| 1. Maahboubi Khanni |
| 2. Yeslam Galbak |
| 3. Raqsah |
| 4. Yaah |
| 5. El Shams |
| 6. Esh Hal Qadny? |
| 7. Efrah Wi Ghanny |
| 8. Ghajareyyah |
| 9. Min Youm |
| 10. Enta |
| 11. Blue |
Turquoise,Dalinda,Arc Music,Gypsy,Int'l & World Music,Pop,Popular Music
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Silk Road Journeys: When Strangers Meet
Yo-Yo Ma , and Silk Road Ensemble Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000641CG Release Date: 2002-04-16 |
Tracks:
- Mongolian Traditional longsong
- Legend of Herlen (Byambasuren Sharav)
- "Blue Little Flower" (Chinese Traditional)
- "Mido Mountain" (Chinese Traditional)
- Moon over Guan Mountain (Zhao Jiping)
- "Miero vuotti uutta kuuta" from Five Finnish Folk Songs (Michio Mamiya)
- "Joiku" from Five Finnish Folk Songs (Michio Mamiya)
- Avaz-e Dashti (Persian Traditional)
- Habil-Sayagy (In Habil's Style) for cello and prepared piano (Franghiz Ali-Zadeh)
- Blue as the Turquoise Night of Neyshabur (Kayhan Kalhor)
- Chi passa per'sta strada (Filippo Azzaiolo)
- Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon/Tan Dun) (Bonus Track)
Amazon.com
This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler
Customer Reviews:
The Versatile Yo-Yo Ma .......2007-07-24
As always, the versatile Yo-Yo Ma is quite soulful and technically brilliant in his musical exploration of the "Silk Road". The music, to me, captures the feeling of Asia. The liner notes are very educational in providing a context to the project.
I find Asian music to be very different from our "Western" traditions, but given time and an even chance, I think that you will find this CD to be very nice and enjoyable.
Not for the average listener.......2007-03-20
I was looking forward to this, but the music is plodding in many parts,
like a dreary symphony. There are fine moments, but I was looking for something a bit more accesible, rhymic, and lyrical. This is a mixed bag that seems to miss more often than hit.
A thoroughly enjoyable trip through Central Asia and a few other places........2007-03-15
Silk Road Journey.......2007-02-19
A Detailed Review From A Non-expert Music Lover.......2007-01-12
To anyone who has heard of the Silk Road in Ancient China, the title of this CD immediately brings up images of exotic peoples and their cultures in your mind. I think Yo-Yo Ma's efforts in creating such a culturally diversified recording are definitely welcomed in this era of globalization.
But after listening through this CD I felt that something was missing from the selections. One of the most important areas on the Silk Road is the Uyghur region in northwestern China. Their music is quite unique. Inclusion of their music in this CD would be really interesting. Also in this CD not all of the selections are chosen from those regions directly related to the Silk Road. So I guess the title is just a metaphor of "when strangers meet", but is not directly about the cultures along the Silk Road.
Now I will review each of the selections.
1. Mongolian Traditional Long Song
I am somewhat familiar with their culture and land. So to me this song is very beautiful and enchanting. One of the most important factors in conducting any cross-cultural communications is context! You really cannot take it out of context. The Mongolian Long Song might sound monotonous and drawling to a person who is more used to the Western tradition of chant, choral, or opera music. Yet if you know the traditional nomadic lifestyle of the Mongolian people on the vast rolling greens of the Mongolian grassland embellished with winding creeks and rivers, you would probably hear such long-singing voices reverberating between the green of the grass and the blue of the sky. The Mongolian people have some of the most beautiful songs that I know of.
2. Legend of Herlen
There are probably two broad categories of non-western ethnic musics. One is the authentic folksong tradition of the people, the other is westernized works composed by westernized local musicians. I guess Legend of Herlen might fall into the second category. It has some interesting tunes in it. But the overall listening experience is too dramatic. I guess the dynamics used in this piece might even go beyond the ppp and fff. In the Mongolian traditional music, dynamics are sometimes used quite dramatically, with sharp difference between two adjacent notes or phrases. So this piece here is probably not very surprising. Nonetheless I find it a little too dramatic, sometimes even disturbing. Again I am not familiar with the background of this piece, so that might explain the unusual drama.
3. Blue Little Flower
I am not sure what fusion should really sound like. But in this piece it does seem to me that a lot of musical traditions are intertwined in it: western music, Chinese folksong from Shaanxi, and probably Iranian or Indian drums. Somehow the only part of this song that I liked is the beginning line. It's very beautiful and delicate, reminding me of the theme music from the Couching Tiger, Hidden Dragon. But it is westernized, not authentic Chinese folksong. If this is still not a problem, then the drum used in this piece does cause a lot of funny effects. The drum sounds so distinctive and it represents some of the central or western Asia cultures. The images such drum beats conjure up are very incompatible with this northwestern Chinese folksong. So in this piece there are at least three threads: western, Chinese, and Iranian/Indian (I am not sure which one). But they do not converge. There is also the funny part of the singing included in this piece. It is out of place and unnecessary. The singing itself is just too frivolous to me.
4. Mido Mountain
I like this piece, especially the part played by the Sheng. Again there are some elements that sound a little bit too foreign to me, especially the percussion part. They use the same percussion/drum in this piece as in the previous one. But the overall effect of the arrangement does sound authentic and pleasant to me.
5. Moon Over Guan Mountains
If you know that Zhao Jiping is famous for his scores for films, you will probably understand this piece better. But of course understanding does not mean you will like it. This piece falls into the second category that I described above. For a lot of non-Western countries, the influence of western music is definitely immense. Many local composers are trained in both the western tradition and the local tradition. But there is probably a general feeling among composers in these countries that western music is richer in theory and methods. Many of these composers will use themes from folk songs to compose westernized music. I will give this piece a B+. It does include some themes from northwestern China, which sound really unique. As I said in this CD there is no selection from the Uyghur region in China, this piece might make up for that, since some of the themes seem to me to be from that region. But this piece is still too dramatic too, like a film score.
6. Five Finnish Folksongs No. 3
I love this one! The theme melody is so beautiful, and maybe a little bit nostalgic, and maybe a little bit romantic also? But this piece is straightly western music. There is nothing ethnic about it.
7. Five Finnish Folksongs No.5
This one is ok, but not very impressive. The overall structure of this piece sounds like very loose. There is not memorable melody either. But it does not have the maddening drama like in the two pieces I have just talked about. This is good.
8. Avaz-e Dashti
I am not familiar with Persian music. But there are indeed some very Persian melodies in this piece. The instruments used in this piece are all traditional Persian instruments. Maybe this is why it sounds so authentic to me. I like the haunting, floating tunes in this piece. They sound very ethereal to me.
9. Habil-Sayagy
Again this piece falls into the second category like the Legend of Herlen and Moon Over Guan Mountains. Such music is probably interesting to the performers, since they can let loose their inner floodgate of emotions and resort to pure artistic connections. But the problem for such music is that they are just too dramatic, and it's really hard to understand them without fairly good knowledge of the context and their unique cultural backgrounds. I am sure all these three pieces might sound profound, meaningful, and artistic once we know the cultural backgrounds better. But for the general listener, they are too abstract and too emotionally charged. Another problem for such western-traditional combination pure art form of music is that tradition might be distorted and represented in the wrong way.
10. Blue as the Turquoise Night of Neyshabur
I like this one better that the previous one, especially the middle part beginning at around 5 min 30 sec into the music. The melody is quite unique, and memorable. The bassline is very interesting too. It conjures up the image of merchants traveling on camel back through the desert. The pulse of the bass sounds like the steps of camels walking. One the instruments used, I am not sure which one, santur or kemancheh, is quite successful in bringing out the authenticity of the music style.
11. Chi passa per'sta strada
This one has the same problem as the Blue Little Flower: it does not sound like anything! It is not Italian, nor is it Iranian, nor Chinese, nor anything else. What is it? Who knows. The ethnicity of world music is tied to their unique musical instruments closely. I remember there was one year the Chinese traditional orchestra had a New Year's Concert at Vienna, and when they played the Radetzky March at the end of the concert, I was quite unimpressed.
12. Desert Capriccio
Tan Dun is similar to the composers I mentioned above like Zhao Jiping. Tan's music is unique and interesting to both western and Chinese audience, because of the same thing: they are both unfamiliar with Tan's music. To the Chinese audience, his music sounds western, but to the Western audience, his music sounds exotic. Nonetheless I still like some of this music, like the Couching Tiger and Hidden Dragon. Some of the melodies are really great. Again this piece makes up for the lack of Uyghur music in this album, since the "desert" in this piece is in the Uyghur region. But the music is not Uyghur at all.
There you have it. That's all for my detailed review of this CD. I would give it a B+ for its efforts and some of the really good tunes. As I am not an expert, I might be wrong in many of the points that I make in this review. So feel free to comment on my review.
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Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059T4T Release Date: 2001-05-29 |
Tracks:
- Let Yourself Go
- If
- How Long Has This Been Going On?
- My Funny Valentine
- Hanging Around with You (with Jason Alexander)
- The Girl in 14G
- I'll Tell the Man in the Street
- I'm a Stranger Here Myself
- Nobody Else But Me
- Nobody's Heart Belongs to Me/Why Can't I?
- Should I Be Sweet?
- He's Just an Ordinary Guy
- Going to the Dance with You
- On a Turquoise Cloud
- You'll Never Know
- Daddy
Amazon.com
Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David HoriuchiCustomer Reviews:
One of the best ever!.......2007-04-24
Kristen Chenowith.......2007-02-26
Has its moments.......2007-02-19
Great CD!.......2007-01-19
As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.
This woman has what it takes, and then some..........2007-01-12
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Turquoise & Crimson
VAST Manufacturer: 2blossoms Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FEBW94 Release Date: 2006-05-30 |
Tracks:
- Turquoise
- Ecstacy
- Be With Me
- Thrown Away
- Don't Take Your Love Away From Me
- Falling From the Sky
- Candle
- I Woke Up in L.A.
- I Can't Say No (To You)
- Desert Garden
Tracks:
- Dead Angels
- I Need To Say Goodbye
- Lost
- Winter In My Heart
- All I Found Was You (Japanese Fantasy)
- That's My Boy
- Evil Little Girl
- Beautiful
- Senorita
- Where It Never Rains
- Bruise
- Goodbye
Customer Reviews:
What NUDE should have been........2007-07-21
GREAT!.......2007-06-09
Anyway, this is my favorite VAST album.
Incredible release from VAST........2007-03-30
Nude re-release.......2007-03-04
Rip-off.......2007-01-30
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The Further Adventures of Flossie Fillett: The Complete Recordings
Turquoise Manufacturer: Rev-Ola ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FBFZFE Release Date: 2006-06-26 |
Tracks:
- Tales of Flossie Fillett
- Flying Machine [Second Version][#]
- Sister Saxophone
- 53 Summer Street
- Sea Shines [#]
- Village Green [#]
- Saynia
- Sunday Best [#]
- Woodstock
- Stand Up and Be Judged [#]
- Woodstock [First Reduction]
- Flying Machine [First Version][#]
- Leana [Backing Track][#]
- What's Your Name [#]
- Mindless Child of Motherhood [#]
- You're Just Another Girl (As the Brood) [#]
- Wrong Way (As the Brood) [#]
- Turquoise 1968 Christmas Record [#]
Album Description
Brings together every surviving recording made by The Brood and Turquoise between 1966 and 1969, including a virtual album's worth of prime 1968 pop in a Kinks/Who/Small Faces/Move style as well as alternate versions and demos. Includes the much-loved singles '53 Summer Street', 'Tales Of Flossie Fillett', 'Woodstock' and 'Saynia'! It features liner notes by noted psych/Apple authority Stefan Granados and brand new in-depth interview material with Turquoise main man Jeff Peters. Rev-Ola. 1966-1969.
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Like Her
The Volebeats Manufacturer: Turquoise Mountain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VI5F2 Release Date: 2005-07-12 |
Tracks:
- Like Her
- This Girl
- Everytime
- Can It Really Be?
- Here Come It Again
- Outside
- In the Garden
- September Spell
- Touch Me One Time
- World's Looking Lonely
- Time Travel
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Coffee at Midnight
No Strings Attached Manufacturer: Turquoise Records ProductGroup: Music Binding: Audio CD ASIN: B000001JFC Release Date: 1995-11-17 |
Tracks:
- Unreel
- Coffee at Midnight
- Percussed
- Idle Times
- Mixed Feelings
- Roumanian Rhumba
- Boys of Ballisodare
- Pachabel's Waltz
- St. Pete/St. Thomas
- Restarea
- Reggae Jackson
- Au Jardin d'Amour
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Country Favorites
The Volebeats Manufacturer: Turquoise Mountain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TB0BY Release Date: 2004-01-13 |
Tracks:
- I Had To Tell You
- One I Love
- Knowing Me Knowing You
- Standing Next To You
- 318
- Almost Crying
- Hold On
- Too Much Love
- Die By The Sword
- Hamtramck Mama
- Maggot Brain
- Manon
Customer Reviews:
Quirky essentials from Detroit's Volebeats.......2004-03-02
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Silk Road Journeys: When Strangers Meet
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005USF3 Release Date: 2002-04-30 |
Tracks:
- Mongolian Traditional Long Song
- Legend of Herlen
- Blue Little Flower
- Mido Mountain
- Moon Over Guan Mountains
- Five Finnish Folksong: No. 3 Miero Vuotti Uutta Kuuta
- Five Finnish Folksong: No. 5 Joiku
- Avaz-E Dashti
- Habil-Sayagy (In Habil's Style)
- Blue as the Turquoise Night of Neyshabur
- Chi Passa Per'sta Strada
- Desert Capriccio [From Crouching Tiger, Hidden Dragon][*]
Customer Reviews:
An Adventure in Music.......2002-10-31
Normally, I avoid new music, because much of it is self-indulgent stuff. But the Silk Road Ensemble and its music are quite the opposite: lively, fascinating, musical in the best sense of the word.
My wife and I have had the privilege of seeing the Silk Road Ensemble perform twice, in March and October of 2002, and they are fabulous. But if you cannot make the concert, this disk is the next best thing. Highly recommended!
CD is not compatible with my player.......2002-06-18
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Turquoise
Dalinda Manufacturer: Arc Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008A7TG Release Date: 2003-01-28 |
Tracks:
- Maahboubi Khanni
- Yeslam Galbak
- Raqsah
- Yaah
- El Shams
- Esh Hal Qadny?
- Efrah Wi Ghanny
- Ghajareyyah
- Min Youm
- Enta
- Blue
Customer Reviews:
Very Talented Singer.......2005-05-04
music muse.......2003-11-03
I pray for the undying success of such talent. I hope to see more in the future
Very good.......2003-10-02
It does have every flavour I crave, Middle Eastern and African fusion at its best. This girl defenitley can sing and moved me completely ;) well there are a few seductively sensual ones in there!
Deliciously soothing and beautiful, I would recommend it
A nice CD.......2003-09-07
The only things I didn't like about this CD is that the singer's voice feels a bit bland to me. Her voice just doesn't touch me. Also, some of the songs are just the singer pleading for their lover to come back to them. You hear this beautiful song, so you reach for the booklet and find that it's a rather depressing song. Bummer.
Refreshing.......2003-02-27
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Walk in Beauty
Peter Garland , Abel-Steinberg-Winant Trio , and Aki Takahashi Manufacturer: New Albion Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000R3C Release Date: 1994-04-13 |
Tracks:
- Walk In Beauty
- Walk In Beauty: Turquoise Trail
- Walk In Beauty: A Peyote Fan
- Walk In Beauty: A Pine Pitch Basket
- Walk In Beauty: Lightning Flash
- Walk In Beauty: Walk In Beauty - (Calling Home My Shadow)
- Sones De Flor: I. Cantabile & Legato
- Sones De Flor: II. Quietly, ethereal
- Sones De Flor: III. With Intensity
- Sones De Flor: IV. Swinging & Rhythmic
- Sones De Flor: V. Distant & Stark
- Sones De Flor: VI. With A Lilt, Evermore Intense
- Sones De Flor: VII. ... With Abandon ...
- Sones De Flor: VIII. Accented, Towards Tranquility
- Jornada del Muerto: I. Hermit Songs
- Jornada del Muerto: II. Ring Of Bone
- Jornada del Muerto: III. Third Movement
- Jornada del Muerto: IV. The View From Vulture Peak
Amazon.com
Garland's music takes many of its cues from present-day minimalism: single notes characterized in simple patterns or motifs with the usual bass underscoring to give each piece depth. And that's the secret to Garland's success. In Walk in Beauty, a solo piano piece, we get a gentle series of quiet progressions that impose nothing upon the listener but the desire to follow the argument through to its end. In Sones de Flor the same noble underscoring on the piano allows the strings to float effortlessly by. This is music that never looses its charm. -- Paul CookCustomer Reviews:
Achingly beautiful minimalism.......2004-03-30
Minimalism, the MO of this disc, represents an entirely apposite approach to depicting the desperate glories of this stark, startling landscape. Endless azure sky; arid, mesquite-sage wilderness, dotted by buttes and mesas; no settlements for hundreds of kilometers: a wilderness, but one suffused with magic. Land of enchantment, indeed. How to capture its subtle, wayward, unharnessable glories? Live there. Learn its secrets. Drink deep of its subtle wisdom. Meditate on its eldritch beauty. And that's exactly what Peter Garland did.
Others, notably Georgia O'Keeffe and Ansel Adams, have sought to capture its magic in paint on canvas and black and white photography. Indeed, entire communities (Santa Fe and Taos) have sprung up as graphic art-testimonies to its arcane, mysterious hold on the human spirit.
Here, Peter Garland, a transplanted Easterner, lured by the indomitable magic of this landscape, has found, serendipitously, the perfect aural vehicle for its monumental splendors: The prodigious gifts of Aki Takahashi and the Abel-Steinberg-Winant Trio. Takahashi, a pianist of magnificent and exceptional gifts, imbues the spacious compositions of Garland with a yearning, Sehnsuct-filled desperation/home-longing never before encountered in music. Space and sonority constitute her tools. Peculiar affinity, her method. These combine with Garland's visionary compositions to produce music never before heard, music of the highest accomplishment, music of ravishing beauty, music of uncompromising starkness and skeletal austerity. But of soul-devastating splendor.
Think Tony Hillerman, William Least Heat Moon, Dances with Wolves, Geronimo, Dee Brown, Edward Abbey, purged of their anger, put to music, and you get a poor picture of the glorious enchantment offered up here.
One of my all-time favorite discs.
arresting beauty of suggestive simplicity and place.......1999-09-01
World Music:
- Una Voce, Una Citta, Vol. 2
- Uzundara
- Very Best of Salsa [Import]
- Wantolobela
- Welcome Back Asshole! [Import]
- Wood That Sings: Indian Fiddle Music From The Americas
- Y E Quelle Heure? [Import]
- Yo Te Recuerdo
- Zeit Der Großen Gefühle [Import]
- 20 Preferidas [Import]
World Music
Come to Life [Explicit Lyrics]
Pierné: Piano Quintet, Op. 41 / Violin Sonata, Op. 36
Prokofiev: Violin Concertos Nos. 1 & 2/Melodies (5)
Shock Sounds of the 70's / Classic Seventies Hits
Musica Para Acampamento [Import]
Shamrocks & Shenanigans [CD-single]