| 1. Alhambra |
| 2. Aranjuez |
| 3. Django |
| 4. Sunrise |
| 5. Zingaro |
| 6. Besame Mucho |
| 7. Shadow Of Your Smile |
| 8. Blue Monk |
| 9. Peggy's Blue Skylight |
| 10. Black Orpheus |
| 11. Spiced Up |
Concierto De Aranjuez,Jinshi (Ft John Pisano) Ozaki,Crown,World Music
Average customer rating:
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The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I93Z Release Date: 1999-03-30 |
Tracks:
- Air 'On the G String' - Academy Of St. Martin In The Fields
- Morning - Academy Of St. Martin In The Fields
- Canon In D - Academy Of St. Martin In The Fields
- Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
- Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
- II. Andante - Stephen Hough
- Viens, Mallika - Mady Mesple
- In Paradisum - Choir Of King's College, Cambridge
- Clair De Lune - Dame Moura Lympany
- II. Andate - Yehudi Menuhin
- The Swan - Osian Ellis
- II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
- II. Andantino - James Galway
- II. Largo - Yehudi Menuhin
- Nimrod - London Symphony Orchestra
- Blow the Wind - Pie Jesu - Jocelyn Pook
- Variation 18 - Cecile Ousset
- Pavane Op.50 - Gareth Morris
Tracks:
- Zion Hort Die Wachter Singen - South German Madrigal Choir
- Adagio In G Minor - Academy Of St. Martin In The Fields
- Minuet - Academy Of St. Martin In The Fields
- II. Largo - Andrei Gavrilov
- Meditation - Hans Kalafusz
- I. Adagio Sostenuto - Dame Moura Lympany
- Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
- II. Andante - Nigel North
- II. Adagio - Jack Brymer
- Intermezzo - Philharmonia Orchestra
- I. Moderato - London Chamber Orchestra
- O Mio Babbino Caro - Montserrat Caballe
- Fantasia On 'Greensleeves' - Sinfonia Of London
- II. Adagio Sostenuto (Opening) - Cecile Ousset
- Nocturne - Academy Of St. Martin In The Fields
- II. Adagio (Opening) - Julian Bream
- Adagio For Strings Op.11a - The Philadelphia Orchestra
- Entr'acte To Act III - Orchestre National De France
Amazon.com
You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward GarabedianCustomer Reviews:
Lives Up To The Title, Fine Variety Of Genre's........2007-02-04
Good for relaxing pregnant women.......2007-01-17
Too much opera.......2007-01-10
Does what it set out to do, very well.......2006-11-15
That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.
Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.
To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.
Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)
So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.
TRULY The most relaxing and beautiful music ever written........2006-11-10
SIMPLY BEAUTIFUL !!!!!!!!!!
Average customer rating:
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Essential Guitar: 33 Guitar Masterpieces
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069KIT Release Date: 2002-08-13 |
Customer Reviews:
Two-and-a-half hours of bliss.......2007-04-04
Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.
I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.
not what i expected.......2007-03-26
excellent guitar performances.......2006-07-27
Essential Guitar..........2005-07-26
Buy it and enjoy!!!!
Lives up to its Name!.......2005-06-10
The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.
My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.
Average customer rating:
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Classical Evolution: Spanish Guitar Music
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065AQ3 Release Date: 2002-05-07 |
Tracks:
- Allegro Con Spirito - Budapest Strings
- Adagio - Budapest Strings
- Allegro Gentile - Budapest Strings
- Allegro
- Adagio
- Menuetto
- Rondo: Allegretto
- Spanish Dance No.2
- Castilla No.7
- Hommage A Debussy
- Spanish Dance
Customer Reviews:
A real bargain.......2007-07-04
Classical Evolution: Spanish Guitar Music.......2007-05-14
Just Learning.......2007-04-11
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Rodrigo: Concierto de Aranjuez; Fantasía para un Gentilhombre
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000415P Release Date: 1994-05-10 |
Tracks:
- Concierto de Aranjuez: Allegro con spirito
- Concierto de Aranjuez: Adagio
- Concierto de Aranjuez: Allegro gentile
- Fantasia para un gentilhombre: Villano y Ricercare
- Fantasia para un gentilhombre: Espanoleta y Fanfare de la caballeria de Napoles
- Fantasia para un gentilhombre: Danza de la hachas
- Fantasia para un gentilhombre: Canarios
- Canconeta
- Invocation et danse: Moderato
- Invocation et danse: Allegro moderato: Polo
- Trois petites pieces: Ya se van los pastores
- Trois petites pieces: Por caminos de Santiago
- Trois petites pieces: Pequena sevillana
Amazon.com
Rodrigo's two "greatest hits," these works for guitar and orchestra made a convenient and frequent LP coupling, but they are a skimpy CD program. One recommendable feature of this CD is the inclusion of two lovely works for solo guitar along with an equally lovely piece for violin and orchestra. Rodrigo deserves to be more than a two-hit wonder, and bravo to Philips for exposing a little more of his music like this. Still, the performances of the "hits" are our major concern here. Pepe Romero plays with complete command of the music, and in the affecting slow movement of the "Concierto" (composed, as we learned only after his death, to mourn the loss of a child who died at birth), he plays his heart out. Marriner and the not so small orchestra give outstandingly crisp and sensitive support, and the recording manages the difficult feat of balancing guitar and orchestra so that the solo instrument remains audible without sounding artificially boosted. There are many fine versions of the concertos on CD, including one by Pepe's brother Angel, several by John Williams, and one by Manuel Barrueco with Placido Domingo conducting. But this Philips disc is as good as any and does have the advantage of the extra music. --Leslie GerberCustomer Reviews:
Concierto de Aranjuez.......2007-01-22
Do not buy it.......2006-10-12
The music will take you away! .......2006-03-10
tremendous recordings of some favorites and some less well-known works.......2005-11-04
Recommended.
A magical Classical Ambience.......2005-02-15
Close your eyes when you listen to this CD and allow yourself to be taken on a journey, for the music, the instruments and the ebb and flow of the music take one on a journey down to the essence of the soul, mind and heart.
All I can say is this is a must for any fan of Spanish Classical ambience theme music.
Average customer rating:
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Classic Williams: Romance of the Guitar
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T0P4 Release Date: 2000-05-02 |
Tracks:
- Romance
- Pavane
- Sunburst
- Una Limosna Por el Amor de Dios
- Asturias
- Gymnopedie No. 3
- El Condor Pasa
- Verano Porteno
- Scherzino Mexicano
- Berceuse
- Natalia
- Dance from la Vida Breve
- Planxty Madame Maxwell
- Epitafios
- Prelude from Lute Suite
- I. Prelude from Suite for Lute (Guitar) No. 4 in E Major, BXV 1006a - From The Seville Concert
- Sonata in E Major, K. 380 (L. 23) - From The Baroque Album
- III. Allegro from Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, RV 82 - From John Williams Plays Vivaldi Concertos
- II. Adagio From Conceirto de Aranjuez For Guitar And Orchestra
Amazon.com
Guitarist John Williams (no, not John Williams the soundtrack composer) adds to his fine catalog of impeccable recordings with Classic Williams: Romance of the Guitar. But this isn't just a best-of collection (though some of his greatest work is included here) since the disc contains three new recordings. Among the new tracks, Fauré's Pavane is a real stunner, a short but gorgeous piece originally meant for orchestra and choir, where Williams's guitar sounds as though it always belonged there. We get Williams at his most interpretative--his arrangements of Satie's Gymnopedie No. 3 and Piazzolla tango Verano porteno--and his most serene (the "Cavatina" theme from the movie Deer Hunter). Let's face it, some fine classical guitarists can lull their listeners into near comatose states with their instrument; Williams, on the other hand, is just the opposite. His gorgeous tone, inventive arrangements, and interesting repertoire continue to make the classical guitar sound exciting. In short, a great introduction to Williams and a real gem for lovers of classical guitar. --Jason VerlindeCustomer Reviews:
The Aranjuez Adagio is Perfection.......2007-03-01
Classic.......2007-01-26
Classic Williams: Romance of the Guitar.......2007-01-20
The Best One Disc Compilation of the Man That's Out There!.......2006-04-19
As a guitarist myself who has been struggling all these years with "Cavatina", it always amazes me how effortlessly John makes the tune sound so simple and as if two guitarists are playing, one for the accompanyment and one for the melody and yet it's all him! Not only are the tracks representative of John's great talent but they also represent some of the most famous and challenging pieces to play.
Another great example of this is "Asturias(Leyenda) by Albeniz, a hauntingly beautiful and deceptively simple-sounding piece. We also get pieces that span the centuries from J.S. Bach and Vivaldi to Stanley Myers and York ending with the brilliant second movement of Rodrigo's "Concierto de Aranjuez".
Although the sound quality isn't brilliant as some tracks sound better mastered than others, overall this is a great one disc introduction to John Williams' work and comes highly recommended.
Excellent!!.......2006-03-06
Average customer rating:
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Rendezvous of Angels - Concert Collection [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DV5E Release Date: 2003-12-09 |
Tracks:
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
- Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
- Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
- Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
- Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
- Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
- Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
- Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
- Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
- Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
- Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
- Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
- Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
- Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
- Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
- Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
- Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
- Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Tracks:
- Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
- Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
- Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
- Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
- Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Tracks:
- Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
- Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
- Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
- Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
- Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
- Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
- Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
- Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Tracks:
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
- Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Tracks:
- Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
- Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Tracks:
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
- Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
- Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Tracks:
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
- Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
- Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle
Tracks:
- Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
- Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
- Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
- Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
- Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
- Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi
Tracks:
- Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
- Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
- Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Tracks:
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
- Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
- Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Tracks:
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
- Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
- Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
- Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
- Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Tracks:
- Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
- Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
- Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
- Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum
Tracks:
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Tracks:
- Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
- Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Moderato - Budapest Strings,
- Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
- Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova
Tracks:
- Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
- Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
- Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos
Tracks:
- Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
- Concierto de Aranjuez: Adagio - Monika Rost
- Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
- Sonata Op.22: Allegro - Budapest Strings,
- Sonata Op.22: Adagio - Budapest Strings,
- Sonata Op.22: Menuetto - Budapest Strings,
- Sonata Op.22: Rondo. Allegretto - Budapest Strings,
- Spanish Dance No. 2 - Budapest Strings
- Castilla No. 7 - Budapest Strings,
- Hommage Debussy - Budapest Strings,
- Spanish Dance - Budapest Strings,
Album Description
This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.Customer Reviews:
Heavenly.......2007-06-06
What a value!.......2005-07-26
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) i