Gypsy Soul

1. Czardasz

2. Tiger's Gate

3. Seven Mad Gypsies

4. Coyote

5. Szombathely Jig

6. Hoedown

7. Bohemian

8. What It Is

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Rattle And Burn - Jesse Cook
Luna De Fiesta - Jose Luis Encinas
Heat Of The Sun - Strunz And Farah
Obsession Confession - Slash
Driving 2 Madrid (B4 The Storm) - Ottmar Liebert
Fire And Fury (Fuego Y Furia) - Oscar Lopez
Zyryab - Paco De Lucia
Mi Amor - Armik
Gloria Bendita - Chuscales
Mi Carmen - Miguel De La Bastide
Duende - Bozzio Levin Stevens
Ritmos De Valarta - Benedetti And Svoboda
Malaguena - Ruben Romero
Mediterranean Sundance - Al Di Meola

Customer Reviews:

It's worth buying.......2007-03-08

I bought this CD for the Slash piece that is included. I liked each and every piece in this CD, and the only reason it gets 4 stars rather than 5 is because all pieces are quite similar. There are no significant variations in the mood or sound between them, so it can get a tiny bit boring by the time you reach the end of it. Great for background music.

Rare compilation of great music.......2007-01-11

The disk is packed with great music, some of which is genuinely rare to find (such as Slash of Guns'n'Roses playing Obsession Confession), and others might serve as a good introduction to well-established artists (such as Jesse Cook, or Armik)

The disc's cover art is a masterpiece in its own right, and is a great introduction to the works of painter, dancer and a great man...
(find out who this man is when you get the disc in your hands!!!)

I believe the disc to be a limited edition thing - I don't think they continually produce it - so hurry up!

Gypsy Soul.......2006-11-06

I needed "world" music for a class I am taking. My kids had been playing Slash's(Guns & Roses)Obsession Confession, so I figured at least for me, this would be a somewhat painless foray into the unknown.

This album is breathtaking. The music is passionate and emotional. I find it difficult to stop listening, and the more I listen the more involved I become. Each time I play this album I hear something different, and my favorites change regularly.

The artists are obviously masters. There is none of that squealing and screeching on the strings that one hears so often on guitar work.

I guess the best thing I can say is that each song takes you on a journey and the listener can write their own story.

If this is your first listen to this genre, Gypsy Soul is a perfect choice.

Great music, no matter what you call it!.......2006-03-07

As I understand it, some purists would not call this Flamenco music of any kind, but it is wonderful and energizing to listen to nonetheless. The level of virtuosity on guitar displayed on this album is really incredible, and the delightful variety of songs is really nice. As a degreed musician and professional harpist, I have a tremendous respect for the level of musicianship demonstrated on this album. This is my first sampling of "New Flamenco" music, but it certainly will not be my last. A big plus for me is that it is all instrumental, so I'm not tempted to sing along, much to the relief of my fellow bus riders and coworkers!

Gypsy Soul is OK.......2006-02-27

I have other gypsy/flamenco CDs, and purchased this one based on some other reviewers comments (on the other CDs). I prefer the CD Gypsy Passion over this one by a wide margin.

Jane Eyre, the Musical (Original 2000 Broadway Cast)

Average customer rating:

Great Buy!
Perfect Match
Probably the most beautiful musical of all time
Beautiful!
A good musical

Jane Eyre, the Musical (Original 2000 Broadway Cast)
John Caird
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Little Women The Musical (2005 Original Broadway Cast)
The Scarlet Pimpernel: The New Musical Adventure - Original Broadway Cast Recording
The Secret Garden (1991 Original Broadway Cast)
The Light in the Piazza (2005 Original Broadway Cast)
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B000051Y31
Release Date: 2000-11-21

Tracks:

The Orphan
Children of God
Forgiveness
The Graveyard
Sweet Liberty
Secrets of the House
Act One: Perfectly Nice
Act One: As Good As You
Secret Soul
Finer Things
The Pledge
Sirens
Things Beyond This Earth
Painting Her Portrait
In the Light of the Virgin Morning
The Gypsy
The Proposal
Slip of a Girl
Sirens (Reprise)
Farewell, Good Angel
My Maker
Rain
The Voice Across the Moors
Poor Sister
Brave Enough for Love

Amazon.com

Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Brontë's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misérables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Brontë's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.

Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.

The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resumé includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May

Customer Reviews:

Great Buy!.......2007-06-08

Not only was this CD super cheap, it also arrived at my house 3 days later!

Perfect Match.......2007-03-16

The music in this album really gave me the feeling of reading the book. I think the songs were well chosen and well written, except of course for the songs sung by Mrs. Fairfax... I could have done without those. Jane and Mr. Rochester's songs carry the story well and they sound lovely. For any musical lover, or romance fan I definitely recommend this album.

Probably the most beautiful musical of all time.......2007-02-16

This is a hidden gem and if you buy it and listen to it, I don't see how you can not love it. I have bought many, many Broadway cast albums but I still am a popster at heart. With all that said, this is a cast album that soars above the crowd.

I bought this several years ago and have listened to it repeatedly since I got it. Why do I love it so much? First of all, the lyrics are full of heart and emotion and tell the story ably. But it is the music and the performances that are truly remarkable here. The melodies are memorable and absolutely exquisite. The orchestration is lush but not sappy. The performances by the two leads are nothing less than stunning.

I never get bored with this wonderful cast album and it is very, very highly recommended.

Beautiful!.......2007-01-28

I listen to this soundtrack all the time and I never get tired of the songs. If Charlotte Bronte story was written as a musical, then this would definitely be it.

A good musical.......2006-07-20

if you like old-fashioned romantic stuff, this one's for you. Some songs are very inspired, the music is,for the most part, quite beautiful, and the story line keeps the essence of the Bronte novel. I heard this right after "Wuthering Heights: the musical", which is quite good, yet this is superior. Give it a try and you might be nicely surprised. I would highly recommend it to the ones who know the novel and to English Literature students: it offers a different and interesting approach to the novel.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
Broadway: The American Musical
Broadway - The American Musical (PBS Series)
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Gypsy Jazz lives

Gypsy in My Soul
Connie Evingson
Manufacturer: Minnehaha Music
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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Some Cats Know
Stockholm Sweetnin'
Fever: A Tribute to Peggy Lee
Let It Be Jazz: Connie Evingson Sings the Beatles
i have dreamed

ASIN: B0007CKALK
Release Date: 2004-12-03

Tracks:

Nature Boy
I'm Confessin'
Gypsy in My Soul
Nuages
Lover Come Back to Me
Lullaby of the Leaves
Until
April in Paris
Caravan
The Lonely One
Night and Day
You and the Night and the Music
Django's Premonition (Anouman)
I Cover the Waterfront
S'Wonderful / Dizzy Atmosphere

Amazon.com

With Gypsy in My Soul, Connie Evingson goes from cool Beatles to hot jazz. As a follow-up to her Let It Be Jazz, Evingson pays tribute to one of the most distinctive and wonderful sounds in jazz history, the French hot clubs of guitarist Django Reinhardt in the 1930s and '40s. Assisting her are three different bands, Parisota Hot Club and Clearwater Hot Club from her Minnesota home and Pearl Django from Seattle. All have the guitar-led sound just like Django Reinhardt, while Clearwater and Pearl Django add the violin that also helped make the Django sound distinctive (in his case, most famously by Stephane Grappelli). (Parisota substitutes a clarinet, which was a lesser-known aspect of the Django sound.) The groups' sound is also supplemented by accordion (Dan Chouinard and Patrick Harrison), vibes (Susan Pascal), and other instruments. Gypsy in My Soul isn't a note-by-note re-creation: Django didn't use vocals (Evingson provides lyrics to his "Anouman" music for "Django's Premonition" and she sings Susannah McCorkle's lyrics to his "Nuages"), and though he did perform American standards, those wouldn't have included Sting's "Until" or the Nat "King" Cole hit "Nature Boy." But it's a fun listen on its own terms, and might open up a new audience for Django. --David Horiuchi

Album Description

"Hot Club Swing" in the style of Django Reinhardt, with vocals! Jazz vocalist Connie Evingson sings with three different Hot Club groups: Pearl Django, Parisota Hot Club and Clearwater Hot Club. This CD features tunes typical of the genre ("Caravan", "Night and Day", "I'm Confessin"), Django originals ("Nuages", "Anouman"), and some unusual offerings by Sting ("Until") and Dizzy Gillespie ("Dizzy Atmosphere").

Customer Reviews:

Gypsy Jazz lives.......2005-11-07

Connie Evingson has never sounded better in this tasty collection of gypsy infused tunes. Backed by three different groups, this unapologitically romantic effort is full of infectious rhythms and solos. Whether it is a song aimed at the heart or the feet, Gypsy in my Soul will lift your spirits. Makes you want to grab your Gitanes and head for a late night cafe.

Average customer rating:

Great music should be recognized...
A journey worth taking...
Journey Gypsy Soul
An exciting discovery...
My JOURNEY ends here!

Journey
Gypsy Soul
Manufacturer: Punahele Productions
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Hawaii | Pacific Islands | International | Styles | Music

General | Celtic | International | Styles | Music
Similar Items:

Test of Time
Sanctuary
Superstition Highway
Sacred
All the Roadrunning

ASIN: B00006J3ZY
Release Date: 2002-10-08

Tracks:

Promises And Lies
One More Day
Who
True Love (Scarborough Fair)
Take Me Away
Won't Be Wronged
Letting You Go
Test Of Time
Talk To Me
The Snow, The Sea
The Journey (Instrumental)

Customer Reviews:

Great music should be recognized..........2002-12-30

Gypsy Soul has some of the best music I've ever heard when it comes to Celtic, Folk, Love songs, etc. Everybody should give them a listen, not only because of the great vocals but also because of the mood they set and put you in while listening to them! Give them a try!

A journey worth taking..........2002-11-19

Amazing! All the tracks on this album are noteworthy, but a few really stand out, in particular the opening track, Promises and Lies, and track #3, Who. This is music which makes you think, then carries you beyond thinking and into a much deeper place. The arrangements are exquisite and the vocals soar. Highly, highly recommend.

Journey Gypsy Soul.......2002-11-17

The journey CD is so cool. The best CD they have produced yet. I love it very much. Gypsy Soul is a great band.

An exciting discovery..........2002-11-12

There are bands whose music speaks to the head banging animal, clawing its way up from the darkness, within us all. Then there are musicians whose music speaks to our emotions, eliciting tears of joy and sadness. And then, there are artists whose music passes through the sublime and speaks directly to our souls. These are such artists. Once you experience their gifts of the soul, you will be forever changed, and better for the journey.

My JOURNEY ends here!.......2002-11-05

Ok I am here! I have arrived at my destination! I have heard one of the best cd's that I have ever heard! Gypsy Soul is just the best. As I sat listening to this beautiful cd I felt peace, love, joy, sadness, longing and some of the best music that is available today! Cilette's voice is THE BEST female voice in the music industry today. I mean it.....after you listen to her sing, tell me who can you think of that is better? Roman is a MASTER on the guitar & bass! I think this is a must purchase for anyone who is into music!

Average customer rating:

This was heck a show, and the CD is as close as we can get to it!
Steel Shirley
a great recording from a great star
Shirley's Personality Shines
Remember you? As if we ever forgot!

Live at the Palace
Shirley Maclaine
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Miss Bette Davis
Ethel Merman Disco Album
Broadway's Lost Treasures III - The Best of the Tony Awards
Liza with a "Z" - A Concert for Television (Collector's Edition)
Legally Blonde (2007 Original Broadway Cast)

ASIN: B000063NDF
Release Date: 2002-04-23

Tracks:

If My Friends Could See Me Now
My Personal Property
Remember Me?
Big Spender
Irma La Douce
I'm a Person Too
The Gypsy in My Soul
It's Not Where You Start
Every Little Movement (Has a Meaning All Its Own)
The Donkey Serenade (Hustle)
She's a Star (La Chanteuse a Vingt Ans)
I'm a Brass Band
If My Friends Could See Me Now (finale)

Customer Reviews:

This was heck a show, and the CD is as close as we can get to it!.......2006-02-20

We went to Shirley M.'s live show about 20 years ago and tremendously enjoyed ourselves. Around then we purchased the disk that we played numerous times. With the change from longplay discs to CD's the disc ended up where they all do..in a box in the garage... Now the CD came out, I bought it and since played it 50 times...great show, great songs, great atmoshphere..

Steel Shirley.......2004-09-24

I encourage any fans of live performance artists and entertainers alike to add to this to your collection. Since seeing Shirley live these days is a rarity; this might be the closest we can get. Her stirring renditions of, "If My Friends Could See Me Now," & "She's a Star," get you going and you will be humming and singing them to yourself for a week! Shirley is an often forgotten "triple threat!" But she pulls out her triple threats and treats you to a unique trip into Shirley's world of song, dance, and acting. I also hope that DRG Records is able to put together a release of this show on DVD/VHS format or another of Shirley's live shows. I hope many people buy the live CD sending the message that Shirley is loved and that we want more! Shirley proves she is a seasoned pro and before she became a Steel Magnolia she proved her talent and grit on stage was solid as steel as well! Enjoy Shirley Maclaine Live At the Palace!

a great recording from a great star.......2003-02-08

This new reissue of Shirley MacLaine's album 'Live at the Palace' is a fantastic testimony to Ms MacLaine's musical talents (which aren't lauded nearly as much as her acting talents).

Ms MacLaine mounted her own solo show at the Palace Theatre in 1976, resulting in this live recording. She sings most of her numbers from the film version of SWEET CHARITY (in which she memorably starred) including "My Personal Property", "I'm a Brass Band" and "If My Friends Could See Me Now". She also sings the title song from IRMA LA DOUCE (although the film version is devoid of any musical moments), and delivers a reminisce of her favorite acting role - in 'Some Came Running' - before sliding into a rendition of "I'm a Person Too".

Ms MacLaine also talks about subbing for Carol Haney in the Broadway production of THE PAJAMA GAME, which catapulted her to stardom. It's obvious that dear Shirley is having a marvellous time here. I urge Broadway fans to snap this up; this is yet another lovely reissue from the good folks at DRG.

Shirley's Personality Shines.......2002-09-17

This album is a must for Shirley MacLaine fans! Her sparkling personality shines through each song she sings and each monologue she shares with the audience. One can only wish this dynamic performance was available on video.In my mind's eye I can almost see Shirley dancing as she performs at the Palace.

Remember you? As if we ever forgot!.......2002-05-22

The prejudice against Shirley MacLaine's performance in the 1969 film of "Sweet Charity" has always mystified me. Okay, so she wasn't Gwen Verdon - who was? She contributed, in a scene of almost unwatchable pain and desperation, one of the most shattering moments in post-war cinema. She was charming, sweetly funny, vulnerable and heart-breakingly hopeful. She sang with humor, gusto, and intense, if delicate, emotion. And she danced the hell out of those great, knock-knee'd Bob Fosse numbers. If her Charity isn't the finest performance in a movie musical since Judy Garland and James Mason slashed the heart in "A Star is Born," I don't know what is. All of what Shirley MacLaine can do best is in that movie, and in this great 1976 live recording. Parts of the extravaganza may feel a bit overdone, a touch self-conscious (if not downright self-congratulatory), and the often effective Cy Coleman arrangements may occasionally border on aggressive showbiz-iness. But Shirley MacLaine's electric gifts shine through. If she hasn't got you by the time she gets through her passionate, whirl-wind rendition of "She's a Star," you're probably beyond gettin'. So, now that Shirl is finally on CD ... Decca - where's that "Sweet Charity" soundtrack?

Average customer rating:

Beautiful Victor Herbert
Beautiful Victor Herbert
Beautiful Victor Herbert

Victor Herbert: The American Girl

Manufacturer: Arabesque Recordings
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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When I Grow Too Old to Dream
Victor Herbert: Columbus Suite/ Irish Rhapsody/ Auditorium Festival March
Herbert: L'encore
Victor Herbert: Souvenir
Victor Herbert: Beloved Songs and Classic Miniatures

ASIN: B000000T6L
Release Date: 1992-10-26

Tracks:

The American Girl Two-Step
The Princess Pat (Sels)
The Dream Girl (Sels)
Natoma (Sels)
A Kiss In The Dark from Orange Blossoms
A Love Sonnet
Inauguration March

Customer Reviews:

Beautiful Victor Herbert.......1999-05-19

This recording (Arabesque Z6561) is one of three CD recordings of Victor Herbert's music by Don Hunsberger and the Eastman School of music produced in the early 1980's. (The others are Arabesque Z6529 and Z6547) All are superbly recorded using the original orchestra arrangements from a composer who was gifted in the art of orchestration. We get a sampling of marches, selections from operettas, humor songs, and a selection from his opera Natoma. Teresa Ringholt sings with the orchestra on a few songs and her sweet soprano voice is perfect for the part. We need more of Victor Herbert's beautiful music to be discovered and performed in the way Herbert intended it to be performed. The authenic Victor Herbert may be the next discovery in the same way the authenic Scott Joplin has been discovered by the public.

Beautiful Victor Herbert.......1999-05-19

This (Arabesque Z6561) is one of three CD recordings of Victor Herbert's music by Don Hunsberger and the Eastman School of music produced in the early 1980's. (The others are Arabesque Z6529 and Z6547) All are superbly recorded using the original orchestra arrangements from a composer who was gifted in the art of orchestration. We get a sampling of marches, selections from operettas, humor songs, and a selection from his opera Natoma. Teresa Ringholt sings with the orchestra on a few songs and her sweet soprano voice is perfect for the part. We need more of Victor Herbert's beautiful music to be discoivered and performed in the way Herbert intended it to be performed. The authenic Victor Herbert may be the next discovery in the same way the authenic Scott Joplin has been discovered by the public.

Beautiful Victor Herbert.......1999-05-19

Hey Mr. Producer!: The Musical World of Cameron MacKintosh

Average customer rating:

Hey Mr. Producer!: The Musical World of Cameron MacKintosh
Martin Koch
Manufacturer: Polygram
ProductGroup: Music
Binding: Audio CD

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Soul | R&B | Styles | Music

Soul | Live Albums | R&B | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000023ZUQ
Release Date: 1998-08-25

Tracks:

We Said We Wouldn't Look Back [Salad Days] - Martin Koch
Cats Overture [From Cats] - Martin Koch
Food Glorious Food [From Oliver!] - Workhouse Children
Wouldn't It Be Loverly [From My Fair Lady] - Gillian Lynne, Liz Robertson, Company
Quit Professor Higgins [From My Fair Lady] - Company
Rain in Spain [From My Fair Lady] - Jonathan Pryce, Liz Robertson,
Get Me to the Church on Time [From My Fair Lady] - Peter Bayliss, , Company
I've Grown Accustomed to Her Face [From My Fair Lady] - Jonathan Pryce, Liz Robertson
Introduction (Show Medeley) - Julie Andrews
One Two Three [The Fix] - John Barrowman
Little Shop of Horrors - Wendy Mae Brown, Dawn Hope, Femi Taylor
Somewhere That's Green [Little Shop of Horrors] - Ellen Greene
Suddenly Seymour [Little Shop of Horrors] - Ellen Greene, Teddy Kempner
Day by Day [Godspell] - Company
I Get a Kick Out of You [From Anything Goes] - Laurie Holloway, Marian Montgomery,
Variations [Song and Dance] - Julian Lloyd Webber, , Company
Unexpected Song [Song and Dance] - Bernadette Peters
Nicer in Nice [The Boyfriend] - Jasna Ivir, Company
I Love a Lassie [Lauder] - Scottish Power Pipe Band
Five Guys Named Moe/Is You Is or Is You Ain't My Baby? [Five Guys ...] - Trent Armand Kendall, , , ,
Pick a Pocket or Two - Russ Abbot, , ,
As Long as He Needs Me [From Oliver!] - Sonia Swaby
Introduction - Julie Andrews
I'm Martin Guerre - David Campbell
How Many Tears? [Martin Guerre] - Maria Friedman
Heat Is on in Saigon [From Miss Saigon] - David Campbell, , Lea Salonga, Company
Wedding [From Miss Saigon]
Last Night of the World [From Miss Saigon] - David Campbell, Lea Salonga
This Is the Hour [From Miss Saigon] - Company
American Dream [From Miss Saigon] - Jonathan Pryce, Company

Tracks:

Phantom of the Opera [From The Phantom of the Opera] - Lisa Vroman, Colm Wilkinson
Music of the Night [From Phantom of the Opera] - Colm Wilkinson
Broadway Baby [Follies] - Maria Friedman, Julia McKenzie
Oh, What a Beautiful Morning [From Oklahoma!] - Hugh Jackman
Carousel Waltz/Ballet [From Carousel] - Dana Stackpole, Company
Porch Scene [From Carousel] - Hal Fowler, Barbara King, Joanna Riding, Dana Stackpole
You'll Never Walk Alone [From Carousel] - Joanna Riding, Company
Introduction - Ned Sherrin
Side by Side [Company] - David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin, Stephen Sondheim
You Could Drive a Person Crazy [Company] - Maria Friedman, Ruthie Henshall, Millicent Martin, Lea Salonga
Send in the Clowns (A Little Night Music) - Judi Dench
Losing My Mind [Follies] - Michael Ball
Being Alive [Company] - Bernadette Peters
You've Gotta Have a Gimmick [From Gypsy] - Michael Ball, Judi Dench, Maria Friedman, Ruthie Henshall, David Kernan, , Dean Martin, Julia McKenzie, Bernadette Peters
Introduction - Stephen Sondheim
Duelling Pianos - Andrew Lloyd Webber, Stephen Sondheim,
Poisoning Pigeons in the Park [Tom Foolery] - Tom Lehrer
Jellicle Songs [From Cats] - Brian Blessed, , Paul Nicholas, Company
Memory [From Cats] - Elaine Paige
At the End of the Day [From Les Miserables] - Company
Stars [From Les Miserables] - Philip Quast
Do You Hear the People Sing? [From Les Miserables] - Hal Fowler, Company
On My Own [From Les Miserables] - Lea Salonga
Bring Him Home [From Les Miserables] - Colm Wilkinson
One Day More [From Les Miserables] - Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Za
We Said We Wouldn't Look Back [From Les Miserables] - Cameron Mackintosh

Album Description

Subtitled the Musical Word of Cameron Mackintosh. Import only 56-track collection. A live recording at the Lyceum Theatre in London, in the presence of her majesty the Queen and HRH the Duke of Edinburgh. In aid of the Royal National Institute for the Blind and the combined theatrical charities. Universal.

Average customer rating:

ððð Bits and pieces of < < the Holy Grail >> ? ððð
Amazing Artistry, Ethereal Melodies, Lyrically Impeccable
True Talent.
Excellent!!! Definetly a hot CD
Outstanding vocals and guitar work.

Sanctuary
Gypsy Soul
Manufacturer: Off The Beaten Track
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

General | Celtic | International | Styles | Music

General | Rock | Styles | Music
Similar Items:

Journey
Test of Time
Superstition Highway
Sacred
A Winter Garden: Five Songs for the Season

ASIN: B000009CR6
Release Date: 1998-07-07

Tracks:

Can't Let This Go
Here & Now
Talk To Me
Epona's Thunder (Instrumental)
Crying Colours
In The Knowing Of You
Won't Be Wronged
Scream To Be Heard
Another Morning
Solace (Live)

Customer Reviews:

ððð Bits and pieces of < < the Holy Grail >> ? ððð.......2001-07-23

If I'd have to illustrate by a nickname this band known as Gypsy Soul, it'd probably be "the Holy Grail of the pop music bands of today". Roman Morykit, producer, is also the multi-instrument player responsible for most of the lovely melodies found on this album, 'Sanctuary'. And, you won't be surprised if I admit being enthralled by their music, a thing I am not enclined very often to; after all, I think there are not that many musicians these days that can compete with Gypsy Soul, or that could claim being on the same musical level.

It's a fact, Morykit's bass playing is done with splendour, his musical spirit further strenghtened by a "jazz attitude" which makes parts of his playing a near display of the virtuosis' approach. His soloist penchant adds subtleties and a little nuance of tones which "matches" the admirable voice of Cilette Swann. The guitar, with it's earthed folkish rhythms (Celtic in some tunes) is nothing but the natural complementary instrument to the vocals that unfold with a somewhat ravishing lust of textures. As a result, Morykit's music possesses sensitivity and freedom. These qualities are part of the success of the tunes found on 'Sanctuary' and on their other albums as well.

Personally, I've been struck when listening for the first time to Cilette Swann's fine voice; this singer and competent lyricist uses her voice as an instrument, with grace (in her case, this is more of the Guarnerius sort). Smoothness of the silk is counterbalanced by a powerful, soprano-like accents, a sheer vitality that is best evident on tracks such as the gorgeous "We can't let this go", one of their very best songs in my opinion. Never I've been aware of some shrieking - or disturbing - notes. In Gypsy Soul there are certainly some of the most beautiful vocals (lead and harmony) to happen in a non-classical music group.

The unavoidable comparisons would lead you to artists such as Sarah McLachlan, Tori Amos, The Corrs (for a Celtic similitude of character and "parenté de style"), but that is a risky task to try to compare apples with oranges - both are good but different. Gypsy Soul have their original sound and the quality of the recorded material (even the mp3!) is of a highly professional standard. The delicious tones and delicacy of the music, the intimate and contemplative passages, the vocals, are well-captured on the recordings.

Overall, what we have here is a great album by an obviously great band. The "commercial side" of some of the songs is honest rather than disturbing, and does not get in the way of the overall effect the music confidently produce. Highest recommendation.

Amazing Artistry, Ethereal Melodies, Lyrically Impeccable.......1999-03-14

I love this CD. I've been a huge fan of Gypsy Soul ever since I saw them perform live nearly a year ago in San Francisco. Their latest release, Sanctuary is one of my all-time favorite Cds. Gypsy Soul is undeniably an awesome band. Their music is comprised of incredibly touching lyrics, sung by the angelic-soulful voice of Cilette Swan, carefully balanced with the instrumentally flawless sounds crafted by the master of various instruments, Roman Morykit. As a result, every song on Sanctuary is BEAUTIFULLY moving. I can't imagine being without this CD, it spins constantly through my CD player. This is more than a recomendation, it is a declaration. Sanctuary is a neccessity in every music lover's collection.

True Talent........1999-03-13

I've been a fan of Gypsy Soul's music for about 3 years now and every time I see them perform live, they still continue to amaze me! SANCTUARY, their latest release is extraordinary. Cilette's transcendant vocals and Roman's phenomenal guitar work (and the other million instruments he experiments with!) creates the perfect balance between sheer beauty and driving intensity (good example: track #1 Can't Let This Go). Their sound is purely unique and this is definetly apparent after the first listen. If you can't experience Gypsy Soul's brilliant artistry and creative vibe at a live performance than you must experience SANCTUARY. It's the next best thing.

Note: If you've heard SANCTUARY, you will definetly want to check out their other releases TEST OF TIME and SACRED.

Excellent!!! Definetly a hot CD.......1999-02-08

Gypsy Souls sound is in one word "Amazing". Cilette and Roman are two of the most talented artists I've seen in along time. Listing to them perform live and for the first time was a experience I'll never forget. The music they produce is definetlly more than five stars , its a 10 in my books!!!

Outstanding vocals and guitar work........1998-12-17

Pleasantly surprised upon listening to this CD. Cilette Swan has got more emotion in her wide vocal range than what should given to one person. Additionaly the music is fresh, and the guitar work by Roman Morykit is wonderful. A "must have" CD!

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Lie to Me

Graun: Concertos and Chamber Music

From Vienna

Osteology

Good Luck [CD-single] [Import]

Healthy Beginnings

Gatto Panceri [Import]

Dreamz [CD-single] [Explicit Lyrics]

Final Vinal [Limited Edition] [Import]

For Your Love [Extra tracks] [Import] [Original recording remastered]

Gimme Fiction

Everybody Digs Bill Evans [Original recording remastered] [Import]

House Party 3 [Explicit Lyrics] [Soundtrack]

Reader's Digest Guide to Chopin (2 CD Box Set)

Power of Touch