Summer in Town

1. Snowballs

2. Chaconne

3. Summer in Town: March/Minuet/Toccata

Tracks:

Candide - Overture
West Side Story (Selection)
New York, New York
Gone With The WInd
A Summer Place
On The Town: The Great Lover
On The Town: Lonely Town: Pas de deux
On The Town: Times Square: 1944
Fanfare For The Common Man
A Little Night Music
America, The Dream Goes On
America Medley
Wonderful Town (Selection)
The Pink Panther
Divermento For Orchestra: Sennets And Tuckets
Divermento For Orchestra: Waltz
Divermento For Orchestra: Samba
Divermento For Orchestra: Turkey Trot
Divermento For Orchestra: March 'The BSO Forever'

Customer Reviews:

Great Intro to Modern American Classical Music.......2004-06-09

I'm not a Classical Music expert, but I found "American Classics" to be a very good collection of great 20th century American Classical musical numbers. The bulk of the selections were composed by Leonard Bernstein. However, other composers such as John Kander, Max Steiner, Aaron Copland, Stephen Sondheim, Henry Mancini, and John Williams are also included on this collection. All of the selections are performed by the legendary John Williams and the Boston Pops Orchestra. Williams is probably the top Classical Music conductor around today. His name is synonymous with many movie soundtracks, but on this collection we get to hear John Williams do what he does best - conduct the Boston Pops orchestra.

As mentioned, this focuses on American Music. Your not going hear Beethoven, Chopin, or Mozart here. For the most part, this is Williams and the Boston Pops Orchestra performing Leonard Bernstein (a great conductor in his own right). The music is grouped logically and by composer. Some of the music will be familiar to you and some of it might not be as familiar. You'll hear the theme from "The Pink Panther" (Mancini) as well as the theme from "Gone with the Wind" (Steiner). There is a riviting instrumental version of "New York New York" (i.e. Start Spreading the News...) that will make the Chairman of the Board, Frank Sinatra proud. Another popular selection is Aaron Copland's "Fanfare for the Common Man" - this is heard around Summer Olympics time quite a bit, but possibly not know by its actual name.

There are three tracks from the famous Bernstein musical "On the Town" and they are grouped together. These selections are among the best that are included in the collection. The first is "The Great Lover", the second is "Lonely Town: Pas de deux", and the third is an instrumental version the famous "Times Square: 1944" (i.e. New York New York, it's a hell of a town...). The "Times Square" melody I believe is the part in "On the Town" when the sailors go dancing in Times Square. Hearing this selection as an instrumental gives it a whole new dimension. There is also a nice reprise of this in Bernstein's "America Medley".
John Williams who is a great composer in his own right only has one number on this collection - that is "America, The Dream Goes On". This is one track on this collection that has vocals (although no credits are given to the vocalist(s) who sings). Although you'll hear the Boston Pops play real nicely here, it is the stirring vocals that make this one of the highlights of the CD. I consider Williams the best in the business, so I expect nothing less when it comes to him.

Tracks:

Lonely Town
Why Did I Choose You
Moment Musical Opus 16 No.3 In B Minor
In Love In Vain
Ruth's Waltz
Scenes From A Silver Screen
I'm Gonna Laugh you Right Out Of My Life
You My Love
Prelude En La Mineur
The Folks Who Live On The Hill
Easy On The Heart
Theme For Charlie
Wayfaring Stranger

Amazon.com

Bassist Charlie Haden was an integral part of Ornette Coleman's pioneering avant-garde groups in the '50s and '60s and led his own equally forward-thinking Liberation Music Orchestra. His ensemble Quartet West, with tenor saxophonist Ernie Watts, drummer Larance Marable, and pianist Alan Broadbent, revealed a sentimental side of his musical personality that surprised many. This recording, with string arrangements by Broadbent, sounds like a soundtrack to a Raymond Chandler film as Haden's sturdy bass tones make him a worthy supporting actor. But although Shirley Horn's ethereal voice sparkles on "Lonely Town," "In Love in Vain," and "I'm Gonna Laugh You Right Out of My Life," and crooner Bill Henderson's towering pipes are radiant on "Why Did I Choose You," "Ruth's Waltz," "You My Love," and "Easy on the Heart," all of the material is in pretty much the same ballad tempo, which, compounded by the time length of the CD, robs it of the romantic resonance it could truly shine on the listener. --Eugene Holley Jr.

Customer Reviews:

Age breeds a shining moment.......2003-11-20

The criticisms miss the point. This is an effort that does a rare thing - it brings together men and women who can put the experience of life to judicious use in their art. Unlike listening to the deterioration other performers have faced, in later years, at the hands of studio production teams that no longer know what to do with them, Charlie Haden has found a way to create a beautiful volume of space in which to let the years of these venerated performers shine through. It is in this space you shall hear the notes of lives lived and savored.

Nice but dismissable........2001-08-09

Haden's pleasant miscellany of neglected but deserving ballads is indeed a mixed bag, but somehow his focus, purpose, and method elude this listener. Neophyte writers are frequently enjoined to compose with a sharp, definitive, unified "thesis." Haden could have used a bit of coaching along these lines before producing this collection. Even drawing upon a common composer (as opposed to ranging from Kern to Rachmaninoff to public domain) might have provided the needed coherence to the project.

In any case, it's always a welcome experience to hear Shirley Horn; the revival of a touching ballad like "In Love in Vain" merits our appreciation; and though I was never a big fan of Bill Henderson (an acquired taste), he deserves to be recorded based on the evidence of this recording.

In sum, this album is more than anything else a "sampler" and should have been priced accordingly.

Disappointing by Quartet West standards.......2001-05-09

The outstanding Quartet West album is 'Always Say Goodbye'. On that CD, Broadbent demonstrates his skills at orchestral arrangement, and Haden deftly selects great oldies to intermingle with some of his own superb compositions. Haden also takes some historic performances -- such as Jo Stafford on vocals -- to bring a resonance to the new covers. The experiment was very successful.

You can see the logic behind this subsequent album: instead of using dusty old recordings, why don't we use today's state-of-the-art production to capture the voices of several current artists? And why don't we let Alan orchestrate the whole album?

The trouble is that the orchestration, beautiful though it is throughout, constrains the band terribly. And the vocals swamp the album. (Actually the Jo Stafford track on 'Always Say Goodbye' is one of the weakest on the album.) They say that the saxophone is the instrument closest to the human voice, and it is Ernie Watts who suffers most on this album, The sax is simply crowded out by all the singing. It is only on the stand-out track, 'Prelude en la mineur', an instrumental re-working of a Ravel piece, that Watts finally gets a chance to let rip.

Shirley Horn's vocals are fine, particularly on 'Lonely Town'. But I simply cannot listen to any of the tracks containing Bill Henderson's voice, and sadly, there are four of them.

The most touching song is the last one, where Haden himself bravely takes the vocal lead. It's a song his mother used to sing on the radio, back in the early 1940s, when the entire Haden family would appear on KWTO Springfield. It is a farewell to the dead, and also a reassurance that one day they will meet again.

If you want a quick survey of this CD, check out tracks #1, #9 and #13. It's a long way from the days of Haden's playing with Ornette Coleman and the Liberation Orchestra, and it's very mellow.

If you breathe and have ears, buy this record!.......2001-04-15

I first heard of Charlie Haden on Dublin's best radio music show - The Mystery Train presented by John Kelly on RTE Radio 1. I bought this CD and it has never been off my current play list. This is beautiful music that touches the heart. Listen to Wayfaring Stranger, Lonely Town, I'm Gonna Laugh You Right Out Of My Life, or Ruth's Walz after a tough day at the office or jammed in traffic and you will be back in touch with the good things in life. As someone who has evolved though Thin Lizzy, The Eagles, Eric Clapton, Queen, U2, Ella Fitzgerald, Louis Armstrong, BB King, Grant Green etc, Charlie Haden is proof of my graduation. After since buying other and even better Haden CD's, I am looking forward to seeing him in concert with Quartet West here in Dublin on April 29. BUY IT NOW!

A Night and a Lonely Town.......2000-05-24

Despite its problems, I think this album still deserves a five-star rating. Seemingly inspired by the music of moody classic cinema, a listener might well envision a seedy nightclub in a fog-swept black & white San Francisco of the 1940s or a tearful Ingrid Bergman about to board a twin-propellor leaving Rick and Casablanca behind her forever.

Regardless of which side of the Atlantic you envision on your moody musical journey, this is definitely a lounging type of music, perfect for lazy Sunday afternoons, after-theatre drives around town on warm summer evenings, warm candle-lit baths, or romantic dinners for two. The beautifully romantic ballads range from the longing "Lonely Town" to the mostly-resolute "I'm Going to Laugh You Right Out of My Life" to the quietly complacent "The Folks Who Live on the Hill." Interspersed with these great standards, however, are wonderful instrumental pieces which frame the remaining vocals with stunningly dramatic moods.

The only flaw is the rather unappealing voice of Bill Henderson, who seems to be suffering from a weak set of lungs, if not from lack of enthusiasm. Henderson seems to strive for the vocal capabilities of Shirley Horn, who sings on 1, 4, 7 and 10, but is incapable of achieving those same dramatic pitches of his fellow artist. Nevertheless, he does an adequate job on "Ruth's Waltz" and "Easy on the Heart" even if "Why Did I Choose You" is downright painful to listen to. Haden, who sings on 13, seems similarly incapable of reaching Horn's heights, but "Wayfaring Stranger," the traditional song he chose to render, is capable of carrying itself with the slow somber tone it evokes in the listener.

Regardless of its faults, this remains a beautiful album. I definitely recommend it to anyone who loves the kind of sit-at-home music it captures so very well in its beautifully jazzy tunes that are, at the very least, easy on the ears.

The Alamo: The Essential Film Music Collection
Average customer rating:

More expensive than the other Essential but worth it.

Excellent compilation of an important composer.

"film composer Dimitri Tiomkin gave his all and then some"

The Alamo: The Essential Film Music Collection
Dimitri Tiomkin
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music
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The Essential Elmer Bernstein Film Music Collection

Way Out West: The Essential Western Film Music Collection, Vol. 2

The Wild West: The Essential Western Film Music Collection

The Alamo (1960)

ASIN: B00022MBNK
Release Date: 2004-07-13

Tracks:

Night Passage
Tension At Table Rock
High Noon
The War Wagon
The Wild Wild West: Main Theme
The Wild Wild West: The Ballad Of Jim West
Gunfight At The O.K. Coral
Rio Bravo
Rawhide
Red River
The Unforgiven: Across The Texas Panhandle
The Unforgiven: The Need For Love
The Unforgiven: Horse Ballet
The Young Land
Duel In The Sun

Tracks:

The Fall Of The Roman Empire: Overture
The Fall Of The Roman Empire: The Fall Of Love
The Fall Of The Roman Empire: Pax Romana
55 Days Peking
Land Of The Pharaohs
Circus World (The Magnificent Showman)
Dial M For Murder
Strangers On A Train
Giant: Main Title
Giant: Love Theme
Giant: The Jett Rink Theme
The High And The Mighty
Wild Is The Wind
The Guns Of Navarone

Tracks:

Cyrano De Bergerac
The Well
Friendly Persuasion
Town Without Pity
It's A Wonderful Life
Tarzan And The Mermaids
The Thing From Another World
The Alamo: Overture/Prologue
The Alamo: Davy Crockett
The Alamo: Tennessee Babe
The Alamo: The Battle Of The Alamo
The Alamo: The Green Leaves Of Summer
The Alamo: Finale

Tracks:

Giant: This Then Is Texas
Rawhide: Rawhide
High Noon: Do Not Forsake Me
Night Passage: Follow The River
Giant: The Ballad Of Jett Rink
Friendly Persuasion: Thee I Love
It's A Wonderful Life
Wild Is The Wind
The High And The Mighty
The War Wagon: The Ballad Of The War Wagon
Rio Braco
The Young Land: Strange Are The Ways Of Love
The Wild Wild West: The Ballad Of Jim West
The Wild Wild West: The Wild Wild West

Amazon.com

Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley

Customer Reviews:

More expensive than the other Essential but worth it........2007-04-22

This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:

Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.

Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".

Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".

The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"

Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".

The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!

Excellent compilation of an important composer........2004-07-16

This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).

"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13

Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.

Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.

Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.

On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.

The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.

Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.

When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!

Total Time: 4-CD-Set ~ Silva America 811 ~ (7/13/2004)

084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101

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Horizont
Manufacturer: Boheme
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005B7IS
Release Date: 2001-04-24

Tracks:

Snowballs
Chaconne
Summer in Town: March/Minuet/Toccata

Customer Reviews:

AWESOMEST RIO INFLUENCED CHAMBER INSTRUMENTAL ROCK FROM USSR.......2002-04-18

This has just got to be heard- written in the first half of the 80's in the Soviet Union, this was released in 1985 on the Soviet label Melodiya. Trust me, I owe this album, this is highly artistic interplay between keys, guitars, flute and drums mainly and it seriously blows away. There are clear influences of neo-classical music, especially in Chaconne and in general this should please any fan of very complex, avantgarde progressive. Beautifully done (the suite Summer in Town is simply sensational and gives quite a chill when listening to it), the whole album is very strong and highly recommended!!!

Average customer rating:

Authentic music of the period
To sum it up: YUCK

How the World Wags

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JLKP
Release Date: 1999-07-13

Customer Reviews:

Authentic music of the period.......2003-05-19

I've listened to this cd many times. I am still not tired of it. Yes, in a sense the music is coarse, but that's the kind of music it is - lusty, bawdy, and expressive of an era of high spirits. And that's the way these songs are sung. These are essentially 17th century tavern songs and are sung by people who obviously know what they're singing. These songs should be enjoyed with a flask of beer or a jug of wine.

To sum it up: YUCK.......2000-07-03

Who could complain about the fabulous tunes published by Playford... wonderful melodies and truly timeless. Unfortunately, here they are performed in a coarse and unmusical way. This "City Waites" ensemble is NOT the same one that recorded the wonderful "Pills to purge melancholy" of Thomas D'Urfey. The singing here is harsh and badly out of tune. There is scant use of instruments to make up for it or cover it up. Of my set of uncounted CDs, this is one of about 3 that I have listened to only a few times- I literally can't sit through it.

Average customer rating:

Great performances of not-so-great music

Alma Mahler: Complete Songs

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Bride of the Wind / Fleming, Thibaudet, Endelman (2001 Film)

ASIN: B0000AM6ON
Release Date: 2003-09-23

Tracks:

The Quiet Town
In My Father's Garden
Mild Summer's Night
With You It Is Pleasant
I Stroll Among Flowers
Light In The Night
Woodland Bliss
Storm
Harvest Song
Hymn
Ecstasy
The Recogniser
Song Of Praise
Hymn To The Night
Softly Drifts A First Blossom
Do You Know My Nights?

Customer Reviews:

Great performances of not-so-great music.......2005-07-01

That so many female composers have not been enabled to reach their potential is a great loss to all of us. No doubt we should be reaching into history to discover where female geniuses lay and give them their due, and endeavour not to repeat the mistake. But there is nothing in this collection to convince me that Alma Mahler was one of them.

The prime interest in Alma Mahler is her fascinating life, entwined as it was with Gustav Mahler; Zemlinsky; Kokoschka; Walter Gropius et al. Some mystery is created by the story of Gustav's conditioning their marriage on her ceasing to compose. But was it really any great loss?

These sixteen songs (all that survive of her compositions) are full of stock late-romantic gestures showing Zemlinksy's influence but none of his insight. Her understanding of many of the poems is questionable, as she sails past key moments with little inspiration and lingers in unimportant byways.

Full credit to Panula, who provided the orchestral arrangements and sensitively conducted the Tampere Philharmonic; and Paasikivi, a delightful mezzo; who present these curiosities in the best possible light. Such ideal performances are better than the music deserves. Three stars: an average of five for the performance and one for the music.

Average customer rating:

Haydn: The Seasons

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Suite From 'Love's Labours Lost': Soliloquy II: Adagio - SPIRIT OF ENGLAND
Suite From 'Love's Labours Lost': Soliloquy III: Allegretto - SPIRIT OF ENGLAND
Suite From 'Love's Labours Lost': Finale: Allegro maestoso - SPIRIT OF ENGLAND

Tracks:

The Lark Ascending - SPIRIT OF ENGLAND
Oboe Concerto: Rondo Pastorale - SPIRIT OF ENGLAND
Oboe Concerto: Minuet And Musette - SPIRIT OF ENGLAND
Oboe Concerto: Scherzo - SPIRIT OF ENGLAND
Clarinet Concerto: Allegro vigoroso - SPIRIT OF ENGLAND
Clarinet Concerto: Adagio - SPIRIT OF ENGLAND
Clarinet Concerto: Rondo: Allegro giocoso - SPIRIT OF ENGLAND

Tracks:

Lady Radnor's Suite: Prelude - English String Orchestra
Lady Radnor's Suite: Allemande - English String Orchestra
Lady Radnor's Suite: Sarabande - English String Orchestra
Lady Radnor's Suite: Bourree - English String Orchestra
Lady Radnor's Suite: Slow Minuet - English String Orchestra
Lady Radnor's Suite: Gigue - English String Orchestra
Introduction & Allegro Op.47 - English String Orchestra
Sospiri Op.70 - English String Orchestra
Suite For String Orchestra: Prelude - English String Orchestra
Suite For String Orchestra: Intermezzo - English String Orchestra
Suite For String Orchestra: Nocturne - English String Orchestra
Suite For String Orchestra: Finale - English String Orchestra

Tracks:

Fantasia On A Theme By Thomas Tallis - Vaughan Williams, Ralph
Fantasia On Greensleeves - Vaughan Williams, Ralph
St. Paul's Suite Opus 29 No. 2: Jig - Gustav Holst
St. Paul's Suite (Opus 29 No. 2): Ostinato - Gustav Holst
St. Paul's Suite (Opus 29 No. 2): Intermezzo - Gustav Holst
St. Paul's Suite (Opus 29 No. 2): Finale - The Dargason - Gustav Holst
Capriol Suite: Basse-Danse - Peter Warlock
Capriol Suite: Pavane - Peter Warlock
Capriol Suite: Tordion - Peter Warlock
Capriol Suite: Bransles - Peter Warlock
Capriol Suite: Pieds-en-l'air - Peter Warlock
Capriol Suite: Mattachins - Peter Warlock
Variations On A Theme Of Frank Bridge Opus 10: Introduction And Theme - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Adagio - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: March - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Romance - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Aria Italiana - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: BourrClassique - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Wiener Waltzer - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Moto Perpetuo - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Funeral March - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Chant - Benjamin Britten
Variations On A Theme Of Frank Bridge Opus 10: Fugue And Finale - Benjamin Britten