En Concert [Live] [Import]

Disc: 1

1. Prologue [Instrumental]

2. Horloge

3. Plus Grandir

4. Sans Logique

5. Maman a Tort

6. Déshabillez-Moi

7. Puisque

8. Pourvu Qu'elles Soient Douces

9. Allan

Disc: 2

1. Quoi Je Sers

2. Sans Contrefaçon

3. Jardin de Vienne

4. Tristana

5. Ainsi Soit Je

6. Libertine

7. Mouvements de Lune, Pt. 1 [Partie I]

8. Je Voudrais Tant Que Tu Comprennes

9. Mouvements de Lune, Pt. 2 [Partie II]

Tracks:

Il Lamento Di Federico
O Paradis
Recondita Armonia - Luciano Pavarotti
Dein ist Mein Ganzes Herz
Rondine Al Nido - Luciano Pavarotti
Core 'ngrato
Torna A Surriento - Luciano Pavarotti
Granada
No Puede Ser
L'impovviso
E Lucevan Le Stelle
Nessun Dorma
Finale Medley: Maria - Tonight, 'O paese d' 'o sole, Cielito lINDO
Memory, Ochi tchorniye, Caminito
Mattinata ; Wien, Wien, Nur Du Allein, Amapola, 'O sole mio
Encore: 'O sole mio
Encore: Nessun Dorma

Amazon.com

Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner Bayer

Customer Reviews:

delivery went ok.......2006-11-14

the item was delivered to me on-time and with no problems. however,i was looking for a DVD and not a audio Cd. might be good to clearly differentiate when the product is being advertised or shown.

A knockout performance .......2006-05-28

Like so many of the reviewers here I am not an opera aficionado. But I sensed immediately the night I saw this concert on television that this was one of those 'remarkable' artistic events. Domingo and Pavarotti both have such strength and beauty in their voices that they overwhelm. Carreras adds flavor and enthusiasm.
One of the most remarkable music performances I have seen.

The night that started it all!.......2005-11-02

You can read the technical information about the contents of this CD above. That is not what this review is about. I became intrested in opera about 1 1/2 years ago because of happening upon Mario Lanza. Since then, I have experienced many great truly operatic voices, including the "King," Pavarotti.
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!

Great singing from the three tenors.......2005-06-23

This cd is a must-have for anyone interested in opera - or beautiful singing. And when you're at it - why don't buy the dvd from the concert? It will make you appreciate the cd even more.

First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.

I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.

As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!

At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.

All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!

Excellent. Like summer sunshine. manna from heaven!.......2004-05-28

This CD is terrific on so many levels. In celebration of one of the world's great sporting events - the World Cup of football (soccer to us stateside), three great tenors and one masterful conductor (Zubin Mehta) were brought together in one of the world's great cities - Rome -- for a special evening that we are blessed to have been able to listen to again and again.

The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.

The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!

The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.

Tracks:

Also Sprach Zarathustra (Sunrise) - R. Strauss
Mars (The Planets) - Holst
Overture 1812 - Tchaikovsky
Entry Of The Gladiadtors - Fucik
Sabre Dance - Khachaturian
Procession Of The Sardar - Ippolitov Ivanov
Night On Bald Mountain - Mussorgsky
Anvil Chor (II Trovatore) - Verdi
The Thunderer March - Sousa
Thunder & Lightening Polka - J. Strauss
Prelude To Act III : Lohengrin - Wagner
The Ride Of The Valkryies - Wagner
Montagues & Capulets (Romeo & Juliet Ballet Suite) - Prokofiev
The Storm: Symphony No. 6 In F Major, 'Pastorale' - Beethoven
Rondeau - Edward Carroll
Overture: Fireworks Music - Handel
March To The Scaffold: Symphonie Fantastique - Berlioz
LesToreadors - Bizet
William Tell Overture: Finale - Rossini
Revolutionary Study - Abbey Simon
Fanfare For The Common Man - Copland
Sym No. 1 'Titan' IV Sturmisch Bewegt (Excerpt) - Mahler
Augurs Of Spring From Rite Of Spring - Stravinsky
Russian Dance From Petrouchka - Stravinsky
The Great Gate At Kiev From Pictures At An Exhibition - Mussorgsky

Customer Reviews:

Good selection.......2005-10-02

I bought this CD to use in my classroom as listening examples. I'm not just a super big fan of some of the performances, but they are all good and for the price you can't beat it. That's why I gave it 5 stars. It's worth more than it costs by far.

thunderous applause.......2005-08-31

This is a who's-who of great pieces of music you have heard all of your life, and never knew the names and stories! I listened to it over and over in the car and had my own concert! A friend borrowed it to add music to his Home Movies and it was perfect!

Good Music at a Great Price.......2004-03-06

I bought this CD mostly for "Entry of the Gladiators," which everyone will recognize as classic circus music. The performance on this CD (by Erich Kunzel and the Cincinnati Pops) is the best available version of Entry of the Gladiators. The rest of the CD offers mostly excerpts of classical music.

You will like this!.......2004-02-19

I had purchased an abundance of the "Favorites" collection and some were better than others.

This CD is at the top of them all. They may be short, but not that short. Wondrous music.

I can almost guarantee that you will like this music.
Well worth the price!

Good for the novice.......2002-06-08

The recordings on this disc are pretty good. However, the editors selected only the *loud* parts, as indicated by the title. I was pretty disappointed to find that the pieces are, in many cases, edited to reflect the most famous themes, etc, instead of including the whole work. In general, I would recommend this to the classical music novice, or someone who wants to expand their knowledge of classical music in general. Those who already are familiar with these pieces will probably feel gypped.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Young Person's Guide to the Orchestra (Book & CD)
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The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Marche pour la ceremonie des Tures (Jean-Baptiste Lully)
Improvisations sur les folies d'Espagne (Marin Marais) - extraits
Prelude pour Mr. Vauquelin (Improvisation d'apres le Prelude en Sol mineur de Mr. de Sainte Colombe le fils)
Gavotte du Tendre (Mr. de Sainte Colombe)
Une jeune fillette (melodie populaire- arranged by Jordi Savall)
Les Pleurs (Mr. de Sainte Colombe) - solo version by Jordi Savall
Concert a deux violes " Le Retour" (Mr. de Sainte Colombe)
La Reveuse (Marin Marais) 4th book of Pieces de viole
Troisieme Lecon de Tenebres a 2 voix (Francois Couperin)
L'Arabesque (Marin Marais) 4th book of Pieces de viole
Fantaisie en Mi mineur (arranged by J. Savall d'apres Mr. de Sainte Colombe le fils)
Le Pleurs (Mr. de Sainte Colombe) version for 2 viols
Le Badinage (Marin Marais) 4th book of Pieces de viole
Tombeau pour Mr. de Sainte Colombe (Marin Marais)
Muzettes I-II (Marin Marais) 3rd book of Pieces de viole
Sonnerie de Ste. Genevieve du Mont-de- Paris (Marin Marais)

Album Details

The Original Motion Picture Soundtrack to the Film by Jordi Savall.

Customer Reviews:

Beware - this is NOT the right version!.......2007-07-07

This is a fantastic CD and all, but as of July '07, what they're shipping is not the "10 Years After" (Dix Ans Apres) version, which includes a bonus disc and has all 33 pieces listed on this page. I got a single 16-song disc, the same one I bought 3 or 4 years ago. Buyer beware.

Disc one is great....disc two doesn't exist...beware.......2007-07-05

I have the original 16-track version of this recording and couldn't agree more with the glowing comments left by others. However, this listing is somewhat misleading as the reviews mention that it is a newer release with a bonus disc containing 17 extra tracks. Since other reviews and the Alia Vox website itself mention that such a thing exists, I went ahead and ordered it, only to receive the same single disc version I already had. Amazon tells me the double one isn't available, so beware.

It's still great music though.

Hauntingly Beautiful.......2006-06-11

I was introduced to this utterly, utterly gorgeous soundtrack via a "friend of a friend", to whom I am eternally grateful. I listened to this on cassette tape too many times to count. The music is hauntingly beautiful and atmospheric, dark and moody, tragic and deep. This is music from the Baroque period but nothing like Bach, or Purcell, or Handel.

Vive Savall and M. Sainte Colombe .......2006-04-27

I saw the film and was enthralled by the portrayals of Sainte Colombe and Marin Marais. (Depardu was superb as always.) Some reviewers thought the film dull or tedious. I suppose in today's film culture where there is so much action without much substance there are those who would concur. I thought is was an excellent study of the characters and the music, which is rarity even in films about musicians.

French Baroque Performed by The Absolute Master of the Viola Da Gamba.......2005-10-09

In addition to French Baroque being generally and wrongly relegated to secondary status compared to Italian or German Baroque, there are probably less than 200 professional players who specialize in the viola da gamba as an instrument which was used mostly by French Baroque composers. Out of those few 200 performers, Jordi Savall is the undisputed master of his craft not only in performing French Baroque but really any Baroque piece for the viola da gamba. This soundtrack is a fine example on the diversity and depth of not only the viola's range but on works of various composers during the French Baroque period: especially the works of Marais and Sainte-Colombe. This album is also a great sample of the simply exemplary talent of Jordi Savall as a violist.

The double album primarily contains solos or duets for viola da gamba by Marais and Sainte-Colombe but has pieces by other contemporaries such as Lully. This album is a great sample of the variety of works and composers of the unique French Baroque tradition that continued to use the viola while other musical styles in Europe had virtually abandoned it for the cello. The viola da gamba has a lot more range, depth, and resonance than the cello and so the music is moodier and more contemplative than cello works such as Bach's magnificent cello suites. Solo music for viola from the French Baroque also allows freer interpretation than conventional compositions for orchestra or other chamber pieces. The jewel in this album is Marais' haunting but divine Sonnerie de Ste-Genevieve in which the dynamics of the violas and violins are truly a spiritual voyage into one's soul; at points serenely docile to demonically ferocious as if phantasms both luring and forbidding the listener to follow. The intricate complexity and resonance of this exquisite piece makes it one of the most spiritually moving Baroque sonet variations I have ever heard and it's one of my personal favorites. Both Marais and Sainte-Colombe were probably the pinnacle of achievement in terms of expressive techniques for the viola da gamba during the French Baroque period while later contemporaries such as Forqueray and Couperin became more formulaic although no less accomplished.

Jordi Savall has many priceless performances apart from this soundtrack and he is really the only competent artist for both viola da gamba specifically and primarily all French Baroque interpretations. There are no other viola players who can even compare to Savall as they really sound as little else than amateurs in comparison to his applied skills and passion of playing. I strongly recommend for anyone looking for music for viola da gamba or really any French Baroque to buy Savall/Le Concert Des Nations' performances exclusively as there's simply nothing else to look for or find that's in his caliber. Apart from a few other performnances by groups such as Les Arts Florissants, I guarantee you that the performances of all others in this style will rise to no further than being mediocre at best such as Harncourt or even Koopman who often plays with Savall. Most other viola performers quickly descend to atrocious standards in comparison to those of Savall. Even though Savall's recordings tend to be on the more expensive side, he's worth every penny take my word for it: you won't regret it! What you will regret is having bought a mediocre viola peformance after you hear Savall's as the differences will be very significant.

Average customer rating:

LETTER PERFECT CLASS(ICAL) ACT!
Great Tracks -- Great Value -- Great Book, Who Can Complain?
At this price, how can one complain?

A to Z of Classical Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

$9.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

The Arts: World Themes
A - Z of Opera (includes 762 page booklet)
Walden and Other Writings
Twentieth-Century World History
Leisure The Basis Of Culture

ASIN: B00004YYRT
Release Date: 2000-10-17

Tracks:

De Profundis - Nova Schola Gregoriana
Alleluia - O Virga Mediatrix - Oxford Camerata
Gloria - Oxford Camerata
Pavane - Red Byrd
Canon - Capella Istropolitana
Vivace - Grave - Capella Istropolitana
Prelude - Laurence Cummings
Allegro - Takako Nishizaki
Adagio - Miroslav Kejmar
Air On The G String - Capella Istropolitana
Hallelujah Chorus - Scholars Baroque Ensemble
Menuetto: Allegretto - Capella Istropolitana
Andante - Failoni Orchestra
Allegro - Capella Istropolitana
Adagio - Jeno Jando
Andante - Ernst Ottensamer
Quis Est Homo - Hungarian State Opera Chorus

Tracks:

Ave Maria - Ingrid Kertesi
Un Bal - Pinchas Steinberg
Wedding March - Slovak Philharmonic Orchestra
Minute Waltz - Idil Biret
Larghetto - Alexander Rahbari
Ride Of The Valkyries - Uwe Mund
Prelude - Alexander Rahbari
Hungarian Dance No.3 - Budapest Symphony
Scene - Ondrej Lenard
Slavonic Dance No.1 - Balazs Szokolay
Nimrod - Bournemouth Symphony Orchestra
Clair De Lune - Keith Clark
Also Sprach Zarathustra (Opening) - Slovak Philharmonic Orchestra
Prelude In C Sharp Minor - Idil Biret
Fountain Of The Villa Medici At Sunset - Royal Philharmonic Orchestra
Overture - Bournemouth Sinfonietta
O Fortuna - Slovak Philharmonic Chorus
Playful Pizzicato - Bournemouth Sinfonietta
Violin Concerto - Adele Anthony

Amazon.com

Is it a two-CD set with a particularly thick booklet, or a 562-page book with a compilation album attached? Either way, the unpretentious text by Keith Anderson offers an introduction to the lives and works of dozens of composers, together with recommended recordings from the Naxos and Marco Polo catalogs. Anderson includes a useful 59-page glossary of musical terms and an extensive listing of classical pieces used in films. The odd thing about the 36 extracts and complete pieces on the CDs is that they do not form an A-to-Z at all. Rather, they are arranged chronologically, from 1,000-year-old Gregorian chant to the opening movement of contemporary composer Philip Glass's Violin Concerto. Between these two points is the early music of Palestrina and Byrd; the Baroque glories of Vivaldi and Bach; the 19th-century Romantic masters, from Beethoven to Tchaikovsky; and such 20th-century greats as Rachmaninov and Stravinsky. Opera, song, and chamber music are barely represented, but only so much can fit into 151 minutes. Essentially a deluxe sampler of the vast Naxos catalogue, the discs offer a good introduction to some of the most famous and melodic music ever composed, while the book will be very useful to newcomers to the potentially confusing world of classical music. --Gary S. Dalkin

Album Description

A-Z of Classical Music is a remarkable 562-page, illustrated bok, detailing the lives of all the great composers as well as many less known, but equally fascinating, musical masters. Like the Naxos range of recording itself, A-Z of Classical Music is a rich source of inspiration for anyone either just embarking on a lifetime of musical enjoyment or for whom classical music has long been a way of life. Included within is an extensive glossary of musical terms plus a unique guide to classical music used in acclaimed films. Two-and-a-half hours of the finest music from across the centuries are contained in the accompanying CDs.

Customer Reviews:

LETTER PERFECT CLASS(ICAL) ACT!.......2003-01-19

It's only natural we sometimes hit the high seas....make that Cs. This is one box set about which we sing praises. This set features more than two hours of the finest music from across the centuries by such composers as Schubert, Chopin, Mozart, Handel, Stravinsky and Glass. The set also comes with a 562-page illustrated book, detailing the lives of hundreds of composers, a
glossary of musical terms and a unique guide to the classical music used in 360 top films.

Great Tracks -- Great Value -- Great Book, Who Can Complain?.......2002-08-30

Naxos is a fabulous label -- you will not get samples of the best classical music through the ages at no better price. These tracks are as good as any of the over-priced major orchestras and in some cases better. This is a great starter set for a beginner or anyone who just wants to "taste" the classics. If you prefer Opera I would suggest the A to Z of Opera -- most of the tracks on A to Z Classical are orchestral. I was so impressed with this collection that I purchased the Discover the Classics Vol's 1-3 which will give you a more detailed look at the great classics. Take a look at the Naxos web site at NAXOSUSA.COM -- what you will see will blow your mind -- there are literally thousands of pieces that you could listen too!

At this price, how can one complain?.......2001-09-30

This is pretty much a CD version of a mini-Naxos and Marco Polo catalog. All the pieces and extracts are ordered chronologically on the 2 CDs and are of very acceptable quality, but don't expect excellence in every track. Personally, I was particularly disappointed with one of my favourite Pachelbel pieces. The Naxos Canon & Gigue lacks all the emotion of my favourite versions.

Still, any possible weaker performances are of little importance after you get your hands on the fat booklet with over 500 pages. The booklet offers a short intro about the great composers, a glossary of musical terms, a list of works used in films and dozens of illustrations of several composers.

Overall, at this price, this is a must-have pack for any beginner, and might be useful for the occasion "quick check" of the work of many composers. Do not expect many detail, nor references to all the works of some composers; I often got frustrated with the lack of detail in some cases, but in general, the booklet is very effective for a quick reference.
You will need more titles that offer more complete information, and you won't truly learn to love classical music just by reading it, but it is small and compact.

It really puzzles me why Naxos did not include a full index of composers, a serious omission. To find a particular composer you will have to look for it yourself in over 500 pages. Also, the separation of the text is not so good, making the search even a bit slower. The lack of the index is truly annoying and I am sure it will be corrected in future editions.

Even with a few weaker pieces and the lack of the index, at this price, there isn't much to argue about. This is truly a bargain that you should not miss. I would also recommend the A-Z of Opera, which offers a bigger booklet with over 700 pages, focusing on opera works and mentioning several composers that are absent from the A-Z of Classical. That other booklet has a very complete index, and much clearer text layout and separation, that's the way both booklets should have been designed.

Tracks:

Ouverture
Scene Funebre
Air Tendre
Tambourins I & II
Air Tendre Pour Les Muses
Contredanse
Air Gracieux
Gavottes I & II
Orage
Prelude
La Poule
Musette
Ritournelle
Riguadons I & II
Danse Des Sauvages
Entre De Polymnie
Chaconne

Customer Reviews:

Outstanding and different Rameau.......2007-07-31

I am not sure if Minkowski put more his strong personality on it, it sounds with colorful voice around and looks so individually. However, it doesn't mean I don't like it. By contraries, it's so beautiful for me to forget any doubt its original. I must pick up to describe, the *Les Boréades (Abaris), tragédie en musique*, its tempo is slower than other version, but so romantic to attract me to listen again and again. Besides, Minkowski shows strong rhythm expression, to listeners enjoy a good experience of Rameau. I put it into the one of my best collection.

Love it!.......2006-11-10

Love it, love it, love it. Have not stopped playing it since it arrived and haven't gotten sick of it yet either. I bought it because I heard just one track briefly on the radio - bit of a gamble but it paid off. Great to drive to! Love the fast violin playing and the french horns. Rameau was one cool dude. Can't wait to share it with my dad. Am even wondering if I could wire the garage for sound so we can listen to Rameau while working there over Christmas! (Sorry this is not a high brow, classical music critic kind of review with lots of technical observations - I'm just a passionate classical music lover speaking from the heart).

Fantastic!.......2006-07-15

Great,I heard this piece on ABC Classic fm yesterday,the 14th of July....Amazon is a day late.Thank you to the programmer,they often use the savage dance as a theme.I must have this CD the thumping tympani and the tambourine really brightens up my day.I didn't even know there was a fugal bassoon movement!
The true french baroque is far better than any thing Handel could wright or borrow.Vivre Rameau!Beautifully played by all,the tempo and ornamentation's are perfect in all parts.Vivre Les Musciens du Louvre!Vivre Motorola for having a camera on their phones so I don't have to remember how to spell in french.
I do not work for any party mentioned.

Rameau, Minkowski: an intelligent concert!.......2006-04-14

Minkowki dedicated this album to his father, Dr. Alexandre Minkowski. The symphony imaginaire recorded live, is for him a personal intimate selection. This is intelligent, sensitive and extremely well played music by Rameau.
I stumbled upon this recording after being impressed by the last Bartoli recording with Les Musiciens du Louvre. Happy me!
The SACD is worth it.

A beautiful bit of late Baroque Color.......2005-09-12

I plan to give copies of this CD to my friends whose musical taste froze 35 years ago and who think of Baroque music as just so much "sewing machine music". Rameau was an imaginative instrumental colorist, and these dance pieces, taken from several of his operas and ballets, show him at his best in that regard.
While the conceit of calling this a "symphony" may seem strange, the pieces are arranged to form a nice sequence and, most importantly, are engagingly played by this early music ensemble. The interpretation is lively and the playing stylish. The sonics are detailed without being analytical.
I would recommend this to anyone as an introduction to the joys of French Baroque, but would encourage a follow-up purchase of one of the full operas.

Average customer rating:

Good job
Masterful!
Great CD of Classical music's power pieces!

Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music