Few instrumentalists dominate and define their instrument like duduk player Djivan Gasparyan. In Gasparyan's hands, the Armenian oboe (carved from apricot branches) takes on a warm, spiritual tone that sounds at times ethereal, at others spirited. Until now, we've heard Gasparyan either solo or with minimal accompaniment (namely, his collaboration with Canadian guitarist Michael Brook on Black Rock). But on Armenian Fantasies, Gasparyan performs with his largest ensemble yet, a group of 10 traditional Armenian instrumentalists. The results are mesmerizing. On the "Armenian Suite," we get a catchy medley of folksy love songs; "Kamantcha Blues" is a shorter, more introspective work of improvisation; and "Armenian Romances" focuses on the country's more melancholic songs of longing. With each track, we hear the meditative, shadowy sounds of the duduk, along with indigenous instruments such as the tar (lute), kamantcha (fiddle), and kanon (zither) played at their peak. Highly recommended. --Jason Verlinde
Armenian Fantasies,Djivan Gasparyan,World Network,Armenia,Armenian,Int'l & World Music,Pop,World Music
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Armenian Fantasies
Djivan Gasparyan Manufacturer: Network Germany ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T6Y5 Release Date: 2000-05-09 |
Tracks:
- Armenian Suite
- Kamantcha Blues
- Armenian Romances
- Lyric Melodies & Dances For Women
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Few instrumentalists dominate and define their instrument like duduk player Djivan Gasparyan. In Gasparyan's hands, the Armenian oboe (carved from apricot branches) takes on a warm, spiritual tone that sounds at times ethereal, at others spirited. Until now, we've heard Gasparyan either solo or with minimal accompaniment (namely, his collaboration with Canadian guitarist Michael Brook on Black Rock). But on Armenian Fantasies, Gasparyan performs with his largest ensemble yet, a group of 10 traditional Armenian instrumentalists. The results are mesmerizing. On the "Armenian Suite," we get a catchy medley of folksy love songs; "Kamantcha Blues" is a shorter, more introspective work of improvisation; and "Armenian Romances" focuses on the country's more melancholic songs of longing. With each track, we hear the meditative, shadowy sounds of the duduk, along with indigenous instruments such as the tar (lute), kamantcha (fiddle), and kanon (zither) played at their peak. Highly recommended. --Jason VerlindeCustomer Reviews:
Exquisite and ravishing.......2005-10-09
This series of suites and fantasies is Gasparyan at his very best, composing, improvising and elaborating his sinous melodies in the context of a small orchestra. The effect is an explosion of colours which will surely bring his music to a much wider audience.
The Great Old Anew.......2001-10-17
The Armenian soul exposed.......2000-08-10
The results are mesmerisingly beautiful, conveying the soulful melancholy of Armenian music more affectingly than I have ever heard before. The style and instrumentation are clearly Middle Eastern, yet distinctive in the way the long melodies wind their sad, gentle way through an improvisatory soundscape. Occasionally there are bursts of dance-like exuberance, but even they have darker tones, as does the brief but lovely song performed by Gasparyan on the first track. In general effect, though not in style, this music has much in common with klezmer, the traditional instrumental music of East European Jews. There is the same haunting nostalgia; even when the music smiles, it is a sad smile that speaks of deeper troubles.
I cannot recommend this recording too highly: for those who already know and love Armenian music, and for those who like Turkish, Jewish or Arab music and are looking to explore further, "Armenian Fantasies" is unmissable.
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