| 1. Ya Encontre La Mujer |
| 2. El Hombre Tuyo Soy yo |
| 3. Me Enamore de Ti |
| 4. Los Que Me Esperaban Llegue |
| 5. Hasta Que No Llega Ella |
| 6. Quien Rie Ultimo Rie Mejor |
| 7. Popuri de Son |
| 8. Cansado de Esperar |
| 9. Lo Van a Bailar |
| 10. Quiero Dormir Cansado |
| 11. Tu Me Estas Matando |
| 12. Puras Mentiras |
Editorial Reviews
Yoan Soriano, el duque de la bachata, brings an afro-dominican touch to this album of new bachata. His enchanting voice and soulful guitar playing never fail to magically fill the dance floor with groovin' bodies. Soriano grew up in the farm country outside Santo Domingo, in a place called Batey Guanuma. Throughout the colonial Caribbean every sugar cane plantation, or Ingenio, had its batey. This was where the slaves who worked on on the plantation lived. The batey was the cultural heart of Afrocaribbean life in colonial times and continues to be so to the present day. The Dominican bateys have become centers of Haitian as well as AfroDominican culture because generations of Haitians have come to work in the cane fields, and have stayed. Afro-Caribbean religions such as vodou and santeria have always been strong in these communities. In more recent times, Bachata, the music of the downtrodden and the marginalized, mixed with the entrancing beats of the ceremonial! palo drums of the bateys. Yoan Soriano grew up amidst these sounds and his music is inflected with the rhythms of this world. Yoan made his first guitar out of fishing line and tin cans, and the little band he formed with his brothers and sisters drew the attention of many a passing stranger. Yoan cares deeply for his father Candé, who is often spoken to affectionately in these songs, and for his mother, Juana. He calls his guitar "Juanas guitar". But one day Yoan decided he had to leave the batey. He was collecting firewood with Candé up on the mountain when he put down his bundle and said, "Cande, this life is not for me. Im going to move to the city and get respect for my music". Batey Records presents the bachata of Yoan Soriano.
Product Description
Afro Bachata is the third album by Yoan Soriano. It is part of the Santo Domingo Blues bachata series. Yoan Soriano is featured in the new film Santo Domingo Blues and many of the tracks on this album appear in the documentary. This album is made to dance to. It is the rage of cantinas and colmados throughout the Dominican Republic but is only begin to hit the dancehalls in the US and Europe.
The first track, Ya Encontre La Mujer (I Found My Woman), is an evocative love song about finding the right woman. "I found the woman who knows how to love me/ I found the place in my soul where she knows how to live." The tune features the inimitable, transcendent guitar styling that has made Sorianos playing a staple on the albums of other great bachata artists like Zacarias Ferreira and Teodoro Reyes. The tune also contains Sorianos evocations of his parents, Cande the withdoctor and Juana. It is a magical number.
The second track, El Hombre Tuyo Soy Yo (I Am Your Man), is a bubbly, bouncey bachata that is getting a lot of airplay on the radio in the Dominican Republic these days. The happy chorus in the traditional African call and response pattern is mesmerizing. It lifts you off your feet.
In addition to a number of other vibrant bachatas including Puras Mentiras (Pure Lies), Quien Rie Ultimo Rie Mejor (He Who Laughs Last Laughs Best) and Cansado de Esperar (Tired of Waiting), the album features two wicked merengues on guitar, Los Que Me Esperaban, Llegue (For those Who Are Waiting, I Have Arrived) and Lo Van A Bailar (They Are Going To Dance It). In these merengues Soriano takes traditional drum rhythms and plays them percussively on the guitar. Track seven, Popuri de Son, represents the Cuban son tradition also popular in the Dominican Republic. There are many Dominicans who will put up a pretty good argument if you tell them son is from Cuba, not from the Dominican Republic.
The album as a whole is not only a great new contribution to the bachata genre. It represents a unique fusion of AfroDominican roots music and dancehall bachata. Yoan Soriano does not mess around.
Afrobachata,Yoan Soriano,The Orchard,Latin,Latin Pop,Latin Pop/Rock
Average customer rating:
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Afrobachata
Yoan Soriano Manufacturer: The Orchard ProductGroup: Music Binding: Audio CD ASIN: B0002JUWUM Release Date: 2004-07-20 |
Tracks:
- Ya Encontre La Mujer
- El Hombre Tuyo Soy yo
- Me Enamore de Ti
- Los Que Me Esperaban Llegue
- Hasta Que No Llega Ella
- Quien Rie Ultimo Rie Mejor
- Popuri de Son
- Cansado de Esperar
- Lo Van a Bailar
- Quiero Dormir Cansado
- Tu Me Estas Matando
- Puras Mentiras
Album Description
Afro Bachata is the third album by Yoan Soriano. It is part of the Santo Domingo Blues bachata series. Yoan Soriano is featured in the new film Santo Domingo Blues and many of the tracks on this album appear in the documentary. This album is made to dance to. It is the rage of cantinas and colmados throughout the Dominican Republic but is only begin to hit the dancehalls in the US and Europe.The first track, Ya Encontre La Mujer (I Found My Woman), is an evocative love song about finding the right woman. "I found the woman who knows how to love me/ I found the place in my soul where she knows how to live." The tune features the inimitable, transcendent guitar styling that has made Soriano's playing a staple on the albums of other great bachata artists like Zacarias Ferreira and Teodoro Reyes. The tune also contains Soriano's evocations of his parents, Cande the withdoctor and Juana. It is a magical number.
The second track, El Hombre Tuyo Soy Yo (I Am Your Man), is a bubbly, bouncey bachata that is getting a lot of airplay on the radio in the Dominican Republic these days. The happy chorus in the traditional African call and response pattern is mesmerizing. It lifts you off your feet.
In addition to a number of other vibrant bachatas including Puras Mentiras (Pure Lies), Quien Rie Ultimo Rie Mejor (He Who Laughs Last Laughs Best) and Cansado de Esperar (Tired of Waiting), the album features two wicked merengues on guitar, Los Que Me Esperaban, Llegue (For those Who Are Waiting, I Have Arrived) and Lo Van A Bailar (They Are Going To Dance It). In these merengues Soriano takes traditional drum rhythms and plays them percussively on the guitar. Track seven, Popuri de Son, represents the Cuban son tradition also popular in the Dominican Republic. There are many Dominicans who will put up a pretty good argument if you tell them son is from Cuba, not from the Dominican Republic.
The album as a whole is not only a great new contribution to the bachata genre. It represents a unique fusion of AfroDominican roots music and dancehall bachata. Yoan Soriano does not mess around.
Customer Reviews:
Good but no Mayimbe........2006-03-07
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