| 1. Jandarmul |
| 2. Of, zac |
| 3. Ia uite-o, zau |
| 4. Nu vine mindru, nu vine |
| 5. Am ibovnic la Mizil |
| 6. Am iubit si am iubesc |
| 7. Invirtita de pe Tirnave |
| 8. Geaba ma mai duc acasa |
| 9. Cine iubeste si lasa |
| 10. Nici acela nu-i ficior |
| 11. Iarna grea, muierea rea |
| 12. Foaie verde trei rozete |
| 13. Cand m-am dus la insurat |
| 14. Foaie verde trei pribori |
| 15. Cand o fi la moartea mea |
| 16. Se sterge mindra pe frunte |
| 17. Lelita circiumareasa |
| 18. Si-ar fi batut Dumnezeu |
| 19. Nunta tiganeasca |
Editorial Reviews
Maria Tanase represents the soul and spirit of popular Rumanian music in the 20th century. Her deep, rich voice has become immortalized in the distinguished contribution she has made to the Rumanian folk tradition. Tanase's powerful performing style, with its unique cosmopolitan culture of a Bucharest, which in the 30s and 40s people called "Paris of the East". In her life's work, Tanase gave the Rumanian folk tradition an extended lease on life. This together with her enormous personal appeal, led to her becoming a revered idol of the Rumanian people.
Product Description
All the songs on this CD were cut beween 1936 and 1939, mostly in the summer and autumn of 1939.
The first studio recordings by the Lifa Company were mainly composed of folk-songs which until that moment Maria Tanase, standing on the threshold of a great career at that time, had only sung in the company of her closest friends. Later in the Columbia studio on the Strada Udricani, Maria Tanase, together with Miticia Matsa's ensemble, cut recordings of the "Mahala" song about a gypsy wedding, "Nunta Tiganeasca" and a version of "Cine iubeste si lasa". Likewise, in 1936 she recorded a first ver- sion of "Invirtita de pe Tirnava". Maria Tanase recorded her next works, which also included a romantic song and two tangos in the autumn of 1936 with Heinz Sandauer's orchestra at the Columbia studio in Vienna. After great success in sales Maria Tanase, together with Costica Tandin' s ensemble, incorporated other works from her repertoire including "Ia uite-o, zau" and "Nu vine mindru, nu vine" for the globally active Columbia record company, On her radio debut in Febuary 1938 she brought Ion Matache's ensemble with her into the studio. The formation of the violinist, Ion Matache, at that time included two violists, a double-bassist, a cymbalist and a cobza player. On later recordings she was accompanied by Constantin Bugeanu' s ensemble on accordion and clarinet, e.g. on "Si-ar fi batut Dumnezeu". At that time Maria Tanase did not have a fixed ensemble. According to the occasion and venue, in addition to the ensembles already mentioned, those of the violinists Petrica Motoi, Ilie Radulescu, Victor Predescu and Costica Tandin were engaged. Ilie Radulescu's band originated from the south Romanian town of Pitesti which, together with Arges, was one of the centres of Romanian "Lautari" music at that time. Maria Tanase also had her first successes with Ilie Radulescu' s troop on the stage of the Alhambra revue theatre as an interpreter of folk-songs and couplets written in the spirit of Romanian songs. In 1938 Maria Tanase could be heard singing with Petrica Motoi's ensemble in the Luxandra restaurant, where she appeared every evening to perform folk and gypsy song after completing her other concert obligations.
Magic Bird (The Early Years),Maria Tanase
Average customer rating:
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The Glory (????) of the Human Voice
Florence Foster Jenkins Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F97 Release Date: 1992-04-14 |
Tracks:
- Die zauberflote: der holle rache
- die musikdose
- Like A Bird
- lakme: ou va la jeune hindoue?
- Serenata Mexicano
- la perle du bresil: charmant oiseau
- pavlovich biassy
- die fledermaus - la chauve-souris: Adele's Laughing Son - Air d'adele - 'mein herr marquis'
- Valentine's Aria (Ere I leave my native land)
- Jewel Song (O Heavenly Jewels)
- salut, demeure chaste et pure (Emotions Strange)
- Final Trio (My Heart Is Overcome With Terror)
Customer Reviews:
reviving an old memory.......2007-06-08
Thanks.
So BAD she's GOOD .......2007-04-21
my ears and belly hurt.......2007-04-11
A must for all music lovers.......2007-01-05
Florence's voice caused my dog to shake in fear........2007-01-02
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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The Classical Child at the Opera
Manufacturer: Classical Child ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J29D Release Date: 2001-05-04 |
Tracks:
- Children's March [From Carmen]
- Doll Song [From Tales of Hoffmann]
- Anvil Chorus [From II Trovatore]
- Bird Catcher Am I [From the Magice Flute]
- Papagena! Papagena! Papagena! [From The Magic Flute]
- Pa, Pa, Pa, Pa [From the Magice Flute]
- Flower Duet [From Lakm
- Largo Al Factotum [From the Barber of Seville]
- Three Little Maids from School [From the Mikado]
- Sun Whose Rays Are All Ablaze [From the Mikado]
- Tit-Willow [From the Mikado]
- Brother, Come Dance With Me [from Hansel and Gretel)
- I Am the Little Sandman [from Hansel and Gretel)
- Children's Prayer [from Hansel and Gretel)
Album Description
OPERA IS FOR EVERYONE and so, The Classical Child At the Opera was created to give children a taste of the magic, majesty and humor of this glorious art form. Well-known songs and arias have been selected that appeal to young sensibilities, while easy-to-follow English translations bring these delightful stories and characters to life. Care has been taken by the singers to present the music in a way that is light hearted and accessible sometimes gentle, sometimes raucous, but always positive and engaging.Customer Reviews:
Excellent teaching tool.......2006-05-10
I have only one complaint about this CD.......2006-04-16
What every kid (and parent needs!).......2004-02-06
What's Opera Doc?.......2003-03-29
As much as I enjoy this album, I question the inclusion of the last three songs, which come from "Hansel and Gretel". The voices on the songs are of the overly florid nature, and I can see my daughter lose interest. I think it would have been more interesting to include more "Carmen," or arias from other such popular operas "Rigoletto" or "Aida". Or if the album needed to end on a slower note, the overcoat song from "La Boheme."
IAC, I have caught my daughter humming bits and pieces from the operas. Even I have managed to amaze people by correctly identifying the Flower Duet from "Lakme"! I strongly recommend this album.
Lots of Fun Music.......2002-11-29
Average customer rating:
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Only Opera CD You'll Ever Need
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003GA0 Release Date: 1997-10-14 |
Tracks:
- Antony & Cleopatra: 'Give Me My Robe' - Leontyne Price
- Fidelio: 'In des Lebens Fruhlingstagen...' - Ben Heppner
- Fidelio: Act II Quartet: 'Ach, du bist gerettet...' - Deborah Voigt
- Norma: 'Casta Diva' - Rosa Ponselle
- Candide: 'Glitter And Be Gay' - Harolyn Blackwell
- Candide: 'Make Our Garden Grow' - Jerry Hadley
- Carmen: Flower Song - Placido Domingo
- Carmen: Habanera - Rise Stevens
- Carmen: Toreador Song - Robert Merrill
- Les pecheurs de perles: Duet: 'Oui, c'est elle, c'est la deesse...' - Robert Merrill
- Mefistofele: 'Ecco il mondo' - Samuel Ramey
- La Wally: 'Eben, ne andro lontana' - ONLY OPERA CD YOU'LL EVER NEED
- Lakme: Bell Song - Lily Pons
- L'Elisir d'Amore: 'Una furtiva lagrima' - Tito Schipa
- Lucia di Lammermoor: 'Chi mi frena in tal momento...' - Carlo Bergonzi
- Lucia di Lammermoor: 'Spargi d'amaro pianto' - Anna Moffo
- Martha: 'M'appari tutto amor' - Jussi Bjoerling
- Porgy & Bess: 'Summertime' - Leontyne Price
- Porgy & Bess: 'Bess, You Is My Woman' - William Warfield
- Andrea Chenier: 'Come un bel di di maggio' - Ben Heppner
- Romeo et Juliette: Juliette's Waltz; 'Je veux vivre' - Ruth Ann Swenson
- Salammbo: Aria - Kiri Te Kanawa
- Hansel & Gretel: 'Suuse, liebe Susse - Helen Donath
- I Pagliacci: 'Vesti la giubba' - Enrico Caruso
- Cavalleria Rusticana: 'Viva il vino' - Jussi Bjoerling
- Cherubin: 'Lorsque vous n'aurez rien' - Dawn Upshaw
- Manon: 'Ah! Fuyez, douce image' - Richard Crooks
- Cosi fan tutte: 'Come scoglio immoto resta' - Leontyne Price
- Don Giovanni: 'La ci darem la mano' - Edith Mathis
- Don Giovanni: 'Deh! vieni alla finestra' - Ezio Pinza
- Don Giovanni: 'Non mi dir' - Carol Vaness
- Le nozze di Figaro: 'Non piu andrai...' - Alan Titus
- Le nozze di Figaro: 'Porgi, amor' - Carol Vaness
- Le nozze di Figaro: 'Deh vieni, non tardar' - Bidu Sayao
- Die Zauberflote: 'Dies Bildnis ist bezaubernd schon' - Fritz Wunderlich
- Die Zauberflote: Der Holle Rache - Zdislawa Donat
- Die Zauberflote: Papageno - Papageno Duet - Christian Boesch
- Boris Godunov: 'I v ljutomgore, nisposlannom Bogom...' - Alexander Kipnis
- Tales Of Hoffmann: Barcarolle - Montserrat Caballe
- La Gioconda: 'Cielo e mar' - Beniamino Gigli
- La Boheme: 'Che gelida manina' - Giuseppe Di Stefano
- La Boheme: 'Mi piaccion quelle cose...' - Licia Albanese
- La Boheme: 'Fremon gia nell'anima' - Luciano Pavarotti
- La Boheme: Musetta's Waltz Song - Judith Blegen
- Gianni Schicchi: 'O mio babbino caro' - Angela Gheorghiu
- Madama Butterfly: 'Ah, ti serro palpitante' - Placido Domingo
- Madama Butterfly: 'Un bel di' - Leontyne Price
- Manon Lescaut: 'Donna non vidi mai' - Jussi Bjoerling
- La rondine: 'Chi il bel sogno di Doretta - Anna Moffo
- TOSCA: 'Recondita armonia' - Placido Domingo
- TOSCA: 'Vissi d'arte' - Irina Oudalova
- TOSCA: 'E avanti a lui...' - Zinka Milanov
- TOSCA: 'E lucevan le stelle' - Mario Lanza
- Turandot: 'Signore, ascolta' - Renata Tebaldi
- Turandot: 'In questa reggia' - Birgit Nilsson
- Turandot: 'Nessun dorma' - Jussi Bjoerling
- Dido & Aeneas: 'When I Am Laid In Earth' - Leontyne Price
- Il Barbiere di Siviglia: 'Largo al factotum' - Robert Merrill
- Il Barbiere di Siviglia: 'Una voce poco fa' - Roberta Peters
- Samson et Dalila: 'Mon coeur s'ouvre' - Christa Ludwig
- The Bartered Bride: 'Wenn ich das einmal erfahre' - Teresa Stratas
- Elektra: 'Agamemnon' - Inge Borkh
- Der Rosenkavalier: 'Ist ein Traum' - Erna Berger
- Salome: 'Nicht in der Welt...' - Inge Borkh
- Eugene Onegin: Lenski's Aria - Placido Domingo
- Eugene Onegin: Tatiana's Letter Scene - Leontyne Price
- Aida: 'Celeste Aida' - Jussi Bjoerling
- Aida: 'Ritorna vincitor!' - Leontyne Price
- Aida: 'Gloria all'Egitto' - John Alldis Choir
- Aida: 'O patria mia' - Leontyne Price
- Un Ballo in Maschera: 'O docezze perdute! O memorie...' - Robert Merrill
- Don Carlo: 'Dio, che nell'anima infondere' - Placido Domingo
- Ernani: 'Emani, involami' - Leontyne Price
- La forza del destino: 'Or muoio tranquillo...' - Robert Merrill
- La forza del destino: 'Pace, pace mio dio' - Zinka Milanov
- Nabucco: 'Va, pensiero' - Oleg Reshetkin
- Otello: 'Credo' - Tito Gobbi
- Otello: Willow Song - Leonie Rysanek
- Otello: 'Niun mi tema' - Jon Vickers
- Rigoletto: 'Qesta o quella' - Alfredo Kraus
- Rigoletto: 'Caro nome' - Anna Moffo
- Rigoletto: 'La donna e mobile' - Jan Peerce
- Rigoletto: 'Bella figlia dell'amore' - Alfredo Kraus
- La Traviata: Brindisi - Montserrat Caballe
- La Traviata: 'Di provenza' - Sherrill Milnes
- La Traviata: 'Sempre libera' - Eleanor Steber
- La Traviata: 'Addio del passato' - Anna Moffo
- Il Trovatore: Anvil Chorus - Moscow Classical Chorus & Ensemble
- Il Trovatore: 'Di quella pira' - Placido Domingo
- Il Trovatore: 'Tacea la notte placido - Leontyne Price
- Die Meistersinger von Nurnberg: 'Morgenlicht leuchtend' - Set Svanholm
- Die Walkure: Ride Of The Valkyries - Staatskapelle Dresden
- Die Walkure: Wotan's Farewell - Lawrence Tibbett
- Siegfried: Song Of The Forest Bird - Norma Sharp
- Gotterdammerung: 'Starke Scheite schichtet mir dort' - Kirsten Flagstad
- Lohengrin: Bridal Chorus - Robert Shaw Chorale
- Lohengrin: 'In fernem Land' - Lauritz Melchior
- Tannhauser: 'Dich teure Halle' - Waltraud Meler
Customer Reviews:
Not worth buying!.......2007-05-29
Don't waste your money.......2007-01-18
Perfect for "drop the needle" style tests.......2006-11-19
A CD with Attention Deficit Disorder.......2006-10-02
I never realized how much Bernstein's "Glitter and be gay" sounded like Delibes' "Bell Song" until I heard 35 seconds of one, followed 23 seconds of the other.
Maybe the TV show 'Jeopardy' could use this CD. 'What is "Hush little baby don't you..."??'
What a waste of beautiful voices and great music. 38 seconds of Enrico Caruso, followed by 31 seconds of Jussi Bjoerling, followed by 38 seconds of Dawn Upshaw.
My copy is going to go sailing into the wastebasket as soon as I finish this review.
This sucks..........2006-03-31
Move on to something else... Amazon has a great selection... just not this one.
Average customer rating:
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Florence Foster Jenkins & Friends: Murder on the High Cs
John Charles Thomas , John Charles Thomes , Robert Merrill , Alexander Kipnis , Ezio Pinza , Florence Foster Jenkins , Jack Barnett , Earl Cahn Sammy / Brent , Felicien David , and Leo Delibes Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AE7AO Release Date: 2003-09-23 |
Tracks:
- Queen of the Night Aria [From The Magic Flute]
- Serenata Mexicana
- Musical Snuff Box
- Like a Bird
- Bell Song [Lakme Dub]
- Charmant Oiseau [Perle du Brl]
- Adele's Laughing Song [Die Fledermaus]
- Biassy [Prelude XVI]
- Valse Caressante
- Little Jack Horner - Alexander Kipnis
- Sing a Song of Sixpence - John Charles Thomas
- Blue Danube - Jimmy Dorsey & His Orchestra, Josephine Tumminia
- Little Old State of Texas - Ezio Pinza, The Sons of the Pioneers
- Fireman's Bride [Up in Central Park] - Jeanette MacDonald, Robert Merrill
- Song's Gotta Come from the Heart - Jimmy Durante, Helen Traubel
- Real Piano Player - Jimmy Durante, Helen Traubel
- Please Don't Say No [Thrill of a Romance] - Lauritz Melchior
Customer Reviews:
Must be heard to be believed.......2006-04-09
That said, the rest of the (non-Florence) cuts are mostly forgettable. More kitch than camp. Annoying music abounds but the in the realm of the truly, stupendously awful Florence Foster Jenkins remains in a class by herself. No one can really compete with Ms. Jenkins on her own camp grounds and there is no sense in trying. The one exception being the sung "Blue Danube" with Josephine Tumminia and the Jimmy Dorsey orchestra which falls in the "what could they have been thinking?" department.
Personally a little of this sort of thing goes a long way. The Faust Travesty on the RCA set holds a bit more interest (but not all that much). I think a more interesting compliation would consist of "straight" renderings of the various arias and pieces contrasted with Madame Florence's so the listener may fully savor what she achieves in these performances.
Florence gets five stars but the rest of it gets a minus one, so it ends up with four.
This is the definitive FFJ!.......2005-01-09
Sounds Like A Vacuum Cleaner Ingesting An Owl.......2004-10-15
In short, these rare Jenkins masterworks are amazing and hilarious. I can't recommend them highly enough to anyone even mildly curious about outsider music. Why the three star rating? It is certainly not due to Florence's participation, rather due to the packaging. The cover boasts "Florence Foster Jenkins and Friends." Little will most people suspect that the "friends" make up about half of the CD, and are totally unrelated to Jenkins except for possessing no musical talent. Some of the songs are merely boring (like the Jimmy Durante selections), and some are quite laughably funny like the dreadful "The Fireman's Bride," and "Please Don't Say No." Finally there is the real puzzler from the "what were they thinking?" file, "Little Jack Horner," an operatic retelling of the classic children's tale. The other reason I only give this disc three stars is because four of the nine Jenkins' songs are available on "The Glory (????) of Human Voice." I had expected different material on this CD.
The bottom line is that this CD is for Florence Foster Jenkins completists. (Ponder that.) People who want more exposure to Florence should buy her delightful "The Glory (????) of Human Voice," which I can't recommend highly enough.
comedy classic.......2004-05-27
The "joke", never funny, is now painfully shabby.......2004-03-07
The whole matter stinks of making fun of a person afflicted by illness. What a cruel species we were - and still are.
Average customer rating:
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The Mozart Variations
Manufacturer: Windham Hill Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JH87 Release Date: 2000-04-04 |
Tracks:
- The Magic Flute: 'So Must We Two Forever Part?'
- 4 Variations On Twinkle Twinkle Little Star
- Theme From Symphony #40 -
- Menuett #6
- Exsultate Jubilate
- Et In Carnatus Est - Mass In C Minor-
- Adagio From The Piano Concerto #23
- Allegro From The Serenade No. 13 'Eine Kleine Nachtmusic'
- Adagio
- Bird Catcher's Song (Der Vogelsanger) From The Magic Flute-
- Motet 'Ave Verum Corpus' -
- Allegretto
- Andante From Sonata in F -
- Adagio From The 'Dissonant' Quartet In C -
Amazon.com
Stately and subdued, Mozart Variations joins The Impressionists and Bach Variations as interpretive projects involving Windham Hill artists and a gathering of guest performers. The disc's overall mood is largely reverential, though its periodic departures from tradition are surprisingly successful. Mike Marshall's mandolin-driven "Allegro from the Serenade #13 'Eine Kleine Nachtmusic'" is a dignified charmer, and William Coulter's Celtic embellishments give "Theme from Symphony #40" a lively, unexpected spin. John Lee Sanders engineers perhaps the album's biggest left turn by applying a restrained soprano saxophone to "Et In Carnatus Est (from Mass in C Minor)." Arrangements that most effectively intertwine classical and contemporary influences: a lovely rendering of "Menuett #6" by pianist Liz Story and Paul McCandless's adaptation of "Motet 'Ave Verum Corpus'" for wind instruments and acoustic guitar. --Terry WoodCustomer Reviews:
Peaceful and calming for parents and children.......2001-03-15
Very Moving For the Soul Touches the heart.......2000-07-24
Breathtakingly Beautiful, but not for the musical snob..........2000-05-13
Average customer rating: |
Kirke Mechem: Symphonies nos. 1 & 2 / The Jayhawk
Manufacturer: Russian Disc ProductGroup: Music Binding: Audio CD ASIN: B000001LLR Release Date: 1995-02-07 |
Tracks:
- Overture, Op. 43
- Sonata: Lento Molto, Allegro Moderato, Lento Molto
- Quodlibet
- Canzona Con Variazioni: Grazioso Un Poco Andante
- Rondo: Allegro
- Comodo. Allegro, Adagio
- Intermezzo: Adagio
- Theme And Derivations: Allegro
Average customer rating: |
Magic of the Chinese Flute
Tseng Yung-Ching Manufacturer: Arc Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067NU7 Release Date: 2002-05-21 |
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Tchaikovsky: Symphony 5/Sleeping Beauty
Manufacturer: Magic Master ProductGroup: Music Binding: Audio CD ASIN: B00000JBGP Release Date: 1999-06-15 |
Tracks:
- Symphony No.5 in E minor, Op.64: I. Andante - Allegro con anima
- Symphony No.5 in E minor, Op.64: II. Andante cantabile con alcuna licenza
- Symphony No.5 in E minor, Op.64: III. Valse - Allegro moderato
- Symphony No.5 in E minor, Op.64: IV. Finale - Andante maestoso - Allegro vivace
- Dance Of The Princess Aurora
- The Sleeping Beauty, Music From The Ballet Op.66: Mazurca
- The Sleeping Beauty, Music From The Ballet Op.66: Puss-In-Boots And The White Cat
- The Sleeping Beauty, Music From The Ballet Op.66: The Diamond Fairy : Pas de quatre
- The Sleeping Beauty, Music From The Ballet Op.66: The Blue-Bird And The Enchanted Princess
- The Sleeping Beauty, Music From The Ballet Op.66: Valse
- The Sleeping Beauty, Music From The Ballet Op.66: Sarabande
- The Sleeping Beauty, Music From The Ballet Op.66: Apotheosis
Average customer rating:
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Janácek: Moravian Folk Poetry in Songs
Leos Janacek , Iva Bittová , ¿kampa Quartet , Vladimír Godár , and Skampa Quartet Manufacturer: Supraphon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00061X9YC Release Date: 2005-03-01 |
Tracks:
- Tuzba (Desire)
- Stst'/Steadiness
- Lavecka (Bench)
- Stesk (Woe) - Skampa Quartet
- Obrk Mileho (Lover's Likeness)
- Svatba Kom (Gnats Wedding)
- Kouzlo (Charm)
- Slib (Promise)
- Orisek Lovy (Hazel Nut) - Skampa Quartet
- La (Love)
- Jablunka (Apple Tree)
- Jabucko (Sweet Apple)
- Co Je to Za Nebe (What Sky)
- Safva C (Alderman's Daughter)
- Cervenab(Little Red Apples)
- Dobr(Good Hunt)
- He Warden)
- Kony Mil [My Lover's Horses]
- Kv MilodejnLove Herbs)
- Pcko (Posy)
- LoucenMilou
- Jindy a NynThen and Now)
- T (Uneasy)
- VzknMessage)
- Belegrade (Belgrade) - Skampa Quartet
- Milenec Vrah (Lover Killer)
- Pomluva (Calumny)
- LoucenParting)
- Sirota (Lonely Soul)
- Osamel Alone)
- Komu Kytka (For Whom the Posy)
- Z Od Mil (Love Shining)
- Polajka (Thyme)
- Kol(KolTown)
- Psano (Love Letter)
- Karafi(Carnation)
- Rozmarsemary)
- Pamy (Mementos)
- Zpevulenka (Tender Little Tune)
- Nejistota (Uncertainty)
- Kukacka (Cuckoo)
- Zahrcka (Fence)
- Muzikanti (Musicians)
- Vernost' (Faithfulness)
- Bolavlava (Headache)
- Osud (Fate)
- Daleko ProvdanWedded Far Away)
- Budk (Wakening)
- Dobrada (Sound Advice)
- Slzy echou (Tears of Comfort)
- Koukol (Corncockle)
- Kalina (Guelder Rose)
- Pohreb Zbojnv
Customer Reviews:
Moravian songs, via Janacek, Godar, Bittova and Skampa.......2006-05-09
Skampa Quartet is great - the singer... yikes.......2005-07-28
The recording quality is not very good, either. On many of the tracks, Iva seems to be muffled and in the background of the recording.
Really - dont waste your time and money, unless you really would just like to have a recording of over 50 Janacek songs.
World Music:
- Malafemmina [Import]
- Mann Ke Manjeere [Import]
- Marcas de Ayer [Import]
- March of the Jazz Guerillas
- Master Serie [Original recording remastered]
- Master Serie, Vol. 2 [Import]
- Modern Favorites [Import]
- Moderna Tradição [Import]
- Moscou [Import]
- Nada Brahma
World Music
Viva La Vida [CD-single] [Import]
Catharine Crozier: At Grace Cathedral