| 1. Japanese Title |
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| 4. Only My Love |
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| 9. P.R.E.S.E.N.T. |
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| 16. Sweet Memories |
| 17. Canary |
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| 20. Rock' N Rouge |
Bible,Seiko Matsuda,Sony,World Music
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Neon Bible
Arcade Fire Manufacturer: Merge Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGUZM0 Release Date: 2007-03-06 |
Tracks:
- Black Mirror
- Keep The Car Running
- Neon Bible
- Intervention
- Black Wave/Bad Vibrations
- Ocean Of Noise
- Well & The Lighthouse, The
- Antichrist Television Blues
- Windowsill
- No Cars Go
- My Body Is A Cage
Amazon.com
For their second full-length, the Montreal-based seven-or-eight-piece Arcade Fire show themselves capable of Big Rock, as original, and as potentially marquee-topping as TV on the Radio and Sigur Ros. Regardless, the intentional murkiness of these pleasantly anthemic New Wave dirges makes it sound as if the music has already reverberated through a crowded cement stadium. Named after cult author John Kennedy Toole's first novel, Neon Bible is smart and subtle enough to present itself as a personal discovery for every listener, every word to be pored over by fans (as with those of Tori Amos, Pavement, and Radiohead). Surely, lines like "The sound is not asleep/ It's moving under my feet" have already been scribbled onto the margins of countless textbooks. Such words are delivered with less intensity this time, but no less import. For vocal influences, lead singer Win Butler seems to have traded his '80s Bowie in for an '80s Springsteen, at least on the songs "Antichrist Television Blues" and "Windowsill" (though "Intervention" sounds an awful lot like '80s era Go-Betweens). The kitchen sink arrangements include the use of an Eastern European orchestra, pipe organ, hurdy gurdy, and a military choir. --Mike McGonigalAlbum Description
The second album from Montreal's Arcade Fire exceeds all expectations. With string and orchestral arrangements by two of the band members, "Neon Bible" is full of both half-assed punk rock mistakes and meticulously orchestrated woodwinds. Processed strings and mandolin. Quiet rumbles and loud rumbles. But mostly just eleven songs that the band thinks are really good.Customer Reviews:
This is as bad as a real neon Bible would be .......2007-08-03
This CD does just this but with music. First of all, Modest Mouse, who's brilliant "Funeral" this CD completely lifts, should sue this second-tier outfit. Secondly, yes the songs have brilliant melodies and singing and arrangements, but is that all there is to music? For real? I'm tired of getting the same old thing. Of not being allowed to expect more! Bands being praised but none with the balls or nuts to really break through the same old structure of melody and lyrics. Make a new language! Throw away melody! Create something more melodic than melody! Who's with me for a revolution in music!!? Let me hear you! Seriously! Let the world know whe expect more!!! Torch Arcade Fire!! Assasinate Lincoln Park! Punch the Strokes! Wilnotgo, Wilco!! We demand more! Seriously! This is how stuff starts! We work together! Joine my voice! We get labels put on CDs to let shoppers know when it's the same old thing!! We demand input on the songwriting process! We can get these things done, if we're together!
Flat, mediocre indie rock.......2007-07-15
As even some of the positive reviews of this album have noted, the production is both bombastic and low-fi, and not in a good way. It has a loud, flat sound that gets repetitive and tiring to listen to after awhile. The extra instruments that the band plays on this album sound very clunky and overbearing, particularly the organ that makes a sudden appearance on "Intervention."
Some albums with bad productions are more than redeemed by the actual songs, but the vocals and lyrics here are equally clumsy and repetitive. Win Butler still sings like a limper version of Conor Oberst from Bright Eyes, but this time he's also attempting a Springsteen impersonation on several tracks. While it isn't quite as grating as the Killers' attempt to sound like Springsteen, it still comes across as incredibly affected. The lyrics look like an attempt to make a grand statement about religion, war, and modern life in general, but they read like teenage angst poetry.
The closing track, "My Body is a Cage," is the only one that really stands out of the din after several listens. It has a grand, epic, proggy sound and almost lives up to the hype that this band gets, but if you hear it and like it I'd recommend passing on this album and getting something A Tab in the Ocean by Nektar, whom the Arcade Fire bear a strong resemblance to here.
Disappointing follow-up.......2007-07-09
Sophomore Slump.......2007-07-06
The more I listen to this album, the more I realize how good the Arcade Fire's first album was. I love Funeral, but it was the death of this band. And yes, that makes me want to cry. "I don't wanna listen to Arcade Fire no more."
average.......2007-07-05
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Action Bible Songs
Cedarmont Kids Manufacturer: Cedarmont Kids ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008UPI Release Date: 1996-03-01 |
Tracks:
- Onward, Christian Soldiers
- Rise And Shine (Arky, Arky)
- Zacchaeus
- Father Abraham
- I'm In The Lord's Army
- Swing Low, Sweet Chariot
- His Banner Over Me Is Love
- Jesus Bids Us Shine
- O Be Careful, Little Eyes
- Happy All The Time
- Jesus Loves The Little Ones
- Isn't He Wonderful
- One Door And Only One
- Behold, Behold
- If You're Happy
- This Little Light Of Mine
- Climb, Climb Up Sunshine Mountain
- Onward, Christian Soldiers
- Rise And Shine (Arky, Arky)
- Zacchaeus
- Father Abraham
- I'm In The Lord's Army
- Swing Low, Sweet Chariot
- His Banner Over Me Is Love
- Jesus Bids Us Shine
- O Be Careful, Little Eyes
- Happy All The Time
- Jesus Loves The Little Ones
- Isn't He Wonderful
- One Door And Only One
- Behold, Behold
- If You're Happy
- This Little Light Of Mine
- Climb, Climb Up Sunshine Mountain
Customer Reviews:
Great CD.......2007-06-27
Great for Sunday School or Junior Church .......2007-01-24
Action Bible Songs.......2007-01-15
song from the bible.......2007-01-13
I finally found the Christian music I was looking for!.......2006-04-03
Average customer rating:
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Neon Bible
Arcade Fire Manufacturer: Merge Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MGUZMU Release Date: 2007-03-06 |
Tracks:
- Black Mirror
- Keep The Car Running
- Neon Bible
- Intervention
- Black Wave/Bad Vibrations
- Ocean Of Noise
- Well & The Lighthouse, The
- Antichrist Television Blues
- Windowsill
- No Cars Go
- My Boby Is A Cage
Amazon.com
For their second full-length, the Montreal-based seven-or-eight-piece Arcade Fire show themselves capable of Big Rock, as original, and as potentially marquee-topping as TV on the Radio and Sigur Ros. Regardless, the intentional murkiness of these pleasantly anthemic New Wave dirges makes it sound as if the music has already reverberated through a crowded cement stadium. Named after cult author John Kennedy Toole's first novel, Neon Bible is smart and subtle enough to present itself as a personal discovery for every listener, every word to be pored over by fans (as with those of Tori Amos, Pavement, and Radiohead). Surely, lines like "The sound is not asleep/ It's moving under my feet" have already been scribbled onto the margins of countless textbooks. Such words are delivered with less intensity this time, but no less import. For vocal influences, lead singer Win Butler seems to have traded his '80s Bowie in for an '80s Springsteen, at least on the songs "Antichrist Television Blues" and "Windowsill" (though "Intervention" sounds an awful lot like '80s era Go-Betweens). The kitchen sink arrangements include the use of an Eastern European orchestra, pipe organ, hurdy gurdy, and a military choir. --Mike McGonigalAlbum Description
The second album from Montreal's Arcade Fire exceeds all expectations. With string and orchestral arrangements by two of the band members, "Neon Bible" is full of both half-assed punk rock mistakes and meticulously orchestrated woodwinds. Processed strings and mandolin. Quiet rumbles and loud rumbles. But mostly just eleven songs that the band thinks are really good. The deluxe CD version is packaged in a hinged box with two 32-page flip books designed by the band. The LP is double 180-gram audiophile quality with three sides of music and an etching on the fourth side. The LP also includes a coupon for a free MP3 download of "Neon Bible". Arcade Fire's 2004 debut "Funeral" has scanned over 300,000 copies and is certified platinum in Canada.Customer Reviews:
Disappointing.......2007-07-03
Another Brilliant Album.......2007-06-08
It is unusual for a new band to follow up on such an excellent debut without the old sophomore dip.
Neon Bible lacks some of the intense moments of Funeral but makes this up in consistency.
Everyone us right about the silly packaging: flimsy, indulgent and wasteful - nothing like being irritated before you manage to get to the disk.
Arcade Fire-- the best of the best.......2007-05-29
Not like Funeral, but still Great!.......2007-05-26
The biggest difference bwtn both albums was the drums. The drums are hard, loud, intricate on the Funeral. On Neon Bible, they seem to be more in the background (maybe bc of the mixing) and seem to be more complementary rather than driving the songs' direction. Now it's the strings, brass, keys, guitars, singing that seem to guide the songs and take over the drums.
That said, this album is great. It took a few listens to appreciate it but this one is up there with Funeral.
An even more complex Arcade Fire.......2007-05-23
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Bible Songs
Cedarmont Kids Manufacturer: Cedarmont Kids ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008U73 Release Date: 1996-03-01 |
Tracks:
- Little David (Play On Your Harp)
- This Is My Commandment
- Jesus Loves Me
- Joshua Fought The Battle Of Jericho
- Jesus Loves Even Me
- Dare To Be Daniel
- Everbody Ought To Know
- Peter, James And John In A Sailboat
- My God Is So Big
- Every Promise In The Book Is Mine
- I Will Sing Of The Mercies Of The Lord Forever
- The B-I-B-L-E
- Silver And Gold Have I None
- Jesus Wants Me For A Sunbeam
- I Have Decided To Follow Jesus
- Give Me Oil In My Lamp
- Little David (Play On Your Harp)
- This Is My Commandment
- Jesus Loves Me
- Joshua Fought The Battle Of Jericho
- Jesus Loves Even Me
- Dare To Be A Daniel
- Everybody Ought To Know
- Peter, James And John In A Sailboat
- My God Is So Big
- Every Promise In The Book Is Mine
- I Will Sing Of The Mercies Of The Lord Forever
- The B-I-B-L-E
- Silver And Gold Have I None
- Jesus Wants Me For A Sunbeam
- I Have Decided To Follow Jesus
- Give Me Oil In My Lamp
Customer Reviews:
No songs i know but its cute.......2007-03-23
Great CD!.......2007-03-10
bible songs a hit.......2007-01-13
No less than 5 stars!.......2006-04-03
BIBLE SONGS.......2005-08-14
Average customer rating:
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The Ballad of Baby Doe
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IPTU Release Date: 1999-04-20 |
Tracks:
- The Ballad Of Baby Doe: Act One: Scene One - Opening
- The Ballad Of Baby Doe: Act One: Scene One - 'It's A Bang-Up Job' (Tabor)
- The Ballad Of Baby Doe: Act One: Scene One - 'Horace, What Is This?' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene One - 'I Beg Your Pardon' (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Two - 'What A Lovely Evening'
- The Ballad Of Baby Doe: Act One: Scene Two - 'Willow, Where We Met Together' (Willow Song) (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Two - 'Oh, Mr. Tabor!' (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Two - 'Warm As The Autumn Light' (Tabor)
- The Ballad Of Baby Doe: Act One: Scene Three - 'Now, Where Do You Suppose?' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene Three - 'Have You Seen Her?' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene Three - 'What Are You Looking For, Horace?' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene Four - 'Why, Mrs. Doe!'
- The Ballad Of Baby Doe: Act One: Scene Four - (Letter Song)
- The Ballad Of Baby Doe: Act One: Scene Four - 'Excuse Me' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene Four - 'I Knew It Was Wrong' (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Four - 'No! No! No!' (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Seven - 'What Do You Intend To Do?' (Augusta)
- The Ballad Of Baby Doe: Act One: Scene Six - 'Everything Looks Beautiful'
- The Ballad Of Baby Doe: Act One: Scene Six - 'Gold Is A Fine Thing' (Silver Aria) (Baby Doe)
- The Ballad Of Baby Doe: Act One: Scene Six - 'And I'll Show You Something Else' (Tabor)
Tracks:
- The Ballad Of Baby Doe: Opening
- The Ballad Of Baby Doe: 'The Fine Ladies' (Baby Doe)
- The Ballad Of Baby Doe: 'Mama, Go Inside!' (Baby Doe)
- The Ballad Of Baby Doe: 'Augusta, What Are You Doing Here?' (Tabor)
- The Ballad Of Baby Doe: 'I'll Raise You'
- The Ballad Of Baby Doe: 'Turn Tail And Run!' (Tabor)
- The Ballad Of Baby Doe: 'La, La, La, La'
- The Ballad Of Baby Doe: 'Good People Of Leadville'
- The Ballad Of Baby Doe: 'Extra! Extra!'
- The Ballad Of Baby Doe: 'Augusta! Augusta!' (Augusta)
- The Ballad Of Baby Doe: 'Hey, Mister!'
- The Ballad Of Baby Doe: 'The Cattle Are Asleep' (Tabor)
- The Ballad Of Baby Doe: 'Tabor Owns The Big Hotel' (Chorus)
- The Ballad Of Baby Doe: 'Horace!' (Baby Doe)
- The Ballad Of Baby Doe: 'Always Through The Changing' (Baby Doe)
Amazon.com
Despite its somewhat Disneyesque title, The Ballad of Baby Doe is one of the sturdiest American operas. Its riches-to-rags story of Colorado miner Horace Tabor has a great plot, excellent characters, real arias, and dynamic chorus scenes, and none of it sounds second hand in the least. The opera has an extremely inviting personality of its own. This recording by the New York City Opera is full of crackling fast tempos from conductor Emerson Buckley and great theatricality: right down to the minor characters, everybody knows what they're about. Beverly Sills, Walter Cassel, and Frances Bible all inhabit their roles completely. The one drawback is the recording quality, which is good to voices but mushy on the orchestra. To know what's really going on in the piece musically, one must hear the similarly well-sung but more relaxed 1996 recording made at the venue where the opera was premiered: Central City Opera in Colorado. --David Patrick StearnsCustomer Reviews:
The BEST Testament to Beverly Sills' Memory.......2007-07-05
Of all the recordings that she made, this one, "The Ballad of Baby Doe", is the one that brings back the most endearing memories of this wonderfully talented lady.
It was her first Big Hit role in her new-found home (New York City Opera Company); it also, just happens to be a Totally American story, and creation, written by Douglas Moore.
Here we have Ms Sills in the freshness of her youth, in a brand new role, one that few have been able to fill after her sparkling interpretation. I think it fair to say that she will "always" be Baby Doe.
This recording is a true jem, as all previous reviewers, and many others will tell you. There is NO other work like this one. It is so fresh, lovely, and of course, tragic at the same time.
Everything about this recording is "small and intimate" as this story should be presented. And, luckily, the forces behind getting this recording made, did not have access to large forces and lots of technological wizardry-type equipment and facilities to do this recording in. This makes it all the more wonderful, as I said, small and intimate.
Beverly Sills, Frances Bible, and Walter Cassell had sung this opera together, and had "lived" in their parts long enough to become real breathing characters, characters that you really do care about, and get drawn in by. I defy anyone not to become emotional when Baby Doe sings the "Willow Song", or not to become teary with her final "Always Through The Changing". Frances Bible's stiffly starched Augusta Tabor is so three dimensional that she could walk right into the room with you! And, Walter Cassell's portrail of Horace Tabor will probably never be sung with the "totally lived in" feel that he brings to the role.
From all my thousands of opera recordings, this one gets picked FIRST if I want to listen to an American work. It also gets picked FIRST when I just want to marvel at Beverly Sills' truly most-gorgeous voice at the peak of her youthful freshness and "innocence" (before she had "grown up" in all those other roles).
Deutsche Grammophone has truly done us all a great favor by bringing forward all of the ABC and previous recordings that Ms Sills made prior to her move to EMI, and, truly, we are most thankful for the beautiful remastering and refurbushing of this wonderful Great American Work by Douglas Moore. Bravo, DG!, and of course, certainly, Bravo/Brava to Ms Sills, Ms Bible, Mr Cassell, and to Emerson Buckley for holding it all together. A truly landmark recording, and one that should be on your shelves. ~operabruin
Still endearing fifty years on.......2007-04-15
There are drawbacks, most of them minor in regard to the total impact. The major flaw is the dated sound, never good even for its day, that comes close to shattering and peaking any time the music grows louder than mezzo forte. Sills sings at her purest and freshest, but the microphone distortion cramps the voice considerably. A shame DG couldn't remaster the original tapes to remove so much glare. The second flaw is the routine but vigorous conducting of Emerson Buckley; a better conductor could have made the choral passages sound better than a college musical. These blemishes aside, Baby Doe is an American classic and has survived after many, many of its rivals have long ago faded away.
Beverly Sills First Hit Role.......2005-09-03
Sills herself always considered the role of Baby Doe the role she most inhabited, and she is in simply sumptuous voice on this recording. She is ably supported by the underrated American baritone Walter Cassel as Horace Tabor, and by the New York City Opera's leading mezzo-soprano, Frances Bible, in the surprisingly sympathetic role of Augusta, Horace's self-righteous wife. Julius Rudel conducts the New York City Opera orchestra with his usual steady hand, and the sound quality of this 1959 recording is excellent. Anyone who enjoys American opera should add this to their collection, and for fans of Beverly Sills, this is a "must have".
I wish I could give this recording a fifteen star rating!.......2004-06-15
I have LP copies of it on MGM, Heliodor, and DGG pressings.
But I am one who has been waiting for years to find it released on CD. When the CD set finally came out, I was beside myself with joy.
This is the Baby Doe to have.
Someone mentioned the 1996 CD recording of Baby Doe, which was recorded in the Central City Opera House.
That's a very good recording. The entire cast is/are wonderful.
And that recording includes a few bars(in the first act) which are cut from the Sills Baby Doe.
But as fine as the 1996 recording is; it would be impossible to top or even match Cassel, Sills, and Bible as the Tabor love triangle.
I attended one of the 1996 Central City Opera Baby Doe performances. I was elated to see/hear the opera performed in that glorious old house.
But I have to admit that the acoustic ambiance of the Central City Opera House was a bit tubby and dry (acoustically). The tubby and dry ambiance of the 1996 Baby Doe recording is one of the reasons I prefer the Sills recording.
Anyway.
I have made two pilgrimages to Leadville. The Tabor Grand Opera House (which is in desperate need of funds for restoration) is still standing and in business.
The Clarendon Hotel (which was adjacent to the Tabor Grand) was torn down decades ago (although evidence of the Tabor cat walk from the Tabor Grand to the Clarendon is still extant).
Both times I visited Leadville, standing on the stage of the Tabor Grand left me speechless.
But my two visits to Baby Doe's cabin at the Matchless Mine devastated me.
Both times I stood in the "cold and narrow house" in which Baby Doe died so emotionally overwhelmed me that I had to step outside. I didn't want the rest of the tourees to see me weeping.
I couldn't help reacting that way. As I stood in Baby's cabin, her final aria , "Always Through the Changing" (as sung by Sills) kept running through my mind.
For those who have not heard this Opera (especially the Sills recording) you all really must listen to it.
It's one of the few truly great American Operas.
Moore's score is glorious. The Latouche libretto is outstanding.
And the story of Baby Doe (upon which the opera is based) is well represented (with a few dramatic alterations) in the opera.
From An Opera Singer.......2004-05-23
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Bullet In A Bible (CD/DVD, Jewel Case)
Green Day Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B8QF14 Release Date: 2005-11-15 |
Tracks:
- American Idiot
- Jesus of Suburbia
- Holiday
- Are We The Waiting
- St. Jimmy
- Longview
- Hitchin' A Ride
- Brain Stew
- Basket Case
- King for a Day/Shout
- Wake Me Up When September Ends
- Minority
- Boulevard of Broken Dreams
- Good Riddance (Time of Your Life)
From Amazon.co.uk
If you're wondering how Green Day managed to become the biggest punk band in the world, take a look at Bullet in a Bible. Recorded at their June 2005 two-night run at Milton Keynes National Bowl in England, this combined CD/DVD sees these former bong-hitting Californian dropouts embracing political activism, pantomime hilarity, and all the fripperies of a rock opera--and excelling at all three. The first half is essentially a run-through of the group's 2004 album American Idiot, complete with anti-American rabble-rousing and a set of barbed insults tossed back at the "rednecks" across the pond. That out of the way, the band careen into a sort of greatest-hits set, with the likes of "Longview" and "Hitchin' a Ride" sharing space with a brass-laden "King for a Day" that sees Billie Joe Armstrong prancing around the stage in crown and ermine cape, singing snatches of Lulu's "Shout" and Eric Idle's "Always Look on the Bright Side of Life." Tremendously silly, but Green Day have managed to figure out how to play it like showmen without resorting to juvenile puerility or morphing into corporate yes-men, and that's a way harder trick than it looks. --Louis PattisonAlbum Description
Featuring Green Day's first live DVD, the CD + DVD Bullet in a Bible captures the explosive band on the biggest tour in its career, in support of the Grammy-winning, quadruple-platinum, #1 charting American Idiot punk-rock epic. From two performances filmed in June 2005 before 65,000 fans, both in Milton Keynes in England, to the DVD's documentary segments following the band members around that city as they visit a war museum and various pubs, and share in-depth insights on the making and meaning of American Idiot, Green Day is #1 with a Bullet in a Bible. DVD: Video of the performance with documentary behind-the-scenes footageCustomer Reviews:
Electrifying.......2007-07-02
The band open with a spine tingling version of their newer hits with 'American Idiot' and 'Holiday' leading the line. They also show how well 'Jesus of Suburbia' works when performed live. After these songs, Green Day bring their newer, more uninitiated fans through some of the earlier Green Day catalogue, with quality performances of, among other songs, 'Longview', 'Basket Case' and 'Minority'. These performances should give an electrified jolt to all Green Day fans, new and old.
During the encore, Billy Joe brings the only moment of the before eschewed intimacy to the concert, with his closing rendition of 'Good Riddance'. This brings a beautiful close to another fantastic show by the boys from California.
best band ever.......2007-05-07
This one converted me.......2007-04-13
Energizing performance, great rock/punk music.......2007-03-14
I gather that some of the concert was cut from both disc and and film, but what is presented is very fine. The band, with two back up musicians, launch themselves into the American Idiot rock opera with a vengeance (complete with political commentary), and some older, vintage Green Day songs, like "Basket Case," and the mega-hit "Good Riddance," to the immense enthusiasm of the huge Brit crowd at the Milton Keynes National Bowl. Selections highlight the versatility of the group, which can belt out punk lyrics of anger and alienation, hard-hitting rock numbers, or melancholy ballads like "Wake Me Up When September Ends," without missing a beat. All three musicians seem powered up and at the top of their game, and Billie Joe Armstrong, an energizer bunny if there ever was one, keeps the energy level high from start to finish with his remarkable voice (a flexible tenor with an occasional, pleasing quaver) and onstage antics.
To add to all of this, the members of Green Day--baby faced, green eyed Billie Joe, the lean, intense Mike Dirnt, affable Tre Cool with his inimitable clowning--have an undeniable visual appeal than comes across well in the concert DVD, as it has in their videos (viewable on the Green Day website).
Truth.......2007-02-12
the only bad to make the punk rock opera that stormed
the world over. people critisize them because they are jealous.
They are better and more talented them "Mee-tall-ica" and
rap "hustlers" "iz u with ma" (makes no sense) and they're angry
cuz they're going strong 18 years now and they are capable of real music.
hats to those who had good feedback for this incredible album
Bad critics are jealous too.
But of course they'll deny it like
all cowards in this world.
Average customer rating:
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Bible of Dreams
Juno Reactor Manufacturer: Tvt ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003RHN Release Date: 1997-07-15 |
Tracks:
- Jardin De Cecile
- Conga Fury
- God Is God
- Komit
- Swamp Thing
- Kaguya Hime
- Children Of The Night
- Shark
- High Energy Protons (Orion Mix)
Customer Reviews:
Never ceases to amaze.......2006-09-23
But for some reason, it does. And I think I've finally pinpointed why.
As a big fan of psytrance, I'm always on the lookout for something "fresh." Sadly, it doesn't seem to come along often enough in this genre. Like basically any other musical type you could name---hip hop, alt-rock, jazz, whatever---there are so many artists who sound the same that it can get old really quickly.
The same goes for this genre. As much as I enjoy it, I can't tell you how many times I've found myself bored listening to music in the same category as this, yet with one track at another having the same monotonous, rapid beat (usually 130-140 beats per minute), and wondering to myself if the track had actually changed from the one I'd just been listening to.
Fortunately, there are a few artists out there brave enough to try and break that trend. Among these I would rank Infected Mushroom, Hilight Tribe (who, sadly, aren't even listed on Amazon, but absolutely should be), and of course, Juno Reactor.
And to me, "Bible of Dreams" is truly their opus.
While I enjoy some of their other works very much, most notably "Shango," "Beyond the Infinite" and their very nicely remixed "God is God" EP, this one is the standout. It is simply a work of art from start to finish. Even the supposedly "weaker" tracks are still nice experiments, and nevertheless a pleasure to listen to. I felt like they poured themselves not only into every track, but every point of every track. And that's so rare in electronic music, where artists and DJs all too often just seem to rely on the technology to do the work for them.
I won't bother to break down this album track by track. The reviewers below me have already done that, and I think they've done a good job. All I'll add is that if you want something in the psytrance genre that doesn't sound like everything else, then give this one a try. Although I can't guarantee that it will suit everyone's taste, I think I can say with certainty that if you respect artists who at least try not to sound like everyone else in the pack, then you won't regret spending the money.
Juno Reactor - Bible of Dreams.......2006-02-06
.........cosmic.......2006-01-16
1) Jardin de Cecile - 4/5. You might call it boring; I call it moody. This is not the standard "calm & slow" sound of Juno Reactor--in other words, it's not a droning, monotonous pile of neverending bull. This one actually has character, which is maybe not as evident in the first couple of minutes as it is later. We get some atmospheric, echoing notes that have a nice, dreamy quality to them. After a while, percussion joins in, along with this weird "sweeping" noise that pops in every few seconds. About five minutes in, the song undergoes a complete change of style and transforms to heavy percussion and a little synth. A nice intro that gives you a taste of things to come. It's like the POV of someone gradually waking up and joining the traffic jam of everyday life. While stoned.
2) Conga Fury - 4/5. You may have heard this in "The Animatrix" or "Mortal Kombat: Annihilation" (so sorry for mentioning that movie). It starts off with a lone female voice whose harmonizing is soon joined by jungle drums and synth. It continues on with the drums and the synth and the voice until it quiets down and ends the same way it began. And what's really funny is the male voice that kicks in at two minutes. It's somewhat weird and out of place, but it's so hilarious that I can forgive Watkins. "Huela! Huela! Libalalibalalibalalibala..." Or whatever he's saying.
3) God is God - 5/5. It's funny. When I first heard "Pistolero", I thought that no other Juno Reactor song could ever be as good or better. Kids today, eh? Whatever melancholy quietude existed in the first two songs is completely gone here. We've left the jungle and entered the desert, and does it deliver. Don't be fooled by the spacy sound at the beginning--that soon gives way to a crazy beat with chanting and all the instruments you'd expect in the Middle Eastern culture. There are also sound clips apparently taken from "The Ten Commandments", which are weird at first and then as cool as the rest of the song. Sure, it's repetitive, but the main tune is WAY awesome, and as long as we have that...repetition matters not, grasshopper.
4) Komit - 4/5. Not bad at all. A remix of this was heard early on in "The Matrix Reloaded", and I must admit, I liked it better there. It begins with a series of notes that give one a sense of flying through the calm night air. I would've liked to hear these notes become more prominent, but alas, only in "Reloaded". Here, they stay in the background and let the Juno percussion take over. The song just gets bizarre at times, although the grungy tunes are worth it. That's about all. Overall, this is a more organic version of something you'd hear in "Transmissions".
5) Swamp Thing - 4/5. Ah, looks like they're tackling heavy metal. This starts off grungy and gritty, and doesn't let up until it's over. The usual percussion kicks in, and sticks with a sinister tempo for a while. When we hear the guitar solos at approximately 3:30, it seems kinda belated and anticlimactic, especially since they don't go much further than that; we slip right back to the percussion. I'm only giving this a 4 because it's rather catchy.
6) Kaguya Hime - 5/5. This can be compared to "Swamp Thing", but it takes itself a lot less seriously. It's got a similar setup and form: percussion accompanied by minimal synth. About forty seconds in, we're introduced to a very playful beat that sounds like the work of hollow drums played by chopsticks. Or something like that. Midway through, the drums "mature" into a heavier-sounding variety, with some more synth playing alongside than before. It's still playful, though. In fact, this is a very fun song to listen to if you don't mind a drum being the primary instrument. Reminds me of the final segment of "Jardin". I'm only giving this a 5 because it's supremely catchy.
7) Children of the Night - 5/5. And now for something completely different. While the previous six have different styles, one can tell that they're all Juno Reactor works. With this, it might be a little more difficult. At least for me. On the platter is a tune that sounds evil yet fun. Shall we say...giddy. It's very, very giddy. You can imagine an evil force approaching to kill you, but messing with your mind first by sneaking up on you from multiple directions, or filling your mind with images from your worst nightmares. It is giddy. There's not a lot of ways to describe it. Giddiness all around. "The children of the night are call-eeng...hehehehe...hehehehe..." accompanied by the sound of puppies allegedly whimpering before their horrible, gas-filled deaths. Brrr. Did I mention it's giddy?
8) Shark - 4/5. I know, I know, it's "calm & slow". But it's also not monotonous. If you haven't figured out from the title, this conveys an underwater feeling to the listener. It's very mellow and trancy, and in some parts, definitely reminiscent of Vangelis' opening score for "Blade Runner". It's down-time for the entire song, although there is a rough patch that's supposed to resemble a tectonic plate breaking apart or something. Ruins the calmness, I think. The length is another problem; it's over nine-and-a-half minutes long. When a song doesn't have a lot of musical variety, you might wanna shorten it. On the plus side, featured here are a bunch of trippy sound effects that sound underwater-ish, but I don't really know why. Without these sounds, this song is what you'd hear at one of those big aquarium display shows. With the sounds, it's...well...Juno Reactor at its calm & slow finest.
9) High Energy Protons (Orion Mix) - 5/5. I'm fully aware it's a remix. I'm fully suspicious of the guys for being lazy. But that doesn't stop the "Bible" finale from ruling. To make it easier for you, I'll just assume that you've already listened to the original version in "Transmissions". And by "easier for you", I mean "easier for myself". Some of the techno sound is still here, but the background choir holds much more presence. Furthermore, there's the addition of a few synth riffs that add another dimension to the whole thing. However, I still like the original mix better. Don't ask why. And if you're wondering about the dialogue clips, they've dropped "You're going to have a wonderful trip." All we've got here is "You're the brain and central nervous system", "High energy protons spilling over into our atmosphere", and "Everything's going extremely well." (YES! HAL-9000!!!)
Wow.......2005-10-10
Juno Reactor's Weakest Effort.......2005-08-10
Average customer rating:
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Starless and Bible Black - 30th Anniversary Edition Remastered
King Crimson Manufacturer: Discipline Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064WSNM Release Date: 2006-01-16 |
Tracks:
- The Great Deceiver
- Lament
- We'll Let You Know
- The Night Watch
- Trio
- The Mincer
- Starless And Bible Black
- Fracture
Customer Reviews:
An essential representation of this KC lineup.......2007-07-02
Nice studio tracks and excellent live performances.......2007-05-29
The lineup on this album is considered to be the finest Crimson lineup assembled and I do not disagree. The players at this point included David Cross (violin, viola, mellotron); Robert Fripp (electric guitar; mellotron; and devices); John Wetton (electric bass guitar; lead vocals); and the incredible Bill Bruford (drums and percussion). The performances on the live tracks are out of this world and amply demonstrate the power of this group as an improvisational unit of considerable power and imagination. Robert Fripp turns in some excellent performances throughout (his complex, cross-picking technique really shines on the closing track) and seems to favor a heavily distorted tone played at bone-crushing volumes - he is however, capable of some delicate playing as well. John Wetton seems to favor taking the same approach on the bass guitar and his thunderous bass lines rumble throughout - like Fripp, John is also capable of some fairly delicate playing. I was also happy to hear David Cross and his delicate violin/viola parts emerge from the chaos - unfortunately, his playing really took a back seat on the follow-up album Red (1974).
The eight tracks on the album range in length from 3'46 to 11'14" and include a few studio tracks (The Great Deceiver and Lament) and the aforementioned live tracks. Although some of the live tracks generate enough raw electrical power to blow the earth up ten times over, Trio is a very tranquil piece that just features violin, bass guitar, mellotron, and flute. Apparently, Bill Buford felt that Trio was perfect as it was and decided not to add drums during the live performance - in fact, the band appreciated this gesture and gave him a co-credit. The Night Watch is another quiet and mellotron saturated piece that breaks things up nicely. Although the studio tracks are nice and present a wide range in dynamics, it is the crushing volume and avant-garde tendencies of the improvised tracks that really hold my attention.
All in all, this is a good album released during a very creative period for King Crimson along with Lark's Tongues in Aspic (1973) and Red. Although I can't say that I like this album as much as the other two from this period, this is still high quality progressive rock and is recommended along with In the Court of the Crimson King (1969); Lizard (1970); Lark's Tongues in Aspic; and Red.
Another overatted album by King Crimson.......2007-05-10
I consider myself as an open mind and I am always ready to discover new things, this album might have been "hot" thirty years ago, but it is very dated in the 21st century ! I gave mine to a friend, giving space in my cd collection for something else.
no one touches The King.......2007-02-26
if you are unfamiliar to king crimson's sound, than i'd recommend picking up the latter albums i previously stated. even to this day, king crimson still does not get the recognition they deserve, but in this day in age, maybe it was better that way. they still have countless fans the world around & are one of the most influential rock bands in past 40 years.
long live the crimson king
Improvs Improved.......2007-02-06
Average customer rating:
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100 Bible Songs for Kids
St John's Children's Choir Manufacturer: Madacy Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000663YR Release Date: 2002-04-30 |
Customer Reviews:
100 Bible Songs for Kids.......2007-08-02
100 Bible Songs for Kids.......2007-01-09
100 Bible Songs.......2007-01-09
Great CDs.......2005-09-06
grandpapasan.......2005-05-21
Average customer rating:
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Hide 'Em in Your Heart: Bible Memory Melodies, Vol. 1
Steve Green Manufacturer: Navarre Corporation/ ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008G7W Release Date: 1991-04-02 |
Tracks:
- Let the Little Children Come
- Do to Others
- This Is How We Know
- Overcome Evil With Good
- When I Am Afraid
- Children Obey Your Parents (Eph 6:1)
- Our Father in Heaven
- And Jesus Grew (Luke 2:52)
- Believe in the Lord (Acts 16:31)
- You Are the Light of the World
- Keep Your Tongue from Evil (PS 34:13)
- You Shall Love the Lord
- Hosanna!
- Where Two or Three
- I Can Do All Things (Philip 4:13)
- Trust in the Lord (Prov 3:5and6)
- Without Complaining (Philip 2:14)
- For All Have Sinned/For God So Loved (ROM 3:23/John 3:16)
- Even a Child (Prov 20:11)
- Your Word Is a Lamp (PS 119:105)
Customer Reviews:
A Must Have for Children!.......2007-07-31
World Music:
- Brazilian Melt [Import]
- Casa De La Trova
- Classical Egyptian Dance, Vol. 1
- Cosmic Sounds Remixed
- Curre Curre Guaglio [Import]
- Dainamaita [Import]
- De Gregori [Import]
- Dolly [Import]
- E Poi la Tua Bocca Da Bacciare [Import]
- Eu Quero E Botar Meu Bloco Na Rua - Colecao Samba Soul [Import]
World Music
2000: Commemorating Copeland and the American Songwriters
What Now My Love [Original recording remastered]
Yesterday I Heard the Rain [Import]