee Humm

6. Bella E Strega

7. Portami Fuori

8. Pericolo

9. Bella Come Te

10. Be Careful

11. Tirare Un Filo

12. Dammi Una Mano

13. No Io No

14. Voglio Una Donna

15. Regalami Un Sorriso

16. Piccola E Fragile (Ft The Pentecostal Community Choir)

Vado Via,Drupi,Brilliant,Rock/Pop,World Music

Average customer rating: Here's what the fuss was all about! Beverly Sills - The Best Beverly Sills' highs are breathtaking! THE 2005 OPERA CD OF THE YEAR EMI Does It Again: Beverly Sills - A Tribute

The Very Best of Beverly Sills Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: The Great Recordings Beverly Sills: Made in America Art of Beverly Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato ASIN: B0006VYELE Release Date: 2005-04-26

Tracks:

1. Una Voce Poco Fa - Sherrill Milnes
2. Dunque Io Son - Sherrill Milnes
3. Contro Un Cor - Sherrill Milnes
4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
11. Via, Caro Sposino - Ambrosian Opera Chorus
12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

1. Vilia - Beverly Sills
2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
4. Libiamo Ne' Lieti Calici - John Alldis Choir
5. Un Di Felice, Eterea - John Alldis Choir
6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
8. Che Fai? - John Alldis Choir
9. Addio Del Passato - John Alldis Choir
10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Average customer rating: Themeless Opera Forget the others - buy this one!

Donizetti - Don Pasquale / Hendricks · Bacquier · Canonici · Quilico · Schirrer · Opéra de Lyon · Ferro Gaetano Donizetti , Gabriele Ferro , Barbara Hendricks , Gabriel Bacquier , Choeurs et Orchestre de l'Opéra de Lyon , Luca Canonici , Gino Quilico , and René Schirrer Manufacturer: Erato ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music ASIN: B000005E79 Release Date: 1992-05-07

Tracks:

1. Ouverture - Orchestre De L'Opera De Lyon
2. Act One, Scene I: Introduzione: 'Son nov'ore' (Don Pasquale) - Gabriel Bacquier
3. Act One, Scene 2: 'Epermesso?' (Malatesta, Don Pasquale) - Gabriel Bacquier
4. Act One, Scene 2: Romanza: 'Bella siccome un angelo' (Malatesta, Don Pasquale) - Gabriel Bacquier
5. Act One, Scene 2: 'E mia sorella!' (Malatesta, Don Pasquale) - Gabriel Bacquier
6. Act One, Scene 2: 'Ah! Un foco insolito!' (Malatesta, Don Pasquale) - Gabriel Bacquier
7. Act One, Scene 3: Recitativo e duetto: 'Son rinato' (Don Pasquale) - Gabriel Bacquier
8. Act One, Scene 3: 'Prender mogile' (Ernesto, Don Pasquale) - Luca Canonici
9. Act One, Scene 3: 'Sogno soave e casto' (Ernesto, Don Pasquale) - Luca Canonici
10. Act One, Scene 3: 'Due parole ancor di volo' (Ernesto, Don Pasquale) - Luca Canonici
11. Act One, Scene 3: 'Ah! Mi fa il destin mendico' (Ernesto, Don Pasquale) - Luca Canonici
12. Act One, Scene 4: Cavatina: 'Quel guardo il cavaliere' (Norina)
13. Act One, Scene 4: 'So anch io la virtu magica (Norina)
14. Act One, Scene 4: Recitativo: 'Il Dottor non si vede' (Norina)
15. Act One, Scene 5: Duetto: 'Bueno nove, Norina' (Malatesta, Norina)
16. Act One, Scene 5: 'Mi volete fiera' (Norina, Malatesta)
17. Act One, Scene 5: 'Vado, carro' (Norina, Malatesta)
18. Act Two, Scene I: Recitaativo: 'Povero Ernesto' (Ernesto) - Luca Canonici
19. Act Two, Scene I: Aria: 'Cerchero lontanna terra' (Ernesto) - Luca Canonici
20. Act Two, Scene I: 'E se fia che as altro oggeto' (Ernesto) - Luca Canonici
21. Act Two, Scene 2: Recitativo: 'Quando avrete introdotto' (Don Pasquale) - Gabriel Bacquier

Tracks:

1. Terzetto: 'Via, da brava' (Malatesta) (Norina) (Don Pasquale)
2. 'Non Abbiate paura' (Malatesta) (Norina) (Don Pasquale)
3. 'Misecordia' (Malatesta) (Norina) (Don Pasquale)
4. 'Fra da una parte' (Malatesta) (Norina) (Ernesto) (Notario) (Don Pasquale)
5. 'Pria di parttir' (Ernesto) (Norina) (Malatesta) (Don Pasquale)
6. 'Questo contratto adunque' (Malatesta) (Norina) (Ernesto) (Notario) (Don Pasquale)
7. 'Un uom qual voi decrepito' (Malatessta) (Norina) (Ernesto) (Don Pasquale)
8. 'E rinasto la impietrato' (Malatesta) (Norina) (Don Pasquale) (Ernesto)
9. 'Riunita immantinente' (Norina) (Don Pasquale) (Malatesta) (Ernesto)
10. 'Io? Io?' (Don Pasquale) (Ernesto) (Norina) (Malatesta)
11. 'I Diamanti, presto, presto' (Don Pasquale) - Gabriel Ferro
12. Recitativo: 'Vediamo, alla modestia' (Don Pasquale) - Gabriel Bacquier
13. Duetto: 'Signorina in tanta fretta' (Don Pasquale)
14. 'E finita, Don Pasquale' (Don Pasquale) (Norina)
15. 'Via caro sposino' (Norina) (Don Pasquale)
16. 'Qualche nota di cuffie e di merlatti' (Don Pasquale)
17. 'Che interminabile andirivieni' - Gabriel Ferro
18. Recitativo: 'Siamo intesi' (Malatesta) (Ernesto) - Luca Canonici
19. Recitativo: 'Don Pasquale' (Malatesta) (Don Pasquale) - Gabriel Bacquier
20. Duetto: 'Chetti, cheti, immantinente' (Don Pasquale) (Malatesta) - Gabriel Bacquier
21. 'Aspetta, aspetta' (Don Pasquale) (Malatesta) - Gabriel Bacquier
22. Sereneta: 'Com e genti' (Ernesto) - Luca Canonici
23. 'Tornami a dir che m'ami (Norina) (Ernesto)
24. 'Eccoli, attenti ben' (Don Pasquale) (Malatesta) (Norina)
25. 'Eccomi' (Ernesto) (Malatesta) (Norina) (Don Pasquale)
26. 'Bravo, bravo, Don Pasquale' (Malatesta) (Norina) (Ernesto) (Don Pasquale)

Customer Reviews:

Themeless Opera.......2006-10-19

As far as I know this work of 1843 is the last major opera buffa to be composed unless the definition of the genre is expanded to include works like Verdi's Falstaff. Although the recording booklet states that Don Pasquale is Donizetti's "undoubted comic masterpiece," I prefer L'Elisir D'Amore (1832), a less formulaic work labeled a "melodrama." There is nothing wrong with formulaic art as long as the formula means something. Paisiello's opera buffa Astrologi Immaginari (1779) satirizes dilettante pretensions to being a "philosopher" and thus disposes of a vestige of Renaissance culture that was fading away after 1740. Paisiello's opera makes good sense and is perfectly matched by the music. I find it more difficult to assign meaning to Don Pasquale; and the opera may well appeal to audiences interested in themeless "mere entertainment." The work synthesizes Rossini's approach to instrumental music with Bellini's style of flowing bel canto arias. The appeal of bel canto might be described as a physical sensation. All art depends on sensation. But opera consists of drama, and themeless drama makes no sense. The recording booklet reports that at Paris, "The critics found the subject somewhat threadbare." Themeless work could not compete, for example, with the striking historical settings of Meyerbeer's Les Huguenots and Le Prophete or even with Bellini's Norma and I Puritani. The contrast between these operas and Don Pasquale is analogous to the one between the rich historical settings of Sir Walter Scott's novels and the uncolored, if intelligently worked out settings of Jane Austen. In appreciating Don Pasquale, one must develop a taste for Plain Jane and set aside "Robert the Devil." As Dr. Malatesta sings in Act I, Scene 5, "You have to play the simpleton." Ironically Donizetti based his most popular opera Lucia di Lammermoor on a Scott novel.

Forget the others - buy this one!.......2003-10-02

I originally purchased the RCA Red Seal recording of this opera with Bruson-Mei-Lopardo-Allen never having heard the work before. While the Red Seal recording certainly did not sound bad, I couldn't help but think that, as the heroine, Mei missed a lot of opportunities to hit those incredible highs that Donizetti is so famous for. Since I wasn't familiar with the work, I only assumed that she opted to go an octave lower than Donizetti had originally intended for the part. Well, sure enough I finally saw the opera performed live in San Jose and was blown away by all the highs that the soprano hit throughout the show. I immediately purchased this recording to see if the Norina in this particular performance (Barbara Hendricks) offered a more gutsy performance and boy does she ever! Mei's voice on the Red Seal recording is undeniably beautiful, but Hendricks simply blows her out of the water with all of her vocal fireworks in this recording. The orchestras and male performers are equally good in both, but if you love the sound of a bel canto soprano hitting an incredible high note, then forget about the RCA recording and go for this one instead.

Average customer rating: A Funny side we dont hear often Delightful and surprising Callas So funny Deliciously funny! Only for Callas lovers

Rossini: Il Turco In Italia (complete opera) with Maria Callas, Nicolai Gedda, Gianandrea Gavazzeni, Chorus & Orchestra of La Scala, Milan Gioachino Rossini , Orchestra e Coro del Teatro alla Scala , Gianandrea Gavazzeni , Maria Callas , Nicola Rossi-Lemeni , Nicolai Gedda , Mariano Stabile , Piero de Palma , and Franco Calabrese Manufacturer: EMI Records [All429] ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Similar Items: Stravinsky: Petrushka; Pulcinella Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano Verdi: Macbeth (complete opera live 1952) with Maria Callas, Enzo Mascherini, Victor de Sabata, Orchestra & Chorus of La Scala, Milan Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra ASIN: B000002RY2 Release Date: 1997-08-19

Tracks:

1. Il Turco In Italia: Sinfonia
2. Il Turco In Italia: Act I Scene 1- Nostra patria (Zaida, Albazar)
3. Il Turco In Italia: Act I: Ho da fare un dramma buffo (Poeta, Coro)
4. Il Turco In Italia: Act I: Ah! se di questi zingari l'arrivo (Poeta)
5. Il Turco In Italia: Act I: Vado in traccia di una zingara (Geronio)
6. Il Turco In Italia: Act I: Chi vuol farsi astrologar? (Geronio, Zaida, Coro)
7. Il Turco In Italia: Act I: Ah, mia moglie, san chi sono (Geronio, Zaida, Coro)
8. Il Turco In Italia: Act I: Non si da follia maggiore (Fiorilla)
9. Il Turco In Italia: Act I: Voga, voga, a terra, a terra (Coro, Fiorilla)
10. Il Turco In Italia: Act I: Bella Italia, alfin ti miro
11. Il Turco In Italia: Act I: Serva...Servo... (Selim, Fiorilla)
12. Il Turco In Italia: Act I: Amici...soccorretemi
13. Il Turco In Italia: Act I: Un marito-scimunito!
14. Il Turco In Italia: Act I Scene II: Ola tosto il caffe (Fiorilla, Selim)
15. Il Turco In Italia: Act I Scene II: Siete turchi, non vi credo
16. Il Turco In Italia: Act I Scene II: Io stupisco, mi sorprende
17. Il Turco In Italia: Act I Scene II: Come! si grave scorno soffrir potete in pace? (Fiorilla, Selim, Geronio, Narciso)
18. Il Turco In Italia: Act I Scene II: Un vecchio far non puo maggior follia (Geronio, Poeta, Fiorilla)
19. Il Turco In Italia: Act I Scene II: Per piacere alla signora
20. Il Turco In Italia: Act I Scene II: No, mia vita, mio tesoro (Geronio, Fiorilla)
21. Il Turco In Italia: Act I Scene III: Gran meraviglie (Coro, Zaida)
22. Il Turco In Italia: Act I Scene III: Per la fuga e tutto lesto (Selim, Poeta, Zaida)
23. Il Turco In Italia: Act I Scene III: Perche mai se son tradito (Norciso)
24. Il Turco In Italia: Act I Scene III: Evviva d'amore il foco vitale (Coro)
25. Il Turco In Italia: Act I Scene III: Chi servir non brama Amor s'allontani (Fiorilla, Selim)
26. Il Turco In Italia: Act I Scene III: Qui mia moglie ha da venire
27. Il Turco In Italia: Act I Scene III: Ah! che il cor non mi'ingannava (Geronio, Fiorilla, Selim, Narciso, Poeta, Zaida)
28. Il Turco In Italia: Act I Scene III: Vada via, si guardi bene di cercar l'amante mio (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Poeta)

Tracks:

1. Il Turco In Italia: Act II Scene I: A proposito, amico (Selim, Poeta, Geronio)
2. Il Turco In Italia: Act II Scene I: D'un bell'uso di Turchia
3. Il Turco In Italia: Act II Scene I: Se Fiorilla di vender bramate (Selim, Geronio)
4. Il Turco In Italia: Act II Scene I: Non v'e piacer perfetto se nol procura amor (Coro, Fiorilla)
5. Il Turco In Italia: Act II Scene I: Che turca impertinente! (Fiorilla, Zaida, Selim)
6. Il Turco In Italia: Act II Scene I: Credete alle femmine che dicon d'amarvi!
7. Il Turco In Italia: Act II Scene I: In Italia certamente non si fa l'amor cosi (Selim, Fiorilla)
8. Il Turco In Italia: Act II Scene I: Fermate...Cosa c'e? (Poeta, Geronio, Narciso)
9. Il Turco In Italia: Act II Scene I: E Selim non si vede!
10. Il Turco In Italia: Act II Scene I: Oh! guardate che accidente! (Fiorilla, Narciso, Selim, Zaida, Geronio)
11. Il Turco In Italia: Act II Scene II: Dunque seguitemi
12. Il Turco In Italia: Act II Scene II: Questo vecchio maledetto (Selim, Narciso, Selim, Zaida, Geronio)
13. Il Turco In Italia: Act II Scene III: Si mi e forza partir
14. Il Turco In Italia: Act II Scene III: Son la vite sul campo appassita (Fiorilla, Poeta, Geronio)
15. Il Turco In Italia: Act II Scene III: Rida a voi sereno il cielo
16. Il Turco In Italia: Act II Scene III: Restate contenti (coro, Selim, Zaida, Poeta, Fiorilla, Geronio, Narciso)

Customer Reviews:

A Funny side we dont hear often.......2005-11-07

Callas is so associated with her roles of tragic women such as Norma, Lucia ,Violeta and Tosca that her talent for other roles are overshadowed. The La Divina is so versatile and talented that people almost forget that she is equally good in tragic and light comedy roles. The light and comic side of Callas is not often revealed. This recording proves that the charming and witty music that suites the character of Fiorilla is suited for the great talent of Maria Callas .The other performers in this recording did a superb job in their performances. Selim is a charm, Nicolai Gedda shows youth, and Stabile creates an impression in his role as Prosdocimo. Overall this is the Best Il turco in Italia among the three versions I have heard. So for Callas fans who want to hear the other side of Callas purchase this recording its worth every penny.

Delightful and surprising Callas.......2005-08-13

I have been looking for this CD for a long time. I had an old set in tape format. When EMI first remastered this performance in CD, it was very expensive for me at the time. This performance goes in and out of production, I guess it does not sell well, which it is a shame, because these are superb performances from all the principals and supporting cast.

This recording is a joy to listen to. Who knew that all these singers known for their powerful dramatic performances in heavy hitters such as Bellini's "Norma" could be such great comedians. Their performances are a feast for the ears.

My most favorite scene is from Disc 1 tracks 18 to 21. It is hilarious to hear Callas singing the crafty Fiorilla, playing the "offended" wife to her husband's attempts to rein in her roving eye!. When she sings "No mia vita...mio tesoro" (No my darling... my treasure) with such fake sticky-honeyed-tongue,you can HEAR her fake tears. Callas subtly overplays her singing from such roles as Elvira and Medea in this very small scene alone. She does it with such mastery, you can hear the musical threads of Elvira from "Qui la voce" in Fiorilla's "voi crudele!... mi fatte oltraggio! mi offendete!" (you cruel one!, you humilliate me!, you offend me!) in such pitiable tones that her husband bids good-bye to his courage after listening to such demonstrations of wounded dignity and pride.

She sings her fake tears in such a way, that, for a moment you feel sorry for this wronged woman! then, through a subtle change in the shading of the notes,you realize, she's faking them! thorough the music, you can picture Fiorilla, looking thorough her fingers at her husband, pouring it on, laying it on thick, watching the effect her "tears" are having on the poor chap.

When he kneels at her feet defeated, begging forgiveness, she rounds on him with such a Medea-esque fury in "ed ossate minnaciarmi! maltratarmi, spaventarmi! (and you dare to threaten me, mistreat me, scare me!) that the unhappy, innocent, unsuspecting, antler-addled man has no idea how he lost the argument!!. When Fiorilla knows she's won, you can hear again on her music, how blythely, happily and carefree, she goes out enjoying her power. I replay this scene over and over. And along with her husband, I am caught unaware and became dumbstruck by her tears and her fury.

My other favorite scene is on track 28, when Fiorilla and Zaida have a fight. The have such a row, you cannot help but to picture these two women in an Italian open-air market, among the produce and fish stalls with those typical italian gestures, being dragged away from each other by their embarrased lovers hurling abuse at each other trying to have the last word.

If you want a more musical critique regarding this opera, John Ardoin's "The Callas Legacy" book is a superb source explaining Callas' musical genius. Ardoin will give you greater details on the music execution of the entire cast and interesting tidbits on one of the cast members, Aureliano Pertile.

The booklet that accompanies this set is very informative and in various languages. I love this set and hope that whoever listens to it will enjoy as much as I do. I wonder how Cecilia Bartoli's Turco would measure against Callas'. Although I love and admire Cecilia's ability to sing bel canto roles and her deft handling of Rossini's music,but, I'm afraid I know and love Callas's singing skills even more.

So funny.......2004-06-13

This is proof that those who say that Callas couldn't sing happy or funny parts. Her Fiorilla is deliciously funny. Absolutely exquisite, a must!

Deliciously funny!.......2004-01-28

I saw her live in this role... She was the funniest Fiorilla ever! An enchanting must for every operalover!

Only for Callas lovers.......2001-06-15

Yes, this recording is only for Callas lovers, because she do so well her part in this ultra-cut recording. Rossi-Lemeni doesn't reach the power of Ramey, but Stabile print his personal and arcaic way of singing and doing comedy. But for Rossini lovers, this recording seems a "demo" or "sample" one, because there are parts in pieces or complete pieces which has been cut (it must be because there was not a critic edition of this opera). I'm disapointed of Rossini when I listened Il Turco (i didnt never heard this opera) but when i heard the Marriner and Chailly recording, I disapointed from Gavazzeni and La Scala. If this was recorded in the critical and complete edition, it was the definitive recording (the same appreciation applies for the Puritani, Barbiere, Sonnambula, Lucia, Norma, etc)

Average customer rating: The Essential Coloratura Album

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Customer Reviews:

The Essential Coloratura Album.......2007-02-16

The artistry of Rita Streich presented in this multi-disc set represents an art that in all likelihood would not return: the Viennese school of coloratura and lyrical singing.
Together with Elisabeth Schwarzkopf, Rita Streich studied voice with Maria Ivogun, a great coloratura soprano of the German-Austro school. Together with her colleague, Streich excelled in the Viennese-style coloratura singing. This album presents her wide range of repertoire from Austro-German to French to Italian opera; from classical opera to romantic Strauss operetta; from lieder to folk songs.
What this album does NOT include is Streich's Russian repertoire, some thing that, owing to her maternal descent, she was most adept at.
Unlike Schwarzkopf, Streich owned a voice that is out-right lyrical. It is even lighter, even more agile, even more silvery, though not as forceful as Schwarzkopf's on demand. Listen to her delightful "Bastien und Bastienne", her Mozart concert arias and enjoy her highly articulated, musically refined delivery. It is the exemplary Viennese singing. Her soubrettes as well as lyrical heroines are nothing short of being superb.
Not being as internationalised a singer as Schwarzkopf, Streich nonetheless was a representative figure of Viennese coloratura singing. Some times I would even feel that her coloratura is even more superior to that of the great dramatic coloratura of the 20th century, Joan Sutherland, again a very much more internationalised singer than Streich.
If you are undergoing voice training, this box set is essential.

Average customer rating: This is it -- the best condensed collection! The definitive collection--worth the effort. Superb! Go no further than this loving compilation Mozart Goo

The Best of the Complete Mozart Edition (Box Set) Manufacturer: Philips ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Braun, Hans | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Pressler, Menahem | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B0000041C7 Release Date: 1995-11-14

Tracks:

1. Symphony No. 39 In E Flat, K. 543: 1. Adagio - Allegro - Academy Of St. Martin In The Fields
2. Symphony No. 39 In E Flat, K. 543: 2. Andante con moto - Academy Of St. Martin In The Fields
3. Symphony No. 39 In E Flat, K. 543: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
4. Symphony No. 39 In E Flat, K. 543: 4. Finale. Allegro - Academy Of St. Martin In The Fields
5. Symphony No. 31 In D, K. 297-300A 'Paris': 1. Allegro assai - Academy Of St. Martin In The Fields
6. Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante - Academy Of St. Martin In The Fields
7. Symphony No. 31 In D, K. 297-300A 'Paris': 3. Allegro - Academy Of St. Martin In The Fields
8. Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante (Alternative) - Academy Of St. Martin In The Fields
9. Symphony No. 36 In C, K. 425 'Linz': 1. Adagio - Allegro spiritoso - Academy Of St. Martin In The Fields
10. Symphony No. 36 In C, K. 425 'Linz': 2. Poco adagio - Academy Of St. Martin In The Fields
11. Symphony No. 36 In C, K. 425 'Linz': 3. Menuetto - Academy Of St. Martin In The Fields
12. Symphony No. 36 In C, K. 425 'Linz': 4. Finale. Presto - Academy Of St. Martin In The Fields

Tracks:

1. Symphony No. 40 In G Minor, K. 550: 1. Molto allegro - Academy Of St. Martin In The Fields
2. Symphony No. 40 In G Minor, K. 550: 2. Andante - Academy Of St. Martin In The Fields
3. Symphony No. 40 In G Minor, K. 550: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
4. Symphony No. 40 In G Minor, K. 550: 4. Finale. Allegro assai - Academy Of St. Martin In The Fields
5. Symphony No. 25 In G Minor, K. 183 - 173dB: 1. Allegro con brio - Academy Of St. Martin In The Fields
6. Symphony No. 25 In G Minor, K. 183 - 173dB: 2. Andante - Academy Of St. Martin In The Fields
7. Symphony No. 25 In G Minor, K. 183 - 173dB: 3. Menuetto - Academy Of St. Martin In The Fields
8. Symphony No. 25 In G Minor, K. 183 - 173dB: 4. Allegro - Academy Of St. Martin In The Fields
9. Symphony No. 38 In D, K. 504 'Prague': 1. Adagio - Allegro - Academy Of St. Martin In The Fields
10. Symphony No. 38 In D, K. 504 'Prague': 2. Andante - Academy Of St. Martin In The Fields
11. Symphony No. 38 In D, K. 504 'Prague': 3. Finale. Presto. - Academy Of St. Martin In The Fields
12. German Dance In C, K. 602 No. 3: 'Die Leyerer' - Wiener Mozart-Ensemble

Tracks:

1. Symphony No. 41 In C, K. 551 'Jupiter': 1. Allegro vivace - Academy Of St. Martin In The Fields
2. Symphony No. 41 In C, K. 551 'Jupiter': 2. Andante cantabile - Academy Of St. Martin In The Fields
3. Symphony No. 41 In C, K. 551 'Jupiter': 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
4. Symphony No. 41 In C, K. 551 'Jupiter': 4. Molto allegro - Academy Of St. Martin In The Fields
5. Symphony No. 29 In A, K. 201-186a: 1. Allegro moderato - Academy Of St. Martin In The Fields
6. Symphony No. 29 In A, K. 201-186a: 2. Andante - Academy Of St. Martin In The Fields
7. Symphony No. 29 In A, K. 201-186a: 3. Menuetto - Academy Of St. Martin In The Fields
8. Symphony No. 29 In A, K. 201-186a: 4. Allegro con spirito - Academy Of St. Martin In The Fields
9. Symphony No. 35 I D, K. 385 'Haffner': 1. Allegro con spirito - Academy Of St. Martin In The Fields
10. Symphony No. 35 I D, K. 385 'Haffner': 2. (Andante) - Academy Of St. Martin In The Fields
11. Symphony No. 35 I D, K. 385 'Haffner': 3. Menuetto - Academy Of St. Martin In The Fields
12. Symphony No. 35 I D, K. 385 'Haffner': 4. Finale. Presto - Academy Of St. Martin In The Fields
13. German Dance In C, K. 605 No. 3: Trio: 'The Sleigh Ride' - Wiener Mozart Emsemble

Tracks:

1. 'Eine kleine Nachtmusik', K. 525: Serenade In G - 1. Allegro - Academy Of St. Martin In The Fields
2. 'Eine kleine Nachtmusik', K. 525: Serenade In G - 2. Romance. Andante - Academy Of St. Martin In The Fields
3. 'Eine kleine Nachtmusik', K. 525: Serenade In G - 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
4. 'Eine kleine Nachtmusik', K. 525: Serenade In G - 4. Rondo. Allegro - Academy Of St. Martin In The Fields
5. Serenade In D, K. 239 'Serenata notturna': 1. Marcia. Maestoso. - Academy Of St. Martin In The Fields
6. Serenade In D, K. 239 'Serenata notturna': 2. . Menuetto - Academy Of St. Martin In The Fields
7. Serenade In D, K. 239 'Serenata notturna': 3. Rondeau. Allegretto - Adagio - Allegretto - Stephen Shingles
8. Divertimento In F, K. 247: 4. Adagio - Academy Of St. Martin In The Fields
9. Notturno In D, K. 286 For Four Orchestras: 1. Andante - Academy Of St. Martin In The Fields
10. Notturno In D, K. 286 For Four Orchestras: 2. Allegretto grazioso - Academy Of St. Martin In The Fields
11. Notturno In D, K. 286 For Four Orchestras: 3. Menuetto - Academy Of St. Martin In The Fields
12. Serenade In C Minor, K. 288-384a 'Nacht-Musique': 1. Allegro - Holliger Wind Ensemble
13. Serenade In C Minor, K. 288-384a 'Nacht-Musique': 2. Andante - Holliger Wind Ensemble
14. Serenade In C Minor, K. 288-384a 'Nacht-Musique': 3. Menuetto in canone - Holliger Wind Ensemble
15. Serenade In C Minor, K. 288-384a 'Nacht-Musique': 4. Allegro - Holliger Wind Ensemble

Tracks:

1. Serenade In B Flat, K. 361-370a 'Gran Partita': 1. Largo - Academy Of St. Martin In The Fields
2. Serenade In B Flat, K. 361-370a 'Gran Partita': Allegro molto - Academy Of St. Martin In The Fields
3. Serenade In B Flat, K. 361-370a 'Gran Partita': 2. Menuetto - Trio I-II - Academy Of St. Martin In The Fields
4. Serenade In B Flat, K. 361-370a 'Gran Partita': 3. Adagio - Academy Of St. Martin In The Fields
5. Serenade In B Flat, K. 361-370a 'Gran Partita': 4. Menuetto. Allegretto - Trio I-II - Academy Of St. Martin In The Fields
6. Serenade In B Flat, K. 361-370a 'Gran Partita': 5. Romanze. Adagio - Allegretto - Adagio - Academy Of St. Martin In The Fields
7. Serenade In B Flat, K. 361-370a 'Gran Partita': 6. Thema mit Variationen. Andante - Academy Of St. Martin In The Fields
8. Serenade In B Flat, K. 361-370a 'Gran Partita': 7. FInale. Molto allegro - Academy Of St. Martin In The Fields
9. Adagio In F, K. 410-484d - Holliger Wind Ensemble
10. Serenade In E Flat, K. 375: 1. Allegro maestoso - Holliger Wind Ensemble
11. Serenade In E Flat, K. 375: 2. Menuetto - Holliger Wind Ensemble
12. Serenade In E Flat, K. 375: 3. Adagio - Holliger Wind Ensemble
13. Serenade In E Flat, K. 375: 4. Menuetto - Holliger Wind Ensemble
14. Serenade In E Flat, K. 375: 5. Finale. Allegro - Holliger Wind Ensemble

Tracks:

1. Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 1. Allegro - Alfred Brendel
2. Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 2. Andante - Alfred Brendel
3. Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 3. Rondeaux. Allegro - Alfred Brendel
4. Piano Concerto No. 6 In B Flat, K. 238: 1. Allegro aperto - Alfred Brendel
5. Piano Concerto No. 6 In B Flat, K. 238: 2. (Andante un poco adagio) - Alfred Brendel
6. Piano Concerto No. 6 In B Flat, K. 238: 3. Rondeau. Allegro - Alfred Brendel
7. Piano Concerto No. 9 In E Flat, K. 271: 1. Allegro - Alfred Brendel
8. Piano Concerto No. 9 In E Flat, K. 271: 2. Andantino - Alfred Brendel
9. Piano Concerto No. 9 In E Flat, K. 271: 3. Rondeau. Presto - Alfred Brendel

Tracks:

1. Piano Concerto No. 20 In D Minor, K. 466: 1. Allegro - Alfred Brendel
2. Piano Concerto No. 20 In D Minor, K. 466: 2. Romance - Alfred Brendel
3. Piano Concerto No. 20 In D Minor, K. 466: 3. Rondo. Allegro assai - Alfred Brendel
4. Sonata In C Minor, K. 457: 1. Molto allegro - Alfred Brendel
5. Sonata In C Minor, K. 457: 2. Adagio - Alfred Brendel
6. Sonata In C Minor, K. 457: 3. Allegro assai - Alfred Brendel
7. Piano Concerto No. 21 In C, K. 467: 1. (Allegro) - Alfred Brendel
8. Sonata In C Minor, K. 457: 2. Andante - Alfred Brendel
9. Sonata In C Minor, K. 457: 3. Allegro vivace assai - Alfred Brendel

Tracks:

1. Piano Concerto No. 23 In A, K. 488: 1. Allegro - Alfred Brendel
2. Piano Concerto No. 23 In A, K. 488: 2. Adagio - Alfred Brendel
3. Piano Concerto No. 23 In A, K. 488: 3. Allegro assai - Alfred Brendel
4. Sonata In B Flat, K. 333-315c: 1. Allegro - Alfred Brendel
5. Sonata In B Flat, K. 333-315c: 2. Andante cantabile - Alfred Brendel
6. Sonata In B Flat, K. 333-315c: 3. Allegretto grazioso - Alfred Brendel
7. Piano Concerto No. 26 In D, K. 537 'Coronation': 1. Allegro - Alfred Brendel
8. Piano Concerto No. 26 In D, K. 537 'Coronation': 2. (Larghetto) - Alfred Brendel
9. Piano Concerto No. 26 In D, K. 537 'Coronation': 3. (Allegretto) - Alfred Brendel

Tracks:

1. Violin Concerto No. 3 In G, K. 216: 1. Allegro - Henryk Szeryng
2. Violin Concerto No. 3 In G, K. 216: 2. Adagio - Henryk Szeryng
3. Violin Concerto No. 3 In G, K. 216: 3. Rondeau. Allegro - Henryk Szeryng
4. Violin Concerto No. 4 In D, K. 218: 1. Allegro - Henryk Szeryng
5. Violin Concerto No. 4 In D, K. 218: 2. Andante cantabile - Henryk Szeryng
6. Violin Concerto No. 4 In D, K. 218: 3. Rondeau. Andante grazioso - Henryk Szeryng
7. Violin Concerto No. 5 In A, K. 219: 1. Allegro aperto - Henryk Szeryng
8. Violin Concerto No. 5 In A, K. 219: 2. Adagio - Henryk Szeryng
9. Violin Concerto No. 5 In A, K. 219: 3. Rondeau. Tempo di menuetto - Henryk Szeryng

Tracks:

1. Clarinet Concerto In A, K. 622: 1. Allegro - Karl Leister
2. Clarinet Concerto In A, K. 622: 2. Adagio - Karl Leister
3. Clarinet Concerto In A, K. 622: 3. Rondo. Allegro - Karl Leister
4. Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 1. Allegro - Irena Grafenauer
5. Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 2. Andantino - Irena Grafenauer
6. Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 3. Rondeau. Allegro - Irena Grafenauer
7. Horn Concerto In E Flat, K. 495: 1. Allegro moderato - Peter Damm
8. Horn Concerto In E Flat, K. 495: 2. Romanza. Andante - Peter Damm
9. Horn Concerto In E Flat, K. 495: 3. Rondo. Allegro vivace - Peter Damm
10. Rondo In E Flat, K. 371 For Horn And Orchestra - Timothy Brown

Tracks:

1. Clarinet Quintet In A, K. 581: 1. Allegro - Academy Of St. Martin In The Fields
2. Clarinet Quintet In A, K. 581: 2. Larghetto - Academy Of St. Martin In The Fields
3. Clarinet Quintet In A, K. 581: 3. Menuetto - Academy Of St. Martin In The Fields
4. Clarinet Quintet In A, K. 581: 4. Allegretto con variazioni - Academy Of St. Martin In The Fields
5. Movement In B Flat, K. App. 91-516c (For Clarinet, Basset Horn, Violin, Viola And Cello) - Academy Of St. Martin In The Fields
6. Movement In F, K. App. 90/580b - Academy Of St. Martin In The Fields
7. Flute Quartet In D, K. 285: 1. Allegro - Academy Of St. Martin In The Fields
8. Flute Quartet In D, K. 285: 2. Adagio - - Academy Of St. Martin In The Fields
9. Flute Quartet In D, K. 285: 3. Rondeau - Academy Of St. Martin In The Fields
10. Oboe Quartet In F, K. 370-368b: 1. Allegro - Academy Of St. Martin In The Fields
11. Oboe Quartet In F, K. 370-368b: 2. Adagio - Academy Of St. Martin In The Fields
12. Oboe Quartet In F, K. 370-368b: 3. Rondeau. Allegro - Academy Of St. Martin In The Fields
13. From 'A Musical Joke', K. 522: 4. Presto - Academy Of St. Martin In The Fields

Tracks:

1. String Quintet [No. 3] In G Minor, K. 516: 1. Allegro - Arthur Grumiaux
2. String Quintet [No. 3] In G Minor, K. 516: 2. Menuetto. Allegretto - Arthur Grumiaux
3. String Quintet [No. 3] In G Minor, K. 516: 3. Adagio ma non troppo - Arthur Grumiaux
4. String Quintet [No. 3] In G Minor, K. 516: 4. Adagio - Allegro - Arthur Grumiaux
5. Divertimento (Trio For Strings) In E Flat, K. 563: 1. Allegro - Grumiaux Trio
6. Divertimento (Trio For Strings) In E Flat, K. 563: 2. Adagio - Grumiaux Trio
7. Divertimento (Trio For Strings) In E Flat, K. 563: 3. Menuetto. Allegretto - Trio - Grumiaux Trio
8. Divertimento (Trio For Strings) In E Flat, K. 563: 4. Andante - Grumiaux Trio
9. Divertimento (Trio For Strings) In E Flat, K. 563: 5. Menuetto. Allegretto - Trio I-II - Grumiaux Trio
10. Divertimento (Trio For Strings) In E Flat, K. 563: 6. Allegro - Grumiaux Trio
11. Movement In G, K. App. 66-562e For Violin And Cello: Allegro - Academy Of St. Martin In The Fields

Tracks:

1. String Quartet No. 15 In D Minor, K. 421-417b: 1. Allegro moderato - Quartetto Italiano
2. String Quartet No. 15 In D Minor, K. 421-417b: 2. Andante - Quartetto Italiano
3. String Quartet No. 15 In D Minor, K. 421-417b: 3. Menuetto. Allegretto - Quartetto Italiano
4. String Quartet No. 15 In D Minor, K. 421-417b: 4. Allegretto ma non troppo - Piu allegro - Quartetto Italiano
5. String Quartet No. 17 In B Flat, K. 458 'The Hunt': 1. Allegro vivace assai - Quartetto Italiano
6. String Quartet No. 17 In B Flat, K. 458 'The Hunt': 2. Menuetto. Moderato - Quartetto Italiano
7. String Quartet No. 17 In B Flat, K. 458 'The Hunt': 3. Adagio - Quartetto Italiano
8. String Quartet No. 17 In B Flat, K. 458 'The Hunt': 4. Allegro assai - Quartetto Italiano
9. Allegretto In B Flat, K. App. 68-589a (For String Quarter) - Academy Of St. Martin In The Fields
10. Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 1. Adagio - Jean Decroos
11. Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 2. Rondo - Jean Decroos

Tracks:

1. Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 1. Largo - Allegro moderato - Alfred Brendel
2. Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 2. Larghetto - Alfred Brendel
3. Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 3. Allegretto - Alfred Brendel
4. Larghetto In B Flat, 452a-App. 54 (For Piano, Oboe, Clarinet, Bassett Horn And Bassoon): Larghetto - Mitsuko Uchida
5. Piano Quartet In G Minor, K. 478: 1. Allegro - Bruno Giuranna
6. Piano Quartet In G Minor, K. 478: 2. Andante - Bruno Giuranna
7. Piano Quartet In G Minor, K. 478: 3. Rondo. Allegro moderato - Bruno Giuranna
8. Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 1. Andante - Jack Brymer
9. Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 2. Menuetto - Jack Brymer
10. Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 3. Rondeaux. Allegretto - Jack Brymer

Tracks:

1. Sonata In E Minor, K. 304-300c (For Piano And Violin): 1. Allegro - Arthur Grumiaux
2. Sonata In E Minor, K. 304-300c (For Piano And Violin): 2. Tempo di menuetto - Arthur Grumiaux
3. Sonata In F, K. 377-374e (For Piano And Violin): 1. Allegro - Arthur Grumiaux
4. Sonata In F, K. 377-374e (For Piano And Violin): 2. Tema [con variazioni] - Arthur Grumiaux
5. Sonata In F, K. 377-374e (For Piano And Violin): Tema - Arthur Grumiaux
6. Sonata In F, K. 377-374e (For Piano And Violin): Variazione I - Arthur Grumiaux
7. Sonata In F, K. 377-374e (For Piano And Violin): Variazione II - Arthur Grumiaux
8. Sonata In F, K. 377-374e (For Piano And Violin): Variazione III - Arthur Grumiaux
9. Sonata In F, K. 377-374e (For Piano And Violin): Variazone IV - Arthur Grumiaux
10. Sonata In F, K. 377-374e (For Piano And Violin): Variazone V - Arthur Grumiaux
11. Sonata In F, K. 377-374e (For Piano And Violin): 3. Tempo di menuetto - Arthur Grumiaux
12. Sonata In B Flat, K. 378-317d (For Piano And Violin): 1. Allegro moderato - Arthur Grumiaux
13. Sonata In B Flat, K. 378-317d (For Piano And Violin): 2. Andantino sostenuto e cantibile - Arthur Grumiaux
14. Sonata In B Flat, K. 378-317d (For Piano And Violin): 3. Rondo. Allegro - Arthur Grumiaux
15. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Tema - Arthur Grumiaux
16. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione I - Arthur Grumiaux
17. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione II - Arthur Grumiaux
18. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione III - Arthur Grumiaux
19. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione IV - Arthur Grumiaux
20. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione V - Arthur Grumiaux
21. Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione VI - Arthur Grumiaux
22. Sonata In A, K. 526 (For Piano And Violin): 1. Allegro molto - Arthur Grumiaux
23. Sonata In A, K. 526 (For Piano And Violin): 2. Andante - Arthur Grumiaux
24. Sonata In A, K. 526 (For Piano And Violin): 3. Presto - Arthur Grumiaux

Tracks:

1. Sonata In A Minor, K. 310-300d: 1. Allegro maestoso - Mitsuko Uchida
2. Sonata In A Minor, K. 310-300d: 2. Andante cantabile con espressione - Mitsuko Uchida
3. Sonata In A Minor, K. 310-300d: 3. Presto - Mitsuko Uchida
4. Sonata In A, K. 331-300i: 1. Tema (Andante grazioso) - Mitsuko Uchida
5. Sonata In A, K. 331-300i: 2. Menuetto - Mitsuko Uchida
6. Sonata In A, K. 331-300i: 3. Alla turca. Allegretto - Mitsuko Uchida
7. Sonata In C, K. 545: 1. Allegro - Mitsuko Uchida
8. Sonata In C, K. 545: 2. Andante - Mitsuko Uchida
9. Sonata In C, K. 545: 3. Rondo - Mitsuko Uchida
10. Sonata In D, K. 576: 1. Allegro - Mitsuko Uchida
11. Sonata In D, K. 576: 2. Adagio - Mitsuko Uchida
12. Sonata In D, K. 576: 3. Allegretto - Mitsuko Uchida
13. Minuet In D, K. 355 - Mitsuko Uchida

Tracks:

1. Exsultate, jubilate, K. 165-158a: Exsultate, jubilate - Kiri Te Kanawa
2. Exsultate, jubilate, K. 165-158a: Fulget amica dies - Kiri Te Kanawa
3. Exsultate, jubilate, K. 165-158a: Tu virginum corona - Kiri Te Kanawa
4. Exsultate, jubilate, K. 165-158a: Alleluja - Kiri Te Kanawa
5. Mass In C, K. 317 'Coronation': Kyrie - Michael G. Gormley
6. Mass In C, K. 317 'Coronation': Gloria - Michael G. Gormley
7. Mass In C, K. 317 'Coronation': Credo - Michael G. Gormley
8. Mass In C, K. 317 'Coronation': Santcus - Michael G. Gormley
9. Mass In C, K. 317 'Coronation': Benedictus - Michael G. Gormley
10. Mass In C, K. 317 'Coronation': Agnus Dei - Michael G. Gormley
11. Church Sonata No. 16 In C, K. 329 - Helmut Winschermann
12. Vesperae solennes de Dominica, K. 321: Laudate Dominum - Herbert Kegel
13. Missa [solemnis] In C, K. 337: Kyrie - Aldo Baldin
14. Missa [solemnis] In C, K. 337: Gloria - Aldo Baldin
15. Missa [solemnis] In C, K. 337: Credo - Aldo Baldin
16. Missa [solemnis] In C, K. 337: Sanctus - Aldo Baldin
17. Missa [solemnis] In C, K. 337: Benedictus - Aldo Baldin
18. Missa [solemnis] In C, K. 337: Agnus Dei - Aldo Baldin
19. Vesperae solennes de Confessore, K. 339: Laudate Dominum - Kiri Te Kanawa

Tracks:

1. Ave verum corpus, K. 618 - John Constable
2. Maurerisch Trauermusik K. 477-479a - Statatskapelle Dresden
3. Kyrie In D Minor, K. 341-368a - John Constable
4. Adagio und Fugue In C Minor, K. 546: Adagio - Staatskapelle Dresden
5. Adagio und Fugue In C Minor, K. 546: Fugue - Staatskapelle Dresden
6. Requiem In D Minor, K. 626: Introitus: Requiem - Francisco Araiza
7. Requiem In D Minor, K. 626: Kyrie - Francisco Araiza
8. Requiem In D Minor, K. 626: Sequentia: Dies irae - Francisco Araiza
9. Requiem In D Minor, K. 626: Tuba mirum - Francisco Araiza
10. Requiem In D Minor, K. 626: Rex tremendae - Francisco Araiza
11. Requiem In D Minor, K. 626: Recordare - Francisco Araiza
12. Requiem In D Minor, K. 626: Confutatis - Francisco Araiza
13. Requiem In D Minor, K. 626: Lacrimosa - Francisco Araiza
14. Requiem In D Minor, K. 626: Ofertorium: Domine Jesu - Francisco Araiza
15. Requiem In D Minor, K. 626: Hostias - Francisco Araiza
16. Requiem In D Minor, K. 626: Sanctus - Francisco Araiza
17. Requiem In D Minor, K. 626: Benedictus - Francisco Araiza
18. Requiem In D Minor, K. 626: Agnus Dei - Francisco Araiza
19. Requiem In D Minor, K. 626: Communio: Lux aeterna - Francisco Araiza

Tracks:

1. Concert Arias: 'Voi avete un cor fedele', K. 217 - Edith Mathis
2. Concert Arias: 'Misera, dove son!' ...- 'Ah! non son io che parlo, K. 369 - Edith Mathis
3. Concert Arias: 'Ch'io mi scordi di te?'...- 'Non temer, amato bene', K. 505 - Leopold Hager
4. Concert Arias: 'Un moto di gioia mi sento', K. 579 - Eva Lind
5. Concert Arias: 'Chi sa, chi sa, qual sia', K. 582 - Lucia Popp
6. Concert Arias: 'Vado, ma dove?' oh Dei!', K. 583 - Edith Mathis
7. Concert Arias: 'Un bacio di mano', K. 541 - Walter Berry
8. Concert Arias: 'Dan Bandel', K. 441 - Anton Scharinger
9. Concert Arias: 'Caro mio Druck und Schluck', K. App. 5 - Anton Scharinger
10. Concert Arias: 'Leck mich im Arsch', K. 231 - Klaus von Wildemann
11. Concert Arias: 'Bona nox! bist a rechta Ox', K. 561 - Klaus von Wildemann
12. Concert Arias: 'V'amo di core', K. 348 - Klaus von Wildemann
13. Concert Arias: 'Mi lagnero tacendo', K. 437 - Klaus von Wildemann
14. Lieder: 'Das Veilchen', K. 476 - Dalton Baldwin
15. Lieder: 'Der Zauberer', K. 472 - Dalton Baldwin
16. Lieder: 'Die Alte', K. 517 - Dalton Baldwin
17. Lieder: 'Die Vershweigung', K. 518 - Dalton Baldwin
18. Lieder: 'Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte', K. 520 - Dalton Baldwin
19. Lieder: 'Abendempfindung', K. 523 - Dalton Baldwin
20. Lieder: 'Das Traumbild', K. 530 - Dalton Baldwin
21. Lieder: 'Die kleine Spinnerin', K. 531 - Dalton Baldwin
22. Lieder: 'Un moto di gioia', K. 579 - Dalton Baldwin
23. Lieder: 'Sehnsucht nach dem Fruhling', K. 596 - Dalton Baldwin

Tracks:

1. Idomeneo, K. 366 (Highlights): Overture - John Constable
2. Idomeneo, K. 366 (Highlights): Act One: 'Quando avran fine omai' (Ilia) - John Constable
3. Idomeneo, K. 366 (Highlights): Act One: 'Padre, germani, addio!' (Ilia) - John Constable
4. Idomeneo, K. 366 (Highlights): Act One: 'Estinto e Idomeneo?' (Elettra) - John Constable
5. Idomeneo, K. 366 (Highlights): Act One: 'Tutte nel cor vi sento' (Elettra) - John Constable
6. Idomeneo, K. 366 (Highlights): Act One: 'Pieta! Numi,pieta!' - John Constable
7. Idomeneo, K. 366 (Highlights): Act One: 'Eccoci salvi alfin' (Idomeneo) - John Constable
8. Idomeneo, K. 366 (Highlights): Act One: 'Vedrommi intorno' (Idomeneo) - John Constable
9. Idomeneo, K. 366 (Highlights): Act One: 'Il padre adorato' (Idamente) - John Constable
10. Idomeneo, K. 366 (Highlights): Act Two: 'Fuor del mar' (Idomeneo) - John Constable
11. Idomeneo, K. 366 (Highlights): Act Two: 'Placido e il mar' - John Constable
12. Idomeneo, K. 366 (Highlights): Act Two: 'Vattene prence' (Idomeneo, Idamante) - John Constable
13. Idomeneo, K. 366 (Highlights): Act Two: 'Pria di partir, o Dio!' (Idamante, Elettra, Idomeneo) - John Constable
14. Idomeneo, K. 366 (Highlights): Act Two: 'Qual nuovo terrore!' - John Constable
15. Idomeneo, K. 366 (Highlights): Act Two: 'Eccoti in me, barbaro Nume!' (Idomeneo) - John Constable
16. Idomeneo, K. 366 (Highlights): Act Two: 'Corriamo, fuggiamo' - John Constable
17. Idomeneo, K. 366 (Highlights): Act Three: 'Zeffiretti Iusinghieri' (Ilia) - John Constable
18. Idomeneo, K. 366 (Highlights): Act Three: 'Andro ramingo e solo' (Idamente, Ilia, Idomeneo, Elettra) - John Constable
19. Idomeneo, K. 366 (Highlights): Act Three: 'Accogli, oh re del mar' (Idomeneo) - John Constable
20. Idomeneo, K. 366 (Highlights): Act Three: 'Ha vinto amore' (The Voice) - John Constable
21. Idomeneo, K. 366 (Highlights): Act Three: 'O ciel pietoso!' (Idomeneo, Idamante, Ilia, Arbace, Elettra) - John Constable
22. Idomeneo, K. 366 (Highlights): Act Three: 'D'Oreste e d'Aiace' (Elettra) - John Constable
23. Idomeneo, K. 366 (Highlights): Act Three: 'Scenda Amor, scenda Imeneo' - John Constable

Tracks:

1. The Abduction From The Serail, K. 384 (Highlights): Overture - Christiane Eda-Pierre (Konstanze)
2. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Hier soll ich dich denn sehen' (Belmonte) - Christiane Eda-Pierre (Konstanze)
3. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Solche hergelaufne Laffen' (Osmin) - Christiane Eda-Pierre (Konstanze)
4. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Konstanze, dich wiederzusehen' - 'O wie angstlich, o wie feurig' (Belmonte) - Christiane Eda-Pierre (Konstanze)
5. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Singt dem grossen Bassa Lieder' - Christiane Eda-Pierre (Konstanze)
6. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Ach ich liebte, war so glucklich' (Konstanze) - Christiane Eda-Pierre (Konstanze)
7. The Abduction From The Serail, K. 384 (Highlights): Act One: 'Marsch! Trollt euch fort!' (Osmin, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
8. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Durch Zartlichkiet und Schmeicheln' (Blonde) - Christiane Eda-Pierre (Konstanze)
9. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welcher Dummer herrscht in meiner Seele' (Konstanze) - Christiane Eda-Pierre (Konstanze)
10. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Traurigkeit ward mir zum Lose' - Christiane Eda-Pierre (Konstanze)
11. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Matern aller Arten' (Konstanze) - Christiane Eda-Pierre (Konstanze)
12. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welche Wonne, welche Lust' (Blonde) - Christiane Eda-Pierre (Konstanze)
13. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Frisch zum Kampfe' (Pedrillo) - Christiane Eda-Pierre (Konstanze)
14. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Vivat Baccus! Bacchus lebe!' (Pedrillo, Osmin) - Christiane Eda-Pierre (Konstanze)
15. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Ach Belmonte! Ach, mein Leben' - Christiane Eda-Pierre (Konstanze)
16. The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Wenn unsrer Ehre wegen' (Konstanze, Blonde, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
17. The Abduction From The Serail, K. 384 (Highlights): Act Three: 'In Mohrenland gefangen war' (Pedrillo, Belmonte) - Christiane Eda-Pierre (Konstanze)
18. The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Ha, wie will ich triumphieren' (Osmin) - Christiane Eda-Pierre (Konstanze)
19. The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Nie werd' ich deine Huld verkennen' (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) - Christiane Eda-Pierre (Konstanze)

Tracks:

1. Le Nozze Di Figaro, K. 492 (Highlights): Overture - John Constable
2. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cinque... dieci...centi...' - 'Cosa stai misurando' (Figaro, Susanna) - John Constable
3. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Se vuol ballare' (Figaro) - John Constable
4. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'La vendetta, oh, la vendetta' (Bartolo) - John Constable
5. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non so piu cosa son, cosa faccio' (Cherubino) - John Constable
6. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cosa sento! tosto andante' (Count, Basilio, Susanna) - John Constable
7. Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non piu andrai' (Figaro) - John Constable
8. Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Porgi amor' (Countess) - John Constable
9. Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi che sapete' (Cherubino) - John Constable
10. Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Susanna, or via, sortite' (Count, Countess, Susanna) - John Constable
11. Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Aprite, presto, aprite' (Susanna, Cheubino) - John Constable
12. Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi signor, che giusto siete' (Marcellina, Basilio, Bartolo, Count, Susanna, Countess, Figaro) - John Constable
13. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Crudel! Perche finora' (Count, Susanna) - John Constable
14. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Hai gia vinta la causa' - 'Vedro mentr'io sospiro' (Count) - John Constable
15. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'E Susann non vien!' - 'Dove sono i bei momenti' (Countess) - John Constable
16. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Riconosci in questo amplesso' (Marcellina, Figaro, Bartolo, Don Curzio, Count, Susanna) - John Constable
17. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Canzonetta sull'aria': 'Che soave zeffiretto' (Countess, Susanna) - John Constable
18. Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Ricevete, o padroncina' - John Constable
19. Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'L'ho perduta' (Barbarina) - John Constable
20. Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Aprite un po' quegli occhi' (Figaro) - John Constable
21. Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Giunse alfin il momento' - 'Deh vieni, non tardar' (Susanna) - John Constable
22. Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Gente, gente all'armi' (Count, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) - John Constable

Tracks:

1. Don Giovanni, K. 527: Overture - John Constable
2. Don Giovanni, K. 527: Act One: 'Notte e giorno faticar' (Leporello) - 'Leporello, ove sei?' (Don Giovanni, Leporello) - John Constable
3. Don Giovanni, K. 527: Act One: 'Madamina, il catalogo e questo' (Leporello) - John Constable
4. Don Giovanni, K. 527: Act One: 'La ci darem la mano' (Don Giovanni, Zerlina) - John Constable
5. Don Giovanni, K. 527: Act One: 'Non ti fidar, o misera' (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) - John Constable
6. Don Giovanni, K. 527: Act One: 'Don Ottavio, son orta' (Donna Anna, Don Ottavio) - John Constable
7. Don Giovanni, K. 527: Act One: 'Or sai chi l'onore' (Donna Anna) - John Constable
8. Don Giovanni, K. 527: Act One: 'Dalla sua pace', K. 540a (Don Ottavio) - John Constable
9. Don Giovanni, K. 527: Act One: 'Fin ch'han dal vino' (Don Giovanni) - John Constable
10. Don Giovanni, K. 527: Act One: 'Batti, batti, o bel Masetto' (Zerlina) - John Constable
11. Don Giovanni, K. 527: Act Two: 'Eh via, buffone' (Don Giovanni, Leporello) - John Constable
12. Don Giovanni, K. 527: Act Two: 'Ah! taci, ingiusto core' - John Constable
13. Don Giovanni, K. 527: Act Two: 'Deh! vieni alla finestra' (Don Giovanni) - John Constable
14. Don Giovanni, K. 527: Act Two: 'Vedrai, carino' (Zerlina) - John Constable
15. Don Giovanni, K. 527: Act Two: 'Sola, sola in buio loco' (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) - John Constable
16. Don Giovanni, K. 527: Act Two: 'Il mio tesoro intanto' (Don Ottavio) - John Constable
17. Don Giovanni, K. 527: Act Two: 'In quali eccessi, o Numi!' - John Constable
18. Don Giovanni, K. 527: Act Two: 'Mi tradi quell'alma ingrata' (Donna Elvira) - John Constable
19. Don Giovanni, K. 527: Act Two: 'Don Gionanni, a cenar teco' (Il Commendatore, Don Giovanni, Leporello) - John Constable
20. Don Giovanni, K. 527: Act Two: 'Questo e il fin di chi fa mal!' (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Leporello, Masetto) - John Constable

Tracks:

1. Cost Fan Tutte, K. 588: Overture - John Constable
2. Cost Fan Tutte, K. 588: Act One: 'La mia Dorabella' (Ferrando, Guglielmo, Don Alfonso) - John Constable
3. Cost Fan Tutte, K. 588: Act One: 'Ah, guarda sorella' (Fiordiligi, Dorabella) - John Constable
4. Cost Fan Tutte, K. 588: Act One: 'Vorrei dir, e cor non ho' (Don Alfonso) - John Constable
5. Cost Fan Tutte, K. 588: Act One: 'Sento, o Dio, che questo piede' (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) - John Constable
6. Cost Fan Tutte, K. 588: Act One: 'Di scrivermi ogni giorno' - Bella vita militar' (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) - John Constable
7. Cost Fan Tutte, K. 588: Act One: 'Soave sia il vento' (Fiordiligi, Dorabella, Don Alfonso) - John Constable
8. Cost Fan Tutte, K. 588: Act One: 'Ah, scostati!' - Smanie implacabili' (Dorabella) - John Constable
9. Cost Fan Tutte, K. 588: Act One: 'In uomini, in soldati' (Despina) - John Constable
10. Cost Fan Tutte, K. 588: Act One: 'Alla bella Despinetta' (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) - John Constable
11. Cost Fan Tutte, K. 588: Act One: 'Come scoglio' (Fiordiligi) - John Constable
12. Cost Fan Tutte, K. 588: Act One: ''Non siate ritrosi' (Guglielmo) - John Constable
13. Cost Fan Tutte, K. 588: Act One: 'E voi ridete' (Don Alfonso, Ferrando, Guglielmo) - John Constable
14. Cost Fan Tutte, K. 588: Act One: 'Un 'aura amorosa' (Ferrando) - John Constable
15. Cost Fan Tutte, K. 588: Act Two: 'Una donna a quindici anni' (Despina) - John Constable
16. Cost Fan Tutte, K. 588: Act Two: 'Predero quel brunettino' (Dorabella, Fiordiligi) - John Constable
17. Cost Fan Tutte, K. 588: Act Two: 'La mano a me date' (Don Alfonso, Ferrando, Guglielmo, Despina) - John Constable
18. Cost Fan Tutte, K. 588: Act Two: 'Il core vi dono' (Guglielmo, Dorabella) - John Constable
19. Cost Fan Tutte, K. 588: Act Two: 'Per pieta, ben mio, perdona' (Fiordiligi) - John Constable
20. Cost Fan Tutte, K. 588: Act Two: 'Donne mie, la fate a tanti' (Guglielmo) - John Constable
21. Cost Fan Tutte, K. 588: Act Two: 'Volgi a me pietoso il ciglio' (Ferrando, Fiordiligi) - John Constable
22. Cost Fan Tutte, K. 588: Act Two: 'Tutti accusan le donne' (Don Alfonso) - John Constable
23. Cost Fan Tutte, K. 588: Act Two: 'Fortunato l'uom che prende' (All) - John Constable

Tracks:

1. The Magic Flute, K. 620 (Highlights): Overture - Mikael Melbye (Papageno)
2. The Magic Flute, K. 620 (Highlights): Act One: 'Der Vogelfanger bin ich ja' (Papageno) - Mikael Melbye (Papageno)
3. The Magic Flute, K. 620 (Highlights): Act One: 'Dies Bildnis ist bezaubernd schon' (Tamino) - Mikael Melbye (Papageno)
4. The Magic Flute, K. 620 (Highlights): Act One: 'O zittre nicht' (Queen Of The Night) - Mikael Melbye (Papageno)
5. The Magic Flute, K. 620 (Highlights): Act One: 'Hm! Hm! Hm! (Papageno, Tamino, 3 Ladies) - Mikael Melbye (Papageno)
6. The Magic Flute, K. 620 (Highlights): Act One: 'Du feines Taubchen, nur herein' (Monostatos, Pamina, Papageno) - Mikael Melbye (Papageno)
7. The Magic Flute, K. 620 (Highlights): Act One: 'Bei Mannern, welch Liebe fuhlen' (Pamina, Papageno) - Mikael Melbye (Papageno)
8. The Magic Flute, K. 620 (Highlights): Act One: 'Wie stark ist nicht dein Zauberton' (Tamino) - Mikael Melbye (Papageno)
9. The Magic Flute, K. 620 (Highlights): Act One: 'Schnelle Fusse, rascher Mut' (Pamina, Papageno, Monostatos) - Mikael Melbye (Papageno)
10. The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osiris' (Sarastro) - Mikael Melbye (Papageno)
11. The Magic Flute, K. 620 (Highlights): Act Two: 'Wie? Wie? Wie?' (3 Ladies, Papageno, Tamino) - Mikael Melbye (Papageno)
12. The Magic Flute, K. 620 (Highlights): Act Two: 'Alles fuhlt der Liebe Freuden' (Monostatos) - Mikael Melbye (Papageno)
13. The Magic Flute, K. 620 (Highlights): ActTwo: 'Der Holle Rache' (Queen Of The Night) - Mikael Melbye (Papageno)
14. The Magic Flute, K. 620 (Highlights): Act Two: 'In diesen heil'gen Hallen' (Sarastro) - Mikael Melbye (Papageno)
15. The Magic Flute, K. 620 (Highlights): Act Two: 'Ach, ich fuhl's' (Pamina) - Mikael Melbye (Papageno)
16. The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osires, welche Wonne!' - Mikael Melbye (Papageno)
17. The Magic Flute, K. 620 (Highlights): Act Two: 'Ein Madchen oder Weibchen' (Papageno) - Mikael Melbye (Papageno)
18. The Magic Flute, K. 620 (Highlights): Act Two: 'Papagena! Weibchen! (Papageno) - Mikael Melbye (Papageno)
19. The Magic Flute, K. 620 (Highlights): Act Two: 'Pa-Pa-Pa-Pa-Pa-Pa' (Papageno, Papagena, 3 Boys) - Mikael Melbye (Papageno)
20. The Magic Flute, K. 620 (Highlights): Act Two: 'Nur stille, stille' (Monostatos, Queen Of The Night, 3 Ladies, Sarastro) - Mikael Melbye (Papageno)

Customer Reviews:

This is it -- the best condensed collection!.......2006-12-14

If you don't want to go through the painstaking process of collecting all 45 volumes of the older Philips Complete Mozart Edition, which could end up costing close to $2,000 by the time you have the entire collection, you should eye this condensed set. Granted, it doesn't have ALL the works of Mozart (hence, its title!) so, for the Mozart completist or fanatic, this boxed set will only leave one salivating for more. I am fortunate enough to own both the whole collection and the 'Best of' set and sometimes this 'Best of' set satifies me for a quick fix. The performers of the Philips Complete Mozart Edition are first class and, many would consider, THE world's most acclaimed Mozartian conductors and performers. To me, there is no one who can capture the spirit of Mozart's pieces as well as Sir Neville Marriner and the ASMF. Perhaps with today's technology, some pieces could be better digitally remastered but, quite frankly, I do not hear any hissing sound from these recordings (some from the 1980's), even after being downloaded into my iPod. Don't waste your time and money chasing other Mozart collections because, to date, I have not come across any others that quite compare to the Philips Complete Mozart Edition. Even the 'Best of' set merits more than 5 stars!

The definitive collection--worth the effort........2002-10-13

I'm fascinated with this collection; the selection of performances is superb and you always an authoritative interpretation for each piece. The selection of material is very well balanced. This collection is all the Mozart I'll need for the next decade. It is a good buy if you have only two or three Mozart albums in your CD collection and are intending to deepen your knowledge of this greatest of composers.

A couple of drawbacks in the collection are its lack of decent accompaining literature (you only get the CD's succint liner notes in four languages) and an occasional selection with poor sound quality or hiss from an old recording. The average quality of the remasterizations, though, is very good. You should probably get a nice book on Mozart to read while listening.

Importers beware! this product could produce massive import duties. Check before ordering.

Superb!.......2000-04-14

This is a high quality set, well worth the money. It is an investment in beautiful music for a lifetime.

Go no further than this loving compilation.......2000-02-24

I have many editions in the Philips Complete Mozart Edition ("one-stop shopping" is my middle name) and I recommend them thoroughly and emphatically. Life is too short not to listen to Mozart each and every day of your life. Thanks to those at Philips who put this monster together; we really appreciate it. So does Wolfie. Essential.

Mozart Goo.......1999-12-20

This is the most extensive collection of Mozart that you can buy all in one set. Over 48 hours of nothing but Mozart! Need I say more? Its a little pricey, but well worth the cash.

Average customer rating:

Lucrezia Bori: The Victor Recordings (1914-25) Manufacturer: Romophone ProductGroup: Music Binding: Audio CD General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf-Ferrari | Wolf-Ferrari, Ermanno | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Sopranos | Voices | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Latin Music | Styles | Music ASIN: B000001S3J Release Date: 1995-09-01

Tracks:

1. Pagliacci: Qual Fiamma Avea Nel Guardo - Victor Orch/Walter B. Rogers
2. La Traviata: Addio Del Passato - Victor Orch/Walter B. Rogers
3. La Danza - Victor Orch/Walter B. Rogers
4. La Boheme: Mi Chiamano Mimi - Victor Orch/Walter B. Rogers
5. Nina Pancha: Habanera - Victor Orch/Walter B. Rogers
6. Malaguena - Victor Orch/Walter B. Rogers
7. La Paloma - Victor Orch/Walter B. Rogers
8. I Hear You Calling Me - Victor Orch/Walter B. Rogers
9. Rigoletto: Bella Figlia Dell'Amore - Victor Orch/Walter B. Rogers
10. La Boheme: O Soave Fanciulla - Victor Orch/Walter B. Rogers
11. La Traviata: Parigi, O Cara, Noi Lascieremo - Victor Orch/Walter B. Rogers
12. Clavelitos - Victor Orch/Walter B. Rogers
13. Iris: Un Di, Ero Piccina, Al Tempio - Victor Orch/Walter B. Rogers
14. Les Contes D'Hoffmann: Elle A Fui, La Tourterelle - Victor Orch/Walter B. Rogers
15. La Revoltosa: Porque De Mis Ojos - Victor Orch/Walter B. Rogers
16. El Punao De Rosas: Romanza - Victor Orch/Walter B. Rogers
17. Iris: In Pure Stille - Victor Orch/Walter B. Rogers
18. Le Nozze Di Figaro: Deh Vieni Non Tardar - Josef Pasternack
19. Villanella - Josef Pasternack
20. Don Pasquale: Pronta Io Son - Josef Pasternack
21. Don Pasquale: Vado, Corro - Josef Pasternack
22. Don Giovanni: Vedrai, Carino - Josef Pasternack
23. Il Segreto Di Susanna: O Gioia, La Nube - Josef Pasternack

Tracks:

1. Cosi Fan Tutte: In Uomini - Rosario Bourdon
2. When Love Is Kind - Josef Pasternack
3. La Boheme: Mi Chiamano Mimi - Josef Pasternack
4. Snegurochka (The Snow Maiden): Je Connais - Josef Pasternack
5. Romeo Et Juliette: Je Veux Vivre Dans Ce Reve - Josef Pasternack
6. Romeo Et Juliette: Ange Adorable - Josef Pasternack
7. Romeo Et Juliette: Ah Ne Fuis Pas Encore - Josef Pasternack
8. La Boheme: Quando M'en Vo' Sloetta Per La Via - Nat Shillkrit
9. L'Amico Fritz: Son Pocchi Fiori - Nat Shillkrit
10. L'Amico Fritz: Non Mi Resta - Nat Shillkrit
11. Il Bacio - Josef Pasternack
12. Manon: Adieu, Nortre Petite Table - Josef Pasternack
13. El Majo Discreto - Josef Pasternack
14. Ciribiribin - Josef Pasternack
15. Lakme: Pourquoi Dans Les Grands Bois - Josef Pasternack
16. L'Amico Fritz: Tutto Tace, Eppur Tutto, Al Cor Mi Parla - Josef Pasternack
17. Carmen: Parle-Moi De Ma Mere - Josef Pasternack
18. L'Amour Mouille: Valse D'Oiseau - Josef Pasternack
19. Milonguita - Josef Pasternack
20. The Little Damozel - Nat Shillkrit
21. La Boheme: Donde Lieta Usci Al Tuo Grido D'Amore - Nat Shillkrit
22. La Boheme: Sono Andati? Fingevo Di Dormire - Nat Shillkrit
23. La Boheme: O Dio, Mimi - Josef Pasternack

Amazon.com

Few singers received the adulation accorded Lucrezia Bori, whose glorious soprano finally gets its recorded due in these miraculous transfers by Ward Marston, which convey the body and warmth slighted in her previous incarnations on LP and CD. Bori's light, lyric voice was used with intelligence and pathos, making her one of the greatest Puccini singers, a wonderful Traviata, a spirited Carmen, and a masterful advocate of Spanish song, all virtues in evidence here. Most treasurable are the duets with partners like John McCormack, Tito Schipa, and Beniamino Gigli in concerted pieces like the Rigoletto "Quartet." Her "O Parigi" duet with McCormack is priceless. Even her Mozart arias, however unstylish they may seem these days, get to the heart of the music. --Dan Davis

Average customer rating:

Schwarzkopf Edition [Box Set] Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Gieseking, Walter | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Martini | Martini, Giovanni Battist | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf | Wolf, Hugo | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf-Ferrari | Wolf-Ferrari, Ermanno | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Schwarzkopf, Elisabeth | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Debussy, Claude | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gluck, Christoph W. | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Humperdinck, Engelbert | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mahler, Gustav | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Schubert, Franz | Q to T | Featured Composers, A-Z | Opera & Vocal