Ma Cherie [Box set] [Import]

1. Oriental Tempo

2. Musique De La Bas

3. Ma Cherie

4. Flying Carpet

5. Dansez

6. Ensemble

7. Toutes Les Nuits

8. Celui

9. Lalei

10. Flying Carpet

11. Angelica

12. La Vie Se Vit

13. Je Veux Crier

14. Benis Nous

15. Sourire

16. En Mal De Toi

17. Mourir En Toi

18. Brule Mon Coeur

19. Maman

20. Au Revoir

See all 37 tracks on this disc

Customer Reviews:

Valuable compendium.......2007-01-24

This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.

Rareties available on CD at last!.......2006-03-29

While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").

While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.

I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.

Heavenly.......2006-01-31

I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.

WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10

This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Average customer rating:

Beyond all description...
An Absolute Must-Have for Any Pavarotti Fan
Wonderful!!!!

The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Very Best of Beniamino Gigli
The Very Best of Franco Corelli
Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)

ASIN: B00005O841
Release Date: 2001-11-13

Album Description

Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale

Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila

Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes

Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem

Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot

Disc 6: Puccini and Verismo Includes arias from Cavalleria Rusticana, Manon Lescaut, Pagliacci, Andrea Chenier, and Tosca

Disc 7: Arias 1 Includes arias from La Griselda, Atalanta, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Guillaume Tell, and more. Includes Unreleased Material.

Disc 8: Arias 2 Includes arias from Martha, Mefistofele, La Giocanda, Adriana Lecouvreur, Rosenkavalier, Fedora, Werther, Faust, Carmen, and more

Disc 9: Italian Songs Includes: In questa tomba oscura, Me voglio fa'na casa, Non t'amo piu, Pace non trovo, and more

Disc 10: Neapolitan and Italian Popular Songs Includes: O sloe mio, Torna a Surriento, Core 'ngrato, Funiculi Funicula, Non ti scordar di me, Mamma and more

Bonus CD: The 1964 EP (previously unreleased) "Che Gelida Manina," "E lucevan le stelle," "Questo o quella," "La Donna e mobile," and "Parmi veder" with Orchestra of the Royal Opera House, Covent Garden, Edward Downes conducting

Customer Reviews:

Beyond all description..........2006-09-19

As a boy, I heard so many hyperbolic references to the legendary Enrico Caruso that I chose to purchase a remastered copy of his "Greatest Hits" when I first began to acquire recordings as a young man. Soon after, I discovered Pavarotti and my life was changed by his music. Caruso ended up in the Goodwill Store. I am convinced that in 500 years, should the earth cool again and the Muslim hoards abate, the civilized world will still tell tales of the greatest tenor. I have often found myself grumpy when searching for recordings of Pavarotti because of the inconsistent fidelity of the recordings. That search for the definitive Pavarotti recordings, regarding both content and fidelity, has ended with the release of this extraordinary collection. Worth it's weight in gold, the Puccinni Volume (#5) alone is enough to send someone like me into hyperspace. I am astounded by the beauty and power of these performances. I will always remember the day, not long ago, when a NPR commentator glibly mentioned between the weather and the night's playlist the terrible words, "Luciano Pavarotti has announced that he is retiring from Opera." I felt as if something indescribably beautiful was fading from the world. Of course, beauty in all of its earthly forms is fleeting at best, but these discs contain a reflection of it that will surely bolster any soul.

An Absolute Must-Have for Any Pavarotti Fan.......2004-01-09

...and that certainly goes without saying. My one tiny little problem with it is that his recordings of "Santa Lucia" and "Caruso" are not on this incredible box-set. Even though I have those recordings on other CDs, I still think those are very important pieces to include on this set (assuming that this set of Pavi hits would be the only compilation that that any fan of this phenomenal tenor would have). He is probably my biggest idol, and he deserves to have been one of the biggest opera stars in history.

Wonderful!!!!.......2002-11-07

This Pavarotti set; The Pavarotti Edition; is a wonderful collection of Arias and songs that cover Luciano's great career. Pavarotti is THE Voice of the 20th Century and this set does him justice. It includes 10 CDs with over 750 minutes of music; Includes Music from All of His roles; has a beautiful 76 page full color booklet; Has a wonderful write up; and includes a bonus CD of Pavarotti's fist album, a 45, from 1964, which has never been released on CD before this set. Every Song is hear, This SET is a must have for every Pavarotti Fan.

Average customer rating:

Excellence!
Chant-tootsie!

Les Chants d'Eros

Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

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Tracks:

L'Amour En Cage
Est-Ce Ma Faute A Moi?
L'Oie Blessee
Ma Plaisance Cherie
Mon Pauvre Coeur Soupire
Que Faire S'Amour Me Laisse
Si Je Perdais Mon Ami
Un Desordre Agreable
Fille D'Acier
Puisque J'Ai Mis Ma Levre
Ta Bouche
Petite Fleur
Hymne A L'Amour
La Complainte De La Seine
Youkali
La Mort Des Amants

Customer Reviews:

Excellence!.......2001-07-10

It is only halfway through the year as yet...but unless Carol Thompson, or Dougie MacLean release a new album this year (and it would have to be a darn good one at that), and unless Rich Mullins comes back from the grave to bequeath more music upon us...then I have to say that without a doubt "Les Chants d' Eros" will be the best new CD I listen to this year.

First of all...Custer LaRue is still my favorite female singer. However, she must now share the title with Claire Gignac. "A vortex of musical passion" (from the excellent liner notes) indeed! If I handed out a vocal artist of the year award, I would have to give it to Mrs. Gignac for this album. Her singing is beautiful on this disc...it is hard to imagine one artist being capable of the emotional range necessary for songs like: "Est-ce ma faute a moi?"; "L'oie blessee"; and "La complainte de la Seine"--much less the other thirteen songs here.

Speaking of songs...let me just take a minute to say that one of the biggest attractions that this recording holds is the variety of texts that are interpreted. Pieces written by Chretien de Troyes, Christine de Pisan and Victor Hugo stand side by side with pieces by Kurt Weill and Charles Baudelaire.

All the songs are given fresh and startling interpretations by the Singer and the musicians on this disc. Instead of the usual, rather samey sounding piano in the background of most "songs" discs, Gignac is backed by ingenious string settings. Guitars, mandolins, violins, and even a psaltery are used. One piece is actually spoken word over instrumentation...this, like every other aspect of "Les Chants d' Eros" blows me away.

I give "Les Chants d' Eros" my highest recommendation. Even if this type of music is not usually your cup of tea, I strongly urge you to get a copy. You will not be disappointed.

Chant-tootsie!.......2000-04-18

I think I've always liked the idea of Piaf better than the actuality. Here I risk Francophile wrath, but she seemed a little too mannered in her anguish and diffidence. Claire Gignac is a different story. Out Piaf-ing Piaf in "Hymne a l'amour," she mixes smoldering intensity with an entirely believable passion as she surveys a range of love songs that spans many centuries. From a spare setting (her own) of lyrics by Arthurian balladeer Chretien de Troyes to a modern, Leo Ferre take on a Beaudelaire lyric, it's a brilliantly chosen program that's rendered amidst a jazz/cabaret combo with shades of the old Reinhardt-Grappelli collaborations. These performances don't just draw you in -- they engulf you, going straight to the heart. Gignac's voice is husky and very expressive, with a kind of "oh, honey, you don't want to know" quality to the storytelling that lurks behind these songs. Open yourself up to this recording and it'll pack a "Winterreise"-like punch.

McEwen: Sonata in E minor and Other Piano Works

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McEwen: Sonata in E minor and Other Piano Works

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00005M0F4
Release Date: 2001-07-24

Tracks:

Son in e: I. Allegro Non Troppo, Ma Marcato - Poco Meno Mosso - Tempo I - Meno Mosso
Son in e: II. Adagio - Grave
Son in e: III. Vivace - Meno Mosso - Tempo I
Son in e: IV. Largo - Allegro Con Fuoco - Meno Mosso - Tempo I - Meno Mosso - Presto
Vignettes from La Cote D'Argent: I. Little Darling: Poco Adagio
Vignettes from La Cote D'Argent: II. The Swallows: Allegro Grazioso
Vignettes from La Cote D'Argent: III. Red Trousers: Allegro Alla Marcia
Vignettes from La Cote D'Argent: IV. Mystical Twilight: Lento
Vignettes from La Cote D'Argent: V. The Motorboat: Presto
Four Sketches: 1. Prld: Adagio
Four Sketches: 2. Quasi Minuetto
Four Sketches: 3. Elegy: Molto Adagio
Four Sketches: 4. Humoreske: Vivace
Sonatina in g: I. Allegro Con Moto
Sonatina in g: II. Andante Semplice
Sonatina in g: III. Scherzo-Finale: Molto Vivace - Poco Meno Mosso - Tempo Primo
Three Prlds: I. 'A White Naiad In A Rippling Stream': Andante Con Moto
Three Prlds: II.' A Rapt Seraph In A Moonlight Beam': Adagio Sostenuto
Three Prlds: III. 'The Dew By Fairy Feet Swept From The Green': Presto
On Southern Hills: I. White Oxen: Andante Pigramente
On Southern Hills: II. Drifting Clouds: Molto Tranquillo
On Southern Hills: III. The Improvisatore: Allegro Moderato - Poco Adagio - Tempo I - Poco Adagio...

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The Pocket Prima Donna

Manufacturer: Dutton Laboratories
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000666AX
Release Date: 2002-10-08

Songs by Déodat de Séverac / Le Roux, Rozario, G. Johnson

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Songs by Déodat de Séverac / Le Roux, Rozario, G. Johnson
Déodat de Séverac , Francois Le Roux , and Patricia Rozario
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000C2BI
Release Date: 1998-09-08

Tracks:

Ritournelle
Renouveau
Le Chevrier
Soleils couchants (Paysages tristes)
Musette
Les Hiboux
Ne derangez pas le monde
Le ciel est, par-dessus le toit...
Le roi a fait battre tambour
Un Reve
Les Cors
Temps de neige
Pour le jour des rois
Chanson pour le petit cheval
L'Infidele
Philis
Chanson de la nuit durable
Le cotillon couleur de rose
Chanson de Blaisine
L'eveil de Paques
Ba be bi bo bu!
Chanson de Jacques
Offrande
Ma poupee cherie
Chant de Noel
Aubade
A l'aube dans la montagne

Amazon.com

In his lifetime (1872-1921), Déodat de Séverac was considered an artistic equal to Debussy and Ravel. Based on the meager recorded evidence offered in recent years (a set of piano music on EMI and a briefly available edition of songs on Ariane), this makes perfect sense. His music is highly descriptive, often impressionistic but often without the self-consciously studied languidness that can make music of this period seem dated. Not everything is great: Séverac definitely had good and bad days. But there's an excitement and immediacy to his nature painting, though these songs have no lack of introspection and depth of thought. Francois La Roux is one of the best French recitalists around and Johnson should have government decorations for his service to the song literature, French and otherwise. --David Patrick Stearns

Average customer rating:

Still the best collection of Berlioz's lovely songs

Berlioz: Melodies

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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ASIN: B000001GGX
Release Date: 1994-10-11

Tracks:

Nocturne a deux voix (H. 31, 1818-30) 'Je veux dans l'inconstance'
Le maure jaloux: Romance (H. 9B, 1819-21/1822): Moderato ma non troppo: 'Je vais revoir'
Amitie, reprends ton empire: Romance et invocation (H. 10B, 1819-21/1823): Andante sostenuto: 'Am...
Canon libre a la quinte (H. 14, 1822); Lento sostenuto: 'La nuit de son voile epais'
Pleure, pauvre colette: Romance a deux voix egales (H. 11, 1822): Andantino: 'Aupres de moi Colette'
Le Montagnard Exile: Chant Elegiaque (H. 15, 1823): Andante Poco Lento: 'Loin De La sauvage Campagne
Le Roi De Thule: Chanson Gothique (H. 33A, 1828: Huit Scenes De Faust Op.1 N.6): Poco Andante: 'A...
Serenade De Mephistopheles (H.33, 1828: Huit Scenes De Faust Op.1 N.8): Allegro: 'Devant La Maiso...
Helene: Ballade A Deux Voix (H.40A, 1829; Irlande Op.2 N.2): Allegretto: 'Qui Se Souvient D'Helene'
Chant Guerrier (H.41, 1829: Irlande Op.2 N.3): Allegro Non Troppo: N'oublions Pas Ces Champs'
La Belle Voyageuse: Ballade (H.42, 1829: Irlande Op.2 N.4): Allegretto Non Troppo: 'Elle S'en Va...
Chanson A Boire (H.43, 1829: Irlande Op.2 N.5): Allegro Frenetico: 'Amis, La Coupe Ecume''
L'Origine De La Harpe; Ballade (H.45, 1829: Irlande Op.2 N.7); Andante: 'Cette Haroe Cherie'
Adieu Bessy: Romance Anglaise Et Francaise (H.46B, 1829/1849: Irlande Op.2 N.8): Andante Non Troppo
Elegie En Prose (H.47, 1829: Irlande Op.2 N.9): Adagio: 'Quand Celui Qui Adore'

Tracks:

La Captive: Orientale, Op.12 (H. 60C, 1832): Andantino: 'Si Je N'etais Captive'
Sara La Baigneuse: Ballade, Op.11 (H.69C, 1834/1849, Reduction Pour Piano D'Auguste Morel): Alleg...
Je Crois En Vous: Romance (H.70, 1834): Andantino Non Troppo Lento: 'Quand Mon Ame Ravie'
Chansonette De Mr. Leon De Wailly (H.73, 1835): Allegro Mosso (Presque Le Mouvement De La Valse)...
Le Matin: Romance (H.125, 1850: Fleurs Des Landes Op.13 N.1); Andantino Quasi Allegretto: 'Pour Chan
Le Trebuchet: Scherzo A Deux Voix (H.113, 1846: Fleurs Des Landes Op.13 N.3): Allegretto Leggiero...
Le Jeune Patre Breton (H.65C, 1833/1834: Fleurs Des Landes Op.13 N.4): Allegretto Simplice Un Po...
Le Chant Des Bretons (H.71B, 1835/1849: Fleurs Des Landes Op.13 N.5): Allegro Fieramente: 'Oui, N...
La Mort D'Ophelie: Ballade (H.92A, 1842): Andantino Con Moto Quasi Allegretto: 'Aupres D'un Torre...
Zaide: Bolero (H.107B, 1845: Feuillets D'album, Op.19 N.1): Allegretto: 'Ma Ville, Ma Belle Ville'
Les Champs: Romance (H.67B, 1834/1850: Feuillets D'album, Op.19 N.2): Allegretto: 'Rose, Partons...
Priere Du Matin (H.112, 1846): Andantino: 'O Pere Qu'adore Mon Pere'
La Belle Isabeau: Conte Pendant L'orage (H.94, 1843): Allegretto Moderato: 'Dans La Montagne Noire'
Le Chasseur Danois (H.104A, 1844):Allegro Con Fuoco: 'Entendez-Vous Dans La Bruyere'

Customer Reviews:

Still the best collection of Berlioz's lovely songs.......2006-01-31

Berlioz didn't challenge his artistry in these 29 songs, which are mostly simple but very appealing melodies with basic piano accompaniments (Berlioz couldn't play the piano and didn't write difficult music for it). Taken a handful at a time, this 2-hour collection from DG, which was acclaimed when it first appeared in 1994, provides much sweet listening.

The four soloists are variable: von Otter is magnificent (her contribution was recorded separately in Stockholm, the other singers in three spearate locations!), and Thomas Allen rises to a high level of artistry even in the simplest songs. Tenor John Aler is uncomfortable in French, I would guess, and tends to mumble. Soprano Frnacoise Pollet, being a native speaker, has perfect diction but a wobbly voice that tends to spread out in loud passages. The biggest letdown is the piano accompanist, Cord Garben, who is routine and unimaginative. His lack of spark affects every song, unfortunately, although the overall level of performance is always good enough to provide enjoyment of these rarely recorded songs.

For someone who doesn't want to explore this deeply into Berlioz's vocal writing, von Otter's five solo songs have been excerpted on a marvelous recital album that features an incomparable Les Nuits d'Ete. In all, I found this 2-CD set highly enjoyable, although there are no hidden masterpieces to be uncovered.

Average customer rating:

Stupenda indeed!
And interesting album
A great follow up to...
Sutherland rules, who's this Beverly Sills
Sutherland "Voice of the Century"

Joan Sutherland--Mad Scenes

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Rolando Villazon - Gounod · Massenet Arias
Russian Album

ASIN: B00004T2FR
Release Date: 2000-08-08

Tracks:

I Puritani: O rendetemi la speme
I Puritani: Vien, diletto, e in ciel la luna!
Dinorah: Bellah! ma chevre cherie!...Dors, petite
Dinorah: Dieu! comme cette nuit...Ombre legere (Shadow Song)
Hamlet: A vos jeux, mes amis, permettez-moi
Hamlet: Le voila! Je crois l'entendre
L'Etoile du Nord: C'est bien lui...La la la air cheri!
Lucia di Lammermoor: Eccola!...O giusto cielo!...Il dolce suono
Lucia di Lammermoor: Ohime! sorge il tremendo fantasma
Lucia di Lammermoor: S'avanza Enrico!
Lucia di Lammermoor: Spargi d'amaro pianto

Amazon.com

Joan Sutherland is spectacular in these operatic selections, almost all of which were recorded during her prime--between 1962 and 1971--when her voice was at its freshest, and mannerisms such as sloppy diction and droopy phrasing were at a minimum. The characters here depicted are tragically loony, permitting the composers to lavish upon them coloratura fantasies that make for exciting listening, but restrict the roles to the few singers who are capable of managing the swirls and trills of the high tessitura. Sutherland reveled in these parts; the more difficult, the better. It's impossible to select highlights in a disc that's brimming with them, but her signature role, Lucia di Lammermoor, with its flowing vocal line and ravishing soprano-flute duet, offers some of the most exciting singing you'll ever hear; the top notes never strained, always full and rounded. But, then, everything else on this indispensable disc is a delight. --Dan Davis

Customer Reviews:

Stupenda indeed!.......2006-12-30

Sutherland knocks the socks off the listener in each of these selections. This is a fantastic introduction if you really want to know why Sutherland was the reigning queen of colouratura in her day.
Superb sound and recordings range from early 70's to early 80's.

And interesting album.......2004-05-07

This is an interesting album. The Puritani is from 1973, Hamlet from 1983 (wow!), and the Lucia from 1971. This is like a showcase of the later Sutherland voice. It's different from the younger voice. It's a darker, wiser tone. For starters, let's take the Hamlet scene. Not quite as many fireworks as the 1960 one, but the vibrato isn't so fluttery and kinda out of control. It's a slower, more steady and studied tone. She wisely omits some of the high notes (I mean, she's 57 for heaven's sake!). I consider a lesson in how to sing healthily and proper in the later vocal years. It's really a lesson to all singers to just hear her. The Puritani is magical. Just beautiful eerily cool music. The ornaments in the second aria are really quite amazing. And the high Eb at the end of Vien, diletto is amazing. Just that trademark Eb like she does in Traviata. Perfection. This Lucia is actually my favorite compared to her 1959 and 1961 ones. Now, don't get me wrong, each of those is wonderful in their own fabulous ways. The 1959 is fresh and bright and exciting. The 1961 is a clear understandable and beautiful tone with all the great ornaments she was working on as she was developing the role. I find this one super cool because it's just cool to hear how this voice can still have handle the demanding Lucia lines. Cause you see, her voice was getting heavier with age and it's just kinda amazing to hear "Wow! She's still got the chops!"

A great follow up to..........2004-01-13

Callas' Mad Scenes Album, I love this CD. Joan sings the hell out of each piece even though the interpretations and characters suffer from it, I barely hear any madness... Anyway, I want to comment on several things written here:

1)What one music class (Which school is that) says doesn't mean a thing, I trust my own ears and known experts like Steane, Kesting and Porter.

2)The Sills-Fan isn't worth a thought, I too think he's an immature brat.

Sutherland rules, who's this Beverly Sills.......2003-07-14

Sorry for not being current, or I'm too young. But who is Beverly Sills? I thought with Sutherland retired, the reigning soprano is Renee Fleming.
Whoever she is. Her fans are getting annoying. I'll be sure that I don't take any of their recommendations.

Sutherland "Voice of the Century".......2003-07-13

In a music 111 class, I compared divas Sutherland, Sills, and Callas all singing the mad scene from Lucia. I didn't say who was who.
It was my final project. And I handed a survey to see who is the better bel canto singer.
Sutherland--1971 recording
Sills-------1969 recroding
Callas------1955 recording
Here is the results.
1)Sutherland....40 votes
2)Sills.........07 votes
3)Callas........00 votes
I got an A on the project. And the students were astonished by Sutherland's mad scene by a huge margin, as you can see. NO one voted for Callas.
Without question, Sutherland is the best coloratura, at least with the Lucia mad scene. But this set has all mad scenes. Some even more difficult than the Lucia. I invite you to hear this, and make up your mind
Dont let some immature kid who just know how to call people names and bash Sutherland influence you. Listen to Sutherland. You will be a believer.

Average customer rating:

Ma Cherie
Maurice Chevalier
Manufacturer: Proarte
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000E5TS
Release Date: 1993-01-29

Tracks:

Hello, Beautiful!
Louise
Oh, Come on, Be Sociable
My Love Parade
Sweeping the Clouds Away
Paris Sera Toujours Paris
Valentine
My Ideal
Walkin' My Baby Back Home
Ma Pomme
Wait 'Til You See "Ma Cherie"
Mais Ou Est Ma Zou-Zou? (I Wonder Where My Baby Is Tonight)
You Brought a New Kind of Love to Me
Livin' in the Sunlight, Lovin' in the Moonlight
What Would You Do?
Moonlight Saving Time
Nobody's Using It Now
Mimi
I Was Lucky
Singing a Happy Song

Plácido Domingo - Verdi ~ The Tenor Arias

Average customer rating:

Verdi singing to set the standard for all tenors
The Greatest Verdi Tenor The Wonderful Mr. Domingo
Magnificent Achievement
VOICE
superb, exhilarating, outstanding!!!!!

Plácido Domingo - Verdi ~ The Tenor Arias
Giuseppe Verdi
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Verdi - Luisa Miller / Renata Scotto, Placido Domingo, Sherrill Milnes, Bonaldo Giaiotti, James Morris, James Levine, Metropolitan Opera
Leoncavallo - I Pagliacci / Mascagni - Cavalleria Rusticana / Domingo, Stratas, Pons, Bruson, Obraztsova, Pretre

ASIN: B00005OC0F
Release Date: 2001-10-09

Tracks:

La Traviata: Lunge Da Lei... De' Miei Bollenti Spiriti - Verdi Domingo/Helena Jungwirth
La Traviata: Annina, Donde Vieni? ...O Mio Rimorso! - Verdi Domingo/Helena Jungwirth
Aida: Se Quel Guerrier Io Fossi! ... Celeste Aida - Verdi Domingo
Don Carlos: Io I'ho Perduta!.. Io La Vidi, E Il Suo Sorriso - Verdi Domingo
Don Carlos: Fontainebleau! Foret Immense Et Solitaire! - Verdi Domingo/Katia Ricciarelli/Ruggero Raimondi/Nicolai Ghiaurov/Nikita Storojev/Chor Del Teatro...
Don Carlos: Je I'ai Vue, Et Dans Son Sourire - Verdi Domingo/Katia Ricciarelli/Ruggero Raimondi/Nicolai Ghiaurov/Nikita Storojev/Chor Del Teatro...
Don Carlos: C'est Elle!... J'avais Fait Un Beau Reve!... Au Revoir Dans Un Monde - Verdi Domingo/Katia Ricciarelli/Ruggero Raimondi/Nicolai Ghiaurov/Nikita Storojev/Chor Del Teatro...
Don Carlos: Oui, Pour Toujours! - Verdi Domingo/Katia Ricciarelli/Ruggero Raimondi/Nicolai Ghiaurov/Nikita Storojev/Chor Del Teatro...
Un Ballo In Maschera: S'avanza Il Re... La Rivedra Nell'estasi - Verdi Domingo/Sumi Jo/Goran Simic/Kurt Rydl/Florence Quivar
Un Ballo In Maschera: Di' Tu Se Fedele - Verdi Domingo/Sumi Jo/Goran Simic/Kurt Rydl/Florence Quivar
Un Ballo In Maschera: E Scherzo Od E Follia - Verdi Domingo/Sumi Jo/Goran Simic/Kurt Rydl/Florence Quivar
Un Ballo In Maschera: Forse La Soglia Attinse... Ma Se M'e Forza Perderti - Verdi Domingo
Il Trovatore: Quale D'armi Fragor Poc'anzi Intesi? - Verdi Domingo/Leontyne Price/Ryland Davies/Ambrosian Opr Chor
Il Trovatore: Ah! Si, Ben Mio - Verdi Domingo/Leontyne Price/Ryland Davies/Ambrosian Opr Chor
Il Trovatore: L'onda De' Suoni Mistici - Verdi Domingo/Leontyne Price/Ryland Davies/Ambrosian Opr Chor
Il Trovatore: Di Quella Pira - Verdi Domingo/Leontyne Price/Ryland Davies/Ambrosian Opr Chor
Rigoletto: Questa O Quella Per Me Pari Sono - Verdi Domingo/Nicolai Ghiaurov/Piero Cappuccilli
Rigoletto: Ella Mi Fu Rapita!... Parmi Veder Le Lagrime - Verdi Domingo/Nicolai Ghiaurov/Piero Cappuccilli
Rigoletto: La Donna E Mobile - Verdi Domingo/Nicolai Ghiaurov/Piero Cappuccilli
La Forza Del Destino: La Vita E Inferno All'infelice - Verdi Domingo
La Forza Del Destino: Oh, Tu Che In Seno Agli Angeli - Verdi Domingo
La Forza Del Destino: Qual Sangue Sparsi!.. S'affronti La Morte - Verdi Domingo/Chor Of The Mariinsky Theatre

Tracks:

Ernani: Merce, Diletti Amici... Come Rugiada Al Cespite - Verdi Domingo/Roger Wagner Chor
Ernani: Dell'esilio Nel Dolore... O Tu, Che I'alma Adora - Verdi Domingo/Roger Wagner Chor
Ernani: D'Ernani I Fidi Chiedono... Odi Il Voto... Sprezzo La Vita (Alternative Aria) - Verdi Domingo/Alfred Walker/James Courtney/Chor Of The Mariinsky Theatre
I Lombardi Alla Prima Crociata: O Madre Mia, Che Fa Colei? - Verdi Domingo/Montserrat Aparici
I Lombardi Alla Prima Crociata: La Mia Letizia Infondere... Come Poteva Un Angelo - Verdi Domingo/Montserrat Aparici
I Lombardi Alla Prima Crociata: Come Poteva Un Angelo - Verdi Domingo/Marjorie Dix
I Lombardi Alla Prima Crociata: Componi, O Cara Vergine.. In Cielo Benedetto - Verdi Domingo/Christina Deutekom/Ambrosian Opr Chor
Jerusalem: L'Emir Aupres De Lui M'appelle... Je Veux Encore Entendre - Verdi Domingo
Luisa Miller: Il Foglio Dunque? - Verdi Domingo/Luigi De Corato/Wladimiro Ganzarolli/Gwynne Howell/Chor Of The ROHCG
Luisa Miller: Quando Le Sere Al Placido - Verdi Domingo/Luigi De Corato/Wladimiro Ganzarolli/Gwynne Howell/Chor Of The ROHCG
Luisa Miller: Di Me Chiedeste? - Verdi Domingo/Luigi De Corato/Wladimiro Ganzarolli/Gwynne Howell/Chor Of The ROHCG
Luisa Miller: L'ara, O L'avello Apprestami - Verdi Domingo/Luigi De Corato/Wladimiro Ganzarolli/Gwynne Howell/Chor Of The ROHCG
Giovanna D'Arco: Il Re! - Nel Suo Bel Volto - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Giovanna D'Arco: Sotto Una Quercia Parvemi - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Giovanna D'Arco: V'ha Dunque Un Loco Simile - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Giovanna D'Arco: Pondo E Letal, Martiro - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Giovanna D'Arco: Di Novel Prodigio - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Giovanna D'Arco: Quale Piu Fido Amico - Verdi Domingo/Keith Erwen/Sherrill Milnes/Ambrosian Opr Chor
Les Vepres Siciliennes: E Di Monforte Il Cenno! - Verdi Domingo
Les Vepres Siciliennes: Giorno Di Pianto - Verdi Domingo
Les Vepres Siciliennes: Ah, Toi Que J'ai Cherie (Alternative Aria) - Verdi Domingo

Tracks:

Otello: Esultate! L'orgoglio Musulmano - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Tu?! Indietro! Fuggi! - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Ora E Per Sempre Addio - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Pace, Signor... Era La Notte, Cassio Dormia - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Oh! Mostruosa Colpa! - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Si, Pel Ciel Marmoreo Giuro! - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Dio! Mi Potevi Scagliar - Verdi Domingo/Sergei Leiferkus/Chor De L'Opr Bastille
Otello: Niun Mi Tema - Verdi Domingo/Robin Leggate/Mark Beesley/Roderick Earle
Macbeth: O Figli, O Figli Miei!... Ah, La Paterna Mano - Verdi Domingo/Antonio Savastano/Chor Del Teatro Alla Scala
Macbeth: Dove Siam? Che Bosco E Quello?... La Patria Tradita - Verdi Domingo/Antonio Savastano/Chor Del Teatro Alla Scala
Nabuco: Che Si Vuol?... Il Maledetto Non Ha Fratelli - Verdi Domingo/Chor Und Orch Der Deutschen Opr Berlin
Stiffelio: Non Ha Per Me Un Accento!... Vidi Dovunque Gemere... Ah! V'appare In Fronte Scritto - Verdi Domingo/Veronica Villaroel/Carlos Alvarez
Aroldo: Sotto Il Di Siria Ardente - Verdi Domingo/Marjorie Dix
Simon Boccanegra: O Inferno! Amelia Qui!... Sento Awampar Nell'anima... Cielo Pietoso - Verdi Domingo
La Battaglia Di Legnano: O Magnanima, E Prima Delle Citta Lombarde... La Pia Materna Mano - Verdi Domingo
Un Giorno Di Regno: Buoni Amici!... Pietoso Al Lungo Pianto - Verdi Domingo/Chor Of The Mariinsky Theatre
Un Giorno Di Regno: Deh, Lasciate A Un'alma Amante - Verdi Domingo/Chor Of The Mariinsky Theatre
Attila: Oh, Tutto Di Navicelle - Verdi Domingo/Ambrosian Opr Chor
Attila: Ella In Poter Del Barbaro!.... Cara Patria, Gia Madre E Reina - Verdi Domingo/Ambrosian Opr Chor
Attila: Qui Del Convegno E Il Loco - Verdi Domingo/Eric Cutler
Attila: Che Non Avrebbe Il Misero - Verdi Domingo/Eric Cutler
Attila: O Dolore! Ed Io Vivea (Alternative Aria) - Verdi Domingo/Eric Cutler

Tracks:

I Due Foscari: Qui Ti Rimani Alquanto - Verdi Domingo
I Due Foscari: Dal Piu Remoto Esilio - Verdi Domingo
I Due Foscari: Del Consiglio Alla Presenza Vieni Tosto... Odio Solo, Ed Odio Atroce - Verdi Domingo
I Due Foscari: Si, Io Sento, Iddio Mi Chiama (Alternative Cabaletta) - Verdi Domingo
I Due Foscari: Notte, Perpetua Notte - Verdi Domingo
I Due Foscari: Non Maledirmi, O Prode - Verdi Domingo
I Masnadieri: Quando Io Leggo In Plutarco - Verdi Domingo/Eduardo Valdes
I Masnadieri: O Mio Castel Paterno - Verdi Domingo/Eduardo Valdes
I Masnadieri: Ecco Un Foglio - Verdi Domingo/Eduardo Valdes
I Masnadieri: Nell'argilla Maledetta - Verdi Domingo/Eduardo Valdes
I Masnadieri: Come Splendido E Grande Il Sol Tramonta!... Di Ladroni Attorniato - Verdi Domingo/Eduardo Valdes
Il Corsaro: Come Liberi Volano I Venti... Tutto Parea Sorridere - Verdi Domingo/James Courtney/Chor Of The Mariinsky Theatre
Il Corsaro: Si: De' Corsari Il Fulmine - Verdi Domingo/James Courtney/Chor Of The Mariinsky Theatre
Il Corsaro: Eccomi Prigioniero! - Verdi Domingo/James Courtney/Chor Of The Mariinsky Theatre
Falstaff: Dal Labbro Il Canto Estasiato Vola - Verdi Domingo
Oberto, Conte Di San Bonifacio: Son Fra Voi!... Gia Parmi Udire Il Fremito - Verdi Domingo/Chor Of The Mariinsky Theatre
Oberto, Conte Di San Bonifacio: Ciel, Che Feci! Di Qual Sangue Ho Macchiato Il Brando Mio! - Verdi Domingo
Alzira: A Costoro Quel Nume Perdoni - Verdi Domingo/Alfred Walker/Eduardo Valdes/Chor Of The Mariinsky Theatre
Alzira: Un Inca... Eccesso Orribile!... Dio Della Guerra - Verdi Domingo/Alfred Walker/Eduardo Valdes/Chor Of The Mariinsky Theatre
Alzira: Amici! - Ebben? - Verdi Domingo/Thomas Hampson/Philharmonia Chor
Alzira: Irne Lungi Ancor Dovrei... Non Di Codarde Lagrime - Verdi Domingo/Thomas Hampson/Philharmonia Chor
Messa Da Requiem: Ingemisco Tamquam Reus - Verdi Domingo

Amazon.com

There is only one word for this four-CD set: glorious. Released to commemorate the 100th anniversary of Verdi's death, it presents arias from every one of his 28 operas, a comprehensive overview of his work. It is also a tribute to Placido Domingo, one of his foremost present-day interpreters. An extraordinarily versatile artist, Domingo is heard in selections from his signature roles, like Otello, Radames, and Don Carlo, taken from recordings made between the 1960s and the '90s. He's also heard in new recordings of arias from the earliest, unfamiliar operas he has not performed on stage, and alternate arias Verdi wrote for different versions of his operas. Thus, he sings I Lombardi in Italian, Jérusalem in French, and Don Carlo and I Vespri Siciliani in Italian and French.

There are also extended scenes with illustrious colleagues, including Leontyne Price, Katia Ricciarelli, Nicolai Ghiaurov, and Sergei Leiferkus, whose Iago is an exquisitely insidious villain. He is accompanied by the greatest orchestras and conductors. For the new recordings, his partners are Myung-Whun Chung and Valery Gergiev, whose Mariinsky Theater musicians contribute some beautiful string solos. The matchless beauty of Domingo's voice seems untouched by the years, and he can change and vary it to suit the musical and dramatic requirements. His top notes never lose their clarion ring, yet the final B-flat of "Celeste Aida" tapers off, as Verdi demands. Even more remarkable, he can create real characters. Even without the texts, the mood, emotion, and meaning always come through. In this incomparable treasure trove, all opera lovers will find their own favorites, and many new gems besides, all performed to utter perfection. --Edith Eisler

Customer Reviews:

Verdi singing to set the standard for all tenors.......2007-03-03

Placido Domingo's magnificent voice scarcely needs any introduction or praise or comments, as it is a splendid vehicle that speaks for itself. Not only is the voice - a strong, wood-grained, ringing tenor of a richer and darker sound than a pure lyric tenor - an amazing thing, a gift of God, but Domingo is himself a master of the technical demands of music (in addition to being a master of the technical demands of singing - not the same thing at all!) and a truly great singing artist.

That is, he is never content to sing without becoming the character, without expressing the emotions of the character.

The size, colour and drama of the voice make him an ideal Verdi exponent. Who could ever forget his magnificent performances in "Un ballo", "Don Carlos", "La Traviata", "Il Trovatore", and a host of other Verdi tenor roles? And the consistency of Domingo's vocal quality is something of a phenomenon. This man has had an enviable career - and it's his superb vocal technique that has carried him through it.

I particularly love the way that he varies the outpourings of that golden tone. At one moment it's all fire and blazing intensity, and the next it's a thing of restraint and tenderness. Is there anything at which to cavil in Domingo as a Verdi tenor? I do not think so...

The world has been fortunate to be gifted with such a tenor. If music itself adds meaning to our life and to existence itself, it finds an ideal servant of itself in this man who is certainly one of the finest tenors in the world.

This collection of Verdi arias represents not only the recordings of Domingo in the roles he's tackled during his long career (with some of the finest fellow singers you could imagine), but also some earlier Verdi that he'd not performed, and which he recorded specially for this multi-CD set. The result is a triumph. One can see the difference instantly between various characters - not an easy thing to do.

I would also like to recommend another set - "Der junge Domingo" (The Young Domingo), a 5-CD set released by BMG. I cannot find it here on Amazon, so I can only suggest those who are interested try alternative sources. It's a quite stunning collection - admittedly it contains "Svegliatevi nel cor" which I think is a mistake, but then it was recorded before the Handel revival and was thus less historically informed than one might wish. But really... it doesn't matter. The great beauty and intelligence of Domingo's singing shines through even that, and it's followed by a lovely "Il mio tesoro" from Mozart's Don Giovanni. Things get even better - there's a Donizetti aria from Il Duca d'Alba, the famous tenor aria from La Juive, the "Quando le sere al placido" from Luisa Miller, Lenski's aria from Eugene Onegin, some Gounod (including arias from Faust and Roméo et Juliette), the love duet from Madama Butterfly with Leontyne Price, and much more...

The Greatest Verdi Tenor The Wonderful Mr. Domingo.......2005-09-28

This is Placido Domingo's best recording to date. His greatest and strongest repertoire was Verdi, as he himself claimed, and this recording is a lovely tribute to Verdi himself. A plethora of arias from such operas as La Traviata, Il Trovatore, Aida, Don Carlos, Otello and such earlier works like Il Foscari, Jersualem, Nabucco, Stiffelio and Ernani. In Placido Domingo, the opera scene found the heir to Enrico Caruso and successor to Franco Corelli. Originally trained as a baritone, Domingo had opera in his blood. His Spanish-born parents were Zarzuela singers. Placido's voice is dark, rich, full lyric, but dramatic and compelling, the perfect voice for Verdi and Puccini. Domingo mastered a number of operatic languages including French, German and Russian. His charisma, good looks and dramatic prowess was all to his credit and he appeared in Zefferelli movies (Traviata in 82 and Otello in 86. Many detractors and critics have taken a while to praise Domingo, and it wasnt until he sang Wagner that they came around. He has always been "outshined" by Pavoratti with whom he had a real rivalry with. But unlike Pavoratti, Domingo has more dramatic integrity in his characterizations and is the more cerebral singer. His voice is more beautiful, less brassy than the overweight showy Pavoratti. This is his best recording and I urge all fans to own it at once.

Magnificent Achievement.......2002-12-27

This set is a recorded testimony to both Verdi's genius and Placido Domingo's versatility. Through 70's, 80's, and 90's, Domingo recorded with three major labels -- DG, RCA, and EMI. Out of these three, DG captured the most Verdi recordings, so it only was right for it to combine what they already had with newly recorded material, mostly early Verdi arias (Chung & Gergiev conducting), plus some licensed material (e.g. Giovanna D'Arco) from EMI.
What impresses right away is how little has the voice changed over the years. Yes, some freshness heard on Ingemisco is lost now, but there is much greater insight gained, as displayed in such heroic pieces as "O magnanima, e prima delle città lombarde". Through numerous performances (Domingo has long ago broke Enrico Caruso's record for opening nights at the MET) and numerous recorded recitals, Domingo managed to keep the powerful, ringing spinto tenor mostly intact. What's most intriguing is HOW did he manage it. He did not pick and choose the roles (as Bergonzi, for instance), he sang Otello since the 70's, and recently has even recorded some of Wagner's extremely demanding roles (see EMI's catalog). Domingo's voice is not typical for an Italian tenor, e.g. he does not have the squillo (or the "ping") on top notes, but what's amazing is that it is able to produce bronze-like ring on all notes. During the mid-eighties, the voice had a fascinating baritonal quality; Domingo has even recorded Il Barbiere. On this CD, the selections with Guilini reflect that period the best.
Deutsche Grammophon chose to alternate the new-recorded material with old one. As a result, those who have been devoted fans of the tenor for, say fifteen-plus years, will notice some difference, but those relatively new to his art would not.
The set, albeit not a bargain, has many delights. In addition to featuring selections from out-of-print editions (e.g. Luisa Miller with Maazel) the newly recorded material is targeted at paying homage to early Verdi and his lesser-known works. For instance, "Ah, toi que j'ai chérie" from French version of I Vespri siciliani is a great aria, makes one wish for a complete opera to be recorded some time soon. The French selections in particular show how attentive Verdi was to highlighting the beauty of language with his music. This really explains why Italian translations done later did not fare as well as the originals, and vice versa.
The selections from complete operas impress with starry casts. We hear the voices of Price, Cappuccilli, Ghiaurov, Milnes, Jo, and most wonderful choruses. And most of world's greatest conductors are present here -- Karajan, Gergiev, Kleiber, Levine, Abbado, just to name a few. Each brings his own distinct style, some controversial, some debated, all exciting, but none simply conventional.
Many have noted Domingo's chameleon-like ability to "become" the character. I would just like to add a note that he is now added the ability to infuse his characters with subtle sensuality. Granted, a tenor aria is written to be appealing and engaging, but it takes a great artist to make it "glow."
We are indeed very lucky to share a time frame with Placido Domingo. For years to come, he will be the idol for aspiring singers and a source of wonder for the numerous fans of great vocal performances.

VOICE.......2002-09-10

What a voice and what a power. Here we have a combination of a beautiful music and a perfect voice. What else would you need to enjoy it.

superb, exhilarating, outstanding!!!!!.......2002-02-10

Pure,absolute satisfaction!That's the onlypossible feeling I could possible have after having listened and cherished this fabulous set of CD's. It is a tribute to this magnificent master of fine singing,as well as a monumental homage to the mythical Giuseppe Verdi!Placido Domingo is the perfect, harmonious combination of acting, passion and singing. He is always powerful and crystal clear in his high notes. Maestro Domingo knows every time where and when to adjust his divine voice in the appropriate tone and volume.He is never too loud(too forte!) or too low, and never croons. Although there are some trivial flaws as far as the sound quality of specific tracks is concerned e.g. the last high note from "O mio rimorso!", this CD-set is a real tresure and an excellent value for money for anyone who wishes to call oneself a "real VERDI - addict" as well as a fan of this glorious artist, a dramatic, a heroic,a lyric,a mature,a perfect singer. HAIL PLACIDO DOMINGO, TENOR OF THE TENORS!

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