Sorgente [Import]

1. Sottovoce

2. Il Riflesso

3. L'importante E Finire

4. Perfetto

5. Questa Voce

6. Nuda

7. Sincera

8. Intro: Radio C

9. Resto In Ascolto

10. Verso Sud

11. Ricordero

12. Tu Fammi Sognare

Editorial Reviews

Product Description
The Debut Album from the Ex-dirotta Su Cuba Singer. Bencini Sings Incorporates Elements of Soul, Funk, Jazz, Gospel and Hip-hop in her Music Along with the Passion Evident in her Voice.

Tracks:

Oh Sleep, Why Dost Thou Leave Me?
Endless Pleasure
Scoglio D'Immota Fronte
Quando Spieghi I Tuoi Tormenti
Ombra Mai Fu
To Fleeting Pleasures Make Your Court
Lascia Ch'io Pianga
Dunque, I Lacci D'un Volto...Ah! Crudel
Let The Bright Seraphim
V'adoro, Pupille
Da Tempeste Il Legno Infranto
Ritorna, Oh Caro E Dolce Mio Tesoro
Sommo Rettor Del Cielo...D'una Torbida Sorgente
Pensieri, Voi Mi Tormentate
Bel Piacere E Godera Fido Amor!
Calm Thou Soul...Convey Me To Some Peaceful Shore

Amazon.com

Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, never leaning or swooping into an accompanying note in an "un-Baroque" manner, and the result is simply ravishing. The voice, of course, is almost unbelievably beautiful and agile, the technique impeccable, complete with a trill unmatchable in any soprano singing today. From the long-breathed lines of "O sleep why dost thou leave me" from Semele to the fireworks in Cleopatra's "Da tempeste…," with stops along the way at the famous "Ombra mai fu" and a complete rarity from the composer's Lotario, this CD is just breathtaking. Brava Fleming--and bravo Harry Bicket! Oh, yes--bravo Handel! --Robert Levine

Customer Reviews:

clear as a bell.......2007-02-16

Renee Fleming is one of the most talented female vocalists around. She has such a beautiful, crystal clear voice, and she sings every song on this album well. As a singer myself, I definitely look up to her and very much admire the tone, quality, power, and range of her voice. I would definitely reccommend this album to anyone who enjoys classical music or is looking for someone to aspire to.

Renee Fleming...somewhat out of her depth.......2006-10-20

While it's not the most thrilling Renee Fleming album in the catalogue, her interpretations of Handel pieces is quite an accomplished feat, but when compared to her earlier efforts, rings hollow with it's lack of emotion. As other reviewers have noted, Ms Fleming does not sound like she is in complete grasp of the material, and her performance lacks any real depth or dramatic weight.

Perhaps the pieces of Handel aren't completely flattering to her style, or the mood in the recording studio might not have been exactly right...a million things might have happened to dull this album's power. I have listened to this album a couple of times now, and I'll keep it in my collection, but this one is for the die-hard Renee Fleming fans.

[Decca /Universal 475 547-2]

Handel sung with gusto and wit.......2005-12-07

I am utterly in love with Renee Fleming's voice and I am very glad that she returned to her roots in this luminous Handel Recital. While her fioritura is not as excellent as Sutherland's she surpasses the Australian with her sincerity and sense for drama. Not one word is sung without attention, her silken voice sound absolutely radiant here. I also noticed that she is singing more precisely and elegantly here, giving Handel a dignified elegance, yet passion that it hasn't had since Ferrier (Who was an alto but she still reigns supreme). It is definitely a step in the right direction. Brava Miss Fleming!

Very disappointing Handel recital.......2005-10-30

This recital is mostly very bland and boring, with Fleming's Baroque vocal technique lacking in many ways.
The slow, languid arias like the opening "Oh Sleep" are too drawn out, without any character. The fast acrobatic arias show lack of agility, and poorly executed and overdone ornamentation. Fleming's heavy, laboured coloratura seems ill fitted for these selections. "Scoglio d'immota" in particular is very bad. Her leaps "from stone to stone" in this aria are proceeded by something of a bellow before each note. Fleming's rthythmic waywardness is also very evident in many tracks, and her diction is very indistinct. In English tracks she prounounces vowels in such bizarre ways, her singing of "endless laav" made me laugh and her Italian in "Quando spieghi" is just awful.
Fleming's "Ombra Mai Fu" lacks any character, tenderness, not to mention the missing recitativo. Lorraine Hunt's infinitely superior version should not be even compared to this one. And "Lascia ch'io pianga" is just so over the top, it sounds like a crossover track without the beat. Even Angela Gheorghiu's soppy but honest singing of this piece beats Fleming's interpretation.
"Let the Bright Serephim" has very serious tempo and scooping issues; Kiri Te Kanawa's unremarkable but pleasant enough version is better. "V'adoro pupille" is another drawn out, overtly sentimental aria. And in "Da Tempeste" Fleming sings the runs as it was jazz (?) music, it's strange, and the da capo part is so over the top. This aria is a total mess.
I have to admit I have problems listening to this album as a whole, midway through I just could not tolerate it any more. When I finally listened to the rest of this album, I liked it even less. The last track, Peaceful Shore is again so bland and pointless. I was just glad to be at the end of this recital.
As many people pointed out, even the accoustics of this recording are not good. The Orchestra of Enlightment plays just fine, but it makes little difference. With so many wonderful recent Handel recitals to choose from (Hunt, Bayrakdarian, Conolly, classics like Kirkby, Battle's Baroque Duets...) I think this is the one to skip.

Brava Renee!!!.......2005-09-28

This album is truly amazing. Renee has such a way with music from the Baroque era. She didn't over Romanticize the music. She lightened her voice perfectly for Handel's arias. The Giulio Cesare arias are incredible, and Endless Pleasure from Semele is astounding. Once again Brava!!

Average customer rating:

Handel [Hybrid SACD]

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

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a trip back to the chapel
Blessed music

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Veni Sancte Spiritus
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Wait for the Lord

ASIN: B00006JM84
Release Date: 2002-11-05

Tracks:

Venite, Exultemus Domino
El Alma Que Anda En Amor
The Kingdom Of God
Alleluia 20
Gott Ist Nur Liebe (Bog Jest Miloscia)
Bogoroditse Dievo
Beati Voi Poveri
Jesu Redemptor
Qui Regarde Vers Dieu
In Manus Tuas, Pater
Jubilate, Alleluia
In Resurrectione Tua
Tu Sei Sorgente Viva
Kyrie Eleison 19
Nothing Can Ever Come Between Us
L'ajuda Em Vindra Del Senyor
Bendigo Al Senor
Alleluia, Slava Tiebie Boze
Wyslawiajcie Pana

Customer Reviews:

a trip back to the chapel.......2007-06-08

Having visited the Taize Community two years ago, this is a wonderful way to recall the quiet spirituality that was such a part of the three daily prayers services. It ignited memories of that week, and also helps me find that Presence I need to meditate as I did then.

Blessed music.......2005-10-22

Taize style music is very popular among college-age worshippers today, and our Centre for University Ministry regularly offers Taize services. The hallmarks of Taize services are simplicity, peaceful spirituality, and music based upon the chant styles of the Taize monastery in France. Founded in the aftermath of the second World War by Brother Roger, who died in a prayer service in the midst of the community in August 2005, Taize is dedicated to peace and ecumenical action.

Taize music is both simple and sophisticated. Brother Roger, founder of Taize, seeks to add a prayerful element to music, and a musical element to prayer, believing firmly in the old dictum, 'those who sing, pray twice'.

The songs of Taize are designed to be sung by those who have difficulty carrying a tune, as well as those whose training and background in music extends to high levels.

This recording contains many of the best Taize chants. Given the international outreach of Taize (it is a great pilgrimage site for people all over the world), the chants tend to be sung in Latin. The Latin is not due to Catholic influence as much as it a shared language among many people's linguistic heritage while no longer being anyone's first language. Brother Roger reclaimed Latin as a language for the monastery so that no one 'living' language would claim a dominance over others. However, it is a feature of Taize chant that it can be adapted to other languages very easily.

Taize worship relies on psalms heavily, as well as periods of silence, Bible readings, and prayers. Some such pieces are included here.

The way Taize chants 'work' is that they are simple phrases and simple tunes that gradually reveal depth and sophistication by being repeated over and over. All chants presented in this text are put in multiple-part harmony (usually four-part), and some are marked to be done in rounds.

This recording is a rich expression, wonderfully presented. According to Brother Roger, all who follow this journey of the spirit remain alongside other people, adding their prayers and voices together. 'They do not separate prayer and commitment.'

Average customer rating:

Sorgente
Simona Bencini
Manufacturer: Wea/Warner
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Binding: Audio CD

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ASIN: B00097HDPO
Release Date: 2005-04-25

Tracks:

Tempesta

Album Details

The Debut Album from the Ex-dirotta Su Cuba Singer. Bencini Sings Incorporates Elements of Soul, Funk, Jazz, Gospel and Hip-hop in her Music Along with the Passion Evident in her Voice.

Average customer rating:

Sorgente
Simona Bencini
Manufacturer: Wea
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

International | Imports | Stores | Music
ASIN: B000KG5TIC
Release Date: 2006-11-09

Tracks: