Mo Lam Singing of Northeast Thailand

Editorial Reviews

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Mo lam is a folk-song style from Isan province in northeast Thailand, although in the 1980s it enjoyed wide popularity in Bangkok and a few of the musicians actually made European and American tours. It is a form that has both structured and improvised parts, usually in the same song, and is best known for its sad and plaintive sound, although there are some uptempo modes that are quite lively. Chawiwan Damnoen is considered one of the best of the female mo lam singers, with a precise yet spirited delivery and a great skill at the improvised parts. She is accompanied by Thongkham Thaikla on the khaen, a wind instrument made of a bundle of bamboo tubes fitted with free reeds that is played by blowing into a central chamber and creating notes by opening and closing a hole on each tuned tube. They instrument necessitates a rhythmic playing style that is often at odds with the slow and ornamented vocals it accompanies. --Louis Gibson

Mo Lam Singing of Northeast Thailand,Mo Lam,World Music Library,Asia,Int'l & World Music,Pop,Thailand
Mo Lam Singing of Northeast Thailand
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    Mo Lam Singing of Northeast Thailand
    Mo Lam
    Manufacturer: World Music Library
    ProductGroup: Music
    Binding: Audio CD

    ThailandThailand | Far East & Asia | International | Styles | Music
    GeneralGeneral | Far East & Asia | International | Styles | Music
    GeneralGeneral | International | Styles | Music
    ASIN: B000001LTG
    Release Date: 1993-02-12

    Tracks:

    1. Lam Klon: Wai Khru
    2. Lam Doen Dong
    3. Lam Kio (Thang San)
    4. Lam Kio (Thang Yao)
    5. Lam La
    6. Lam Toei (Thammada, Phama, Khong)
    7. Lam Toei Hua Non Tan
    8. Lam Phloen
    9. Lam Mu: Manora
    10. Lam Phun
    11. Lam Phl Fa
    12. Lam Mu: Sang Sin-Chai
    13. Lam Tangwai
    14. Lam Khonsawan
    15. Lam Phu Thai
    16. Lam Klon: Chonnabot Isan

    Amazon.com

    Mo lam is a folk-song style from Isan province in northeast Thailand, although in the 1980s it enjoyed wide popularity in Bangkok and a few of the musicians actually made European and American tours. It is a form that has both structured and improvised parts, usually in the same song, and is best known for its sad and plaintive sound, although there are some uptempo modes that are quite lively. Chawiwan Damnoen is considered one of the best of the female mo lam singers, with a precise yet spirited delivery and a great skill at the improvised parts. She is accompanied by Thongkham Thaikla on the khaen, a wind instrument made of a bundle of bamboo tubes fitted with free reeds that is played by blowing into a central chamber and creating notes by opening and closing a hole on each tuned tube. They instrument necessitates a rhythmic playing style that is often at odds with the slow and ornamented vocals it accompanies. --Louis Gibson

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