His First and Last Recordings

Amazon.com
The title says it all. These are Don Santiago's best tunes from his early days to his later collaborations with his son Flaco and veteran upright bass player Juan Viesca. Like Narciso Martinez, considered the founding father of conjunto, Jimenez was a first-tier pioneer. And like Martinez, his first hits were instrumental polkas. His best are included here--"El Aguacero," "Sal Su Puedes," and "Atotonilco." The sound quality may seem primitive--after all, they were recorded five decades ago--but the inherent old-world charm still carries through. The Jimenez original "Ay Te Dejo en San Antonio" is pure gold. It was this song, albeit re-recorded, that won his son Flaco a Grammy in 1986 for an album by the same name. --Ramiro Burr

His First and Last Recordings,Sr. Don Santiago Jimenez,Arhoolie Records,Latin,Mexican,Norteño,Tex-Mex,Zydeco

Average customer rating: One of the best CD's out there! a voice teacher and early music fan Prelewd to Postlewd Sounds like they're singing Christmas carols A sly and rollicksome good time!

The Art of the Bawdy Song Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande D'Urfey, Thomas | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | International | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: The Mad Buckgoat - Ancient Music of Ireland Watkins Ale: Music of the English Renaissance La Rocque 'n' Roll - Popular Music of Renaissance France / The Baltimore Consort Penny Merriments: Street Songs of 17th Century England On the Banks of Helicon: Early Music of Scotland ASIN: B000001Q93 Release Date: 1993-02-11

Tracks:

1. Aniseed Robin
2. Cuckolds All A-Row
3. I Gave Her Cakes And I Gave Her Ale
4. Taking His Beer With Old Anacharsis
5. Fye, Nay, Prithee John
6. Cold And Raw
7. The Miller's Daughter
8. Will Said To His Mammy
9. The Old Fumbler
10. Walking In a Meadowe Greene
11. Celia Learning On The Spinnet
12. Tom the Taylor
13. My Lady's Coachman John
14. The Irish Jig Or The Night Ramble
15. Come Sirrah Jacke Hoe
16. Dainty Fine Aniseed Water
17. Most Men Do Love the Spanish Wine
18. Argreers
19. Gathering Peascods
20. My Lady And Her Maid
21. As Roger Last Night To Jenny Lay Close
22. Pox On You
23. Ladie Lie Near Me
24. 'Tis Women Makes Us Love
25. Sir Walter Enjoying His Damsel
26. My Thing Is My Own
27. Here Dwells a Pretty Maid
28. My Man John Had a Thing That Was Long
29. When First Amyntas Sued For a Kiss
30. More Palatino
31. Poor Owen
32. Where They Drank Their Wine
33. Come, Come, Let Us Drink

Customer Reviews:

One of the best CD's out there!.......2007-05-10

All ages and musical backgrounds love this CD. The Baltimore Consort are amazing. One really feels one is in a smoky pub in the 14oo's getting plastered with England's best musicians! Don't miss "Pox on You;" my kids absolutely howl with glee at the "bass fartophone." I haven't heard laughter like that come out of my little boy since he was a toddler. "Sweet Sir Walter" features one of the guys singing in a falsetto that sweeps lustily down into a Tim Curry-esque (think Dr. Frank-n-furter)gutteral guffaw of delight. So outrageously fun one forgets one is listening to Renaissance madrigals.

a voice teacher and early music fan.......2007-03-25

These bawdy catches and ballads take us on a journey to the taverns and other social gathering places of the the real 'Merry Old England'. Some of us may be mildly shocked by the directness and earthiness of the text, but everyday life in the 17th century was much more 'down-to'earth- and forward. These texts-some blatant and other euphemistic-fully explore the spectrum of humor from the sly smirk to the back-slapping guffaw.
The singing of both ballads and catches belongs to a long and venerable tradition in England. The natural habitat of the of the catch was the tavern, while the ballad was known in a wider variety of social settings as well as the stage. By the end of the 17th century, ballads were collected by connoisseurs of popular culture and published in anthologies. The main source for this recording, 'The Catch Club, or 'Merry Companions', was printed in 1762.
A quote from the catch-philosopher (of 'Come, come let us drink') is offered by the Baltimore Consort: "...wine and good cheer will in spite of our fear inspire our hearts with mirth..the time we live, to wine let us give, since we all must turn to earth...."
This is an excellent collection of songs; quite interesting and varied. The instruments are played skillfully, and the voices, for the most part, are good quality. However, as with all 'folk-like' songs, the diction is not always clear, and that is very true of several of these on this disc. The female voices were more difficult to comprehend much of the time. The text is printed out, so ultimately familiararity will make them easier to understand. I do like the disc, and think that it needed to be done.As to a previous criticism concerning the fact that it wasn't 'true' barroom singing. Of course, it's not!!!If it were, you would not understand any of it!!!!!Enough said.

Prelewd to Postlewd.......2005-09-28

The Baltimore Consort, an ensemble of six players, was founded in 1980 with the purpose of performing 'broken consort' pieces of Elizabethan origin. 'Broken' here refers to the instrumentation - treble viol/violin, flue/recorder, lute, cittern, bandore and bass viol. Their repertoire expanded beyond these beginnings to include broader British fare, as well as French and Italian music of the time. This is a happy expansion, as it made this disc of older, bawdy (for its time) music possible.

The Baltimore Consort play with life and vigour, with a good deal of improvisational flair, not being bound to texts and going through the production of notes as if mechanically. This is true to the spirit and nature of the early music, in which performers often had to 'play by ear', neither being able to read music nor having printed music even if they could. This is particularly true of the songs on this disc, where many are derivative of anonymous jokes and stories, and much of the music is likewise folk-tune and anonymously composed.

Some of the songs can be rather shocking. As Mary Anne Ballard writes in the accompanying notes, 'We must remember that in the days before indoor plumbing and pooper-scooper laws, everyday life was of an earthier flavour than it is today.... The men of the singing clubs and the ladies of stage poked fun at themselves and their companions with wit, pleasantry and contrivance.'

The names of many of the composers of these pieces have been lost to history, particularly the more folk-song oriented ones. However, some well-known composers are represented among the pieces here - Purcell, D'Urfey, Aldridge, and others.

The regular players include Mary Anne Ballard (viols), Mark Cudek (cittern, guitar, recorder and bass viol), Custer LaRue (vocalist/soprano), Larry Lipkis (recorder, viols), Ronn McFarlane (lute), Chris Norman (flutes), Webb Wiggins (tambourine and 'virginals'). Some artists are known from other Dorian productions, such as Ronn McFarlane on the lute in the collection 'Greensleeves'.

Added to the regular consort players are the Merry Companions, including Peter Becker (baritone), Alexander Blachly (baritone), Paul Shipper (bass, belch-canto), and James Weaver (baritone).

One more addition includes a guest artist, Lorenzo Labbrobacio, playing of all things, the 'fartophone', a rather mysterious instrument indeed. Labbrobacio defies identification on the internet other than references to this disc, and so the mystery deepens.

This is music that is interesting, truly fun to listen to, entertaining and has a quality about it that makes it a joy both in musical and humourous tones.

Sounds like they're singing Christmas carols.......2004-11-09

This recording is professionally produced - perhaps too much so. I've been in a few taverns and heard my share of bawdy songs. I am used to hearing them sung with gusto, with a wink and a naughty smile, to the raucous and enthusiastic appreciation of the audience. The songs on this CD are performed entirely straight. The results are technically competent but fail utterly in conveying the spirit and fun that make this genre worth listening to.

A sly and rollicksome good time!.......2002-11-29

On this recording, the Baltimore Consort and the Merry Companions are full of fun, both blatant and tongue-in-cheek. Soprano Custer La Rue and the instrumentalists of the Consort are joined by a quartet of classical male singers (Peter Becker, Alexander Blachly, Paul Shipper and James Weaver) with quite a theatrical sense of humor. The two groups take turns presenting ribald tavern songs of merry old England, interspersed by light, catchy instrumentals listed in the credits as the "Prelewd", the "Interlewd" and a "Fresh Ayre". Drinking, sex and other bodily functions are both celebrated and ridiculed in songs that are cleverly worded and enthusiastically sung, and in at least one case, accompanied by a mysterious instrument (reminiscent of P.D.Q. Bach) called a "fartophone". Especially amusing are the "catches" or rounds, and the new meanings that result from the staggering of words when several different verses are all sung together. It sounds silly, and is silly, but that's the point of it all--celebrating the "earthier flavor" of life 17th and 18th century England. My copy came with a parental advisory sticker stuck fast to the case, but my mother didn't seem overly concerned, and in fact enjoyed it too when I played it for her! For more fun Renaissance vocals, both salacious and serious, try "All At Once Well Met: English Madrigals" by the King's Singers, and "The King's Singers' Madrigal History Tour: Italy, England, France, Spain, Germany" by the King's Singers and the Consort of Musicke.

Average customer rating:

His First and Last Recordings Sr. Don Santiago Jimenez Manufacturer: Arhoolie Records ProductGroup: Music Binding: Audio CD Zydeco | Cajun & Zydeco | Regional Blues | Blues | Styles | Music General | International | Styles | Music Mexico | International | Styles | Music General | Latin Music | Styles | Music Tejano | Latin Music | Styles | Music Norteno | Latin Music | Styles | Music Conjunto | Latin Music | Styles | Music CDs $7 - $10 | Cajun & Zydeco | Blues | Today's Deals in Music | Formats | Music All Bargain Titles | Cajun & Zydeco | Blues | Today's Deals in Music | Formats | Music CDs $7 - $10 | Latin General | Latin Music | Today's Deals in Music | Formats | Music All Bargain Titles | Latin General | Latin Music | Today's Deals in Music | Formats | Music CDs $7 - $10 | Tejano | Latin Music | Today's Deals in Music | Formats | Music All Bargain Titles | Tejano | Latin Music | Today's Deals in Music | Formats | Music General | Latin Music | Indie Music | Stores | Music South & Central America | International | Indie Music | Stores | Music Similar Items: Viva Seguin ASIN: B0000001K3 Release Date: 1994-02-04

Tracks:

1. La Duena De La Llave
2. La Tuna
3. Eres Un Encanto
4. Antonia De Mis Amores
5. El Satelite
6. Ay Te Dejo En San Antonio
7. El Primer Beso
8. Las Godornises
9. Vive Feliz
10. Los Gallineros
11. Zulema
12. Que Bonito Este Querer
13. Dices Pescao
14. La Tuna
15. La Luisita
16. Atotonilco
17. Marfa
18. Gran Polka Moderna
19. Calabazas A Mi Negra
20. Comadre, Tengame El Nino
21. Sal Si Puede
22. Vengo A Ver Unos Ojos
23. El Aguacero
24. La Madera
25. Tenmela Hay

Amazon.com

The title says it all. These are Don Santiago's best tunes from his early days to his later collaborations with his son Flaco and veteran upright bass player Juan Viesca. Like Narciso Martinez, considered the founding father of conjunto, Jimenez was a first-tier pioneer. And like Martinez, his first hits were instrumental polkas. His best are included here--"El Aguacero," "Sal Su Puedes," and "Atotonilco." The sound quality may seem primitive--after all, they were recorded five decades ago--but the inherent old-world charm still carries through. The Jimenez original "Ay Te Dejo en San Antonio" is pure gold. It was this song, albeit re-recorded, that won his son Flaco a Grammy in 1986 for an album by the same name. --Ramiro Burr

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