Product Description
New Studio Album from One of the Top Stars of Italian Pop Scene. The Record features his Covers of Classic Italian and International Hits, Previously Recorded by Fabrizio De Andre, Charles Aznavour and Others.
Fleurs,Franco Battiato,Polygram Int'l,Classical Pop,Euro-Pop,Int'l & World Music,Italy,Neo-Classical,Pop,Spiritual,World Music
Average customer rating:
- Bright Star
- Anna Netrebko: Opera Arias
- First DGG album--very promising
- Remarkable!
- Beautiful voice, beautiful girl
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Anna Netrebko: Opera Arias
Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz
Manufacturer: Deutsche Grammophon
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Binding: Audio CD
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- Sempre Libera
- Russian Album
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- Anna Netrebko - The Woman, The Voice
- Verdi - La Traviata
ASIN: B00008MLSH
Release Date: 2003-09-09 |
Tracks:
- Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
- Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
- Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
- La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
- Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
- Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
- Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
- Rusalka: "Mesicku na nebli hlubokem" - Dvorak
- La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini
Amazon.com
Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella talethe bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May
Customer Reviews:
Bright Star.......2007-07-13
If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.
Anna Netrebko: Opera Arias.......2007-03-29
Her voice takes my breath away, I fell in love with her.
I highly reccomend it.
First DGG album--very promising.......2007-02-01
Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.
A few selections illustrate:
Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.
Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.
Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.
Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.
Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.
Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.
All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.
Remarkable!.......2006-11-02
Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.
Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.
Beautiful voice, beautiful girl.......2005-11-22
When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!
Average customer rating:
- Coppelia
- A full-length Coppelia at an appealing price
- Inspired ballet music at a bargain price.
- Superb Performance
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Delibes: Coppélia (complete in three acts) / La Source (suites)
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Coppelia
- The Australian Ballet - Coppelia
- Adolphe Adam: Music from 'Giselle'
- Prokofiev: Cinderella, Op. 87; Glazunov: Seasons Op67
- Delibes - Coppelia / Kirov, Vinogradov, Tarasova
ASIN: B00000147M
Release Date: 1996-01-23 |
Tracks:
- Coppa, Ballet In 3 Acts: Act I: Prde
- Coppa, Ballet In 3 Acts: Act I: Valse
- Coppa, Ballet In 3 Acts: Act I: Sc
- Coppa, Ballet In 3 Acts: Act I: Mazurka
- Coppa, Ballet In 3 Acts: Act I: Sc
- Coppa, Ballet In 3 Acts: Act I: Ballade
- Coppa, Ballet In 3 Acts: Act I: Th slave varl
- Coppa, Ballet In 3 Acts: Act I: Czarda-Danse hongroise
- Coppa, Ballet In 3 Acts: Act I: Sortie
- Coppa, Ballet In 3 Acts: Act I: Final
- Coppa, Ballet In 3 Acts: Act II: Entr'acte
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Musique des automates
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Chanson oire et Sc
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Valse de la poup
- Coppa, Ballet In 3 Acts: Act II: Sc
- Coppa, Ballet In 3 Acts: Act II: Bol
- Coppa, Ballet In 3 Acts: Act II: Gigue
- Coppa, Ballet In 3 Acts: Act II: Sc
Tracks:
- Coppa, Ballet In 3 Acts: Act III: Marche de la cloche - F del la cloche - Divertissement
- Coppa, Ballet In 3 Acts: Act III: Valse des heures
- Coppa, Ballet In 3 Acts: Act III: L'aurore
- Coppa, Ballet In 3 Acts: Act III: Coppa, Act 3: 4: La pri
- Coppa, Ballet In 3 Acts: Act III: Le travail
- Coppa, Ballet In 3 Acts: Act III: L'Hymen (Noce villageoise)
- Coppa, Ballet In 3 Acts: Act III: La discorde et la guerre
- Coppa, Ballet In 3 Acts: Act III: La paix (Pas de deux)
- Coppa, Ballet In 3 Acts: Act III: Variation
- Coppa, Ballet In 3 Acts: Act III: Danse de f
- Coppa, Ballet In 3 Acts: Act III: Galop final
- La Source, Suite No. 2: Sc dans
- La Source, Suite No. 2: Scherzo Polka
- La Source, Suite No. 2: Pas de la Guzla
- La Source, Suite No. 2: Marche danset Final
- La Source: Intermezzo (Pas des Fleurs, Grande Valse)
- La Source, Suite No. 3: Incantation
- La Source, Suite No. 3: Romance
- La Source, Suite No. 3: Introduction et Mazurka
- La Source, Suite No. 3: Finale
Customer Reviews:
Coppelia.......2007-07-27
I ordered two DVD versions of Coppelia along with this CD in order to learn the choreography from the ballet. My only complaint about this CD is that the music is considerably faster than either of the orchestras have played the score on the DVDs. This makes it difficult to learn the choreography with out slowing down the CD on a variable speed CD player.
A full-length Coppelia at an appealing price.......2003-06-26
Andrew Mogrelia has conducted a number of full-length ballets for Naxos: Giselle, Sylvia, Sleeping Beauty, and this Coppelia. I own all of them, because I find Mogrelia is one of those rare conductors who make a ballet sound like a ballet.
In concert hall versions, conductors often make ballet music impossibly fast, or simply too unpredictable. (Gergiev's Nutcracker is in this category: fun to listen to, definitely NOT a dancer's Nutcracker.) But when dancers are on stage, they need a regular, dependable beat to dance to. Mogrelia's Coppelia never sounds sing-song, because he uses dynamics so skillfully - but he does conduct at an authentic dance tempo.
Another Coppelia I like and own is Mark Ermler's (ASIN: B0000024CL), but while it's much more than highlights it is not the full ballet. The first act mazurka is missing, and that's a definite loss.
La Source is a bit of an oddity because it was originally commissioned as a sort of competition: half composed by Minkus, half by Delibes. Delibes was generally considered the winner, so he stayed in Paris while Minkus went off to Russia. This album is strictly Delibes, so it's only highlights from La Source. But it does include my favorite, the utterly charming Pas des Fleurs, Grande Valse.
Inspired ballet music at a bargain price........2002-07-13
Although I'm not particularly fond of watching ballets I have a special love for ballet music, and Coppelia is one of my favorites. It is the masterpiece of Leo Delibes who was one of the greatest of ballet composers. Even Tchaikovsky -- probably the greatest ballet composer of all -- greatly admired Delibes' work. This recording presents not only the complete music for Coppelia but also the lovely, but seldom-heard, music Delibes wrote for La Source -- both conducted by the excellent ballet conductor Andrew Mogrelia. And at a bargain price to boot. Please don't pass up this special treasure.
Superb Performance.......2000-08-27
I search for the recording for the complete Coppelia when my daughter's dance school was practicing for it. I found this item. Performance was meticulous. It was recorded in the Orchestra's concert hall over a period of almost two weeks. All digital recording. Well balanced orchestra. Fine details. A good item to collect.
Average customer rating:
- Great treat for the musical omnivore
- Delibes Lakme
- did not order
- Lakme
- Classic Lakme
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Delibes - Lakmé / Mesplé, Burles, Soyer, Millet, Opéra-Comique, Lombard [highlights]
Léo Delibes , Choeurs et Orcestre du Théâtre National de l'Opéra-Comique , Alain Lombard , Mady Mesplé , Danielle Millet , Charles Burles , Roger Soyer , and Jean-Christophe Benoît
Manufacturer: EMI Classics
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ASIN: B000002S1Q
Release Date: 1990-05-15 |
Tracks:
- Lakme: Prelude
- Lakme: Act I: Duettino: 'Viens, Mallika...'
- Lakme: Act I: Air: 'Prendre Le dessin...' (Gerald)
- Lakme: Act I: Recit Et Strophes: 'Les Fleurs Me Paraissent Plus Belles' (Lakme)
- Lakme: Act I: Duo: 'D'ou Viens-Tu?' (Lakme, Gerald)
- Lakme: Act II: Stances: 'C'est Un Pauvre Qui Medie ... Lakme, Ton Doux Regard Se Voile' (Nilakantha)
- Lakme: Act II: Scene De La Legende De La Fille Du Paria (Air Des Clochettes): 'Par Les Dieux Inspires ... Ou Va La Jeune Hindoue' (Nilakantha, Lakme)
- Lakme: Act II: Duo: 'Lakem, Lakme, C'est Toi' (Gerald, Lakme)
- Lakme: Act III: Berceuse: 'Sous Le Ciel Tout Etoile' (Lakme)
- Lakme: Act III: Recitatif Et Cantiene: 'Quel Vague Souvenir...' (Lakme, Gerald, Frederic, Nilakantha, Choeur)
- Lakme: Duo et finale: 'Tu M'as Donne Le Plus Doux Reve' (Lakme, Gerald, Nilakantha)
Customer Reviews:
Great treat for the musical omnivore.......2007-05-18
'Lakme', a lesser known work by Leo Delibes is not 19th Century opera at it's zenith, but then who wants to listen to 'Tannheuser' or 'Aida' all the time. For those like me who enjoy poking around some of the less familiar corners of world music, this is a great find. It has lots of the same feel of later, 20th century stage music, and the French is a nice change from the German and Italian heaviweights. It also has a few of the very nicest operatic duets in this collection of highlights.
Delibes Lakme.......2007-05-13
The music was beautiful and haunting. I am especially fond of Flower Duet and have loved it from the first time I heard it some years ago. This whole recording is great and I have much enjoyed it!
did not order.......2007-03-11
I did not order anything and did not receive anything and i told my credit card company to put the charge in "debate"
murray coe
Lakme.......2006-01-14
Mady Mesple is simply the best for this role. Yes, Joan Sutherland is known for this song (and I love Sutherland), but I have to say this opera is Mady's. When I hear the Bell Song sung by Mady - chills go up my spine. Definitely a keeper!
Classic Lakme .......2003-07-07
Mady Mesple in her signature role - she made her debut in 1953
in Lakme and has been considered one of the best exponent of
the role throughout her distinguised carreer. The archetype of
the light french coloratura soprano - the voice is small and
slightly tremoulous but well focused and her technical assu-
rance (stupendous high notes) refined musicianship and idioma-
tic phrasing make for a highly polished performance. Charles
Burles is light and musical and blends exquisitely with Mesple
in their duets while Roger Soyer's rich voice makes him a
strong presence. The supporting cast is in very capable hands.
Well recorded and conducted - a classic performance indeed.
Average customer rating:
- Breathtaking
- operatica "o"
- First few songs are good, the rest are???
- This is the pits. . . the absolute pits
- Adding To My List Of Vices: A Continuation
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O: Operatica, Vol. 1
Manufacturer: E-Magine Records
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ASIN: B00004Z42O
Release Date: 2000-10-03 |
Tracks:
- Ave Maria
- Vocalise
- Melancholy Rose
- L'Heure Exquise
- O Del Mio Dolce Ardor
- Charmed By A Rose
- In The City
- Get Off My Land
- Dite Oime
- Bachianas Brasileiras No.5
- Maria's Dream (Instrumental)
- Bonus Track
Customer Reviews:
Breathtaking.......2006-12-17
I bought this CD before it was even well-known, though I wonder how many people even know about it right now. This is truly a gem of a find. The fusion of electronica and opera is amazing and the vocals are haunting and beautiful. I have had several friends listen to this CD and all of them fall in love with it, just like I did when I first heard it. I have since bought Operatica: Shine and the more recent Operatica: Christmas Classics and I can truly say I am just as pleased with both follow-up albums. I listen to a variety of music and have a large collection, and this is one of my favourite CDs! Bravo to the creators, composers, vocalist(s) and artists that brought this compilation together.
operatica "o".......2005-09-19
I have this album and think it is unusually beautiful, innovative, a woman with a lovely voice.
Why is she not mentioned or given the credit she deserves, it would appear she is some kind of a secret!
Maureen O'Flynn is only mentioned in the booklet of credits in the jewel case itself, why?
Enter her name in the search in CDNOW and it comes up blank! Why?
First few songs are good, the rest are???.......2004-02-13
First few songs are good, but the rest of the album is no good!
This is the pits. . . the absolute pits.......2003-08-23
Maureen O'Flynn is a perfectly good singer, but whoever thought this "marriage" of opera and pop was a good idea is the same guy that thinks John Tesh is a great composer. People have simply stopped listening seriously to music, and it is a real shame. This recording is for the scrap heap. The accompaniment is cheesier than a big wedge of provolone. There isn't a single live musician in the studio with this young lady. The people who think this is good music are the same ones that aren't bothered by the prospect of a canned sound track in a Broadway show or the "pop stylings" of Charlotte Church. Go out and find some REAL MUSIC, people! It's there if you look. As the great American composer Charles Ives wrote: "Open your ears!"
Adding To My List Of Vices: A Continuation.......2003-05-05
When coupling sounds from two opposing polarities into one another and blending them into the perfect texturization of harmonics, one has to have a few things that fit nicely together in order to succeed. One has to first have a musical stylization that works when placed into an arena that isn't normally associated with its feel, making sure that the seams that could be ripe for the picking aren't taken advantage of. Next, one has to make sure that the voice behind the work, if there is a vocal combination in the work at all, is something that will work smoothly and will not let the vehicle of sense assailment down. Otherwise, the end result is painful and the art, it is merely noise. This is especially true when one is trying to fit a glove on the hand that isn't accustomed to wearing it, making certain that the fit is right and that the end result isn't too rudimentary because something was overlooked.
With Operatica: "O" Volume 1, the components come together fabulously and the seams don't really show at all except on the rarest of occasions (two songs out of eleven by my count, and perhaps that's more beat than anything), throwing a mixture of motions into a vocally moving ocean that would, on many occasions, be seen as items that wouldn't fit together. Here, the beautiful voice of Maureen O'Flynn mixes the operatic sounds I had never truly experienced into a sea of electronic beats, ambient rhythms, speaking pianos, and other vessels to compose the perfect structure. This takes a classical form and introduces it to a world that paints new scenes that couldn't have been painted otherwise, letting its audience ingest a spectrum of thoughts that they wouldn't intake normally. I, myself, was stunned to find that I was instantly addicted to the release, listening to it over and over again and wondering where Opera had been all of my life. Honestly, being a child of electronic music that drifts into heavier organisms of feeling, I never thought I would ever think such thoughts.
For people that can't bridge the span of biases and enjoy items that span gaps in tastes and in sensations, then this wouldn't be something that you would enjoy. There are many things within it, like the work itself, that aren't traditional and that a person looking for the flairless would find flavorless, from the sound clips used as accents to the beats that infest the sounds and make them dance through the mind with zeal. For someone that is looking for something that breaks outside the mundane drum and bass notions of music and that wants to hear an angelic voice pouring through synthetically fashioned skylines, then this might be something you'd look into tasting. Me, I never thought that something like this would find its way into my home, but it did more than that. It actually made me listen to things I hadn't really listened to, liking them for what might amount to a first time.
Average customer rating:
- Arleen Auger and Dalton Baldwin-Love Songs
- Voice of experience
- Auger at her best
- Hidden Treasure
- Gorgeous, sensitive music
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Arleen Auger - Love Songs / Dalton Baldwin
Frank Bridge , Benjamin Britten , Pietro Cimara , Aaron Copland , Sir Noel Coward , Stefano Donaudy , Stephen Foster , Charles Gounod , Eduoard Lippe , Frederick Loewe , Gustav Mahler , Joseph Marx , Fernando J. Obradors , Jaime Ovalle , Francis Poulenc , Roger Quilter , Franz Schubert , Robert Schumann , Oscar Straus , Richard Strauss , Joaquin Turina , Dalton Baldwin , and Arleen Auger
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- American Soprano
- Arleen Auger - Handel · Bach Arias / The Mostly Mozart Orchestra · Gerard Schwarz
- Strauss: Ein Heldenleben - Four Last Songs / Auger, Previn
- Stefano Donaudy: Amor mi fa cantare
- Haydn - Arias & Cantatas / Auger · H&H · Hogwood
ASIN: B0000006VP
Release Date: 1992-05-22 |
Tracks:
- Love Songs: Pastorale
- Love Songs: Del Cabello mas sutil
- Love Songs: Azulao
- Love Songs: Standchen
- Love Songs: Selige Nacht
- Love Songs: Fleurs
- Love Songs: Stornello
- Love Songs: Music, When Soft Voice Die
- Love Songs: Je t'aime
- Love Songs: Love's Philosophy
- Love Songs: Widmung
- Love Songs: Du bist wie eine Blume
- Love Songs: Das Rosenband
- Love Songs: Liebst du um Schonheit
- Love Songs: Cantares
- Love Songs: How Do I Love Thee?
- Love Songs: I'll Follow My Secret Heart
- Love Songs: Serenade
- Love Songs: Liebe Schwarmt auf allen Wegen
- Love Songs: Love Went A-Riding
- Love Songs: Why, No One to Love
- Love Songs: O del mio amato ben
- Love Songs: The Salley Gardens
- Love Songs: Heart, We Will Forget Him
- Love Songs: Before I Gaze at You Again
Customer Reviews:
Arleen Auger and Dalton Baldwin-Love Songs.......2007-01-29
A lovely collection -very varied. Arleen Auger has a beautiful voice and Baldwin's accompaniment is wonderful. The 3rd track, by Jayme Ovalle, is, as it says in the accompanying notes, bewitching, and is actually the reason I bought the CD.
Voice of experience.......2006-01-28
There isn't much I can add to the praise bestowed on this album by earlier reviewers. I do think though that a special poignancy is undeniable since Auger's voice, while still beautiful, clearly is not that of a young singer. Her maturity makes her interpretations of these love songs all the more touching. I've probably played this CD a dozen times through the years, far more than any other in my collection. It remains consistently and deeply satisfying.
Auger at her best.......2005-04-26
This is a disc that I recommend to my graduating seniors/graduate students who are pursuing a graduate degree or career options in Vocal Performance.
From the standpoint of technique, Auger is practically flawless---"harsh" is not a word I equate with Ms. Auger's singing. She and Dalton Baldwin are impeccable performers on this disc. All the material was wisely chosen and presented, including one of the slowest "O del mio amato ben's" and one of the slowest "Salley Gardens", indicative of the beautiful breath control this artist had. I have to take exception to one of the comments made by one reviewer, of the "lack of sesitivity to the music that most classical singers possess". This is plain ignorant. This reviewer clearly does not understand the great artistic endeavor that classical singers have to have with Song literature---only a non-singer could have said this. Our finest classical singers of memory have all been outstanding musicians. They also have texts to interpret in many languages. I, as a singer-performer-teacher take great umbrage at comments like this which serve only to degrade the richness of so much repertoire.
I too hated the untimely passing of this fabulous singer. She is one of four famous women singers who all died at the age of 53. I think this disc was recorded not to long before she passed away and does reflect her "goodbye" to her audience. However the disc will remain as timely as the repertoire in it.
Marcia M.Baldwin, Gig Harbor, WA.
Professor Emeritus, Eastman School of Music, Rochester,NY
Hidden Treasure.......2003-11-04
This recording is possibly one of the best examples of beautiful singing one will ever find. The repertoire, the artfulness, the line and the sheer beauty of Miss Auger's voice is a rare find. I've just recently purchased another copy as I loaned mine to a friend who begged to keep it! One note on the cover - this new cover art seems to imply this CD is some light version of 1970's Montovani romance music. Nothing could be further from the truth. Though the previous jacket (a photo of Miss Auger on pale pink) did look dated, I hope the next pressing of this (& I'm sure they'll be many more to come!) will give this collection the class packaging it deserves. This is a collector's item. Enjoy!!
Gorgeous, sensitive music.......2001-06-15
So first of all, ignore the cheesy cover art and album title. This is a beautiful collection of songs, beautifully performed. Since I concur with the other reviews that laud Auger's performance (though don't forget the accompanist Dalton Baldwin, who is also outstanding), I'll add only the comment that there is a certain melancholy surrounding a lot of the songs and performances that (a) I find haunting and appealing, and (b) you would never know simply from looking at the album.
The performance of "Why, No One to Love" is worth the price of admission alone.
Average customer rating:
- Delibes: Lakme - Sutherland
- Incomparable voice
- the perfect vehicle for Sutherland
- The Most Beautiful Music
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Delibes: Lakme (Highlights) / Sutherland, Bonynge
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
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- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
ASIN: B000024756
Release Date: 2000-09-12 |
Tracks:
- Lakme: Act I, Viens, Malika... Dome epais le jasmin
- Lakme: Act I, Quand une femme est si jolie...
- Lakme: Act I, Prendre le dessin d'un bijou
- Lakme: Act I, Les fleurs me paraissent les belles...
- Lakme: Act I, D'ou viens-tu?... C'est le dieu de la jeunesse
- Lakme: Act II, Allons, avant que midi sonne
- Lakme: Act II, Lakme, ton doux regard se voile
- Lakme: Act II, Ah!... Ou va la jeune Indoue
- Lakme: Act II, Lakme! Lakme! C'est toi... Ah! c'est l'amour endormi...
- Lakme: Act III, Sous le ciel tout etoile...
- Lakme: Act III, Lakme! LAkme! qu'as-tu?... C'est lui! C'est lui!
Amazon.com
Delibes's opera Lakmé is full of gorgeous melodies, even if you don't count the coloratura sensation, the famous "Bell Song." That aria virtually demands a soprano of Sutherland's agility and ease, and it gets it here (this is the highlights version of Sutherland's complete recording). Even the few singers who can match her in the upper altitudes can't do it with a voice so rich and full. Sutherland's is a Lakmé beyond comparison with twittering, thin-voiced, coloratura specialists. She did make this recording at a time when her diction was mushy and her vocal lines sometimes drooped, so she's not beyond criticism. But revel in the voice; after all, Lakmé is a cardboard character, and the opera, for all its considerable charms, isn't another Ring cycle. Sutherland's colleagues are excellent too. Vanzo was one of the finest lyric tenors of his generation, and he's by far the best Gérald on disc. Jane Berbié and Gabriel Bacquier are also unmatched, and Bonynge's conducting is idiomatic and flowing. Add engineering from Decca/London's golden age of recording, and here's a Lakmé to treasure. --Dan Davis
Customer Reviews:
Delibes: Lakme - Sutherland.......2007-05-14
A brilliant rendition of Delibes: Lakme - runs about 13 minutes and every minute is a delight. Sutherland captures the full essence of the opera.
Incomparable voice.......2006-11-06
For those both familiar and unfamiliar with Sutherland's beautiful voice, this CD won't disappoint. It's a nice compilation. Sutherland's performance singing the "Flower Song" has got to be among the most beautiful musical experiences I know of. I bought myself one recently and one for a friend. I plan to buy more for Christmas presents!
the perfect vehicle for Sutherland.......2001-06-28
I'm a fan of those great operas that for whatever reason aren't immediately thought of by the general public when asked to name an opera. So Lakme is no Carmen- it doesn't need to be. So the plot is paper-thin: that's what Verdi and Wagner are for. I was glad to hear Joan paired with another great soprano for the flower duet. Jane Berbie comes dangerously close to overshadowing Joan Sutherland, with her sultry, rich style.
I have one other recording of Joan Sutherland singing the Bell Song. It is on her Art of the Prima Donna CD. That rendition is slower, more technically precise, with less flourishes. On this recording of Lakme, she speeds it up considerably, with a few more flourishes.
A third highlight is her duet with Alain Vanzo, "Lakme! Lakme! C'est toi..." What a wonderful, wonderful pairing and performance. Curiously enough, this gorgeous duet isn't even mentioned on the back of the CD jewel case as one of the high points of this highlights package!
Not every "highlight" here will take your breath away, but if nothing else, you can push the repeat button, and listen to the meltingly beautiful flower song again and again.
The Most Beautiful Music.......2000-10-24
This incredible music moved me to tears and lifted my spirits to the heights. I heartily recommend it!
Average customer rating:
- Atmospheric Music to a Memorable Screenplay
- Good original score, though better old melodies
- Nicely done, Thomas, nicely done.
- Newman is On and Off, as Usual
- Contains a GREAT song
|
Scent Of A Woman: Original Motion Picture Soundtrack
Thomas Newman , and Jose Padilla
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Green Mile: Score from the Motion Picture
- Angels in America
- The Shawshank Redemption: Original Motion Picture Soundtrack
- The Best Tango Album in the World, Ever!
- The Horse Whisperer: Original Score
ASIN: B000002ON6
Release Date: 1993-01-19 |
Tracks:
- Main Title
- A Tour Of Pleasures
- Tract House Ginch
- 45 In 25
- Balloons
- Cigars Part Two
- Por Una Cabeza
- Long Gray Line
- The Oakroom
- Park Ave.
- Witnesses
- Beyond Danger
- La Violetera
- Other Plans
- Assembly
- Fleurs De Rocaille
- End Title
Customer Reviews:
Atmospheric Music to a Memorable Screenplay .......2006-03-21
Everything about this excellent score is pure America. The tempo corresponds to the changing moods of the film from the rolling road rhythm to the erotic tango and the college flaky beat during the practical joke which misfires. I am the only member of my family who hasn't visited the USA but I am hoping to one day make the trip and experience the multitude of cultures which inspired Thomas Newman, the composer, to produce such musical imagery in the changing scenes.
Sylvia (UK)
Good original score, though better old melodies.......2002-10-08
As a matter of fact I bought this CD not as much due to Mr. Newman's original scrore, but since I liked very much the treatment of the beatiful Spanish song "La Violetera" in key moments of the film. Mr. Newman's music is very good, but the Spanish and Argentine music he used was much better. The performances of "The Tango Project" are superb. "La Violetera" is probably the nicest Spanish song, talking of a florist; it is widely known in its original version in Spain and Latin America, and moreover, came to international light thanks to Charles Chaplin's "City Lights" where it was the Leitmotif of the blind florist girl (a very adequate use indeed). The tango "Por una Cabeza" is probably the highlight of the score, because it is the piece danced by Al Pacino; unfortunately the other tango "Caminito", played by the orchestra at the restaurant, does not appear here. It is a petty. As a whole, I like the CD very much, especially the two performances of "The Tango Project", but just because they are more touching to my cultural heritage. Nonetheless, I praise both Mr. Newman's personal compositions as well as his perfect use of other's melodies.
Nicely done, Thomas, nicely done........2002-08-15
This cd is worth price of admission for one huge reason, the main theme music. It comes at us twice during our listening journey of Scent Of a Woman. It is likened to a kid finally learning to ride a bike for the first time, flying down his neigborhood road with a look of pride and surprise smudged neatly on his face. It is a delightful melody that will continue to stick in your mind for a long, long while.
Other notable tracks on this score are tracks 45 in 25, Balloons, Beyond Danger, and End Title.
This is a must cd for Newman fans and a very nice addition for any fan of film scores. Enjoy!
Newman is On and Off, as Usual.......2001-10-16
Scent of a Woman is 50% of a truly great film score...and 50% of a truly bad film score. It's obvious to the listener from which category a particular track comes from. Newman either gives the listener a vibrant, exciting, "new age" melody, or something that can only arguably be defined as music.
The fact remains, however, that when this score is on, it is REALLY on. The Main Title is an exciting track and the more emotional themes can really grab you by the heartstrings (though they undoubtedly hearken back to other works by Newman).
All in all though, for anyone familiar with Newman, two other scores better exemplify his talents. If you are looking for the unorthodox, "new age" Newman, go with American Beauty. If it's lush strings and sentiment you're after, go with Meet Joe Black (my personal favorite Newman score to date). Both will leave you with a much better idea of this talented composer.
Contains a GREAT song.......2000-01-19
Por Una Cabeza is a great song. I could listen to it all day. This is the first cd I found with a good version of it.
Average customer rating:
- Valuable compendium
- Rareties available on CD at last!
- Heavenly
- WHO ELSE CAN SING LIKE THIS TODAY?
|
The Art of Joan Sutherland
Manufacturer: Decca
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ASIN: B000654OUQ
Release Date: 2005-03-15 |
Customer Reviews:
Valuable compendium.......2007-01-24
This set is extremely valuable, not only as an overview of Dame Joans career but because it contains three complete LP sets that have been very hard to find. The sets are the 2 LP French opera (operetta) set, the Mozart album and the Wagner album. Although some of these do not show her to her best advantage (the Wagner set) they all have some very beautiful things and the French items are superb. The annotations and photos are interesting as well and there are some piano songs with Bonynge that are released here for the first time along with a scene from a live Covent Garden Norma.
Rareties available on CD at last!.......2006-03-29
While Joan Sutherland has recorded a number of impressive aria collections throughout the many years of her recording career, they tend to get lost in the shuffle of the countless reissues Decca/London has endlessly repackaged. While some of the original collections have appeared intact on CD--"The Art of the Prima Donna," "The Age of Bel Canto," "Love Live Forever" (her operetta collection that was originally titled "The Golden Age of Operetta"), to name a few--others are currently represented in the CD catalogue by only a few selections on discs that also include excerpts from complete opera recordings or duplicates of selections from other original collections. As a result, it has been impossible to assemble a CD collection of her recordings without a LOT of duplication, and some of the most interesting collections are still unavailable (e.g. "Command Performance" and "Serate Musicale").
While this newest set does include a lot of bits of this and that, ranging from her very first LPs to excerpts from complete recordings most Sutherland fans already have and a few "live" performances, what is perhaps most significant about it is that it features the complete contents of the "Sutherland Sings Wagner" LP--a real repertoire departure for her--and the double-LP album called "French Opera Gala" (in the U.S.--the British title was "Romantic French Arias"), neither of which, to the best of my knowledge, has been available on CD before. "Opera News" magazine once ran an article in which they asked various stars to name the one album that they felt best represented their artistry for future generations, and Dame Joan selected the "French Opera Gala," so for Sutherland fans, this is a long-awaited treat.
I'm not going to waste space saying how miraculous I consider Dame Joan's artistry. If you are familiar with her work already, you know whether you adore her or not; and if you aren't, this massive set is probably not the best place to start (that would be "The Art of the Prima Donna" album that introduced her to most listeners decades ago)--especially since this newest set doesn't contain the lyrics, a must for newcomers. Let's hope Decca/London gets around to releasing the rest of her recordings intact instead of endlessly scrambling and repackaging the same selections over and over.
Heavenly.......2006-01-31
I first heard of Dame Sutherland while on the internet while listening to a internet radio station. I was instantly a fan, her control, technique, and tone is perfectly executed and rivals the equally fantastic Maria Callas. She has a powerful voice and presence that will evoke every emotion from her listeners. Highly recommended to all Opera Diva fans.
WHO ELSE CAN SING LIKE THIS TODAY?.......2005-04-10
This is Decca's second multi disc evaluation of this fantastic singer's long career and many recordings. True that a lot on the first set is duplicated here, but there are a few exceptions here and there that make it a worthy addition. Of particular interest are the very early items of Handel and Italian baroque arias, some forgotten song recordings and a live performance of the duet from Norma. It can't be said too many times - who can sing like this today? For sheer vocalism it's hard to find anyone on the same wavelength. This set will give very young opera goers an idea of what they missed.
Average customer rating:
- mesmerising
- great stuff
- Brazilian's Soprano
- The most charming voice you will ever hear!
- Perfection!
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Bidu Sayao: Opera Arias and Brazilian Folksongs
Bidu Sayao , Heitor Villa-Lobos , Charles Gounod , Jules Massenet , Reynaldo Hahn , Henri Duparc , Claude Debussy , Maurice Ravel , Charles Koechlin , Ernest Moret , Francisco Ernani Braga , Fausto Cleva , Pietro Cimara , Erich Leinsdorf , Paul Breisach , Leonard Rose , and Milne Charnley
Manufacturer: Sony
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Binding: Audio CD
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Similar Items:
- La Damoiselle elue / Opera Arias
- Rarities
- Villa-Lobos: Bachianas Brasileiras Nos. 1, 2, 5 & 9 / ORTF National Orchestra, De Los Angeles
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ASIN: B0000029PG
Release Date: 1996-10-01 |
Tracks:
- Bachiana brasiliera no.5 Aria
- Romeo et Juliette: Je vieux vivre
- Faust: Roi de Thule
- Faust: Jewel Song
- Manon: Je suis encore tout etourdie
- Restons ici: Restons ici...Voyons, Manon
- Adieu, notre petit table
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- L'Enfant Prodigue: L'annee en vain chasse
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- Si tu le veux
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- Folk Songs Of Brazil: Nigue-nigue-ninhas
- Folk Songs Of Brazil: Capim di Pranta
- Folk Songs Of Brazil: O kinimba
- Folk Songs Of Brazil: Sao Joao da ra Rao
- Folk Songs Of Brazil: Engenho Noval
- Folk Songs Of Brazil: A Casinha pequenina
- Folk Songs Of Brazil: Meu boi barroso
- Folk Songs Of Brazil: Ogunde uarere
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Bidú Sayão's silvery, impeccably tuned voice was small in size, but rich in nuance, shading, and emotion. Her recording of the Villa-Lobos Bachiana Brasileira No. 5 is justly famous, unmatched for lightness and sensuality. Few have dashed off the Jewel Song from Faust with similar insouciance or imbued the last phrases of Manon's "Adieu , notre petite table" as touchingly as Sayão does here. Her French song interpretations glow with charm and style, and a previously unreleased snippet from Ravel's L'enfant et les sotilèges makes one regret she never recorded the entire role, Sony's transfers are more lifelike and three dimensional than previous issues. A delectable disc. --Jed Distler
Customer Reviews:
mesmerising.......2007-05-10
I first heard her voice on a Met compilation and became intrigued enough to buy this CD.
I love her voice...its so simple, unfussy and pure and yet so very unique. you know its her from the first few notes on.
I love her Manon, probably more so than Sills or Fleming. Her voice reminds me of De Los Angeles, but is different.
I'm glad I was introduced to this great, stylish and classy singer.
great stuff.......2007-01-24
I don't consider myself much more than a novice when it comes to opera; but I'm a musician, and I'd like to think I know good music when I hear it.
This is good music!
I've only recently become aquainted with Bidu Sayao, but I have to say that all the accolades I've read from the "experts" are well deserved. There is a character that shines through these recordings. And the recordings themselves are warm and pleasant, considering they come from mono shellac sides from another era.
There's something really special about this "vintage" music that seemingly cannot be replicated in modern recordings; an ethereal quality that's hard to explain, clearly belonging to the age from which it came. We are greatly enriched by its preservation!
Brazilian's Soprano.......2005-08-26
Excellent, amazing, recommend.
(excelente para conhecermos melhor uma das mais importantes e conhecidas sopramos de todo o mundo)
The most charming voice you will ever hear!.......2004-07-19
Bidu Sayão is considered the best Brazilian soprano ever and certainly one of the most taltented singers of the 20th century. Do you want to know why? This disc contains some important selections of Sayão's wonderful artistry. It includes arias and songs from French repertoire, in which Sayão is even in our days considered the most perfect example of French singing and style, some lovely Brazilian folksongs and her legendary recording of the Cantilena of Bachianas Brasileiras no. 5. It's a very good selection for every listener, since it shows Sayão's perfect vocal technique and sincere and moving interpretation. We have a joyful "Je veux vivre" as well as a heartbreaking "Adieu, notre petite table". Ah, but the true show here is her Bachianas Brasileiras. I'm absolutely sure you will never hear a better interpretation of this song! Sayão could sing from the most lyric parts and the most wonderful pianissimi to the most incredible coloraturas with no difficulty. Actually, she had exactly what I would call "perfect vocal technique", since it never, I mean, never fails. Her voice was small, but so carefully trained that it amazes me more than many big voices I heard. It's always pure, sweet and charming.
Dont' miss this singer who was maybe the best lyric soprano of the first half of the 20th century. If you are interested in listening to good music sung by a legendary voice, you really need to buy it!
Perfection!.......2003-12-16
There is a tremendous sincerity and perfection present in this CD. The Villa Lobos has attained classic status and should be owned by serious collectors. I have not heard No. 5 surpassed yet. Rosa Ponselle wrote in her biography that Sayao's pianissimi were "unequalled in my experience", the finest she had ever heard. Mind you, Ponselle heard them all including that Spanish Diva that made a career of singing softly. However, in Sayao's voice they have meaning are used to emotional effect superbly. Otherwise, the voice is so finely tuned that this old mono recording often gives a studio effect.
Bravo Madame Sayao!
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Rameau - Les Indes Galantes, Suites d'orchestre / La Chapelle Royale · Herreweghe
Jean-Philippe Rameau , Philippe Herreweghe , and La Chapelle Royale
Manufacturer: Hmf Musique D'abord
ProductGroup: Music
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Similar Items:
- Rameau: Orchestral Suites (vol. 1)
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ASIN: B00004TVGG
Release Date: 2000-08-15 |
Customer Reviews:
Rameau and the Rococo.......2007-01-09
I used to think the Rococo was nothing but Mozart and Haydn with a few lesser lights imitating them. I discovered Rameau in college when I bought an old Vox recording of Les Indes back in the 1960s. Gunter Kerr led his fine ensemble in a forthright performance. This recording by the Chapelle royale is a revelation. This is the full--as far as I can tell--set of incidental music to the opera, and what a joy the music is. It is full of the Rameau touches, and this recording along with another recording of the suites from La Naissance d'Osiris by the very fine Capella Savaria belongs in any serious rococo lover's library. Tops all the way--the Chaconne from the Les Indes being one of the supreme gifts of Rameau's art.
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