Fleurs 3 [Import]

1. Perduto Amore

2. Impressioni Di Settembre

3. Se Mai

4. Ritornerai

5. Col Tempo Sai

6. Insieme a Te Non Ci Sto Più

7. Cielo in Una Stanza

8. Tue Radici

9. Se Tu Sapessi

10. Sigillata Con un Bacio

11. Come un Sigillo

12. Beim Schlafengehen

Fleurs 3,Franco Battiano,Sony Int'l,Int'l & World Music,Italian Pop,Italy,Pop,World Music

Average customer rating: Bright Star Anna Netrebko: Opera Arias First DGG album--very promising Remarkable! Beautiful voice, beautiful girl

Anna Netrebko: Opera Arias Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Sempre Libera Russian Album Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD] Anna Netrebko - The Woman, The Voice Verdi - La Traviata ASIN: B00008MLSH Release Date: 2003-09-09

Tracks:

1. Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
2. Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
3. Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
4. La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
5. Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
6. Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
7. Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
8. Rusalka: "Mesicku na nebli hlubokem" - Dvorak
9. La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

Bright Star.......2007-07-13

If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.

Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!

Average customer rating: Coppelia A full-length Coppelia at an appealing price Inspired ballet music at a bargain price. Superb Performance

Delibes: Coppélia (complete in three acts) / La Source (suites) Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Similar Items: Coppelia The Australian Ballet - Coppelia Adolphe Adam: Music from 'Giselle' Prokofiev: Cinderella, Op. 87; Glazunov: Seasons Op67 Delibes - Coppelia / Kirov, Vinogradov, Tarasova ASIN: B00000147M Release Date: 1996-01-23

Tracks:

1. Coppa, Ballet In 3 Acts: Act I: Prde
2. Coppa, Ballet In 3 Acts: Act I: Valse
3. Coppa, Ballet In 3 Acts: Act I: Sc
4. Coppa, Ballet In 3 Acts: Act I: Mazurka
5. Coppa, Ballet In 3 Acts: Act I: Sc
6. Coppa, Ballet In 3 Acts: Act I: Ballade
7. Coppa, Ballet In 3 Acts: Act I: Th slave varl
8. Coppa, Ballet In 3 Acts: Act I: Czarda-Danse hongroise
9. Coppa, Ballet In 3 Acts: Act I: Sortie
10. Coppa, Ballet In 3 Acts: Act I: Final
11. Coppa, Ballet In 3 Acts: Act II: Entr'acte
12. Coppa, Ballet In 3 Acts: Act II: Sc
13. Coppa, Ballet In 3 Acts: Act II: Sc
14. Coppa, Ballet In 3 Acts: Act II: Musique des automates
15. Coppa, Ballet In 3 Acts: Act II: Sc
16. Coppa, Ballet In 3 Acts: Act II: Sc
17. Coppa, Ballet In 3 Acts: Act II: Chanson oire et Sc
18. Coppa, Ballet In 3 Acts: Act II: Sc
19. Coppa, Ballet In 3 Acts: Act II: Valse de la poup
20. Coppa, Ballet In 3 Acts: Act II: Sc
21. Coppa, Ballet In 3 Acts: Act II: Bol
22. Coppa, Ballet In 3 Acts: Act II: Gigue
23. Coppa, Ballet In 3 Acts: Act II: Sc

Tracks:

1. Coppa, Ballet In 3 Acts: Act III: Marche de la cloche - F del la cloche - Divertissement
2. Coppa, Ballet In 3 Acts: Act III: Valse des heures
3. Coppa, Ballet In 3 Acts: Act III: L'aurore
4. Coppa, Ballet In 3 Acts: Act III: Coppa, Act 3: 4: La pri
5. Coppa, Ballet In 3 Acts: Act III: Le travail
6. Coppa, Ballet In 3 Acts: Act III: L'Hymen (Noce villageoise)
7. Coppa, Ballet In 3 Acts: Act III: La discorde et la guerre
8. Coppa, Ballet In 3 Acts: Act III: La paix (Pas de deux)
9. Coppa, Ballet In 3 Acts: Act III: Variation
10. Coppa, Ballet In 3 Acts: Act III: Danse de f
11. Coppa, Ballet In 3 Acts: Act III: Galop final
12. La Source, Suite No. 2: Sc dans
13. La Source, Suite No. 2: Scherzo Polka
14. La Source, Suite No. 2: Pas de la Guzla
15. La Source, Suite No. 2: Marche danset Final
16. La Source: Intermezzo (Pas des Fleurs, Grande Valse)
17. La Source, Suite No. 3: Incantation
18. La Source, Suite No. 3: Romance
19. La Source, Suite No. 3: Introduction et Mazurka
20. La Source, Suite No. 3: Finale

Customer Reviews:

Coppelia.......2007-07-27

I ordered two DVD versions of Coppelia along with this CD in order to learn the choreography from the ballet. My only complaint about this CD is that the music is considerably faster than either of the orchestras have played the score on the DVDs. This makes it difficult to learn the choreography with out slowing down the CD on a variable speed CD player.

A full-length Coppelia at an appealing price.......2003-06-26

Andrew Mogrelia has conducted a number of full-length ballets for Naxos: Giselle, Sylvia, Sleeping Beauty, and this Coppelia. I own all of them, because I find Mogrelia is one of those rare conductors who make a ballet sound like a ballet.
In concert hall versions, conductors often make ballet music impossibly fast, or simply too unpredictable. (Gergiev's Nutcracker is in this category: fun to listen to, definitely NOT a dancer's Nutcracker.) But when dancers are on stage, they need a regular, dependable beat to dance to. Mogrelia's Coppelia never sounds sing-song, because he uses dynamics so skillfully - but he does conduct at an authentic dance tempo.
Another Coppelia I like and own is Mark Ermler's (ASIN: B0000024CL), but while it's much more than highlights it is not the full ballet. The first act mazurka is missing, and that's a definite loss.
La Source is a bit of an oddity because it was originally commissioned as a sort of competition: half composed by Minkus, half by Delibes. Delibes was generally considered the winner, so he stayed in Paris while Minkus went off to Russia. This album is strictly Delibes, so it's only highlights from La Source. But it does include my favorite, the utterly charming Pas des Fleurs, Grande Valse.

Inspired ballet music at a bargain price........2002-07-13

Although I'm not particularly fond of watching ballets I have a special love for ballet music, and Coppelia is one of my favorites. It is the masterpiece of Leo Delibes who was one of the greatest of ballet composers. Even Tchaikovsky -- probably the greatest ballet composer of all -- greatly admired Delibes' work. This recording presents not only the complete music for Coppelia but also the lovely, but seldom-heard, music Delibes wrote for La Source -- both conducted by the excellent ballet conductor Andrew Mogrelia. And at a bargain price to boot. Please don't pass up this special treasure.

Superb Performance.......2000-08-27

I search for the recording for the complete Coppelia when my daughter's dance school was practicing for it. I found this item. Performance was meticulous. It was recorded in the Orchestra's concert hall over a period of almost two weeks. All digital recording. Well balanced orchestra. Fine details. A good item to collect.

Average customer rating: Great treat for the musical omnivore Delibes Lakme did not order Lakme Classic Lakme

Delibes - Lakmé / Mesplé, Burles, Soyer, Millet, Opéra-Comique, Lombard [highlights] Léo Delibes , Choeurs et Orcestre du Théâtre National de l'Opéra-Comique , Alain Lombard , Mady Mesplé , Danielle Millet , Charles Burles , Roger Soyer , and Jean-Christophe Benoît Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $7.99 and Under | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Delibes, Léo | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Duets Rapture: Opera's Most Heavenly Moments Delibes: Lakme (Highlights) / Sutherland, Bonynge The Most Famous Opera Arias Aria: A Passion for Opera ASIN: B000002S1Q Release Date: 1990-05-15

Tracks:

1. Lakme: Prelude
2. Lakme: Act I: Duettino: 'Viens, Mallika...'
3. Lakme: Act I: Air: 'Prendre Le dessin...' (Gerald)
4. Lakme: Act I: Recit Et Strophes: 'Les Fleurs Me Paraissent Plus Belles' (Lakme)
5. Lakme: Act I: Duo: 'D'ou Viens-Tu?' (Lakme, Gerald)
6. Lakme: Act II: Stances: 'C'est Un Pauvre Qui Medie ... Lakme, Ton Doux Regard Se Voile' (Nilakantha)
7. Lakme: Act II: Scene De La Legende De La Fille Du Paria (Air Des Clochettes): 'Par Les Dieux Inspires ... Ou Va La Jeune Hindoue' (Nilakantha, Lakme)
8. Lakme: Act II: Duo: 'Lakem, Lakme, C'est Toi' (Gerald, Lakme)
9. Lakme: Act III: Berceuse: 'Sous Le Ciel Tout Etoile' (Lakme)
10. Lakme: Act III: Recitatif Et Cantiene: 'Quel Vague Souvenir...' (Lakme, Gerald, Frederic, Nilakantha, Choeur)
11. Lakme: Duo et finale: 'Tu M'as Donne Le Plus Doux Reve' (Lakme, Gerald, Nilakantha)

Customer Reviews:

Great treat for the musical omnivore.......2007-05-18

'Lakme', a lesser known work by Leo Delibes is not 19th Century opera at it's zenith, but then who wants to listen to 'Tannheuser' or 'Aida' all the time. For those like me who enjoy poking around some of the less familiar corners of world music, this is a great find. It has lots of the same feel of later, 20th century stage music, and the French is a nice change from the German and Italian heaviweights. It also has a few of the very nicest operatic duets in this collection of highlights.

Delibes Lakme.......2007-05-13

The music was beautiful and haunting. I am especially fond of Flower Duet and have loved it from the first time I heard it some years ago. This whole recording is great and I have much enjoyed it!

did not order.......2007-03-11

I did not order anything and did not receive anything and i told my credit card company to put the charge in "debate"
murray coe

Lakme.......2006-01-14

Mady Mesple is simply the best for this role. Yes, Joan Sutherland is known for this song (and I love Sutherland), but I have to say this opera is Mady's. When I hear the Bell Song sung by Mady - chills go up my spine. Definitely a keeper!

Classic Lakme .......2003-07-07

Mady Mesple in her signature role - she made her debut in 1953
in Lakme and has been considered one of the best exponent of
the role throughout her distinguised carreer. The archetype of
the light french coloratura soprano - the voice is small and
slightly tremoulous but well focused and her technical assu-
rance (stupendous high notes) refined musicianship and idioma-
tic phrasing make for a highly polished performance. Charles
Burles is light and musical and blends exquisitely with Mesple
in their duets while Roger Soyer's rich voice makes him a
strong presence. The supporting cast is in very capable hands.
Well recorded and conducted - a classic performance indeed.

Average customer rating: Breathtaking operatica "o" First few songs are good, the rest are??? This is the pits. . . the absolute pits Adding To My List Of Vices: A Continuation

O: Operatica, Vol. 1 Manufacturer: E-Magine Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Computer | Electronic | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Rock | Styles | Music Classical | Indie Music | Stores | Music Electronica | Dance & DJ | Indie Music | Stores | Music Dance & DJ | Imports | Stores | Music Classical | Imports | Stores | Music Similar Items: Operatica: Shine Myth of Red Trance Opera: The Complete Masterworks - Classic Meets Pop Etterna The Fifth Element: Original Motion Picture Soundtrack ASIN: B00004Z42O Release Date: 2000-10-03

Tracks:

1. Ave Maria
2. Vocalise
3. Melancholy Rose
4. L'Heure Exquise
5. O Del Mio Dolce Ardor
6. Charmed By A Rose
7. In The City
8. Get Off My Land
9. Dite Oime
10. Bachianas Brasileiras No.5
11. Maria's Dream (Instrumental)
12. Bonus Track

Customer Reviews:

Breathtaking.......2006-12-17

I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.

operatica "o".......2005-09-19

I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.

Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!

Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?

First few songs are good, the rest are???.......2004-02-13

First few songs are good, but the rest of the album is no good!

This is the pits. . . the absolute pits.......2003-08-23

Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"

Adding To My List Of Vices: A Continuation.......2003-05-05

When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.

With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.

For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.

Average customer rating: Arleen Auger and Dalton Baldwin-Love Songs Voice of experience Auger at her best Hidden Treasure Gorgeous, sensitive music

Arleen Auger - Love Songs / Dalton Baldwin Frank Bridge , Benjamin Britten , Pietro Cimara , Aaron Copland , Sir Noel Coward , Stefano Donaudy , Stephen Foster , Charles Gounod , Eduoard Lippe , Frederick Loewe , Gustav Mahler , Joseph Marx , Fernando J. Obradors , Jaime Ovalle , Francis Poulenc , Roger Quilter , Franz Schubert , Robert Schumann , Oscar Straus , Richard Strauss , Joaquin Turina , Dalton Baldwin , and Arleen Auger Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: American Soprano Arleen Auger - Handel · Bach Arias / The Mostly Mozart Orchestra · Gerard Schwarz Strauss: Ein Heldenleben - Four Last Songs / Auger, Previn Stefano Donaudy: Amor mi fa cantare Haydn - Arias & Cantatas / Auger · H&H · Hogwood ASIN: B0000006VP Release Date: 1992-05-22

Tracks:

1. Love Songs: Pastorale
2. Love Songs: Del Cabello mas sutil
3. Love Songs: Azulao
4. Love Songs: Standchen
5. Love Songs: Selige Nacht
6. Love Songs: Fleurs
7. Love Songs: Stornello
8. Love Songs: Music, When Soft Voice Die
9. Love Songs: Je t'aime
10. Love Songs: Love's Philosophy
11. Love Songs: Widmung
12. Love Songs: Du bist wie eine Blume
13. Love Songs: Das Rosenband
14. Love Songs: Liebst du um Schonheit
15. Love Songs: Cantares
16. Love Songs: How Do I Love Thee?
17. Love Songs: I'll Follow My Secret Heart
18. Love Songs: Serenade
19. Love Songs: Liebe Schwarmt auf allen Wegen
20. Love Songs: Love Went A-Riding
21. Love Songs: Why, No One to Love
22. Love Songs: O del mio amato ben
23. Love Songs: The Salley Gardens
24. Love Songs: Heart, We Will Forget Him
25. Love Songs: Before I Gaze at You Again

Customer Reviews:

Arleen Auger and Dalton Baldwin-Love Songs.......2007-01-29

A lovely collection -very varied. Arleen Auger has a beautiful voice and Baldwin's accompaniment is wonderful. The 3rd track, by Jayme Ovalle, is, as it says in the accompanying notes, bewitching, and is actually the reason I bought the CD.

Voice of experience.......2006-01-28

There isn't much I can add to the praise bestowed on this album by earlier reviewers. I do think though that a special poignancy is undeniable since Auger's voice, while still beautiful, clearly is not that of a young singer. Her maturity makes her interpretations of these love songs all the more touching. I've probably played this CD a dozen times through the years, far more than any other in my collection. It remains consistently and deeply satisfying.

Auger at her best.......2005-04-26

This is a disc that I recommend to my graduating seniors/graduate students who are pursuing a graduate degree or career options in Vocal Performance.
From the standpoint of technique, Auger is practically flawless---"harsh" is not a word I equate with Ms. Auger's singing. She and Dalton Baldwin are impeccable performers on this disc. All the material was wisely chosen and presented, including one of the slowest "O del mio amato ben's" and one of the slowest "Salley Gardens", indicative of the beautiful breath control this artist had. I have to take exception to one of the comments made by one reviewer, of the "lack of sesitivity to the music that most classical singers possess". This is plain ignorant. This reviewer clearly does not understand the great artistic endeavor that classical singers have to have with Song literature---only a non-singer could have said this. Our finest classical singers of memory have all been outstanding musicians. They also have texts to interpret in many languages. I, as a singer-performer-teacher take great umbrage at comments like this which serve only to degrade the richness of so much repertoire.
I too hated the untimely passing of this fabulous singer. She is one of four famous women singers who all died at the age of 53. I think this disc was recorded not to long before she passed away and does reflect her "goodbye" to her audience. However the disc will remain as timely as the repertoire in it.
Marcia M.Baldwin, Gig Harbor, WA.
Professor Emeritus, Eastman School of Music, Rochester,NY

Hidden Treasure.......2003-11-04

This recording is possibly one of the best examples of beautiful singing one will ever find. The repertoire, the artfulness, the line and the sheer beauty of Miss Auger's voice is a rare find. I've just recently purchased another copy as I loaned mine to a friend who begged to keep it! One note on the cover - this new cover art seems to imply this CD is some light version of 1970's Montovani romance music. Nothing could be further from the truth. Though the previous jacket (a photo of Miss Auger on pale pink) did look dated, I hope the next pressing of this (& I'm sure they'll be many more to come!) will give this collection the class packaging it deserves. This is a collector's item. Enjoy!!

Gorgeous, sensitive music.......2001-06-15

So first of all, ignore the cheesy cover art and album title. This is a beautiful collection of songs, beautifully performed. Since I concur with the other reviews that laud Auger's performance (though don't forget the accompanist Dalton Baldwin, who is also outstanding), I'll add only the comment that there is a certain melancholy surrounding a lot of the songs and performances that (a) I find haunting and appealing, and (b) you would never know simply from looking at the album.

The performance of "Why, No One to Love" is worth the price of admission alone.

Average customer rating: Valuable compendium Rareties available on CD at last! Heavenly WHO ELSE CAN SING LIKE THIS TODAY?

The Art of Joan Sutherland Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Arne | Arne, Thomas Augustin | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Paisiello | Paisiello, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Piccinni, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Sutherland, Dame Joan | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Joan Sutherland: BBC-Recitals 1958, 1960, 1961 The Art of the Prima Donna Serate Musicali The Voice of the Century La Stupenda ~ The Supreme Voice of Joan Sutherland ASIN: B000654OUQ Release Date: 2005-03-15

Customer Reviews:

Valuable compendium.......2007-01-24

This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.

Rareties available on CD at last!.......2006-03-29

While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").

While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.

I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.

Heavenly.......2006-01-31

I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.

WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10

This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.

Average customer rating: mesmerising great stuff Brazilian's Soprano The most charming voice you will ever hear! Perfection!

Bidu Sayao: Opera Arias and Brazilian Folksongs Bidu Sayao , Heitor Villa-Lobos , Charles Gounod , Jules Massenet , Reynaldo Hahn , Henri Duparc , Claude Debussy , Maurice Ravel , Charles Koechlin , Ernest Moret , Francisco Ernani Braga , Fausto Cleva , Pietro Cimara , Erich Leinsdorf , Paul Breisach , Leonard Rose , and Milne Charnley Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Koechlin, Charles | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Sayao, Bidu | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Sayao, Bidu | Divas | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: La Damoiselle elue / Opera Arias Rarities Villa-Lobos: Bachianas Brasileiras Nos. 1, 2, 5 & 9 / ORTF National Orchestra, De Los Angeles Bach Bachianas / Arleen Augér, The Yale Cellos of Aldo Parisot Villa-Lobos: Forest of the Amazon ASIN: B0000029PG Release Date: 1996-10-01

Tracks:

1. Bachiana brasiliera no.5 Aria
2. Romeo et Juliette: Je vieux vivre
3. Faust: Roi de Thule
4. Faust: Jewel Song
5. Manon: Je suis encore tout etourdie
6. Restons ici: Restons ici...Voyons, Manon
7. Adieu, notre petit table
8. Obeissions
9. Si mes vers avaient des ailes
10. Chanson triste
11. L'Enfant Prodigue: L'annee en vain chasse
12. De fleurs
13. L'Enfant et les sortileges: Toi, le couer de la rose
14. Si tu le veux
15. Le Nelumbo
16. Folk Songs Of Brazil: Nigue-nigue-ninhas
17. Folk Songs Of Brazil: Capim di Pranta
18. Folk Songs Of Brazil: O kinimba
19. Folk Songs Of Brazil: Sao Joao da ra Rao
20. Folk Songs Of Brazil: Engenho Noval
21. Folk Songs Of Brazil: A Casinha pequenina
22. Folk Songs Of Brazil: Meu boi barroso
23. Folk Songs Of Brazil: Ogunde uarere

Amazon.com

Bidú Sayão's silvery, impeccably tuned voice was small in size, but rich in nuance, shading, and emotion. Her recording of the Villa-Lobos Bachiana Brasileira No. 5 is justly famous, unmatched for lightness and sensuality. Few have dashed off the Jewel Song from Faust with similar insouciance or imbued the last phrases of Manon's "Adieu , notre petite table" as touchingly as Sayão does here. Her French song interpretations glow with charm and style, and a previously unreleased snippet from Ravel's L'enfant et les sotilèges makes one regret she never recorded the entire role, Sony's transfers are more lifelike and three dimensional than previous issues. A delectable disc. --Jed Distler

Customer Reviews:

mesmerising.......2007-05-10

I first heard her voice on a Met compilation and became intrigued enough to buy this CD.
I love her voice...its so simple, unfussy and pure and yet so very unique. you know its her from the first few notes on.
I love her Manon, probably more so than Sills or Fleming. Her voice reminds me of De Los Angeles, but is different.
I'm glad I was introduced to this great, stylish and classy singer.

great stuff.......2007-01-24

I don't consider myself much more than a novice when it comes to opera; but I'm a musician, and I'd like to think I know good music when I hear it.

This is good music!

I've only recently become aquainted with Bidu Sayao, but I have to say that all the accolades I've read from the "experts" are well deserved. There is a character that shines through these recordings. And the recordings themselves are warm and pleasant, considering they come from mono shellac sides from another era.

There's something really special about this "vintage" music that seemingly cannot be replicated in modern recordings; an ethereal quality that's hard to explain, clearly belonging to the age from which it came. We are greatly enriched by its preservation!

Brazilian's Soprano.......2005-08-26

Excellent, amazing, recommend.

(excelente para conhecermos melhor uma das mais importantes e conhecidas sopramos de todo o mundo)

The most charming voice you will ever hear!.......2004-07-19

Bidu Sayão is considered the best Brazilian soprano ever and certainly one of the most taltented singers of the 20th century. Do you want to know why? This disc contains some important selections of Sayão's wonderful artistry. It includes arias and songs from French repertoire, in which Sayão is even in our days considered the most perfect example of French singing and style, some lovely Brazilian folksongs and her legendary recording of the Cantilena of Bachianas Brasileiras no. 5. It's a very good selection for every listener, since it shows Sayão's perfect vocal technique and sincere and moving interpretation. We have a joyful "Je veux vivre" as well as a heartbreaking "Adieu, notre petite table". Ah, but the true show here is her Bachianas Brasileiras. I'm absolutely sure you will never hear a better interpretation of this song! Sayão could sing from the most lyric parts and the most wonderful pianissimi to the most incredible coloraturas with no difficulty. Actually, she had exactly what I would call "perfect vocal technique", since it never, I mean, never fails. Her voice was small, but so carefully trained that it amazes me more than many big voices I heard. It's always pure, sweet and charming.

Dont' miss this singer who was maybe the best lyric soprano of the first half of the 20th century. If you are interested in listening to good music sung by a legendary voice, you really need to buy it!

Perfection!.......2003-12-16

There is a tremendous sincerity and perfection present in this CD. The Villa Lobos has attained classic status and should be owned by serious collectors. I have not heard No. 5 surpassed yet. Rosa Ponselle wrote in her biography that Sayao's pianissimi were "unequalled in my experience", the finest she had ever heard. Mind you, Ponselle heard them all including that Spanish Diva that made a career of singing softly. However, in Sayao's voice they have meaning are used to emotional effect superbly. Otherwise, the voice is so finely tuned that this old mono recording often gives a studio effect.

Bravo Madame Sayao!

Average customer rating: Classical music CD for everyone ... in a nutshell Karajan Forever: The "Eternal" Classical Music Album Meditation!

Karajan Forever: The Greatest Classical Hits Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schmidt | Schmidt, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Karajan: Adagio Famous Overtures Albinoni: Adagio; Pachelbel: Canon Romantic Adagio: Karajan Karajan Conducts Grieg & Sibelius ASIN: B00008CLNO Release Date: 2003-06-10

Tracks:

1. Spring - Michel Schwalbe
2. Adagio In G Minor For Strings And Organ - Leon Spierer
3. Valese
4. Menuetto
5. Morning Mood
6. Valse Triste
7. Symphony No. 40 In G Minor, K. 550 (Molto Allegro)
8. Symphony No. 9 'From The New World' In E Minor
9. Intermezzo
10. 'Carmen' Suite, Prelude I (Allegro Giocoso)
11. Bolero (Conclusion)
12. 'The Sleeping Beauty', Valse
13. 'La Traviata', Prelude To Act III
14. Symphony No. 3 'Organ', In C Minor (Finale) - Pierre Cochereau

Tracks:

1. 'Also Sprach Zarathustra' (Introduction)
2. 'Cavalleria Rusticana', Intermezzo Sinfonico - Wolfgang Meyer
3. Eine Kleine Nachtmusik (Allegro)
4. Swan Lake, Suite Op. 20, Scene 1 (Swan Theme) - Michel Schwalbe
5. An Der Schonen, Blauen Donau
6. Brandenburg Concerto No. 3 In G Major (1rst Movement)
7. Meditation - Michel Schwalbe
8. Badinerie From Suite No. 2 In B Minor - Karlheinz Zoeller
9. Barcarolle From 'La Gaiete Parisienne'
10. Piano Concerto No. 1 In B Flat Minor (Ex. 1rst Movement) - Lazar Berman
11. Adagietto From Symphony No. 5
12. Symphonie Classique (Finale. Molto Vivace)
13. Dance Of Teh Blessed Spirits From 'Orpheus And Eurydice - Karlheinz Zoeller
14. Danse De La Fee Dragee
15. Valse Des Fleurs

Customer Reviews:

Classical music CD for everyone.......2007-01-09

A great selection. I bought one for my husband, and later the other one for my parents.
Quality, and a superb selection of masterpieces.
A must have for classical music lovers, and for everyone who wants to get introduced to classical music.

... in a nutshell.......2006-09-08

Probably the best one-volume compilation of Karajan available, with the most broad-based approachable track list currently being offered to the general enthusiast/collector. Back in the vinyl days, there were two-disc sets available like the "Karajan Super Concert" or the three-volume "Karajan Conducts" set on Angel. Some of these have been re-arranged and re-released with new or different cover art on CD too, but here is a newly remastered set just as good or better than any of those.

It also contains probably the best short essay on what Herbert von Karajan was all about by Axel Bruggemann, that I have ever read. A CD or two of the "Adagio" set by this conductor (also on DG) may be a nice supplement too, otherwise you can't really go wrong with this two-disc set at a fairly affordable price.

Karajan Forever: The "Eternal" Classical Music Album.......2005-09-26

Another fine recording of classical music, as conducted by the man considered to be the greatest conductor of the 20th century- Herbert Von Karajan, whose position as conductor of the Berlin Philharmonic made that particular orchestra unbeatable and at number one in the list of world's greatest orchestras. Karajan was involved with the Berlin Philharmonic's musical development for years, until his death in 89, before the Berlin Wall fell, an event he did not live to see. This recording has to the best of Karajan's many collected classical pieces on record. It is a perfect introduction to classical music itself and to Karajan's style. A plethora of composer and time periods- from Baroque, to Classical to Romantic- are all on here. Vivaldi's Spring opens the CD, and is followed by the melancholy and fatalistic sounding Baroque classic Albinoni Adagio in G. This is followed by Mozart's 40th symhony. The first Romantic Era symphony on here is Dvorak's famous New World Symphony, which Karajan conducts with supreme mastership. The Intermezzo from the verisimo opera Cavalleria Rusticana is on here and sounds absolutely breathtaking. The suite of Bizet's Carmen is musically intoxicating and the Bolero has never sounded hotter, except for maybe Zubin Mehta conducting it which I've heard live and know is absolutely wonderful. The famous Waltz from Tchaikovsky's ballet masterpiece Sleeping Beauty is on here as well as the Third Act Prelude to Verdi's Traviata. The final track on CD 1 is Saint Saens Organ Symphony Finale.

The second disc opens with a masterful version of the powerfully evocative Also Sprach Zarathustra by Richard Strauss, another Austrian composer Karajan championed. The Swan Theme from Swan Lake is on here, as well as the Viennese Waltz favorite On the Beautiful Blue Danube- something I didn't know Karajan even conducted. But being Austrian, I'm not surprised. Karajan even conducted Johann Strauss' Die Fledermaus as well as other waltzes. Back to Baroque, he continues with the Brandenburg Concerto No. 3 by Bach and the gorgeous and somewhat gloomy Dance of the Blessed Spirits from Orpheus and Eurydice by Gluck. The CD ends with the elegant and beautiful Waltz of the Flowers from Tchaikovsky's Nutracker. This is a must have for fans of classical music, as a lot of favorites are on here.

Meditation!.......2003-07-20

A veritable who's who of pieces & composers, the CDs Karajan Forever will hopefully live forever.
Herbert VonKarajan was the conductor of the Berlin Philharmonic from 1955 until his demise in 1989. His vision & helmsmanship of this magnificent orchestra have literally changed the way a whole generation heard music.

In this 2 CD collection, DG has kind of done a Greatest Hits. Everything from the Four Seasons by Vivaldi to Opera Overtures, Ballet Themes and Piano Concertos. There is truly something for everyone on this CD, but being an opera fan, 2 of my favorites are on disc 2. The Intermezzo from Cavalleria Rusticana and the Meditation from Thais. This music simply transports the listener to another place and time. The Philharmonic is so in sync- so one that it is hard to believe how huge they really are. I can wholeheartedly recommend this CD without reservation. And it's a steal at $... for 2 new CDs. For more information on this CD & others in a line paying tribute to Maestro VonKarajan, go to his website: karajan.org
Enjoy!

Average customer rating:

Saint-Saëns: Samson et Dalila Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Rise Stevens in Opera and Song Legendary Voices: Rise Stevens Opera Arias [Hybrid SACD] ASIN: B000003LJP Release Date: 1994-12-27

Tracks:

1. Act I: Dieu! Dieu D'Israel! - New Orleans Opr Chor/Renato Cellini
2. Act I: Arretez, O Mes Freres! - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
3. Act I: Implorons A Genoux Le Seigneur... - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
4. Act I: Qui Donc Eleve Ici La Voix? - Arthur Cosenza/Ramon Vinay/New Orleans Opr Chor/Renato Cellini
5. Act I: Que Vois-je! Abimelech! - Joseph Mordino/Thomas Carter/Joseph Knight/Tony Lopez
6. Act I: Maudite A Jamais Soit La Race... - Joseph Mordino/Tony Lopez/Thomas Carter/Joseph Knight
7. Act I: Humne De Joie, Humne De Delivrance... - New Orleans Opr Chor/Renato Cellini/Ara Berberian
8. Act I: Voici Le Printemps Nous Portant Des Fleurs... - New Orleans Opr Chor/Renato Cellini
9. Act I: Je Viens Celebrer La Victoire... - Rise Stevens/Ramon Vinay/Ara Berberian
10. Act I: Dance Of The Priestesses Of Dagon - New Orelans Opr Orch/Renato Cellini
11. Act I: Printemps Qui Commence... - Rise Stevens/Ara Berberian
12. Act II: Prld - New Orelans Opr Orch/Renato Cellini
13. Act II: Samson, Recherchant Ma Presence... Amour! Viens Aider Ma Faiblesse! - Rise Stevens
14. Act II: J'ai Gravi La Montagne... - Joseph Mordino/Rise Stevens
15. Act II: Il Faut, Pour Assouvir Ma Haine... - Rise Stevens/Joseph Mordino
16. Act II: En Ces Lieux, Malgre Moi... - Ramon Vinay/Rise Stevens
17. Act II: Mon Coeur S'ouvre A Ta Voix... - Rise Stevens/Ramon Vinay

Tracks:

1. Act II: Mais!... Non! Que Dis-je, Helas! - Rise Stevens/Ramon Vinay
2. Act III: Vois Ma Misere, Helas! - Ramon Vinay/New Orleans Opr Chor/Renato Cellini
3. Act III: L'aube Qui Blanchit Defa Les Coteaux... - New Orleans Opr Chor/Renato Cellini
4. Act III: Bacchanale - New Orelans Opr Orch/Renato Cellini
5. Act III: Salut! Salut Au Juge D'Israel... - Joseph Mordino/New Orleans Opr Chor/Renato Cellini
6. Act III: L'ame Triste Jusqu'a La Mort... - Ramon Vinay/Rise Stevens/New Orleans Opr Chor/Renato Cellini /Joseph Mordino
7. Act III: Gloire A Dagon Vainqueur! - Joseph Mordino/Rise Stevens/New Orleans Opr Chor/Renato Cellini

Average customer rating: The artistry and allure of a French nightingale High note feast :) Simply beautiful high notes Mady Mesplé's wonderful album A glorious bit of memorabilia from a sadly forgotten soprano

The Very Best of Mady Mesplé Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Airs D'opérettes Very Best of Natalie Dessay - French Opera Arias The Very Best of Kirsten Flagstad The Very Best of Régine Crespin ASIN: B0006VYELY Release Date: 2005-04-26

Tracks:

1. Ah!...Ou Va La Jeune Hindoue?
2. Ah! Je Veux Vivre
3. Oui! Pour Ce Soir...Je Suis Titania La Blonde (Polonaise)
4. Les Oiseaux Dans La Charmille
5. A Vos Jeux...Partagez-vous Mes Fleurs...Et Maintenant, Ecoutez Ma Chanson!
6. Una Voce Poco Fa
7. Ah! Non Credea Mirarti...Ah! Non Giunge
8. Di Piacer Mi Balza Il Cor
9. Gualtier Malde...Caro Nome
10. Il Dolce Suono...Ardon Gl'Incensi...Spargi D'Amaro Pianto

Tracks:

1. Quartet No.2 For Soprano, Violin, Viola, & Cello
2. In Furore Giustissimae Irae
3. I. La Dame D'Andre - Gabriel Tacchino
4. II. Dans L'Herbe - Gabriel Tacchino
5. III. Il Vole - Gabriel Tacchino
6. IV. Mon Cadavre Est Doux Comme Un Gant - Gabriel Tacchino
7. VI. Fleurs - Gabriel Tacchino
8. Les Chemins De L'Amour Op.106 (Anouilh) - Gabriel Tacchino
9. A Chloris (Viau) - Dalton Baldwin
10. Si Mes Vers Avaient Des Ailes (Hugo) - Dalton Baldwin
11. L'Heure Exquise (Chanson Grises, Verlaine) - Dalton Baldwin
12. Le Chapelier (Chalupt)
13. Dapheneo (Godebska)
14. La Diva De L'Empire (Intermezzo Americain) (Bonnaud & Bles)
15. Ecoutez, C'est Le Chant Des Cigales
16. Au Bord Du Chemin Qui Passa A Ma Porte
17. La Bergere Colinette (Villanelle)
18. Tout Est Soleil, Tout Est Printemps

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

The artistry and allure of a French nightingale.......2007-06-03

This is one of the rare cases when the title of a CD matches completely its content. The Very Best of Mady Mesplé showcases the amazing talent and legacy of the beautiful lady that was the star coloratura soprano of the Paris Opera during the second part of the twentieth century. The first CD is dedicated to opera arias, and only a hearing of the first number, The Bell Song from Delibes' Lakmé, gives us a summary of what makes Mesplé so special. There is hardly a more musical or virtuosic version than the one presented here (from her complete recording of the opera). The legend is presented by the soprano with engaging interest and great attention to the words. The bell refrains are amazingly fast, with diminutive stacatti, a great trill and ravishing high notes. The final cadenza is very exciting, ending with a firm, beautiful high E that soars triumphally over the orchestra. All these qualities are present when she is singing Juliette, Philine, Ophélie and Olympia. Particularly on this last aria she conveys in her voice the illusion of hearing an automaton instead of human being and there is no ornamentation except on an interpolated high Eflat at the end. It is remarkable how Mesplé always is musical with her ornamentation. The Italian arias that end the first Cd are very pretty, even though they are not as successful, given the distinctive sound of the soprano, more in her element with the nuances of her native language than the legato singing that is proper to the belcanto style. However, the arias are still lovely, specially Una voce poco fa, where Mesplé showcases not only her high register but also the lower part of her voice by singing the first part of "Io sono docile" exactly the way it is written. CD number 2 takes the listener to a totally different aspect of Mady Mesplé's artistry with incursions into contemporary music, a Baroque cantata, French art song and French operetta. The Quartet no.2, for soprano, violin, viola and cello is a very demanding piece where the soprano becomes another instrument: dissonant and difficult intervals are required in all the registers of the voice. The soprano succeeds on this as well as the motet by Vivaldi, a totally different number of equal difficulty. A great part of the CD is then dedicated to songs by Poulenc, Hahn and Satie, where the singer perfectly conveys the mélodie style with her very distinctive sound, that can convey all degrees of emotion, from innocence to worldliness. Specially remarkable are Poulenc's Le chemin de l'amour, Hahn's Si mes vers avait des ailes and Satie' La diva de l'empire. The final part of the CD is dedicated to French operetta arias, a very important part of Mesplés discography. All the selections are a delight. It is worth noticing that she recorded the virtousic aria from Massé's Les noces de Jeanette in 1981, in the later part of her career and there is no difference in the sound and technique from Mesplé's debut recordings. The CD ends in a high note (literally and metaphorically) with a delightful waltz by Johann Strauss where she ends with a stunning Aflat over high C. In summary, this is a superb presentation of the career of Mady Mesplé, a singer who was not only one of the most stunning coloraturas of all time, but also a gifted and versatile artist.

High note feast :).......2006-10-02

I love this set. Her voice is similar to that of Pons, but this is in clear stereo sound! And her highest notes don't sound like whistle tones! The Bell song won me over; Sutherland is still my favorite singer, but she did not have the acuti of Mesple. Very good listening here.It is all so effortless - that final note on CD 2 (A-flat above high c''') is astonishing!

Simply beautiful high notes.......2006-08-14

I feel ashamed of myself. Really. For all the years I have been listening to pons and sutherland and callas and the more recent dessay and jo, I never really paid attention to Mady Mesple. I really wished I had. Her voice is so pure and bell-like similar to Pons but with a much richer middle range and with the most impressive solid low range I have heard on a coloratura sopranos. It is a tragedy that she was over shadowed by the coloratura powerhouse which is Joan Sutherland. Her high notes are to die for and really it would hard to find anyone who can hit them like her. She may not have Pons agility but the lightness and tone of her high e flat can certainly go head to head with pon's and may possibly be a tiny step above pon's which up until this point didn't think was possible.

Mady Mesplé's wonderful album.......2005-08-30

I felt a sense of awe listening to Mady Mesplé's voice. Of the two CD set, I much prefered CD #1 as #2 was a bit too modern for me. #1 has many of my favorite soprano arias, and Mlle. Mesplé did them all justice.

A glorious bit of memorabilia from a sadly forgotten soprano.......2005-05-10

Mady Mesple is one of the best kept secrets of the music industry today. Of course, when you're singing around the same time as Joan Sutherland you're rather likely to be overshadowed. Still, Mesple offers a wealth of musical goods that even Sutherland never could have given. Not only is her coloratura technique virtually flawless, she (gasp)inflects every word she sings with great sensitivity to the text, never losing grasp of the character she is striving to portray. Of course, she does have a rather controvertial aspect to her voice that many listeners may object to, As a classic french coloratura, her vibrato is VERY fast, fluttering tremulously at all times but never getting in the way of her pitch. Still, her high notes are exceptional (the second CD ends with a glorious high A flat) and the fresh, girlish beauty of her tone is unsurpassed even today (my apologies to Natalie Dessay). Be sure not to miss her Bell Song, by FAR the best I have ever heard! Her voice has a crystaline quality that is PERFECT for that particular aria. Her Doll Song is rather weak, but her mad scene from Hamlet MORE than makes up for it (can we say eight seconds of beautiful high F harp?!!). The second CD offers Mady in a more matura phase of her life, singing sensuously in more traditional art songs before going on to challenging operetta arias. And you won't want to miss the violin, viola, cello, soprano quartet that opens the CD!!! Let's just say you're in for a surprise... this CD is a must-have!

World Music:

1. Gia [CD-single] [Import]
2. Grow Wild
3. Hamada
4. Haste to the Wedding
5. Hayastan
6. Heute und Hier
7. I Grandi Successi Originali [Import]
8. Il Fascino Della Voce [Import]
9. In Budokan 2004
10. Inolvidables RCA: 20 Grandes Exitos [Import]

World Music

world music

World Music

Hide from the Sun [Import]

Compositions for Piano Trio

Classic Trumpet

Rhumba Para Buhaina - Jerry Gonzalez and Fort Apache Play the Music of Art Blakey

Do You See the Light [CD-single] [Enhanced] [Import]

Closer Than a Kiss/This Game of Love [Import]

Cuore [Import]

Clockers (1995 Film) [Explicit Lyrics] [Soundtrack]

Dave Digs Disney

Carin Malmlöf-Forssling: Portrait of a Swedish Composer

Compact Jazz: Sonny Stitt

Doin' It While I Can

Dazzey Duks

I Made It

Gone with Golson