| 1. Eintoenig Klingt Hell Das Gloeckchen |
| 2. Schwarze Augen |
| 3. Lied Vom Don |
| 4. Raeuberlied |
| 5. Kosakentanz |
| 6. Der Rote Sarafan |
| 7. Abendglocken |
| 8. Moskauer Naechte |
| 9. Kosaken-Lied Vom Ataman Platoff |
| 10. Die Petersburger Strasse Entlang |
| 11. Wolgaschlepper |
| 12. Gruenes Gras-Kalinka |
Abendglocken,Don Kosaken Chor,Universal/Polygram,World Music
Average customer rating:
|
The Art Of Alfred Brendel
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B0000041E6 Release Date: 1996-03-12 |
Tracks:
- Andante con variazioni In F Minor, Hob. XVII:6
- Sonata In E Flat, Hob. XVI:49: 1. Allegro
- Sonata In E Flat, Hob. XVI:49: 2. Adagio e cantabile
- Sonata In E Flat, Hob. XVI:49: 3. Finale. Tempo di minuetto
- Sonata In C, Hob. XVI:50: 1. Allegro
- Sonata In C, Hob. XVI:50: 2. Adagio
- Sonata In C, Hob. XVI:50: 3. Allegro molto
- Sonata In E Flat, Hob. XVI:52: 1. Allegro
- Sonata In E Flat, Hob. XVI:52: 2. Adagio
- Sonata In E Flat, Hob. XVI:52: 3. Finale. Presto
Tracks:
- Sonata In A Minor, KV 310: 1. Allegro maestoso
- Sonata In A Minor, KV 310: 2. Andante cantabile con espressione
- Sonata In A Minor, KV 310: 3. Presto
- Fantasia In C Minor, KV 475: Adagio - Allegro - Andantino - Piu allegro - Tempo I
- Sonata In C Minor, KV 457: 1. Molto allegro
- Sonata In C Minor, KV 457: 2. Adagio
- Sonata In C Minor, KV 457: 3. Allegro assai
- Sonata In B Flat, KV 333: 1. Allegro
- Sonata In B Flat, KV 333: 2. Andante cantabile
- Sonata In B Flat, KV 333: 3. Allegretto grazioso
Tracks:
- Sonata In A, KV 331: 1. Tema con variazioni
- Sonata In A, KV 331: 2. Menuetto
- Sonata In A, KV 331: 3. Alla turca. Allegretto
- Rondo In A Minor, KV 511: Andante
- Piano Concerto In E Flat, KV 449: 1. Allegro vivace
- Piano Concerto In E Flat, KV 449: 2. Andantino
- Piano Concerto In E Flat, KV 449: 3. Allegro ma non troppo
- Piano Concerto In C, KV 467: 1. Allegro
- Piano Concerto In C, KV 467: 2. Andante
- Piano Concerto In C, KV 467: 3. Allegro vivace assai
Tracks:
- Concerto In E Flat, KV 365 For Two Pianos And Orchestra: 1. Allegro
- Concerto In E Flat, KV 365 For Two Pianos And Orchestra: 2. Andante
- Concerto In E Flat, KV 365 For Two Pianos And Orchestra: 3. Rondeaux. Allegro
- Piano Concerto In B Flat, KV 450: 1. Allegro
- Piano Concerto In B Flat, KV 450: 2. (Andante)
- Piano Concerto In B Flat, KV 450: 3. Allegro
- Piano Concerto In F, KV 459: 1. Allegro vivace
- Piano Concerto In F, KV 459: 2. Allegretto
- Piano Concerto In F, KV 459: 3. Allegro assai
Tracks:
- Piano Concerto In D, KV 537 - Coronation: 1. Allegro
- Piano Concerto In D, KV 537 - Coronation: 2. Larghetto
- Piano Concerto In D, KV 537 - Coronation: 3. Allegretto
- Adagio In B Minor, KV 540
- Piano Concerto In B Flat, KV 595: 1. Allegro
- Piano Concerto In B Flat, KV 595: 2. Larghetto
- Piano Concerto In B Flat, KV 595: 3. Allegro
Tracks:
- Sonata No. 3 In C, Op.2 No.3: 1. Allegro con brio
- Sonata No. 3 In C, Op.2 No.3: 2. Adagio
- Sonata No. 3 In C, Op.2 No.3: 3. Scherzo. Allegro
- Sonata No. 3 In C, Op.2 No.3: 4. Allegro assai
- Sonata No.11 In B Flat, Op.22: 1. Allegro con brio
- Sonata No.11 In B Flat, Op.22: 2. Adagio con molta espressione
- Sonata No.11 In B Flat, Op.22: 3. Minuetto
- Sonata No.11 In B Flat, Op.22: 4. Rondo. Allegretto
- Sonata No.18 In E Flat, Op.31 No.3: 1. Allegro
- Sonata No.18 In E Flat, Op.31 No.3: 2. Scherzo. Allegretto vivace
- Sonata No.18 In E Flat, Op.31 No.3: 3. Menuetto. Moderato e grazioso
- Sonata No.18 In E Flat, Op.31 No.3: 4. Presto con fuoco
- Bagatelle In A Minor, WoO 59 'Fur Elise'
- 6 Ecossaises, WoO 83
Tracks:
- 6 Variations In F, Op.34: Thema
- 6 Variations In F, Op.34: Variation I
- 6 Variations In F, Op.34: Variation II
- 6 Variations In F, Op.34: Variation III
- 6 Variations In F, Op.34: Variation IV
- 6 Variations In F, Op.34: Variation V
- 6 Variations In F, Op.34: Variation VI - Coda
- 5 Variations In D, WoO 79 On 'Rule Britannia': Thema
- 5 Variations In D, WoO 79 On 'Rule Britannia': Variation I
- 5 Variations In D, WoO 79 On 'Rule Britannia': Variation II
- 5 Variations In D, WoO 79 On 'Rule Britannia': Variation III
- 5 Variations In D, WoO 79 On 'Rule Britannia': Variation IV
- 5 Variations In D, WoO 79 On 'Rule Britannia': Variation V - Coda
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Thema
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation I
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation II
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation III
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation IV
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation V
- 6 Variations In G, WoO 70 On 'Nel cor piu non mi sento': Variation VI
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Tema: Vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation I: Alla marcia maestoso
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation II: Poco allegro
- Variation III: L'istesso tempo
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation IV: Un poco piu vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation V: Allegro vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation VI: Allegro ma non troppo e serioso
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation VII: Un poco piu allegro
- Variation VIII: Poco vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation IX: Allegro pesante e risoluto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation X: Presto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XI: Allegretto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XII: Un poco piu moto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XIII: Vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XIV: Grave e maestoso
- Variation XV: Presto scherzando
- Variation XVI: Allegro - Variation XVII
- Variation XVIII: Poco moderato
- Variation XIX: Presto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XX: Andante
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXI: Allegro con brio - Meno allegro
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXII: Allegro molto
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXIII: Allegro assai
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXIV: Fughetta. Andante
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXV: Allegro
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXVI
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXVII: Vivace
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXVIII: Allegro
- Variation XXIX: Adagio ma non troppo
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXX: Andante, sempre cantabile
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXXI: Largo, molto espressivo
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXXII: Fuga. Allegro - Poco adagio
- 33 Variations In C, Op.120 On A Waltz By Anton Diabelli: Variation XXXIII: Tempo di minuetto moderato
Tracks:
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': 1. Allegro assai
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': 2. Andante con moto
- SONATA NO.23 IN F MINOR, OP.57 'APPASSIONATA': 3. Allegro ma non troppo
- Andante In F, WoO 57 (Andante favori)
- Sonata No.29 in B flat, Op.106 'Hammerklavier': 1. Allegro
- Sonata No.29 in B flat, Op.106 'Hammerklavier': 2. Scherzo. Assai vivace
- Sonata No.29 in B flat, Op.106 'Hammerklavier': 3. Adagio sostenuto. Apassionata e con molto sentimento
- Sonata No.29 in B flat, Op.106 'Hammerklavier': 4. Largo - Allegro risoluto
Tracks:
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Introduzione col basso del tema - Tema
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation I
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation II
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation III
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation IV
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation V
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation VI-VII
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation VIII
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation IX
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation X
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation XI
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation XII
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation XIII
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Variation XIV-XV
- 15 Variations And Fuge In E Flat, Op.35 'Eroica Variations': Finale. alla fuga
- 6 Bagatelles, Op.126: 1. Andante con moto
- 6 Bagatelles, Op.126: 2. Allegro
- 6 Bagatelles, Op.126: 3. Andante cantabile e grazioso
- 6 Bagatelles, Op.126: 4. Presto
- 6 Bagatelles, Op.126: 5. Quasi allegretto
- 6 Bagatelles, Op.126: 6. Presto - Andante amabile e con moto - Tempo I
- Sonata No.24 In F Sharp, Op.78 'For Therese': 1. Adagio cantabile - Allegro ma non troppo
- Sonata No.24 In F Sharp, Op.78 'For Therese': 2. Allegro vivace
- Sonata No.30 in E, op.109: 1. Vivace, ma non troppo - Adagio espressivo - Tempo I
- Sonata No.30 in E, op.109: 2. Prestissimo
- Sonata No.30 in E, op.109: 3. Gesangvoll, mit innigster Empfindung
Tracks:
- Piano Concerto No.4 In G, Op.58: 1. Allegro moderato - Ludwig Van Beethoven
- Piano Concerto No.4 In G, Op.58: 2. Andante con moto - Ludwig Van Beethoven
- Piano Concerto No.4 In G, Op.58: 3. Rondo. Vivace - Ludwig Van Beethoven
- Piano Concerto No.5 In E Flat, Op.73 'Emperor': 1. Allegro - Ludwig Van Beethoven
- Piano Concerto No.5 In E Flat, Op.73 'Emperor': 2. Adagio un poco mosso - Ludwig Van Beethoven
- Piano Concerto No.5 In E Flat, Op.73 'Emperor': 3. Rondo. Allegro - Ludwig Van Beethoven
Tracks:
- Sonata In A Minor, D. 537: 1. Allegro, ma non troppo - Schubert
- Sonata In A Minor, D. 537: 2. Allegretto quasi andantino - Schubert
- Sonata In A Minor, D. 537: 3. Allegro vivace - Schubert
- Sonata In A, D. 664: 1. Allegro moderato - Schubert
- Sonata In A, D. 664: 2. Andante - Schubert
- Sonata In A, D. 664: 3. Allegro - Schubert
- Sonata In A Minor, D. 784: 1. Allegro giusto - Schubert
- Sonata In A Minor, D. 784: 2. Andante - Schubert
- Sonata In A Minor, D. 784: 3. Allegro vivace - Schubert
- 16 German Dances, D. 783 - Schubert
Tracks:
- Sonata In C, D. 840: 1. Moderato - Schubert
- Sonata In C, D. 840: 2. Andante - Schubert
- Sonata In A Minor, D. 845: 1. Moderato - Schubert
- Sonata In A Minor, D. 845: 2. Andante un poco moto - Schubert
- Sonata In A Minor, D. 845: 3. Scherzo. Allegro vivace - Trio. Un poco piu lento - Schubert
- Sonata In A Minor, D. 845: 4. Rondo. Allegro vivace - Schubert
- Fantasy In C, D. 760 'Wanderer' Fantasy - Schubert
Tracks:
- Sonata In D, D. 850: 1. Allegro vivace - Schubert
- Sonata In D, D. 850: 2. Con moto - Schubert
- Sonata In D, D. 850: 3. Scherzo. Allegro vivace - Schubert
- Sonata In D, D. 850: 4. Rondo. Allegro moderato - Schubert
- Sonata In G, D. 894: 1. Molto moderato e cantabile - Schubert
- Sonata In G, D. 894: 2. Andante - Schubert
- Sonata In G, D. 894: 3. Menuetto. Allegro moderato - Schubert
- Sonata In G, D. 894: 4. Allegretto - Schubert
- Allegretto In C Minor, D. 915 - Schubert
Tracks:
- Sonata In C Minor, D. 958: 1. Allegro - Schubert
- Sonata In C Minor, D. 958: 2. Adagio - Schubert
- Sonata In C Minor, D. 958: 3. Menuetto. Allegro - Schubert
- Sonata In C Minor, D. 958: 4. Allegro - Schubert
- Sonata In A, D. 959: 1. Allegro - Schubert
- Sonata In A, D. 959: 2. Andantino - Schubert
- Sonata In A, D. 959: 3. Scherzo. Allegro vivace - Schubert
- Sonata In A, D. 959: 4. Rondo. Allegretto - Schubert
- 12 German Dances, D. 790 (Ller) - Schubert
Tracks:
- Sonata In B Flat, D. 960: 1. Molto moderato - Schubert
- Sonata In B Flat, D. 960: 2. Andante sostenuto - Schubert
- Sonata In B Flat, D. 960: 3. Scherzo. Allegro vivace con delicatezza - Schubert
- Sonata In B Flat, D. 960: 4. Allegro ma non troppo - Schubert
- 11 Ecossaises, D. 781 - Schubert
- Hungarian Melody In B Minor, D. 817 - Schubert
- 6 Moments musicaux, D. 780: No. 1 In C, en ut majeur - Moderato - Schubert
- 6 Moments musicaux, D. 780: No. 2 In A Flat, As-dur, en la bemol majeur - Andantino - Schubert
- 6 Moments musicaux, D. 780: No. 3 In F Minor, f-moll, en fa mineur - Allegro moderato - Schubert
- 6 Moments musicaux, D. 780: No. 4 In C Sharp Minor, cis-moll, en ut diese mineur - Moderato - Schubert
- 6 Moments musicaux, D. 780: No. 5 In F Minor, f-moll, en fa mineur - Allegro Vivace - Schubert
- 6 Moments musicaux, D. 780: No. 6 In A Flat, As-dur, en la bemol majeur - Allegretto - Schubert
Tracks:
- Piano Concerto No. 1 In E flat: 1. Allegro maestoso
- Piano Concerto No. 1 In E flat: 2. Quasi adagio - Allegretto vivace - Allegro animato
- Piano Concerto No. 1 In E flat: 3. Allegro marziale animato
- Piano Concerto No. 2 In A: 1. Adagio sostenuto assai - Allegro agitato assai
- Piano Concerto No. 2 In A: 2. Allegro moderato
- Piano Concerto No. 2 In A: 3. Allegro deciso - Marziale un poco meno allegro
- Piano Concerto No. 2 In A: 4. Allegro animato
- Danse macabre, Paraphrase On (Dies Irea): Danse macabre, Paraphrase On Dies Irea
- Csardas macabre
- Valse oubliee No. 1 In F Sharp
Tracks:
- Annees de pelerinage - Premiere annee: Suisse: 1. Chapelle de Guillaume Tell
- Annees de pelerinage - Premiere annee: Suisse: 2. Au lac de Wallenstadt
- Annees de pelerinage - Premiere annee: Suisse: 3. Pastorale
- Annees de pelerinage - Premiere annee: Suisse: 4. Au bord d'une source
- Annees de pelerinage - Premiere annee: Suisse: 5. Orage
- Annees de pelerinage - Premiere annee: Suisse: 6. Vallee d'Obermann
- Annees de pelerinage - Premiere annee: Suisse: 7. Eglogue
- Annees de pelerinage - Premiere annee: Suisse: 8. Le mal du pays
- Annees de pelerinage - Premiere annee: Suisse: 9. Les cloches de Geneve (Nocturne)
- Annees de pelerinage - Deuxieme annee: Italie: 1. Sposalizio
- Annees de pelerinage - Deuxieme annee: Italie: 2. Il Penseroso
- Annees de pelerinage - Deuxieme annee: Italie: 3. Canzonetta del Salvator Rosa
- Annees de pelerinage - Deuxieme annee: Italie: 4. Sonetto 47 del Petrarca
- Annees de pelerinage - Deuxieme annee: Italie: 5. Sonetto 104 del Petrarca
- Annees de pelerinage - Deuxieme annee: Italie: 6. Sonetto 123 del Petrarca
Tracks:
- Annees de pelerinage - Deuxieme annee: Italie: 7. Apres une lecture de Dante (Fantasia quasi Sonata)
- Annees de pelerinage - Troisieme annee: 2. Aux cypres de la Villa d'Este. Threnodie No. 1
- Annees de pelerinage - Troisieme annee: 4. Les jeux d'eau de la Villa d'Este
- Annees de pelerinage - Troisieme annee: 5. Sunt lacrimae rerum (En mode hongrois)
- Annees de pelerinage - Troisieme annee: 7. Sursum corda (Erhebet eure Herzen)
- Weihnachtsbaum-Suite: 7. Schlummerlied
- Weihnachtsbaum-Suite: 9. Abendglocken
- Trube Wolken
- Klavierstuck In F Sharp, S. 192 No. 3
- En Reve - Nocturne
- R.W. - Venezia
- Vexilla regis prodeunt
- Mosonyis Grabgeleit
- Schlaflos! Frage und Antwort
- Unstern - Sinistre
Tracks:
- Sonata In B Minor: Lento assai - Allegro energico
- Sonata In B Minor: Andante sostenuto
- Sonata In B Minor: Allegro energico-Andante sostenuto-Lento assai
- La lugubre gondola No.1
- La lugubre gondola No.2
- Legendes: 1. Saint Francois d'Assise: la predication aux aiseaux
- Legendes: 2. Saint Francois de Paule marchant sur les flots
- Harmonies poetiqes et religieuses: No. 7 Funerailles
Tracks:
- Fantasia and Fugue on Theme B-A-C-H
- Harmonies poetiques et religieuses: No. 1 Invocations
- Harmonies poetiques et religieuses: No.3 Benediction de Dieu dans la solitude
- Harmonies poetiques et religieuses: No.4 Pensees des morts
- Weinen, Klagen, Sorgen, Zagen
- Isoldens Liebestod: Isoldens Liebestod: Final Scene From Wagner's 'Tristan und Isolde'
Tracks:
- Piano Concerto No. 1 in D Minor Op. 15: 1. Maestoso - Poco piu moderato
- Piano Concerto No. 1 in D Minor Op. 15: 2. Adagio
- Piano Concerto No. 1 in D Minor Op. 15: 3. Rondo. Allegro non troppo - Piu animato - Tempo I
- Theme And Variations
Tracks:
- Piano Concerto No. 2 In B Flat, Op. 83: 1. Allegro non troppo
- Piano Concerto No. 2 In B Flat, Op. 83: 2. Allegro appassionato
- Piano Concerto No. 2 In B Flat, Op. 83: 3. Andante - Piu adagio
- Four Ballades, Op. 10: 4. Allegretto grazioso - Un poco piu presto
- Four Ballades, Op. 10: No. 1 In D Minor
- Four Ballades, Op. 10: No. 2 In D
- Four Ballades, Op. 10: No. 3 In B Minor
- Four Ballades, Op. 10: No. 4 In B
Tracks:
- Kreisleriana, Op. 16: 1. Ausserst bewegt
- Kreisleriana, Op. 16: 2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Intermezzo II (Etwas bewegter)
- Kreisleriana, Op. 16: 3. Sehr aufgeregt
- Kreisleriana, Op. 16: 4. Sehr langsam
- Kreisleriana, Op. 16: 5. Sehr lebhaft
- Kreisleriana, Op. 16: 6. Sehr langsam
- Kreisleriana, Op. 16: 7. Sehr rasch
- Kreisleriana, Op. 16: 8. Schnell und spielend
- Kreisleriana, Op. 15: 1. Von fremden Landern und Menschen
- Kreisleriana, Op. 15: 2. Kuriouse Geschichte
- Kreisleriana, Op. 15: 3. Haschemann
- Kreisleriana, Op. 15: 4. Bittendes Kind
- Kreisleriana, Op. 15: 5. Gluckes genug
- Kreisleriana, Op. 15: 6. Wichtige Begebenheit
- Kreisleriana, Op. 15: 7. Traumerei
- Kreisleriana, Op. 15: 8. Am Kamin
- Kreisleriana, Op. 15: 9. Ritter vom Steckenpferd
- Kreisleriana, Op. 15: 10. Fast zu ernst
- Kreisleriana, Op. 15: 11. Furchtenmachen
- Kreisleriana, Op. 15: 12. Kind im Einschlummern
- Kreisleriana, Op. 15: 13. Der Dichter spricht
- Kreisleriana, Op. 12: 1. Des Abends
- Kreisleriana, Op. 12: 2. Aufschwung
- Kreisleriana, Op. 12: 3. Warum?
- Kreisleriana, Op. 12: 4. Grillen
- Kreisleriana, Op. 12: 5. In der Nacht
- Kreisleriana, Op. 12: 6. Fabel
- Kreisleriana, Op. 12: 7. Traumes-Wirren
- Kreisleriana, Op. 12: 8. Ende vom Lied
Tracks:
- Symphonische Etuden, Op. 13: 1. Thema
- Symphonische Etuden, Op. 13: 2. Variation III
- Symphonische Etuden, Op. 13: 3. Etude I
- Symphonische Etuden, Op. 13: 4. Variation I
- Symphonische Etuden, Op. 13: 5. Variation II
- Symphonische Etuden, Op. 13: 6. Etude II
- Symphonische Etuden, Op. 13: 7. Etude III
- Symphonische Etuden, Op. 13: 8. Etude IV
- Symphonische Etuden, Op. 13: 9. Etude V
- Symphonische Etuden, Op. 13: 10. Variation IV
- Symphonische Etuden, Op. 13: 11. Etude VI
- Symphonische Etuden, Op. 13: 12. Etude VII
- Symphonische Etuden, Op. 13: 13. Etude VIII
- Symphonische Etuden, Op. 13: 14. Etude IX
- Symphonische Etuden, Op. 13: 15. Variation V
- Symphonische Etuden, Op. 13: 16. Etude X
- Symphonische Etuden, Op. 13: 17. Etude XI
- Symphonische Etuden, Op. 13: 18. Etude XII
- 3 Romances, Op.94: 1. Nicht scnell
- 3 Romances, Op.94: 2. Einfach, innig
- 3 Romances, Op.94: 3. Nicht scnell
- Abendlied, Op. 85 No. 12
- Adagio und Allegro In A Flat, Op. 70
- Fantasiestucke, Op. 73: 1. Zart und mit Ausdruck
- Fantasiestucke, Op. 73: 2. Lebhaft, leicht
- Fantasiestucke, Op. 73: 3. Rasch und mit Feuer
Tracks:
- 5 Stucke im Volkston, Op. 102: No. 2 Langsam
- 5 Stucke im Volkston, Op. 102: No. 3 Nicht schnell, mit viel Ton zu spielen
- 5 Stucke im Volkston, Op. 102: No. 4 Nicht zu rasch
- Piano Concerto In A Minor, Op. 54: Allegro affettuoso
- Piano Concerto In A Minor, Op. 54: Intermezzo. Andantino gracioso
- Piano Concerto In A Minor, Op. 54: Allegro vivace
- Fantasy In C, Op. 17: Durchaus phantastisch und leidenschaftlich vorzutragen- im Legendenton - Tempo primo
- Fantasy In C, Op. 17: Massig Durchaus energisch - Etwas langsamer - Viel bewegter
- Fantasy In C, Op. 17: Langsam getragen. Durchweg leise zu halten - Etwas bewegter
Customer Reviews:
A great compilation.......2004-04-25
Brendel has a very special tone that accustoms itself very well to many different kinds of pieces. One of the essays in this great set deals with the many different sounds Brendel can create at the piano, something that intrigues me very much too. It is fascinating to hear how he touches the keys in his Mozart and Haydn recordings: here, he gets a sound out of the grand piano that sounds almost like the ancient fortepiano. Combined with his sharp and almost biting playing, he preserves some of the spirit of the time in which the works were composed, but combines this with the much richer and detailed sound of a modern instrument. Haydn's sonatas sparkle and so do Mozart's concertos.
In his Beethoven recordings, which are very well represented in this set, Brendel uses a somewhat similar style, but adapts more to the Beethovenian sound world: his tone is still aggressive but a little mellower and greater. He focuses a lot on small details and plays with a rather gentle sound in the variations, while his Hammerklavier doesn't avoid the grand gesture. The Piano concertos with Levine are full of joy and superbly crisp. Beethoven's works can be performed in a more massive or sweeter way, but that's what other recordings are for.
Brendel's Schubert is very notable for its total avoidance of the sweet and precious image of the composer that has settled somehow. Here, Schubert is presented as an ultimately dark and despairing composer, an image that is very appropriate regarding his general output. While Brendel sometimes tends to calm a bit of the hysteria in pieces like Beethoven's Appassionata, in Schubert he mainly emphasizes it. Hear how he attacks the Wanderer Fantasy, especially in the last minutes. Or how severely he gets the A minor sonata D784 to its throat. This is essentially the way I think Schubert should always sound.
It will be surprising for some to notice how much of Liszt has been recorded by Brendel, and also to hear how they sound. The Liszt recordings in this set show the composer from his most intellectual and imposing side. Brendel may generate an enormous sound that not everyone will associate with him from "Orage" in the Années de Pelerinage, but it is impressive rather than showy. Similarly, the Sonata receives the most detailed and complete performance I've heard, the Piano Concertos are simply stunning on all accounts and the variations on a Bach cantata show both the composer and the performer at their very best. It may be surprising to hear but I think you won't hear any better Liszt than this.
Finally there's a box dedicated to Brahms and Schumann. Brahms is another surprise. Brendel's D minor Concerto is one of the most impressive readings I've heard, close to Serkin/Szell, and his B flat is fine too, if a bit less impressive. His playing style here somewhat resembles that of his Liszt: it is rich, grand and always commanding. Few performers are as well able as Brendel is to match the endlessly complex musical thread of these two concertos. The fourth Ballade op.10 settles among the best readings - Kempff, Arrau, you name them. The Schumann pieces are performed in a way resembling Beethoven's smaller works: they create the same familiar living-room image, and it gets even more beautiful when oboist Heinz Holliger joins him to play a few folksong-like pieces. The set closes with a wonderful Schumann fantasy.
The track listing say that there's a bonus disc included as well, containing Brendel's first recording of Liszt's Christmas Tree suite, but my own set did actually not contain this bonus disc. With or without that disc, this is a set any piano aficionado should not miss. The only drawback can be the price, which is pretty high (not surprising with such a huge set)--if you can find it at all, now that the set seems to be OOP. At any cost, this is one the best box sets I own. If contains a thorough look at one of the most profound and intellectual artists of recent time and gives endless enjoyment.
Liszt.......2001-05-11
Incomparable Brendel.......2000-12-29
Beutiful.......2000-04-05
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Abendglocken
Don Kosaken Chor Manufacturer: Universal/Polygram ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000025EWD Release Date: 1999-07-15 |
Tracks:
- Eint klingt hell das Glein - Don Kosaken Chor [Choir]
- Schwarze Augen - Don Kosaken Chor [Choir]
- Lieder Vom Don - Serge Jaroff [Conductor]
- Rerlied - Don Kosaken Chor
- Kosakentanz - Serge Jaroff [Conductor]
- Der Rote Sarafan - Don Kosaken Chor
- Abendglocken - Serge Jaroff [Conductor]
- Moskauer Nte - Don Kosaken Chor [Choir]
- Kosakenlied vom Ataman Platoff - Don Kosaken Chor
- Die Peterburger Strasse Entlang - Serge Jaroff [Conductor]
- Ei, Ukhnyem (The Volga Boatmen) - Arr. S. Jaroff - Don Kosaken Chor [Choir]
- Grras und Kalinka - Serge Jaroff [Conductor]
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Zwischen Wolga und Don - The Most Beautiful Russian Folksongs
Manufacturer: Capriccio ProductGroup: Music Binding: Audio CD ASIN: B00000JQHI Release Date: 1999-07-06 |
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Liszt: Consolations; Funérailles
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD ASIN: B000001K57 Release Date: 1996-10-22 |
Tracks:
- I. Invocation
- II. Ave Maria
- III. Benediction De Dieu Dans La Solitude
- IV. Pensee Des Morts
- V. Pater Noster
- VI. Hymne De L'Enfant A Son Reveil
- VII. Funerailles
- VIII. Miserere, D'Apres Palestrina
- IX. Andante Lagrimoso
Tracks:
- X. Cantique D'Amour
- 6 Consolations
- I. An Old Christmas Carol
- II. O Holy Night
- III. The Shepherds At The Manger
- IV. Adeste Fidelis
- V. Ancient Provincal Christmas Carol
- VI. Evening Bells
- I. Scherzoso
- II. Carillon
- III. Slumber Song
- IV. Formerly
- V. Hungarian
- VI. In Polish Manner
- St. Francois D'Assise
- St. Francois De Paule Marchant Sur Les Flots
Customer Reviews:
Powerful, leonine, granitic, very American.......2005-12-13
This Jerome Rose collection contains, along with the rarely heard Christmas Tree album (S 186,) the complete seven-piece S 173 (Second) set of HARMONIES POETIQUES ET RELIGIEUSES, which includes the popular Funérailles and, best of all, Bénédiction de Dieu dans la solitude.
Jerome Rose recorded the whole two collections for VOX, and it is a pity that only the second set is hereby available. Rose is not a notably colouristic or supple player, so that the iridescent and multi-silvered tone of a Jorge Bolet or even a Horowitz is not to be heard or expected here. What Rose has is enormous force and power, a truly titanic tone and grip at all speeds. That tone is occasionally rough around the edges (or is it the recording?) but never lacking in Lisztian grandeur. It is useless to compare him to a György Cziffra: that would be like comparing a huge overweight lion (Rose) to a sleek, fierce cheetah (Cziffra.) Rose also has a sense of sustained phrasing, so that, within his Mount Rushmore sense of things, he is quite a player; more celtic bard than Italian sonnet-writer perhaps, but a poet, too. His playing is very impressive, in an American sort of way. At any rate, of the alternatives (TWO anonymous English accountants on Hyperion, a Mad Englishman on Naxos and a dead Englishman also on VOX) Jerome Rose is the only way to avoid perfidious Albion.
Seriously: Philip Thomson on NAXOS would be my first recommendation for the whole collection of Harmonies, but I respect and have a great deal of affection for Louis Kentner and Jerome Rose, two artists of enormous probity, on VOX.
nah, 1 and a half stars really..........2003-02-17
Now the bad news, and there is plenty of it: His playing, especially of the "harmonies", has absolutally no direction, no colour, and is quite boring. Although they should be blended together, he tends to favor clarity over charactor, and personally, i listen to Liszt to be emotionally moved, rather then academically satisfied. I understand he is trying to go for the "meditative" approach to these sacred works, but the music tends to sit more then flow, and I was instantly turned off at the first listen, in perticular, his invocation. Liszt does not always have to be virtuosic, but should at least have life, and lyrical life is what was missing in his "benediction" and "andante largimoso". I couldnt help but beg to hear someone of the likes of Cziffra and put up with his overdrive, or a non liszt specialist such as Brendel, rather then listen to rose's dead interpretations. Its amazing this guy "captivated" audiences in the Busoni competition. His consolations were better, but lacked melodic direction (but lets face it, who can beat Horowitz playing the E major?) and his Christmas Tree was average at best. (It were those tracks that made me realize this guy actually does have some sort of musical personality) Always an enigma, the legends take a good performer to play with outstanding effect. Rose plays to slow and if I didnt know what each piece was about, i wouldnt have had the first clue by his non discriptive playing. These 2 numbers are played best when the performer does not give into Liszt's bombastic overtones, however i was hoping Rose would somewhat "let loose" at some point, i was just bored. St. Francois was truely drowning rather then walking.
Devoted Liszt fans: buy this one only for the content and use it as a resource, considering the amount you get, its a fair price, but expect it to sit on the shelf for good after a first listen.
Anybody have a chainsaw?.......2001-08-27
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German Ensemble Recordings
Manufacturer: Preiser Records ProductGroup: Music Binding: Audio CD ASIN: B0000271BD Release Date: 1998-07-04 |
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Masters of the Opera, 1642-1926 (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000001VUS Release Date: 1993-07-20 |
Customer Reviews:
Incredible Value.......2003-11-14
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Masters of the Opera, 1642-1843, Vol. 1-5 (Box Set)
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000001W15 Release Date: 1993-07-20 |
Tracks:
- Mozart:Ascanio In Alba - Overture (1771) - Mozart
- Handel:Xerxes Recitative And Larghetto, Act 1(1738) - Handel_
- Cleofide: Duet Of Cleofie & Poro (1731) - Masters of the Opera
- Gluck:Orpheus And Euridice Dance Of The Blessed Spirits (1762) - Gluck
- Handel:Julius Caesar Caesar's Aria, Act 1 (1724) - Handel_
- Gluck:Paride Ed Elena Chorus And Paris's Aria, Act 1 (1770) - Gluck
- Handel:Rinaldo , Rinaldo's Aria, Act 3 (1711) - Handel_
- Monteverdi:L'Incoronazione Di Poppea Solitudine Amata (1642) - Masters of the Opera
- Mozart:Mitridate ,Re Di Ponto, Farnace's Aria, Act 1 (1770) - Mozart
- Rameau:Dardanus , Antenor's Monologue And Aria, Act 4 (1739) - Masters of the Opera
Tracks:
- Don Giovanni: Overture (1787) - Boccherini
- The Magic Flute: Chorus Of The Priests (1791) - Boccherini
- Cosi Fan Tutte: Ferranso's Aria, Act 1 (1790) - Boccherini
- The Impresario: Overture (1786) - Boccherini
- La Finta Giardiniera: Belfiore's Aria, Act 2 (1775) - Boccherini
- The Abduction From The Seraglio: Osmin's Aria, Act 1 (1782) - Boccherini
- Lucio Silla: Overture (1772) - Boccherini
- Idomeneo: Elettra's Aria (1781) - Boccherini
- La Clemenza Di Tito: Titus's Aria, Act 2 (1791) - Boccherini
- The Marriage Of Figaro: Figaro's Aria Act 1- Finale (1786) - Boccherini
Tracks:
- The Barber of Seville: Overture (1816) - Various Artists
- Fidelio: Prisoners' Chorus (1805) - Various Artists
- La Donna Del Lago: Elena's Aria (1819) - Various Artists
- The Italian Girl in Algiers: Overture (1813) - Various Artists
- Mose in Egitto: Moses In Egypt (1818) - Various Artists
- Abu Hassan: Overture (1811) - Various Artists
- Medea: Recitative And Duet Of Medea & Jason, Finale, Act 1 (1797) - Various Artists
- The Silken Ladder: Overture (1812) - Various Artists
- Tancredi: 'Dove son io? Ah! che scordar' (1813) - Various Artists
- The Thieving Magpie: Overture (1817) - Various Artists
Tracks:
- Fra Diavolo: Overture (1830) - Masters of the Opera
- Euryanthe: Adolar's Romance, Act 1 (1823) - Masters of the Opera
- William Tell: Soldier's Dance (1829) - Masters of the Opera
- Der Freischutz: Huntsmen's Chorus (1821) - Masters of the Opera
- Semiramis: Overture (1823) - Masters of the Opera
- Norma: The Warrior's Chorus, Act 2 (1831) - Masters of the Opera
- Oberon: Overture (1826) - Masters of the Opera
- Preziosa: Gypsies' Chorus (1821) - Masters of the Opera
- Die Zauberharfe: The Magic Flute - Prelude (1820) - Masters of the Opera
- I Capuleti E I Montecchi: Overture (1830) - Masters of the Opera
Tracks:
- Ruslan And Ludmila: Overture (1842) - Various Artists
- Nabucco: Prisoners' Chorus (1842) - Various Artists
- Zar And Zimmermann: 'Greifet an und ruhrt die Hande' - Clog Dance (1837) - Various Artists
- Das Nachtlager Von Granada: 'Schon die Abendglocken klangen' (1834) - Various Artists
- Lucia Di Lammermoor: Sextet, Act 2 (1835) - Various Artists
- L'Elisir D'Amore: Nemorino's Aria (1832) - Various Artists
- Don Pasquale: Servants' Chorus, Act 3 (1843) - Various Artists
- Linda Di Chamounix: Linda's Recitative And Cavatina, Act 1 (1842) - Various Artists
- A Life for the Tsar: Polonaise (1836) - Various Artists
- Rienzi: Overture (1842) - Various Artists
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Masters of the Opera, Vol. 5, 1832-1843
Manufacturer: Delta ProductGroup: Music Binding: Audio CD ASIN: B000001VGV Release Date: 1993-07-20 |
Tracks:
- Ruslan And Lidmila: Ov - Dresden PO/Herbert Kegel
- Nabucco: 'Va Pensiero Sull' Ali Dorate' (Prisoner's Chor) - Bulgarian Nat Chor 'Svetoslav Obretenov'/Georgi Robev
- Zar Und Zimmermann: 'Greifet An Und Ruhrt Die Hande'/Clog Dance - Hermann Prey
- Das Nachtlager Von Granada: Schon Die Abendglocken Klangen - Bratislava Phil Chor And Orch/Kurt Woss
- Lucia Di Lammermoor: 'Chi Mi Frena' (Sxt, Act 2. ) - Daniella Lojarro/Gisello Pasino/Giuseppe Sabbatini/Michael Knapp/Marcho Chingari...
- L'Elisir D'Amore: 'Una Furtiva Lagrima') Nemorina's Aria - Peter Dvorsky
- Don Pasquale: 'Che Interminabile Andirvieni! (Serants' Chor, Act 3) - Bulgarian Nat Chor 'Svetoslav Obretenov'/Georgi Robev
- Linda Di Chamounix: 'Ah! Tardai Troppo... O Luce Di Quest' Anima (Linda's Recitative And... - Sumi Jo
- A Life For The Tsar: Polonaise - Plovdiv PO/Rousian Raychev
- Rienzi: Ov - Berlin RSO/Roberto Paternostro
World Music:
- Alles Klar [Import]
- Andres Segovia - The Gold Collection [Import]
- Angelical
- Aqui Esta.....Ray Viera
- Baghdad Blues [Import]
- Beginning of the End of the World [Import]
- Beyond the Pale [Import]
- Bikutsi Pop: Songs of So' Forest
- Bixiga
- C'est Ma Vie/Les Plus [Import]
World Music
In Flames Ep [CD-single] [Import]
Annual 2004 [Limited Edition] [Import]
Soundtracks [Import] [Soundtrack]
Savage [Extra tracks] [Original recording remastered]
Orlando Di Lasso: Lagrime Di San Pietro