The Swedish folk group Hedningarna released their self-titled debut in 1989 when they were still a trio, before they added vocalists and started experimenting with amplified instruments and rhythm loops. But even though the band is playing acoustically, they still manage to produce a powerfully rhythmic sound, and the drones of their various hurdy-gurdies, moraharpas (an early version of the nyckelharpa), hardanger fiddles, and bagpipes create sonic textures that have an organic aura that no wash of synthesized sound can match. Anders Norudde, who has mastered the difficult trick of creating melodies that sound simultaneously old and new, evenly splits the tracks between traditional Swedish dance tunes and new compositions. Hedningarna honors the musical traditions of Scandinavia, but they don't let their respect for the ancient music stifle their need to create their own music and carry those same traditions into the modern world. --Michael Simmons
Hedningarna,Hedningarna,Northside Records,Finland,Int'l & World Music,International,Pop,Scandinavian Folk,Sweden,Swedish Folk,World Music
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Trä
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000067IO Release Date: 1998-03-17 |
Tracks:
- Tass'on Nainen
- Min Skog
- Varg Timmen
- Gorrlaus
- Skrau Tval
- Pornopolka
- Raven
- Sagla Ten
- Tuuli
- Tappmarschen
- Tina Vieri
Amazon.com
The album starts with a low growl, building into the menace that becomes "Tass'on Nainen," and you're into the world of Hedningarna, where traditional Swedish instrumentation (and the vocals of Sanna Kurki-Suonio and Tellu Paulasto) meet studio electronics. As dark as anything produced by a goth band, it's a startling record that's pushed the Nordic sound to world music's cutting edge. The fiddles distort evilly; programmed beats blend with a frame drum. While Hedningarna mine territory that other Swedish bands such as Garmarna do, the sound on this record is their own, full and wild and a studio creation that never sounds overproduced. When the guitar cuts loose at the end of "SaglaTen," it becomes obvious that this is really the new and glorious sound of folk-rock, '90s style. The guest joiking by Wimme on "Tuuli" only serves to make the album even more otherworldly, but a passport isn't required. --Chris NicksonCustomer Reviews:
Better than I expected.......2006-12-28
Raw, Animalistic, and Addictive.......2006-03-06
Trä -- Quirky, Wild, and Addictive.......2005-05-22
While the album does contain some of the band's strongest (and most lovingly bizarre) material -- Tuuli, Räven, Täss'on Nainen, and Tina Vieri to name a few -- some of the tunes don't really quite catch fire. It was certainly a groundbreaking album but I don't believe it is their best; Karelia Visa accomplishes that in a more sublime, mature way.
But this album still delivers the heathen roots/rock that makes this group so wonderful -- its a quirky, wild and addictive ride. Certainly worth owning.
Dark, deep, yet manages to be uplifting.......2004-03-28
Because the folk traditions of Scandanavia are based on the use of wind instruments rather than stringed ones, the sound here is quite different from Fairport Convention or Anne Briggs' a capella folk. Hedningarna managed through their application of modern techniques to the most tradional of Scandanavian folk instruments to produce something that sounded and sounds quite otherworldly. The pipes on the opener "Tässi On Nainen" are so dark and droning that the haunting, serious vocal melody becomes uplifting, whlst the dense rhythms of the following "Min Skog" thrust themselves so far upfront that it sounds like it's played in two eras at once - literally. The angry male vocals sound quite like an aggressive preacher: the effect is so emotional as to be memorable even when a listener cannot understand what is being said.
"Pornopolka" featured the strange yet amazingly heartfelt and rapid-fire rhythms typical of the Finnish language - resulting from its characteristic vowel harmony, and also characteristic of Värttinä's "Katariina" - together with an incredibly strange fiddle melody. The amazing melody of the language allows them to achieve a volume unimaginable in most of the world's languages. "Såglåten", on the other hand, featured a melodic yet fitting guitar break that added to the fire of the melodies, whilst "Räven" was so eerie, intimate and unrestrained that it would touch any listener unconsciously.
The last three tracks were even more eccentric. The soft "Tuuli" featured the hypnotic vocals of Wimme Saari over a groove so hypnotic it was danceable; "Täppmarschen", despite the emphasis on the pipes, sounds more like what we would call "folk" than anything, yet winds by its astonishing intimacy even to someone unfamiliar with the language. And "Tina Vieri" sounded almost accessible in its verses yet the melody of the language makes it so surprising that Sanna Kuori-Suoni and Taulu Paulasto can put off such a dark and beautiful piece: the stringed lutes sound like a piano.
In their amazing manipulation of traditional sounds to produce something new, Hedningarna were quite unlike anything most of you would have heard. Hard to understand, but few record will get under one's skin so quickly.
This glows of Nordic darkness........2003-10-07
The women sing witchily, but in tune, except for some deliberate moments of vocal gymnastics.For example, you'll catch them panting like tiring animals.And despite their singing being in Finnish tongue, the music's overall feel is more notably Swedish.And though the Swedish men sing on a couple of tracks (and howl like wolves, successfully enough), their expertise lay in the pin-point accuracy of their instrumental pursuits.They innovatively pulse electricity into their traditional instruments.Bagpipes, hurdygurdies, zithers and primitive drums are already quite course even without such treatment.The modern drums on the album are used tactfully, as are most studio embelishements.Though, I think their electric guitar usage was better left absent.The skin of this music is modern, but the skeleton is ancient.Upbeat and downbeat tunes share the load.This art is quite aggressive, but always poetic and tuneful.The female singers bring in such sensitivity, considering the lyrical content.The themes are set in nature, with assorted creatures.Humans are often involved thru their spells and evils.'Lust' is a recurrent sin here.But Hedningarna address such things with respect and good judgement.Only rarely is there a semblance of gratuity.
Warning to teddy bears! If you're going out in the woods today to have your picnic ...don't choose these woods!
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Karelia Visa
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I5DP Release Date: 1999-02-23 |
Tracks:
- Brother
- What Do I Sing
- The Beginning Words
- The Song Of A Maiden
- Thunder God
- Forest Maiden
- Stapals
- Cold Wind
- True Love
- Song Polska
Amazon.com
Hedningarna return to their full Finnish-Swedish lineup with Karelia Visa, bringing back the Finnish voices of Sanna Kurki-Suonio and Anita Lehtola. For much of their career they have explored the runesongs of ancient Finland, particularly in the area called Karelia that straddles the Russian border. This album goes into the oldest Karelian traditions by collecting tunes and lyrics in the old Russian villages that still speak the old language and sing the old songs. Not that this is a traditional album in any way. In typical "heathen" style, the band reinterprets freely and inventively, pulling instruments from many Nordic and northern European countries, adding technology carefully but conspicuously, crafting an electric folk music that stays carefully out of the rock realm and holds true to the folk process. This album follows closely the powerful path created on Kaksi!, the first Hedningarna album to explore the deeper Finno-Ugric roots of the eastern border regions. It is less violent and aggressive, but also darker and more contemplative. The brief historical notes are sufficient, and all the songs are well translated, an important element for a recording that relies heavily on content that very few people (even modern Finns) could understand on their own. --Louis GibsonCustomer Reviews:
Karelia Visa Is A Memorable Nordic Trip.......2005-04-17
The songs on this album take the listener on a wonderful nordic trip (along with the liner notes and booklet photos) that is most memorable. From the aforementioned Mettsän Tytto and other upbeat numbers like Mitä Minä and Alkusanat, to the haunting, rootsy atmospheres of Ukkonen and Viima, this album weaves a spell that is hard to resist. Every track is worth hearing. It is probably also the most accessible of the band's albums for newbies, as their earlier albums such as Trä and Kaksi! are more angular and experimental.
So if you are hesitating whether or not to get this disc, wait no more. This is a great example of nordic folk music -- with a heathen twist of course!
Beautiful Finnish feel, playful and spritely.......2003-10-07
Hedningarna are usually quite aggressive, using 'scratchy' and 'drone-like' instruments.The females of the band usually sing like witches (but with perfect pitch).On this album though, all is sweet and pristine.The (acoustic)instruments are clear, and spaced apart.The female singers are playful and child-like.The melodies are quite subtle, but aluring.Hedningarna's other albums feel very Swedish, even in the presence of the Finnish elements.But this one feels like Finland.Apart from the quality of creation, and some tell-tale Hedningarna traits, this album is totally different to anything they've done before.
"Beautiful culture plays here."
Nothing less than essential!.......2003-06-12
The tone ranges from downright demented grunge to soaring flights of quasi-religious ecstasy, usually all within the space of a song. Underpinned by three masterful Swedish multi-instrumentalists, the two Finnish women vocalists take the listener on a tour of heaven, hell, and everything in between. The vocalists are really the icing on the cake, sometimes sounding like nothing so much as blood-drunk harpies circling a fresh kill, sometimes like God's private chorus. Dissonance and consonance are likewise blended into an unpredictable --but always delightful-- mix.
In terms of accessibility, this particular Hedningarna album may prove more accessible than their others. Having said that, if you're intrigued by Karelia Visa but can't find it, don't hesitate to try Tra, Kaksi and Fire (for a more rock/punk sound), or Hippjokk (for a club mix-like sound). Their first album, Hedningarna, I'll leave for the world music purists.
I'm tempted to recommend this for everyone, but it will probably only appeal to the musically intrepid. But to the courageous go the greater rewards, an aphorism that certainly applies here.
One of my all-time favorites.
Hedningarna's best.......2000-07-11
Whoa.......2000-04-17
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Hedningarna
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005BGKI Release Date: 2001-05-08 |
Tracks:
- Polska After Pelle Fors
- Desperation Polska
- The Witch Polska
- The Chafing Tune
- Olbackens Polska
- Old Sarna Wedding March
- Multihalling
- Scamphalling
- Polskia After Olof Tillman
- The Baptism Tune
- Polska After Hins Anders
- Lacknafta
- The Bear Tune
Amazon.com
The Swedish folk group Hedningarna released their self-titled debut in 1989 when they were still a trio, before they added vocalists and started experimenting with amplified instruments and rhythm loops. But even though the band is playing acoustically, they still manage to produce a powerfully rhythmic sound, and the drones of their various hurdy-gurdies, moraharpas (an early version of the nyckelharpa), hardanger fiddles, and bagpipes create sonic textures that have an organic aura that no wash of synthesized sound can match. Anders Norudde, who has mastered the difficult trick of creating melodies that sound simultaneously old and new, evenly splits the tracks between traditional Swedish dance tunes and new compositions. Hedningarna honors the musical traditions of Scandinavia, but they don't let their respect for the ancient music stifle their need to create their own music and carry those same traditions into the modern world. --Michael SimmonsCustomer Reviews:
This is their best!.......2007-03-01
Pleasant, but not essential, even for fans.......2001-10-11
Okay.......2001-10-02
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1989-2003
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009KUA1 Release Date: 2003-06-03 |
Tracks:
- Tuuli
- Suet Ulvo
- Kruspolska
- Tina Vieri
- Chicago
- Ukkonen
- Dolkaren
- Vettoi
- Viktorin
- Navdilfasa
- Fulvalsen
- Vottikaalina
- Juopolle Joutunut
- Gorrlaus
- Hoglorfen
- Neidon Laulo
- Skane
- Bjornlaten
Amazon.com
Hedningarna ("Heathens") was and remains in the vanguard of the Nordic folk revival. Their sound incorporates droning fiddles, hurdy-gurdies, and plucked instruments of medieval vintage, plus Sami yoiks (an indigenous Scandinavian vocal style not unlike Native American chanting) and repetitive, alliterative Finnish folk verses sung by vehement, sharp-edged female voices. These are augmented by snare-led drum 'n' bass conceits, shimmering echoes of Philip Glass, demented electric guitar solos, and some of the most breathless, bouncy BPMs this side of a dangerously out-of-control pogo stick. The present compilation is derived from five recordings released over 14 years, during which the founding trio of Hallbus Totte Mattsson, Anders Norudde, and Björn Tollin was joined by a shifting roster of talented collaborators. A favorite with ravers at home and abroad, this Swedish/Finnish outfit adheres to a runic, fate-driven esthetic that is rendered incongruously catchy by a prevailing undercurrent of quiet wit and mordant humor. -- Christina RodenCustomer Reviews:
Nordic Roots with A Twist.......2004-04-30
And while the core trio of its original members are talented enough, what sends this band into even higher orbit is the one-two punch of its Finnish lead vocalists. You may not understand it but you can't help but be mesmerized by them.
My only complaint is that I am not a big fan of Joik singing (indigenous Finnish chanting style similar to Native American singing, provided here by guest vocalist Wimme), so the one or two tracks that feature it I skip. And why Mettsän Tytto wasn't included is beyond me -- this is one of the best tracks this band ever recorded.
These minor gripes aside, the disc as a whole is definitely an experience. A weird, angular, revelatory, time warp of an experience, but an experience nonetheless.
The equals of any big name in world music.......2003-11-25
The only advantage this 'best of' has over an album, is the 'amount' of tracks.It is no more or less accessible than any of their albums containing the female vocalists ('Tra', 'Karelia Visa', 'Kaksi').(I'd have included the songs 'Metan Tytto' and 'Vargtimmen' -two of their catchiest, in my view).Tho, the varying of their 'heavy/soft' pieces is moreso than an album.(Aswell as some good re-mixes to add extra diversity)But, overall I don't feel a 'best of' was purposeful.But if u are sure you'll only want 1 Hedning' cd, this (having more tracks) might aswell be your choice.A dazzlingly good cd.Aquired taste, tho.They are weird.
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Hippjokk
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003THW Release Date: 1997-05-20 |
Tracks:
- Hoglorfen
- Navdi/Fasa
- Drafur & Gildur
- Dolkaren
- Bierdna
- Kina
- Forshyttan
- Dufwa
- Vals I Fel Dur
- Skane
- Graucholorfen
Amazon.com
On their fourth album the Swedish folk-rockers are minus the female vocalists, and return to their original trio. Anders Stake, Bjorn Tollin and Hallbus Mattsson push the far edge of "folk" using ancient instruments like bagpipes, transverse flutes, oud and drums in electronic and acoustic versions. The songs all have roots in very old Swedish tradition, but the execution is pure modernity. With guests like Wimme Saari, the famed Finnish "joiker" and Norwegian guitarist Knut Reiersrud they have forged a new sound for Scandinavia ... again. --Louis GibsonCustomer Reviews:
For Headbangers Who Are Open-minded!.......2003-01-19
Ancient Scandinavia, here we come!.......2002-10-30
This is one seriously eclectic and wonderful CD.
One of my favorite songs has to be the last, "Graucholorfen," when everyone and the guest artists get back together in the studio for one last jam session that turns into a six minute trip to goodness-knows-where. Definitely one of my CDs of choice; I can't stop listening to it!
Entrancing.......2002-03-30
Let's Go Viking!.......2000-12-25
5 star if Zappa and Beethoven had been aborted.......1998-12-20
Lovely arctic shamanic rites mate with desert storytellers staging a coup on Greenpeace's late 70's sellout.
This is the faith of the 90's. 2190's that is.
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The Heathens Fire
Hedningarna Manufacturer: Tristar ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008QFR Release Date: 1996-01-30 |
Tracks:
- Aivolon [Brainless]
- Tina Vieri [Tinkling Roll the Tinbits]
- Gorrlaus [The Steed]
- Omas Ludvig
- Varg Timmen [Hour of the Wolf]
- Luopolle Loulunul [Gone to Sot]
- Min Skog [My Trees Shall Stand]
- Kruspolska [Charmer's Polska]
- Viklorin
- Tuuli [Wind and Rain Left, Rain Right]
- Chicago
- Grodan/Widergrenen [Toadeater]
- Rn [Fox Woman]
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Kaksi
Hedningarna Manufacturer: Northside Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000067IN Release Date: 1998-03-17 |
Tracks:
- Joupolle Joutunut
- Kruspolska
- Vottikaalina
- Chicago
- Viktorin
- Aivoton
- Ful-Valsen
- Pal Karl
- Kaivonkansi
- Skamgreppet
- Grodan/Widergrenen
- Omas Ludvig
- Kings Selma
- Kanalaulu
Customer Reviews:
The spirit of Sweden's uncivilized past.Out in the fields........2004-10-18
There is an overwhelming sense of nature about Hedningarna.Their wearing of drab, woolen clothing of heathen peasantry in publicity photos, doesn't at all seem an empty gesture.As interviews and personal photos (which double as publicity shots) will attest to, they have a genuine rapport with animals, and are very resourceful with anything the land has to offer.They've been known to forrage for wood, bones and skins of already dead animals.With the wood they find, they homemake anciently designed native instruments, and attach modernity to them in the form of electric pickups.And the skulls accompany their unscripted dancing onstage."Unruly!", it must seem to conservative eyes and ears.The artfully painted skins of ancient drums, provide the back beat to the wild performances.But contrary to popular belief, it is professionally made instruments that grace their albums.But, these offstage activities eliminate any possiblity of this Hedningarna group being purely an act.There is an inherent 'lived-in' feel to their artistry.
These 'people of the heaths', send electricity thru the frail old sentiments of traditional Scandinavian instruments.Incessant bag-pipes and grinding zithers are a blessing to odd ears (such as my own).The didjeridou is an instrument native to a 'dark-skinned' peoples in a 'hot' country on 'another' side of the globe.All this would seem to guarrentee that didjeridou sound like a 'foreign fusion' in Nordic music.But for some reason, it sounds like it was here in Sweden from the begining of human time.Hedningarna, along with many Nordic acts, have seemlessly integrated the didjeridou into a polarly different culture from its homeland's.
Thoroughly thoughtful lyrics are sung by Finnish witches (the good kind).These charismatic females are either in the froes of dark and frightful expression, or they're uncomprimisingly exuberant.The ancient drums, sometimes studio assisted, thump away until the fire burns out.These here Hednings, are all flawless in their execution of their respective instruments.
But despite their expertise, this is a wholy uninhibited affair.
=+.......2003-08-15
Scandinavian!.......2003-07-26
This is my personal favorite Hedningarna CD.......2002-12-02
Music far deeper than anything else out there.......2000-05-08
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Hedningarna
ProductGroup: Music Binding: Audio CD ASIN: B000003YK3 Release Date: 1995-12-12 |
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Full Energy Volume 1
Narcotic Thrust , Charlene Smith , The Grove Feat. Takka Boom , Arkarna , Art of Noise , Crazy Shaun , Story of O , Duck & Cover Disco , Hedningarna , and Juan Wells Manufacturer: IndoChina ProductGroup: Music Binding: Audio CD ASIN: B000KKGM8O |
Product Description
12 Tracks By: Art of Noise, Crazy Shaun, Narcotic Trust, Charlene Smith, The Groove Feat. Takka Boom, Arkarna, Story of O, Duck & Cover Disco, Hedningarna, and The Groove Feat. Juan WellsWorld Music:
- Heitor Villa-Lobos: Obra Completa Para Violao Solo [Import]
- I Love Scotland [Import]
- In Aquascape [Import]
- Induku Zethu
- Kaleta Jaa
- Ko Sira
- L'alphabet Du Plaisir [Import]
- L' Efant du Pays [Enhanced] [Import]
- La Vie Marron
- Le Origini Di Adriano Celentano, Vols. 1 & 2 [Import]
World Music
Overdog [Original recording remastered]
Boulevard (UK Track Listing) [Import]
America is Dying Slowly [Enhanced]
Bruno Walter And Vladimir Horowitz Play Tchaikovsky And Brahms